Cultural movement from the 14th to 17th century
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Step into the ultimate power playbook with this insightful episode of the Jeremy Ryan Slate Show! In "Machiavelli's Power Playbook: Lessons from The Prince," we take a deep dive into the cunning strategies of Cesare Borgia, Niccolò Machiavelli's muse for his timeless masterpiece, *The Prince.* This critical examination unpacks the rise and fall of Borgia, a warlord who dazzled Machiavelli with his ruthless brilliance but ultimately fell victim to misfortune and over-reliance on his father, Pope Alexander VI. Was Cesare the perfect prince or a cautionary tale in what not to do?Join me, Jeremy Ryan Slate—CEO of Command Your Brand and a passionate advocate for liberty and freedom—as we explore Machiavelli's unique perspective on power, from Renaissance Italy's chaotic city-states to the modern political and corporate landscapes of 2025. We'll uncover how Machiavelli's principles, from "better to be feared than loved" to hedging against Fortuna, shape today's leaders, CEOs, and even election strategies. This must-watch episode challenges you to question who's pulling the strings in your world and how you can control your own narrative.Let's spark a conversation! What lessons can we take from Machiavelli and Cesare Borgia in navigating power, politics, and life today? Drop your thoughts in the comments, hit the like button, and subscribe for more episodes that dive deep into history's greatest minds. Ready to command your own brand of power? Follow along and stay tuned for more thought-provoking content. Don't miss out—your journey to mastering modern power begins here.#cesareborgia #thelifeofcesareborgia #popealexandervi #machiavelli #darksideofgoodness___________________________________________________________________________⇩ SUPPORT OUR SPONSORS ⇩THE WELLNESS COMPANY: Health without the propaganda, emergency medical kits before you need it. Get 15% off now by using our link: https://twc.health/jrsCOMMAND YOUR BRAND: Legacy Media is dying, we fight for the free speech of our clients by placing them on top-rated podcasts as guests. We also have the go-to podcast production team. We are your premier podcast agency. Book a call with our team https://www.commandyourbrand.com/book-a-call MY PILLOW: By FAR one of my favorite products I own for the best night's sleep in the world, unless my four year old jumps on my, the My Pillow. Get up to 66% off select products, including the My Pillow Classic or the new My Pillow 2.0, go to https://www.mypillow.com/cyol or use PROMO CODE: CYOL________________________________________________________________⇩ GET MY BEST SELLING BOOK ⇩Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Lifehttps://getextraordinarybook.com/________________________________________________________________DOWNLOAD AUDIO PODCAST & GIVE A 5 STAR RATING!:APPLE: https://podcasts.apple.com/us/podcast/the-create-your-own-life-show/id1059619918SPOTIFY: https://open.spotify.com/show/5UFFtmJqBUJHTU6iFch3QU(also available Google Podcasts & wherever else podcasts are streamed_________________________________________________________________⇩ SOCIAL MEDIA ⇩➤ X: https://twitter.com/jeremyryanslate➤ INSTAGRAM https://www.instagram.com/jeremyryanslate➤ FACEBOOK: https://www.facebook.com/jeremyryanslate_________________________________________________________________➤ CONTACT: JEREMY@COMMANDYOURBRAND.COM
Send us a textNiccolo Machiavelli is often held up as the paradigmatic political philosopher of the Italian Renaissance. But as James Hankins argued in an earlier book, Virtue Politics, Machiavelli in fact repudiates the framework common to many of the humanists of the Renaissance. Machiavelli is an outlier. Who then can replace him as the Renaissance's paradigmatic political philosopher? In his new book, Political Meritocracy in Renaissance Italy, Hankins proposes the little-known Francesco Patrizi, friend and protege of Pope Pius II, as Machiavelli's replacement. Hankins joins the show to make his case for Patrizi as emblematic of Renaissance political philosophy and to explain some aspects of Patrizi's life and thought.James Hankins's Political Meritocracy in Renaissance Italy: https://bookshop.org/a/25626/9780674274709James Hankins's Virtue Politics: https://amzn.to/4d0f0buAdrian Wooldridge's Aristocracy of Talent: https://bookshop.org/a/25626/9781510775558The Patrizi Project: https://patrizisiena.hsites.harvard.edu/Nate Fischer's Meritocracy Must Not Be Our Goal: https://americanmind.org/salvo/meritocracy-must-not-be-our-goal/James Hankins and Allen Guelzo's The Golden Thread: https://www.amazon.com/Golden-Thread-Ancient-World-Christendom/dp/1641773995New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com
Trivia time!!! Since this week was the debut of "Fake People, Real Trivia, our AI trivia show hosted by the SherpaLu Studio Players. We figured we'd celebrate by previewing another episode to check out. But you can subscribe to it on podcast apps and the Sherpalution YouTube page. In this episode of Fake People, Real Trivia, explore the fascinating history of knives, spoons, and forks—three essential dining utensils. We'll trace the origins of knives from prehistoric survival tools to modern tableware, highlighting cultural shifts in dining etiquette, including the Middle Ages and anedict from King Louis XIV against sharp knives. Turning to spoons, their evolution from basic wooden versions to ornate metal designs used in ceremonies by the affluent of ancient Greece and Rome. Also, the intriguing journey of forks, from their scandalous association in Renaissance Italy to becoming a staple in households worldwide. Overall, it's a reflect on how societal changes and industrialization have democratized these utensils, making them accessible to all. Listeners are invited to participate by submitting trivia questions, blending entertainment and knowledge.Our sources:https://gizmodo.com/the-history-of-knives-forks-and-spoons-1440558371https://www.foodunfolded.com/article/invention-of-the-fork-how-did-forks-come-to-behttps://www.eatingutensils.net/history-of-cutlery/timeline-of-eating-utensils/Credits: Produced, Arranged, Lyrics( poorly written) for show music: Jim The Podcast SherpaFollow us on social media and YouTube @Sherpalution Send questions to jimthepodcastsherpa@gmail.comThis podcast was created mostly (Cover Art, Music, Voices, Show Notes) using artificial intelligence. Most likely because our human lacks real intelligence. Hosted on Acast. See acast.com/privacy for more information.
Guest:Sam Foster
Guest:Sam Foster
A fascinating firsthand account of a Soul's past lives.In this compelling read, Dr. Lilan Laishley demonstrates how to make a connection with your Soul through an exploration of past lives, and how that can give purpose to your present life. Learn how karmic patterns are created and cleared, and discover how the knowledge and skills you gained in prior rebirths are accessible to you through the Soul's memory. She does this through sharing her past lives as a healer, shaman, herbalist, and witch during eight lifetimes – from ancient Atlantis to Renaissance Italy.BioLilan Laishley has a PhD. in Religious Studies from the University of Pittsburgh (USA) with a concentration on symbol, ritual, and cosmology. As a university professor she has traveled the world investigating sacred sites, teaching religion, and presenting papers at academic conferences. She has a Master's Degree in Counseling from Hunter College (USA) with a focus on Jungian psychology and past life therapy. She is a founding member and former Director of Research for The Labyrinth Society. She is also a consulting and teaching Astrologer for 40 years.https://www.amazon.com/dp/B0DGW11WC4https://laishley.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlife
A fascinating firsthand account of a Soul's past lives.In this compelling read, Dr. Lilan Laishley demonstrates how to make a connection with your Soul through an exploration of past lives, and how that can give purpose to your present life. Learn how karmic patterns are created and cleared, and discover how the knowledge and skills you gained in prior rebirths are accessible to you through the Soul's memory. She does this through sharing her past lives as a healer, shaman, herbalist, and witch during eight lifetimes – from ancient Atlantis to Renaissance Italy.BioLilan Laishley has a PhD. in Religious Studies from the University of Pittsburgh (USA) with a concentration on symbol, ritual, and cosmology. As a university professor she has traveled the world investigating sacred sites, teaching religion, and presenting papers at academic conferences. She has a Master's Degree in Counseling from Hunter College (USA) with a focus on Jungian psychology and past life therapy. She is a founding member and former Director of Research for The Labyrinth Society. She is also a consulting and teaching Astrologer for 40 years.https://www.amazon.com/dp/B0DGW11WC4https://laishley.com/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/ourparanormalafterlife
Michelangelo made religion sexy.That may not have been his initial aim, of course, but the way he portrayed the human form, and particularly the male form, was extremely beautiful.How did his devout Catholic faith create conflict with his well-known attraction to men? How was it expressed in his incredible artwork? And how was sexuality viewed in Renaissance Italy?Joining Kate today is historian and Michelangelo scholar at Stanford University, Sarah Prodan, to help us get to know this man better. You can find out more about Sarah's work here: https://www.sarahprodan.com/This episode was edited by Tom Delargy and produced by Stuart Beckwith. The senior producer was Charlotte Long.If you'd like to get in touch with the show you can contact us at betwixt@historyhit.com.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here.All music from Epidemic Sounds.Betwixt the Sheets: History of Sex, Scandal & Society is a History Hit podcast.
Tarot card reading was once a pastime of Renaissance Italy aristocrats. But now, Gen Z are seeking guidance with social media driving an increase to its popularity.To discuss, Seán is joined by Amanda Healy, who is a Tarot card reader based in George's Street Arcade Dublin.
Tarot card reading was once a pastime of Renaissance Italy aristocrats. But now, Gen Z are seeking guidance with social media driving an increase to its popularity.To discuss, Seán is joined by Amanda Healy, who is a Tarot card reader based in George's Street Arcade Dublin.
“This is the model of Italian Renaissance banking.”In this episode of Seize & Desist, host Aidan Larkin sits down with renowned financial crime journalist Oliver Bullough, author of Moneyland (2019) and Butler to the World (2022), to discuss why global money laundering continues to be an uphill battle despite decades of international effort.Aidan and Oliver explore the roots and evolution of money laundering, from the Medici's of Renaissance Italy to the offshore shell companies of the Caribbean and the digital currencies of the future.They also touch upon the UK's pivotal role in facilitating illegal financial flows, the advent of hawala banking networks and the systemic challenges that impede effective asset recovery.Timestamps00:00 - Exploring the UK's Role in Money Laundering and Corruption03:54 - Complex Global Money Laundering Challenges11:23 - The Evolution of Value Transfer Systems Through History16:06 - Rethinking Financial Crime Compliance22:32 - Money Laundering's Influence on Global Crime26:41 - The Role of Cash and Crypto in Crime Networks30:45 - The Global Fight Against Money Laundering38:28 - Recovering Covid-Related Fraud Payments42:04 - Combating Corruption and Money LaunderingResources MentionedOliver Bullough on The Guardian https://www.theguardian.com/profile/oliverbullough Books by Oliver Bullough:Moneyland (2019)- https://amzn.eu/d/ezB43Rv Butler to the World (2022) - https://amzn.eu/d/gaqVRE9 About our GuestOliver Bullough is an award-winning journalist and author of Moneyland (2019) and Butler to the World (2022). He is known for his in-depth reporting on offshore finances and the role of the UK in facilitating corruption, with his work regularly being featured in the Guardian, the New York Times, GQ magazine, the Economist, and other places. DisclaimerOur podcasts are for informational purposes only. They are not intended to provide legal, tax, financial, and/or investment advice. Listeners must consult their own advisors before making decisions on the topics discussed. Asset Reality has no responsibility or liability for any decision made or any other acts or omissions in connection with your use of this material.The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by Asset Reality employees are those of the employees and do not necessarily reflect the views of the company. Asset Reality does not guarantee or warrant the accuracy, completeness, timeliness, suitability or validity of the information in any particular podcast and will not be responsible for any claim attributable to errors, omissions, or other inaccuracies of any part of such material. Unless stated otherwise, reference to any specific product or entity does not constitute an endorsement or recommendation by Asset Reality.
What did it take to be an admired courtier in Renaissance Italy? The same as being an influencer today. Effortless elegance. Seeming to be blessed with grace without even trying. Baldassare Castiglione captured the concept in his 1528 smash hit “The Book of Courtier”
Travel back to Renaissance Italy with the Earth Station Who Podcast as we review the classic Doctor Who story, "The Masque of Mandragora." Join Mike, Mike, and Mary as they explore the Fourth Doctor's battle with the Mandragora Helix, Sarah Jane's adventures in a historical setting, and the story's stunning mix of science fiction and period drama. Discover behind-the-scenes insights, memorable moments, and how this 1976 serial continues to captivate fans. Tune in for a lively discussion about one of the most intriguing tales in Doctor Who history! Subscribe now to Earth Station Who for more Doctor Who episode reviews, news, and discussions, and join the conversation with fellow fans! Links Listen to older episodes of the Earth Station Who Podcast ESW on iTunes Earth Station Who on Spotify Earth Station Who on Instagram Earth Station Who on Facebook Earth Station Who on YouTube Make-A-Wish Foundation The ESO Network TeePublic Store The ESO Network Patreon Bat Chums piecesofmelee Tales of Hollywoodland Promotion Earth Station Trek If you would like to leave feedback or comment, feel free to email us at feedback@earthstationwho.com DoctorWhoTheMasqueofMandragora #ClassicDoctorWhostoryreview #FourthDoctorTomBaker #SarahJaneSmithcompanion #MandragoraHelixplot #DoctorWhoRenaissanceItaly #HistoricalDoctorWhoepisodes #1976DoctorWhoserial #ClassicDoctorWhoadventures #DoctorWhopodcastreview #EarthStationWhoPodcast #DoctorWhoFourthDoctorera #BestDoctorWhoclassicepisodes #BehindthescenesDoctorWho #DoctorWhodiscussions
Travel back to Renaissance Italy with the Earth Station Who Podcast as we review the classic Doctor Who story, “The Masque of Mandragora.” Join Mike, Mike, and Mary as they explore the Fourth Doctor’s battle with the Mandragora Helix, Sarah Jane’s adventures in a historical setting, and the story’s stunning mix of science fiction and […] The post Unmasking the Mystery: A Review of Doctor Who's The Masque of Mandragora | The Earth Station Who Podcast appeared first on The ESO Network.
In the 15th and early 16th centuries, one Spanish family rose to exert its influence over Renaissance Italy - the Borgias. Deploying diplomacy, marriage alliances and military force to advance their interests, the Borgias' meteoric ascent was accompanied by stories of incest, murder, and debauchery. But how true were the rumours? All this month on Not Just the Tudors, Professor Suzannah Lipscomb is discovering how the Borgias pushed at the boundaries of acceptable behaviour for Renaissance rulers. She is joined in this episode by Dr. Katharine Fellows to consider the Borgias' rise to the pinnacle of European power. Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Theme music from All3Media. Other music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK
For the Season 9 finale, Paul Wright and I discuss Foxes & Lions, a game we are co-designing about the Italian Wars. Are you into Machiavelli, Renaissance Italy, and political chaos? Then this is gonna be a game for you. Keep the Faith: https://www.backerkit.com/call_to_action/ffdefab3-adb6-48aa-8335-797e720c58a1/landing Beyond Solitaire is proudly sponsored by Central Michigan University's Center for Learning Through Games and Simulations, where learning can be both playful and compelling. Check them out here: https://www.cmich.edu/academics/colleges/liberal-arts-social-sciences/centers-institutes/center-for-learning-through-games-and-simulationsCheck out CMU's game offerings here: https://cmichpress.com/shop/Sign up for an online game design class here: https://www.cmich.edu/academics/colleges/liberal-arts-social-sciences/centers-institutes/center-for-learning-through-games-and-simulations/certificate-in-applied-game-designAll episodes of my podcast are available here: https://beyondsolitaire.buzzsprout.com/Beyond Solitaire Merch: https://sirmeeple.com/collections/beyond-solitaireEnjoy my work? Consider supporting me on Patreon at https://www.patreon.com/beyondsolitaire or getting me a "coffee" on Ko-fi! https://ko-fi.com/beyondsolitaireContact Me: Email: beyondsolitaire at gmail.comTwitter: @beyondsolitaireInstagram: @beyondsolitaireFacebook: www.facebook.com/beyondsolitaireWebsite: www.beyondsolitaire.net
Many months ago now, I had the chance to go to the WNDR Museum in Boston. If you google that, it will come categorized as a “tourist attraction.” but it is a lot more than that, especially considering that I wouldn't classify myself as a “tourist” since I live outside of Boston. More specifically, and even importantly, WNDR is an interactive art museum with immersive art installations. And it was very interactive and immersive. There were a lot of great exhibits that invited you to engage and become surrounded by the creations that were provided there. Whether you are a tourist or not, it is definitely worth a visit.So it was a very pleasant surprise to find that my guest today actually had an installation at the WNDR Museum. It was this very cool outdoor-type of building where you could be with others and experience an audio and visual immersion of rain and lightning. One of the fun things about it was that you were there with strangers, basically arranged in a way that you were experiencing it together. I didn't know that when I first met Leigh Sachwitz to discuss being on the show. But it was one of the, dare I say, “wonderful” things I found out about Leigh and her work with her Berlin-based company flora&faunavisions (FFV). I got to learn about their award-winning work on projects like the Ring Cycle, a digital opera that creates an immersive experience of the work by Richard Wagner. I also learned about her work on the Utopian Garden, described as a story-based immersive, interactive show where participants can tour the world. She described their Flying Up Sparrows event in China, where Buddhist paintings were brought to life.Finally, she explains their work behind the Genius DaVinci Show that just opened up in Florida this past November. “This exhibition invites you to step into Renaissance Italy to explore Leonardo da Vinci's masterpieces and inventions up close.” And the great thing about this is the way that educational and entertainment come together to form what Hip Hop artist KRS-One described as “Educatinment.” Or, in Leigh's words, how do you create experiences that draw people into the moment and produce, empathy, emotional connection, and curiosity. We covered a lot of other ground, including the science of immersive experiences, how we can co-create our futures together using these kinds of experiences as a prompt, how we can inspire our imaginations to unlock the possibilities of ourselves, and the intersection of Detroit and Berlin as hubs of techno music. Leigh Sachwitz - http://leighsachwitz.com/flora&faunavisions - https://www.florafaunavisions.de/
On this episode of the Crazy Wisdom Podcast, host Stewart Alsop interviews Tim Bajarin, Chairman of Creative Strategies, Inc., for a fascinating exploration of the evolution of technology. The conversation spans Tim's early career during the dawn of personal computing in the 1980s, historical reflections on pivotal inventions like Gutenberg's printing press, the legacy of Xerox PARC, and the rise of Apple's graphical interface and desktop publishing. They also discuss the human dynamics of innovation, from the tight-knit tech communities of Silicon Valley to parallels with historic institutions like the Royal Society. For more insights into Tim Bajarin's ongoing work, you can explore his articles on Forbes or visit Creative Strategies at creativestrategies.com.Check out this GPT we trained on the conversation!Timestamps00:00 Introduction and Guest Background00:54 Entering the PC Market in the 1980s05:39 Historical Context and Technological Evolution13:21 The Impact of Desktop Publishing24:54 The Role of Historical Knowledge in Technology38:12 The Influence of British Technological Advancements47:30 Conclusion and Final ThoughtsKey InsightsThe Historical Context of Innovation is Crucial for Understanding Technology's Future: Tim Bajarin emphasizes that to forecast the future of technology, one must understand its historical roots. His career as an analyst has been informed by studying transformative moments like Gutenberg's printing press and innovations in the 1800s, including the Royal Society's influence on science and technology. This perspective underscores how historical breakthroughs set the stage for modern advancements.The Birth of Personal Computing Was a Collaborative Effort: Bajarin's entry into the tech industry coincided with the IBM PC launch in 1981. He became one of the first PC analysts, working with companies like Compaq, Dell, and Apple. The development of personal computing was fueled by close-knit communities of engineers and innovators who shared ideas, much like the collaborative environment of historical groups like the Royal Society.Xerox PARC's Innovations Were the Bedrock for Modern Computing: The role of Xerox PARC in shaping today's computing landscape is highlighted as pivotal. Bajarin recounts their invention of the graphical user interface (GUI) and the mouse, which were foundational for Apple's Mac. Although Xerox didn't capitalize on these ideas, their contributions enabled Steve Jobs and others to build the computing paradigms we use today.Desktop Publishing Revolutionized Communication and Creativity: Bajarin predicted the desktop publishing boom, thanks to innovations like Apple's laser printer, PageMaker software, and PostScript technology. These advancements transformed the publishing industry, allowing individuals and small businesses to create professional-quality content, democratizing access to creative tools.Steve Jobs' Return to Apple Marked a Turning Point in Design and Vision: When Steve Jobs returned to Apple in 1997, the company was near bankruptcy. Bajarin describes how Jobs refocused Apple on its core customers, introduced innovative industrial design, and created products like the colorful iMac. This redefined how consumers viewed computers, blending functionality with aesthetic appeal and cementing Apple's market position.The Evolution of Technology is Driven by Both Process and Innovation: Bajarin explains how every major technological leap, from the printing press to the PC, has involved the convergence of innovative devices and refined processes. For instance, advancements in printing presses during the 1800s mirrored the systematic innovations in the tech industry during the 1980s and 1990s.The Role of Community and Networks in Driving Innovation: The episode draws a parallel between the 1980s tech clubs in Silicon Valley and earlier knowledge-sharing networks, such as the letter-writing analysts of Renaissance Italy or the Royal Society. Bajarin illustrates how communities of like-minded individuals, whether in tech or science, have always been instrumental in fostering innovation.
Giulia Tofana is known for inventing the deadly (and untraceable) poison known as Aqua Tofana, which was the most feared cause of death by men living in Renaissance Italy. She exclusively sold her poisons to women trapped in abusive or loveless marriages, freeing them from their servitude and/or existence as their husbands' property. — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! BroadsYouShouldKnow.com YT/IG/FB @BroadsYouShouldKnow & TW @BYSKpodcast — 3 Ways you can help support the podcast: Write a review on Apple Podcasts Share your favorite episode with a friend or on social Send us an email with a broad suggestion, question, or comment at BroadsYouShouldKnow@gmail.com — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky, with editing by Chloe Skye, and original music by Darren Callahan.
From the 12th century to Renaissance, the Ordelaffi family ruled the commune of Forli, in Northern Italy. On and off. Also, on and off again. When they weren't fighting others for the commune -- Florence, the Emperor, the Pope -- they were fighting each other, and in 1376, poison became a favorite weapon, when Sinibaldi I Ordelaffi poisoned first his uncle and then his cousin, so that he could have Forli. He's not even our protagonist, though, because we lit, for this episode, on Pino III Orderlaffi, who started poisoning wives, a sibling, and his mom, and is therefore sort of iconic in the history of Ordelaffi badnesses. Michelle loved this episode, cause she got to learn all about poison in medieval and Renaissance Italy. She will tell you all about it.
Why not buy a board game from our sponsors Kienda: kienda.co.uk/polyhedroncollider Warning: This podcast contains strong language and adult content Episode 155 is a bit of a Kickstarter Special as the boys discuss Vrahode, a fantasy adventure game with stunning miniatures and a fancy player console. Mutagen, a worker placement game where your workers mutate and the meeples gain little rubber gloves to match. And finally, Sid and Rory embark on a Timeless Journey in a clever hand management and action programming game in Renaissance Italy. Games Mentioned 00:10:25 Vrahode: Age of Prophecy https://www.kickstarter.com/projects/weathervanegames/vrahode-age-of-prophecy 00:32:25 Mutagen https://www.kickstarter.com/projects/drandagames/mutagen 00:48:23 Timeless Journeys: The Italian Grand Tour https://www.kickstarter.com/projects/liriusgames/timeless-journeys-the-italian-grand-tour 01:05:30 Expansions 01:09:23 The Top 100 Challenge ⭐Show Sponsor: Kienda When you sign up to an account with Kienda use this link to bag yourself a wee discount and help support the show. Let's face it, you were going to buy a board game anyway
In episode three of Saturn's Bankers, we delve into the hidden world of the Greco-Roman financial elite, uncovering the shadowy figures who operated behind the scenes to manipulate and ultimately collapse the empires through debt. The episode reveals how these early bankers, often overlooked by history, emerged from secretive, powerful families who slowly wove their influence into the very fabric of these mighty civilizations. But who were they really? Where did they come from? And what relationship if any do they have to the elites who would surface later on in Renaissance Italy during the 14th century? Prepare for a thrilling journey into the dark corridors of power, as we reveal how Saturn's bankers held the reins of empire, and how their legacy of control through debt continues to echo through history. The truth is far stranger—and more chilling—than you might think. Enjoy The Show? Part 2 for Members - www.parallelmike.com Mike's Investing Community and Financial Newsletter – www.patreon.com/parallelsystems Consult with Mike 1-2-1 - www.parallelmike.com/consultation
Die Borgia sind zum Inbegriff der machthungrigen, korrupten und skrupellosen Fürsten der Renaissance geworden. Im Mittelpunkt stehen ein Papst (Alexander VI.) und zwei seiner unehelichen Kinder: Während Cesare zum Vorbild für den Machiavellismus wurde, nach dem zum Erhalt politischer Macht jedes Mittel recht ist, wurde seine jüngere Schwester Lucrezia zum Spielball der Politik ihres Vaters. Dreimal wurde sie verheiratet und landete schließlich als Herzogin in Ferrara. Bekannt ist sie aber bis heute als dämonische und unberechenbare Giftmischerin, was vor allem auf Victor Hugo und eine Oper zurückzuführen ist. Wir sprechen in der Folge darüber, wie es dazu kam, dass die Borgia so einen schlechten Ruf haben und warum die aus Spanien stammende Familie ihre Macht in Italien nach kurzer Zeit wieder verlor. // Literatur - Sarah Bradford. Lucrezia Borgia: Life, Love and Death in Renaissance Italy, 2005. - Friederike Hausmann. Lucrezia Borgia: Glanz und Gewalt, 2019. // Erwähnte Folgen - GAG366: Das Attentat von Anagni – https://gadg.fm/366 - GAG430: Gefangene und Königin – Johanna I. von Kastilien – https://gadg.fm/430 - GAG265: Syphilis und die Tuskegee-Syphilis-Studie – https://gadg.fm/265 - GAG447: Christina, Hans und Heinrich oder Wie ein Gemälde entsteht – https://gadg.fm/447 - GAG429: Der Eimerkrieg – https://gadg.fm/429 //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr Euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio
In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso (University of Delaware Press, 2019), Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante's Divine Comedy, Luigi Pulci's Morgante, Ludovico Ariosto's Orlando Furioso, and Torquato Tasso's Jerusalem Delivered, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord. Moudarres reads these works in the context of historical and political patterns, demonstrating that there was little distinction between public and private spheres in Renaissance Italy and, thus, little differentiation between personal and political enemies. Gerry Milligan is Professor of Italian at the College of Staten Island, where he serves as Director of Honors. He is Professor in Italian and Global Early Modern Studies at the CUNY Graduate Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Dive into a fascinating discussion blending the worlds of literature, gaming, and tech. In this episode, Chuck and Dan explore the intriguing connections between The Hobbit and The Lord of the Rings, including an extraordinary tale about Israeli pilots translating The Hobbit during wartime. They share insights into Guy Gavriel Kaye's standalone novel Tigana, inspired by Renaissance Italy, and discuss the complexities and strategies of board games like Monopoly and Letters from Whitechapel.But that's not all. The episode takes a technical turn as the speakers delve into the dynamic world of application monitoring with Prometheus. They unpack the mechanics of event loop lag, heap usage, and GC storms, and share how Prometheus's query language (PromQL) and integration with Grafana can proactively manage and solve performance issues. Hear about real-time alerting, sophisticated querying, and the practical applications of these tools in companies like Next Insurance and Sisense.This episode is packed with information - from managing performance metrics and alerting systems to insightful discussions on favorite standalone fantasy novels and the productivity hacks that keep our hosts on top of their game. So, sit back and join us for an engaging and informative session on Top End Devs!SocialsLinkedIn: Chuck WoodLinkedIn: Dan ShappirPicksCharles - Letters from Whitechapel | Board GameCharles - TrainingPeaks | Empower Your TrainingBecome a supporter of this podcast: https://www.spreaker.com/podcast/javascript-jabber--6102064/support.
ArtistYou can also watch this episode on Youtube where English, Italian and Spanish subtitles are available or visit the Metralla Rosa website for more details.__________In Episode 54 of Metralla Rosa, Carla is in London, talking to Rosalind Lyons, an artist whose work is inspired primarily by the Elizabethan and Shakespearean period.Rosalind has a successful career as an illustrator of children's stories and academic publications, but it is her devotion to her Renaissance inspired figurative paintings that has, since the 1990s, led to regular exhibitions, winning her accolades from both galleries and the general public from, not only her native United Kingdom but also, around the world. The characters and their universes, created by Rosalind with her meticulous adornment and impeccable attention to detail, are treated with a style that appears to reside halfway between past and present, innovation and tradition, the obvious and the obliquely referential and the disturbingly and culturally unprecedented.Rosalind's portraits offer a fascinatingly unique and perfectly personal encounter, in which the weight of history is made light of and, in which the memories of a literary and historical past are intertwined with the painted gesture, giving rise to not only a revision of traditions but also experimentation. By combining legacy and innovation, imagination and reality and classical visions and futuristic visions, Rosalyn gives the viewer of her paintings the space in which to experience an alternative truth, that is subject to neither time or an expiration date. With a style that is strongly influenced and inspired by the aesthetics of Renaissance Italy, Elizabethan and Jacobean portraiture and 16th century Northern Europe style, her work also reflects the theatrical traditions of William Shakespeare. Together – and individually – it offers a window to a reality full of characters, who, despite their unique individuality, resonate deeply with their universal archetypes.During this interview you will come to understand how a graphic artist, with extensive experience in the world of publishing, found herself being kidnapped by the anachronistic and timeless meticulousness of the fine arts. You will discover how the exquisite ambiguity present within her work allows you to travel to other times, inviting you to be seduced by the mystery of an unknown, which is, at same time, deliciously familiar. Rosalind also tells us, ahead of her solo exhibition, ‘Shadows, Counterfeits & Familiars' – held in October 2022 at the Fosse Gallery – about her working methods during the build up to showing her work, why literature is so closely linked to her creative process, how her fascination with Elizabethan theatrical lavishness led her to be the artist-in-residence at Shakespeare's Globe Theatre in London and how her work has come to be a bridge between the exquisitely anonymous and the inexorably public.And now, enjoy the interview!Support the Show.
This week, host Jason Jefferies is joined by award winning author Paolo Bacigalupi, who discusses his new novel Navola, which is published by our friends at Alfred A. Knopf Publishers. Topics of conversation include the intersection of The Godfather and Game of Thrones, items with mythological powers, dragon eyes, Renaissance Italy, doubting one's parents, reliable narrators, servants, and much more. Copies of Navola can be purchased here from Page 158 Books in Wake Forest, NC.
In episode 73 we are joined by Phillip Jimenez to discuss the banking oligarchs of Renaissance Italy often referred to as the Black Nobility. Our guest explains how these powerful families, some with lineages going back over 2000 years continue wield tremendous power. More power in fact than many of the more commonly cited names such as the Warburg's or Rothschilds. This in Phillips opinion is part of the illusion. The reality is these 15th and 16th century oligarchies are ruling from the shadows, controlling finance, commerce and geopolitics moreover. As part of our series Saturn's Bankers we recently discussed the Venetians, and in this episode we extend on that conversation to add further color to the narrative. Enjoy The Show? Part 2 for Members - www.parallelmike.com Mike's Investing Community and Financial Newsletter – www.patreon.com/parallelsystems Consult with Mike 1-2-1 - www.parallelmike.com/consultation Guest Links Website - https://www.youtube.com/@RetroResearch
The Marriage Portrait by Maggie O'Farrell is the choice for this month's Church Times Book Club. On the podcast this week, Caroline Chartres, who has written this month's Book Club reflection on the book, is in conversation with Sarah Meyrick. Maggie O'Farrell transports the reader to Renaissance Italy in her latest historical novel The Marriage Portrait. It is based on the true story of teenage bride Lucrezia di Cosimo de' Medici, the inspiration for Robert Browning's poem “My Last Duchess”, who died only a few years after marrying the esteemed Duke of Ferrara. In the book, O'Farrell reimagines the Duchess's fraught final years, following her journey from the safety of her childhood home in Florence to the remote hunting lodge where her husband keeps her captive. Sections of the story are told from the first-person perspective, and Lucrezia's fear that her husband is out to kill her is palpable. The Marriage Portrait is published by Tinder Press at £9.99 (Church Times Bookshop £8.99); 978-1-4722-23880-3. https://chbookshop.hymnsam.co.uk/books/9781472223883/marriage-portrait?vc=CT002 Caroline Chartres is a contributing editor to the Church Times. Sarah Meyrick is assistant editor of the Church Times and is to be its next editor. Her latest novel is Joy and Felicity (Sacristy Press, 2021). The Church Times Book Club is run in association with the Festival of Faith and Literature: https://faithandliterature.hymnsam.co.uk Sign up to receive the free Book Club email once a month. Featuring discussion questions, podcasts and discounts on each book: churchtimes.co.uk/newsletter-signup Discuss this month's book at facebook.com/groups/churchtimesbookclub Try 10 issues of the Church Times for £10 or get two months access to our website and apps, also for £10. Go to www.churchtimes.co.uk/new-reader
Learn how the U.S. military was involved in the development of hairspray, why redheads are so prevalent in Pre-Raphaelite paintings, and the surprising way women in Renaissance Italy used to dye their hair in this fascinating interview with hair historian Rachael Gibson. We also talk about hair as a symbol of resistance, the evolution of the modern salon business, how technological advancements inspire new looks, and why hair trends often come back around.Episode recap with links: fatmascara.com/blog/rachael-gibsonProducts mentioned in this episode: shopmy.us/collections/691996Sponsor links & discount codes: fatmascara.com/sponsorsPrivate Facebook Group: Fat Mascara Raising a WandTikTok & Instagram: @fatmascara, @jenn_edit, @jessicamatlinSubmit a "Raise A Wand" product recommendation: email info@fatmascara.com or text us or leave a voicemail at 646-481-8182 Become a member at https://plus.acast.com/s/fatmascara. Hosted on Acast. See acast.com/privacy for more information.
Renowned as a pioneer of climate fiction, Paolo Baccigalupi's novels The Windup Girl and The Water Knife earned him a reputation as one of the essential speculative novelists of our time, with a prophetic gift akin to established genre masters like William Gibson and Magaret Atwood. His new novel Navola is part of a different tradition: a fantasy novel where historical realism takes precedent over the overtly imaginary, exploring the relationship between family, money, and power in a lightly disgused version of Renaissance Italy. His protagonist Davico di Regulai is the reluctant heir to a Medici-inspired banking empire and the coming-of-age story Baccigalupi tells transports us to another world where contemporary themes reasonate deeply within a thrilling, escapist narrative. Learn more about your ad choices. Visit podcastchoices.com/adchoices
It is time to open the next chapter of our dive into Renaissance history, dialing back to look at the early Renaissance and the Proto-Renaissance. The terminology of periodization is loose and malleable, and brings to light of other renaissances that occurred throughout the Middle Ages. What is the difference between the way classical revival was exercised from the 8th and 12th centuries, and the world of Renaissance Italy? This episode provides the fundaments of the earliest years of the Renaissance in Florence. The discussion links the literary developments of Dante, Petrarch and Boccaccio to the art developments of Cimabue and Giotto. Did the Black Death, that devastating plague that swept through Italy in 1348, have an impact on intellectual development? What did the early phases of Humanism look like, before the late 15th century? Images uploaded to Instagram @italian_renaissance_podcast Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the Show.
Join co-hosts Adrian M. Gibson and M.J. Kuhn as they chat with award-winning author Paolo Bacigalupi about his new novel Navola, his breakout hit The Windup Girl, Renaissance Italy, languages and cultural immersion, reading resonance and education, near-future settings and climate fiction, research and lived experience, transitioning into fantasy, burnout, discovery writing and much more. NOTE: This is part one of a two-part chat with Paolo. Stayed tuned next week for his mini-masterclass on Deep Worldbuilding. OUR SPONSOR: The Dryad's Crown is a multi-generational epic fantasy tale of love and loss, an emotional, coming-of-age debut and the first volume in a gritty saga set in the immersive world of Efre Ousel. Purchase The Dryad's Crown by David Hopkins HERE in paperback, eBook and audiobook. For more information, follow David on Twitter. Thank you to David for supporting SFF Addicts at $40 on Patreon. SHOUTOUT TO THE 'SFF ADDICT' PATRONS: Thank you David Hopkins, Luke F. Shepherd, Daniel Ryan, Zach Parker, Christopher R. DuBois and Luke A. Winch for supporting us on Patreon at $10+. SUPPORT THE SHOW: - Patreon (for exclusive bonus episodes, author readings, book giveaways and more) - Merch shop (for a selection of tees, tote bags, mugs, notebooks and more) - Subscribe to the FanFiAddict YouTube channel or check us out on Spotify, where this and every other episode of the show is available in full video - Rate and review SFF Addicts on your platform of choice, and share us with your friends EMAIL US WITH YOUR QUESTIONS & COMMENTS: sffaddictspod@gmail.com ABOUT OUR GUEST: Paolo Bacigalupi is the award-winning author of The Windup Girl, The Water Knife, Pump Six and Other Stories, Ship Breaker and much more. His newest release is Navola, which you can purchase here. Find Paolo on Twitter, Amazon, Facebook or his personal website. ABOUT OUR HOSTS: Adrian M. Gibson is a podcaster, writer and illustrator. His debut novel, Mushroom Blues, is available now to purchase on Amazon in paperback, eBook and hardcover. Find Adrian on Twitter, Instagram, Amazon or his personal website. M.J. Kuhn is the author of Among Thieves, her debut novel, and its sequel Thick as Thieves. Find M.J. on Twitter, Instagram, TikTok or her personal website. FOLLOW SFF ADDICTS: FanFiAddict Book Blog Twitter Instagram MUSIC: Intro: "Into The Grid" by MellauSFX Outro: “Galactic Synthwave” by Divion Ad: "Ensom Lokk" by Sissel Morken Gullord / "Ancient Life" by wildsound159
Roman Catholic exorcists in the Middle Ages called on the authority of Lucifer, Beelzebub and Satan to remove lower demons from the body of a possessed person. Magicians also call on these demons, but for very different reasons. This deep dive explores what modern exorcists say about demonic hierarchies, the medieval manuscripts from Catholic exorcists, the grimoire traditions, the Gospel of Matthew and much more. ⇓ ⇓ ⇓►
Medieval citizens took steps to actively avoid living in filth. But how did they accomplish it? What were some of the ground rules? And how did this change when your city was also surrounded by water? This week, Danièle speaks with Jane Stevens Crawshaw about environmental policies in fourteenth and fifteenth-century Genoa and Venice.You can support this podcast on Patreon - go to https://www.patreon.com/medievalists
Directed by Art Manke and designed by Lindsay Jones, Amy Freed's translation of “The Taming of the Shrew” pits the two smartest people in the room against each other in a match of wits to tame the society that surrounds them. Set in Renaissance Italy with a cast of seasoned pros including Allen Gilmore, Susannah Rogers, Danny Scheie, Annie Abrams, Mike McShane, Rob Nagle, Tessa Auberjonois, Kasey Mahaffy, Kyle Hester, Tom Patterson and J.Paul Boehmer. Learn more about your ad choices. Visit megaphone.fm/adchoices
This Sci Fi author interview with Jean Lamb, a fantasy and science fiction writer, discussed everything from using spreadsheets to track writing to writing fan fiction. She wrote Dead Man's Hand, the first book in the The Ghost Ship Series. She writes Harry Potter fan fiction, is a member of the SFWA (Science Fiction and Fantasy Writing Association), has published eight books, is a former United States Air Force officer, and spent a half-century married to the love of her life with a cat and 10,000 books. We discussed her book set in Renaissance Italy and its theme of revenge, how she gets her books cover artists and her books known, how she uses spreadsheets while she writes, and a little about her love of fan fiction. You can find her on Facebook https://www.facebook.com/excessivelyperky/ Quora https://www.quora.com/profile/Jean-Lamb and read her fan fiction https://www.fanfiction.net/u/314420/excessivelyperky If you are interested in purchasing Dead Man's Hand, the first book in the Ghost Ship series, you can do so here https://amzn.to/47n4KWe If you enjoyed this episode, you might also enjoy my interview with JB Yanni about fantasy time travel https://open.spotify.com/episode/2xBGkzRevdNILsoBwWiq0t?si=BIn60qBVSqijQQ2XhO5uTw or Chelle Cypress about Romantic fantasy Unmasking the Curse https://open.spotify.com/episode/2egh5gNfVw3GsQfIVsw0Dt?si=es26F3PVTkCJNGS8e8jxOw If you are interested in being a guest on my podcast, you may fill out the form on my website: http://authorsalcove.com/be-a-guest You can also follow me on: Facebook: http://facebook.com/authorsalcove Instagram: https://www.instagram.com/authorsalcovepodcast/ Linked In: https://www.linkedin.com/in/agnes-wolfe-20bb47288/ Spotify: https://open.spotify.com/show/2EQYPBl1LtZh08qCdIRHTy?si=aa56d7a9565a49fa YouTube: https://www.youtube.com/channel/UCWVCbL470bDCgeg23kziYAg (possible affiliate links above ) --- Send in a voice message: https://podcasters.spotify.com/pod/show/authorsalcove/message
Great Italiani gaon, whose rabbinical opponents tried to get him fired by his own בַּעֲלֵי בָּתִּים
The Silver Devil was published by Jacqui Bianchi, under the pen name of Teresa Denys, in 1978. We've talked before about bodice rippers with a cult reputation, and The Silver Devil, set in the “opulence and intrigue” of Renaissance Italy, is perhaps the moodiest, bloodiest, most devilish bodice ripper of them all. Denys only published two books: 1978's The Silver Devil, and 1980's The Flesh and the Devil, before her death in the late 1980s. While most out of print books fade into obscurity, both Denys's books remain cult classics to this day. Support us on our Patreon!Follow us on social media: Twitter: @reformedrakesInstagram: @reformedrakesBeth's TikTokChels' TikTokEmma's TikTokChels' SubstackEmma's Substack Visit our website for transcripts and show notes: reformedrakes.comThank you for listening!
The guys interview Chris Brand about the upcoming 2024 DipCon/Cascadia Open in Vancouver. Plus we talk upcoming tournaments and our online games. Intro The guys open the show about Gavin's wife's recent interest in Ticket to Ride and talk about a number of other board games (0 mins 15 secs) They discuss their drinks and initial venue which they last visited in episode 2 (4 mins 20 secs) Ken's been brewing beer (6 mins 20 secs) Interview with Chris Brand The guys start introducing their interview with Chris Brand, WDC winner and tournament organiser for this year's DipCon/Cascadia Open in Vancouver (10 mins 15 secs) Gavin asks about the tournament from 3rd to 4th February 2024 and how it'll be different being run as a DipCon (12 mins 30 secs) They talk about the scoring system and player's from different locations' playing style versus the West Coast style (15 mins 30 secs) They go onto discuss responsibilities in organising the tournament (20 mins 40 secs) Chris talks about the rounds and the impact of online players increasingly attending face to face tournaments (23 mins) Gavin asks about Chris' drink (26 mins) Ken asks about how did the idea of combining DipCon and Cascadia come about (27 mins 40 secs) He then asks about the logistics of getting to the tournament (30 mins 30 secs) They talk about the social aspect of the tournament (32 mins 15 secs) Gavin asks Chris about whether he'll attend WDC in Milan (34 mins) Ken asks about how to register and get advice on getting to the tournament (35 mins 40 secs) They start wrapping up the interview before moving onto discussing the interview (38 mins) Ken gets up to some maple syrup smuggling (47 mins 30 secs) Diplomacy chat The guys discuss the two upcoming tournaments in Australia: the Melbourne Open hosted by Andrew Goff in the first weekend of March and the Hung Parliament Handicap in Canberra hosted by Jamal Blakkarly on 12-14 April (48 mins 30 secs) The guys give their take on Renaissance Italy (57 mins) They discuss having a tournament in Brisbane during August called the "Canetoad Classic" and get into the trophy (1 hr 1 min) The guys move onto a new venue, moving to Rothwells and discuss their mid-game drinks (1 hr 7 mins) Around the grounds Gavin talks about the last episode where the guys agreed to play the new South of Sahara variant, but Ken then CD'ed and left the game (1 hr 14 mins) They move onto Gavin's Europa Renovatio game as Portugal (1 hr 18 mins) Ken flags he hasn't got around to any Big Stick Diplomacy variant updates. They then talk about a few games broadly (1 hr 26 mins) Ken talks about how to flag in a gunboat how to flag to get on with it and draw (1 hr 29 mins 30 secs) The guys start wrapping up the episode (1 hr 32 mins 45 secs) Venue: The Gresham & Rothwell's, Brisbane Drinks of choice: Ken: Cooper's Sparkling Ale from South Australia and Wilder gluten free pale ale Gavin: Capa Sigle Tempranillo from Castilla la Mancha in Spain and a 2018 Bordeaux Just a reminder you can support the show by giving it 5 stars on iTunes or Stitcher. And don't forget if you want to help pay off the audio equipment... or buy the guys a drink, you can also donate at Patreon, plus you get extra podcast episodes! Lastly, don't forget to subscribe so you get the latest Diplomacy Games episodes straight to your phone. Thanks as always to Dr Dan aka "The General" for his rockin' intro tune.
For women in Renaissance Italy, beauty was everything: it could be a vocation, a way to get ahead, entertainment, or even a weapon. Women of all classes used cosmetics, and many were employed as beauticians, apothecaries, and beauty writers. This week, Jess talks to Professor Jill Burke about Renaissance beauty standards, cosmetics, hair dye, plastic surgery, and how hundreds of women escaped abusive marriages with Aqua Tofana
Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood. Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood. Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe. Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
William Magnuson, a professor at Texas A&M Law School and former Harvard University professor, discusses his book For Profit: A History of Corporations. The book covers eight different corporations throughout history, illustrating different facets of corporations. William chose these eight corporations because they were relevant to the modern world and their importance in shaping society. He aimed to explore the origins of corporations, focusing on foundational moments in corporate law, such as ancient Rome's tax-gathering entities, and the Medici bank. He talks about how studying corporations over 2000 years brought to light trends and why today's citizens are more impacted by corporations than at any other time in history. William considered including the Soviet Union, which was one of the world's great experiments in trying to structure and economy without corporations. However, he did not include any consumer packaged goods or retail companies on the list. He also considered researching other major tech companies like Apple, Google, and Microsoft, but ultimately chose not to include them. He also considered adding Japanese corporations, as there is a long history within corporate law scholarship that has similarities with US law but also some major differences. He highlights the importance of understanding the legal concept of corporations and the evolution of their features over time. He also acknowledges the potential for further research into other cultures and corporations, such as Japanese corporations, which could provide valuable insights into corporate law scholarship. Common Characteristics of the Modern Corporation The concept of a corporation has its roots in various ancient cultures, including the Incas, Chinese, and Japan. Europe was largely based on the Roman model, which outsourced government services to private individuals or organizations. This model was copied in Renaissance Italy and eventually moved up to the joint stock era in the 1600s. Japan has a long history of large conglomerate organizations, which are family-oriented and have evolved over time. The American corporation is largely based on the European tradition. Some common characteristics of modern corporations include limited liability, professional management class; single entity operation, and immortality, where a corporation never dies or ceases to exist, unlike partnerships, which end when one partner dies. This is important because historically, partnerships ended when one partner died, which was problematic for tax gathering in ancient Roman republics. Corporations are immortal, meaning they continue to exist even after the death of a single member or stockholder. The Birth of the Corporation The Roman Republic's Fabian strategy, which involved avoiding set battles and using private enterprise, played a significant role in the creation of corporations. In 218 BC, during the Punic War between Rome and Carthage, the Roman commander Cornelius Skipio wrote to the Senate, asking for supplies to continue the war. The Roman senate ran out of money, they made a plea to Roman citizens for support, and in return they asked for several terms, and this led to the idea of private enterprises as a solution to the problem, and legal rights for specific entities. In the Roman Republic, corporations had to have certain institutions in place to function effectively. These institutions included the Senate passing laws, corporate attorneys, banks, and other infrastructure. The rule of law was crucial for these entities to thrive, as it allowed them to enforce contracts in court. This rule of law was a key factor in the rise of the corporation in Renaissance Florence, where fragmented policies and conflicts between duchies, barons, kingdoms, empires, and city states were prevalent. The Medici bank, for example, created a rule of law within the city of Florence, creating separate entities with 15 branches, each serving as its own entity. This allowed them to create a rule of law in a world that didn't have it. Cities and Religious Organizations as Corporations Religious organizations, such as monasteries, were also considered corporations, but they were not in the same line of business. Cities, on the other hand, were outliers in the history of corporations, as they sought to protect their liberties and rights. Cities were able to benefit from incorporation, as they were protected by the Magna Carta. Corporations are flexible entities that can be used for various enterprises. William explains the element of limited liability, which is a fascinating element of corporations. It provides risk protection for owners, allowing them to gather capital and launch larger enterprises. However, the concept of limited liability was not always clear, and some statutes are still ambiguous. For example, the East India Company, which was one of the first corporations to adopt limited liability, was a case study that illustrates the importance of limited liability in the early years of corporations. Early Ideas of Governance in Corporations William discusses the concept of governance in corporations, focusing on the separation of owners and managers and how to align them. This separation is crucial for modern corporations with hundreds of thousands of shareholders, as it prevents conflicts between managers and shareholders. One example of this is Ford Motor Company, founded by Henry Ford in the early 1900s. Ford was known for his fiddling around and raising money from wealthy investors, but faced criticism from shareholders who were concerned about his financial performance. This led to a conflict of interest between Ford and his shareholders, which eventually led to the foundational concept of fiduciary duty in corporate law. William also discusses the history of shares trading hands, mentioning that in ancient Rome, there were physical certificates representing stock ownership. However, there is little evidence on the exact structure or form of the stock market. Today, the system is moving towards an electric electronic system, making it more complex. William teaches a class on the settlement of trades, which is one of the main focuses in FinTech and other research interests. He also discusses the evolution of the stock trading system, highlighting the importance of understanding the complex nature of the process of trading shares. The History of Corporate Advisors William discusses the history of corporations using professionals outside their four walls to advise them. He cites KKR, a private equity firm, as an example of a corporation that uses an ecosystem of professionals to help it operate in the world. The role of these professionals has become more important as corporate law and the corporate form become bigger and more complicated in the modern world. Institutional investors have also played a role in the venture capital industry, often spearheading companies with the interests of venture capitalists. Facebook's structure and story are shaped by its funding model, which was honed into the idea that venture capitalists would take bets and try to reach rapid growth to create a platform effect. This model is emulated by many other startups today. There is a big debate about the corporate purpose, whether they should focus on profit or consider environmental, social, or governance issues. Throughout his research, William was surprised to find that the structure of corporations has always been similar to the debates within society, and major corporations have always led to major changes in how they are regulated. For example, mass production, oil production, and concerns about too big to fail have led to new issues being raised when there is mass production or oil production. Misconceptions about Corporations and Their Role in Society William discusses the misconceptions about corporations and their role in society. He argues that corporations were created to promote the common good, not just profit, although what could be debated is what the common good means. This idea is based on historical evidence, such as the creation of the Florentine government and Queen Elizabeth England. He also discusses the debate surrounding fiduciary duties and the role of boards of directors, managers, and officers in determining the interests of shareholders. He disagrees with some scholars about the role of fiduciary duties and the broad discretion granted to managers to consider other interests beyond shareholder profit. He believes that this broad discretion has been informed by his research into the history of corporations and the factors that have led them to thrive. William's next book is on the history of law, focusing on foundational moments in time when the way we think about law, the rule of law, the Constitution, judges, and democracy have changed. He goes back to ancient Athens, ancient Rome, and the development of the code, moving up through the US Constitution Magna Carta to the current draft of the 1964 Civil Rights Act. Links: Some additional book recommendations on corporate history from Professor Magnuson: Ernst Badian, Publicans and Sinners: Private Enterprise in the Service of the Roman Republic Raymond de Roover, The Rise and Decline of the Medici Bank William Dalrymple, The Anarchy: The Relentless Rise of the East India Company John Micklethwait & Adrian Wooldridge, The Company: A Short History of a Revolutionary Idea CONTACT: Twitter: @profmagnuson LinkedIn: https://www.linkedin.com/in/william-magnuson-56479473/ Unleashed is produced by Umbrex, which has a mission of connecting independent management consultants with one another, creating opportunities for members to meet, build relationships, and share lessons learned. Learn more at www.umbrex.com.
Chapter 1 Interpret what The Agony and the Ecstasy is about"The Agony and the Ecstasy" is a biographical novel written by Irving Stone. It was first published in 1961 and tells the story of the life of Italian artist Michelangelo Buonarroti. The book covers Michelangelo's artistic journey, starting from his apprenticeship as a painter in Florence, his years working under the patronage of the Medici family, and his monumental works such as the sculpture of David and the painting of the Sistine Chapel ceiling in Rome. The novel explores the personal and artistic struggles faced by Michelangelo, including his battles with self-doubt, the demands of his patrons, and the conflicts between his artistic vision and the religious and political environment of Renaissance Italy. The title "The Agony and the Ecstasy" reflects the intense emotional and physical toll that Michelangelo experienced in pursuing his artistic passion, as well as the moments of triumph and transcendence he achieved. It provides a vivid portrayal of the life of one of the most renowned artists in history and the extraordinary commitment and sacrifice required to create enduring works of art.Chapter 2 Is The Agony and the Ecstasy A Good Book"The Agony and the Ecstasy" by Irving Stone is widely regarded as a well-written and engaging historical novel. Stone vividly portrays the life and struggles of Michelangelo Buonarroti, one of the most renowned artists of the Renaissance era. The book delves into the artist's creative process, his relationships, and the societal forces he encountered throughout his life. If you have an interest in art history or historical fiction, this book might be worth exploring.Chapter 3 Key Features of The Agony and the Ecstasy "The Agony and the Ecstasy" is a biographical historical novel written by Irving Stone, published in 1961. The novel tells the story of the life and works of the renowned Italian artist Michelangelo Buonarroti.The book begins with a young Michelangelo, who is passionate about creating art and studied under the patronage of Lorenzo de' Medici, a powerful ruler at the time. Michelangelo faces various challenges throughout his life, including financial difficulties, political conflicts, and personal struggles.One of Michelangelo's most famous projects is the painting of the Sistine Chapel ceiling in the Vatican. The book delves into the intricate process of the creation of the iconic frescoes, depicting the agony and intensity Michelangelo experienced while working on the project.The story also explores Michelangelo's relationships, including his complex bond with his patron and friend Pope Julius II. The dynamic between the two men is filled with tension and clashes, highlighting the struggle between the artist's creative vision and the demands of his powerful patron.Throughout the novel, Stone portrays Michelangelo as a deeply passionate and driven artist, constantly challenging himself and pushing the boundaries of his craft. The book also delves into his personal life, including his love affairs and his sense of isolation and loneliness."The Agony and the Ecstasy" offers a detailed and vivid portrayal of Michelangelo's life, his artistic talents, and the tumultuous times in which he lived. It provides insights into the creative process behind some of his most iconic artworks and explores the complex personality of one of history's greatest artists.Chapter 4 The Agony and the Ecstasy Author The author of the book "The Agony and the Ecstasy" is Irving Stone. He released the book in 1961....
It follows a fairly ancient pattern of destructive Big Lies that goes back to Renaissance Italy and even the Roman republic and ancient Greece... Is Mitt Romney the last decent man who's a Republican? Veteran War Correspondent Phil Ittner reports from Kyiv, Ukraine. Texas A&M professor is suspended for criticizing the Governor - say what? We were warned - the ocean currents are changing! Plus - just how hot is the water in FL? This is not good news. Vice President of Media Matters Julie Millican reflects on Fox news as an un-indicted co-conspirator in Trump's crimes.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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