Podcasts about brepols

L'invitée: Elisabeth Lusset, chargée de recherche au CNRS F. Murray Abraham, Michael Lonsdale, Sean Connery, Umberto Eco et Jean-Jacques Annaud sur le tournage du Nom de la Rose Le film: Le Nom de la Rose de Jean-Jacques Annaud (1986)La discussion:Présentation générale et résumé du film (1:30)L'origine du projet et le rôle des médiévistes comme conseillers historiques: Jacques Le Goff, Jean-Claude Schmitt, Michel Pastoureau, Françoise Piponnier…(5:45)Le casting et le choix discuté de Sean Connery (10:40)Les décors et les inspirations pour l'abbaye, mélange de différents sites: Eberbach, Rocca di San Leo, Sagra di San Michele, Castel del Monte… (12:20)Pourquoi une statue baroque dans un film médiéval ? (14:15)La réception critique et publique du film (15:40)Un roman d'Umberto Eco presque impossible à mettre à l'écran (17:55)La réaction furieuse de Jacques le Goff à la vision du film, et l'écart ou la tension entre cinéastes et historiens (21:20)Une représentation du Moyen âge en partie juste, mais largement fantasmée (22:50)La mise en scène d'un monastère bénédictin, et de ses rapports avec les paysans montrés comme misérables et exploités (24:25)Le discours idéologique ou politique du film, et l'Église dépeinte comme instance de domination (26:00)L'origine des franciscains, et des accusations d'hérésie portées contre certains ordres ou groupes religieux: Dolciniens, Spirituels… (31:50) et la mise en scène des affrontements religieux dans le film (37:20)La représentation de la vie monastique et la crainte du scandale face aux transgressions (38:20)Enquêtes, autopsies et poisons au Moyen âge (41:00)Peut-on torturer un moine médiéval, comme le suggère Bernardo Gui dans le film ? (43:40)La question de l'abstinence des clercs (45:40)L'anglais comme équivalent du latin dans le film, et le jeu sur les origines géographiques des personnages, avec le monastère comme lieu d'accueil (46:40)Livres, scriptorium, bibliothèques (49:35)Un Moyen âge dépeint sous des couleurs sombres, issu d'un imaginaire gothique / romantique: bossu, procès d'une « sorcière »… (52:33)Guillaume de Baskerville comme incarnation du versant positif, rationnel, du monde médiéval, par opposition au fanatisme de l'inquisiteur (moins sanguinaire dans la réalité) et du bibliothécaire (54:20)Les scènes les plus intéressantes d'un point de vue pédagogique ou pour ce qu'elles révèlent de la vision contemporaine du Moyen âge (55:40)Les références et conseils de lecture :Sur le film :– Jean-Jacques Annaud, Une vie pour le cinéma, entretiens avec M.-F. Leclère, Paris, Grasset, 2018– Priska Morrissey, Historiens et Cinéastes : rencontre de deux écritures, Paris, l'Harmattan, coll. « Champs visuels », 2004.– Jacques Le Goff, Une vie pour l'histoire: entretiens avec Marc Heurgon, Paris, La Découverte, 1996.– Michel Pastoureau, « La collaboration historique au cinéma: entretien avec Michel Pastoureau », Revue de l'Association historique des élèves du lycée Henri-IV : L'émoi de l'histoire, 21, tome 1, printemps 2000, p. 6-23.En histoire médiévale, pour l'éclairer :– “Le cloître et la prison”: webdocumentaire sur l'enfermement à Clairvaux– François Amy de la Bretèque, L'Imaginaire médiéval dans le cinéma occidental, Paris, Champion, 2004.– Franck Collard, Le Crime de poison au Moyen Âge, Paris, PUF (« Le nœud gordien »), 2003.– Faustine Harang, La torture au Moyen âge, Paris, PUF, 2018.– Claude Gauvard, Condamner à mort au Moyen âge, Paris, PUF, 2018.– Elisabeth Lusset, Crime, châtiment et grâce dans les monastères au Moyen Âge (XIIe-XVe siècle), Turnhout, Brepols, 2017.– Sophie Page, Magic in the Cloister. Pious Motives, Illicit Interests and Occult Approaches to the Medieval Universe, University Park (PA), The Pennsylvania State University Press, 2013.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type. Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge's construction after the flood of 1333. Much of the Ponte Vecchio's original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio's vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops. Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge's patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

SUMMARYFrom medieval itineraries to modern livestreams, Christian pilgrimage is often, if not always experienced through an imaginative transposal from a physical reality to a spiritual truth. In this episode, hosts Lindsay Pereira and Ella Jando-Saul explore the concept of virtual pilgrimage through conversations with two guests: Michael Van Dussen, a professor in the Department of English at McGill University in Tiohtià:ke/Montreal, teaches us about the medieval experience of pilgrimage in the British Isles while Simon Coleman, a professor in the Department for the Study of Religion at the University of Toronto teaches us about the modern reconstruction of pilgrimage to Walsingham in Norfolk, England.Simon Coleman's latest book, Powers of Pilgrimage: Religion in a World of Movement, can be found here.*VOICE AND SOUND CREDITSInterviewees:Dr. Michael Van Dussen, Professor of English Literature, McGill University.Dr. Simon Coleman, Professor of Anthropology and Religion, University of Toronto.Theme music:“Ai Tal Domna”: composed by Berenguier de Palou, recorded by Zep Hurme ©2014. Licensed under Creative Commons BY-NC. Available at https://ccmixter.org/files/zep_hurme/38429Voice credits:Stephen Yeager, voice of the HostGhislaine Comeau, voice of the MillerAndre Furlani, voice of the Reeve, drunkard, beggar, and donation collectorSound credits:Magical Minstrelsy: Where Medieval Meets Modern Through Mimesis, Season 1 Episode 1: Virtual Pilgrimage uses sounds from Freesound. All sound samples that were used in this episode are licensed under CC0 1.0:Footsteps on dirt: https://freesound.org/people/lzmraul/sounds/389454/Birds: https://freesound.org/people/MATRIXXX_/sounds/519110/Water: https://freesound.org/people/BurghRecords/sounds/415151/Cows: https://freesound.org/people/Nontu_Lwazi00/sounds/541920/Sheep: https://freesound.org/people/rent55/sounds/709921/Horse on dirt: https://freesound.org/people/Ornery/sounds/233345/Horse with cart: https://freesound.org/people/bruno.auzet/sounds/538438/Footsteps on cobblestone: https://freesound.org/people/SpliceSound/sounds/260120/Medieval city: https://freesound.org/people/OGsoundFX/sounds/423119/Church bells: https://freesound.org/people/Audeption/sounds/425172/Coins: https://freesound.org/people/husky70/sounds/161315/Blacksmith: https://freesound.org/people/Emmaproductions/sounds/254371/Music: https://ccmixter.org/files/asteria/2615Church coins: https://freesound.org/people/scripsi/sounds/335191/Gregorian chant: https://commons.wikimedia.org/wiki/File:Ecce.lignum.Crucis.oggCrowd gasping: https://freesound.org/people/craigsmith/sounds/480774/Baby crying: https://freesound.org/people/the_yura/sounds/211527/Breath: https://freesound.org/people/launemax/sounds/274769/Heartbeat: https://freesound.org/people/newlocknew/sounds/612642/Works Cited and ConsultedAhmed, Sara. The Cultural Politics of Emotion. Routledge, 2015.Arsuaga, Ana Echevarría. “The shrine as mediator: England, castile, and the pilgrimage to Compostela.” England and Iberia in the Middle Ages, 12th–15th Century, 2007, pp. 47–65, https://doi.org/10.1057/9780230603103_4.Arvay, Susan M. “Private passions: The contemplation of suffering in medieval affective devotions.” (2008).Bailey, Anne E. “Reconsidering the Medieval Experience at the Shrine in High Medieval England.” Journal of Medieval History, vol. 47, no. 2, Mar. 2021, pp. 203–29. DOI.org (Crossref), https://doi.org/10.1080/03044181.2021.1895874.Beckstead, Zachary. “On the way: Pilgrimage and liminal experiences.” Experience on the Edge: Theorizing Liminality, 2021, pp. 85–105, https://doi.org/10.1007/978-3-030-83171-4_5.Beebe, Kathryne. Reading Mental Pilgrimage in Context: The Imaginary Pilgrims and Real Travels of Felix Fabri's “Die Sionpilger.” West Virginia University Press, 2009.Benjamin, Walter. “The work of art in the age of mechanical reproduction.” Modern Art and Modernism: A Critical Anthology, 2018, pp. 217–220, https://doi.org/10.4324/9780429498909-39Cassidy-Welch, Megan. “Pilgrimage and embodiment: Captives and the cult of saints in late medieval bavaria.” Parergon, vol. 20, no. 2, 2003, pp. 47–70, https://doi.org/10.1353/pgn.2003.0101.Coleman, Simon, and John Elsner. “Tradition as play: Pilgrimage to ‘England's Nazareth.'” History and Anthropology, vol. 15, no. 3, 2004, pp. 273–288, https://doi.org/10.1080/0275720042000257430.Coleman, Simon, Ellen Badone, and Sharon R. Roseman. “Pilgrimage to ‘England's Nazareth': Landscapes of Myth and Memory at Walsingham.” Intersecting Journeys: The Anthropology of Pilgrimage and Tourism, University of Illinois Press, Urbana, IL, 2004, pp. 52–67.Coleman, Simon, and Marion Bowman. “Religion in Cathedrals: Pilgrimage, Heritage, Adjacency, and the Politics of Replication in Northern Europe.” Religion, vol. 49, no. 1, Jan. 2019, pp. 1–23. Taylor and Francis+NEJM, https://doi.org/10.1080/0048721X.2018.1515341.Coleman, Simon, and John Elsner. “Pilgrimage to Walsingham and the Re-Invention of the Middle Ages.” Pilgrimage Explored, edited by J. (Jennie) Stopford, York Medieval Press, 1999. WorldCat Discovery Service, https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16637.Díaz-Vera, Javier E. “Exploring the relationship between emotions, language and space: Construals of awe in medieval English language and pilgrimage experience.” Studia Neophilologica, vol. 88, no. 2, 2015, pp. 165–189, https://doi.org/10.1080/00393274.2015.1093918.Foster, Elisa A. “As You Came from the Holy Land: Medieval Pilgrimage to Walsingham and Its Crusader Contexts.” Crusading and Ideas of the Holy Land in Medieval Britain, edited by Kathryn Hurlock and Laura J. Whatley, Brepols, Turnhout, Belgium, 2022, pp. 91– 114.Gertsman, Elina, and Marian Bleeke. “The Eve Fragment from Autun and the Emotionalism of Pilgrimage.” Crying in the Middle Ages: Tears of History, Routledge, New York, NY, 2013, pp. 23–41.Grazia Di Stefano, Laura. “How to be a time traveller: Exploring Venice with a fifteenth-century pilgrimage guide.” Making the Medieval Relevant, 2019, pp. 171–190, https://doi.org/10.1515/9783110546316-008.Gregg, Melissa, and Gregory J. Seigworth. The Affect Theory Reader. Duke University Press, 2010.Hill, Joyce. “Rome in Ripon: St Wilfrid's Inspiration and Legacy.” History, vol. 105, no. 367, 2020, pp. 603–25. Wiley Online Library, https://doi.org/10.1111/1468-229X.13027.Hill‐Smith, Connie. “Cyberpilgrimage: The (virtual) reality of online pilgrimage experience.” Religion Compass, vol. 5, no. 6, 2011, pp. 236–246, https://doi.org/10.1111/j.1749-8171.2011.00277.x.Hundley, Catherine. “Pilgrims in the Parish: A Method and Two Herefordshire Case Studies.” Peregrinations: Journal of Medieval Art and Architecture, vol. 8, no. 3, Oct. 2022, pp. 40–87.Hurlock, Kathryn. “Virtual Pilgrimage.” Medieval Welsh Pilgrimage, C1100-1500, Palgrave Macmillan, New York, NY, 2018, pp. 145–174.Jenkins, John. “Replication or Rivalry? The ‘Becketization' of Pilgrimage in English Cathedrals.” Religion, vol. 49, no. 1, Jan. 2019, pp. 24–47. DOI.org (Crossref), https://doi.org/10.1080/0048721X.2018.1515327.Kempe, Margery, and Anthony Paul Bale. The Book of Margery Kempe. Oxford University Press, 2015.Kuefler, Mathew. The Making and Unmaking of a Saint: Hagiography and Memory in the Cult of Gerald d'Aurillac. University of Pennsylvania Press, 2014.Langland, William, and Schmidt A. V. C. Piers Plowman: A New Translation of the B-Text. Oxford University Press, 2009.Nickell, S. A. The Limits of Embodiment: The Implication of Written and Artistic Portrayals of Mary at the Foot of the Cross for Late Medieval Affective Spirituality, Graduate Theological Union, United States -- California, 2011. ProQuest, https://lib-ezproxy.concordia.ca/login?qurl=https%3A%2F%2Fwww.proquest.com%2Fdissertations-theses%2Flimits-embodiment-implication-written-artistic%2Fdocview%2F875240824%2Fse-2%3Faccountid%3D10246.Ousterhout, Robert. “‘Sweetly Refreshed in Imagination': Remembering Jerusalem in Words and Images.” Gesta, vol. 48, no. 2, Jan. 2009, pp. 153–68. www-journals-uchicago-edu.lib-ezproxy.concordia.ca (Atypon), https://doi.org/10.2307/29764905.Powell, Hilary. “Saints, Pilgrimage and Landscape in Early Medieval Kent, c. 800-1220.” Early Medieval Kent, 800-1220, Boydell Press, 2016, pp. 133–53.Sinnett-Smith, Jane. “Ætheldreda in the North: Tracing Northern Networks in the Liber Eliensis and the Vie de Seinte Audree.” Late Medieval Devotion to Saints from the North of England: New Directions, edited by Christiania Whitehead et al., Brepols, Turnhout, Belgium, 2022, pp. 285–303.Wynn, Mark. “God, pilgrimage, and acknowledgement of Place.” Religious Studies, vol. 43, no. 2, 2007, pp. 145–163, https://doi.org/10.1017/s0034412506008778.

Invité : Jean-Pierre Voutaz Cʹest lʹhistoire dʹun jeune Valaisan épris dʹabsolu, dʹun gamin bagarreur devenu prêtre, dʹun chanoine du Grand-Saint-Bernard qui a quitté sa patrie pour évangéliser le Tibet. Assassiné par des moines bouddhistes en 1949, Maurice Tornay a été béatifié par lʹEglise catholique, qui fête cette année les 75 ans de son martyre. Le chanoine Jean-Pierre Voutaz en parle au micro de Christine Mo Costabella. Réf. bibliographiques : " Ecrits valaisans et tibétains ", de Maurice Tornay, Ed. Brepols  / " 365 jours avec le bienheureux Maurice Tornay ", de Joseph Voutaz, juin 2024, Ed. Saint Augustin. Photo : Maurice Tornay (Copyright : Fondation du Bienheureux Maurice Tornay)

In this episode, Magdalena Biniaś-Szkopek and Darius von Güttner join host Susannah Lyon-Whaley to discuss their Polish Queens project, which examines Polish queens' roles as spouses, mothers, and queens. The project is also interested in looking into the emotional side of queenship and the emotions of the individual women themselves. Guest Bios:Magdalena Biniaś-Szkopek, Ph.D., Professor at UAM, Department of Archivistics, Faculty of History, Director of the Polish Academy of Sciences Kornik Library. Her areas of research interest include the history of late medieval Poland, Poland of the Jagiellonians, church and secular chancelleries in the Middle Ages and modern times, changes in the institution of marriage in Poland as well as in Europe in the fifteenth century, archival science with a particular focus on issues related to diplomacy, the development of chancery forms in history. She is the author of three monographs including Spouses before the court of the bishop of Poznań in the first quarter of the 15th century, Institute of History of the Adam Mickiewicz University, Poznań 2019 (Małżonkowie przed sądem biskupiego oficjała poznańskiego w pierwszej ćwierci XV wieku, Wydawnictwo Instytutu Historii UAM, Poznań 2019). She is the author of more than 30 studies and scientific articles. She is currently the grant manager of the project "Polish queens of the fifteenth and sixteenth centuries as wives and mothers” (2022 - 2026). Darius von Güttner is a historian of East Central Europe with a particular interest in cultural aspects of transmission of ideas and identity; Fellow of the Royal Historical Society and the Royal Society of Arts; General Editor of series “East Central Europe” published by Brepols Publishers. Professor von Güttner completed his PhD at the University of Melbourne and now serves as the Dean of the Australian Catholic University's Canberra Campus. His book, Poland, Holy War, and the Piast Monarchy, challenges long-held beliefs about Poland's involvement in religious conflicts, specifically the Crusades. Beyond medieval and early modern Europe, his research has broadened to tackle global history and the societal roles of elite women, such as Bona Sforza, Queen of Poland and her mother Isabella d'Aragona. He is also a regular contributor to ABC Radio Canberra's weekly history segment.Find out more about the Polish Queens project and stay tuned for their forthcoming volume with Brepols. You can find out more about Darius's research interests here. 

Faites un don et recevez un cadeau : http://don.storiavoce.com/ Rival potentiel du numéro un ou serviteur dévoué ?  Au cours de l'Histoire, la place des numéros deux a varié en fonction des contextes et des espaces. Dans le même temps, des stéréotypes se sont développés à leur égard. Mauvais seconds, traîtres, ambitieux assoiffés de pouvoir.  En effet, la place de numéro deux peut être choisie ou subie, car tous les hommes de pouvoirs ne peuvent pas devenir le numéro un. La place de numéro un, quel que soit le type d'État est l'objet d'une lutte plus ou moins intense. Ainsi, certaines personnalités politiques restent volontairement secondes, tels Cambacérès dans l'ombre de Napoléon ou bien Waldeck-Rousseau auprès de Gambetta. D'autres, de par les faveurs de leurs princes, atteignent presque un rang égal, tel Richelieu aux côtés de Louis XIII, faisant parfois eux-même de l'ombre au numéro un.  Pour mieux comprendre ce qu'il en a réellement été de la place des numéro deux, leur observation historique de l'Antiquité grecque à nos jours se révèle particulièrement intéressante. Elle permet de distinguer des types de postures politiques, ainsi que des évolutions en fonction des périodes et des espaces géographiques concernés. Enfin, Jean-Pierre Raffarin, ancien Premier ministre de Jacques Chirac, livre son témoignage sur sa place de numéro deux sous la Ve République. L'invité : Warren Pezé, maître de conférences à Paris Créteil, diplômé de l'ENS, spécialiste de l'histoire sociale à l'époque carolingienne a publié Le Virus de l'erreur. La controverse carolingienne sur la double prédestination : essai d'histoire sociale (Brepols, 2017, 565 p. 94,95 €). Il dirige aux côtés de Pierre-Emmanuel Guigo Être le numéro deux. Une histoire des rapports de pouvoir à la tête de l'État (PUR, 2024, 314 p. 28 €) *** Facebook : https://www.facebook.com/HistoireEtCivilisationsMag Instagram : https://www.instagram.com/histoireetcivilisations/ Twitter : https://twitter.com/Storiavoce

Nobelmen and women, in fancy clothing and pearls – but with dragon wings and tails. A laughing man with a full head of curly hair. Lions biting the ears off a man whose mouth is full of writhing serpents. These may sound like a weird combination of a gothic novel and a nightmare, but they're something completely different – a description of some of the eerie and surprising sculptures in Nidaros Cathedral, the northernmost gothic cathedral in the world that's located in NTNU's hometown of Trondheim.But what were the messages that stonemasons and religious leaders were trying to send visitors to the cathedral – and how do we interpret these messages 800 years later?My guests on today's show are Øystein Ekroll, chief archaeologist and researcher at the Nidaros Cathedral Restoration Workshop and Margrete Syrstad Andås, an art historian and associate professor at NTNU's Department of Art and Media Studies.You can read more about the history of the cathedral in this article from Norwegian SciTech News: Thousand-year-old cathedral surrenders its secrets, stone by stoneØystein Ekroll has an article about the building history of the cathedral from 1030 to 1537 that you can find here.Øystein's PhD dissertation is available here: The Octagonal Shrine Chapel of St Olav at Nidaros CathedralØystein and Margrete have also edited a book about the cathedral:Andås, Margrete Syrstad, Øystein Ekroll Andreas Haug and Nils Holger Petersen, eds,The Medieval Cathedral of Trondheim: Architectural and Ritual Constructions in their European Context (Traditions and Transformations 3), Turnhout, Brepols, 2007Andås, Margrete Syrstad. “Art and Ritual in the Liminal Zone.” In he Medieval cathedral of Trondheim : architectural and ritual constructions in their European context. Eds. Margrete Syrstad Andås, Øystein Ekroll, Andreas Haug and Nils Holger Petersen. Turnhout 2007: 47–126.Andås, Margrete Syrstad. ”The Octagon Doorway: A Question of Purity and Danger?” In Ornament and Order. Essays on Viking and Northern Medieval Art for Signe Horn Fuglesang. Edited by Margrethe C.Stang and Kristin B. Aavitsland, 97-134. Trondheim: Tapir, 2008.Like what you're hearing? Leave a review, tell your friends, subscribe! And you can contact me, Nancy Bazilchuk, with feedback at nancy.bazilchuk@ntnu.no Hosted on Acast. See acast.com/privacy for more information.

En 1921 Arnold Schoenberg decide crear un sistema de composición reglado a partir de un fundamento inflexible: de una única escala de doce sonidos de la escala cromática cada uno de ellos tiene la misma importancia y puede ser tocado bajo cualquier orden pero ninguno puede ser repetido hasta que se hayan tocado los otros 11._____Has escuchadoDrei Klavierstucke, Op. 11 (1909) / Arnold Schoenberg. Glenn Gould, piano. CBS (1968)“¿Qué es el dodecafonismo?”. YouTube Vídeo. Publicado por Raquel Aller, 25 de agosto de 2017: [https://www.youtube.com/watch?v=BQV9dfIZhjU]_____Selección bibliográficaAUNER, Joseph Henry, A Schoenberg Reader: Documents of a Life. Yale University Press, 2003BOSS, Jack Forrest, Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea. Cambridge University Press, 2014BUCH, Esteban, El caso Schönberg: nacimiento de la vanguardia musical. Fondo de Cultura Económica, 2010CHARLES, Agustín, Dodecafonismo y serialismo en España: compositores y obras. Rivera, 2005*DAHLHAUS, Carl et al., Schoenberg. Contrechamps, 2017HAIMO, Ethan, Schoenberg's Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914-1928. Clarendon Press; Oxford University Press, 1990IDDON, Martin (ed.), The Cambridge Companion to Serialism. Cambridge University Press, 2023JEDRZEJEWSKI, Frank, La musique dodécaphonique et sérielle: une nouvelle histoire. Brepols, 2021JENKINS, Daniel J., Schoenberg's Program Notes and Musical Analyses. Oxford University Press, 2017PERLE, George, Composición serial y atonalidad: una introducción a la música de Schönberg, Berg y Webern. Idea Books, 1999SACHS, Harvey, ¿Por qué Schoenberg: su vida, su música y su importancia hoy. Traducido por Mariano Peyrou Tubert. Taurus, 2024SHAW, Jennifer y Joseph Auner (eds.), Schoenberg. Cambridge University Press, 2010SOLOMOS, Makis, Antonia Soulez y Horacio Vaggione, Formel, informel: musique-philosophie. L'Harmattan, 2003*STUCKENSCHMIDT, Hans H., Arnold Schönberg. Halar, 1964* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

durée : 00:15:04 - avec Martine Clouzot - par : Philippe Venturini - Philippe Venturini reçoit ce samedi Martine Clouzot qui publie aux éditions Brepols un ouvrage sur les images marginales des livres dévotionnels du XIII et du XIVème siècle, intitulé : Musique, sexe et dévotion - réalisé par : Emmanuel Benito

Archaeology as a discipline has undergone significant changes over the past decades, in particular concerning best practices for how to handle the vast quantities of data that the discipline generates. As Shaping Archaeological Archives: Dialogues between Fieldwork, Museum Collections, and Private Archives (Brepols, 2023) uncovers, much of this data has often ended up in physical - or, more recently, digital - archives and left untouched for years, despite containing critical information. But as many recent research projects explore how best to unleash the potential of these archives through publication, digitization, and improved accessibility, attention is now turning to the best practices that should underpin this trend. In this volume, scholars turn their attention to how best to work with and shape archaeological archives, and what this means for the field as a whole. The majority of case studies here explore archaeological sites in the eastern Mediterranean and the Middle East, some of which are conflict zones today. However, the contributions also showcase more broadly the depth of research on archaeological archives as a whole, and offer reflections upon the relationship between archaeological practices and archival forms. In so doing, the volume is able to offer a unique dialogue on best practices for the dissemination and synthetization of knowledge from archives more generally, whether physical or digital. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Archaeology as a discipline has undergone significant changes over the past decades, in particular concerning best practices for how to handle the vast quantities of data that the discipline generates. As Shaping Archaeological Archives: Dialogues between Fieldwork, Museum Collections, and Private Archives (Brepols, 2023) uncovers, much of this data has often ended up in physical - or, more recently, digital - archives and left untouched for years, despite containing critical information. But as many recent research projects explore how best to unleash the potential of these archives through publication, digitization, and improved accessibility, attention is now turning to the best practices that should underpin this trend. In this volume, scholars turn their attention to how best to work with and shape archaeological archives, and what this means for the field as a whole. The majority of case studies here explore archaeological sites in the eastern Mediterranean and the Middle East, some of which are conflict zones today. However, the contributions also showcase more broadly the depth of research on archaeological archives as a whole, and offer reflections upon the relationship between archaeological practices and archival forms. In so doing, the volume is able to offer a unique dialogue on best practices for the dissemination and synthetization of knowledge from archives more generally, whether physical or digital. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

durée : 00:15:15 - avec Laurence Decobert - par : Philippe Venturini - Philippe Venturini reçoit la conservatrice en chef de la bibliothèque nationale de France, Laurence Decobert, pour son dernier ouvrage co-édité avec Denis Herlin : Aux Origines des collections musicales de la Bibliothèque nationale de France (1680-1815), aux éditions BNF / BREPOLS - réalisé par : Laurent Lefrançois

Cuando rondamos el siglo del nacimiento de los pioneros de la Generación del 51 y presenciamos la madurez de la“generación intermedia”,la música se transforma y relaciona con la imagen y con otras músicas no clásicas, y renueva el uso de técnicas extendidas, la improvisación o la electrónica._____Has escuchadoBodegón a 4 (2020) / Carolina Cerezo. OCAZEnigma; Aiser Puga, dirección. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 6 de abril de 2022Groc i boira finestra (2014) / Helena Cánovas i Parés. OCAZEnigma; Aiser Puga, dirección. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 6 de abril de 2022Ne pleurez pas insectes / Ariadna Alsina. Ana María Villamizar, soprano; Esther Lefebvre, violonchelo; electrónica. Grabado en el Studio Ernest-Ansermet, Ginebra, 2019Piel y memoria: para dúo de percusión, objetos, transductores y controlador MIDI (2019) / Abel Paúl. Neopercusión. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 9 de octubre de 2019Terra Ignota (2020) / Inés Badalo. Ensemble Sonido Extremo; Jordi Francés, dirección. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 24 de marzo de 2021“Tierra, polvo, tumba (2019)” / Núria Giménez Comas. Aleph Guitar Quartet. YouTube Vídeo. Publicado por incipitsify, 2 de diciembre de 2020: [Vídeo] _____Selección bibliográficaBESADA, José Luis, “La prise de l'IRCAM? Spanish Composers Facing New Technologies”. Contemporary Music Review, vol. 38, n.º 1-2, (2019) , pp. 206-224FUNDACIÓN JUAN MARCH, Aula de (Re)estrenos. Compositores sub-35 (VIII) [Programa de conciertos, notas de Mercedes Zavala]. Celebrado el 9 de octubre de 2019: [PDF]*—, Aula de (Re)estrenos. Compositores sub-35 (IX) [Programa de conciertos, notas de José Luis Besada]. Celebrado el 24 de marzo de 2021: [PDF]*—, Aula de (Re)estrenos. Compositores sub-35 (X) [Programa de conciertos, notas de Marina Hervás]. Celebrado el 6 de abril de 2022: [PDF]*GIMÉNEZ COMAS, Núria, “Listening Space, Perceiving Space: The Forest Inside the Concert Hall”. Sonograma: Revista de Pensament Musical i Difusión Cultural en V.O., consultada el 20 de junio de 2023: [Web]HERVÁS, Marina, “El Trío Feedback: imágenes poéticas, planos, reflejos y encuentros”. Tras las partituras: música actual explicada. Sociedad Filarmónica, Badajoz, consultada el 20 de junio de 2023: [Web]ORDÓÑEZ ESLAVA, Pedro, “Ars combinatoria: poética del número en la composición española contemporánea (1980-2018): breve antología inacabada”. En: Twentieth-Century Music and Mathematics. Brepols, 2019*Página oficial de Ariadna Alsina, consultada el 20 de junio de 2023: [Web]Página oficial de Inés Badalo, consultada el 20 de junio de 2023: [Web]Página oficial de Helena Cánovas i Parés, consultada el 20 de junio de 2023: [Web]Página oficial de Carolina Cerezo Dávila, consultada el 15 de junio de 2023: [Web]Página oficial de Núria Giménez Comas, consultada el 20 de junio de 2023: [Web]Página oficial de Abel Paúl, consultada el 20 de junio de 2023: [Web]PAÚL, Abel, “Uneven Mirrors: Thoughts on the Use of Spatial Doubles and Duplication in Three Recent Works”. Perspectives of New Music, vol. 58, n.º 2 (2020), pp. 5-42*—, “Doubles in the Sonic Realm: Compositional and Aesthetic Aspects of Two Recent Works”. Hoquet, vol. 9, n.º 19 (2021), pp. 30-52SIMANCAS, Elvira, “Entrevista con Núria Giménez Comas”. Sulponticello, n.º 103 (2023), consultada el 20 de junio de 2023: [Web] *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Une femme fascinante qui, par son charme, son intelligence et, surtout, sa volonté de fer, a marqué pour toujours l'Histoire de l'Europe occidentale. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada Script: François de Grandpré http://agenceprovencher.com/artiste.php?id=francois_de_grandpre   Erratum: Godefroy Plantagenet est mort après s'être baigné dans LE Loir et non La Loire, merci à un fidèle abonné @thorvaldlegrand de l'avoir signalé. Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/laurentturcot Musique issue du site : https://epidemicsound.com Images provenant de https://www.storyblocks.com Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Secrets d'Histoire Officiel, "Aliénor d'Aquitaine, une rebelle au Moyen Âge", YouTube, mis en ligne le 21 mars 2019 https://www.youtube.com/watch?v=JmkfSp2UJTw Confessions d'Histoire, "Aliénor & Conséquences (La 2e Croisade) - Aliénor d'Aquitaine, Louis VII", YouTube, mis en ligne le 4 décembre 2015 https://www.youtube.com/watch?v=YNCkYrI4CP4 Europe 1, "Au cœur de l'Histoire: Aliénor d'Aquitaine (F. Ferrand)", YouTube, mis en ligne le 18 février 2021 https://www.youtube.com/watch?v=pRrIZ293WBw R. Pernoud, Aliénor d'Aquitaine, Paris, Le Livre de poche, 1983. J. Favier, Les Plantagenêts : origines et destin d'un empire, Paris, Fayard, 2004 J. Flori, Aliénor d'Aquitaine : la reine insoumise, Paris, Payot, 2004. R. Turner, Aliénor d'Aquitaine, Paris, Fayard, 2011. M. Aurell, Aliénor d'Aquitaine, Paris, PUF, 2020. M. Aurell, Aliénor d'Aquitaine et l'essor de Fontevraud, Nantes, Éditions 303. M. Aurell et Noël-Yves Tonnerre (dir.), Plantagenêts et Capétiens : confrontations et héritages, Turnhout, Brepols, 2006. K. Bernard, Les mots d'Aliénor : Aliénor d'Aquitaine et son siècle, Bordeaux, Éditions Confluences, 2015. G. Duby, Dames du xiie siècle (tome I) : Héloïse, Aliénor, Iseut et quelques autres, Paris, Gallimard, 1995. "Aliénor, reine de France" (19 mars 2020), 1001 Patrimoines https://1001patrimoines.com/2020/03/19/alienor-reine-de-france/ "Aliénor, reine d'Angleterre" (20 mars 2020), 1001 Patrimoines https://1001patrimoines.com/2020/03/20/alienor-reine-dangleterre/ B. Mallen (26 mars 2020) "Histoire et confinement : les prisonniers célèbres de la forteresse royale de Chinon", France Info https://france3-regions.francetvinfo.fr/centre-val-de-loire/indre-loire/chinon/histoire-confinement-quand-forteresse-royale-chinon-etait-prison-vip-1806800.html C. Chaulin (4 janvier 2021) "Qui était Aliénor d'Aquitaine, reine de France et d'Angleterre ?", GEO.fr https://www.geo.fr/histoire/alienor-daquitaine-reine-de-france-et-dangleterre-202751#:~:text=Henri%20II%20fait%20emprisonner%20Ali%C3%A9nor,roi%20d'Angleterre%20en%201189. "Henri II (roi d'Angleterre)" Wikipédia (FR) https://fr.wikipedia.org/wiki/Henri_II_(roi_d%27Angleterre) "Guillaume X d'Aquitaine" Wikipédia (FR) https://fr.wikipedia.org/wiki/Guillaume_X_d%27Aquitaine "Guillaume IX d'Aquitaine" Wikipédia (FR) https://fr.wikipedia.org/wiki/Guillaume_IX_d%27Aquitaine "Littérature et amour courtois", Larousse https://www.larousse.fr/encyclopedie/divers/litt%C3%A9rature_et_amour_courtois/38026 "Raoul Ier de Vermandois" Wikipédia (FR) https://fr.wikipedia.org/wiki/Raoul_Ier_de_Vermandois "Bernard de Clairvaux" Wikipédia (FR) https://fr.wikipedia.org/wiki/Bernard_de_Clairvaux "Deuxième croisade" Wikipédia (FR) https://fr.wikipedia.org/wiki/Deuxi%C3%A8me_croisade "Étienne (roi d'Angleterre)" Wikipédia (FR) https://fr.wikipedia.org/wiki/%C3%89tienne_(roi_d%27Angleterre) "Richard Cœur de Lion" Wikipédia (FR) https://fr.wikipedia.org/wiki/Richard_C%C5%93ur_de_Lion "Traité du Goulet" Wikipédia (FR) https://fr.wikipedia.org/wiki/Trait%C3%A9_du_Goulet E. Zarevich (13 décembre 2022) "Eleanor of Aquitaine's “Court of Love”", JSTOR Daily https://daily.jstor.org/eleanor-of-aquitaines-court-of-love/ "Aliénor d'Aquitaine", Wikipédia (FR) https://fr.wikipedia.org/wiki/Ali%C3%A9nor_d'Aquitaine "Amour courtois", Wikipédia (FR) https://fr.wikipedia.org/wiki/Amour_courtois#:~:text=L'amour%20courtois%20ou%20fin,en%20occitan)%20et%20le%20bonheur. Les armées du Roi Arthur à Chateauneuf-du-Faou S. Malphettes, 27Juillet 2016 Bien avant que le styliste Nicolas Ghesquière (Balenciaga) ne fasse S. Bonvin, 17 octobre 2001 https://www.lalanguefrancaise.com/dictionnaire/definition/dysenterie Le texte et les sources ont été vérifiés de manière indépendante par un historien PhD. Autres références disponibles sur demande.   #histoire #documentaire #alienor

Invitées: Yasmina Foehr-Janssens et Daniela Solfaroli Camillocci. Nourrir son enfant au sein est une pratique aussi vieille que lʹhumanité. Le regard porté sur lʹallaitement a-t-il changé au fil des siècles? Et si oui, de quelle manière? Pourquoi les nourrices ont-elles disparu? Tribu reçoit Yasmina Foehr-Janssens, professeure au Département de langues et littératures médiévales et Daniela Solfaroli Camillocci, professeure associée et directrice de lʹInstitut dʹhistoire de la Réformation, toutes deux à lʹUniversité de Genève. Elles ont participé à la direction de lʹouvrage "Allaiter de lʹAntiquité à nos jours: histoire et pratiques dʹune culture en Europe" aux éditions Brepols.

Melvyn Bragg and guests discuss the anchoress and mystic who, in the late fourteenth century, wrote about her visions of Christ suffering, in a work since known as Revelations of Divine Love. She is probably the first named woman writer in English, even if questions about her name and life remain open. Her account is an exploration of the meaning of her visions and is vivid and bold, both in its imagery and theology. From her confined cell in a Norwich parish church, in a land beset with plague, she dealt with the nature of sin and with the feminine side of God, and shared the message she received that God is love and, famously, that all shall be well and all manner of things shall be well. With Katherine Lewis Professor of Medieval History at the University of Huddersfield Philip Sheldrake Professor of Christian Spirituality at the Oblate School of Theology, Texas and Senior Research Associate of the Von Hugel Institute, University of Cambridge And Laura Kalas Senior Lecturer in Medieval English Literature at Swansea University Producer: Simon Tillotson Reading list: John H. Arnold and Katherine Lewis (eds.), A Companion to the Book of Margery Kempe (D.S. Brewer, 2004) Ritamary Bradley, Julian's Way: A Practical Commentary on Julian of Norwich (Harper Collins, 1992) E. Colledge and J. Walsh (eds.), Julian of Norwich: Showings (Classics of Western Spirituality series, Paulist Press, 1978) Liz Herbert McAvoy (ed.), A Companion to Julian of Norwich (D.S. Brewer, 2008) Liz Herbert McAvoy, Authority and the Female Body in the Writings of Julian of Norwich and Margery Kempe (D.S. Brewer, 2004) Grace Jantzen, Julian of Norwich: Mystic and Theologian (new edition, Paulist Press, 2010) Julian of Norwich (trans. Barry Windeatt), Revelations of Divine Love (Oxford World's Classics, 2015) Julian of Norwich (ed. Nicholas Watson and Jacqueline Jenkins), The Writings of Julian of Norwich: A Vision Showed to a Devout Woman and a Revelation of Love, (Brepols, 2006) Laura Kalas, Margery Kempe's Spiritual Medicine: Suffering, Transformation and the Life-Course (D.S. Brewer, 2020) Laura Kalas and Laura Varnam (eds.), Encountering the Book of Margery Kempe (Manchester University Press, 2021) Laura Kalas and Roberta Magnani (eds.), Women in Christianity in the Medieval Age: 1000-1500 (Routledge, forthcoming 2024) Ken Leech and Benedicta Ward (ed.), Julian the Solitary (SLG, 1998) Denise Nowakowski Baker and Sarah Salih (ed.), Julian of Norwich's Legacy (Palgrave Macmillan, 2009) Joan M. Nuth, Wisdom's Daughter: The Theology of Julian of Norwich (Crossroad Publishing, 1999) Philip Sheldrake, Julian of Norwich: “In God's Sight”: Her Theology in Context (Wiley-Blackwell, 2019) E. Spearing (ed.), Julian of Norwich: Revelations of Divine Love (Penguin Books, 1998) Denys Turner, Julian of Norwich, Theologian (Yale University Press, 2011) Wolfgang Riehle, The Secret Within: Hermits, Recluses and Spiritual Outsiders in Medieval England (Cornell University Press, 2014) Caroline Walker Bynum, Jesus as Mother: Studies in the Spirituality of the High Middle Ages (University of California Press, 1982) Ann Warren, Anchorites and their Patrons in Medieval England (University of California Press, 1985) Hugh White (trans.), Ancrene Wisse: Guide for Anchoresses (Penguin Classics, 1993)

Wolfgang Marx's I Don't Belong Anywhere: Gyorgy Ligeti At 100 (Brepols Publishers, 2022) commemorates the centenary of Gyorgy Ligeti's birth. The volume consists of twelve contributions that consists of new investigations of many aspects of Legeti's career.  2023 marks the centenary of Ligeti's birth, an appropriate moment to take stock of the relevance this composer has in the contemporary world, to assess where he "belongs" today and how our views of his uvre and our understanding of his position in musical and cultural history have evolved. What do Ligeti and his music have to say to us in our post-postmodernist age? Why do his works still fascinate us so much? This book offers new readings of core compositions such as "Aventures", "Lontano", "Le Grand Macabre", the "Holderlin Fantasies" and "Galamb borong". It also reassesses the context and reception of Ligeti's works, including the influence of Romanian music (not least in his childhood), musical life in Hungary between 1945 and 1956, the ways in which his thinking was influenced by his experience of different soundscapes, yet also the surprisingly widespread use of his music in film and TV (beyond the usual suspect). Finally it presents new sources discovered or made available only recently: letters exchanged between Ligeti and Aliute Mecys in 1972, the correspondence between the composer and his publisher Schott, and an extended BBC interview from 1997. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Wolfgang Marx's I Don't Belong Anywhere: Gyorgy Ligeti At 100 (Brepols Publishers, 2022) commemorates the centenary of Gyorgy Ligeti's birth. The volume consists of twelve contributions that consists of new investigations of many aspects of Legeti's career.  2023 marks the centenary of Ligeti's birth, an appropriate moment to take stock of the relevance this composer has in the contemporary world, to assess where he "belongs" today and how our views of his uvre and our understanding of his position in musical and cultural history have evolved. What do Ligeti and his music have to say to us in our post-postmodernist age? Why do his works still fascinate us so much? This book offers new readings of core compositions such as "Aventures", "Lontano", "Le Grand Macabre", the "Holderlin Fantasies" and "Galamb borong". It also reassesses the context and reception of Ligeti's works, including the influence of Romanian music (not least in his childhood), musical life in Hungary between 1945 and 1956, the ways in which his thinking was influenced by his experience of different soundscapes, yet also the surprisingly widespread use of his music in film and TV (beyond the usual suspect). Finally it presents new sources discovered or made available only recently: letters exchanged between Ligeti and Aliute Mecys in 1972, the correspondence between the composer and his publisher Schott, and an extended BBC interview from 1997. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Wolfgang Marx's I Don't Belong Anywhere: Gyorgy Ligeti At 100 (Brepols Publishers, 2022) commemorates the centenary of Gyorgy Ligeti's birth. The volume consists of twelve contributions that consists of new investigations of many aspects of Legeti's career.  2023 marks the centenary of Ligeti's birth, an appropriate moment to take stock of the relevance this composer has in the contemporary world, to assess where he "belongs" today and how our views of his uvre and our understanding of his position in musical and cultural history have evolved. What do Ligeti and his music have to say to us in our post-postmodernist age? Why do his works still fascinate us so much? This book offers new readings of core compositions such as "Aventures", "Lontano", "Le Grand Macabre", the "Holderlin Fantasies" and "Galamb borong". It also reassesses the context and reception of Ligeti's works, including the influence of Romanian music (not least in his childhood), musical life in Hungary between 1945 and 1956, the ways in which his thinking was influenced by his experience of different soundscapes, yet also the surprisingly widespread use of his music in film and TV (beyond the usual suspect). Finally it presents new sources discovered or made available only recently: letters exchanged between Ligeti and Aliute Mecys in 1972, the correspondence between the composer and his publisher Schott, and an extended BBC interview from 1997. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Wolfgang Marx's I Don't Belong Anywhere: Gyorgy Ligeti At 100 (Brepols Publishers, 2022) commemorates the centenary of Gyorgy Ligeti's birth. The volume consists of twelve contributions that consists of new investigations of many aspects of Legeti's career.  2023 marks the centenary of Ligeti's birth, an appropriate moment to take stock of the relevance this composer has in the contemporary world, to assess where he "belongs" today and how our views of his uvre and our understanding of his position in musical and cultural history have evolved. What do Ligeti and his music have to say to us in our post-postmodernist age? Why do his works still fascinate us so much? This book offers new readings of core compositions such as "Aventures", "Lontano", "Le Grand Macabre", the "Holderlin Fantasies" and "Galamb borong". It also reassesses the context and reception of Ligeti's works, including the influence of Romanian music (not least in his childhood), musical life in Hungary between 1945 and 1956, the ways in which his thinking was influenced by his experience of different soundscapes, yet also the surprisingly widespread use of his music in film and TV (beyond the usual suspect). Finally it presents new sources discovered or made available only recently: letters exchanged between Ligeti and Aliute Mecys in 1972, the correspondence between the composer and his publisher Schott, and an extended BBC interview from 1997. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Dennis Duncan tells us about the history of the index. At it's simplest, an index is a table with columns that allow you to match sets of terms, most often topics and page numbers. Google is an index, as was the first bible concordance, completed in 1230 under the direction of a French Dominican scholar named Hugo de Saint-Cher. In the episode, Dennis quotes a line from Alexander Pope's Dunciad: How index-learning turns no student pale.  Yet holds the eel of science by the tail (book 1, lines 279-80) He also references Nicholas Carr's article, “Is Google Making Us Stupid?” (The Atlantic, July/Aug 2008), and the book based upon it, The Shallows: What the Internet is Doing to Our Brains (Norton, 2011), both of which make an argument against shallow reading that Dennis argues goes all the way back to medieval critiques of the index. In the longer version of our conversation, we talked about Italo Calvino's If On A Winter's Night a Traveler. Dennis Duncan is a scholar of book history, translation, and avant-garde literature at the University College London. His book about the history of the index, Index: A Bookish Adventure from Medieval Manuscripts to the Digital Age was published in the US by Norton in 2022. The book includes two indices, once made by indexing software, and the other by Paula Clarke Bain. This week's image is a portrait of Hugo de Saint-Cher, made by Tommaso da Modena. Image source: Wikimedia Commons. Full citation: Hugues de Saint-Cher († 1263), bibliste et théologien, Paris, Centre d'études du Saulchoir, Actes du colloque 13-15 mars 2000, Brepols, coll. « Bibliothèque d'histoire culturelle du Moyen Âge », n°1, Turnhout, 2004, 524 p., ISBN : 2-503-51721-8 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

"Creio na comunhão dos santos". Dentre tanta coisa legal e importante sendo dita no Credo Apostólico, este termo pode passar batido. Como será que ele veio parar aí? Por que seria uma verdade central para a fé cristã? Como isso nos ajuda a encarar a morte de quem amamos? Venha para este episódio que vai simultaneamente nas profundezas da história e dos nossos corações. Veja uma transcrição deste episódio em nosso blog. Na Pilgrim você também pode ver mais detalhes neste excelente livro sobre o credo apóstolico. _____ PARA SE APROFUNDAR Bryan Stone and Liuwe H. Westra, "Apostles' Creed" In: Encyclopedia of the Bible and Its Reception, online edited by Constance M. Furey, Joel Marcus LeMon, Brian Matz, Thomas Chr. Römer, Jens Schröter, Barry Dov Walfish and Eric Ziolkowski (Berlin, Boston: De Gruyter, 2010) F. L. Cross and Elizabeth A. Livingstone, orgs., The Oxford dictionary of the Christian Church (Oxford; New York: Oxford University Press, 2005), 90. Liuwe H. Westra, The Apostles' Creed: origin, history, and some early commentaries. (Brepols: 2002), 251-3. J.N.D. Kelly. Early Christian Creeds, 3rd Edition (New York: David McKay Company Inc., 1982), 390. Agostinho. Confissões. Inácio de Antioqua. Carta aos Efésios. _____ JÁ CONHECE A PILGRIM? A nossa plataforma oferece acesso a conteúdos cristãos de qualidade no formato que você preferir. Na Pilgrim você encontra audiolivros, ebooks, palestras, resumos, livros impressos e artigos para cada momento do seu dia e da sua vida: https://thepilgrim.com.br/ _____ SEJA PILGRIM PREMIUM Seja um assinante da Pilgrim e tenha acesso a mais de 9000 livros, cursos, artigos e muito mais em uma única assinatura mensal: https://thepilgrim.com.br/seja-um-assinante Quais as vantagens? Acesso aos originais Pilgrim + Download ilimitado para ouvir offline + Acesso a mais de 9.000 títulos! + Frete grátis na compra de livros impressos em nossa loja _____ SIGA A PILGRIM No Instagram: https://www.instagram.com/pilgrim.app/ no Twitter: https://twitter.com/AppPilgrim no TikTok: https://www.tiktok.com/@pilgrimapp e no YouTube: https://www.youtube.com/channel/UCy1lBN2eNOdL_dJtKnQZlCw Entre em contato através do contato@thepilgrim.com.br. Em suma é um podcast original Pilgrim. Todos os direitos reservados. O ponto de vista deste texto é de responsabilidade de seu(s) autor(es) e colaboradores diretos, não refletindo necessariamente a posição da Pilgrim ou de sua equipe de profissionais.

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Professor Martin's A Beautiful Ending: The Apocalyptic Imagination and the Making of the Modern World (Yale, 2022) is a survey of Early Modern European history from the Age of Discovery to the French Revolution with two important distinctions. First, Professor Martin views modernity through the enduring dream of the Apocalypse (which he calls the “stamp of modernity,” 250); second, he compares the Christian philosophy of the Apocalypse to the views of the two other great European religious traditions in this era—Judaism and Islam. The result is a magisterial survey of the age that presents familiar stories examined from a new angle. Christians, Muslims, and Jews alike understood the rapidly-changing, modern world they shared in terms of their common Abrahamic faith with its messianic elements, or “Apocalyptic Braid” (13). And, in addition, Christian Habsburgs and Muslim Ottomans entertained competing narratives of World Empire contested on continental battlefields and in the Mediterranean Sea as well as in literature. The Beautiful Ending ultimately was both the balm for the terrible uncertainties of the age but also a motivation for the modern Europeans to shape their own destiny—a motivation that Professor Martin argues has remained with us until today—“the idea that we are not simply made by history but also make history continues to stem from faith, and it matters little whether or not this faith is religious” (247). John Jeffries Martin is a historian of early modern Europe at Duke University. He specializes in social, cultural, and intellectual history of Italy in the sixteenth and seventeenth centuries. He is the author of Venice's Hidden Enemies: Italian Heretics in a Renaissance City (1993), which won the Herbert Baxter Adams Prize of the American Historical Association, Myths of Renaissance Individualism (2004), as well as this book, A Beautiful Ending. He is the author of over 50 articles and essays and several edited volumes, including The Renaissance World (2007). After recording this interview about history for the New Books in History Podcast, Krzysztof Odyniec and John Jeffries Martin recorded a second conversation about Apocalypse from the Early Modern period to the present day for the Almost Good Catholics podcast; the link is here. Krzysztof Odyniec is a historian of the Early Modern Europe and the Atlantic World, specializing in sixteenth-century diplomacy and travel. His forthcoming book is Diplomacy at the Edges of Empires: Johannes Dantiscus in Spain, 1519-1352 (published by Brepols). He also hosts and produces the Almost Good Catholics podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beyond Exclusion: Intersections of Ethnicity, Sex, and Society Under English Law in Medieval Ireland (Brepols, 2022) offers a fresh look at the legal status of minorities in English Ireland. Through a detailed analysis of case studies gleaned from medieval court rolls, Stephen Hewer challenges the prevailing narrative of wholesale ethnic discrimination and presents a nuanced picture of intersectional identities, strategies of negotiation, and evolving tensions between legal principle and practice. The notion that all Gaelic peoples were immediately and ipso facto denied access to the English royal courts in Ireland, upon the advent of the English in 1167, has become so accepted in academic and popular histories of Ireland that it is no longer questioned. This book tackles this narrative of absolute ethnic discrimination in thirteenth- and early fourteenth-century English Ireland on the basis of a thorough re-examination of the Irish plea rolls. A forensic study of these records reveals a great deal of variation in how members of various ethnic groups and women who came before the royal courts in Ireland were treated. Specifically, it demonstrates the existence of a large, and hitherto scarcely noticed, population of Gaels with regular and unimpeded access to English law, identifiable as Gaelic either through explicit ethnic labelling in the records or implicitly through their naming practices. Dr. Margaret Smith is a historian of medieval Ireland and Research Assistant Professor of Digital Humanities in the IRIS Center at Southern Illinois University, Edwardsville. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

La Fondation Pernod Ricard accueille le 2 décembre 2021, dans le cadre du cycle « Poésie Médium Art », Gil Bartholeyns et Clovis Maillet, tous deux historien.ne.s, dont les recherches innovantes contribuent au dynamisme des études médiévales. Explorant d'autres approches des concepts et des normes, leurs travaux remarqués ont aussi pour particularité d'être menés conjointement à des activités de création artistique, Gil Bartholeyns étant romancier, et Clovis Maillet, artiste performeur-euse. Ils élaborent par la fiction ou la narration d'autres modalités de la connaissance et des représentations. Spécialiste de la culture matérielle et visuelle, Gil Bartholeyns est historien et écrivain. Ses travaux allient histoire et enquête ethnographique dans un souci généalogique des pratiques. Il explore le rapport au temps, le pouvoir des images et les formes de la consommation. Il est chroniqueur à la radio et rédacteur en chef de Techniques&Culture. Il collabore aux revues Critique, L'Histoire, Terrain, et a dirigé notamment le volume "Politiques visuelles", Les presses du réel, 2016. Par ailleurs, il a co-écrit "Image et transgression au Moyen Âge", PUF, 2008, et "L'étrange et folle aventure du grille-pain, de la machine à coudre et des gens qui s'en servent", avec Manuel Charpy, Premier Parallèle, 2021. Il a récemment fait paraître un roman "Deux kilos deux", JC Lattès, 2019, et un essai sur l'événement pandémique "Le hantement du monde. Zoonoses et pathocène", Dehors, 2021. Clovis Maillet est médiéviste et artiste. Son travail d'historien l'a mené à étudier "La parenté hagiographique (XIIIe-XVe siècle) : d'après Jacques de Voragine et les manuscrits enluminés de la « Légende dorée »", Brepols, 2014, et plus récemment la question du genre et de la transidentité dans la culture médiévale, "Les genres fluides. De Jeanne d'Arc aux saintes trans", Arkhé, 2020. Vient de paraître, avec Thomas Golsenne, "Un Moyen Âge émancipateur", Même pas l'hiver, 2021, à propos de la fascination que le Moyen Âge suscite et des projets politiques émancipateurs qui mobilisent son imaginaire. Par ailleurs, avec Louise Hervé, il a fondé l'I.I.I.I., International Institute for Important Items, au sein duquel le duo d'artistes réalise des performances, des films et des installations, explorant les codes de la recherche universitaire comme de la visite-conférence. Louise Hervé et Clovis Maillet sont représenté.e.s par la Galerie Marcelle Alix, Paris.

Eagles Looking East and West: Dynasty, Ritual and Representation in Habsburg Hungary and Spain [Águilas mirando al este y al oeste] (Turnhout: Brepols Publishers, 2021) es un volumen que reúne a quince autores de España, Hungría, República Checa y otras partes, sobre el tema de la relación política especial entre las dos ramas de las monarquías católicas de los Habsburgo en la Europa moderna temprana. Separadas por la distancia pero unidas por la oposición al avance del Imperio otomano, estas dos casas lideraron cruzadas hasta el siglo XVIII. Además, la conexión con la casa española de Habsburgo -a través de muchas muestras y ceremonias de alianza, por ejemplo, de la orden de caballería del Toisón de Oro- permitió a los aristócratas de Hungría avanzar en sus propias carreras. Estos ensayos exploran las diversas formas en que se representó y promovió esta alianza. Tibor Martí es un historiador de España y Hungría e investigador del Departamento de Historia de la Temprana Edad Moderna del Instituto de Historia del Centro de Investigación en Humanidades de la Academia de Ciencias de Hungría en Budapest y anteriormente profesor de la Universidad Católica Pázmány Péter en las Facultades de Filosofía y  Humanidades. El profesor Martí ha escrito docenas de artículos y ponencias –en español, inglés y húngaro– sobre los temas de la diplomacia entre España, Hungría y Austria, los conflictos fronterizos y la lucha en las fronteras y los territorios vecinos disputados entre los europeos católicos y el Imperio otomano. Entrevista realizada por Krzysztof Odyniec, un historiador de España y el Imperio español en el siglo XVI especializado en la diplomacia y el viaje.

Eagles Looking East and West (Águilas mirando al este y al oeste) es un volumen que reúne a quince autores de España, de Hungría, de República Checa, y otras partes, sobre el tema de la relación política especial entre las dos ramas de las monarquías católicas de los Habsburgo en la Europa moderna temprana. Separadas por la distancia pero unidas por la oposición al avance del Imperio otomano, estas dos casas lideraron cruzadas hasta el siglo XVIII. Además, la conexión con la casa española de Habsburgo -- a través de muchas muestras y ceremonias de alianza, por ejemplo, de la orden de caballería del Toisón de Oro -- permitió a los aristócratas de Hungría avanzar en sus propias carreras. Estos ensayos exploran las diversas formas en que se representó y promovió esta alianza. Tibor Martí es un historiador de España y Hungria e Investigador del Departamento de Historia de la Temprana Edad Moderna del Instituto de Historia del Centro de Investigación en Humanidades de la Academia de Ciencias de Hungría en Budapest y anteriormente profesor de la Universidad Católica Pázmány Péter en la Facultad de Filosofía y también la Facultad de Humanidades. Profesor Martí ha escrito docenas de articulos y ponencias – en español, en inglés, en aleman, y en húngaro – sobre los temas de la diplomacia entre España, Hungría, y Austria, los conflictos fronterizos y la lucha en las fronteras y los territorios vecinos contestados entre los Europeos católicos y el Imperio otomano. Entrevista realizada por Krzysztof Odyniec es un historiador de España y el Imperio español en el siglo XVI especializado en la diplomacia y el viaje.

The fifteen contributors to Eagles Looking East and West: Dynasty, Ritual and Representation in Habsburg Hungary and Spain (Brepols, 2021) describe politics and representation in the Kingdom of Hungary from the sixteenth to the eighteen century. Hungary was part of Habsburg Europe under the banner of the double-headed eagle which flew from Spain to Austria and their many possessions. Coronations, funerals, patronage, diplomacy, and artwork reveal how the special relationship between Hungary and Spain functioned and appeared. In this interview, Tibor Martí explains the purpose, spirit, and achievement of the book, and he goes into depth about his own essay in the volume on the chivalric order of the Golden Fleece as an instrument of diplomacy between these great European Catholic monarchies in the Early Modern world. Tibor Martí is a Research Fellow in the Early Modern History Department at the Institute of History part of the Research Centre for the Humanities, in the Hungarian Academy of Science in Budapest and has been a lecturer at Pázmány Péter Catholic University in the Faculty of Philosophy and also the Faculty of the Humanities. He is author of dozens of articles and papers in English, Spanish, German, and Hungarian, all available at this link from Academia.com: https://tti.academia.edu/TiborMart%C3%AD. Krzysztof Odyniec is a historian of Early Modern Europe specializing in sixteenth-century diplomacy and travel in Central Europe and the Spanish Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fifteen contributors to Eagles Looking East and West: Dynasty, Ritual and Representation in Habsburg Hungary and Spain (Brepols, 2021) describe politics and representation in the Kingdom of Hungary from the sixteenth to the eighteen century. Hungary was part of Habsburg Europe under the banner of the double-headed eagle which flew from Spain to Austria and their many possessions. Coronations, funerals, patronage, diplomacy, and artwork reveal how the special relationship between Hungary and Spain functioned and appeared. In this interview, Tibor Martí explains the purpose, spirit, and achievement of the book, and he goes into depth about his own essay in the volume on the chivalric order of the Golden Fleece as an instrument of diplomacy between these great European Catholic monarchies in the Early Modern world. Tibor Martí is a Research Fellow in the Early Modern History Department at the Institute of History part of the Research Centre for the Humanities, in the Hungarian Academy of Science in Budapest and has been a lecturer at Pázmány Péter Catholic University in the Faculty of Philosophy and also the Faculty of the Humanities. He is author of dozens of articles and papers in English, Spanish, German, and Hungarian, all available at this link from Academia.com: https://tti.academia.edu/TiborMart%C3%AD. Krzysztof Odyniec is a historian of Early Modern Europe specializing in sixteenth-century diplomacy and travel in Central Europe and the Spanish Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fifteen contributors to Eagles Looking East and West: Dynasty, Ritual and Representation in Habsburg Hungary and Spain (Brepols, 2021) describe politics and representation in the Kingdom of Hungary from the sixteenth to the eighteen century. Hungary was part of Habsburg Europe under the banner of the double-headed eagle which flew from Spain to Austria and their many possessions. Coronations, funerals, patronage, diplomacy, and artwork reveal how the special relationship between Hungary and Spain functioned and appeared. In this interview, Tibor Martí explains the purpose, spirit, and achievement of the book, and he goes into depth about his own essay in the volume on the chivalric order of the Golden Fleece as an instrument of diplomacy between these great European Catholic monarchies in the Early Modern world. Tibor Martí is a Research Fellow in the Early Modern History Department at the Institute of History part of the Research Centre for the Humanities, in the Hungarian Academy of Science in Budapest and has been a lecturer at Pázmány Péter Catholic University in the Faculty of Philosophy and also the Faculty of the Humanities. He is author of dozens of articles and papers in English, Spanish, German, and Hungarian, all available at this link from Academia.com: https://tti.academia.edu/TiborMart%C3%AD. Krzysztof Odyniec is a historian of Early Modern Europe specializing in sixteenth-century diplomacy and travel in Central Europe and the Spanish Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fifteen contributors to Eagles Looking East and West: Dynasty, Ritual and Representation in Habsburg Hungary and Spain (Brepols, 2021) describe politics and representation in the Kingdom of Hungary from the sixteenth to the eighteen century. Hungary was part of Habsburg Europe under the banner of the double-headed eagle which flew from Spain to Austria and their many possessions. Coronations, funerals, patronage, diplomacy, and artwork reveal how the special relationship between Hungary and Spain functioned and appeared. In this interview, Tibor Martí explains the purpose, spirit, and achievement of the book, and he goes into depth about his own essay in the volume on the chivalric order of the Golden Fleece as an instrument of diplomacy between these great European Catholic monarchies in the Early Modern world. Tibor Martí is a Research Fellow in the Early Modern History Department at the Institute of History part of the Research Centre for the Humanities, in the Hungarian Academy of Science in Budapest and has been a lecturer at Pázmány Péter Catholic University in the Faculty of Philosophy and also the Faculty of the Humanities. He is author of dozens of articles and papers in English, Spanish, German, and Hungarian, all available at this link from Academia.com: https://tti.academia.edu/TiborMart%C3%AD. Krzysztof Odyniec is a historian of Early Modern Europe specializing in sixteenth-century diplomacy and travel in Central Europe and the Spanish Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The fifteen contributors to Eagles Looking East and West: Dynasty, Ritual and Representation in Habsburg Hungary and Spain (Brepols, 2021) describe politics and representation in the Kingdom of Hungary from the sixteenth to the eighteen century. Hungary was part of Habsburg Europe under the banner of the double-headed eagle which flew from Spain to Austria and their many possessions. Coronations, funerals, patronage, diplomacy, and artwork reveal how the special relationship between Hungary and Spain functioned and appeared. In this interview, Tibor Martí explains the purpose, spirit, and achievement of the book, and he goes into depth about his own essay in the volume on the chivalric order of the Golden Fleece as an instrument of diplomacy between these great European Catholic monarchies in the Early Modern world. Tibor Martí is a Research Fellow in the Early Modern History Department at the Institute of History part of the Research Centre for the Humanities, in the Hungarian Academy of Science in Budapest and has been a lecturer at Pázmány Péter Catholic University in the Faculty of Philosophy and also the Faculty of the Humanities. He is author of dozens of articles and papers in English, Spanish, German, and Hungarian, all available at this link from Academia.com: https://tti.academia.edu/TiborMart%C3%AD. Krzysztof Odyniec is a historian of Early Modern Europe specializing in sixteenth-century diplomacy and travel in Central Europe and the Spanish Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The fifteen contributors to Eagles Looking East and West: Dynasty, Ritual and Representation in Habsburg Hungary and Spain (Brepols, 2021) describe politics and representation in the Kingdom of Hungary from the sixteenth to the eighteen century. Hungary was part of Habsburg Europe under the banner of the double-headed eagle which flew from Spain to Austria and their many possessions. Coronations, funerals, patronage, diplomacy, and artwork reveal how the special relationship between Hungary and Spain functioned and appeared. In this interview, Tibor Martí explains the purpose, spirit, and achievement of the book, and he goes into depth about his own essay in the volume on the chivalric order of the Golden Fleece as an instrument of diplomacy between these great European Catholic monarchies in the Early Modern world. Tibor Martí is a Research Fellow in the Early Modern History Department at the Institute of History part of the Research Centre for the Humanities, in the Hungarian Academy of Science in Budapest and has been a lecturer at Pázmány Péter Catholic University in the Faculty of Philosophy and also the Faculty of the Humanities. He is author of dozens of articles and papers in English, Spanish, German, and Hungarian, all available at this link from Academia.com: https://tti.academia.edu/TiborMart%C3%AD. Krzysztof Odyniec is a historian of Early Modern Europe specializing in sixteenth-century diplomacy and travel in Central Europe and the Spanish Empire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

durée : 00:28:40 - Avec Barbara Nestola - par : Philippe Venturini - "La France de Louis XIV est longtemps passée pour l'unique rempart culturel européen capable d'endiguer le déferlement de la musique italienne. A l'opéra et aux sonates, elle opposait la tragédie en musique et la suite. Les faits sont évidemment plus complexes et plus nuancés..." Philippe Venturini - réalisé par : Laurent Lefrançois

Po wakacyjnej przerwie wznawiamy podcast #2historykow1mikrofon. Przygotowaliśmy ten odcinek dość nietypowo - tego samego dnia nagranie i emisja. Wprawdzie trzeba było zmusić się do wczesnej pobudki, od czego podczas urlopu jeden z nas odwykł, ale o 8 rano byliśmy już przed mikrofonem. Zebrało się sporo książek do omówienia, a temat przewodni wyklarował się podczas wakacyjnych wędrówek. W centrum naszej rozmowy umieściliśmy tym razem historie rodzinne. Jak je badać? Czy mamy się bać białych plam w narracji? Jak poradzić sobie z krytyką tzw. źródeł wywołanych? Dla naszych słuchaczy mamy przedpremierowo nowość książkową. To tom studiów poświęconych przedwojennemu kinu na Dolnym Śląsku pod red. Andrzeja Dębskiego. Co trzeba zrobić, by ją dostać? O tym w naszym odcinku. Już teraz zapraszamy do słuchania i, oczywiście, komentowania. Pełny tekst opisu zamieściliśmy na stronie internetowej naszego projektu: ... Wymienione w czasie audycji publikacje i materiały: Hejo, spann den Wagen an - Kinderlieder zum Mitsingen (https://www.youtube.com/watch?v=fKKbmVwsq9o) Tomasz Słomczyński, Kaszebe, Wołowiec 2021. Na obrzeżach wielkiego miasta. Z dziejów kina na Dolnym Śląsku do 1945 roku, Poznań 2021. Kartuskie Zeszyty Muzealne, pod red. Barbary Kąkol, (5) 2020, Kartuzy 2021. Wiesław Brzoskowski, Skarszewski rocznik historyczny, (2) 2020, Skarszewy 2020. Tenże, Z dziejów Bączka i Czarnocina, Skarszewy 2016. Historiography and Identity VI: Competing Narratives of the Past in Central and Eastern Europe, c. 1200 —c. 1600, red. Paulina Rychterova, David Kalhous, Turnhout, Brepols, 2021. #2historyków1mikrofon Krzysztof Ruchniewicz Blog: www.krzysztofruchniewicz.eu Facebook: Instagram: www.instagram.com/ruchpho/ Twitter: twitter.com/krzyruch YouTube: www.youtube.com/channel/UCT23Rwyk…iew_as=subscriber Przemysław Wiszewski Blog: www.przemysławwiszewski.pl Facebook: www.facebook.com/przemyslaw.wiszewski Instagram: www.instagram.com/przewisz/ Twitter: twitter.com/wiszewski YuoTube: www.youtube.com/channel/UCuq6q08E…iew_as=subscriber Do nagrania intro i outro wykorzystaliśmy utwór RogerThat'a pt. „Retro 70s Metal” (licencja nr JAM-WEB-2020-0010041).

On voit souvent le Moyen Âge comme une période obscure où aucune femme ne savait ni lire ni écrire. Et pourtant, elles ont existé ces trobairitz, poétesses, authoresses, escrivantes ou clergeresses... La plus illustre étant sans doute Christine de Pizan, au XVe siècle, que l’on peut considérer comme la première grande écrivaine de langue française.Mais en pratique, comment pouvait-on être femme et autrice au Moyen Âge ? Comment acquérir l’éducation nécessaire ? Comment vivre de sa plume ? Peut-on parler de langue médiévale féminine ? Laélia Véron et Maria Candea en parlent avec Gabriella Parussa, philologue, qui a établi l’édition critique de l' « Epistre Othea » de Christine de Pizan.L’INVITÉEGabriella Parussa, linguiste, philologue, professeure d’histoire de la langue à l’Université Sorbonne Nouvelle Paris 3 (laboratoire Clesthia)LES RECOMMANDATIONSLa reco de Gabriella : le dictionnaire du Moyen Français, gratuit et accessible en ligne (http://zeus.atilf.fr/dmf/) et les « Œuvres complètes » de François Villon, éditées par J. Cerquiglini-Toulet (Gallimard, 2020)La reco de Maria : le podcast « Passions médiévistes » et l’ouvrage de Gabriella Parussa et Yvonne Cazal, « Introduction à l’histoire de l’orthographe », (A. Colin, 2015, nouvelle édition sous presse)La reco de Laélia : le compte Twitter Actuel Moyen Âge (@agemoyen) et le chapitre sur le Moyen Âge rédigé par Jacqueline Cerquiglini-Toulet dans « Femmes et littérature, une histoire culturelle », sous la direction de Martine Reid, (Gallimard, 2020) RÉFÉRENCESLes travaux de Gabriella ParussaÉdition critique de l'« Epistre Othea » de Christine de Pizan, Genève, (Droz, 1999)« Stratégies de légitimation du discours autorial : dialogie, dialogisme et polyphonie chez Christine de Pizan » Le Moyen Français, Brepols, 2014, pp.43-65. ⟨hal-01401077⟩« La Langue de Christine de Pizan : usages et contraintes génériques » Romain Benini; Christine Silvi. Christine de Pizan, Montaigne, Molière, Diderot, Hugo, Giono., PUPS, pp.43-63, 2016, 9 791023 105483. ⟨hal-01401116⟩Autres référencesSarah Delale « Effort, vitesse, efficace de la création littéraire : imbrication de la composition et de la copie chez Christine de Pizan », in Elise Banjenec, Florian Besson, Viviane Griveau-Genest et Julie Pilorget (dir.), Crée. Créateurs, créations, créatures au Moyen Âge, (PUPS, 2019)« Le Non ! de la rose, Christine Pizan et les femmes », film réalisé par des étudiant·e·s de la Faculté des lettres de l'Université de Lausanne https://www.youtube.com/watch?v=9yTFYRPFYuo&t=987sLes conférences d’Inès Villela-Petit, historienne de l’art et spécialiste de l’enluminure du Moyen Âge, sur Christine de Pizan sur le site de la BNF https://www.bnf.fr/fr/agenda/latelier-de-christine-de-pizan-leditrice-1Les manuscrits de Christine de Pizan en accès libre sur Gallica : https://gallica.bnf.fr/html/und/manuscrits/christine-de-pizan?mode=desktop See acast.com/privacy for privacy and opt-out information.

In this episode we talk with researcher Maria Sorokina about her work on the medieval theological debates on astrology. Her PhD, “Les théologiens face à la question de l’influence céleste. Science et foi dans les commentaires des Sentences (v. 1220-v. 1340)”, studies the how astrology is dealt in the commentaries to the Sentences of Peter Lombard. This is a continuation of her MA research on these type debates in the “Summa de astris” of Gérard de Feltre. Maria’s research will be published soon in Les sphères, les astres et les théologiens L’influence céleste entre science et foi dans les commentaires des Sentences (v. 1220-v. 1340) (Brepols, 2020): http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503590868-1 For more information on her work see: https://kuleuven.academia.edu/MariaSorokina

durée : 00:28:47 - Avec Anne-Madeleine Goulet - par : Philippe Venturini - "La plupart des Grandes Heures de Versailles ont sonné avant que le roi et la cour ne s'y installe. Louis XIV n'était plus le seul, une vie culturelle et artistique à commencé à émerger durant cette fin de règne à Paris et dans ses environs, une effervescence hors de Versailles." Philippe Venturini - réalisé par : Adrien Roch

Over the past two centuries, archaeologists have found bones, footprints, and artifacts showing that people like ourselves have existed on earth for many millions of years. But many scientists have forgotten or ignored these remarkable facts. Why? Primarily because they contradict the now dominant evolutionary views about human origins and antiquity. According to these views, humans like ourselves have existed for only about 100,000 or 200,000 years, and before that there were only more primitive human ancestors. This evolutionary paradigm, to which influential groups of scientists are deeply committed, has acted as a "knowledge filter." And the filtering, intentional or not, has left us with a radically incomplete set of facts for building our ideas about human origins. Recovering the complete set of facts takes us on a fascinating expedition, across five continents to various archaeological sites, some long forgotten, some the center of ongoing controversy. On the other hand, the complete set of facts is consistent with the accounts of extreme human antiquity found in the Puranas, the historical writings of ancient India. Michael A. Cremo is research associate in history of archeology. He is a member of the World Archaeological Congress (WAC) since 1993. His WAC3 paper "Puranic Time and the Archaeological Record" was published in the Routledge One World Archaeology series volume Time and Archaeology (1999), edited by Tim Murray. He is also a member of the European Association of Archaeologists (EAA). In 2004 Cremo's paper "The Later Discoveries of Boucher de Perthes at Moulin Quignon and Their Impact on the Moulin Quignon Jaw Controversy," presented at the XXth International Congress for History of Science, Liege, Belgium, was published in a conference proceedings volume of this congress, by the scientific publisher Brepols. This event took place Sept 25th, 2014.  Visit https://g.co/talksatgoogle/michaelcremo to watch the video.

durée : 00:28:39 - Avec Jorge Morales : "Sigismondo D'India et ses mondes. Un compositeur italien d'avant-garde, histoire et documents" - par : Philippe Venturini - Au Prince Alphonse d'Este "J'ai appris par l'ambassadeur du Sérénissime Seigneur Duc votre père que Votre Altesse désirait que je me rende à Modène et moi qui n'aspire qu'à obéir aux ordres de Votre Altesse, je me suis résolu à m'envoler pour venir la servir" Rome 3 février 1626, Sigismondo D’India - réalisé par : Laurent Lefrançois

This episode we take a look at Sólarljóð, an Old Norse poem that mixes a Christian tour of heaven and hell with the stylings of eddic poetry. We also consider what it might have in common with one of the fugues of the Great Revival. Today's Texts: "Song of the Sun." The Elder Eddas of Saemund Sigfusson and the Younger Eddas of Snorre Sturleson, translated by Benjamin Thorpe and I.A. Blackwell, Norrœna Society, 1906, pp. 11-120. Google Books. References: Cobb, Buell E., Jr. The Sacred Harp, A Tradition and Its Music. U of Georgia P, 1978. Larrington, Carolyne, and Peter Robinson. Introduction to "Anonymous, Sólarljóð." Poetry on Christian Subjects, edited by Margaret Clunies Ross, Skaldic Poetry of the Scandinavian Middle Ages 7, Brepols, 2007, pp. 287-357. "Sólarljóð -- Anon SólVII." Skaldic Project. Wright, Thomas. St. Patrick's Purgatory: An Essay on the Legends of Purgatory, Hell, and Paradise, Current During the Middle Ages. John Russell Smith, 1844. Google Books. Zaleski, Carol. Otherworld Journeys: Accounts of Near-Death Experience in Medieval and Modern Times. Oxford UP, 1987. Audio Credit: "Greenwich" performed by Cork Sacred Harp, from the first Ireland Sacred Harp Convention, 2011. Used under CC-BY-3.0 license. https://soundcloud.com/corksacredharp/183-greenwich.

Vingt-septième numéro de la première saison d’Éclats d'histoire, l'émission d'histoire d'Aligre FM, émission réalisée par Thibault Paoli, animée par Luc Daireaux Émission diffusée le jeudi 11 avril 2019 Thème : L'Empire ottoman, la langue turque ottomane et sa ponctuation Invité : Olivier Bouquet, professeur d'histoire moderne et contemporaine à l'université Paris-Diderot, auteur de Quand les Ottomans firent le point. Histoire graphique, technique et linguistique de la ponctuation turque ottomane, Brepols, 2019.

Michael A. Cremo is research associate in history of archeology. He is a member of the World Archaeological Congress (WAC) since 1993. His WAC3 paper "Puranic Time and the Archaeological Record" was published in the Routledge One World Archaeology series volume Time and Archaeology (1999), edited by Tim Murray. He is also a member of the European Association of Archaeologists (EAA). In 2004 Cremo's paper "The Later Discoveries of Boucher de Perthes at Moulin Quignon and Their Impact on the Moulin Quignon Jaw Controversy," presented at the XXth International Congress for History of Science, Liege, Belgium, was published in a conference proceedings volume of this congress, by the scientific publisher Brepols. Cremo is the principal author of the book Forbidden Archeology, a comprehensive historical survey of archaeological anomalies. In a review in British Journal for History of Science, Tim Murray said the book "provides the historian of archaeology with a useful compendium of case studies in the history and sociology of scientific knowledge, which can be used to foster debate within archaeology about how to describe the epistemology of one's discipline." Recent Books:Cremo, M. A., and Thompson, R. L. (1993) Forbidden Archeology. San Diego: Bhaktivedanta Institute (reviews and notices in American Journal of Physical Anthropology, Geoarcheology, Journal of Field Archeology, Antiquity, Journal of Unconventional History, L'Homme, L'Anthropologie, British Journal for the History of Science, Social Studies of Science, and Ethology, Ecology, and Evolution. Translated into German as Verbotene Archaeologie (1994) Essen: Bettendorf. Cremo, M. A., and Thompson, R. L. (1994) The Hidden History of the Human Race. Badger: Govardhan Hill. Popular edition of Forbidden Archeology. (Spanish, Italian, Japanese, Hungarian, Polish, and Russian rights sold, other translation rights under negotiation). Cremo, M. A., and Goswami, M. (1995) Divine Nature: A Spiritual Perspective on the Environmental Crisis. Los Angeles: Bhaktivedanta Book Trust (released on Earth Day, April 22; 200,000 copies in print).Michael Cremo Websites http://www.mcremo.comhttp://www.mysciencemyreligion.comhttp://www.forbiddenarcheologist.comhttp://www.humandevolution.comhttp://www.forbiddenarcheology.com