Podcasts about renaissance italy

In Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In The Firearm Revolution: From Renaissance Italy to the European Empires (Princeton University Press, 2026), historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory. Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their use—even as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans' overseas conquests created a new and more positive image for a weapon once considered the devil's work. Debates over the regulation of firearms five centuries ago—which included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militia—in many ways anticipate discussions about gun control today. Fletcher's groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires. Catherine Fletcher is professor of history at Manchester Metropolitan University. She is the author of several books on early modern Italy, including The Roads to Rome, The Beauty and the Terror: An Alternative History of the Italian Renaissance and The Black Prince of Florence: The Life of Alessandro de' Medici. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In The Firearm Revolution: From Renaissance Italy to the European Empires (Princeton University Press, 2026), historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory. Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their use—even as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans' overseas conquests created a new and more positive image for a weapon once considered the devil's work. Debates over the regulation of firearms five centuries ago—which included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militia—in many ways anticipate discussions about gun control today. Fletcher's groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires. Catherine Fletcher is professor of history at Manchester Metropolitan University. She is the author of several books on early modern Italy, including The Roads to Rome, The Beauty and the Terror: An Alternative History of the Italian Renaissance and The Black Prince of Florence: The Life of Alessandro de' Medici. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In The Firearm Revolution: From Renaissance Italy to the European Empires (Princeton University Press, 2026), historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory. Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their use—even as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans' overseas conquests created a new and more positive image for a weapon once considered the devil's work. Debates over the regulation of firearms five centuries ago—which included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militia—in many ways anticipate discussions about gun control today. Fletcher's groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires. Catherine Fletcher is professor of history at Manchester Metropolitan University. She is the author of several books on early modern Italy, including The Roads to Rome, The Beauty and the Terror: An Alternative History of the Italian Renaissance and The Black Prince of Florence: The Life of Alessandro de' Medici. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How did the gun become a fashion item in Renaissance Italy? Why do debates over firearms, self-defence and public safety sound so familiar today?Professor Suzannah Lipscomb and historian Catherine Fletcher trace the rise of guns from battlefield technology to coveted courtly accessory. Together they discover how firearms transformed warfare, society and empire-building, and why the history of gun regulation five centuries ago still echoes in modern politics today worldwide.MORE:Henry VIII's Brothers in ArmourListen on AppleListen on SpotifyHenry VIII At WarListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week, PLUS early access, ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Catherine Fletcher - The Firearm revolutionIn The Firearm Revolution, historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory.Catch Giles live - 'Let's Talk' - Monday, Wednesday, Thursday and Friday - from 10.00CET...on tre.radio

Historian Ada Palmer provides a fresh perspective on the Renaissance in her book INVENTING THE RENAISSANCE: The Myth of A Golden Age. In the conversation with Diverse Voices Book Review host Hopeton Hay, Palmer shared why this celebrated era of history, spanning the 14th to the 17th century, was both the best of times and the worst of times for Renaissance Italy.Ada Palmer is a historian, novelist, and composer, and a professor in the History Department at the University of Chicago. She also writes science fiction and fantasy.  Her first novel TOO LIKE THE LIGHTNING, begins the four volume science fiction series Terra Ignota. Follow her on Bluesky at @adapalmer.bsky.social or on her web site ExUrbe.Follow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks.bsky.social

In this episode, we step into the blood-soaked and politically fractured world of 16th-century France through the life of Catherine de' Medici. Raised amid the intrigue of Renaissance Italy and thrust into the French throne room, Catherine became one of the most controversial women in European history. As Protestant Reformation ideas spread across Europe and the Catholic Counter-Reformation hardened divisions, France erupted into decades of religious violence between Catholics and Huguenots. We explore how Catherine tried to preserve both her family dynasty and the unity of France through political maneuvering, shifting alliances, and fragile compromises—yet repeatedly found herself swept into escalating chaos."Source: "Famous Men of the 16th & 17th Century" https://amzn.to/4a93ha1

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What did lasagna taste like in Renaissance Italy before tomatoes and ragù became standard? Why are some of Thailand's most iconic royal desserts rooted in Portuguese convent recipes? How did a chance conversation at dinner unexpectedly unlock hidden pieces of food history? In this episode of the Unreserved Wine Talk podcast, I'm chatting with James Chatto, co-author of the terrific new book Acquired Tastes: The Lives and Recipes of Eight Culinary Ambassadors. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks.   Giveaway Three of you are going to win a copy of James Chatto's new book, Acquired Tastes: The Lives and Recipes of Eight Culinary Ambassadors. To qualify, all you have to do is email me at natalie@nataliemaclean.com and let me know that you've posted a review of the podcast. I'll choose three people randomly from those who contact me. Good luck!   Highlights Why did James transition from acting and music into a career as a food writer? What did James learn from his godfather, Robert Morley, about why food writing is ultimately about people? What inspired James, Wendy, and their historian son to structure Acquired Tastes around real people who carried recipes from one culture into another? How did Renaissance Italians make lasagna with and why did James find the recipe so unexpectedly delicious? What memorable kitchen disaster turned a promising chocolate cake into something "dry as chalk"? Who was Maria Guyomar de Pinha and how did she become a key figure in Thai royal desserts? What do you need to know about the Thai dessert foi thong and its history? Why does James believe recipes certain recipes have survived for centuries? Who was Queen Bona Sforza and how did she influence Polish food culture? What coincidence connected James with a modern Italian wine importer whose hometown still preserves Queen Bona's legacy centuries later?   About James Chatto James Chatto read English at New College, Oxford, before becoming an actor and musician; today, he is one of Canada's best-known writers on the subjects of food and drink. He has written seven books, including A Kitchen in Corfu, the best-selling A Matter of Taste (with Lucy Waverman) and two memoirs, The Man Who Ate Toronto and The Greek for Love. As a journalist, he spent decades as Toronto Life's restaurant columnist, Senior Editor of the LCBO's magazine, Food & Drink, and editor of harry magazine; his writing has appeared in dozens of publications in Canada, the U.S. and the U.K. A co-founder of the Canadian Culinary Championship, he is a Chevalier of the Confrérie des Chevaliers du Taste Fromage de France, and a Freeman of Corfu Town. He is a puppetmaker.           To learn more, visit https://www.nataliemaclean.com/391.

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.  Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

“It was a cold January afternoon when I first came to the ghetto. I got there much later than I'd hoped. I'd spent much of the day elsewhere and had just lost track of time. It was already beginning to get dark. The campo seemed deserted. Shutters were closed, and apart from the tinkling of water in the wells, there was hardly a sound. There were no streetlights, barely even the glimmer of a lamp. But in the branches of the trees, thousands of tiny lights were shining.”That is the opening paragraph of my guest Alexander Lee's new book, The First Ghetto: Venice and the Origins of Modern Antisemitism, in which he traces both the history of the Venetian ghetto and, through it, the history of modern antisemitism. In our conversation we discuss the origins of the word “ghetto,” the peculiar politics of the Venetian Republic, Jewish moneylending and commerce, the arrival of Iberian Jews fleeing persecution, the vibrancy of ghetto culture during its “golden age,” and how following the collapse of the Republic how segregation and antisemitism mutated into the twentieth century.Alexander Lee is a historian of Renaissance Italy and the author of numerous books, including Machiavelli: His Life and Times. He is also a columnist for History Today.

Art Historian Linda Reynolds joins me to discuss the history of the court of Duke Federico da Montefeltro. Ruling over Urbino, the Montefeltro court was among the most important centers in Renaissance Italy. Professor Reynolds first explains how a simple mercenary like Federico was able to rise to the status of Duke. From there, she dives into the Duke's patronage of the arts, looking primary at the architecture of his palace in Urbino and his painters, Piero della Francesca and Justus van Ghent. Works Discussed: Luciano Laurana, Palazzo Ducale, Urbino, second phase 1464-72 https://commons.wikimedia.org/wiki/Palazzo_ducale_di_UrbinoThe Ideal City, 1480's https://commons.wikimedia.org/wiki/Category:Ideal_City_-_formerly_attributed_to_Luciano_Laurana_-_Galleria_Nazionale_delle_Marche,_UrbinoPiero della Francesca, Double Portrait of Duke Federico da Montefeltro and Battista Sforza, 1473-75 https://www.uffizi.it/opere/i-duchi-di-urbino-federico-da-montefeltro-e-battista-sforzaJustus van Ghent, Portrait of Federico da Montefeltro with His Son Guidobaldo, ca. 1475 https://en.wikipedia.org/wiki/Portrait_of_Federico_da_Montefeltro_with_His_Son_GuidobaldoSupport/Watch/Follow: https://linktr.ee/italian_renaissance_podcastThe Florentine Renaissance CourseSupport the show

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Gould Standard, Alexander Neef, General Director of the Opéra national de Paris, joins Brian Levine to reframe how we think about opera, and to provide a user-friendly on-ramp for opera-curious newcomers. Beginning with its roots in Renaissance Italy, Neef traces opera's evolution from courtly entertainment to a global cultural force,...

DEFENDANT: Leonardo DaVinci EVIDENCE: DaVinci Pinot Grigio SCENE OF THE CRIME: Renaissance Italy -- Hey friend — come hang out with us for a delightfully silly, slightly spicy stroll through art, wine, and history. We're sipping an easy Pinot Grigio, dreaming up melon-and-prosciutto pizzas, and taking Leonardo da Vinci on tour: his notebooks, love life rumors, flying machines, and that massive (now-ruined) horse project. We gossip about museum wine nights, the chaos of the Louvre, and Michelangelo's beef about buff bodies — all while drinking, cracking jokes, and treating the past like our most dramatic friend. If you love cozy, chatty episodes that blend pop-culture riffs with art history, this one's for you: we mix tasting notes (pear, green apple, underripe honeydew), travel stories, and scandalous little details about Renaissance Italy (including sodomy charges, apprentices, and sketchy patrons). It's like eavesdropping on two pals at the museum bar. Pull up a chair, pour a glass, and prepare for Leonardo's courtroom (sort of) — full of gossip, goofy hypotheticals, pizza plots, and a little wine-fueled wisdom. Ciao, cheers, and try not to get gooey over the melon slices on your pizza.

We might imagine Renaissance Italy as a place of innovation and art, but the day to day reality was plagued by disgusting behaviors. Today we're reading a surprisingly foul 16th century manual on being a well-behaved person. _________________ Check out my Patreon!  https://patreon.com/textory

Michelangelo takes to the stage, and playwright and actor Justin Garascia joins us to discuss his dynamic reimagining of the early life of Michelangelo. Set in Renaissance Italy, MIKEY! unfolds as a gothic, queer fever dream, moving between the sculpting of David and the painting of the Sistine Chapel ceiling. As Michelangelo reflects on the life that brought him to this moment, he wrestles with how he wants to be remembered — as a sculptor, not a painter.Through a reimagined history, the play asks: what if there was a secret relationship at the House of Medici that shaped the artist's emotional life and propelled the work we still revere over 500 years later?Crowd Fund: https://fundraising.fracturedatlas.org/mikey-a-new-play/campaigns/f6cecfad-a8b2-4ca1-a00f-b50d6d6e053dShow Dates:Tue, May 19 at 7 PMTue, May 26 at 7 PMThu, May 28 at 7 PMSat, May 30 at 3 PMSun, May 31 at 7 PMTickets on Sale Now: https://thetanknyc.org/calendar-1/2026/5/19/mikeyFollow along: @mikeytheplay and @justingarascia (Instagram)Support/Watch/Follow The Italian Renaissance Podcast: https://linktr.ee/italian_renaissance_podcastSupport the show

It's one of the oldest debates in political philosophy: Do good laws make good men, or do good men make good laws? Minds have been wrestling with this question since the days of Petrarch and Machiavelli, but both sides may have insights that can inform modern political philosophy. James Hankins is a professor of history at Harvard University, a visiting professor of humanities at the University of Florida's Hamilton School, and author of numerous books including Virtue Politics: Soulcraft and Statecraft in Renaissance Italy and Political Meritocracy in Renaissance Italy: The Virtuous Republic of Francesco Patrizi of Siena. He's also the co-author of the textbook, The Golden Thread, which focuses on the history of Western civilization.  Greg and James discuss Renaissance humanism, sparked by Petrarch's response to 14th‑century crises, and explore the humanist education focused on virtue, rhetoric, and moral philosophy. They also delve into Machiavelli's critiques and pushback against humanism, how Chinese Confucianism compares with the West's legal system, and why James believes virtue should be brought back into modern education. *unSILOed Podcast is produced by University FM.* Episode Quotes: Why we need both systems and good character 11:47: I think I agree with the people who think there should be a balance between good character and the formation of good character and expertise and wisdom and competence and the people who say that systems can solve all your problems and you just get the right systems and thinkful function. I think that is a very, kind of left, left hemispheric way of understanding human nature. Good law is nothing without good people 07:59: If you have great laws, but corrupt judges, you are going to have bad laws. If you have laws being written by corrupt people, that is even worse. So the humanist is saying the whole problem is, the human heart, right? This is where the problem is. And what we have to do is to bring back antiquity. Is democracy only the legitimate form of government? 47:14: Today, we might say that a democracy is the only legitimate form of government where a republic reflects the will of the people. But they would not say that in the Renaissance. They talk about better and worse, that monarchs are better when you have got a good monarch. But when you have a bad monarch, the monarch of the republic is better. It is that kind of calculation. It is not the way we think about political regimes today as being, legitimate or illegitimate. Show Links: Recommended Resources: Petrarch Francesco Patrizi Niccolò Machiavelli Isocrates Lorenzo Valla Thomas Aquinas Cola di Rienzo Guest Profile: Faculty Profile at Harvard University Faculty Profile at Hamilton School at the University of Florida Professional Website Guest Work: Virtue Politics: Soulcraft and Statecraft in Renaissance Italy The Cambridge Companion to Renaissance Philosophy Political Meritocracy in Renaissance Italy: The Virtuous Republic of Francesco Patrizi of Siena The Golden Thread: A History of the Western Tradition, Volume I: The Ancient World and Christendom Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For centuries, Europe's most celebrated opera singers had voices that sounded almost supernatural — powerful, soaring, and unlike anything audiences had ever heard before.They were known as the castrati.From the sacred choirs of the Vatican to the grand opera houses of Europe, these singers became some of the biggest celebrities of the 17th and 18th centuries. Kings invited them to royal courts. Fans travelled across countries just to hear them perform. Some became astonishingly wealthy and famous.But behind those extraordinary voices was a secret far darker than most audiences realised.In this episode of The StickyBeak, Monika O'Hanlon explores the strange and unsettling history of the castrati — how the practice began in Renaissance Italy, why thousands of boys were drawn into the system, and how a handful rose to become global superstars like Farinelli.You'll also hear about the last surviving castrato, Alessandro Moreschi, whose early 1900s recordings remain the only surviving example of what these voices actually sounded like.It's a story about music, fame, ambition… and the uncomfortable lengths societies will sometimes go to in pursuit of beauty.This episode was brought to you by Tüt, toilet lid stickers to zhuzh up your toot. Because every throne needs a crown.https://www.etsy.com/shop/tutdeco/

Thomas Kuehn, Professor Emeritus at Clemson University talks about his new book, Patrimony and Law in Renaissance Italy (Cambridge University Press, 2022) and share's the knowledge produced in a long and fruitful career. Family was a central feature of social life in Italian cities. In the Renaissance, jurists, humanists, and moralists began to theorize on the relations between people and property that formed the 'substance' of the family and what held it together over the years. Family property was a bundle of shared rights. This was most evident when brothers shared a household and enterprise, but it also faced overlapping claims from children and wives which the paterfamilias had to recognize. Thomas Kuehn explores patrimony in legal thought, and how property was inherited, managed and shared in Renaissance Italy. Managing a patrimony was not a simple task. This led to a complex and active conceptualization of shared rights, and a conscious application of devices in the law that could override liabilities and preserve the group, or carve out distinct shares for each member. This wide-ranging volume charts the ever-present conflicts that arose and were a constant feature of family life. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Thomas Kuehn, Professor Emeritus at Clemson University talks about his new book, Patrimony and Law in Renaissance Italy (Cambridge University Press, 2022) and share's the knowledge produced in a long and fruitful career. Family was a central feature of social life in Italian cities. In the Renaissance, jurists, humanists, and moralists began to theorize on the relations between people and property that formed the 'substance' of the family and what held it together over the years. Family property was a bundle of shared rights. This was most evident when brothers shared a household and enterprise, but it also faced overlapping claims from children and wives which the paterfamilias had to recognize. Thomas Kuehn explores patrimony in legal thought, and how property was inherited, managed and shared in Renaissance Italy. Managing a patrimony was not a simple task. This led to a complex and active conceptualization of shared rights, and a conscious application of devices in the law that could override liabilities and preserve the group, or carve out distinct shares for each member. This wide-ranging volume charts the ever-present conflicts that arose and were a constant feature of family life. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

"Around the middle of the fifteenth century, not so long after the first written references in Europe to cards of any kind, an artist named Bonifacio Bembo painted a set of unnamed and unnumbered cards for the Visconti family of Milan", Origins of Tarot, Seventy Eight Degrees of Wisdom: A Tarot Journey to Self Awareness by Rachel Pollack Did you know that the roots of tarot have their beginnings in the north of Italy at the height of the Renaissance. The first playing cards emerged in the courts of the noble Milanese families and became a popular card game for entertainment and play.The Visconti Sforza, Bolognese Tarochini and the Minchiate Tarot cards were commissioned by the aristocratic families to be hand painted and designed by expert artisans.  Played as a game called 'carte da trionfe' the tarot was purely a trick playing game in the height of the Renaissance. Today I discuss the Visconti and Sforza alliance in Milan, Cosimo de Medici patronising philosophers to transcribe the Corpus Hermeticum, the time of Renaissance Magic, the shift in art and philosophy, the move toward the mystical traditions and how the tarot eventually evolved into that of cartomancy, esoteric practice via secret societies and occult practitioners in England and France in the 18th and 19th centuries. To now be tethered to the mystery traditions and used as form of divination, fortune telling and spiritual practise. I also share a few personal revelations about the tarot system along the way. And lastly if you are in Italy it turns out there is some serendipity to this episode I discovered while writing my show-notes you can visit the Accademia Carrara in Bergamo (a quick train ride from beautiful Milano) for an exhibition that is on until June 2026, that covers the last seven hundred years of tarot. If only a patron would come calling to me! How I would love to see this exhibition! Enjoy this Episode xMichelleJohnston.life for the Show-notesA Writer in Italy InstagramSubstack - At My TableMichelle's BooksMusical Scores by Richard Johnston© 2026  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2026Support the show

Rome. 1610. A painter who sees God in the faces of prostitutes and killers is on the run for murder.His name is Caravaggio. He drinks too much. He loves recklessly. Men, women, it doesn't matter. He picks fights with swordsmen and screams at the heavens in candlelit chapels. He paints the way other men pray, except his prayers are in defiance. And the Catholic Church can't decide whether to pardon him or let the bounty hunters finish the job.This screenplay by Richard Vetere, a Pulitzer nominee and Golden Palm winner whose work has been produced by Francis Ford Coppola, follows Caravaggio from the brothels of Rome to a besieged fortress on Malta where a scarred Grand Master offers him sanctuary and something that looks a lot like love. But sanctuary has a price. And Caravaggio has never paid what he owes without bleeding for it.There are popes making deals in candlelight. Brothers hunting him across the Mediterranean for killing their own. A muse he left behind in Rome who can't wait much longer. A rival painter who despises his work and can't stop staring at it. Knights nailed to crosses and set on fire floating into the harbor at dawn. A prison cell carved into rock like a grave. And an escape across open sea in a fishing boat guided by a boy too afraid to speak.This is not a quiet period piece. This is Game of Thrones in Renaissance Italy with paintbrushes and rapiers.Craig Parker, who played Haldir in Lord of the Rings, plays Caravaggio. Academy Award nominee and Golden Globe winner Bruce Davison plays the Grand Master. Dan Lauria, America's dad from The Wonder Years, plays the Cardinal pulling every string in Rome. Ray Abruzzo, Little Carmine from The Sopranos, plays the Pope. The cast includes Broadway veterans, stars of The Chosen, the voices behind the biggest video games on the planet, and a former Navy test pilot born in Italy playing an Italian swordsman.Fourteen actors. One genius who painted like God was guiding his hand and lived like the devil was chasing him. Turns out both were true.This is Caravaggio. This is Table Read. Listen now wherever you get your podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This podcast examines the extraordinary collection of 16th and 17th century tapestries in the Vatican collection, many of which were designed by Raphael and his workshop. It also looks at the amazing array of geographical maps of Italian territories and Papal dominions in Renaissance Italy that cover more than a football field of wall space!

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

Odourless, tasteless, colourless, lethal. In the mid-17th century, men were dropping like flies in Italy. And this wasn't just the plague - it was the work of the poison Aqua Tofana.So what is Aqua Tofana? And who was its apocryphal purveyor, Giulia Tofana? In this episode we are diving back to Renaissance Italy to learn more about a circle of women poisoners, and the men they chose to murder. How did they eventually get caught? What is their legacy?Kate is joined by Cathryn Kemp, author of historical novel, 'A Poisoner's Tale'.This episode was edited by Tim Arstall and produced by Sophie Gee. The senior producer was Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Before tarot became a tool for fortune-telling and self-reflection, it was a luxury pastime enjoyed by nobles in Renaissance Italy. In this episode, we trace tarot's surprising journey from hand-painted trionfi decks in the courts of Milan and Ferrara, to its transformation during the French occult revival, and finally to its modern role as a guide for intuition, psychology, and personal growth. Along the way, we meet poets, mystics, rebels, and artists who reshaped the cards into a mirror for the human experience. This is the story of how a courtly card game became a global language of symbolism and self-discovery, and why The Fool's journey still resonates with us today.

This week on Crack the Book marks a jarring shift in tone — and in time. After months steeped in medieval imagination, we start there with Niccolò Machiavelli and end firmly in the Enlightenment with Jean-Jacques Rousseau. Their works, The Prince (1513) and The Social Contract (1762), straddle that uneasy moment when faith and hierarchy gave way to “rational” thinking. And wow, does it sound different. I didn't realize how accustomed my ear had become to the older world until now.First up, The Prince. I had only known it practically caricatured as a manual for ruthless rulers. Instead, I found that Machiavelli offers sharp, almost Aristotelian observations on how power works. Writing amid the chaos of Renaissance Italy — with popes, princes, and mercenaries vying for control — he tries to help leaders (well, Lorenzo di Medici) survive reality, not reinvent it. His advice is startlingly pragmatic: if you must be cruel, do it swiftly; keep the people's goodwill by leaving their money and families alone; and above all, don't be hated. Virtue matters less than the appearance of virtue — but even so, he respects human nature enough to work with it rather than against it. For someone with such a bad reputation, he's refreshingly honest.Before we move to Rousseau, I spend some time reviewing the Enlightenment: what it was, when it was, and how it changed thinking and therefore every other thing in the world! I think it's a necessary bridge between these two time periods and books.On to Rousseau. Two centuries and one worldview later, The Social Contract begins not with observation but with imagination: “Man is born free, and everywhere he is in chains.” Rousseau builds an elaborate theory of how people ought to behave, then blames reality when they don't. His faith in reason and “natural goodness” feels detached from the messiness of human life that Machiavelli understood so well. And by the time he turns his ire on the Church in his final pages, the tone borders on bitter — foreshadowing the excesses of the French Revolution.After this week, I find myself mourning the grounded wisdom of the Middle Ages. Machiavelli may be cynical, but at least he's real. Rousseau feels like a man disappointed that humanity refuses to fit his theory.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate -

Sphere is excited to engage our educator community in discussion about the factors that contributed to the rise and fall of some of humanity's greatest civilizations. Through a moderated discussion with author Johan Norberg, a Senior Fellow at the Cato Institute, we will explore seven of humanity's greatest civilizations—ancient Athens, the Roman Republic, Abbasid Baghdad, Song China, Renaissance Italy, the Dutch Republic and the Anglosphere—featured in his new book, Peak Human. We will examine their contributions to societal progress during each of their golden ages and unpack valuable lessons we can learn from them. Following moderated discussion, we will walk through how to support student exploration of these topics with Sphere content author and alumnus Sean Kinnard. Hosted on Acast. See acast.com/privacy for more information.

Is the Voynich Manuscript history's most dangerous code or simply an elaborate enigma? In this insightful episode, we take a deep dive into the mysterious 600-year-old manuscript that has baffled historians, cryptographers, and even AI. Packed with bizarre drawings, unidentified plants, and an unbreakable code, this infamous text continues to spark debates about its true purpose. Could it contain forbidden knowledge, alchemical recipes, or secrets too dangerous to decode?Join me, Jeremy Ryan Slate, host of The Jeremy Ryan Slate Show and CEO of Command Your Brand, as we embark on a critical examination of this masterpiece of mystery. From its origins in Renaissance Italy to its cryptic journey through imperial courts and hidden libraries, we analyze the history, conspiracy theories, and potential dangers surrounding the Voynich Manuscript. Whether it's the strange zodiac charts, pharmaceutical recipes, or the eerie bathing rituals, every page of this manuscript challenges our understanding of history and the secrets it might hold.This must-watch episode offers a unique perspective on why the manuscript remains unsolved despite centuries of effort from experts, including cryptographers from World War II and modern AI research. Is it a hoax, a hidden language, or something far more dangerous? Join the conversation, share your thoughts in the comments, and help unravel this timeless mystery.Don't forget to subscribe, like, and share to stay curious with us. Dive deeper into history and conspiracies at jeremyryanslate.com for blogs, merch, and more. Let's decode the mysteries of the past together—what's your verdict on the Voynich Manuscript? Comment below and be part of the discussion!#decodingsecrets #ancientcodex #dangerouscode #ancientscripts #bizarredrawings__________________________________________________________________________⇩ SUPPORT OUR SPONSORS ⇩BRAVE TV HEALTH: Parasites are one of the main reasons that so many of our health problems happen! Guess what? They're more active around the full moon. That's why friend of the Show, Dr. Jason Dean, developed the Full Moon Parasite Protocol. Get 15% off now by using our link: https://bravetv.store/JRSCOMMAND YOUR BRAND: Legacy Media is dying, we fight for the free speech of our clients by placing them on top-rated podcasts as guests. We also have the go-to podcast production team. We are your premier podcast agency. Book a call with our team https://www.commandyourbrand.com/book-a-call MY PILLOW: By FAR one of my favorite products I own for the best night's sleep in the world, unless my four year old jumps on my, the My Pillow. Get up to 66% off select products, including the My Pillow Classic or the new My Pillow 2.0, go to https://www.mypillow.com/cyol or use PROMO CODE: CYOL________________________________________________________________⇩ GET MY BEST SELLING BOOK ⇩Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Lifehttps://getextraordinarybook.com/________________________________________________________________DOWNLOAD AUDIO PODCAST & GIVE A 5 STAR RATING!:APPLE: https://podcasts.apple.com/us/podcast/the-create-your-own-life-show/id1059619918SPOTIFY: https://open.spotify.com/show/5UFFtmJqBUJHTU6iFch3QU(also available Google Podcasts & wherever else podcasts are streamed_________________________________________________________________⇩ SOCIAL MEDIA ⇩➤ X: https://twitter.com/jeremyryanslate➤ INSTAGRAM https://www.instagram.com/jeremyryanslate➤ FACEBOOK: https://www.facebook.com/jeremyryanslate_________________________________________________________________➤ CONTACT: JEREMY@COMMANDYOURBRAND.COM

Greg Jenner is joined in sixteenth-century Italy by historian Professor Jill Burke and comedian Tatty Macleod to learn all about Renaissance beauty standards and treatments. Early modern Italy is renowned for the gorgeous artworks created by painters like Titian, Rubens and Botticelli, many of them featuring beautiful women looking at themselves in mirrors or getting made up for a night out. In this episode, we take you through a Renaissance Get Ready With Me as we explore how these women would have been taking care of their hair and skin. We look at what hairstyles and makeup men and women wore, how often they bathed, whether or not they removed their body hair, and how they shaped their bodies through dieting and underwear. Along the way, we dive into the recipes for popular cosmetics and skincare treatments, ask where Renaissance beauty standards came from, and uncover the sexist, racist and classist ideas that often underpinned them. But we also explore how their beauty routines could be an avenue for women's self-expression, and show the importance of the history of beauty, even amidst the turbulent politics and warfare of the early modern period.If you're a fan of women's creativity through time, whacky historical recipes and early modern Italian art, you'll love our episode on Renaissance beauty.If you want to know more about the beauty standards of the past, why not listen to our episode on the history of high heels, or haircare entrepreneur Madam CJ Walker. And for more from Renaissance Italy, check out our episodes on the Borgias and Leonardo Da Vinci.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Emma Bentley Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Gill Huggett Senior Producer: Emma Nagouse Executive Editor: Philip Sellars

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 113 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello discuss the last film in their Paul Verhoeven series, Benedetta (2021). For Verhoeven's latest film, the director reteamed with his Elle collaborator David Birke, to make a religious film, as he's an expert scholar of the Jesus Seminar, even writing a book in 2007 entitled Jesus of Nazareth. Though his adaptation of his book, along with several other projects, didn't come to head, he was able to make Benedetta, a loose adaptation of Judith C. Brown's Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy, following the life of a nun (Virginie Efira) who joins the Italian convent while she was a young child and later has a forbidden love affair with another nun, while also seeing religious visions that make her seem like she has direct contact with Jesus. Wickedly hilarious, sensual, and fascinating, Benedetta is a thorny tale of the complexities of faith, as well as Verhoeven's critique of the church, an institution that he's examined for all of his life. Ryan, Jay, and Sophia break down their thoughts on the film, just how funny the film is, if it has more to say than what Verhoeven is bringing up on the surface, the dream sequences, Benedetta's struggles with temptation, Jay's love of The Great Gatsby, Sophia's story about seeing the film at the world premiere at the Cannes Film Festival, and splinters. And seeing that it is the end of the series, the boys give out their Paul Verhoeven rankings as well as preview their new director series starting new week. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h44m. The guys will be back next week to begin their new series on the films of Yasujirō Ozu with a review of his film, Late Spring. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Step into the ultimate power playbook with this insightful episode of the Jeremy Ryan Slate Show! In "Machiavelli's Power Playbook: Lessons from The Prince," we take a deep dive into the cunning strategies of Cesare Borgia, Niccolò Machiavelli's muse for his timeless masterpiece, *The Prince.* This critical examination unpacks the rise and fall of Borgia, a warlord who dazzled Machiavelli with his ruthless brilliance but ultimately fell victim to misfortune and over-reliance on his father, Pope Alexander VI. Was Cesare the perfect prince or a cautionary tale in what not to do?Join me, Jeremy Ryan Slate—CEO of Command Your Brand and a passionate advocate for liberty and freedom—as we explore Machiavelli's unique perspective on power, from Renaissance Italy's chaotic city-states to the modern political and corporate landscapes of 2025. We'll uncover how Machiavelli's principles, from "better to be feared than loved" to hedging against Fortuna, shape today's leaders, CEOs, and even election strategies. This must-watch episode challenges you to question who's pulling the strings in your world and how you can control your own narrative.Let's spark a conversation! What lessons can we take from Machiavelli and Cesare Borgia in navigating power, politics, and life today? Drop your thoughts in the comments, hit the like button, and subscribe for more episodes that dive deep into history's greatest minds. Ready to command your own brand of power? Follow along and stay tuned for more thought-provoking content. Don't miss out—your journey to mastering modern power begins here.#cesareborgia #thelifeofcesareborgia #popealexandervi #machiavelli #darksideofgoodness___________________________________________________________________________⇩ SUPPORT OUR SPONSORS ⇩THE WELLNESS COMPANY: Health without the propaganda, emergency medical kits before you need it. Get 15% off now by using our link: https://twc.health/jrsCOMMAND YOUR BRAND: Legacy Media is dying, we fight for the free speech of our clients by placing them on top-rated podcasts as guests. We also have the go-to podcast production team. We are your premier podcast agency. Book a call with our team https://www.commandyourbrand.com/book-a-call MY PILLOW: By FAR one of my favorite products I own for the best night's sleep in the world, unless my four year old jumps on my, the My Pillow. Get up to 66% off select products, including the My Pillow Classic or the new My Pillow 2.0, go to https://www.mypillow.com/cyol or use PROMO CODE: CYOL________________________________________________________________⇩ GET MY BEST SELLING BOOK ⇩Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Lifehttps://getextraordinarybook.com/________________________________________________________________DOWNLOAD AUDIO PODCAST & GIVE A 5 STAR RATING!:APPLE: https://podcasts.apple.com/us/podcast/the-create-your-own-life-show/id1059619918SPOTIFY: https://open.spotify.com/show/5UFFtmJqBUJHTU6iFch3QU(also available Google Podcasts & wherever else podcasts are streamed_________________________________________________________________⇩ SOCIAL MEDIA ⇩➤ X: https://twitter.com/jeremyryanslate➤ INSTAGRAM https://www.instagram.com/jeremyryanslate➤ FACEBOOK: https://www.facebook.com/jeremyryanslate_________________________________________________________________➤ CONTACT: JEREMY@COMMANDYOURBRAND.COM