Podcasts about new wave cinema

In 1891 the Edison Company successfully demonstrated a prototype of the Kinetoscope, which enabled one person at a time to view moving pictures. The first to present projected moving pictures to a paying audience were the Lumière brothers in December 1895 in Paris, France. The first feature-length movie incorporating synchronized dialogue was The Jazz Singer in 1927. A 20-year stretch, from 1927 to 1948, is considered the Golden Age in the history of Hollywood.

When many people think of Australia in the 1960s, they picture an era of protests, sexual exploration and counter-revolutions staged namely by what we now call "The Baby Boomer Generation", who began Australia's first timid steps towards cultural maturity. These Australians began exercising their influence against restrictive legislation, outdated morality and social issues within Australian society, which is exactly the opposite of what their generation stands for now. Cinema around the world was transitioning from big studio led productions to an "Auteur director"-led model. Young experimental film makers with a little cash and a lot of spirit began to make the movie industry their own. Their creativity was influenced by anti-government sentiment after the disastrous results of the Vietnam War, the second wave feminist movement, and the push for the acceptance of the homosexual community. Young Australian film makers were watching, taking notes and preparing for their first steps into the industry. Join Holly and Matthew as they talk Australian New Wave Cinema/Ozploitation, the genre, the heavy hitters, and where the industry would go from here...

When many people think of Australia in the 1960s, they picture an era of protests, sexual exploration and counter-revolutions staged namely by what we now call "The Baby Boomer Generation", who began Australia's first timid steps towards cultural maturity. These Australians began exercising their influence against restrictive legislation, outdated morality and social issues within Australian society, which is exactly the opposite of what their generation stands for now. Cinema around the world was transitioning from big studio led productions to an "Auteur director"-led model. Young experimental film makers with a little cash and a lot of spirit began to make the movie industry their own. Their creativity was influenced by anti-government sentiment after the disastrous results of the Vietnam War, the second wave feminist movement, and the push for the acceptance of the homosexual community. Young Australian film makers were watching, taking notes and preparing for their first steps into the industry. Join Holly and Matthew as they talk Australian New Wave Cinema/Ozploitation, the genre, the heavy hitters, and where the industry would go from here...

Thanks to  Freeze Pipe at https://bit.ly/FreezePipes use code BINGE for 10% off your next order.Just Your Average German New Wave Cinema Leopard Skin Rock Star Story.Guilty pleasures and opening a jar of Stress Berries! Comedy podcast joke recalls.What is German New Wave Cinema ( Neuer Deutscher Film ) Tusk 2 rumors. What a weird horror movie Tusk was.Apple TV series Lady In The Lake shut down due to extortion threats in Baltimore.Blockbuster Netflix show drops November 3  and why we miss working at Blockbuster.Kamikaze ‘89 is a German New Wave Cinema neon nightmare about a detective trying to solve a mystery played by a German New Wave Cinema icon, Rainer Fassbinder.Rainer needs a biopic because his life is way more wild.How to find movies no one else can find.And binge-watching Welcome To Wrexham.Listen now at: https://www.bwpodcast.com/recent-episodesSubscribe for new content: https://bit.ly/SUBBWPODHorror movies. Movie News. Movie Stories and More. Adventures in Binge-Watching From the Professional Binge-Watchers on this Late Night Comedy and Movie Podcast Hosted by JOHNNY SPOILER. Joined by his film-making buddies, DANGEROUS DAVE and JORDAN SAVAGE#podcasts #bingewatcherspodcast Support the show

In this very NSFW episode, Bart & Jenna discuss the boundary pushing films of 1969 Japan, one of their favorite New Wave movements. Replete with nudity, graphic violence and sexual themes abound, it’s some of the weirdest stuff they’ve covered yet.

Mynx reveals her greatest love: Francois Truffaut, the famous auteur of New Wave Cinema. They fall in love as they make a film, but an insanely jealous producer ruins everything yet again.  richlyspun.com

A spotlight on three films from Korea's New Wave cinema movement, with a focus on MOTHER dir. Bong Joon-ho (2009), THE HANDMAIDEN dir. Park Chan-wook (2016) and TRAIN TO BUSAN dir. Yeon Sang-ho (2016). With presenters Flick Ford, Stuey Richards and Paul Anthony Nelson. Website: https://www.rrr.org.au/explore/programs/primal-screenFacebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Jacque and Pierre discuss Man In The Oven, Woman with the Head of a Duck, and The Political Onion. (Matt Fishman is comedian out of NYC - come out to his great show Laughter Hours at QED in Astoria every Saturday at 11pm

Suns Cinema roars into the 20s with some hot takes on Uncut Gems, Ricky Gervais, and New Wave Cinema with special guest Makda Amdetsyon (Suns' best bartender). Powered and distributed by Simplecast

Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]

Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]

Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]

Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]

Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]

Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]

Host : Kevin
Cohost : NickProduction : Homeground StudiosEmail : cosmicchildrenridingdinosaurs@gmail.comInstagram : www.instagram.com/cosmicchildrenridingdinosaurs_______________**Biography :**Choānn is a genre-bending filmmaker known for his subliminal imagery and subjects of contemporary youth and culture. He has directed commercials for brands like McDonald’s, Huawei, DBS and MCI, as well as music videos for local acts like Jasmine Sokko, Sam Willows and Tabitha Nauser.His short films have also screened both locally and internationally. When he was 19, his short film “Dreaming Kester” was selected for the 22nd Singapore International Film Festival (SIFF)’s Short Film category, making him the youngest finalist in the history of the festival at the time.His short “三秒忠 (3 Seconds)" was selected for the Singapore Panorama section at the 25th Singapore International Film Festival (SGIFF) 2014. It was also screened at Portland Asian Film Festival 2015, Asian Film Festival Italy 2015 and Asian Film Focus, 2016.
In 2017, he was featured in FEMALE Magazine as one of the up and coming directors of ‘New Wave Cinema’ in Singapore.Most recently in 2019, he was commissioned by NOISE GIFFEST 2019 to produce a video installation and was featured by Facebook as one of their Next Story Creators.Instagram : https://www.instagram.com/choann_studio/Instagram : https://www.instagram.com/martinhong.mov/Website : https://choann.com/_______________Shownotes :Summerdaze : https://vimeo.com/280122080Wong Kar Wai : https://vimeo.com/280122080In The Mood For Love : https://en.wikipedia.org/wiki/In_the_Mood_for_Love2046 : https://en.wikipedia.org/wiki/2046_(film)Chungking Express : https://en.wikipedia.org/wiki/Chungking_ExpressJean-Paul Gaultier : https://en.wikipedia.org/wiki/Jean-Paul_GaultierKelvin Chew : https://www.kelvincwz.com/about-1Machineast : https://www.instagram.com/machineast/?hl=enJasmine Sokko ‘ Hurt ‘ : https://www.youtube.com/watch?v=1ch2J23m5DMJasmine Sokko ‘ Tired ‘ : https://www.youtube.com/watch?v=MBzQcLITCucJasmine Sokko : https://www.instagram.com/jasminesokko/?hl=enJasmine Sokko ‘ 0000FF ‘ : https://www.youtube.com/watch?v=oYSDYhekYeQMasonry Studios : https://www.instagram.com/masonrystudios/Kendall Jenner for PEPSI : https://www.youtube.com/watch?v=dA5Yq1DLSmQTruimph of the Will : https://en.wikipedia.org/wiki/Triumph_of_the_WillJames Charles Scandal : https://www.youtube.com/watch?v=uFvtCUzfyL4  

Today we sat down with Dawood Brown and spoke about all things filmmaking and anime, mostly about his opinions of what's wrong with current live action adaptations and why they're all bad. Dawood is the director of the short film "Buddy" the first of many productions by New Wave Cinema, a small group of creators he helped form. Join us while we discuss directorial techniques, what it's like being a young filmmaker in Hollywood, and our dreams and plans for the future! Follow Dawood on IG: https://instagram.com/_nitewood_ Get my full photo sets: https://nvpro.co/morenadia instagram: https://instagram.com/nadiainneverland twitter: https://twitter.com/nadiainneverlnd

Class is back in session and today we are looking at the classic horror film Rosemary's Baby.  It has quite a bit of Gothic influences, but what makes it such a great movie is how it blends those older motifs with the film style of the New Wave Cinema.  We talk all out what the New Wave is, how to spot it, and how it was better (or at least more naked) in France.   Don't forget to stop on by and join the Horror Pod Class Facebook Group! Helpful Links that we mention on today's episode: Signal Horizon's Author Spotlight of Orrin Grey Tyler's review of The Nun.  He was less than impressed. Noroi is a Japanese found footage film that is available on Shudder.com.  Just follow this think and get some extra trail time on us. Kurt Fawver's new collection The Dissolution of Small Worlds is Awesome.  Read more about it here. Looming Low Volume One for purchase on Amazon. The Changeling by Victor Lavalle Dead Ringer artwork from Ballast Point Brewing A Collapse of Horses by Brian Evenson Time Magazine Article about the Bramford, not Branford. Movie-Locations.com confirms Mike's story that Trump owned one of the filming locations from The Devil's Advocate. Taste of Cinema- Reasons Why Rosemary's Baby is a New Hollywood Film. Huff Post Article about the continuing social relevance of Rosemary's Baby. John Langan's The Wide Carnivorous Sky is available on Kindle Unlimited!   5 Horror Books that make Kindle Unlimited Worth It

The culture of watching movies in Kuala Lumpur is anything but obscure, but when was the last time you’ve sat down to watch an independent film? Cinephilia is an independent film space operated by Tan Chui Mui’s Next New Wave film company, providing a venue to encourage cinephiles of all walks to convene and watch films together; it is also a space for intrepid filmmakers to preview their upcoming projects to the public. On this episode, we speak to three of Cinephilia’s programmers - Elise, Keenen and Wei Jie, about the curation process of films at the venue, the philosophy behind the space, and their involvement in the upcoming SeaShorts Film Festival taking place in August.

The culture of watching movies in Kuala Lumpur is anything but obscure, but when was the last time you’ve sat down to watch an independent film? Cinephilia is an independent film space operated by Tan Chui Mui’s Next New Wave film company, providing a venue to encourage cinephiles of all walks to convene and watch films together; it is also a space for intrepid filmmakers to preview their upcoming projects to the public. On this episode, we speak to three of Cinephilia’s programmers - Elise, Keenen and Wei Jie, about the curation process of films at the venue, the philosophy behind the space, and their involvement in the upcoming SeaShorts Film Festival taking place in August.

Find out the latest trends and movies in the cinema industry with your hosts Brent Gunn and Mitchell Kukulka on Moving Pictures. Have you ever heard of Iranian new wave cinema? It's an incredible world of filmmaking to explore. We talk about the must-watch movies and the importance of the films made in this new wave of cinema. Check out CM Life. www.cm-life.com/ Stay in touch with us! twitter.com/cmlife www.facebook.com/cmlife

Philip Dodd wrestles with an especially knotty question – does France have to stop being French to survive? Its a question which owes its urgency to recent events from the massacres of last year to the rise of the Right and an apparent erosion of the secular values that underpin the Fifth Republic. What price the France of Camus and New Wave Cinema in the face of globalisation? To answer these questions Philip is joined by the political commentator Anne-Elizabeth Moutet, the historian Liz Buettner, the Muslim scholar, Ziauddin Sardar and Andy Martin, an expert in 20th century French literature which did so much to fix the features of modern France in our minds. Producer: Zahid Warley.Europe After Empire by Elizabeth Buettner is published in April Islam Beyond the Mad Max Jihadis by Ziauddin Sardar is published in February