Podcasts about Benvenuto Cellini

Alessandro Masi"L'opera perfetta"Vita e morte di MasaccioNeri Pozza Editorewww.neripozza.itQuesta non è solo la storia di un artista, è un viaggio nel cuore del Rinascimento, un libro che invita a riflettere sull'importanza dell'arte nella nostra vita e sul potere eternante della creatività umana.Masaccio muore a soli ventisei anni e attorno alla sua prematura scomparsa fioriscono subito, in quella primavera del 1428, leggende. Vengono avanzati dubbi e fatte speculazioni. Si parla di avvelenamento. Ma chi trae vantaggio dalla morte di un talento così straordinario? Alessandro Masi esplora tutte le ipotesi, scandaglia la sua breve vita contribuendo, con un'“indagine” accurata, a far emergere ancora più potente la percezione del genio di Masaccio e del suo lascito artistico. L'opera perfetta è anche l'analisi appassionata del lavoro di un grande maestro del Rinascimento, Tommaso di ser Giovanni Cassai che nacque a San Giovanni in Valdarno nel 1401, da tutti conosciuto come Masaccio, nomignolo che Giorgio Vasari giustifica attribuendolo alla sua «tanta straccurataggine». Studiando, scomponendo e ricomponendo i suoi capolavori più celebri, come il Tributo e le Storie di San Pietro nella Cappella Brancacci, definito da Benvenuto Cellini «la scuola del mondo», lo storico dell'arte dimostra come Masaccio abbia rivoluzionato la rappresentazione spaziale e la narrativa visiva, dando vita a un'esperienza emotiva e d'impatto che ha influenzato intere generazioni di artisti. Leonardo da Vinci, nel Codice Atlantico, lo definisce autore «dell'opera perfetta, come quelli che pigliavano per autore altro che la natura, maestra dei maestri».La tragica notizia della scomparsa di Masaccio, avvenuta qualche settimana prima a Roma, qualcuno dice per avvelenamento, giunse a Firenze solo il 20 giugno 1428 e fece immediatamente il giro della città. Non era passato molto tempo che, terminata la Trinità di Santa Maria Novella, il giovane pittore era partito dalla sua città per giungere alla Città eterna. L'invito ad andare a lavorare a Roma gli era stato consegnato da un garzone con una lettera firmata dallo stesso maestro di Panicale che, a sua volta, aveva ricevuto prestigiose commissioni grazie alle sue amicizie con i potenti Colonna, parenti del papa Martino VAlessandro Masi, storico dell'arte e giornalista, è segretario generale della Società Dante Alighieri. I suoi interessi spaziano dal futurismo (Zig Zag. Il romanzo futurista, il Saggiatore) a trattati di politica culturale del ventennio fascista (Giuseppe Bottai. La politica delle arti. Scritti 1918-1943, Editalia). Il suo recente studio sull'arte italiana a cavallo tra fascismo e repubblica (Idealismo e opportunismo della cultura italiana. 1943-1948, Mursia) ha dato vita a un lungo dibattito sulla figura di Palmiro Togliatti e gli intellettuali.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

La vie trépidante du célèbre orfèvre Benvenuto Cellini le conduira Florence à Paris en passant par Rome. Elle avait tout pour séduire Hector Berlioz, lequel lui a d'ailleurs consacré son premier opéra dont la création s'est soldée par un échec retentissant. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Er vergewaltigt und tötet gleich mehrfach. Benvenuto Cellini (geb. 3.11.1500) wird von den Mächtigen hofiert und posthum als Genie verehrt – auch wegen seiner Brutalität. Von Anja Reinhardt.

After three (very full!) weeks of Shakespeare, we reluctantly leave England for Italy—and step into the vivid world of Renaissance art. Ted Gioia's Immersive Humanities List serves up a refreshing change of scene with Giorgio Vasari's Lives of the Artists and Benvenuto Cellini's Autobiography.Both were brand-new to me, and both were a delight. Vasari, himself an accomplished painter and architect, profiles the greats—Giotto, Botticelli, Leonardo da Vinci, Raphael, and Michelangelo—not as remote geniuses but as human beings: witty, flawed, brilliant, and endlessly ambitious. His writing reminded me of Suetonius' Lives of the Caesars—a chronicle of greatness, but with warmth instead of gossip. Vasari captures not just the artists but the culture that shaped them: a world where beauty was power, art was currency, and patrons competed to prove their taste and influence.Each artist glows in Vasari's telling. Giotto, kind and devoted to the Church; Botticelli, charming and hopeless with money; Leonardo, the restless perfectionist who could give a lizard wings; Raphael, the graceful imitator who died too young; Michelangelo, the divine genius who could never quite trust the world that adored him. Reading Lives left me wondering how Florence could possibly have produced so many masters at once—and wishing we could live, just for a moment, in a world that valued art that deeply.Then came Benvenuto Cellini, the goldsmith, sculptor, and self-styled rogue whose Autobiography reads like an adventure novel. He's talented, impulsive, funny, and so honest that you can't help but like him. Cellini's stories—his fiery temper, his father's musical ambitions, his devotion to Michelangelo—make the Renaissance feel wonderfully alive.This week's title, “True Colors,” fits perfectly. Vasari and Cellini reveal the true colors of art and ambition—divine inspiration, human pride, and all the messy brilliance in between.This is a year-long challenge! Join me next week for Cervantes and Molière.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)All the video links are available in this Substack PostCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate -

This week on Crack the Book, I'm still in awe of Shakespeare — and not ready to leave him behind. Somewhere between Falstaff's jokes and Othello's heartbreak, I realized just how much I've climbed the Shakespeare learning curve. The language that once felt impossible now feels like music, and these plays — Henry IV, Parts 1 & 2, and Othello — have been my favorite week yet.To start, though, I covered a little of Shakespeare's own history, so that we can better understand what was happening around him as he wrote his plays.The Henry IV plays are part of Shakespeare's “Henriad,” tracing Prince Hal's transformation from tavern-dwelling prankster to King Henry V. Part 1 sets up the tension between fathers and sons — King Henry and Hal, Northumberland and Hotspur — while Falstaff brings both comedy and chaos. I was surprised by how much I loved the histories: the mix of battle and banter, the political drama, and the emotional depth. By Part 2, the story turns elegiac. Henry IV is aging, Hal is ready to lead, and Falstaff's charm finally wears thin. The final father–son scenes left me sobbing under a tree outside our hotel — Shakespeare reached across 400 years and hit me right in the heart.Then comes Othello, which could not be more different. Where Falstaff is funny, Iago is chilling. He's not a misunderstood fool — he's pure manipulation, the “honest” man who deceives everyone. I was struck by how quickly Shakespeare draws each character: Desdemona's sweetness, Emilia's courage, Othello's nobility. The tragedy lands hard because we believe them all. And even here, amid jealousy and death, Shakespeare finds humor — like a quick, ridiculous debate about national drinking habits.I watched the Royal Shakespeare Company productions of Henry IV with Anthony Sher's Falstaff, and they were brilliant — vivid sword fights, excellent pacing, and real warmth. By Othello, I'd developed my ear enough to read without watching.This project keeps surprising me — and this week, it reminded me why Shakespeare endures. His plays aren't ancient; they're alive, human, and heartbreakingly funny.This is a year-long challenge! Join me next week for Giorgio Vasari's Lives of the Artists and Benvenuto Cellini's Autobiography.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -

Champion trainer of Britain and Ireland Aidan O'Brien joins Emmet Kennedy for a blockbuster preview of the St Leger Festival at Doncaster and Irish Champions Weekend at Leopardstown and the Curragh.

Presenta fragmentos seleccionados de las óperas más emblemáticas y la magia de la lírica en cada melodía con la producción de Carolina Valdés y locución de Sergio Morales.  Miércoles a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

Andreas Beyer joins Jana Byars to talk about his new book, Benvenuto Cellini and the Embodiment of the Modern Artist (Reaktion, 2025). Benvenuto Cellini was a murderer, thief, lover of all genders, rival of popes and princes, as well as an ingenious artist. In his legendary autobiography, the Vita, Cellini describes his activities vividly and in lurid detail. Many of the most disturbing passages have been dismissed as fiction, but in this clear-eyed portrayal, Andreas Beyer argues that these sensational accounts of the body, sex, and extreme experiences are not only entertaining but historically authentic. The stories reveal the depth of Cellini's character: an artist who embraced life and shattered boundaries. Ultimately, this book discovers the roots of modern art's fascination with the autonomous artist deep within Cellini's audacious life and work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Andreas Beyer joins Jana Byars to talk about his new book, Benvenuto Cellini and the Embodiment of the Modern Artist (Reaktion, 2025). Benvenuto Cellini was a murderer, thief, lover of all genders, rival of popes and princes, as well as an ingenious artist. In his legendary autobiography, the Vita, Cellini describes his activities vividly and in lurid detail. Many of the most disturbing passages have been dismissed as fiction, but in this clear-eyed portrayal, Andreas Beyer argues that these sensational accounts of the body, sex, and extreme experiences are not only entertaining but historically authentic. The stories reveal the depth of Cellini's character: an artist who embraced life and shattered boundaries. Ultimately, this book discovers the roots of modern art's fascination with the autonomous artist deep within Cellini's audacious life and work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Andreas Beyer joins Jana Byars to talk about his new book, Benvenuto Cellini and the Embodiment of the Modern Artist (Reaktion, 2025). Benvenuto Cellini was a murderer, thief, lover of all genders, rival of popes and princes, as well as an ingenious artist. In his legendary autobiography, the Vita, Cellini describes his activities vividly and in lurid detail. Many of the most disturbing passages have been dismissed as fiction, but in this clear-eyed portrayal, Andreas Beyer argues that these sensational accounts of the body, sex, and extreme experiences are not only entertaining but historically authentic. The stories reveal the depth of Cellini's character: an artist who embraced life and shattered boundaries. Ultimately, this book discovers the roots of modern art's fascination with the autonomous artist deep within Cellini's audacious life and work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andreas Beyer joins Jana Byars to talk about his new book, Benvenuto Cellini and the Embodiment of the Modern Artist (Reaktion, 2025). Benvenuto Cellini was a murderer, thief, lover of all genders, rival of popes and princes, as well as an ingenious artist. In his legendary autobiography, the Vita, Cellini describes his activities vividly and in lurid detail. Many of the most disturbing passages have been dismissed as fiction, but in this clear-eyed portrayal, Andreas Beyer argues that these sensational accounts of the body, sex, and extreme experiences are not only entertaining but historically authentic. The stories reveal the depth of Cellini's character: an artist who embraced life and shattered boundaries. Ultimately, this book discovers the roots of modern art's fascination with the autonomous artist deep within Cellini's audacious life and work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Tommaso Mozzati"Per discrezione, per tatto, per modestia"Irene BrinElectawww.electa.itFirma di grido della cronaca mondana, Irene Brin (nata Maria Vittoria Rossi nel 1911), è stata protagonista di una vita sfolgorante, osservatrice acuta in straordinari pezzi di costume, scrittrice e critica inflessibile di libri e pellicole, promotrice per case di moda ricercate, gallerista di successo, frequentatrice del jet-set internazionale.Una donna à la page, cosmopolita, che ha attraversato la storia d'Italia, dal Fascismo agli anni frenetici del boom, sotto il segno di una raffinata modernità, colta e spregiudicata, senza confini d'ambiti o di generi. Tagliente e felice.Il volume fa parte della collana OILÀ, curata da Chiara Alessi, che presenta le storie di protagoniste del Novecento. Figure femminili che, nel panorama ‘creativo' italiano e internazionale (dal design alla moda, dall'architettura alla musica, dall'illustrazione alla grafica, dalla fotografia alla letteratura) si sono distinte in rapporto a discipline e mestieri ritenuti da sempre appannaggio dell'universo maschile. I libri, pensati per essere letti ad alta voce dall'inizio alla fine in quarantacinque minuti -un viaggio breve-, sono racconti di persone condotti attraverso una lente speciale sulle loro biografie, i lavori, i fatti privati e i risultati pubblici.Il progetto grafico è a cura dello Studio Sonnoli.Tommaso MozzatiRicercatore presso l'Università degli Studi di Perugia, insegna Storia dell'Arte Comparata in Europa in Epoca Moderna. Ha pubblicato numerosi contributi dedicati alla scultura italiana del Rinascimento e del Manierismo, consacrati a personalità di primo piano come Desiderio da Settignano, Michelangelo, Leonardo, Giovanfrancesco Rustici, Benvenuto Cellini e Giambologna.https://ilpostodelleparole.it/tommaso-mozzati/piccolo-sogni-di-vestiti-e-damore/IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

A 69. adás vendége Tamás Lóránt aranyműves mester. .Lóránt egy családi vállalkozáson keresztül, kemény munkával és alázattal alapozta meg hírnevét a szakmában, az igazi fordulópont azonban akkor következett el az életében, amikor úgy döntött, új életet lehel a családban több generáció óta öröklődő zsebórába. Az eredmény nagy hatást váltott ki környezetében, és hamarosan szélesebb körben ismertté tette. A hónapokon át nagy műgonddal készülő, egyedi kialakítású óráira ma már szerte a világból érkeznek megrendelések. A Párisi Udvarban található üzletében azonban nem csak ezeket lehet látni: Lóránt az első, aki az ékszerkészítés csúcsát képviselő Fabergé márkát is be tudta hozni Magyarországra. Igazi sikertörténet ez tehát, melynek hátterében számtalan tanulság és hasznos útravaló rejtőzik..A műsorban beszélgetünk Lóránt családjának történetéről, a hagyományok fontosságáról és megismerjük azokat az alapélményeket, amelyek életét formálták. Részletesen kérdezem karrierútjáról és a sikeréhez, elismertségéhez hozzájáruló összetevőkről. Elmélyülünk az aranyművesség, az órákhoz kapcsolódó lélekmentés és a Fabergé patinás világában is, szokás szerint megannyi személyes történettel fűszerezve..Jó szórakozást kívánok hozzá!--------FONTOS:A wopcast-et támogathatod Patreon-on és egyszerű utalással is..Patreon:https://www.patreon.com/wopcast.Az utalás ide érkezhet:Kocsány Kornél - CIB Bank10700495-62634067-51100005--------Tamás Lóránt:https://www.tamaslorant.com/https://www.instagram.com/tamas_lorant_jeweler/--------A Fabergé márkáról bővebben:https://www.tamaslorant.com/fabergehttps://www.faberge.com/https://www.instagram.com/officialfaberge/https://www.instagram.com/fabergehungary/--------A Lóránt által említett ajánlók:.Benvenuto Cellini élete https://www.libri.hu/konyv/benvenuto_cellini.benvenuto-cellini-elete.html.A Romanovok utolsó napjaihttps://moly.hu/konyvek/helen-rappaport-a-romanovok-utolso-napjai.Órás szakmai ismeretek:https://digitalia.lib.pte.hu/hu/pub/valyi-oras-szakmai-ismeretek-muszaki-kvk-bp-1967-717--------A wopcast, a wonderzofphotography és a wonderzofpainting:https://www.facebook.com/wopcastforlifehttps://www.facebook.com/wonderzofphotographyhttps://www.instagram.com/wopcast_hunhttps://www.instagram.com/wonderzofphotographyhttps://www.facebook.com/wonderzofpaintinghttps://www.instagram.com/wonderzofpaintingwww.youtube.com/@wopcast--------Ha bármi kérdésetek, kérésetek lenne, keressetek bátran a wonderzofphotography@gmail.com emailcímen vagy közvetlenül bármelyik közösségi médiás felületen.--------Műsorvezető: © Kocsány Kornélhttps://linktr.ee/kornelkocsanyArculatfelelős: © Kocsány Ákoshttps://linktr.ee/wyldebeest

Neben Leonardo da Vinci, Michelangelo und Raffael gehört er eher zu den weniger bekannten Renaissance-Künstlern. Zweifellos aber gehört Benvenuto Cellini nicht zu den weniger interessanten, wenngleich sein Werk neben den anderen eher überschaubar ist. Aber in seinen berühmten Skulpturen, aus denen der Perseus aus der Loggia dei Lanzi hervorragt, spiegelt sich ein Künstlerleben, das die Gründe und vor allem Abgründe eines genialischen und kreativen Menschen der Renaissance zeigt. Der Kunsthistoriker Andreas Beyer hat diesem ‚Leben im Furor‘ sein jüngstes Buch gewidmet. Rezension von Clemens Klünemann

Neben Leonardo da Vinci, Michelangelo und Raffael gehört er eher zu den weniger bekannten Renaissance-Künstlern. Zweifellos aber gehört Benvenuto Cellini nicht zu den weniger interessanten, wenngleich sein Werk neben den anderen eher überschaubar ist. Aber in seinen berühmten Skulpturen, aus denen der Perseus aus der Loggia dei Lanzi hervorragt, spiegelt sich ein Künstlerleben, das die Gründe und vor allem Abgründe eines genialischen und kreativen Menschen der Renaissance zeigt. Der Kunsthistoriker Andreas Beyer hat diesem ‚Leben im Furor‘ sein jüngstes Buch gewidmet. Rezension von Clemens Klünemann

 La vie trépidante du célèbre orfèvre Benvenuto Cellini le conduira Florence à Paris en passant par Rome. Elle avait tout pour séduire Hector Berlioz, lequel lui a d'ailleurs consacré son premier opéra dont la création s'est soldée par un échec retentissant.    Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Vita e curiosità su Galileo e Galilei - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Livello B1Buongiorno cari amici e amanti dell'italiano e benvenuti all'episodio numero 161. Torniamo a parlare di personaggi famosi. Voi sapete che abbiamo parlato di artisti come Giuseppe Verdi, Caravaggio, Benvenuto Cellini e poi anche di donne come Artemisia Gentileschi e poi abbiamo parlato di persone che hanno fatto la storia nella politica, nella società, nella pedagogia italiana. Bene oggi voglio parlarvi di un personaggio storico, pioniere della fisica e dell'astronomia e cioè: signore e signori vi presento Galileo Galilei.Galilei nasce a Pisa, in Toscana, il 15 febbraio del 1564. Proviene da un'antica famiglia, famosa e importante ma ormai decaduta e che si trova in gravi difficoltà economiche. Il padre, musicista lo porta a studiare. Le sue passioni però sono considerate in famiglia troppo teoriche anche perché hanno bisogno di guadagnare soldi, ma, pur non rinunciando a studiare, si dedica ad inventare cose che gli portano successo. Inventa molti strumenti di misurazione scientifica, come per esempio il compasso geometrico per usi militari e un termoscopio, conosciuto anche come termometro galileiano, un termometro che misura la temperatura. Questo termometro e un cilindro di vetro, riempito di alcool. All'interno ci sono delle ampolle riempite a loro volta di un liquido colorato con delle targhette dove si legge la temperatura. Quando si raggiunge l'equilibrio termico è possibile leggere la temperatura atmosferica....The full transcript of this Episode is available via "Luisa's learn Italian Premium", Premium is no subscription and does not incur any recurring fees. You can just shop for the materials you need or want and shop per piece. Prices start at 0.20 Cent (i. e. Eurocent). - das komplette Transcript / die Show-Notes zu allen Episoden sind über Luisa's Podcast Premium verfügbar. Den Shop mit allen Materialien zum Podcast finden Sie unterhttps://premium.il-tedesco.itLuisa's Podcast Premium ist kein Abo - sie erhalten das jeweilige Transscript/die Shownotes sowie zu den Grammatik Episoden Übungen die Sie "pro Stück" bezahlen (ab 25ct). https://premium.il-tedesco.itMehr info unter www.il-tedesco.it bzw. https://www.il-tedesco.it/premiumMore information on www.il-tedesco.it or via my shop https://www.il-tedesco.it/premium

Nous sommes le 7 août 1845. Dans l'hebdomadaire « La Belgique musicale », fondé quelques années plus tôt par une association d'artistes, dans un article consacré à Félix Godefroid, harpiste, pianiste et compositeur, on peut lire : « Les compositions qu'il a exécutées dans tous ses concerts sont sérieuses, grandioses, abondantes en pensées ; on y devine toujours aisément la science modestement déguisée sous les formes faciles et gracieuses d'une mélodie élégante et inspirée » La même année, « La Gazette du Rhin et de la Moselle » vante ses qualités d'interprète : « Un accompagnement de zéphir l'entoure comme les chuchotements les plus mystérieux des elfes. L'artiste nous a transporté dans un autre monde ; – on écoute, on s'étonne ! tout à coup les cordes semblent en proie à un orage, l'instrument paraît se transformer en un être animé, poursuivi et secoué par des passions terribles ». « Le ménestrel », revue musicale de Paris, dans son numéro du 13 février 1859, salue « cet art et ce soin que ce Benvenuto Cellini de la musique met à tout ce qui sort de ses habiles mains » ajoutant que « le célèbre artiste n'a rien moins qu'accompli une complète transformation dans la manière d'écrire la musique moderne de salon ». Or Félix Godefroid, quelques années auparavant, a regretté une vilaine manie de vouloir assimiler la harpe au piano : « C'est le jour et la nuit, selon lui, ce n'est ni la même sonorité, ni les mêmes effets, ni les mêmes moyens. Ce qui se joue sur l'un ne peut s'exécuter sur l'autre qu'avec une peine infinie, à moins de tout déranger : le ton, le doigté, les traits. » Hector Berlioz, lui-même, le déplore aussi : « à la honte de notre état musical, l'étude de la harpe, ce poétique et ravissant instrument, est aujourd'hui si dédaignée, que le premier harpiste de l'époque, c'est-à-dire le premier peut-être qui ait jamais existé, Félix Godefroid, se voit obligé, pour que sa pensée puisse avoir cours, d'écrire de la musique de piano, comme tout le monde » déclare le maître français dans le « Journal des débats » du 7 janvier 1852. Félix Godefroid, interprète, compositeur reconnu est aussi un pédagogue, en cela, il s'inscrit dans une tradition bien familiale. En effet, les Godefroid incarne une véritable dynastie musicale du XIXe siècle, en Belgique, en France et dans toute l'Europe. Partons sur leurs traces … Avec nous : Manuel Couvreur, membre de l'Académie royale de Belgique, secrétaire de la commission de la Nouvelle biographie nationale. Sujets traités : Félix Godefroid, musicien, harpiste, pianiste, compositeur, Belgique, Dynastie Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

秘色玛瑙花瓶（honey-coloured agate，又翻译为“双耳搪瓷玛瑙瓶”），通高21.4厘米、宽11厘米、重596克，其材质包括有珐琅、玛瑙和金，以罗马时代造型双耳瓶为原型，仿制意大利文艺复兴时期金匠本维努托·切里尼（Benvenuto Cellini）风格于1811-1834年制作于意大利。现收藏于大英博物馆。

Friedrich, Uwe www.deutschlandfunk.de, Kultur heute

Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

 La vie trépidante du célèbre orfèvre Benvenuto Cellini le conduira Florence à Paris en passant par Rome. Elle avait tout pour séduire Hector Berlioz, lequel lui a d'ailleurs consacré son premier opéra dont la création s'est soldée par un échec retentissant.    Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Known for his masterful sculptures and fiery temper, Benvenuto Cellini's escapades ranged from dueling in the streets to making audacious escapes from papal prisons. Join Ben and Daniele as they unfurl Cellini's wild stories and scandalous life. See omnystudio.com/listener for privacy information.

I am joined by the Florence based artist and art historian Dr. Alan Pascuzzi for a thrilling interview about his career as an artist following the techniques of the Renaissance masters. We first discuss the process of becoming a sculptor and painter in the Renaissance techniques. He walks us through his technical process, looking closely at his recent allegorical bronze group for Florida State University in Florence. Our conversation drifts to the monumental Perseus by Benvenuto Cellini, where Alan talks us through the relationship between the casting process in the Renaissance and the modern age. We conclude our conversation around Alan's methodology in his book, "Becoming Michelangelo: Apprenticing to the Master and Discovering the Artist Through His Drawings," where he recounts the insight learned by copying 135 of Michelangelo's drawings from his early career, a unique blending of studio art and art historical scholarship. To purchase "Becoming Michelangelo:" https://www.simonandschuster.com/books/Becoming-Michelangelo/Alan-Pascuzzi/9781950994373Follow us on Instagram for images: @italian_renaissance_podcastGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

Melvyn Bragg and guests discuss the infamous assault of an army of the Holy Roman Emperor on the city of Rome in 1527. The troops soon broke through the walls of this holy city and, with their leader shot dead early on, they brought death and destruction to the city on an epic scale. Later writers compared it to the fall of Carthage or Jerusalem and soon the mass murder, torture, rape and looting were followed by disease which was worsened by starvation and opened graves. It has been called the end of the High Renaissance, a conflict between north and south, between Lutherans and Catholics, and a fulfilment of prophecy of divine vengeance and, perhaps more persuasively, a consequence of military leaders not feeding or paying their soldiers other than by looting. WithStephen Bowd Professor of Early Modern History at the University of EdinburghJessica Goethals Associate Professor of Italian at the University of AlabamaAnd Catherine Fletcher Professor of History at Manchester Metropolitan UniversityProducer: Simon TillotsonReading list:Stephen Bowd, Renaissance Mass Murder: Civilians and Soldiers during the Italian Wars (Oxford University Press, 2018)Benvenuto Cellini, Autobiography (Penguin Classics, 1999)Benvenuto Cellini (trans. Julia Conaway Bondanella and Peter Bondanella), My Life (Oxford University Press, 2009)André Chastel (trans. Beth Archer), The Sack of Rome 1527 (Princeton University Press, 1983Catherine Fletcher, The Beauty and the Terror: An Alternative History of the Italian Renaissance (Bodley Head, 2020)Kenneth Gouwens and Sheryl E. Reiss (eds), The Pontificate of Clement VII: History, Politics, Culture (Routledge, 2005)Francesco Guicciardini (trans. Sidney Alexander), The History of Italy (first published 1561; Princeton University Press, 2020)Luigi Guicciardini (trans. James H. McGregor), The Sack of Rome (first published 1537; Italica Press, 2008)Judith Hook, The Sack of Rome (2nd edition, Palgrave Macmillan, 2004)Geoffrey Parker, Emperor: A New Life of Charles V (Yale University Press, 2019)

Melvyn Bragg and guests discuss the infamous assault of an army of the Holy Roman Emperor on the city of Rome in 1527. The troops soon broke through the walls of this holy city and, with their leader shot dead early on, they brought death and destruction to the city on an epic scale. Later writers compared it to the fall of Carthage or Jerusalem and soon the mass murder, torture, rape and looting were followed by disease which was worsened by starvation and opened graves. It has been called the end of the High Renaissance, a conflict between north and south, between Lutherans and Catholics, and a fulfilment of prophecy of divine vengeance and, perhaps more persuasively, a consequence of military leaders not feeding or paying their soldiers other than by looting. WithStephen Bowd Professor of Early Modern History at the University of EdinburghJessica Goethals Associate Professor of Italian at the University of AlabamaAnd Catherine Fletcher Professor of History at Manchester Metropolitan UniversityProducer: Simon TillotsonReading list:Stephen Bowd, Renaissance Mass Murder: Civilians and Soldiers during the Italian Wars (Oxford University Press, 2018)Benvenuto Cellini, Autobiography (Penguin Classics, 1999)Benvenuto Cellini (trans. Julia Conaway Bondanella and Peter Bondanella), My Life (Oxford University Press, 2009)André Chastel (trans. Beth Archer), The Sack of Rome 1527 (Princeton University Press, 1983Catherine Fletcher, The Beauty and the Terror: An Alternative History of the Italian Renaissance (Bodley Head, 2020)Kenneth Gouwens and Sheryl E. Reiss (eds), The Pontificate of Clement VII: History, Politics, Culture (Routledge, 2005)Francesco Guicciardini (trans. Sidney Alexander), The History of Italy (first published 1561; Princeton University Press, 2020)Luigi Guicciardini (trans. James H. McGregor), The Sack of Rome (first published 1537; Italica Press, 2008)Judith Hook, The Sack of Rome (2nd edition, Palgrave Macmillan, 2004)Geoffrey Parker, Emperor: A New Life of Charles V (Yale University Press, 2019)

In der Nacht vom 10. auf den 11. Mai 2003 kommt es im Kunsthistorischen Museum in Wien zu einem spektakulären Kunstdiebstahl. Ein Einbrecher dringt über ein Baugerüst in das Gebäude ein, zerschlägt eine Vitrine und flieht mit einem goldenen Salzfass, der Saliera, als Beute. Die Saliera ist aber nicht irgendein Salzfass, es ist die einzig erhaltene Goldschmiedearbeit des Renaissancekünstlers Benvenuto Cellini, mit einem Wert von über 50 Millionen Euro. Wir sprechen in der Folge über die Saliera, was sie so besonders macht und über das Leben von Cellini, der nicht nur Goldschmied und Bildhauer war, sondern auch dreifacher Mörder und der als gewalttätiger Unruhestifter mehrfach vor Gericht stand. //Literatur Uwe Neumahr: Die exzentrische Lebensgeschichte des Künstlers und Verbrechers Benvenuto Cellini, 2021 Rainer Paulus, Sabine Haag: Cellinis Saliera. Die Biographie eines Kunstwerkes. Schriften des Kunsthistorischen Museums, Band 19, 2018 //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte NEU: Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

The Perseus of Benvenuto Cellini is justly considered a masterpiece of Renaissance sculpture. Believe it or not, this statue almost never existed. From start to finish, sculpting the Perseus proved a Herculean labor, as dogged oppostion from Cellini's own patron, life-threatening illness, and the sheer enormity of the artist's ambitions conspired against him. Show notes and full transcripts available at www.artofcrimepodcast.com.   If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.   The Art of Crime is part of the Airwave Media network. To learn more about Airwave, visit www.airwavemedia.com. If you'd like to advertise on The Art of Crime, please email advertising@airwavemedia.com.

fWotD Episode 2411: Hector Berlioz Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Monday, 11 December 2023 is Hector Berlioz.Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust.The elder son of a provincial doctor, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style sufficiently to win France's premier music prize – the Prix de Rome – in 1830, but he learned little from the academics of the Paris Conservatoire. Opinion was divided for many years between those who thought him an original genius and those who viewed his music as lacking in form and coherence.At the age of twenty-four Berlioz fell in love with the Irish Shakespearean actress Harriet Smithson, and he pursued her obsessively until she finally accepted him seven years later. Their marriage was happy at first but eventually foundered. Harriet inspired his first major success, the Symphonie fantastique, in which an idealised depiction of her occurs throughout.Berlioz completed three operas, the first of which, Benvenuto Cellini, was an outright failure. The second, the huge epic Les Troyens (The Trojans), was so large in scale that it was never staged in its entirety during his lifetime. His last opera, Béatrice et Bénédict – based on Shakespeare's comedy Much Ado About Nothing – was a success at its premiere but did not enter the regular operatic repertoire. Meeting only occasional success in France as a composer, Berlioz increasingly turned to conducting, in which he gained an international reputation. He was highly regarded in Germany, Britain and Russia both as a composer and as a conductor. To supplement his earnings he wrote musical journalism throughout much of his career; some of it has been preserved in book form, including his Treatise on Instrumentation (1844), which was influential in the 19th and 20th centuries. Berlioz died in Paris at the age of 65.This recording reflects the Wikipedia text as of 00:25 UTC on Monday, 11 December 2023.For the full current version of the article, see Hector Berlioz on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Matthew Neural.

durée : 00:25:15 - Berlioz, Benvenuto Cellini - par : Anne-Charlotte Rémond - "On fit à l'ouverture un succès exagéré, et l'on siffla tout le reste avec un ensemble et une énergie admirables." C'est ce que Berlioz nous confie dans ses Mémoires à propos de son opéra Benvenuto Cellini. Anne-Charlotte Rémond revient sur toute l'histoire de cette œuvre, dans Musicopolis ! - réalisé par : Philippe Petit

Apart from creating exquisite music, goldwork, and statuary under the patronage of Pope Clement VII, among other notables, sixteenth-century Renaissance man Benvenuto Cellini had a special talent for making enemies. One professional rivalry even ended in murder, in the middle of a busy street. After getting imprisoned for a crime he never committed, Cellini found himself the target of a brazen assassination attempt. Show notes and full transcripts available at www.artofcrimepodcast.com.   If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.   The Art of Crime is part of the Airwave Media network. To learn more about Airwave, visit www.airwavemedia.com. If you'd like to advertise on The Art of Crime, please email advertising@airwavemedia.com.

“Brother, this is the greatest sorrow and the greatest trial that could happen to me in the whole course of my life. But don't despair; before you lose sight of him who did the mischief, you shall see yourself revenged by my hand.” — Benvenuto Cellini “Folk too gathered round us, for it had become clear that our words meant swords and daggers.” — Benvenuto CelliniItalian artists from the Renaissance often lived lives that would make artists-gangsters a la Biggie or Tupac blush. Born at a time and place when colorful individuals abounded, Benvenuto Cellini was the wildest of them all. He is remembered as one of the greatest artists of the era, and at the same time as a man of explosive passions, equally inclined to murder and disturbing sexual escapades. In this second episode: Cellini and his path to vengeance, summoning demons inside the Colosseum, the 48 Laws of Power at the court of the French King, escaping from prison, surviving poisonings, Perseus and Medusa, and much, much more. If you are looking for entertainment set in the Renaissance, you really can't ask for anything better. If you feel generous and enjoy History on Fire, please consider joining my Patreon at https://www.patreon.com/historyonfire to access plenty of bonus content. Bison is some of the healthiest meat you could possibly eat. Get yours at https://dakotapurebison.com/ History on Fire listeners get a discount by using the code HOF10 at checkout. Big thank you to Babbel for sponsoring this episode. Right now, get up to 55% off your subscription when you go to https://babbel.com/HOFAlso, thank you to Hillsdale College for sponsoring this episode. Checkout Hillsdale.edu/historyonfire to have access to free online courses. Foto di Copertina: Paolo Villa

“If one of you comes out of the shop, let the other run for a priest, because there'll be no need for a doctor.” — Benvenuto Cellini “The whole world was now in warfare.” — Benvenuto Cellini“And then falling on my knees, I begged him to absolve me of that homicide, and of the others I had committed while serving the Church in the castle. At this the Pope raised his hand, carefully made a great sign of the cross above my head, and said that he gave me his blessing and that he forgave me all the murders I had ever committed and all the murders I ever would commit in the service of the Apostolic Church.” — Benvenuto CelliniItalian artists from the Renaissance often lived lives that would make artists-gangsters a la Biggie or Tupac blush. Born at a time and place when colorful individuals abounded, Benvenuto Cellini was the wildest of them all. He is remembered as one of the greatest artists of the era, and at the same time as a man of explosive passions, equally inclined to murder and disturbing sexual escapades. In this first episode, we'll witness Cellini surviving the plague and pirates, multiple street fights with blades drawn and the 1527 Sack of Rome. Along the way, we'll see how Italian honor culture may help explain the Will Smith-Chris Rock clash at the Oscars. The characters that show up in our tale from kings and prostitutes, mercenaries and artists, necromancers and cardinals, servants and guards. If you are looking for entertainment set in the Renaissance, you really can't ask for anything better. If you feel generous and enjoy History on Fire, please consider joining my Patreon at https://www.patreon.com/historyonfire to access plenty of bonus content. Bison is some of the healthiest meat you could possibly eat. Get yours at https://dakotapurebison.com/ History on Fire listeners get a discount by using the code HOF10 at checkout. This episode is sponsored by HelloFresh, America's # 1 meal kit. Go to https://www.hellofresh.com/hof16 and get 16 free meals plus free shipping!

Benvenuto Cellini es otro florentino homosexual renacentista de la misma gloriosa generación que los demás florentinos homosexuales renacentistas que han pasado por este podcast. A él le debemos la espectacular estatua de Perseo con la cabeza de Medusa, que se puede ver en la Loggia della Signoria en Florencia. La escultura es una imagen perfecta que refleja cómo era nuestro protagonista de hoy: excelso como artista y violento como persona, y bueno, uno de los nuestros, bisexual, eso sí. Una fantasía, porque él mismo se escribió una autobiografía que no puede ser más jugosa. Y para las músicas, aquí: https://open.spotify.com/playlist/2xqEdxJ7Y71hmn5LKeLZug?si=340bbbeb0a384c4c

Kronkelende zeegoden, monsterlijke vissenkoppen en zilte zeemeerminnen op een vaas van de Franse zilversmid Antoine Vechte. Of is het dan: Véchtè? Wat doet een vaas van een Franse maker in hét museum van Nederlandse kunst en geschiedenis. Janine Abbring spreekt erover met conservator edele en onedele metalen Dirk Jan Biemond. Wil je weten hoe deze zilveren 'vaas' eruitziet? Kijk dan op: https://www.rijksmuseum.nl/nl/collectie/BK-2013-3 In het Rijksmuseum is powered by ING. 

 La vie trépidante du célèbre orfèvre Benvenuto Cellini le conduira Florence à Paris en passant par Rome. Elle avait tout pour séduire Hector Berlioz, lequel lui a d'ailleurs consacré son premier opéra dont la création s'est soldée par un échec retentissant.    Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

In 1545, the goldsmith Benvenuto Cellini was commissioned by Duke Cosimo I de' Medici to create a large bronze statue of the Greek hero Perseus and Medusa. The resulting work was one of the most beautiful and famous of the Renaissance. This episode examines the history, style, and importance of Cellini's bronze masterpiece.

Dangerously Yours - Firebrand From-1944 Stars-Victor Jory, Kermit Murdock & Joan Tetzel A tale of sixteenth century Italy and the loves of Benvenuto Cellini...a superb silversmith and lover! + “I am adventure. In my name men have traversed the highways, the byways, the skyways of the world. I am the fire that burns in the heart of youth that makes men dream and dare and conquer. I am Dangerously Yours…” Today follow me to the Italy of the 16th century, a day when the smile or the frown of a duke would mean life or death, when ladies were the fragile lovely prizes of the brave and daring and when the bravest and most daring man in Florence was Benvenuto Cellini The Firebrand…

This week's episode is a roundtable discussion about our evolving relationships with art. Maggie kicks us off with Picasso's 1907 painting Les Demoiselles d'Avignon. Tristan leads a discussion about his complicated relationship with Benvenuto Cellini's 16th-century sculpture, Perseus with the Head of Medusa. Cam rounds things out with his journey of finding, outgrowing, and rediscovering Shakespeare's Hamlet. Subscribe to our Substack here: https://substack.com/secondbreakfastpod Feedback & Theories: secondbreakfastpod@gmail.com Instagram / TikTok / YouTube: @secondbreakfastpod Cam's Work: https://www.cameronfucile.com/

La cultura ha generado refranes y dichos para de modo efectivo, breve y memorable preservar experiencias transmisibles de generación en generación. Porque más vale refrán en mano que enciclopedia volando. ECDQEMSD podcast episodio 5384 Sabiduría Ancestral Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias Del Mundo:  Las botellas de vino robadas - Rusia y las armas nucleares - Los misiles coreanos - Confinados y haciendo teléfonos - El huracán Lisa - Relojeros del mundo sincronizados - Canciones y tiempos - Benvenuto Cellini y sus joyas - Por la Universidad de Guadalajara Historias Desintegradas:  Los mal entendidos - La zanahoria - Un re flan - Muchos huevo - El burro y los pellizcos - Mis propios refranes - Mix de sabiduría - El pájaro vengador - No discutir - El gato y el garabato - Como el elefante - Frases educativas - La crítica - Refranes colombianos - Panamá se va de Colombia y más... https://www.canaltrans.com/ecdqemsd_podcast_2022/5384_sabiduria_ancestral.html En Caso De Que El Mundo Se Desintegre Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

Synopsis We tend to think of Paris as the most sophisticated and worldly of European capitals – a city whose residents are unlikely to be shocked by anything they see or hear. Ah, but that's not always the case, as poor Hector Berlioz discovered on today's date in 1838, when his new opera “Benvenuto Cellini” premiered at the Paris Opéra. One line in the libretto about the cocks crowing at dawn was considered, as Berlioz put it, “belonging to a vocabulary inconsistent with our present prudishness” and provoked shocked disapproval. And that was just the start of a controversy that raged over both the morality and the music of this new opera. Following the dismal opening night, Berlioz wrote to his father: “It's impossible to describe all the underhanded maneuvers, intrigues, conspiracies, disputes, battles, and insults my work has given rise to… The French have a positive mania for arguing about music without having the first idea – or even any feeling – about it!” From the fiasco of the opera's premiere, however, Berlioz did retrieve some measure of success. His famous contemporaries Paganini and Liszt both admired the work – and said so – and one flashy orchestral interlude from “Benvenuto Cellini” did prove a lasting success when Berlioz recast it as a concert work: his “Roman Carnival Overture.” Music Played in Today's Program Hector Berlioz (1803-1869) –Benvenuto Cellini and Roman Carnival Overtures (Staatskapelle Dresden; Sir Colin Davis, cond.) BMG/RCA 68790

HSF sits down to discuss the last three episodes, but also to talk about what makes a good human being , not specifically a good man.......  

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Joy Wiltenburg's book Laughing Histories: From the Renaissance Man to the Woman of Wit (Routledge, 2022) breaks new ground by exploring moments of laughter in early modern Europe, showing how laughter was inflected by gender and social power. "I dearly love a laugh," declared Jane Austen's heroine Elizabeth Bennet, and her wit won the heart of the aristocratic Mr. Darcy. Yet the widely read Earl of Chesterfield asserted that only "the mob" would laugh out loud; the gentleman should merely smile. This literary contrast raises important historical questions: how did social rules constrain laughter? Did the highest elites really laugh less than others? How did laughter play out in relations between the sexes? Through fascinating case studies of individuals such as the Renaissance artist Benvenuto Cellini, the French aristocrat Madame de Sévigné, and the rising civil servant and diarist Samuel Pepys, Laughing Histories reveals the multiple meanings of laughter, from the court to the tavern and street, in a complex history that paved the way for modern laughter. ​ With its study of laughter in relation to power, aggression, gender, sex, class, and social bonding, Laughing Histories is perfect for readers interested in the history of emotions, cultural history, gender history, and literature. Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vita e opere di Benvenuto Cellini. - Spendieren Sie einen Cafè (1€)? Donate a coffee (1€)? https://ko-fi.com/italiano Livello B1Buongiorno cari amici e amanti dell'italiano e benvenuti al nostro consueto appuntamento settimanale con i podcasti di Luisa.Oggi vi parlo di arte.Sicuramente molti di voi sono già stati a Firenze. Vi ricordate la piazza principale nel centro storico della città, Piazza della Signoria? Ecco pensate adesso di essere lì e di trovarvi davanti alla Loggia dei Lanzi, a destra del Palazzo Vecchio e accanto agli Uffizi. L'edificio che è servito come modello per la Feldhernhalle nel centro di Monaco.Ecco sotto la Loggia dei Lanzi ci sono diverse sculture. Una di queste è in bronzo e rappresenta Perseo, secondo la mitologia greca figlio di Zeus che uccide Medusa, una delle tre Gorgoni che avevano il potete di pietrificare ......The full transcript of this Episode is available via "Luisa's learn Italian Premium" - das komplette Transcript / die Show-Notes sind über Luisa's Podcast Premium verfügbar. Den Shop mit allen Materialien zum Podcast finden Sie unter https://premium.il-tedesco.itLuisa's Podcast Premium ist kein Abo - sie erhalten das jeweilige Transscript/die Shownotes sowie zu den Grammatik Episoden Übungen die Sie "pro Stück" bezahlen (ab 25ct). https://premium.il-tedesco.itMehr info unter www.il-tedesco.it bzw. https://www.il-tedesco.it/premiumInitial Ukulele Musik: Ukulele Bailey - Ukulele Baby,Song released in the 1920's by Cameo Disc.Episode Picture by Jebulon - Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=15683145Music from the Overture for Hector Berlioz, Opera "Benvenuto Cellini", performed by the Orchestre de Paris, conductor David Zinman

Benvenuto Cellini is an opera semiseria in two acts with music by Hector Berlioz and libretto by Léon de Wailly and Henri Auguste Barbier. It was the first of Berlioz's operas, premiered at the Académie Royale de Musique (Salle Le Peletier) on 10 September 1838. The story is inspired by the memoirs of the Florentine sculptor Benvenuto Cellini, although the elements of the plot are largely fictional. The opera is technically very challenging and rarely performed. However, the overture to the opera sometimes features in symphony orchestra programs, as does the concert overture Le carnaval romain which Berlioz composed from material in the opera.Purchase the music (without talk) at:Berlioz: Benvenuto Cellini (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com