Podcasts about Abbey Theatre

Topics covered : Mental health, homophobia, same-sex marriage referendum in Ireland, rejecting shame. This week marks 10 years of the marriage equality referendum in Ireland when the country overwhelmingly voted 'yes' and in doing so became the first country in the world to grant equal marriage rights to same-sex couples by popular vote.3 years ago I spoke to bar owner, drag queen and activist, Rory O'Neill aka Panti Bliss.Originally from Ballinrobe in Mayo, Rory lives in Dublin city with his husband Anderson and their dog Penny.We spoke in late February 2022 and at times there is an eerie poignancy to our conversation as it happened as Covid restrictions were being lifted here in Ireland, but before the invasion of Ukraine.In this conversation we speak about his now iconic Noble call in the Abbey Theatre and the events which led to it, he speaks about the impact the pandemic had on him, the freedom his alter ego Panti gives him, how he rejects shame of any kind and how he would like to be remembered. Hosted on Acast. See acast.com/privacy for more information.

Tomás Hardiman is a film producer and a survivor of childhood abuse. His recent documentary “The Days of Trees” tells the story of his own experience of childhood sexual abuse, and his long road to recovery. In this conversation, Tomás reflects on the years he spent in the dark, his gradual process of healing, and how he was able to convert his deepest childhood wound into a creative project - a documentary that is now impacting people all over the world. Gabor Maté had this to say about it: 'It's all about healing and transformation, a person finding themselves… I really urge you to see it. A beautiful film.' Here are some of the things we explore in this discussion: — How memory, shame, and repression often intertwine in trauma — Why Tomás almost walked away from the film — The role of creative work in transforming suffering — How Tomás has been able to forgive the seemingly unforgivable. And more. You can watch the film at https://thedaysoftrees.com/ and get 50% off if you use the code: TWU50 when purchasing. --- Tomás Hardiman holds a B.Comm from NUI Galway (1979) and an M.A. in Film and Television Studies from Dublin City University (1992). After graduation he worked in human resources in Dublin before living for a time in Toronto, where he began a professional career in the theatre as General Manager of Mercury Theatre Company. Following his return to Ireland he was appointed Marketing/Publicity Director of The Abbey Theatre where he worked from 1985 to 1993. He then returned to Galway where he ran his own communications and independent film production company, Parzival Productions. From October 2002 to November 2007 he was Managing Director of Galway Arts Centre and the Cúirt International Festival of Literature. He was a member of the board of Theatre Forum, the representative group for Irish arts organisations, from 2005-2007. He continues to produce and manage creative projects across multiple artforms and in 2013 completed a three-year training programme to become a teacher of the Alexander Technique. He produced eleven films between 1998 and 2023. Most recently he collaborated with acclaimed Irish writer/director Alan Gilsenan, to produce a loose trilogy of films about psychological trauma: Meetings with Ivor, The Meeting and The Days of Trees. The latter won the George Morrison Award for Best Documentary at the 2024 Irish Film and Television Awards. --- Interview Link: — Tomás' website - https://thedaysoftrees.com/

A pioneer in Irish media and the arts, Lelia Doolan reflects on her resignation from Teilifís Éireann to becoming the first female Artistic Director of the Abbey Theatre.  She also discusses her ongoing activism, including the fight to reopen Galway's Pálás cinema.

Our ‘Experience Economy' series continues in this episode of Ibec Responds as Aviné McNally, Head of Membership, Ibec, is in conversation with Mark O'Brien, Executive Director, Abbey Theatre.They discuss the importance of arts, culture and theatre to the experience economy ecosystem.Thank you for listening. To explore all of Ibec's podcast offering, visit here. Make sure to follow Ibec Podcasts to stay up to date with new episodes.

Seán is joined in The Sugar Club by drag artist and gay activist Rory O'Neill, AKA Panti Bliss.Rory can currently be seen in cinemas nationwide in The Four Mothers,and Panti is facing a roast in The Abbey Theatre to celebrate ten years of marriage equality.

Seán is joined in The Sugar Club by drag artist and gay activist Rory O'Neill, AKA Panti Bliss.Rory can currently be seen in cinemas nationwide in The Four Mothers,and Panti is facing a roast in The Abbey Theatre to celebrate ten years of marriage equality.

Diarmaid Ferriter, Professor Modern Irish History, UCD

This is a sad and infuriating episode of the Ann and Phelim Scoop podcast.Recently a story broke about how the Irish national theatre (the Abbey Theatre) rejected a private showing of our OCTOBER 7 play.Basically we thought it was important that people in Ireland knew the truth about what happened in Israel on October 7, what really caused the war in Gaza. So we applied to do a private hire of the Abbey Theatre. Their response shocked us. It was to be an event for both Jewish and non-jews in Ireland, so they could hear an alternative point of view. But it seems that anti-semitism is powerful in the new Progressive Ireland.This is why Ireland is known as the most anti-semitic country in Europe (and that is a very competitive grouping).When you listen to today's podcast, you'll learn how the Abbey prides themselves on “diversity” but excludes voices and ideas they don't like and just wait until you see what they do allow on stage when it comes to Israel!

Greetings Glocal Citizens! This week writing as activism is taking us to a land with a long history of activist thought ans action - Ireland. Born and raised in Nigeria, Dagogo Hart migrated to Ireland at an early age to complete his studies and now calls it home along with his young family. He is a poet, playwright, and spoken word artist whose words have wowed audiences from bar basements to electric picnic stages. He started performing in Dublin in 2016 in open mics and poetry slams, which saw him win the Slam Sunday grand slam and become an All Ireland poetry slam finalist. Since then he has performed for festivals like Electric Picnic, St. Patricks, Dublin Fringe, Drogheda literary festival, Cuirt International Poetry Festival, and First fortnight. He is one-third of the collective WeAreGriot - a poetry collective that curates art events around poetry. His personal works include, The Home Project (a series of poetry films), RedBeard Paddy (a poetry short film), Mmanwu (a play in the 2023 Dublin Fringe Festival), See True (a spoken word variety show) and Boy Child (a spoken-word play), the last two co-written with FeliSpeaks, Talkatives; a hip-hop and poetry slam as part of WeAreGriot. As you'll learn in our conversation and glean from his works, his poetry is inspired by his hometown in Lagos, Nigeria, and his experience since moving to Ireland. See Dagogo on stage at Pa Gya! 2024 performing his words here (https://www.youtube.com/live/Oovils3mV7o?si=Dl9TE-EqGvvNV0vK) and in discussion about his works here (https://www.youtube.com/live/fEFByAZDgwo?si=s32fQt58aspsPkOQ). Where else to find Dagogo? WeAreGriot (https://www.brinkerhoffpoetry.org/poets/wearegriot) On LinkedIn (https://www.linkedin.com/in/dagogo-dagogo-hart-830774108/) On Instagram (https://www.instagram.com/dagogo_hart/?hl=en) On X (https://x.com/dondagz?lang=en) What's Dagogo watching? Fences (film) (https://en.wikipedia.org/wiki/Fences_(film)) Shōgun (series) (https://shogun.fandom.com/wiki/Sh%C5%8Dgun) What's Dagogo listenining to? Alice Smith sings “I Put a Spell on You” (https://www.youtube.com/watch?v=kz506sFHeJY) Other topics of interest: Surulere, Nigeria (https://en.wikipedia.org/wiki/Surulere) Tralee, Ireland (https://en.wikipedia.org/wiki/Tralee) Cork, Ireland (https://en.wikipedia.org/wiki/Cork_(city)) Visit Dublin, Ireland (https://www.visitdublin.com/things-to-do/arts-culture) and the Clondalkin Tower (https://www.dublinsoutdoors.ie/round-tower-clondalkin-village/) The Abbey Theatre (https://en.wikipedia.org/wiki/Abbey_Theatre) and The Gate Theatre (https://en.wikipedia.org/wiki/Gate_Theatre) Port Harcourt Tourist Beach (https://en.wikipedia.org/wiki/Port_Harcourt_Tourist_Beach) More on Chucky Ar la (https://en.wikipedia.org/wiki/Tiocfaidh_%C3%A1r_l%C3%A1) Inshallah (https://en.wikipedia.org/wiki/Inshallah) Where are the Irish language speaking towns in Ireland? (https://en.wikipedia.org/wiki/Gaeltacht) Special Guest: Dagogo Hart.

Introduced by John Low Narrated by John Kavanagh Read by Jim Norton • Denys Hawthorne Nicholas Boulton • Marcella Riordan William Butler Yeats was born in Dublin in 1865. His father was a lawyer and a well-known portrait painter. Yeats was educated in London and in Dublin, but spent his summers in the west of Ireland in the family's summer house in County Sligo. The young Yeats was active in societies that attempted an Irish literary revival. His early poetry was influenced by John Keats, William Wordsworth, William Blake and many more. His earliest volume of verse was published in 1889. Together with Lady Gregory he founded the Irish Theatre, which was to become the Abbey Theatre, and served as its chief playwright until the movement was joined by John Sing. His plays usually treat Irish legends; they also reflect his fascination with mysticism and spiritualism. After 1910, Yeats's dramatic art took a sharp turn toward a highly poetical, static, and esoteric style. Although a convinced patriot, Yeats deplored the hatred and the bigotry of the Nationalist movement, and his poetry is full of moving protests against it. He was appointed to the Irish Senate in 1922. His poetry, especially the volumes The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940), made him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the hubbub of modern life.

Novelist, Colm Tóibín tries out comic opera in his Wexford Festival production, set during The Abbey Theatre company's US tour of Playboy of the Western World in 1911.

Artistic Director of the Abbey Theatre, Caitríona McLoughlin, pops into studio to chat with Marty about some of the exciting productions including Grania, and a Bridgerton-inspired adaptation of Emma.

Niall Wright who is starring in Grania at the Abbey is here in studio for a chat.

Oliver talked to Ella Lily Hyland about how she got into acting, excruciating exercises in drama school and he work to date including Amazon Prime series Love Fifteen with Aidan Turner, and the RTÉ Storyland drama Wrapped. She's currently in Grania – the Lady Gregory play which is on at the Abbey Theatre for the next few weeks.

Our Arts and Media Correspondent Evelyn O'Rourke has been pouring over the details of the report issued today

Women were facing discrimination and under-representation in most publicly funded Irish theatres, especially the biggest and most well known ones. Women's stories and female artists were being given less space, continuing the myth that a male-dominated culture is both normal and acceptable. WakingTheFeminists was a campaign by group of men and women,  who together spoke out for equality for women working in all aspects of theatre in Ireland. Only intended as a 12-month grassroots campaign, #WakingTheFeminists took on a life of its own, leading to a revolution for equality that garnered global attention, including Hollywood star Meryl Streep. Along with the #MeToo movement, it formed a vital piece of the jigsaw in the struggle for towards equality for women in the arts. In this episode we hear from Lian Bell, the woman who lit the spark under this fire. Reading links:  www.wakingthefeminists.org www.lianbell.org    

Now the Abbey Theatre is to close its doors for all of August – sending alarm bells throughout the Dublin theatre scene.Joining the show to discuss the current state of Ireland's theatre industry is playwright, Jimmy Murphy.

Chris Walley and Siobhan Cullen popped by to talk about their new show in the Abbey Theatre! Zeinab brought us back with the chat about crisps - you'll have a goo after it And Crossy talked about friends and how long you've been friends with someone Hosted on Acast. See acast.com/privacy for more information.

Best friends both on and off screen! Actor, Chris Walley joined Dave to chat about his role in 'The Sugar Wife' which is currently running in The Abbey Theatre.

Actor Chris Walley joins us to chat about his new role at The Abbey.

It is no exaggeration to say that the history of modern Ireland has been played out on the stage of our national theatre, The Abbey, founded in 1904, and after independence the first publicly-subsidised theatre in the English-speaking world. It was there that Ireland first saw many of the great plays of Gregory, Yeats, Synge, O'Casey and others, often to great public debate and controversy. The Abbey has also brought Irish theatre to stages all around the world through its successful touring productions, alongside promoting new playwrights here at home.Recent decades however have seen financial and management difficulties, alongside a long-delayed building redevelopment plan. Caitríona McLaughlin is co-director and artistic director of the Abbey Theatre, where her recent production of Brian Friel's Translations won a UK Theatre Award after its tour of Ireland, North and South.At Ireland's Edge in Dingle she talked about her work, the Abbey, and theatre more broadly with musician and cultural consultant Dermot McLaughlin. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Directed by Caitriona McLaughlin, Marina Carr's new play Audrey or Sorrow opened at the Abbey Theatre on Wednesday night - Red Menace, Joe Thomas's sequel to last year's White Riot - Up for review are new albums by Liam Gallagher John Squire, Everything Everything, and Faye Webster.

Renowned playwright Edward Albee talks about life, sex and the theater (interviewed in 2009 by Dixie Treichel and John Townsend of KFAI-Minneapolis/St. Paul's Fresh Fruit). Irish drag queen Panti Bliss (a.k.a. Rory O'Neill) responded brilliantly when calling out homophobic journalists and religionists drew criticism from both sides (a 2014 speech at Dublin's Abbey Theatre). And in NewsWrap: Greece becomes the 37th country where same-gender couples can get married, Nepal's Anju Devi Shrestha and Suprita Gurung become the first officially registered married lesbian couple in South Asia, a St. Vincent and the Grenadines High Court justice rejects two challenges to the nation's sodomy laws, a Japanese trans man can change the gender marker on his official documents without undergoing surgical sterilization, a top host on state-run Polish television apologizes for years of anti-queer rhetoric, a sexy Seville Jesus riles Spanish traditionalists, and more international LGBTQ news reported this week by Marcos Najera and Brian DeShazor (produced by Brian DeShazor).  All this on the February 19, 2024 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

In this episode I am thrilled to be speaking with the hugely talented Marina Carr – winner of multiple international awards, a member of Aosdána and regarded by many as Ireland's leading playwright. Marina delves deep into the power behind the characters she creates and her writing approach, as well as fascinating insights on how she views history, men, women, and the future of humanity. And having just completed the final script for her latest play, the cast at The Abbey Theatre goes into rehearsals this week for the worldwide debut of Audrey or Sorrow - grab your tickets now!  

Chat with one of Ireland's foremost contemporary playwrights Marina Carr, whose latest work ‘Audrey or Sorrow' has its world premiere at the Abbey Theatre later this month Full details: https://www.abbeytheatre.ie/

The Abbey Theatre has been the subject of growing acrimony for years, from an open letter complaining about the direction of the theatre, to bullying and harassment allegations against a co-director that culminated in an investigation with its own controversies. Mark Tighe discusses how these allegations have led to soaring legal costs for Ireland's national theatre. Host; Tabitha Monahan, Guest; Mark Tighe See omnystudio.com/listener for privacy information.

Michael Fry is a busy man so there's no doubt that he might need a bit of help getting to sleep at night.But, we couldn't have imagined that Royal Families would be the thing that he's obsessing over. The comedian joined Dave to chat Billy Joel, online comedy and why he's working on a play made in 24 hours. Catch Michael in the 'The 24 Hour Plays' in Dublin's Abbey Theatre on Sunday January 14th. Tickets available on abbeytheatre.ie

When much of the building of the original Abbey Theatre was destroyed in a fire in 1951, its facade stones were saved by city architect Dáithí Hanly. Those historic stones, which have been sitting in a garden in Killiney for over 60 years, are now coming into the care of the OPW. Sean was joined by Rosemary Collier, Head of Heritage and Assistant Secretary General of the OPW...

One of the most uniquely recognisable, and critically and popularly lauded, voices in Irish music, Radie Peat – of multi-award winning Lankum and ØXN – collaborates with the Abbey Theatre on its production of Brendan Behan's The Quare Fellow, lending her vocals to the lyrics of 'The Old Triangle', which ring out hauntingly throughout the performance. Read more here: https://www.abbeytheatre.ie/the-old-triangle/

Audio Description notes for Somewhere Out There You by Nancy Harris, directed by Wayne Jordan at the Abbey Theatre.

Stars of The Abbey Theatre's 'Somewhere Out There You' Eimear Keating and Enda Oates join Ray to chat about the romantic comedy which runs until the 4th of November.

Chat with actors Stephen Brennan and his daughter Kate Stanley Brennan about the family acting legacy and performing together on stage for the first time in the upcoming Abbey Theatre production ‘Somewhere Out There You' by Nancy Harris

Sinéad received a call supposedly from Revolut and lost nearly €7000. Pamela's daughter forgot to enter her exam number on her CAO application. Mark is uncomfortable with parents having to upload confidential data to play in the Dublin District Soccer League. Andrea was disgusted by the stench of urine near the Abbey Theatre.

Seán O'Casey had a turbulent relationship with the Abbey Theatre. Now, his Dublin trilogy is back on the stage of the national theatre. Championed with his arrival on the stage in 1923, and denounced in 1926 with The Plough and the Stars, O'Casey remains one of the most inspirational figures of twentieth-century Irish theatre. Did you know that Alfred Hitchcock tried his hand at bringing O'Casey to the world of cinema?  TCB book with free P&P in Ireland: https://www.kennys.ie/shop/three-castles-burning-a-history-of-twelve-dublin-streets-donal-fallon-9781848408722 TCB Patreon: www.patreon.com/threecastlesburning

William Butler Yeats is widely considered to be one of the greatest poets of the 20th century. He was born in Dublin. His father was a lawyer and a well-known portrait painter. Yeats was educated in London and in Dublin, but he spent his summers in the west of Ireland in the family's summer house at Connaught. The young Yeats was very much part of the fin de siècle in London; at the same time he was active in societies that attempted an Irish literary revival. His first volume of verse appeared in 1887, but in his earlier period his dramatic production outweighed his poetry both in bulk and in import. Together with Lady Gregory he founded the Irish Theatre, which was to become the Abbey Theatre, and served as its chief playwright until the movement was joined by John Synge. His plays usually treat Irish legends; they also reflect his fascination with mysticism and spiritualism. The Countess Cathleen (1892), The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), The King's Threshold (1904), and Deirdre (1907) are among the best known. After 1910, Yeats's dramatic art took a sharp turn toward a highly poetical, static, and esoteric style. His later plays were written for small audiences; they experiment with masks, dance, and music, and were profoundly influenced by the Japanese Noh plays. Although a convinced patriot, Yeats deplored the hatred and the bigotry of the Nationalist movement, and his poetry is full of moving protests against it. He was appointed to the Irish Senate in 1922. Yeats is one of the few writers whose greatest works were written after the award of the Nobel Prize. Whereas he received the Prize chiefly for his dramatic works, his significance today rests on his lyric achievement. His poetry, especially the volumes The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940), made him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the hubbub of modern life. Dr Selina Guinness is a lecturer in English (Irish Literature) in the Department of Humanities and Arts Management at IADT. Her memoir about farming on the fringes of the city, The Crocodile by the Door, was published in 2012 by Penguin Ireland. It was shortlisted for the UK Costa Book Awards (Biography) and nominated for Best Newcomer at the Irish Book Awards. (Source: The Nobel Foundation)

Today's poem is by William Butler Yeats[a] (13 June 1865 – 28 January 1939), an Irish poet, dramatist, writer and politician. One of the foremost figures of 20th-century literature, he was a driving force behind the Irish Literary Revival and became a pillar of the Irish literary establishment who helped to found the Abbey Theatre. In his later years, he served two terms as a Senator of the Irish Free State. Yeats was awarded the Nobel Prize in Literature in 1923.—Bio via Wikipedia This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

This week's guest is, the inimitable, Ms. Panti Bliss. Panti is considered to be Ireland's foremost drag queen, “gender discombobulist” and “accidental activist.” Panti was the forerunner in Ireland's ‘Yes' campaign for marriage equality and in February 2015 she took to the stage of Dublin's Abbey Theatre to deliver a ten minute speech that was described as ""the most eloquent Irish speech"" in almost 200 years. It garnered support from RuPaul, Graham Norton, Stephen Fry, and Madonna. She is the recipient of a host of awards including the Award for contribution to Irish society - at the People of the Year Awards in 2014. In 2015 Panti's alter-ego Rory O'Neill was awarded an honorary degree from Trinity College Dublin for his contribution to LGBTQ+ rights and marriage equality. In 2016, following a reported 160% increase in HIV positive tests in Ireland between 2005 and 2015, as an advocate for others and small business owner, she turned the basement of her self named Panti Bar into a HIV testing center in a bid to help protect a new generation of young gay men. Panti was most recently on the Irish version of Dancing with the Stars, where Panti, aka Rory, performed out of drag, making Irish TV history with Ireland's first same sex dance couple appearing on screens across the country. Join us where we'll discuss Panti's activism, advocacy, and contributions to the LGBTQ+ community in Ireland and beyond. 

In our final episode this season, we spoke to playwright, Elaine Murphy Elaine has won awards for her incredible writing and had her words read on the Abbey Theatre stage. Not only that, she is also Sinead's next door neighbour - Elaine pinches herself every day. In 2022, Elaine's adaptation of Maeve Binchy's Circle Of Friends opened in The Gaiety Theatre, Dublin to incredible reviews. And in this episode, she shares how she does it all and about how taking a risk can be terrifying but in the end, worth it. She is some woman for one woman and we hope our chat inspires you to live your dreams too.  Thanks for listening to us again this season. Don't forget to follow, subscribe and hit the notification bell wherever you listen. Sinead and Sue. P.S If you've any stories to share with Sue and Sinead, get in touch via WhatsApp voice message 089-4951256 or e-mail ⁠⁠⁠⁠⁠⁠podcast@dirtbirds.net⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠@dirtbirdscomedy⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠https://www.facebook.com/DirtBirdsProductions⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@dirtbirds⁠⁠⁠⁠⁠⁠ Watch our sketches on YouTube: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/DirtBirdsProductions/videos⁠⁠⁠⁠

Jeannette talks to renowned theatre director, Luke Kernaghan, on the ways in which he has harnessed the power of his creativity to unlock success, the value of connections and how networking has accelerated his journey of growth, and why following your passions is the key to lifelong happiness when it comes to your career choice. KEY TAKEAWAYS There is no substitute for authenticity, and you cannot truly be yourself until you've asked the internal questions required. Sometimes the forces that drive us are difficult to identify, and manifest themselves through instinct. We should always listen to our inner voice. If we are able to identify our passions, and forge a career in that sector, then working becomes a privilege, and fulfilment is far easier to achieve. Theatre in particular, thrives upon community. Those who are in the field, raise each other up and encourage support from all sides. BEST MOMENTS 'Your energy is incredible. You clearly love what you do' 'My journey was not linear' 'You don't go into theatre to make money!' This is the perfect time to get focused on what YOU want to really achieve in your business, career, and life. It's never too late to be BRAVE and BOLD and unlock your inner BRILLIANCE. If you'd like to jump on a free mentoring session just DM Jeannette at info@jeannettelinfootassociates.com or sign up via Jeannette's linktree https://linktr.ee/JLinfoot VALUABLE RESOURCES Brave, Bold, Brilliant podcast series - https://podcasts.apple.com/gb/podcast/brave-bold-brilliant-podcast/id1524278970     Luke Kernaghan Instagram - https://www.instagram.com/kernaghanluke/?hl=en ABOUT THE GUEST Luke Kernaghan is a freelance theatre director, working extensively within the UK and internationally. He started his career as an actor in devised and physical theatre companies, performing mainly in Europe, before moving into directing. He has directed for theatres such as The National Theatre of Scotland, The Royal Shakespeare Company, The Abbey Theatre in Ireland, Seensee in Seoul South Korea, The National Theatre of Mexico, The Donmar, The Jamie Lloyd Company and ATG. Recent productions include the award-winning(*) musical The Stamping Ground (featuring the songs of Runrig), The US premiere tour of How The Hell Did I Get Here? starring Downton Abbey's Lesley Nicol, and co-written by the multiplatinum-selling and Emmy-nominated songwriter Mark Mueller. His production of Katie Honan's one-woman-show How To Fall Flat On Your Face won two Greenroom Awards(**) in Ireland, and is transferring to Dublin in winter 2023. A graduate of Oxford University, with a BA Joint Honours in French and Spanish, Luke also earned a Diploma in Theatre Studies from the École Internationale de Théâtre Jacques Lecoq in Paris. Luke gained an MA in Directing from the Central School of Speech and Drama in London, and trained on the National Theatre's Director's Course. ABOUT THE HOST Jeannette Linfoot is a highly regarded senior executive, property investor, board advisor, and business mentor with over 25 years of global professional business experience across the travel, leisure, hospitality, and property sectors. Having bought, ran, and sold businesses all over the world, Jeannette now has a portfolio of her own businesses and also advises and mentors other business leaders to drive forward their strategies as well as their own personal development. Jeannette is a down-to-earth leader, a passionate champion for diversity & inclusion, and a huge advocate of nurturing talent so every person can unleash their full potential and live their dreams.  CONTACT THE HOST Jeannette's linktree - https://linktr.ee/JLinfoot https://www.jeannettelinfootassociates.com/ YOUTUBE - https://www.youtube.com/channel/UCtsU57ZGoPhm55_X0qF16_Q LinkedIn - https://uk.linkedin.com/in/jeannettelinfoot Facebook - https://uk.linkedin.com/in/jeannettelinfoot Instagram - https://www.instagram.com/jeannette.linfoot/ Email - info@jeannettelinfootassociates.com Podcast Description Jeannette Linfoot talks to incredible people about their experiences of being Brave, Bold & Brilliant, which have allowed them to unleash their full potential in business, their careers, and life in general. From the boardroom tables of ‘big' international businesses to the dining room tables of entrepreneurial start-ups, how to overcome challenges, embrace opportunities and take risks, whilst staying ‘true' to yourself is the order of the day.Travel, Bold, Brilliant, business, growth, scale, marketing, investment, investing, entrepreneurship, coach, consultant, mindset, six figures, seven figures, travel, industry, ROI, B2B, inspirational: https://linktr.ee/JLinfootSee omnystudio.com/listener for privacy information.

Ghosts at The Abbey Theatre, Director Mark O'Rowe & Cathy Belton who plays Helena Alving - The Good Mothers on Disney+ reviewed by Declan Burke - Album Reviews with Zara Hedderman & Simon Maher, Boygenius, The Record // David Kitt, Idiot Check // Arxx, Ride Or Die

I'm Part 2 of The Dublin Story Grand Slam we return to The Abbey Theatre to hear personal true stories from Ayesha Syedah, Kieran Casey & Mairead Murphy. Congratulations to all our wonderful storytellers and for more info on upcoming shows, please visit thedublinstoryslam.com Hosted on Acast. See acast.com/privacy for more information.

This particular episode of The Dublin Story Slam Podcast has been three years in the making. Featuring the first half of The Dublin Story Grand Slam recorded live onstage at The Abbey Theatre. The theme was Precious and in this episode, join host Colm O'Regan as he introduces 4 amazing storytellers all telling true personal stories inspired by the theme, Precious. We don't include the scores of each story but you can find out who won in Part 2, available very soon!Featuring stories from Martin Hughes, Michelle Lucy, Daisy McCarthy & Emma Lynch. Musical Timekeeper was the brilliant Sharon Mannion. Recording was by Gansee Films. For videos of these stories check out our You Tube Channel or visit instagram (@dublinstoryslam) for pics from the night captured by the wonderful Ian Mulholland. Please visit www.thedublinstoryslam.com for more info. Hosted on Acast. See acast.com/privacy for more information.

We broadcast from the set of The Weir, written by Olivier award-winning and Tony award-nominated playwright Conor McPherson, directed by Caitriona McLoughlin, Abbey Theatre artistic director. Also on set are all the cast (Jolly Abraham, Peter Coonan, Brendan Coyle, Sean Fox and Marty Rea) and musicians Éamonn Cagney and Courtney Cullen.

Fans of the show will know that Ben in 'Bad Sisters' has a seriously incredible gaff! And now, we know where it is. Peter Coonan, who plays Ben in the huge show, popped into studio to chat incredible Dublin homes, his golf game and his upcoming play in the Abbey Theatre. 'The Weir' is running in the Abbey from November 26th.

Teresa Deevy may not be a familiar name to most people, but it should be. Born in 1894, the Waterford woman, who was deaf from the age of nineteen, was a successful dramatist and playwright. In the 1930s, six of her plays were performed on stage in the Abbey Theatre and her reputation as a brilliant and talented writer had critics referring to her as next Sean O'Casey and the ‘Irish Chekhov'. That was until, Ernest Blythe became artistic director of the Abbey in 1941 and declared his vision for the theatre to be incompatible with Deevy's work, putting an abrupt end to her growing career. The story of this forgotten playwright will be told in a new RTE documentary, created by performance artist Amanda Coogan. In this episode, Coogan speaks to Róisín Ingle about Deevy's life and legacy and why she should be celebrated. Hosted on Acast. See acast.com/privacy for more information.

It's one of the biggest shows on Disney+, and the cast is FULL of Irish people. 'Andor' is streaming now and actors Denise Gough, Genevieve O'Reilly, Fiona Shaw and Stanley Townsend all appear. Ahead of the run of his play 'Solar Bones', Stanley joined Dermot and Dave to spill some behind the scenes secrets, his hopes to become a figurine and what he's doing with the 'Big Red N'. 'Solar Bones' will be in Dublin's Abbey Theatre from the 20th-29th of October and Cork's Everyman Theatre from the 2nd-4th of November.

A young Edna O'Brien fell in love with Dublin. The city would shape her life and her work. It brought love, lust, learning. Now, at 91, her play Joyce's Women takes to the stage of the Abbey Theatre. This podcast explores how Dublin impacted on her, and how she impacted on it.

Eugene O'Brien is a  playwright, screenwriter, and former actor originally from County Offaly in the Irish midlands. He has written for the stage, screen and radio. His work includes the critically acclaimed TV drama Pure Mule, winner of five IFTA Awards, and which, according to the Irish Times, ‘spectacularly raised the bar for Irish TV drama'. The show was inspired by his play Eden, which debuted at the Abbey Theatre and has since played the West End and Off-Broadway. At the time of recording, Eugene is on the cusp of a creative wave with a new play called Heaven, a film called Tarrac, and a new book, his first novel, which is called Going Back.  Eugene is someone hugely dedicated to his craft and to the role of the artist in exploring ideas and understanding in society and we cover this and so much more in this conversation.

A Pair of Muddy Shoes by Lennox RobinsonLennox Robinson was an Irish author, poet, dramatist and theatre produce who was born in Westgrove, County Cork, Ireland in 1886 the son of a Protestant clergyman, who had previously been a stockbroker. Lennox (fully Esme Stuart Lennox Robinson) was often ill as a child and educated by private tutor and at a Church of Ireland (that is the Protestant Anglican Church) School.  He became interested in drama when he saw a production by W B Yeats and Lady Gregory at the Abbey Theatre in Dublin when he was 21. (If You Appreciate The Work I've Put In Here - You could buy me a coffee at https://ko-fi.com/tonywalker or join as a Patron for exclusive content here: https://www.patreon.com/barcud)His play Cross Roads was produced at the Abbey in 1909 and he became manager there the same year. He resigned in 1914 after a poorly reviewed tour of the USA, but came back in 1919 and was appointed to the theatre's boar din 1923 and served there until his death in 1958. It is said that he was an alcoholic and often depressed.   He was Anglo-Irish but was committed to the Irish nationalist cause (like Yeats and Lady Gregory). His wife's mother was a spiritualist. A Pair of Muddy Shoes is written in a very naturalistic, conversational style which was fun to read and very different from some of the other things we've been reading out recently (Poe, I'm looking at you).  It's all fun, and I like both styles.The story is written from an Irish woman's voice and I read it as an English man. You will know I debate with myself whether I should do accents (which I enjoy) or read a woman 's voice. The second I have few problems with to be honest, the first is more of a problem because though I enjoy doing the accent there is always someone who's ear is so finely tuned that it jars and spoils the story.  So, I decided to do this in my native voice. The story is about a possession but it's unusual and fresh in its setting in rural Ireland (I thought of Craggy Island and the big priests' house looming up from the middle of a bare field, no garden, no path, no nothing leading to it). The spirit of the murderer remains very wicked and his pleasure in the crime infects the shy young woman who is speaking.There is something about weird juxtapositions like the white cat with the narrator's face and then when she goes into the house, the victim says that she has the face of a girl, but the hands of a rough man. And you can join my mailing list and get a  free audiobook: https://bit.ly/dalstonvampireMusic By The Heartwood Institutehttps://bit.ly/somecomeback***Support the show

Edward John Moreton Drax Plunkett, 18th Baron Dunsany Edward John Moreton Draw Plunkett, or Lord Dunsany was known to his friends as Eddie. Lord Dunsany was born in 1878 in London England and died in 1957 in Dublin Ireland.   Though born in England, he was heir to the oldest inhabited house in Ireland: Dunsany Castle near Tara. In County Meath. He worked to support the Abbey Theatre in Dublin with W B Yeats and Lady Gregory. In addition he was chess and pistol champion of Ireland. He was also a great traveller and, as you can tell from this story: he was a habitual hunter with horse and hounds. He was a prolific writer produced over ninety volumes of fiction, essays, poems and plays. His most famous book is possibly The King of Elfland's Daughter and he is thought to be the first fantasy writer who set out the later genre that produced the Narnia books and The Lord of the Rings and ultimately Game of Thrones.  Thirteen At Table This story was suggested by Mike Jenkins. We have a beautiful description of the Kent countryside on a spring evening as they follow the fox. This is indeed a fox hunt and may not be to everyone's taste but is part of the story. I like the idea that a gentleman at hounds may request a bed from any other gentleman who has a gentleman's house. It's s simple tale thereafter. We have host, Sir Richard Arlen, who says he has lived a wicked life. What he has done to this succession of women that means he has to dine with them every night for the past fifty years is not explained. But we understand he has wronged them and we guess perhaps he was somewhat of a rake. As the dinner goes on. It is explained that Mr Linton drinks a lot as he is dehydrated. He is also tired. He starts off by humouring the guest and then takes to his story of his wonderful twenty point hunt. The best hunt that ever was and a tale that grows in the telling. I am thinking this is a good humoured dig at huntsmen and their stories.  And as he feels the need for an audience to tell his tale, slowly the ghosts become visible to Mr Linton and he begins to treat them as real people rather than as figments of his imagination. It is so slowly and delicately done that it is very effective and smooth.  In the end he offends the ghosts by something he said. They are clearly very sensitive and collect slights. He is mortified, but the host is supremely grateful.  There is a happy ending in that Sir Richard Arlen It's a humorous and pretty story. I haven't read much Dunsany, but I'm keen to read more now. If You Appreciate The Work I've Put In Here If You Appreciate The Work I've Put In Here You could buy me a coffee  https://ko-fi.com/tonywalker (https://ko-fi.com/tonywalker) Become a Patron https://www.patreon.com/barcud (https://www.patreon.com/barcud) And you can join my mailing list and get a free audiobook:  https://bit.ly/dalstonvampire (https://bit.ly/dalstonvampire) Music By The Heartwood Institute https://bit.ly/somecomeback*** (https://bit.ly/somecomeback***)