Podcast appearances and mentions of mark o rowe

This week we begin by looking at Days of Clear Light, a festschrift in honour of Salmon Press founder Jessie Lendennie to celebrate 40 years of the poetry press. Peter reflects on a favourite book, Gaston Bachelard’s The Poetics of Space, and our Toaster Challenge guest is actor Cathy Belton, fresh from her performance in the Landmark Productions online version of Mark O’Rowe’s The Approach.Cathy’ s Toaster Challenge choice is The Great Gatsby by F. Scott Fitzgerald.Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry’ from The Hare’s Corner, 2008, with thanks to Colm for permission to use it.Link music: Alone, Purple Planet Music, https://www.purple-planet.com/Artwork by Freya SirrTo subscribe to Books for Breakfast go to your podcast provider of choice (Apple Podcasts, Spotify, Google etc) and search for the podcast then hit subscribe or follow, or simply click the appropriate button above. Support the show (https://www.buymeacoffee.com/books4breakfast)

2020 touche (enfin) à sa fin, il est donc temps de faire le bilan ! Dans cet épisode, Clémentine, Anne-Laure, Pauline, Emeline et Kaoutar se retrouvent masquées en studio pour revenir sur cette année confinée. Elles reviendront sur leurs tops, leurs flops mais aussi les recommandations culturelles qui leur ont permis de survivre à 2020. Références entendues dans l'épisode :Pauline Verduzier, Vilaines filles, Anne Carrière (2020)Page Facebook « Féminicides par compagnons ou ex » Marion Tillous, « Violences conjugales, un « confinement sans fin » », Libération (2020)Dilnur Reyhan, « J’attends toujours la solidarité des féministes envers les femmes ouïgoures », tribune dans Le Monde (2020) Gisèle Halimi, Le lait de l’oranger, Pocket (2001)Marcia Burnier, Les Orageuses, Cambourakis (2020)Perrine Kervran, Clémence Allezard, « Violé-e-s: une histoire de domination », LSD, la série documentaire, France Culture (2020)Les meurtres d’Alcasser de Elías León Siminiani, Netflix (depuis 2019)La Déferlante, la revue des révolutions féministesGaze magazine, la revue des regards féministesCharlotte Pudlowski, « Ou peut-être une nuit », Louie média (2020)Axelle Jah Njiké, « La fille sur le canapé », Nouvelles EcoutesPauline Harmange, Moi les hommes, je les déteste, Monstrograph (2020)Laylow, Trinity (2020) Dinos, Stamina (2020)Shay, Lost in It (2020)Lala &ce, Dodow&ve (2020)Aya Nakamura, Aya (2020)Normal, de Sally Rooney, Alice Birch et Mark O’Rowe, BBC Three (2020)This way up, de Aisling Be, Channel 4 (2020)I may destroy you, de Michaela Coel, HBO (2020)Industry, de Konrad Kay et Mickey Down, HBO (2020)Feel Good, de Mae Martin et Joe Hampson, Netflix (2020)Deborah Levy est romancière, dramaturge et poétesse britannique. Elle est l’autrice Le coût de la vie (éditions du Sous-sol 2020) et Ce que je ne veux pas savoir (éditions du Sous-sol 2020).Euphoria, de Sam Levinson, HBO (depuis 2019) L’effondrement, de Guillaume Desjardins, Jérémy Bernard et Bastien Ughetto, Canal+ (depuis 2019) Tout le monde peut-être féministe, Bell Hooks, Divergences (2020) Bertoulle Beaurebec, Balance ton corps, La Musardine (2020) « The last of Us », Naughty DogLa soupe aux choux, de Jean Girault (1981)Quatre mariages et un enterrement, de Mike Newell (1994) Hugo Lindenberg, Un jour ce sera vide, Christian Bourgois éditeur (2020)Camille Laurens, Fille, Gallimard (2020)Le jeu de la dame, de Scott Franck et Allan Scott, Netflix (2020)Adolescentes, de Sébastien Liftshitz (2020)Petite fille, de Sébastien Lifshitz (2020)Josep, de Aurel (2020)Énorme, de Sophie Letourneur (2020)Unorthodox, de Anna Winger, Netflix (2020)Romain Gary, La vie devant soi, Gallimard (1982)Lola Lafon, Chavirer, Actes sud (2020) Dua Lipa, Angèle « Fever » (2020) Love is blind, de Chris Coelen, Netflix (2020)Virginie Despentes, Luz, Vernon Subutex, Albin Michel (2020)Lisa Mandel, Une année exemplaire, Lisa Mandel (2020)Moderna del pueblo, (Dés)enchantées: un conte fées-ministes, First Editions (2020)Audre Lorde, Zami: une nouvelle façon d’écrire mon nom, Mamamelis (2001) Luce Lebart, Marie Robert, Une histoire mondiale des femmes photographes, Textuel (2020) Edward Ross, Les mondes du jeu, ça et là (2020)Brigitte Minne, Trui Chielens, Princesse Pimprenelle se marie, CotCotCot éditions (2020)Fatima Daas, La petite dernière, Noir sur blanc (2020) Sarah Mazouz, Race, Anamosa (2020) Quoi de Meuf est une émission de Nouvelles Ecoutes. Cet épisode est conçu par Clémentine Gallot et présenté avec Emeline Amétis, Anne-Laure Pineau, Pauline Verduzier et Kaoutar Harchi. Mixage Laurie Galligani.Générique réalisé par Aurore Meyer Mahieu. Prise de son par Adrien Beccaria à l’Arrière Boutique. Montage et coordination Ashley Tola.

In this podcast Natasha Waugh talks to director Lenny Abrahamson about his work on the BBC series Normal People. Adapted by Sally Rooney from her acclaimed 2018 novel alongside writers Alice Birch and Mark O’Rowe, Normal People is a 12-part drama for BBC Three in partnership with Hulu. It will star Daisy Edgar-Jones (War Of The Worlds, Cold Feet) as Marianne and Paul Mescal in his first television role as Connell, in an exquisite and compulsive modern love story about how two people can profoundly impact each others’ lives. Lenny Abrahamson directs episodes 1 – 6. Hettie Macdonald directs episodes 7 – 12. Normal People will land as a complete boxset on BBC Three on Sunday, 26th April . It will also air on BBC One from Monday, 27th April at 9pm with weekly double episodes. Normal People will air on RTE One on Tuesday, 28th April . Normal People consists of 12 episodes, with each episode half an hour long. http://filmireland.net/

Caoimhe can now be seen on screen in RTÉ’s Fair City. Caoimhe most recently appeared in the feature film The Randomer written by Gerry Stembridge, which premiered in the Galway Film Fleadh in 2016. Onstage she recently appeared in The Constant Wife, in the Gate Theatre, directed by Alan Stanford. Recent theatre credits include Lisa in the highly successful Unmanageable Sisters at the Abbey Theatre, as well as Gloria in You Never Can Tell, at the Abbey Theatre, directed by Conall Morrison, and Mary Boyle in Juno and the Paycock, directed by Mark O’Rowe at the Gate Theatre. She recently completed filming on Soulsmith, a feature film, written and directed by Kevin Henry and The Wave, written and directed by TJ O’Grady Peyton and Oscar Winning director Benjamin Cleary. Caoimhe is from Dublin and graduated from the Gaiety School of Acting Full Time Acting Course in June 2011, and was awarded the Gaiety School Theatre Bursary in 2010. While at the Gaiety School she appeared in Macbeth and Twelfth Night directed by Liam Halligan and in Little Gem directed by Paul Brennan. On screen she has appeared in the role of Elizabeth in Reign a CW Network produced TV Series directed by Brad Silberling, in the award winning short film Whatever Turns You On (TimeSnap Production) and in Rent A Friend (Kite Entertainment) as part of RTE’s Storyland competition. Caoimhe appeared as Baba in two productions of The Country Girls, written and adapted for the stage by Enda O’Brien, and directed by Mikel Murfi for Red Kettle Theatre Company in the Gaiety Theatre, Dublin, in Garter Lane Theatre and on tour. Other theatre work include Major Barbara, directed by Annabelle Comyn at the Abbey Theatre, and The Far Off Hills directed by Mikel Murfi for NOMAD productions at the Hawkswell Theatre, Sligo and on national tour. Caoimhe also appeared as Honor in Paul Howard’s hit play Breaking Dad directed by Jimmy Fay (Landmark productions) at the Gaiety Theatre, Dublin. In early 2015, she reprised her role as Honor, in the sell-out remount of Breaking Dad in the Gaiety Theatre Dublin and in Cork Opera House. Caoimhe appeared as Vera in Brien Friel’s version of A Month In The Country, directed by Ethan McSweeny, at The Gate Theatre.

Thursday 25 October 2012One of the most gifted and compelling writers of his generation, Mark O’Rowe is a distinctly Irish voice that has deservedly gone global. Here he chats about his early days breaking into the business, the phenomenal success of Howie the Rookie, the challenges of rejection from the Abbey, taking the reins as both writer and director for the world tour of Terminus, writing the massive hit movie Intermission, and his recent forays into adapting work for the screen. It’s Episode 51 of the Rise Productions: Irish Theatre Podcast – Enjoy!

Thursday 9 February 2012A true rock star of Irish Theatre, Karl Shiels has done it all. Here he discusses leaving his job as a qualified sparks to follow his dream of being on stage, his journey from being almost kicked out of the Gaiety School of Acting to currently serving on its board, the huge successes of his own company Semper Fi, his extensive working relationship with Mark O’Rowe, and his recent world tour with the renowned Druid Theatre Company, not to mention all his upcoming screen roles for 2012. Hell, we even get in a naked Tadhg Murphy story! It’s Episode 14 of the Rise Productions: Irish Theatre Podcast – Enjoy!

Thursday 8 December 2011One of our most accomplished and charismatic actors, Aidan Kelly has had a truly enviable career path. Here he talks about his early years in youth theatre, his brief stint on Fair City, taking Eugene O’Brien’s iconic “Eden” from the stage to the screen, being put on contract as an “Abbey Player,” his ongoing relationship with writer Mark O’Rowe, and his recent nine month season with the RSC. It’s episode 8 of the Rise Productions: Irish Theatre Podcast – Enjoy!

Award winning screen writer and playwright Mark O’Rowe will discuss his work with theatre director Annabelle Comyn. Friday 22 January 2016