Podcast appearances and mentions of martin behaim

Martin Behaim gelangte nicht nur in Nürnberg zu Ehren, sondern auch als Ritter des Königreichs Portugal. Seine für Bayern größte Hinterlassenschaft ist sicherlich sein Behaim'scher Erdapfel: der älteste erhaltene Globus der Welt.

Als „Erdapfel“ bezeichnet man den Globus, der heute im Germanischen Nationalmuseum in Nürnberg ausgestellt ist und zum UNESCO-Welterbe zählt.

Presents evidence of early Norse settlement in Greenland and North America• Explores in depth how Greenland and its surroundings were inhabited for nearly 5 centuries by two Nordic colonies, Vestri-bygd and Eystri-bygd• Shares extensive evidence from the still-living indigenous oral tradition of the Far North as well as surviving sculptural art to show how the Vikings and the Inuit formed a harmonious community• Examines ancient maps and other cartography, such as the 15th-century Martin Behaim globe, as well as explorers' records of their voyagesSharing his extensive and meticulous research, Jacques Privat reveals that the Vikings were in Greenland, its neighboring islands, and the eastern shores of Canada long before Columbus. He examines in depth how Greenland and its surroundings were inhabited for nearly five centuries by two Nordic colonies, Vestribygð and Eystribygð, which disappeared mysteriously: one in 1342 and the other in the 16th century. Drawing on the still-living indigenous oral tradition of the Far North, as well as surviving sculptural art carvings, he shows how, far from being constantly at odds with the native population, the Norsemen and the Inuit formed a harmonious community. He reveals how this friendly Inuit-Viking relationship encouraged the Scandinavian settlers to forsake Christianity and return to their pagan roots.Working with ancient European maps and other cartography, such as the 15th-century Martin Behaim globe, as well as explorers' records of their voyages, the author examines the English, Irish, German, Danish, Flemish, and Portuguese presence in the Far North. He explores how Portugal dominated many seas and produced the first correct cartography of Greenland as an island. He also reveals how Portugal may have been behind the disappearance of the Vikings in Greenland by enslaving them for their European plantations.Dispelling once and for all the theories that the Inuit were responsible for the failure of the Scandinavian colonies of the Far North, the author reveals how, ultimately, the Church opted to cut all ties with the settlements—rather than publicize that a formerly Christian people had become pagan again. When the lands of the Far North were officially “discovered” after the Middle Ages, the Norse colonies had vanished, leaving behind only legends and mysterious ruins.Jacques Privat holds a Ph.D. from the Sorbonne and works as a translator of Scandinavian languages. In addition to his degrees from the Sorbonne and the Arctic Center of Paris, he has studied at INALCO in Paris, the Greenland Art School, and the Institut for Eskimologi in Copenhagen, Denmark. He lives in Paris.

A secret bunker, a cultural treasure, and a special sharp stick that poked Jesus that could help you rule the world?!! Who else but Hitler would be responsible for that odd grouping of nonsense? Who else would be stupid enough to lose it? Join Elton as he recounts the tale of Walter Horn and his hunt for a priceless national treasure stolen by Hitler, but post World War II, became lost to the world.   Lt. Walter Horn, an Army interrogator during WWWII discovers the location of the Crown Jewels of Austria while questioning a German soldier. Little did he know it would send him on a race against time to find the treasure. Hoping to get it before they're melted down or became the subject of a worldwide tug of war between war worn countries looking for payback...or both, he's given only 21 days to find it. Will he? Listen to find out. Thank you for listening. BE SURE TO GIVE THIS PODCAST A FIVE STAR RATING AND REVIEW ON YOUR PODCAST PLAYER OF CHOICE. Ohhhhh...and share it! It helps so much. Again, thank you, thank you, and thank you! CONTRIBUTE: https://www.patreon.com/eltonreadsabookaweek https://anchor.fm/elton-reads-a-book-a-week EMAIL: eltonreadsabookaweek@gmail.com SOCIALS:  Instagram: https://www.instagram.com/eltonreadsabookaweek/ Facebook: https://www.facebook.com/EltonReadsTooMuch Twitter: @eltonreadsalot (or search for Elton Reads A Book A Week, and it'll pop up) The following music was used for this media project: Music: George Street Shuffle by Kevin MacLeod Free download: https://filmmusic.io/song/3800-george-street-shuffle License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com The following music was used for this media project: Music: Crinoline Dreams by Kevin MacLeod Free download: https://filmmusic.io/song/3560-crinoline-dreams License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com The following music was used for this media project: Music: Long Stroll by Kevin MacLeod Free download: https://filmmusic.io/song/3997-long-stroll License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com The following music was used for this media project: Music: Chilled by Sascha Ende Free download: https://filmmusic.io/song/117-chilled License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.sascha-ende.de The following music was used for this media project: Music: Countdown by Alexander Nakarada Free download: https://filmmusic.io/song/4865-countdown License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/ Elton would like to offer apologies to the following people, places, and things: Jenna Fischer, Frankfurt, Vienna, Private Dollar, Martin Behaim, bell ringers, interrogators, every name I mispronounced, Winston Churchill. Special thanks to Diedrich Bader. --- Send in a voice message: https://anchor.fm/elton-reads-a-book-a-week/message Support this podcast: https://anchor.fm/elton-reads-a-book-a-week/support

Em Nuremberg, em 20 de junho de 1492, ou seja, algumas semanas antes da descoberta do "Novo Mundo", o cartógrafo e navegador Martin Behaim conclui a construção do primeiro globo terrestre. Em colaboração com o pintor Georg Glockenthon, Behaim o construiu entre 1491 e 1493 quando da sua permanência em Nuremberg, denominando-o de “Erdapfel”, ou seja, “maçã do mundo”. O original está hoje em exibição no Germanisches Nationalmuseum de Nuremberg e é uma das obras de arte mais descritas da Europa.Veja a matéria completa em: https://operamundi.uol.com.br/historia/35732/hoje-na-historia-1492-apelidado-de-maca-do-mundo-primeiro-globo-terrestre-e-construido----Quer contribuir com Opera Mundi via PIX? Nossa chave é apoie@operamundi.com.br (Razão Social: Última Instancia Editorial Ltda.). Desde já agradecemos!Assinatura solidária: www.operamundi.com.br/apoio★ Support this podcast ★

Did you know there is a very credible map from 1492, the year Columbus set sail clearly identifying Chryse as Luzon and Argyre as Mindanao, Philippines? You gotta see this. The evidence just keeps mounting. There is no debating the Philippines is Ophir/Chryse and Argyre/Tarshish.  A modern facsimile of Martin Behaim's 1492 Erdapfel map. Behaim Globe (1492–1493). Ernst Ravenstein: Martin Behaim. His Life and his Globe. London 1908. Public Domain. Hi Resolution Copy available at:https://en.wikipedia.org/wiki/Chryse_and_Argyre#/media/File:RavensteinBehaim.jpg Support the show (https://www.patreon.com/thegodculture)

Fabriqué en 1492 ou 1493 par le cosmographe et astronome allemand Martin Behaim, le globe terrestre dit "Erdapfel" est le plus ancien que nous possédions aujourd'hui. Avec ses imperfections, il figure le monde tel qu'on le connaissait alors... See acast.com/privacy for privacy and opt-out information.

In dieser Folge erzählen wir euch, welche Geschichte hinter der Martin-Behaim-Straße in Langenzenn steckt.

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer's new book Henricus Martellus's World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim's 1492 globe, in Christopher Columbus's own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller's world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus's own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chet Van Duzer, an accomplished historian of cartography, trains his sight in this book on one uniquely important map produced in early modern Europe. The 1491 world map by Henricus Martellus has long been deemed “an essentially unstudiable object,” its legends and descriptions illegible to the unaugmented eye. Now, aided by multispectral imaging technology — and a dogged team of technicians — Van Duzer has rendered Martellus legible and reproduced the map in vivid form, both in the pages of this book and, still more systematically, in an online space that accompanies the text. Van Duzer’s new book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging, Sources, and Influence (Springer, 2019) is both an example of and an articulate argument for the possibilities of multispectral imaging. In tracing the circuits by which Martellus came to inform subsequent geographic knowledge — as manifest in Martin Behaim’s 1492 globe, in Christopher Columbus’s own wager that the “New World” might become accessible to European eyes, and most profoundly in Martin Waldseemüller’s world map of 1507, which first applied the name “America” in its modern sense — Van Duzer argues for a radically new understanding of this period in cartographic representation. Moreover, in considering Martellus’s own influences, which included inter alia African traditions of mapping the lands south of Egypt, he adds critical complexity to our understanding of how — and for how long — European and non-European geographic practices have been entwined. In its sources, its methodology, and its ultimate revisions to received narratives of cartographic priority, the book has the flavor of an early modern detective tale. It will reward scrutiny by a wide readership. Learn more about your ad choices. Visit megaphone.fm/adchoices