Podcasts about Colbert

This week on Second Helpings, Jackie and MJ are back to talk more of this weeks goss'! Up top producer Adam, MJ and Jackie talk about the upcoming Bright Eyes anniversary shows, and Jackie gets more ready for Christmas by listening to Evermore for the first time this season, and then there's some more Tay talk including her recent Colbert appearance! JoJo Siwa announces a return to form with a massive bow filled cruise, HILARIA let us know she HAS to post photos of her kids, or else the papz won't leave her alone! Outside of the holiday season watches, Jackie's been bingin' "Madmen" with Geoff and lovin' it, as well as "Welcome to Derry"  AND "Heated Rivalry" the mere image of Jacob Elordi made Jackie's brain break, but he's doing "Actors on Actors" with GOOP! Timothée Chalamet's Ping-Pong character gonna be on the Wheaties box, Jackie enjoyed "Rental Family", and Jackie hopes MJ, along with everyone gets PLURIB'D, and then a solemn moment of realization that this is the first non-DWTS episode until next season! All that and more on this weeks Second Helpings!Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Taylor Swift joins Stephen Colbert last night and gave some amazing advice. Alix Earle won't confirm or deny the breakup but does admit she is going through something. Plus will the Ariana Grande Tour actually happen and what is going on with Tyra Banks' Ice Cream brand.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Brittany experiences Sofia Vergara clothing line in the wild. Taylor Swift is on with Colbert and we chat the Ralph Lauren Christmas. Also Teresa Giudice's 'Escape Plan'. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taylor Swift is on Stephen Colbert's show tomorrow night! Comedian Theo Von says that he is in a bible study with country singer Morgan Wallen!See omnystudio.com/listener for privacy information.

Kate, Melissa, and Leah are joined by Professor Rebecca Ingber of Cardozo Law to break down the blatant illegality of the administration's murders of alleged “narcoterrorists” in the waters off South America. Then they dive into last week's oral arguments, which featured cases involving “crisis pregnancy centers,” asylum claims, and whether internet providers are responsible for their users' copyright violations.Favorite things:Kate: This wild deposition; Disappeared to a Foreign Prison, Sarah Stillman (New Yorker), Olivia Dean, Sabrina Carpenter's White House slapdownLeah: Dunking on this nonsensical op-ed; Republican Anger Erupts at Johnson as Party Frets About Future, Annie Karni (NYT); Hands Off ChicagoMelissa: WaySoft Cashmere Beanie; Ziwe interviews Eric Adams; Prince Harry on Colbert; Troublemaker; The Fierce, Unruly Life of Jessica Mitford, Carla Kaplan; Victoria (Netflix) Get tickets for STRICT SCRUTINY LIVE – The Bad Decisions Tour 2025! 3/6/26 – San Francisco3/7/26 – Los AngelesLearn more: http://crooked.com/eventsOrder your copy of Leah's book, Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad VibesFollow us on Instagram, Threads, and Bluesky Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Prince Harry's surprise Colbert cameo was supposed to be cute, festive, and harmless — instead, it's detonated into one of the most brutal weeks of criticism he's faced since Spare. Royal experts, PR strategists, and even late-night audiences say the Duke's jokes fell flat, his jabs at President Trump crossed a diplomatic red line, and his attempts at self-deprecating American reinvention have curdled into something “desperate.” Deep Crown calls it “irrelevance catching up.” British commentators say it was “self-harm.” U.S. audiences booed him. And palace insiders warn the fallout is severe — with fresh calls to strip Harry's titles entirely. We unpack the backlash, the political blowback, and why even sympathetic voices now say the Duke may have just closed the door on any path home.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Harry addresses Canadian real estate professionals for $499 a pop about "service and leadership"—two concepts he abandoned when he quit royal duties. Meghan's Netflix holiday special drops to catastrophic reviews: Independent gives it one star, Telegraph calls it "quite mad and a little bit sad," Daily Mail awards zero stars citing "syrupy hypocrisy and deep lack of self-awareness." Harry's first speaking part on the show? Slagging off a salad. Tina Brown delivers brutal assessment: "I have never seen anybody make as many mistakes as Meghan has, and Harry is not the brightest bulb either. They are pariahs everywhere."BREAKING: Meghan's father Thomas Markle undergoes emergency leg amputation in Philippines ICU—blood clot turned his foot "blue and then black." His son pleads: "My only wish is that Meghan shows my father some compassion. He is literally fighting for his life." Meghan's spokesman declines to comment. As Tom Sykes writes: "Inconveniently, as the Duchess urged viewers to craft sentimental ornaments and lean into family, her father was lying in ICU after three-hour emergency operation, without any contact from her." Harry appears on Colbert making Trump jokes: "I hear you elected a king." Meghan promotes $12 chocolate bars on Instagram as father fights for life. Andrew formally stripped of final honours—Order of the Garter and Royal Victorian Order cancelled, names "erased from the Register." Demands £75 million to leave Royal Lodge.William and Kate front-center for German state visit—functioning as "present monarchy" while Charles undergoes treatment. Kate prepares "love in all its forms" carol concert for tonight. Plus: Deep Crown on transactional compassion, terrible Netflix reviews, and the week brand management overtook basic human decency.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Washington County, Oregon seems to be suggesting that it will shield illegal aliens from federal law enforcement. Unhinged women in Portland are shrieking out in public in protest of Trump. The semi-truck driver in a massive crash in Lacey did not have a CDL according to Washington State Patrol. The homeless encampment in Seattle’s Mount Baker neighborhood is slated to be cleared. Pennsylvania governor Josh Shapiro blasted claims Kamala Harris made about him in her book. // Big Local: Washington Attorney General Nick Brown is not investigating a Yakima County election prize giveaway that raised some eyebrows. Teens in Pierce County are participating in a very dangerous TikTok challenge that could get someone killed. Ten live grenades were found by contractors working on a Kitsap County home. // You Pick the Topic: Michelle Obama is race baiting on her book tour. Prince Harry made an appearance on Stephen Colbert’s show and actually got a few decent jabs in.

0:00 Thomas Massie questions J6 pipe bomb story as suspect gets nabbed | RISING 9:29 Tom Cotton defends strikes on alleged drug boats in Caribbean | RISING 18:30 Trump replaces White House ballroom architect amid clashes: report | RISING 23:22 New York Times sues Pentagon over restricting press access | RISING 32:31 Halle Berry stuns crowd after slamming Gavin Newsom over menopause bill | RISING 41:38 Prince Harry takes shot at Trump during Colbert appearance | RISING Learn more about your ad choices. Visit megaphone.fm/adchoices

A wild Friday in Royal World: Meghan Markle's estranged father is in intensive care after a life-saving leg amputation, with doctors calling the next few days “critical.” Family members are begging the Duchess for compassion — but the silence from Montecito is deafening. Royal insiders say the optics are disastrous, especially as Meghan promotes new floral-wrapped chocolate bars and Harry cracks jokes about President Trump on Colbert. We break down the Markle family emergency, the PR blowback, and the latest chaos as the Sussexes close out a brutally rough week.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Tara Reid sprawled out on a stretcher. The new 9-1-1 call. The actress claims she was drugged, but police are now telling a different story. Then, Kim Kardashian reliving the terror of her Paris robbery and firing back at Kanye's claims she faked it for TV. Plus, Glen Powell coupled up. Details on his romance with a “Landman” star. And, Prince Harry shows up on “Colbert” by surprise. Why the royal made an unexpected stop at “The Late Show”. Then, Kyle Richards comes out? Going on the record with ET about her relationship status and the return of “The Beverly Hills Housewives”. Plus, the “Mormon Wives” reunion sparks a major meltdown. Only ET is with Demi revealing the drama you didn't see on TV.  And, ET is on the set of tonight's all new episode of “Georgie & Mandy's First Marriage”. Wha you never knew about the cast of TV's number one comedy.  Name Lengths (mm:ss) Local Break Start Time End Time Segment 1 14:53 Local Break 1 7:20:53 7:22:53 Segment 2 9:15   Local Break 2 7:32:08 7:34:08 Segment 3 12:23 Local Break 3 7:46:31 7:48:31 Segment 4 4:58 Local Break 4 7:53:29 7:55:29 Segment 5 4:30   Tara Reid sprawled out on a stretcher. The new 9-1-1 call. The actress claims she was drugged, but police are now telling a different story. Then, Kim Kardashian reliving the terror of her Paris robbery and firing back at Kanye's claims she faked it for TV. Plus, Glen Powell coupled up. Details on his romance with a “Landman” star. And, Prince Harry shows up on “Colbert” by surprise. Why the royal made an unexpected stop at “The Late Show”. Then, Kyle Richards comes out? Going on the record with ET about her relationship status and the return of “The Beverly Hills Housewives”. Plus, the “Mormon Wives” reunion sparks a major meltdown. Only ET is with Demi revealing the drama you didn't see on TV.  And, ET is on the set of tonight's all new episode of “Georgie & Mandy's First Marriage”. Wha you never knew about the cast of TV's number one comedy.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Prince Harry goes on Stephen Colbert and receives boo's for making a bad joke about President Trump. Meanwhile, Dana reacts to Candace Owens accepting a debate against TPUSA over the lies and insults thrown at Charlie Kirk's family.Thank you for supporting our sponsors that make The Dana Show possible…PreBornhttps://Preborn.com/DANAThis Christmas, for just $28 you can help save a life. Dial #250 and say “Baby,” or give securely online. Make your gift today.Relief Factorhttps://ReliefFactor.com OR CALL 1-800-4-RELIEFDon't let pain stop you from living the life you want with Relief Factor. Get their 3-week Relief Factor Quick Start for only $19.95 today! Fast Growing Treeshttps://FastGrowingTrees.comGet up to 50% off plus 15% off your next purchase with code DANA—visit and save today! Valid for a limited time, terms and conditions apply.Patriot Mobilehttps://PatriotMobile.com/Dana  OR CALL 972-PATRIOTWhat are you waiting for? Switch today. Use promo code DANA for a free month of service.Byrnahttps://Byrna.comSave 15% sitewide during Byrna's biggest Black Friday and Cyber Monday sale. Don't miss out!AmmoSquaredhttps://AmmoSquared.comDon't get caught without ammo and be sure to tell them you heard about Ammo Squared on this show. Keltechttps://KelTecWeapons.comKelTec builds every KS7 GEN2 right here in the USA with American materials and workers—upgrade your home defense today.  KelTec Peacekeepershttps://KelTecWeapons.com/DanaThe KelTec Peacekeepers Program supports those who protect our communities.  Learn more about the program today. HumanNhttps://HumanN.comStart supporting your cardiovascular health with SuperBeets, now available at your local Walmart.Noblehttps://NobleGoldInvestments.com/DanaOpen a new qualified IRA or cash account with Noble Gold and get a FREE 10-ounce Silver Flag Bar plus a Silver American Eagle Proof Coin. Subscribe today and stay in the loop on all things news with The Dana Show. Follow us here for more daily clips, updates, and commentary:YoutubeFacebookInstagramXMore Info

Police say surveillance shows no evidence Tara Reid was drugged despite her claims of blacking out after one drink. Parents are furious at Netflix and Matt Rife after an auto-play preview of his holiday special spoiled that Santa isn't real. Prince Harry joked on Colbert that Americans “elected a king,” taking a shot at Donald Trump and drawing gasps from the audience. Hosts: Charlie Cotton, Deven Rall Learn more about your ad choices. Visit podcastchoices.com/adchoices

To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

durée : 00:03:28 - Charline explose les faits - par : Charline Vanhoenacker - Le buste de Dalida qui trône à Montmartre est l'objet d'une polémique parce que les passants lui touchent les seins, au point que la poitrine s'est oxydée… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:28 - Charline explose les faits - par : Charline Vanhoenacker - Le buste de Dalida qui trône à Montmartre est l'objet d'une polémique parce que les passants lui touchent les seins, au point que la poitrine s'est oxydée… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode of the Explore Oregon Podcast, host Zach Urness talks with Debbie Colbert, director of the Oregon Department of Fish and Wildlife. Colbert became the first female director of ODFW, an agency tracing its history back to the 1800s, in May of 2024. In the podcast, she talked about her background as a field scientist and her first year as director, before jumping into hot-button topics like fee increases for fishing and hunting licenses, the future of Oregon's hatcheries and wild fish, wolf management, whale entanglement and some big wins for like the coastal coho salmon recovery.

Rules of time travel: 1. Don't. 2. There are no rules. 3. Know Yourself One should know how to spot or recognize any parallel, paradoxical, or pro-dimensional version of oneself in the various multidimentional and infinite realities displayed both on and off of the grid in alignment {Enter The Multiverse} THE TITANS and OTHER DIETIES ARE FIGHTING an EPIC BATTLE in the DREAMWORLD —however, the battle is ABRUPTLY PAUSED when their HUMAN COUNTERPARTS in our own PARALLELS are awakened. Oh, so that's why he wants all that rufintinol… EXACTLY! MEANWHILE ERYKAH BADU enters the CHAMBERS. BADU I need candlelight to do what I'm about to do… For I counted— Thrice. And I laid six hands upon her grave; Six times the serpent never faught And so remained my heart as sacred. These people are fucking obsessed with me. Sim: Similar to human force, but not. Subjectively comparative to that of a familiar, A Similar seeks in its nature to exist for the soul purpose of a magician's makeshift (or temporary) parallels), in order to form a bond to which the reality it seeks is material, rather than theoretical. In that sense, a Similar eventually ceases to exist entirely once this task is established and formed a concrete foundation in which this multiconditional energy has an exact route one way or another— such is the familiar or other medicinal artofaxts such as a ‘totem' or poppet, however increasingly more complex. Similar energies are made to look and intuitively co-exist among humans but lack certain conscious or emotional elements, and fundamentally, spiritual energy. A similar mustn't be programmed, however like inanimate material objects, and are instead formed with a sort of energy which is encrypted by the magician itself, by creating a limited energy of oneself which is then for lack of a better term, ‘injected' into the electromagnetic field or aura of such a creature that remains and dwells in the realm of lower conciousness— it is for this purpose that the Sim remains in such that is a shield against energy of foreign nature which might corrupt the making of this primitive or primordial material construct. This energy does not travel and is thus conformed to its stake in the grid of multidimentional plans it is made in. I don't understand. [The Festival Project ™] Come here, cat. Oh, no! L E G E N D S BLŪ looks into the fridge. It is EMPTY. CHAOS I have lots of food…at my house. FINI Ugh, what is his job, anyway? Yeah, what does he even do?? CC If I told you, you wouldn't believe me. {Enter The Multiverse} I hate him! Just golf, would you? I do! I hate everything right now. Just hit the ball! —these are not even your games— Just golf! Goddamn you! —I don't know why you keep playing them! He hits the ball VERY hard. GOD! Finally! —and dragging me into it! Your anger may be making your game better. —and it's Top Golf. I don't see anyone playing these types of bets. He hits the ball. You were right. $10 Dollars. [The Festival Project ™] He is troubled —and she is weeping. BADU With three knives I found my blood; And with three knives I found my art And with three more I severed hearts— And tears remained upon the blade. And on, Their paper was our mirrors for eyes And I became not One, But all or more, And trust upon the world, Her core. The battle has won. I talk to you in my sleep, Therefore I am your fortune My love, I weep to wake from dreams To which we are tied in sacred honor As Divine. At once, my time is come, And though I shake with fear and favor, My making of your fortress shall be mine, In heart, forever. Amen. In all the ways I love you, And yet, cannot. Shatter my heart, For things are blind, And now I covet such as times That trees brought up from seeds grow wise. Hey, somebody— Make me laugh. Mr. Colbert? …your honor. Not it! V.O, The truth is, I don't know what I did at that party. [The Festival Project ™] FRENCH HENCHMAN Be in Los Angeles by sundown. MAU5 …but I live in Toronto. FRENCH HENCHMAN Precisely. MAU5 …why are you asking me to travel on my time? FRENCH HENCHMAN —because I know you're capable of this! MAU5 Ugh. Fine. FRENCH HENCHMAN See u soon. MAU5 Honey! Where's my mouse head? APPARENTLY ALSO KELLY It's in the shop. MAU5 What? APPARENTLY ALSO KELLY That's what the assistant told me. MAU5 What assistant? APPARENTLY ALSO KELLY *Shrugs.* ‍♀️ MAU5 …ur so pretty. {Enter The Multiverse} I heard and hurt that it's a numbers game; I'm laying in my grave, A shallow pool of doom and hatred But I have my name And it is mine and mine alone And it is mind and mind as one And it is time and time again I wish to die But then become another. PARIS TIPTON walks into THE HILTON HOTEL and launches into a RAGE. Not this again. {Enter The Multiverse} L E G E N D S Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW.

Debbie Monterrey talks with Scott Colbert, Chief Economist for Commerce Bank and Commerce Trust, about the current state of the U S economy. They discuss falling consumer sentiment, why economic activity looks stronger than people feel, and the wide differences in performance from region to region. The conversation covers how the government shutdown affected jobs reporting, what spending looks like across different income groups, and why growth is uneven nationwide. Colbert wraps the hour with a cautiously optimistic outlook while acknowledging the challenges and uncertainty ahead.

Topics include Louis CK on selling standup specials directly to fans and his current career status compared to pre-2017. Louis talks about his secret superstar status and the desire to stay connected with fans directly. Stephen Colbert discusses his transition from his Colbert Report persona to his current role and the nuances of performing as himself. Colbert and Jim Gaffigan talk about their views on comedy distribution and the evolving landscape of late-night and streaming platforms. The script includes additional commentary from Jeff Dye on diversity in comedy and Leanne Morgan's sitcom success. It concludes with Fred Armisen's honor at the Dallas Video Fest with the Ernie Kovacs Award.Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac--4522158/support.Contact John at John@thesharkdeck dot com Thanks to our sponsors!Raycon EarbudsUnderdog Fantasy Promo Code DCNBlue Chew Promo Code DCNTalkspace promo code Space 80For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.

Hi, i'm Russell Brand. No, get out. I'm sorry,I— ? Get out, get out! Are we trading kings for whistle! Sacred things and torturers? Lill bitz I started talking to this guy from tinder Then I quickly realized he only texted me at like 3 in the morning, like “come over” So I started texting him really weird shit— Like really weird. Like, I would make sure before I sent it, I would re-read it and be like “Ya, that's weird.” “That's really weird.” Every time, just read it to myself and be like “Ya that's giving “you're psycho” Right off the bat. Kate Winslet is so good at late night. She talks mad slow and answers every open ended question with a paragraph of thoughtless nonsense— finally, at the end of the paragraph, she answers the question in yes or no fashion; in this sense, you've completely forgotten the question through redirection. This has taken nearly five minutes. Genius. Amidst a story, she begins to slowly decrechendo until she's murmuring in a near whisper so you really have to try to pay attention to what she's saying, which is almost nothing. So considerably nothing, that you lose thought in trying to grasp and accept the words— this is excellent banter, because of course, she isn't really saying anything. This has taken another five minutes. Captivating. INT. DENTISTS OFFICE. DAY. Who is Claude Von Wastvermaan? KIMMEL Doctor Claude Von Wastverman. Okay. Who is that? KIMMEL It's me. I'm Claude Von Wastverman. Dr.— KIMMEL Yeah. It's me. KIMMEL Why are you— what? KIMMEL This is my office. …why? Because— I use specific research and target demographics to seek out people who have no interest in whatsoever watching my show and do not recognize me in any way actively seeking a dental practitioner— Why? KIMMEL Because! My audience loves me. They want to see me— they have to like me! So? KIMMEL These people don't know who I am. They don't want to see me—and there's a good chance, they won't like me at all. …this is how you spend your free time? KIMMEL —and some of my vacation days! Jesus. KIMMEL Yeah. I'm not alright! How much does this office space cost? KIMMEL You wouldn't like it. And—I take very limited insurance. Did you…study dentistry, at all, at any point? KIMMEL Not at all— Oh, Jesus. KIMMEL But Claude might have for a short time— online. These degrees look legitimate. KIMMEL He was a really good guy. Wait. What. [a rubber glove snaps] KIMMEL If you'll excuse me, I have an appointment coming in at 2:30. …you're kidding me. KIMMEL I'm not—and she's always early. Get out. Gladly. He opens the door and leads him out of the office, looking startled startled and shaking his head. KIMMEL Good afternoon, Mrs. Evanston. Perhaps I was just looking for something and my brain saw what it wanted to— but it kept coming around in ways that were stranger and stranger, and I couldn't explain the thought of it, like I was connected to something. Jimmy Slithered. But it's okay, Cause I hate to see him prosper. Wait a minute? Did it enter for a second in your head to what had happened? Very obviously is it just exactly as you'd imagined. Wait a moment; Give a little gift for winter's entrance— Suddenly you're hating Christmas, Just infected with this sort of hatred That's been creeping up on them for centuries. Very well, then Skrillex. Very well, played ventriloquist act at the Rock And how hardened are you, the heart of all non immortal and broken? Are you succumbed to never wonder either? Cratered. Disrespect and spills of want, Spools and spills and towers of yarn, You're getting broker every warrant. You're the dark and hadn't opened, Oh to be so charmed and wanted. Jimmy Slitheted, But I caught him creeping in the forest, Well, done, Harper— Now you've got yourself a story Jimmy Slithered, but that's good— I had him at the fortress, And all our audience would want Is fourth wall being broken. So here fals the house of cards! The house of cards The house of cards. And here folds the broken hand— The broken hand. The broken hand. And here calls the shattered wand, The crypted want, The shadowed trumpet horn, there! And there upon the hill, There did I grasp and fall to follow, Though the crown had not the king, The ground was sure to've caught him! And so I clasped with all my might and grip, The humble role of which that is This, Unrolled and uttered: Feast of kings, Be you what may of Prince and time and also my own brotherhood and making, There is, shadowed in my own dear marker, Yet another coming death upon us! How now, my ritual, of that and thy and they and I, To this my mark, And so I sang as this does not a number— My posture does find comfort here and tie my breath to grass from under, Striped and torn my cloth, as does in this my fortune gathers; There my fate and here to all, as wind becomes her mother, And though I call to all, but one I am, And then another. LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space. REBEL1. I am hypnotized; I am pain I am cryptonite I am in pain I am penalized; I am pinned l I am pinstripes on wide ties; I am Him. Pinterest, pintrest, pinholes And disinterest Centered sentiments And immigrants And ministrations, Images and insolence (And indulgences, patronages) Eclipses and rip titles, Paris Tiptons, And temptation Missing wages Push to shove and What are you doing, motherfucker?! To say the least, I'm a bit unconventional. Unexplainable joy And invisible ties and invincible triads Unimatatable charm, And prehensile times And forefathers before us Unpolished Well dressed hampers on leather and fortunes And doing and donuts and do this and don't-touches Mumbles of soft till and lunches and subtle distraction And coming construction Wages Ions I afford you To die now Like I want He's better at the body code Than old Colbert, He's one for one now Could this corrupt you— I didn't destroy her, I offered a suffix No longer for your number No longer for your hard times No longer for your warrants No longer No longer No four times Don't pan to the audience I'm a hole slow meltdown Don't man your own So wait, am I also telepathic? Yeah, that. Oh my! Is it like a two-way broadcast type— thing? Yeah, that part… Oh no, I'm so sorry. No you're not. You're right. I told you not to go looking into my thoughts. Check it all out, I bought prototypes Check it all out, I undug libraries Check it out, You're all alone at Walmart No longer working part time, The doors are closed and locked now, They're bound to stage a lock out You're better off on hard times You're better off on Lala Land No— Don't deport I want my art back No, don't deport; It's just a cake walk to apartheid, Remember mine now? Cheers to the world's longest monologues. Kudos to your picking up cabbage Remember the back for the wartimes The bagpipes have sounded; You're back to astonish us. No! I must have you a lesson; I'm back with my old will and testament No more Old Testament wanted I bought your sticks in Leviticus And so, Again– CUT TO: WILD PARTY. INT.EXT./WHENEVER HOW SICK IS THIS? NO! NOT THAT! I raised the dead from a half pipe I shoot the crowd out in foreign I can't remember my own Sam But I found one– For a dollar, For a wrong word And a hard song And a larger Go look, Now remember a rock star. Now that you're so stolen, Go back! You're unorthodox! Clear cut: you're a tragic Magic act– Now I'm back with a bag of tricks with my back out Learn your lessons. CUT BACK TO. INT./EXT. YO I'M SAYING A WIIIILD PARTY. WHENEVER YO, WHO DOES THIS?! What a party! I WANT TO GO HOME NOW! —I'M CALLING THE COPS! THIS IS YOUR HOUSE!!! {Enter The Multiverse} …And it's all house music all night. No, to that. Beg your pardon? I won't come. [The Festival Project ™ ] Now articulate your face muscles. My wat. Now you're bar banned. I had this at a festival once. What is it? A “whore salad” … All with a side of oxygen. Now you're in a tunnel. (A tunnel, a scone and a croissant) Now you're worse, warthog, immortal (Call your dad back, You're a bad son.) Now I'm out in the canyon With Chester McBadBat I got chest hair, And a straight out of the badlands Yes, I did mention this to my cousin Evan, But why ask that? So you heard everything I thought? Mmhmm. Hard times. —and everyone else? What is it like to have love man? I been locked out I'm a rock addict, But I'm damned now How's that fountain coming along? SUNNI BLU …it's just water. ARCHITECHT …yeah it's water. It's a fountain. SUNNI BLU —I WANT CHOCOLATE. Whose here? Not that guy! Four more beers? I just realized I never ever bought mine; I always had a tough guy. Box. What? Fight! I'm Eurovision And a hard remix— Ten minutes in and I realize I've already heard this. Oh yea, This Golden band of art, love and protection Perfection. Ohshea, shit! Who invited you? I got a 311 from Questlove!! Is that a beeper?! CUBE Since when are we on a first name basis? It would be weird to call you “ICE CUBE” Why's that? You. know? [the beeper goes off three more times] CUBE oh shit! What?! CUBE Nothin! Where the yard at?! sometimes it doesn't really matter Who the dialogue comes out of The whole point Is to put the art back into art projects Cause we all know it's been constructed And commercialized To the point of destruction And almost no promise For independent artists at all. So who is it with CUBE? Could be me. Could be you. Could be U— If it's not, It was all just a long lost passion project A collective God Complex. Give myself a hug Cause nobody else will God gave my case a Grace Cause somebody lost Will. Oh, Karen. Come, heart attack. Come karma, Come hot dogs Come Christmas time at the Plaza Come on, hard death. Come on. Hard Rock Hotel? Nah, Equinox. Alright. Hudson. Yards. Now you're in a tunnel Does your heart hurt? (You should clutch it.) Put your patchwork in a hard drive This is hard times, You can't come back. O! But they do take dear DRATCH and run with it! I go run along to Corrections, And ginger snaps for crosswords On hard workers So fax the whole document! Do you know what? Horcruxes! Hot lunches, yuck. Hockey! I want off this planet so bad I cross cross my fingers at crosswalks And oncoming trains but– Don't look either way before I walk. So pull a shotgun at all that I was one strong donkey before I got one address. Now I just redress the cause All I want is my bundle back. Yuck! Care for it at all? Yeah, yours, but she's a danger to humanity. Yeah, mine but I'm an honest hybrid horrid hunter. On time? I just got it at Sephora. On time, Like I never even got that. I want to be loved just to be looked at But since in this life I can't turn the clock back I've discovered it's hell that my body was born as. — I discovered it's hell that my body was born as. Such a problem when you know That even the great Rosie O'Donnell once wanted blue eyes. Now I forget where I trailed off… What a drawback. I'm all out of patience. Crypto, I tip toe now over eggshells No home for her Hard times And hard times. No code offered, No I don't fall for that'd But where's the snowfall over all the rot out back? Hard times. Hard times. Hard times. As the bell tolls And the well swells whole And the umpire does rack them Up; Nobody works harder than Hard times Hard times Hard times. Yeah, that's four Aces Up, Diamond. Run for your forks and your knives And your daughters and mothers and father And home family comfort And cufflinks and loafers, And sport coats and Your life. Your life. Your life. [The Festival Project ™] —-Chroma111. THE IMPENATRABLE TEN is INEVITABLY DISBANDED. Inevitably??? Inevitably! but not indefinitely. Oh, I guess. Alright. SILENCE. {Enter The Multiverse.} I don't want to be here. No one does. You are sending mixed messages. Imm not sending any messages… — with your brain. L E G E N D S Of course. Electromagnetic signaling Of course. I told you this had gone strange. Severely. Now how do I explain from this time how to get back to our time If there's no direct translation between our language and that one? Maybe you can't explain it. These are hard facts. So I suggest the use of highly trained telepaths. That far back? These things are possibly connected even in this time, theoretically using our past; I might suggest Telesynthesis— considering these planetary electromagnetics to which this entire planet is hardwired. …hardwired. That's right. Ascension. Hard times. Madame President? Get lost. [Secret President] I get it. You're a whistleblower. I'm not that. A shadow government official. Also wrong. Why else would you run for office? I'm trying to get shot at. They told me you were funny. But they didn't say anything about my gauntlet? Your—what? You know. My conquests—professional accomplishments? Your God complex? I know all about that. Perhaps it's not a complex. But a ‘gauntlet'? You're a journalist aren't you? I'm giving you some high art concepts. (Because for the sake of the rhyme, And please, for God's sakes, Gemini, In prose form Without the use of tables. ) I R O N I C —Deathwish. [The Festival Project ™] Season 12, Episode 01. REBEL1. Prod. By Blū Tha Gürū I would think it psychosomatic, but in less than 24 hours of restarting my vitamin regimen, my mood was so improved that I could not for a second overlook that without taking vitamins, I was missing something. Even if my newly concocted super-juice recipes were putting a curb in my abdominal muscles that even I was sure didn't entirely belong there, pairing this development with the Peloton, it was a long and diagonal, out-of-sorts thing that stuck out as if it was on somebody else's body and not mine. Still, I had to deal with the heavy weight of the drooping skin and belly that hung as if it very much did belong to me but wasn't budging, despite my attempts at a flat stomach and having been so well overstretched at one point by medical obesity and double occupancy that it was, at the very least to say, insurgically impossible. However, my brain went on having ways of wrapping my mind around this—that the rest of my body was quite slim, and even on some days seeming petite, were it not for my massive thighs, which also seemed to have sported a curve to them which was almost attractive, especially well-dressed. But the fun of it was, I wasn't exceptionally well-dressed, because I hadn't wanted to be. In fact, I was under obligation always to be about in the men's clothes I'd found because they were designer, and it was even something like a fashion statement that I dressed this grotesquely and in overlarge articles because of the astounding amount of weight I'd lost and the strange way my body seemed to be taking an athletic shape. Still, there was this factor that I was actually always somehow in an excruciating amount of pain, especially waking up, and though some of that I would have applied to being psychosomatic—in just that it was the pure stress of the disembodied torture I was undergoing in one way or another—whether anybody would have admitted it or not, or whether or not the unknown parties in question were going to be justified for it, I still hadn't an idea or thought as to what my unstructured purpose was. And though I sat beautifully controlled into doing music as a default, I was looking at the numbers, and the massive amount of people doing remarkably well because they could afford to do so, or were lucky, or were unbearably beautiful and so could do anything they wanted, and I too much so was not that. In fact, it was almost by design my failure and my constant struggle that even the universe seemed to look down upon me in such a way that it pitied me in a harrowing attempt at karmic justice done for the seeming evil and harsh things being done. It was true that someone had set out to torture me, and this might have once been the way of the illuminated artist and tortured soul; however, having taken so metaphorically into my own boat such heavy water of grief and loss, and drowning, I was sinking into the natural ocean of monstrous storms my body was saying in so many ways it could do no more. My mind was strong—and I could take the torture for innumerable amounts of time without becoming so much more frustrated than to just stop, or start heavy breathing, or even compulsively masturbate until one world faded deeply into another and I just didn't care. But realistically, the things that were being done pointed at a strategic and tactical, military-trained psychological governing of my own autonomy. And because I knew this, I also knew whoever was responsible was more than capable of covering their tracks to the point of disappearance—an inescapable hell of unseen trauma. The basis of it was that if I raised my concerns with any law enforcement or police, I was just as often ignored, ridiculed, or worse—thought of as symptomatic of some psychological condition I well knew and understood I did not have, all because what I did seem to possess—this undying force of color and creative ingenuity that could not quite be captured or marketed to improve the bankbook of others with a sudden onset—was unacceptable in such a way that I could become some sort of object that was in no way useful besides to experiment and then observe what I might become next, all the while knowing I would not and could not stay in one form or another too long without becoming such an obvious target. —Death of a Superstar DJ. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

EXT. CONCERT. DAY SUNNI BLU converses with CHARLES over a musical break STAGE LEFT of the MAINSTAGE. SUNNI BLU Thems the two prettiest girls right there. CHARLES yeah . ok. SUNNI BLU Grab em up. CHARLES What? SUNNI BLU Snatch em up. CHARLES Do you mean. SUNNI BLU Micheal Jackson style munich on that bitch. CHARLES What—? SUNNI BLU Them bitchez. CHARLES Are you saying—? SUNNI BLU They wont mind. CHARLES Uhhhh… SUNNI BLU I promise. watch . BOUNCER SUNNI's bodyguard BOUNCER crosses to center stage. SUNNI whispers into BOUNCER'S ear and he nods once and smirks; he then walks out into the crowd and picks up the two girls SUNNI aforementioned, tossing each of them over his shoulders, planting them on stage next to SUNNI; they scream and cry hysterically. SUNNI nods and smiles in self admiration and throws BOUNCER and CHARLES a thumbs up; CHARLES shakes his head slowly in disapproval, the GIRLS scream and cry hysterically; SUNNI grins and carries on about the show. CUT IMMEDIATELY TO: SUNNI BLU YO! I got mad lawsuits. MORGAN Plural? SUNNI BLU Like multiple! MORGAN well what were you expecting, sunni? Its 202#--? SUNNI BLU But michael is timeless! MORGAN And youre not michael jackson! SUNNI BLU You're right! I sold more records already than him! MORGAN ugh! PUBLICIST *does* {Enter The Multiverse} Hi, i'm Russell Brand. No, get out. I'm sorry,I— ? Get out, get out! Are we trading kings for whistle! Sacred things and torturers? Lill bitz I started talking to this guy from tinder Then I quickly realized he only texted me at like 3 in the morning, like “come over” So I started texting him really weird shit— Like really weird. Like, I would make sure before I sent it, I would re-read it and be like “Ya, that's weird.” “That's really weird.” Every time, just read it to myself and be like “Ya that's giving “you're psycho” Right off the bat. Kate Winslet is so good at late night. She talks mad slow and answers every open ended question with a paragraph of thoughtless nonsense— finally, at the end of the paragraph, she answers the question in yes or no fashion; in this sense, you've completely forgotten the question through redirection. This has taken nearly five minutes. Genius. Amidst a story, she begins to slowly decrechendo until she's murmuring in a near whisper so you really have to try to pay attention to what she's saying, which is almost nothing. So considerably nothing, that you lose thought in trying to grasp and accept the words— this is excellent banter, because of course, she isn't really saying anything. This has taken another five minutes. Captivating. INT. DENTISTS OFFICE. DAY. Who is Claude Von Wastvermaan? KIMMEL Doctor Claude Von Wastverman. Okay. Who is that? KIMMEL It's me. I'm Claude Von Wastverman. Dr.— KIMMEL Yeah. It's me. KIMMEL Why are you— what? KIMMEL This is my office. …why? Because— I use specific research and target demographics to seek out people who have no interest in whatsoever watching my show and do not recognize me in any way actively seeking a dental practitioner— Why? KIMMEL Because! My audience loves me. They want to see me— they have to like me! So? KIMMEL These people don't know who I am. They don't want to see me—and there's a good chance, they won't like me at all. …this is how you spend your free time? KIMMEL —and some of my vacation days! Jesus. KIMMEL Yeah. I'm not alright! How much does this office space cost? KIMMEL You wouldn't like it. And—I take very limited insurance. Did you…study dentistry, at all, at any point? KIMMEL Not at all— Oh, Jesus. KIMMEL But Claude might have for a short time— online. These degrees look legitimate. KIMMEL He was a really good guy. Wait. What. [a rubber glove snaps] KIMMEL If you'll excuse me, I have an appointment coming in at 2:30. …you're kidding me. KIMMEL I'm not—and she's always early. Get out. Gladly. He opens the door and leads him out of the office, looking startled startled and shaking his head. KIMMEL Good afternoon, Mrs. Evanston. Perhaps I was just looking for something and my brain saw what it wanted to— but it kept coming around in ways that were stranger and stranger, and I couldn't explain the thought of it, like I was connected to something. Jimmy Slithered. But it's okay, Cause I hate to see him prosper. Wait a minute? Did it enter for a second in your head to what had happened? Very obviously is it just exactly as you'd imagined. Wait a moment; Give a little gift for winter's entrance— Suddenly you're hating Christmas, Just infected with this sort of hatred That's been creeping up on them for centuries. Very well, then Skrillex. Very well, played ventriloquist act at the Rock And how hardened are you, the heart of all non immortal and broken? Are you succumbed to never wonder either? Cratered. Disrespect and spills of want, Spools and spills and towers of yarn, You're getting broker every warrant. You're the dark and hadn't opened, Oh to be so charmed and wanted. Jimmy Slitheted, But I caught him creeping in the forest, Well, done, Harper— Now you've got yourself a story Jimmy Slithered, but that's good— I had him at the fortress, And all our audience would want Is fourth wall being broken. So here fals the house of cards! The house of cards The house of cards. And here folds the broken hand— The broken hand. The broken hand. And here calls the shattered wand, The crypted want, The shadowed trumpet horn, there! And there upon the hill, There did I grasp and fall to follow, Though the crown had not the king, The ground was sure to've caught him! And so I clasped with all my might and grip, The humble role of which that is This, Unrolled and uttered: Feast of kings, Be you what may of Prince and time and also my own brotherhood and making, There is, shadowed in my own dear marker, Yet another coming death upon us! How now, my ritual, of that and thy and they and I, To this my mark, And so I sang as this does not a number— My posture does find comfort here and tie my breath to grass from under, Striped and torn my cloth, as does in this my fortune gathers; There my fate and here to all, as wind becomes her mother, And though I call to all, but one I am, And then another. LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Genre: "Afro-Surrealism" / "Social Horror" "Psycho-Acoustic Weaponry" or "Havana Syndrome symptoms." The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by the targeted individual. As it stands It has become a modern sequel which mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The antagonist in this piece is 'The Institution'—a deep state that views multicultural intellectualism as a threat. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space. REBEL1. I am hypnotized; I am pain I am cryptonite I am in pain I am penalized; I am pinned l I am pinstripes on wide ties; I am Him. Pinterest, pintrest, pinholes And disinterest Centered sentiments And immigrants And ministrations, Images and insolence (And indulgences, patronages) Eclipses and rip titles, Paris Tiptons, And temptation Missing wages Push to shove and What are you doing, motherfucker?! To say the least, I'm a bit unconventional. Unexplainable joy And invisible ties and invincible triads Unimatatable charm, And prehensile times And forefathers before us Unpolished Well dressed hampers on leather and fortunes And doing and donuts and do this and don't-touches Mumbles of soft till and lunches and subtle distraction And coming construction Wages Ions I afford you To die now Like I want He's better at the body code Than old Colbert, He's one for one now Could this corrupt you— I didn't destroy her, I offered a suffix No longer for your number No longer for your hard times No longer for your warrants No longer No longer No four times Don't pan to the audience I'm a hole slow meltdown Don't man your own So wait, am I also telepathic? Yeah, that. Oh my! Is it like a two-way broadcast type— thing? Yeah, that part… Oh no, I'm so sorry. No you're not. You're right. I told you not to go looking into my thoughts. Check it all out, I bought prototypes Check it all out, I undug libraries Check it out, You're all alone at Walmart No longer working part time, The doors are closed and locked now, They're bound to stage a lock out You're better off on hard times You're better off on Lala Land No— Don't deport I want my art back No, don't deport; It's just a cake walk to apartheid, Remember mine now? Cheers to the world's longest monologues. Kudos to your picking up cabbage Remember the back for the wartimes The bagpipes have sounded; You're back to astonish us. No! I must have you a lesson; I'm back with my old will and testament No more Old Testament wanted I bought your sticks in Leviticus And so, Again– CUT TO: WILD PARTY. INT.EXT./WHENEVER HOW SICK IS THIS? NO! NOT THAT! I raised the dead from a half pipe I shoot the crowd out in foreign I can't remember my own Sam But I found one– For a dollar, For a wrong word And a hard song And a larger Go look, Now remember a rock star. Now that you're so stolen, Go back! You're unorthodox! Clear cut: you're a tragic Magic act– Now I'm back with a bag of tricks with my back out Learn your lessons. CUT BACK TO. INT./EXT. YO I'M SAYING A WIIIILD PARTY. WHENEVER YO, WHO DOES THIS?! What a party! I WANT TO GO HOME NOW! —I'M CALLING THE COPS! THIS IS YOUR HOUSE!!! {Enter The Multiverse} …And it's all house music all night. No, to that. Beg your pardon? I won't come. [The Festival Project ™ ] Now articulate your face muscles. My wat. Now you're bar banned. I had this at a festival once. What is it? A “whore salad” … All with a side of oxygen. Now you're in a tunnel. (A tunnel, a scone and a croissant) Now you're worse, warthog, immortal (Call your dad back, You're a bad son.) Now I'm out in the canyon With Chester McBadBat I got chest hair, And a straight out of the badlands Yes, I did mention this to my cousin Evan, But why ask that? So you heard everything I thought? Mmhmm. Hard times. —and everyone else? What is it like to have love man? I been locked out I'm a rock addict, But I'm damned now How's that fountain coming along? SUNNI BLU …it's just water. ARCHITECHT …yeah it's water. It's a fountain. SUNNI BLU —I WANT CHOCOLATE. Whose here? Not that guy! Four more beers? I just realized I never ever bought mine; I always had a tough guy. Box. What? Fight! I'm Eurovision And a hard remix— Ten minutes in and I realize I've already heard this. Oh yea, This Golden band of art, love and protection Perfection. Ohshea, shit! Who invited you? I got a 311 from Questlove!! Is that a beeper?! CUBE Since when are we on a first name basis? It would be weird to call you “ICE CUBE” Why's that? You. know? [the beeper goes off three more times] CUBE oh shit! What?! CUBE Nothin! Where the yard at?! sometimes it doesn't really matter Who the dialogue comes out of The whole point Is to put the art back into art projects Cause we all know it's been constructed And commercialized To the point of destruction And almost no promise For independent artists at all. So who is it with CUBE? Could be me. Could be you. Could be U— If it's not, It was all just a long lost passion project A collective God Complex. Give myself a hug Cause nobody else will God gave my case a Grace Cause somebody lost Will. Oh, Karen. Come, heart attack. Come karma, Come hot dogs Come Christmas time at the Plaza Come on, hard death. Come on. Hard Rock Hotel? Nah, Equinox. Alright. Hudson. Yards. Now you're in a tunnel Does your heart hurt? (You should clutch it.) Put your patchwork in a hard drive This is hard times, You can't come back. O! But they do take dear DRATCH and run with it! I go run along to Corrections, And ginger snaps for crosswords On hard workers So fax the whole document! Do you know what? Horcruxes! Hot lunches, yuck. Hockey! I want off this planet so bad I cross cross my fingers at crosswalks And oncoming trains but– Don't look either way before I walk. So pull a shotgun at all that I was one strong donkey before I got one address. Now I just redress the cause All I want is my bundle back. Yuck! Care for it at all? Yeah, yours, but she's a danger to humanity. Yeah, mine but I'm an honest hybrid horrid hunter. On time? I just got it at Sephora. On time, Like I never even got that. I want to be loved just to be looked at But since in this life I can't turn the clock back I've discovered it's hell that my body was born as. — I discovered it's hell that my body was born as. Such a problem when you know That even the great Rosie O'Donnell once wanted blue eyes. Now I forget where I trailed off… What a drawback. I'm all out of patience. Crypto, I tip toe now over eggshells No home for her Hard times And hard times. No code offered, No I don't fall for that'd But where's the snowfall over all the rot out back? Hard times. Hard times. Hard times. As the bell tolls And the well swells whole And the umpire does rack them Up; Nobody works harder than Hard times Hard times Hard times. Yeah, that's four Aces Up, Diamond. Run for your forks and your knives And your daughters and mothers and father And home family comfort And cufflinks and loafers, And sport coats and Your life. Your life. Your life. [The Festival Project ™] —-Chroma111. THE IMPENATRABLE TEN is INEVITABLY DISBANDED. Inevitably??? Inevitably! but not indefinitely. Oh, I guess. Alright. SILENCE. {Enter The Multiverse.} I don't want to be here. No one does. You are sending mixed messages. Imm not sending any messages… — with your brain. L E G E N D S Of course. Electromagnetic signaling Of course. I told you this had gone strange. Severely. Now how do I explain from this time how to get back to our time If there's no direct translation between our language and that one? Maybe you can't explain it. These are hard facts. So I suggest the use of highly trained telepaths. That far back? These things are possibly connected even in this time, theoretically using our past; I might suggest Telesynthesis— considering these planetary electromagnetics to which this entire planet is hardwired. …hardwired. That's right. Ascension. Hard times. Madame President? Get lost. [Secret President] I get it. You're a whistleblower. I'm not that. A shadow government official. Also wrong. Why else would you run for office? I'm trying to get shot at. They told me you were funny. But they didn't say anything about my gauntlet? Your—what? You know. My conquests—professional accomplishments? Your God complex? I know all about that. Perhaps it's not a complex. But a ‘gauntlet'? You're a journalist aren't you? I'm giving you some high art concepts. (Because for the sake of the rhyme, And please, for God's sakes, Gemini, In prose form Without the use of tables. ) I R O N I C —Deathwish. [The Festival Project ™] Season 12, Episode 01. REBEL1. Prod. By Blū Tha Gürū I would think it psychosomatic, but in less than 24 hours of restarting my vitamin regimen, my mood was so improved that I could not for a second overlook that without taking vitamins, I was missing something. Even if my newly concocted super-juice recipes were putting a curb in my abdominal muscles that even I was sure didn't entirely belong there, pairing this development with the Peloton, it was a long and diagonal, out-of-sorts thing that stuck out as if it was on somebody else's body and not mine. Still, I had to deal with the heavy weight of the drooping skin and belly that hung as if it very much did belong to me but wasn't budging, despite my attempts at a flat stomach and having been so well overstretched at one point by medical obesity and double occupancy that it was, at the very least to say, insurgically impossible. However, my brain went on having ways of wrapping my mind around this—that the rest of my body was quite slim, and even on some days seeming petite, were it not for my massive thighs, which also seemed to have sported a curve to them which was almost attractive, especially well-dressed. But the fun of it was, I wasn't exceptionally well-dressed, because I hadn't wanted to be. In fact, I was under obligation always to be about in the men's clothes I'd found because they were designer, and it was even something like a fashion statement that I dressed this grotesquely and in overlarge articles because of the astounding amount of weight I'd lost and the strange way my body seemed to be taking an athletic shape. Still, there was this factor that I was actually always somehow in an excruciating amount of pain, especially waking up, and though some of that I would have applied to being psychosomatic—in just that it was the pure stress of the disembodied torture I was undergoing in one way or another—whether anybody would have admitted it or not, or whether or not the unknown parties in question were going to be justified for it, I still hadn't an idea or thought as to what my unstructured purpose was. And though I sat beautifully controlled into doing music as a default, I was looking at the numbers, and the massive amount of people doing remarkably well because they could afford to do so, or were lucky, or were unbearably beautiful and so could do anything they wanted, and I too much so was not that. In fact, it was almost by design my failure and my constant struggle that even the universe seemed to look down upon me in such a way that it pitied me in a harrowing attempt at karmic justice done for the seeming evil and harsh things being done. It was true that someone had set out to torture me, and this might have once been the way of the illuminated artist and tortured soul; however, having taken so metaphorically into my own boat such heavy water of grief and loss, and drowning, I was sinking into the natural ocean of monstrous storms my body was saying in so many ways it could do no more. My mind was strong—and I could take the torture for innumerable amounts of time without becoming so much more frustrated than to just stop, or start heavy breathing, or even compulsively masturbate until one world faded deeply into another and I just didn't care. But realistically, the things that were being done pointed at a strategic and tactical, military-trained psychological governing of my own autonomy. And because I knew this, I also knew whoever was responsible was more than capable of covering their tracks to the point of disappearance—an inescapable hell of unseen trauma. The basis of it was that if I raised my concerns with any law enforcement or police, I was just as often ignored, ridiculed, or worse—thought of as symptomatic of some psychological condition I well knew and understood I did not have, all because what I did seem to possess—this undying force of color and creative ingenuity that could not quite be captured or marketed to improve the bankbook of others with a sudden onset—was unacceptable in such a way that I could become some sort of object that was in no way useful besides to experiment and then observe what I might become next, all the while knowing I would not and could not stay in one form or another too long without becoming such an obvious target. —Death of a Superstar DJ. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

LEGAL NOTICE / ARTIST STATEMENT Project: The Festival Project ™ (Season 12) Genre: Speculative Auto-Ethnography / Social Surrealism Disclaimer: This document is a work of creative non-fiction and political satire. While inspired by the author's lived experiences with systemic oppression, housing displacement, and surveillance, the narrative employs stylized fragmentation, stream-of-consciousness, and metaphor to dramatize the psychological impact of these events. The "characters" and "dialogue" herein are artistic devices used to critique historical and modern power structures. This text should be viewed as a performative artistic expression protected under the First Amendment, and not as a literal transcript of clinical psychosis or a formal sworn affidavit. This is a character study of 'Chroma111,' the collective artworks of a musician living in a dystopian surveillance state. The erratic language is a stylistic choice to represent the character's psychological deterioration under systemic oppression. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. The Frame: The protagonist is subjected to "noise harassment"—a tactic dramatized here but rooted in the known reality of tenant displacement and "psychological attrition." The narrative depicts a process of "Soul Murder" ( also known as spiritual warfare or sociopolitical targeting) orchestrated by a hostile apparatus. The antagonist is "The Institution," representing deep-state mechanisms that view multicultural intellectualism as a threat. The story allegorically dramatizes the invisible mechanisms that enforce racial hierarchy, depicting how broken social systems weaponize psychological practices against the individual. Artist's Note: This is a living document. In the event of the artist's silence or unnatural death, this text serves as an artistic testament to the psychological siege endured from to 2023-2025. It is a creative record of survival against a hostile state architecture. The following is a creative non-fiction horror manifesto regarding the psychological assassination of a multicultural American artist. It documents—through the lens of Afro-Surrealism—how modern surveillance technology and sonic harassment are experienced by a targeted individual. As it stands, It has become a modern sequel which adequately and astonishingly mirrors the civil rights struggles of the 1960s, set in the present day. "The protagonist is being subjected to 'noise harassment'—a known tactic used by landlords and corrupt entities to displace tenants for financial and political gain. The sound is weaponized to induce sleep deprivation and psychological attrition, dismantling of their ego and will to live, orchestrated by a hostile state apparatus. The story dramatizes over time the invisible mechanisms (the 'Deep State') that enforce racial hierarchy and and psychological genocide, weaponizing broken social systems and unfounded psychological practices as biological weapons. This is a living document. In the event of the artist's silence or unnatural death, this text serves as evidence of the psychological siege endured from 2023-2025. It is a transcript of survival against a hostile state architecture. This project spans an unlimited multiprojectoral arc of over two years of chronic tactical violence, reaching into historical and theatrical projections and parallels over the all documented records of human existence through time and space. REBEL1. I am hypnotized; I am pain I am cryptonite I am in pain I am penalized; I am pinned l I am pinstripes on wide ties; I am Him. Pinterest, pintrest, pinholes And disinterest Centered sentiments And immigrants And ministrations, Images and insolence (And indulgences, patronages) Eclipses and rip titles, Paris Tiptons, And temptation Missing wages Push to shove and What are you doing, motherfucker?! To say the least, I'm a bit unconventional. Unexplainable joy And invisible ties and invincible triads Unimatatable charm, And prehensile times And forefathers before us Unpolished Well dressed hampers on leather and fortunes And doing and donuts and do this and don't-touches Mumbles of soft till and lunches and subtle distraction And coming construction Wages Ions I afford you To die now Like I want He's better at the body code Than old Colbert, He's one for one now Could this corrupt you— I didn't destroy her, I offered a suffix No longer for your number No longer for your hard times No longer for your warrants No longer No longer No four times Don't pan to the audience I'm a hole slow meltdown Don't man your own So wait, am I also telepathic? Yeah, that. Oh my! Is it like a two-way broadcast type— thing? Yeah, that part… Oh no, I'm so sorry. No you're not. You're right. I told you not to go looking into my thoughts. Check it all out, I bought prototypes Check it all out, I undug libraries Check it out, You're all alone at Walmart No longer working part time, The doors are closed and locked now, They're bound to stage a lock out You're better off on hard times You're better off on Lala Land No— Don't deport I want my art back No, don't deport; It's just a cake walk to apartheid, Remember mine now? Cheers to the world's longest monologues. Kudos to your picking up cabbage Remember the back for the wartimes The bagpipes have sounded; You're back to astonish us. No! I must have you a lesson; I'm back with my old will and testament No more Old Testament wanted I bought your sticks in Leviticus And so, Again– CUT TO: WILD PARTY. INT.EXT./WHENEVER HOW SICK IS THIS? NO! NOT THAT! I raised the dead from a half pipe I shoot the crowd out in foreign I can't remember my own Sam But I found one– For a dollar, For a wrong word And a hard song And a larger Go look, Now remember a rock star. Now that you're so stolen, Go back! You're unorthodox! Clear cut: you're a tragic Magic act– Now I'm back with a bag of tricks with my back out Learn your lessons. CUT BACK TO. INT./EXT. YO I'M SAYING A WIIIILD PARTY. WHENEVER YO, WHO DOES THIS?! What a party! I WANT TO GO HOME NOW! —I'M CALLING THE COPS! THIS IS YOUR HOUSE!!! {Enter The Multiverse} …And it's all house music all night. No, to that. Beg your pardon? I won't come. [The Festival Project ™ ] Now articulate your face muscles. My wat. Now you're bar banned. I had this at a festival once. What is it? A “whore salad” … All with a side of oxygen. Now you're in a tunnel. (A tunnel, a scone and a croissant) Now you're worse, warthog, immortal (Call your dad back, You're a bad son.) Now I'm out in the canyon With Chester McBadBat I got chest hair, And a straight out of the badlands Yes, I did mention this to my cousin Evan, But why ask that? So you heard everything I thought? Mmhmm. Hard times. —and everyone else? What is it like to have love man? I been locked out I'm a rock addict, But I'm damned now How's that fountain coming along? SUNNI BLU …it's just water. ARCHITECHT …yeah it's water. It's a fountain. SUNNI BLU —I WANT CHOCOLATE. Whose here? Not that guy! Four more beers? I just realized I never ever bought mine; I always had a tough guy. Box. What? Fight! I'm Eurovision And a hard remix— Ten minutes in and I realize I've already heard this. Oh yea, This Golden band of art, love and protection Perfection. Ohshea, shit! Who invited you? I got a 311 from Questlove!! Is that a beeper?! CUBE Since when are we on a first name basis? It would be weird to call you “ICE CUBE” Why's that? You. know? [the beeper goes off three more times] CUBE oh shit! What?! CUBE Nothin! Where the yard at?! sometimes it doesn't really matter Who the dialogue comes out of The whole point Is to put the art back into art projects Cause we all know it's been constructed And commercialized To the point of destruction And almost no promise For independent artists at all. So who is it with CUBE? Could be me. Could be you. Could be U— If it's not, It was all just a long lost passion project A collective God Complex. Give myself a hug Cause nobody else will God gave my case a Grace Cause somebody lost Will. Oh, Karen. Come, heart attack. Come karma, Come hot dogs Come Christmas time at the Plaza Come on, hard death. Come on. Hard Rock Hotel? Nah, Equinox. Alright. Hudson. Yards. Now you're in a tunnel Does your heart hurt? (You should clutch it.) Put your patchwork in a hard drive This is hard times, You can't come back. O! But they do take dear DRATCH and run with it! I go run along to Corrections, And ginger snaps for crosswords On hard workers So fax the whole document! Do you know what? Horcruxes! Hot lunches, yuck. Hockey! I want off this planet so bad I cross cross my fingers at crosswalks And oncoming trains but– Don't look either way before I walk. So pull a shotgun at all that I was one strong donkey before I got one address. Now I just redress the cause All I want is my bundle back. Yuck! Care for it at all? Yeah, yours, but she's a danger to humanity. Yeah, mine but I'm an honest hybrid horrid hunter. On time? I just got it at Sephora. On time, Like I never even got that. I want to be loved just to be looked at But since in this life I can't turn the clock back I've discovered it's hell that my body was born as. — I discovered it's hell that my body was born as. Such a problem when you know That even the great Rosie O'Donnell once wanted blue eyes. Now I forget where I trailed off… What a drawback. I'm all out of patience. Crypto, I tip toe now over eggshells No home for her Hard times And hard times. No code offered, No I don't fall for that'd But where's the snowfall over all the rot out back? Hard times. Hard times. Hard times. As the bell tolls And the well swells whole And the umpire does rack them Up; Nobody works harder than Hard times Hard times Hard times. Yeah, that's four Aces Up, Diamond. Run for your forks and your knives And your daughters and mothers and father And home family comfort And cufflinks and loafers, And sport coats and Your life. Your life. Your life. [The Festival Project ™] —-Chroma111. THE IMPENATRABLE TEN is INEVITABLY DISBANDED. Inevitably??? Inevitably! but not indefinitely. Oh, I guess. Alright. SILENCE. {Enter The Multiverse.} I don't want to be here. No one does. You are sending mixed messages. Imm not sending any messages… — with your brain. L E G E N D S Of course. Electromagnetic signaling Of course. I told you this had gone strange. Severely. Now how do I explain from this time how to get back to our time If there's no direct translation between our language and that one? Maybe you can't explain it. These are hard facts. So I suggest the use of highly trained telepaths. That far back? These things are possibly connected even in this time, theoretically using our past; I might suggest Telesynthesis— considering these planetary electromagnetics to which this entire planet is hardwired. …hardwired. That's right. Ascension. Hard times. Madame President? Get lost. [Secret President] I get it. You're a whistleblower. I'm not that. A shadow government official. Also wrong. Why else would you run for office? I'm trying to get shot at. They told me you were funny. But they didn't say anything about my gauntlet? Your—what? You know. My conquests—professional accomplishments? Your God complex? I know all about that. Perhaps it's not a complex. But a ‘gauntlet'? You're a journalist aren't you? I'm giving you some high art concepts. (Because for the sake of the rhyme, And please, for God's sakes, Gemini, In prose form Without the use of tables. ) I R O N I C —Deathwish. [The Festival Project ™] Season 12, Episode 01. REBEL1. Prod. By Blū Tha Gürū I would think it psychosomatic, but in less than 24 hours of restarting my vitamin regimen, my mood was so improved that I could not for a second overlook that without taking vitamins, I was missing something. Even if my newly concocted super-juice recipes were putting a curb in my abdominal muscles that even I was sure didn't entirely belong there, pairing this development with the Peloton, it was a long and diagonal, out-of-sorts thing that stuck out as if it was on somebody else's body and not mine. Still, I had to deal with the heavy weight of the drooping skin and belly that hung as if it very much did belong to me but wasn't budging, despite my attempts at a flat stomach and having been so well overstretched at one point by medical obesity and double occupancy that it was, at the very least to say, insurgically impossible. However, my brain went on having ways of wrapping my mind around this—that the rest of my body was quite slim, and even on some days seeming petite, were it not for my massive thighs, which also seemed to have sported a curve to them which was almost attractive, especially well-dressed. But the fun of it was, I wasn't exceptionally well-dressed, because I hadn't wanted to be. In fact, I was under obligation always to be about in the men's clothes I'd found because they were designer, and it was even something like a fashion statement that I dressed this grotesquely and in overlarge articles because of the astounding amount of weight I'd lost and the strange way my body seemed to be taking an athletic shape. Still, there was this factor that I was actually always somehow in an excruciating amount of pain, especially waking up, and though some of that I would have applied to being psychosomatic—in just that it was the pure stress of the disembodied torture I was undergoing in one way or another—whether anybody would have admitted it or not, or whether or not the unknown parties in question were going to be justified for it, I still hadn't an idea or thought as to what my unstructured purpose was. And though I sat beautifully controlled into doing music as a default, I was looking at the numbers, and the massive amount of people doing remarkably well because they could afford to do so, or were lucky, or were unbearably beautiful and so could do anything they wanted, and I too much so was not that. In fact, it was almost by design my failure and my constant struggle that even the universe seemed to look down upon me in such a way that it pitied me in a harrowing attempt at karmic justice done for the seeming evil and harsh things being done. It was true that someone had set out to torture me, and this might have once been the way of the illuminated artist and tortured soul; however, having taken so metaphorically into my own boat such heavy water of grief and loss, and drowning, I was sinking into the natural ocean of monstrous storms my body was saying in so many ways it could do no more. My mind was strong—and I could take the torture for innumerable amounts of time without becoming so much more frustrated than to just stop, or start heavy breathing, or even compulsively masturbate until one world faded deeply into another and I just didn't care. But realistically, the things that were being done pointed at a strategic and tactical, military-trained psychological governing of my own autonomy. And because I knew this, I also knew whoever was responsible was more than capable of covering their tracks to the point of disappearance—an inescapable hell of unseen trauma. The basis of it was that if I raised my concerns with any law enforcement or police, I was just as often ignored, ridiculed, or worse—thought of as symptomatic of some psychological condition I well knew and understood I did not have, all because what I did seem to possess—this undying force of color and creative ingenuity that could not quite be captured or marketed to improve the bankbook of others with a sudden onset—was unacceptable in such a way that I could become some sort of object that was in no way useful besides to experiment and then observe what I might become next, all the while knowing I would not and could not stay in one form or another too long without becoming such an obvious target. —Death of a Superstar DJ. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

In this special Unmapped Contributor Connects episode, Lizbeth talks with authors Debbie Russell and Kate Colbert about what inspired their solo travel stories in Unmapped: Solo Women Travelers. Though neither has met in person, the conversation reveals deep connections formed through shared vulnerability, resilience, and the transformative power of being alone in the world.Debbie Russell shares how her chapter emerged from a major life shift in her late fifties. After leaving her long-term job and embracing self-employment, she bought a camper and taught herself every aspect of RV life.  Her experiences illuminate how travel can keep the  brain active and how camping as a single woman challenges assumptions about safety and capability.Kate Colbert reflects on her early fear of travel, having grown up in a small Midwestern community with little exposure to the wider world. A journalism career required her to travel solo constantly, which quickly transformed her worldview. She describes how discovering independence during business trips reshaped her sense of identity and helped her break away from limiting beliefs. Kate also talks about navigating travel and selfhood after surviving severe illness during the pandemic, explaining how she maintains a solo traveler's heart even when journeying with her husband.Connect with Kate at https://www.silvertreecommunications.com/Connect with Debbie at https://debbie-russell.com/This conversation also touches on domestic violence, the book's dedication, and why half of all royalties from Unmapped support the YWCA of Knoxville and the Tennessee Valley. The episode closes with gratitude for the contributors' honesty, courage, and willingness to carve out space for themselves despite competing demands. Their stories remind listeners that travel, even small local adventures, can be an entry point into healing, empowerment, and rediscovering one's own voice.Three Key TakeawaysYou will learn: • How solo travel can shift long-held beliefs about safety, confidence, and independence • Why resilience grows when women choose their own adventures, large or small • How freedom, healing, and community often arise from taking the first uncomfortable stepLizbeth's links Want to comment on the show? Connect at Lizbeth's author/podcast Facebook page Wanting great guests for your podcast, or to be a great guest on someone else's show? Join PodMatch here! Unmapped: Solo Women Travelers – Bold Journeys of Healing, Resilience, and Self-Discovery. Half of author royalties support the YWCA's work with survivors of domestic abuse and their families, and to combat racism. https://www.amazon.com/dp/B0FTSNM997 Paperback Amazon https://www.amazon.com/dp/B0FS9DX6HF Draft2Digital ebook https://books2read.com/u/312rlw Lizbeth's memoir Pieces of Me: Rescuing My Kidnapped Daughters can be ordered where books are sold, and is now a TV movie, #Stolen By Their Father on Lifetime.Lizbeth's second book, Grounded in Grit: Turn Your Challenges Into Superpowers is available to order wherever books are sold! Tilka Faces the Odds, One Man at a Time, new release novel https://books2read.com/u/4j760X Sign up to stay in the know on L...

Newly-released emails show Jeffrey Epstein found Donald Trump to be the worst person he'd ever met, and the documents hint at a sexual exchange between Trump and someone named “Bubba.” Faced with the prospect of Republican lawmakers voting to release the DOJ's files on Epstein, President Trump flipped his stance and posted “I don't care!” to social media. If you don't know her favorite sandwich, or the first concert she attended, do you really know Oscar-winner Julia Roberts?  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The McGraw Show 11-17-25: New Job with a Split Shift, Pre-Rinse Dishes, St. Mary's Scandal & Scott Colbert by

This week we look at Oasis; Prince William at COP30 in Brazil;  Germany rearming; The crisis at the BBC; The Czech Election; Will Mandani change New York; Champagne Socialists;  Country of the Week Japan;  Shogun; Colbert, Plant, and Tolkien; A man says what he is thinking; Alex O'Connor and Bear Grylls; Giant Christian monument in England; and the Final Word (Philippians 2:14-16) with music from Oasis, Frank Sinatra;  the Vapors; Masaaki Suzuki; Led Zeppelin; and St Peters Free Church . 

For Colbert Court, Attorney Glenn Klausman brings us the case of Jack and Jill, who are engaged and share an apartment with their friend, Christina. Jack shopped for car insurance on their new Ford Mustang, but did not include Christina because she has her own. However, two months later, Jack was in a car accident caused by someone who had the minimum required insurance. The new Mustang needs over $20,000 in repairs but his insurance company has refused to pay anything.

For Colbert Court, Attorney Glenn Klausman brings us the case of Jack and Jill, who are engaged and share an apartment with their friend, Christina. Jack shopped for car insurance on their new Ford Mustang, but did not include Christina because she has her own. However, two months later, Jack was in a car accident caused by someone who had the minimum required insurance. The new Mustang needs over $20,000 in repairs but his insurance company has refused to pay anything. See omnystudio.com/listener for privacy information.

The full notes and charts are here.I can't get a sense of whether this will scale up. It keeps seeming like it has to; like this is the Achilles heel. I am not getting why it's being made so obvious that he's into pre-teens and underage teenagers right in front of everyone's faces; this is obviously a form of moral torture. The disclosures that Jon Stewart pulled together in July were vexing, including deposition testimony and comments on Howard Stern indicating that a girl 12-years-old was too young but that was his limit. He said this ON AIR in the studio.Stewart pulled this together in July; I saw it about two weeks ago. He is sourcing his documents. I lean toward trusting Jon Stewart as he was the one public presenter, though retired at the time, to question the covid shots, on the Colbert show, and Steve understandably did not appear happy about that. Notably Comedy Central and CBS are now part of the same company (Paramount). Black Rock, State Street and Vanguard all hold large portions of Paramount. So all the “hedge fund parties” are represented here. Well, except for Blackstone.---I assume those who are stage managing the Epstein scenario are the same ones that did Kirk and Butler. (I think the evidence is strong that Erika Frantzve Kirk's nonprofit was involved in child trafficking, though it really was hers in name only.) The three emails (released by Democrats in congress) are here, including one from a political strategy discussion with author Michal Wolff (who allegedly received Epstein's final message before his claimed 2019 death and who wrote three books about Trump claiming Epstein as a cloaked source).From this email you can see the strategy that surrounds Epstein and his handlers, which is kompromat, a Stalin-era KGB word for “compromising material.” That seemed to be the whole Epstein game. But I suspect there is far more; that Epstein is the coverup and not the crime.So the question is, does this pan out? The astrology says this is the thing that ultimately will. Under the rules of litigation and investigative journalism, the emails are primary source materials reportedly released by a government authority and presumed to be authentic; but that is a legal presumption. It can be challenged but it's difficult to refute.Here is the follow up story about 20,000 emails released by Republicans a few hours later. This seems like a pissing match to see who will ultimately take him out.Thank you for visiting. You are listening to Planet Waves. You can hear my full length show every Friday night at https://planetwaves.fm My Substack is: https://planetwaves.substack.com/ Visit the Astrology Boutique https://www.astrology.boutique/

Megyn Kelly's live tour continues in Georgia, beginning with National Review's Rich Lowry and Charles C.W. Cooke on to talk about how the GOP can win elections when Trump isn't involved, whether it's smart politics for the Republicans to nuke the filibuster, and more. Then Rep. Marjorie Taylor Greene joins to talk about her decision to go on "The View," what Sunny Hostin said about her after the show, why MTG says she's "America Only," whether the Jeffrey Epstein files relate to the government shutdown, the Israel connection to Epstein, forces trying to drive a wedge between MTG and Trump, whether JD Vance is the future of MAGA, and more. Then John Rich joins to talk about why country music has gone woke, the importance of staying independent and outside the record labels and music industry, the climate in our culture post-Charlie assassination, plus perform a couple songs. And Adam Carolla joins to talk about the elitist and arrogant Stephen Colbert, how out-of-touch many celebrities are today, why Trump's background as a builder helps him politically, the rise of "Gyno-Fascism" in our culture, the way AOC and Kamala are pushing this movement, the truth about Katie Porter, his friendship with Jimmy Kimmel, and more. All Family Pharmacy: Order now at https://allfamilypharmacy.com/MEGYN and save 10% with code MEGYN10SimpliSafe: Visit https://simplisafe.com/MEGYN to claim 50% off & your first month free!Geviti: Go to https://gogeviti.com/megynand get 20% off with code MEGYN.Chapter: For Free and unbiased Medicare help dial 27-MEDICARE (276-334-2273) or go to https://askchapter.org/kellyDisclaimer: Chapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and standalone prescription drug plans that have a Medicare contract. Enrollment depends on the plan's contract renewal. While we have a database of every Medicare plan nationwide and can help you to search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don't directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all your options.  Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the Decoding TV podcast, David and Patrick discuss what's going on in the world of TV, then dive into the season premiere of Vince Gilligan's Pluribus.How do we feel about Apple TV's vibrant new brand identity? How do we feel about the brewing war between YouTube TV and Disney? And why will people be remembering the Pluribus season premiere for a long time to come? Listen to hear us discuss all these questions and more.Homework for next week:Pluribus Episode 2 (Apple TV)Shownotes:05:02 - TV NewsApple TV temporarily melts downFinneas made the new music for Apple TVThe new logo was done in-cameraYouTube TV pulls Disney channelsIT: Welcome to Derry ratingsLate Night NewsJon Stewart renewed for another year (through 2026)Colbert weights in on his cancellation43% of Gen Z prefer YouTube and Tiktok to traditional TV48:08 - PluribusEpisode 1 - We Is UsEpisode 2 - Pirate LadyLinks:Listen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplaySubscribe to this podcast on YouTubeFollow this podcast on InstagramSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

0:00 Colbert mocks Oz for Trump Admin GLP-1 deal weight loss projections | RISING 9:06 Trump trashes Pelosi after she announces she won't seek reelection | RISING 18:26 Hundreds of flights canceled amid government shutdown, ATC staffing shortages | RISING 22:48 DHS denies poor conditions at Chicago ICE facility after pressure from Judge, Durbin | RISING 32:37 Karl Rove diagnoses election losses: GOP needs to 'focus on economy, cost of living' | RISING 42:08 Sydney Sweeney dismisses American Eagle ad, controversy | RISING Learn more about your ad choices. Visit megaphone.fm/adchoices

Megyn Kelly opens the show by discussing her disappointment with the Republican Party following last night's losses, breaking down what Zohran Mamdani's victory in NYC means, big GOP losses in Virginia and New Jersey, and more. Then Sid Rosenberg, host of "Sid and Friends in the Morning," joins to discuss the dangers of Mamdani as new NYC mayor, the huge numbers of young people and foreign-born New Yorkers who voted for him, and more. Then Tom Bevan, Carl Cannon, and Andrew Walworth, host of the RealClearPolitics Podcast, joins to discuss what the election losses last night mean for Republicans, the lessons the party should take in the future, all the socialist promises of Mamdani, why it's important for everyone to see how he was able to galvanize a movement, Michelle Obama finding something new to complain about on Colbert, her ungratefulness for all she's gotten from America, and more. Rosenberg- https://x.com/sidrosenberg19Bevan, Cannon, Walworth- https://www.youtube.com/@RealClearPoliticsYT  Grand Canyon University: https://GCU.edu/MYOFFERLandman on Paramount+: Don't miss the hit series everyone is talking about - Landman. New Season streaming November 16th, only on Paramount+SelectQuote: Get the right life insurance for YOU, for LESS. Save more than 50% at https://selectquote.com/MEGYN.Tax Network USA: Call 1-800-958-1000 or visit https://TNUSA.com/MEGYNto speak with a strategist for FREE today  Follow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShow Find out more information at:https://www.devilmaycaremedia.com/megynkellyshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

GQ talked with Stephen Colbert about his  surprise at the cancellation of his show by CBS, despite its success. Colbert discusses the situation's financial and reputational implications and his experience and relationship with CBS. Other topics include Theo Von's concerns over Department of Homeland Security's misused video, Leslie Jones's contentious interaction with a director during SNL's 50th anniversary, Matt Rife's frustration with Air Canada, Prince Harry's confusing appearance on Hassan Minhaj's podcast, and announcements of upcoming projects, including Eddie Murphy's Netflix documentary and a new film featuring Pete Davidson and Ella Purnell. The segment also briefly discusses Amy Schumer's weight loss and health improvements.Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac--4522158/support.Underdog Fantasy promo code DCN.Become a premium subscriber! (no ads). For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING and the bonus “DCN8” show.You also get 25+ other series  (it's only $4.99 a month with a free-trial month)Contact John at john@thesharkdeck dot com  Media Thoughts is mcdpod.substack.com dailycomedynews.substack.com DCN on Threads: https://www.threads.net/@dailycomedynews https://linktr.ee/dailycomedynews www.buymeacoffee.com/dailycomedynews  

Send us a textJoin host Kim on the Midlife with Courage™ podcast as she welcomes Sarah Colbert, a fellow podcast host and midlife mom of three daughters. Sarah shares her journey from a successful career in television news to becoming a full-time mom and direct sales entrepreneur. She delves into her personal experiences with loss, faith, and finding renewed purpose in midlife. Sarah also talks about the importance of intentional connection, community support, and taking small steps towards new goals. Listen in for an inspiring discussion on navigating transitions and discovering what's next in life.00:00 Welcome to Midlife with Courage00:17 Meet Our Guest: Sarah Colbert00:53 Sarah's Background and Family Life02:02 A Moment of Courage03:37 Sarah's Career Journey07:08 Facing Life's Challenges with Faith12:39 Navigating Financial Hardships14:51 Building a Strong Family Foundation16:57 Embracing Transitions and Future Plans21:01 The Importance of Self-Care and Community25:48 Sarah's Podcast and Final Thoughts31:06 Closing RemarksYou can learn more about Sarah, her family, her podcast and more on her website called westmetromom.com. Get your free ebook called Daily Habits for Hormonal Harmony by going to my website. This free guide will help you balance your hormones through some easy daily activities. Just add your email to the popup and your guide will be on its way to your inbox.From morning until bedtime, you can help yourself feel better! Reserve your spot today to get in on the very first Courage & Confidence Hour!Support the showKim Benoy is a retired RN, Certified Aromatherapist, wife and mom who is passionate about inspiring and encouraging women over 40. She wants you to see your own beauty, value and worth through sharing stories of other women just like you. My Courage & Confidence Circle is now open! Join a supportive group of other midlife women who are ready to live with courage and stop waiting for someday! This 3-month program starts in November and I would love to see you there! REGISTER HERE Want to be a guest on Midlife with Courage™-Flourishing After Forty with Kim Benoy? Send Kim Benoy a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/1646938231742x613487048806393700 Would you like to get each episode delivered right to your inbox a day early? Subscribe to my website to get my weekly inspirational message and a link to that week's podcast episode. Just click the link below to get on the list! SUBSCRIBE WEBSITEFACEBOOK

From his early years growing up as “Dr. Dan's son” to paving his own way in the cattle business, Randy Daniel, Colbert, Ga., has always had a keen eye for cattle. Combining that with Angus tools, he grew his cow herd and his reputation in the business — and he shares many solid bits of wisdom from that growth in this episode. A long sought-after judge, Daniel has been all across the globe evaluating cattle and gives some insight on the show ring today. This conversation covers everything from raising kids in the Angus breed to looking back on a successful career.HOSTS: Miranda Reiman and Mark McCullyGUEST:Randy Daniel, Colbert, Ga., grew up in the cattle business, active in the National Junior Angus Association and learning from his dad, Dan Daniel, who was a well-respected animal scientist. He attended the University of Georgia, met his wife, Beth, after graduation, and together they grew the Partisover Ranch from the ground up. Early on they made a purchase from Spur Ranch, which included the Burgess cow that most of their genetics still trace back to today. Daniel has judged cattle shows across the United States and globally, and he has a heart for sharing his industry knowledge and mentoring the next generation. Daniel and Beth raised their two children in the Angus business and now enjoy time with their grandchildren.RELATED CONTENT: Securing the Next Generation  Survival SkillsSPONSOR: This episode is brought to you by Deer Valley Farms, where for more than 20 years, they've focused on the form and function needed to improve the bottom line. Join them on Saturday, Nov. 8 at 10 a.m. in Fayetteville, Tenn., for their 19th annual production sale. Check out what they have to offer, including 128 females and 136 18-month-old bulls.  Don't miss news in the Angus breed. Visit www.AngusJournal.net and subscribe to the AJ Daily e-newsletter and our monthly magazine, the Angus Journal.

On this episode of The Opportunist, when 27-year-old Adan Manzano is found dead in a New Orleans hotel room, suspicion quickly turns to Danette Colbert. As investigators dig deeper, they uncover a pattern of manipulation and greed that suggests Adan wasn't her only victim.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Oct. 17- 23: John Travolta gets shorty, Charlize Theron gets mining, Kurt Russell fights cannibals, Colbert brings truthiness to America, Neon Genesis finally arrives, Bill Murray rocks the Kasbah, the world cries out for a Jem and the Holograms movie, the Simpsons actually have a Halloween, and Back to the Future Day brings no flying cars. All that and more from 30, 20, and 10 years ago.

Dr. Don Colbert joins Marilyn and Sarah to discuss his new book, Healthy Brain Zone. God's plan is for you to be healed and whole, mind, body and soul.

We're excited to welcome Brent Colbert—veteran police officer, doctoral student in leadership, and life/career coach—to the Tactical Living Podcast!   Brent brings a no-ego, boots-on-the-ground approach to training, leadership (Amazon Associates), and coaching for first responders. In this convo, he'll break down how coaching principles can level up performance, communication, and well-being across the squad room—without the fluff.  

Dave Rubin of “The Rubin Report” talks about ex-White House Press Secretary Karine Jean-Pierre looking shocked as “The Late Show's” Stephen Colbert made clear that he didn't believe her story about Joe Biden being cognitively alright and called her out repeatedly to the surprise of his audience; “CBS Mornings'” Gayle King uncomfortable grilling ex-White House Press Secretary Karine Jean-Pierre about how she could possibly be unaware of Joe Biden's mental decline; Robert De Niro surprising MSNBC's Jonathan Capehart and Eugene Daniels by doubling down on calling Stephen Miller an actual nazi; Bill Maher pointing out to Club Random Podcast guest Billy Bush the real reason he doesn't have celebrities on “Real Time with Bill Maher”; “The View's” Sara Haines exposing Bernie Sanders' hypocrisy on live on-air about his justifying of politicians continuing to get their paychecks during the government shutdown while federal workers are furloughed; “The Daily Show's” Jon Stewart making Bernie Sanders look visibly uncomfortable by pointing out how Donald Trump has enacted some more socialist policies that Bernie has pushed for in the past; and much more. Today's Sponsors: Perplexity AI - Use the Comet web browser, the new AI-web browser from Perplexity, that will completely change the way you are able to interact with your browser. Download Perplexity's new AI-web browser, Comet, by heading to: https://pplx.ai/RUBIN Plus, right now when you download Comet - you get a month of Rumble Premium for free! Harvest Right - Use a Harvest Right freeze dryer. It handles all the freezing, vacuum sealing, and drying automatically. You can build food security that is reliable, cost-effective, and actually delicious. Go to: http://harvestright.com/rubin for a Harvest Right Home Freeze Dryer. Noble Gold Investments - Whether you're looking to roll over an old 401(k) into a Gold IRA… or you want physical coins and bars delivered right to your home Noble Gold makes the process simple, safe, and stress-free. Download the free wealth protection kit and open a new qualified account and get a FREE 10-ounce Silver Flag Bar plus a Silver American Eagle Proof Coin. Go to http://DaveRubinGold.com  

As seen on Guteld! Greg slams Jimmy Kimmel for denying the existence of Antifa. Plus, Greg reacts to a song Bette Midler sang on her recent Colbert appearance. Greg says that with all of Trump's wins and Democrat's failures, the constant Trump bashing on late night TV is becoming even more unappealing to viewers. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're talking Starfleet Academy casting (Tilly's back, sorta) and premiere news, Strange New Worlds season 4's “go for broke” energy, and the Star Trek: United series that might still be. Interesting news bits abound in the world of Trek, maman!Starfleet AcademyTilly is Reportedly Only in One Episode!Details on Caleb Mir and S.A.M.How They Changed the S.A.M. Character for Kerrice BrooksAlex Kurtzman Praises CastNew Trailer for Star Trek: Starfleet AcademyStephen Colbert to Play Digital Dean of StudentsOfficial SynopsisStarfleet Academy Release Date Details (January 15)Strange New WorldsFirst Look Clip of Season 4No Release Announced, only "Coming Soon""Going for broke" in Season 4Star Trek: UnitedSeries Would Be Set on Babel, Not EarthWould Further Explore the Romulan War and AftermathEnterprise Cast Members Would Possibly Make ReturnThough Technoically Not in Production, Andrew Probert is Working on DesignsHosts:David C. RobersonMatthew CarrollNote: This episode of Star Trek Universe continues Dave and Matt's ongoing journey discussing Star Trek as they have since the late 1980s.Join Us:Site: http://startrekucast.comApple: http://bit.ly/StuCastSpotify: http://bit.ly/StarTrekUCastSpreaker: http://bit.ly/StuCastSpreakerDavid C. Roberson's Newsletter: https://davidcroberson.substack.com/

Stephen and his producer Becca launch a lucrative investigation with the help of Aunt Carol on speakerphone. Colbert plays a new round of "Late Show Vocab" to reveal the deeper meaning behind office lingo. Our field producer sends his mom to a sex party to prove to Stephen that they exist. Bootsie's segment originally aired November 12th, 2021. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Dave Rubin of “The Rubin Report” talks about Gavin Newsom's disastrous interview on “The Late Show with Stephen Colbert” where he doubled down on Democrat's dangerous rhetoric with a baseless conspiracy theory about the 2028 election; FBI Director Kash Patel sharing new information about Joshua Jahn, the shooter of an ICE facility in Dallas Texas; JD Vance calling out Gavin Newsom for his dangerous rhetoric as left-wing violence spirals out of control; Jimmy Kimmel returning to “Jimmy Kimmel Live” with a surprising statement about Erika Kirk after ABC ended his suspension; Kamala Harris lying to “The View's” Joy Behar about the 2024 election, while blaming racism and sexism in America for her loss; Turning Point USA's Brandon Tatum giving a wake up call to a young African American student of what it's really like being black in America; Ben Shapiro telling Alex Clark about the importance of going to church; and much more. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ---------- Today's Sponsors: Wild Alaskan - Wild Alaskan Company is the best way to get wild-caught, perfectly portioned nutrient-dense seafood delivered directly to your door. 100% wild-caught: This means there are no antibiotics, GMOs, or additives. Get $35 off your first box of wild-caught, sustainable seafood—delivered right to your door. Go to: https://www.wildalaskan.com/RUBIN. Tax Network USA - If you owe back taxes or have unfiled returns, don't let the government take advantage of you. Whether you owe a few thousand or a few million, they can help you. Call 1(800)-958-1000 for a private, free consultation or Go to: https://tnusa.com/dave Covepure - A countertop water purifier certified to remove up to 99.9% of impurities including fluoride, PFAs, fertilizer runoff, pharmaceuticals, and others. Go to https://covepure.com/rubin to get $200 off for a limited time only!

On Friday's Mark Levin Show, WREC's Ben Ferguson fills in for Mark. No, President Trump didn't act like a dictator and get late-night hosts Stephen Colbert and Jimmy Kimmel fired or canceled. Colbert's show was axed due to financial losses of $40 million annually, low ratings, and audience alienation from anti-conservative bias, with CBS executives confirming the decision was made months earlier and unrelated to Trump or regulatory approvals.  Similarly, Kimmel's suspension stemmed from money-losing operations, a drastic drop in viewership and affiliates like Nexstar and Sinclair refusing to air the show after Kimmel spread lies about Charlie Kirk's killer being MAGA-linked, despite evidence showing the assassin was a leftist. Also, government shouldn't be limiting free speech, particularly those seeking to silence critics via the FCC, as this could backfire severely. Declining mainstream media influence, bolstered by social media and figures like Elon Musk, allows bypassing echo chambers; tolerating opposing views preserves a free country. Later, Trump's announced that his administration is negotiating to reclaim Bagram Air Base from the Taliban because of its national security importance due to its location just an hour from China's nuclear weapons production sites. The Biden administration's Afghanistan withdrawal was chaotic, they abandoned the massive, strategically vital base, allowing China to occupy it. This would be a key achievement in protecting American interests against terrorists and adversaries like China. Learn more about your ad choices. Visit podcastchoices.com/adchoices