Podcasts about Ozploitation

Ob jung oder alt; Ganz gleich, ob Wessi oder Ossi; egal, ob Ami oder Aussie – ihr seid alle eingeladen, einen cineastischen Ausflug in eine für uns Bastarde weit entfernte Region zu unternehmen. Begleitet werden wir von Wahl-Australier Konni, der die Mentalität der Menschen und ebenfalls Filme von dort kennt.

CW: This episode contains discussions of alcoholism and cinematic violence including animal cruelty.The writer, comedian and musician Patrick Marlborough returns to the podcast from Perth, WA to discuss Wake in Fright (1971), the landmark Australian film by the late Canadian director Ted Kotcheff. One of only two films to be shown twice in the history of the Cannes Film Festival, and influential in shaping both the Australian New Wave and Ozploitation genres, Wake in Fright was acclaimed around the world but outraged local audiences with its brutal and merciless depiction of Australian toxic masculinity, violence, and alcoholism.Patrick gives us some insight on how Wake in Fright captures some of the ugliest aspects of the Australian national character, and we discuss how Kotcheff's Canadian-ness was an asset for his outsider's view of this world, the amazing supporting performance by Aussie comic screen icon Chips Rafferty in his final role, and how this great film was nearly lost forever. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Patrick Marlborough on Bluesky, and subscribe to their wonderful Substack The Yeah Nah Review.Trailer for the new restoration of Wake in Fright (Ted Kotcheff, 1971)Original US trailer for Wake in Fright (aka Outback)"The Making of Wake in Fright", Peter Galvin's extensive 3-part feature on the production, for SBS “Wake in Fright understood the horrors of Australian booze culture. 50 years on, nothing's changed” by Joseph Earp, for The Guardian, April 9, 2025“Andor in the Genocide” by Patrick Marlborough, for the literary journal Overland, April 30, 2025

The Ozploit Cast - Episode 22 '1987 and 1988 Films': Initiation, Les Patterson Saves the World, Breaking Loose: Summer City II, Day of the Panther and Strike of the Panther with hosts Bede Jermyn and Super Marcey Continue reading →

I meant to upload this last week but I was in Australia losing my mind crossing the outback like the narrator of What's Rangoon to You Is Grafton To Me (which no one out there seems to know, let alone have any interest in ABC radio, TISM, Wake in Fright, Ozploitation cinema, that guy that walked around talking to people on the street on TV, or even the morning show I turned on upon arrival at my airbnb that was referring to orange and ham pizza as "Christmas Pizza" before segueing into cockroach milk). So anyway, here it is now.President Crooks continues to go Bucko wild, necessitating at least one well meaning bleep from me and making Jennifer uncomfortable. He talks a bit about the history of noise, the types of noisers, Milwaukee's wild rap scene, and some other bits (Australians and their oppressively close sun got me calling everything "bits" now). Pulled a couple of really old Smudge tracks from Bucko's Bandcamp, at least one dating back to the Galactic Intolerance Records days on archive.org. Check out the rest of what remains of his discography over at http://thesmudge.bandcamp.comAlso, check out the zine/documentary-ish thing we made about his Milwaukee Noise Fest and our trip to Fargo, the Arbitrary Art. Be the first to download or buy a copy at my gumroad http://thearbitraryart.gumroad.com or glance at the unlisted video Bucko put up that I generally pretend does not exist. Or if you're in Philly look for an unmarked DVD in a yellow sleeve that I occasionally drop in Little Free Blockbusters.

In this town, there's only so many things to do: find a quiet place to park, get lucky, then deliver that special someone a slideshow about how now they've got a death curse. That's right, love is in the air and a murderous demon entity is on our trail as we explore IT FOLLOWS for its 10th anniversary!! Along the way, we dig into the fabulous grab bag of horror and cultural influences that are woven into fabric of the film, explore the post-collapse aesthetic of Detroit, wonder why all these parents are so disconnected from the world their kids occupy, and debate the mainstream idea that the movie is a “casual sex is bad” horror. All this, plus high heel pursuits, awkward friend dynamics, Ju-On jokes, Plan Boo, Ozploitation references, and a limb-snapping edition of Choose Your Own Deathventure!! So accept a date with danger - and us - today!!   Control Body Odor ANYWHERE with @shop.mando and get $5 off your Starter Pack (that's over 40% off) with promo code KILLPOD at Mandopodcast.com - please enter KILLPOD at checkout! #mandopod Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's Substack called Gena Watches Things!! Check out the films we've covered & what might come soon on Letterboxd!

It's 8 o'clock in the F#%KING MORNING and we are joined by full grown sandgroper, Adam Trainer to dig up a couple of unsung antipodean gems. We discuss Fortress (1985), directed by Arch Nicholson, and then Fortress (1992 - no relation), directed by Stuart Gordon. Deep kindertrauma in the bush and dystopian prisonbreak glory - this week's episode is a psychedelic trip down some very obscure Australian rabbitholes so put on your stubbies and blue singlet, crack open a VB longneck and settle back for a couple of hours of Ozploitation fun. It's not really possible to spoil Fortress '92, but we will call out Spoiler Territory for Fortress '85. If you want to skip ahead from that point, you can rejoin the conversation at the 1:18:47 mark to avoid spoilers. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp Our outro music today is "Son of Neck" by Adam's band Original Past Life (M. Caratti, W. Hall, A. Trainer)

The Ozploit Cast - Episode 21 '1987 Films': Dangerous Game, Contagion, Coda, Outback Vampires and The Howling III: The Marsupials with hosts Bede Jermyn, Super Marcey and guest Matt Konopka Continue reading →

Cinematographer James Hoare is a recent graduate from Curtin University, where he worked alongside director Christopher Paik-Swan and writer Max Joyce to bring to life their final year short film Don't Talk About the Monster on the Roof, a micro-budget horror short flick inspired by the look of Ozploitation films. It's an impressively taut thriller that is drenched in sweaty tension as a group of mates head off on a road trip up to the Pinnacles, only to find that while on the trip, they each start disappearing one by one after something on the roof of the car rips them away.James' work as the cinematographer saw him utilising LED virtual production technology, alongside drone shots and on location cinematography. He comfortably blends the VFX backgrounds with on location shots, culminating in an effective and creatively engaging short that executes high concept ideas on a student budget.James was also able to present the film at the 2024 CamerImage Festival in Poland as part of their Talent Demo program. At the festival, he was able to present the film and receive detailed feedback from celebrated filmmakers like cinematographer Jarin Baschkle (Nosferatu, The Lighthouse) and director Hiro Murai (Atlanta, Mr and Mrs Smith).In the following interview, recorded ahead of the films screening at the WA Made Film Festival on Saturday 22 February as part of the Saturday Shorts line-up, James talks about his creative journey to becoming a cinematographer, what it means to be able to make films in Western Australia, and a lot more.The line-up for this years WA Made Film Festival is a stellar one, with a huge array of shorts, long shorts, features, documentaries, and a panels galore to keep you up to speed on the ins and outs of the WA film scene. The festival opens with the world premiere of Remotely Famous, directed by Brad Newland. The excitement for that is so high that the screening has already sold out. The energy continues over the weekend with a live Cinema Australia podcast recording with Matthew Eeles and director Zak Hilditch, short film showcases, screenings of award winning films like Genocide in the Wildflower State, world premieres of films like Lint, Christmas Orphans, In Sect, and Highest Treason, while acclaimed films like Jellyfish, Green: The Fight for Rock and Roll, and Everywhere get spotlight screenings.I'm proud to be part of this years festival as I join a panel of excellent WA filmmakers for The Future is Bright: Independent Filmmaker Panel on Saturday 22 February from 11:45am at the City of Perth Library Auditorium. The panel includes Sarah Legg, Tayah Lee-Traub, Steven J. Mihaljevich, Emilie Lowe, Lawrence Murphy, and Oscar Miller, each of whom will be discussing their upcoming feature films which were made completely independently.I'm continually in awe of the work that Jasmine Leivers and Matthew Eeles put into bringing the WA Made Film Festival together. It's a top tier local film festival that reminds audiences that there is a vibrant, active, and downright vital film scene in operation here in Western Australia.For all the details on the festival, and to secure your tickets, visit WAMadeFilmFestival.com.au. Hosted on Acast. See acast.com/privacy for more information.

Cinematographer James Hoare is a recent graduate from Curtin University, where he worked alongside director Christopher Paik-Swan and writer Max Joyce to bring to life their final year short film Don't Talk About the Monster on the Roof, a micro-budget horror short flick inspired by the look of Ozploitation films. It's an impressively taut thriller that is drenched in sweaty tension as a group of mates head off on a road trip up to the Pinnacles, only to find that while on the trip, they each start disappearing one by one after something on the roof of the car rips them away.James' work as the cinematographer saw him utilising LED virtual production technology, alongside drone shots and on location cinematography. He comfortably blends the VFX backgrounds with on location shots, culminating in an effective and creatively engaging short that executes high concept ideas on a student budget.James was also able to present the film at the 2024 CamerImage Festival in Poland as part of their Talent Demo program. At the festival, he was able to present the film and receive detailed feedback from celebrated filmmakers like cinematographer Jarin Baschkle (Nosferatu, The Lighthouse) and director Hiro Murai (Atlanta, Mr and Mrs Smith).In the following interview, recorded ahead of the films screening at the WA Made Film Festival on Saturday 22 February as part of the Saturday Shorts line-up, James talks about his creative journey to becoming a cinematographer, what it means to be able to make films in Western Australia, and a lot more.The line-up for this years WA Made Film Festival is a stellar one, with a huge array of shorts, long shorts, features, documentaries, and a panels galore to keep you up to speed on the ins and outs of the WA film scene. The festival opens with the world premiere of Remotely Famous, directed by Brad Newland. The excitement for that is so high that the screening has already sold out. The energy continues over the weekend with a live Cinema Australia podcast recording with Matthew Eeles and director Zak Hilditch, short film showcases, screenings of award winning films like Genocide in the Wildflower State, world premieres of films like Lint, Christmas Orphans, In Sect, and Highest Treason, while acclaimed films like Jellyfish, Green: The Fight for Rock and Roll, and Everywhere get spotlight screenings.I'm proud to be part of this years festival as I join a panel of excellent WA filmmakers for The Future is Bright: Independent Filmmaker Panel on Saturday 22 February from 11:45am at the City of Perth Library Auditorium. The panel includes Sarah Legg, Tayah Lee-Traub, Steven J. Mihaljevich, Emilie Lowe, Lawrence Murphy, and Oscar Miller, each of whom will be discussing their upcoming feature films which were made completely independently.I'm continually in awe of the work that Jasmine Leivers and Matthew Eeles put into bringing the WA Made Film Festival together. It's a top tier local film festival that reminds audiences that there is a vibrant, active, and downright vital film scene in operation here in Western Australia.For all the details on the festival, and to secure your tickets, visit WAMadeFilmFestival.com.au. Hosted on Acast. See acast.com/privacy for more information.

Es wir politisch, aber auch höchst aktuell in dieser Cineviel Episode...(00:04:15) Ist das Epos THE BRUTALIST (2024) mit Adrien Brody der Oscarfavorit? [Kino](00:26:21) Nicole Kidman in feministischem Erotikdrama BABYGIRL (2024) [Kino](00:34:56) Arrrow-Genre-Perle: DREAM DEMON – DER TRAUMDÄMON (1988) [nur US: VUDU, plex, freevee](00:41:53) Ozploitation von Nicolas Roeg: WALKABOUT (1971) [Prime, lacinetek](00:49:50) Patreon-Pick: MISSISSIPPI BURNING – DIE WURZEL DES HASSES (1988) [Prime, AppleTV]Viel Vergnügen! THURSDAY NIGHTMARES:https://www.kinopolis.de/bn/events/detail/thursday-nightmares-filme-+-talk/5688Wir freuen uns über Unterstützung: Patreon - https://www.patreon.com/filmfressen Paypal - kontakt@filmfressen.de Merch - https://www.shirtee.com/de/catalogsearch/result/?q=filmfressenFeedback und Koop-Anfragen: kontakt@filmfressen.de Filmfressen auf Facebook: https://www.facebook.com/Filmfressen-904074306371921/ Instagram: https://www.instagram.com/filmfressen Letterboxd: https://letterboxd.com/ManuFilmfressen Letterboxd: https://letterboxd.com/PeterFilmfresseCineviel: https://podriders.de/podcast/cine-viel-podcast

EPISODE #439-- Sorry. It's been a weird 2024. It's been a weirder 2025. I won't apologize. Anyways, here's our Top 10 films of 2024. There's some pretty crazy overlap here! Check it out. Get excited. Almost none of our stuff is nominated for Oscars, which is a pretty fun side effect of being completely out of the loop when it comes to cinema! Join the cause at Patreon.com/Quality. Follow the us on Ton Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Like what you're hearing? Let us know!Discover the enigmatic world of Australian cinema with us as Super Marcy from the Super Network joins the conversation about the 1980 thriller "Harlequin." Imagine the intrigue of a political family meeting a mysterious healer—this is just the tip of the iceberg as we unravel the film's captivating narrative surrounding the Rast family and the elusive Gregory Wolf. Spearheaded by talents like Robert Powell and David Hemmings, and guided by director Simon Wincer and screenwriter Everett DeRoche, we explore how "Harlequin" stands as a unique gem within the Ozploitation genre. Reflect on how this film fits into the broader tapestry of Australian cinema, and why it's a must-watch on platforms like Australia's Broly.From political thrillers to historical mysteries, the episode takes a fascinating detour into the real-life enigma of former Australian Prime Minister Harold Holt. Vanished without a trace, his disappearance sparked wild theories, from CIA abduction to submarine escapes, and we ponder the irony of a swimming pool bearing his name. We even draw unexpected parallels between this national mystery and the triumphant moment in rugby league history when the Cronulla Sharks finally claimed victory, "turning off the porch lights" and ending decades of anticipation for their loyal fans.Peel back the layers of "Harlequin" as we dissect its themes of illusion versus reality, and liken Gregory Wolf's character to historical figures like Rasputin. From practical effects to Brian May's haunting score, we appreciate the artistry that sets this film apart from typical Ozploitation offerings. With lively discussions on its ambiguous scenes and the performances that bring tension and depth to the screen, this episode is an invitation to rediscover a film that challenges perceptions and captivates the imagination. Join us for a journey through political intrigue, cinematic mysteries, and the fascinating landscape of Australian storytelling.Support the showA Dingo Ate My Movie Socials:WebsiteBlueskyFacebookInstagramLetterboxdEmailMusic from the movies featured on the podcast: SpotifyApple MusicSupport Me At BuyMeACoffee Please note that this podcast often explores topics and uses language from past eras. This means that some of the discussions may include attitudes, expressions, and viewpoints that were common in those times but may not align with the standards and expectations of our society today. We'd like to ask for your understanding as we navigate these historical contexts, which are important to appreciate the era we're discussing fully.

It's time for a new Ozploitation movie as author Garth Jones and Hammo dig into the 1971 classic, "Wake in Fright". Bonus Squid - Patreon Hosted on Acast. See acast.com/privacy for more information.

Nitehawk Cinema 35mm Projectionist MCKEGG COLLINS is this episode's guest and he'll be handling the 35mm midnight rep screening for THE BLOOD SPATTERED BRIDE at THE BROOKLYN HORROR FILM FESTIVAL!  We're chatting about his new-ish career as a film projectionist, what we love about the BK Horror Film Fest past and present, and all things movies, horror, and film projection!  Check out the rep offerings at the festival's sidebar FEAR IN FOCUS: SPAIN— Vampyres (1974) Dracula: Spanish version with Live score by The Flushing Remonstrance (1931) The Blood Spattered Bride (1972) The Addiction (1995) Habit (1995) Wake in Fright (1971) ✨Follow McKegg on Letterboxd HERE

Today on the 5: Like friend of the show Ant Pruitt, I am generally not a person who enjoys musicals as a film genre. Up until now I had two exceptions to that rule, The Rocky Horror Picture Show and Voyage Of The Rock Aliens. Today I add a third title to that list, the absolutely riotous and thoroughly fun Sons Of Steel.

Bom dia, cinéfilos!No episódio de hoje, João Cardoso convidou o Tiago para conversarem sobre Body Horror. Em especial, dois filmes que podem se considerar como tal:Corrosão - Ameaça em Seu Corpo, de 1993, e Kotoko, de 2011.Siga o Bolchecine no Instagram: https://www.instagram.com/bolchecine/Ouça o Bolchecine no spotify: https://open.spotify.com/show/0FrMNv17DqR2gEHfU9EndySiga o Horrorizadas Podcast no Bluesky: https://artrianon.com/2018/06/13/entenda-a-diferenca-entre-horror-e-terror/Leia a tese de doutorado Body-horror movies : Their emergence and evolution, de Shelley F. Baker:  https://shura.shu.ac.uk/19305/Assista ao vídeo O que é BODY HORROR? O que é HORROR CORPORAL? do Canal Fantasticursos: https://youtu.be/Ru9xmz6JdDY?si=vtz9cN7XseyfRfgZOuça o episódio sobre Kotoko do podcast Talk without Rhythm: https://tworpodcast.blogspot.com/2022/08/episode-631-vital-2004-and-kotoko-2011.htmlOuça o episódio sobre Kotoko do Horrorizadas Podcast: https://www.horrorizadas.com/post/037-kotokoNão percam o curso do Marcelo Müller sobre História do Cinema - 4 VanguardasExpressionismo Alemão + Neorrealismo Italiano + Nouvelle Vague francesa + Nova Hollywood   14, 21, 28 de outubro e 04 de novembroSegundas-feiras, das 18h30 às 21h30R$ 180,00 (pra quem já teve aula comigo)R$ 220 (aluno de primeira viagem)Inscrições: marcelo@papodecinema.com.br

The Ozploit Cast - Episode 20 '1987 Films': Dark Age, Pandemonium, Running From the Guns, The Time Guardian and Spirits of the Air, Gremlins of the Clouds with hosts Bede Jermyn, Super Marcey and guest Sam Inglis Continue reading →

This week Flick Ford is joined by guest reviewers, Silvi Vann Wall and Eloise Ross. Together they tackle the question: what happens when you revive a cult classic? Tim Burton's sequel Beetlejuice Beetlejuice is on the reviewing table for this episode, along with French erotic drama, Last Summer, directed by Catherine Breillat.Plus, Elyse from ACCA and Hudson from FFFA and Umbrella discuss Friday the 13th: Ozploitation at the Drive-In event at Lido Cinemas. Come geared for a mega-marathon of Australian gothic horrors… tickets are selling fast! Get them here.

Joe Lipsett of the Horror Queers podcast joins us for a Long Weekend (1978), where bickering couple Peter and Marcia venture out into the Australian wilderness for a camping trip they might not live to regret. Colin Eggleston's psychological thriller, written by Everett De Roche (of 'Patrick' and 'Razorback' fame), won prizes on the festival circuit and is fondly remembered by filmmakers like Quentin Tarantino, but it's been largely forgotten since. Does this Ozploitation revenge-of-nature horror deserve its day at the beach? Is it a quietly disturbing parable with a convincing air of growing existential dread, or is it a forgettable slog with two awful campmates and too much grotty symbolism? Find out! Follow Joe Lipsett on what was Twitter and Instagram, and check out his Youtube channel with Conrad, The Queer Gaze! Follow us on Tiktok, Facebook, Instagram and maybe what's left of Twitter, if it's still functioning. Support us on Patreon to nominate future films, vote on whether films should be released or thrown back, and access exclusive bonus content!

G'day mate! (Sorry) In this episode, we start a dive into Ozploitation flicks, AKA Australian Exploitation! From action to horror to whatever Dead End Drive-In is, we cover seven that we recently watched! Our Letterboxd: https://boxd.it/xJNmo Intro Music Composed by Hsiang-Ming Wen: ⁠⁠⁠⁠⁠⁠⁠⁠http://hmwen.com

Will and Matt screen a down under cult film classic about a bouncer getting out of the game, and discuss whether or not this oft sought film was "forgotten", "lost", or "purposely misplaced". It's time for... Black Neon!!DISCLAIMER: Language and Spoilers!!BLACK NEONdir. James Richardsstarring: Edward John Stazak; James Richards; Kristof Kaczmarek

Welcome back to another episode of The Video Store Podcast, your go-to spot for film recommendations. Today we're jetting off to Australia to uncover some wild and wonderful cult classics from Down Under. I hoped you packed some snacks, because you are in for a wild ride through Ozploitation cinema!First up on our list is Patrick (1978). This chilling thriller dives into the bizarre story of Patrick, a comatose hospital patient who possesses telekinetic powers. Directed by Richard Franklin, this eerie tale will keep you on the edge of your seat, proving that sometimes the mind can be the most dangerous weapon of all.Next, we switch gears with Dead End Drive-In (1986). Picture this: a post-apocalyptic future where a drive-in becomes a concentration camp for societal outcasts. It's a vibrant, neon-lit commentary on culture and youth in revolt, with plenty of action and anarchy to keep the adrenaline pumping.We can't talk about Australian cinema without mentioning The Man From Hong Kong (1975). This film is a high-octane blend of martial arts and police drama, featuring Jimmy Wang Yu as a tough-as-nails inspector on the trail of drug smugglers. With breathtaking stunts and a killer soundtrack, it's a must-watch for fans of action-packed cinema.Finally, we wrap up with Turkey Shoot (1982), also known as "Escape 2000." This dystopian nightmare offers a terrifying look at a totalitarian future where social deviants are hunted for sport. It's brutal, it's bloody, and it's a thrilling exploration of resistance and resilience.That's all for today's trip through the thrilling world of Australian cult cinema. Whether you're a fan of horror, action, or dystopian drama, these films offer something for everyone. Make sure to check them out, and join me next time at The Video Store Podcast for more hidden gems and classic films.Subscribe to the Video Store Podcast* The Video Store Podcast* Apple Podcast* RSS This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Mad Matt and Mad Eric head down under for pivotal "Ozploitation" flick MAD MAX, which would start an auteur-driven franchise that's still going strong today. Plus, news on Tarantino's tenth and final film, and reactions to the new DEADPOOL & WOLVERINE trailer...

Hang onto your slipcases because Alexei Toliopoulos (The Last Video Store) and Blake Howard (One Heat Minute) team up to unbox, unpack and unveil upcoming physical media releases. In this episode, we're discussing the Ozploitation masterpiece Dead End Drive-In Collector's Edition (1986)OZPLOITATION - The Shocking & Schlocking Cinema of Brian Trenchard-SmithBlake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & Total RebootJoin our Patreon for as little as $1 a month to receive our exclusive weekly podcasts ONE HOT TAKE and THE DECADE PROJECT and access to the OHM discord here.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sometimes the scariest creature is out there in the wild or living right in your house! In this episode, we're looking at some of the killer animals in the horror canon and how they relate to our experiences as humans. Includes discussions of Karen (2021), Baghead (2023), Night Swim (2024), The Beast (2023), The Birds (1963), Sssssss (1973), Grizzly (1976), Long Weekend (1978), Cujo (1983), Razorback (1984), Monkey Shines (1988), Piranha 3D (2010) and more. Follow us on Instagram and Facebook.Contact us at crystal@spookybitchgang.com and scott@spookybitchgang.com.

It's Aussie vs. Kiwi as Blake Howard (One Heat Minute Productions) and Elric Kane (Pure Cinema Podcast, Colors of the Dark) competitively / collaboratively rank the Top 7 OZPLOITATION films! Joining us Down Under are "Official Sponsor" Patron Chris Owens, and guest co-commish Alexei Toliopoulos! Special thanks to Chris for supporting the show and picking this rough and rowdy topic!

Episode 72 of Fangoria's COLORS OF THE DARK Elric and Bekah discuss new films THE SEEDING, SHE IS CONANN, HERE FOR BLOOD, NO WAY UP as well as some Ozploitation deep cuts & a breakdown of the books and graphic novels they've been reading.  The Duo are then joined by James A. Janisse & Chelsea Rebecca of the DEAD MEAT YouTube channel to discuss their successful KILL BY KILL series, horror podcasting and one of their favorite sub genres, Found Footage horror.

The last remnants of humanity, in an apocalyptic future, have sent an elite soldier into the past to prepare for their city's arrival from the future. Join us as we remake the ozploitation, science fiction, construction and excavation film where time travellers don't know how to hire contractors in The Time Guardian (1987).  Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes / Apple Podcasts. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. https://invasionoftheremake.wixsite.com/podcast Follow us on Twitter: @InvasionRemake Like and share us on Facebook, Instagram & Tik-Tok: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, PPE masks and other Invasion of the Remake swag at our TeePublic Store!

"The descendant of Elizabeth Bathory is abducted by a cult of blood-drinking, self-proclaimed supermen who want her to join them."We review the 1979 "Ozploitation" film, Thirst. Another 1979 Vampire offering and THIS time it's not DRACULA! WHO KNEW? This movie is worth a watch even if it's just for the vampire street cred. We didn't hate it but I'm sure in 1979 we would have loved it. (See our rant about survivorship bias)There's more from the Strange and Beautiful Network!Listen to Rachel, Kate, and Hannah discuss spicy books, serious books, and everything in between (but mostly spicy!). It's like sitting down with girl friends to chat about hot book boyfriends but in podcast format! Listen now at Feast, Sheath, Shatter: A Book Chat PodcastLove Movies, TV Shows and Books in the Fantasy, Scifi, and Horror genre and want to hear more? Check us out at The Strange and Beautiful Book Club where Rachel and her husband Matt discuss all things genre related.Longing for a simpler time in the police procedural genre AND love Vampires? Matt and Rachel also review the classic television show Forever Knight on their podcast, Come in 81 Kilo.You can also:Join us on Instagram here: ⁠⁠⁠https://www.instagram.com/strangeandbeautifulbookclub/⁠⁠⁠Join us on Patreon here: ⁠⁠⁠https://www.patreon.com/strangeandbeautifulbookclub⁠⁠⁠Find us on YouTube here: ⁠⁠⁠https://www.youtube.com/channel/UCz9ENwKdHrm57Qmu8L4WXwQ⁠⁠⁠ ★ Support this podcast on Patreon ★

"Captain, they're playing your song…”This week, we're doing something a little different - it's a brand new podcast-within-a-podcast! It's called Straight Up! and it's an opportunity for Tucker to share the films he loves with the people he loves… so he's brought in his old buddy J.P. Leck of the Endless Elsewhere to talk about this Ozploitation superhero musical! We're straight up talking about this movie's cast (including a deep dive on the oeuvre of star Alan Arkin), the musical numbers, and Christian Bale's accent!Find the great J.P. Leck and his work in the following places: Check out all things related to The Endless Elsewhere (from films to writings to merch) on Joseph's main website: https://endlesselsewhere.com @endlesselsewhere on Instagram @elsewhereworld on Twitter X @jpleck on Bluesky Check out Joseph's first feature-length film - Circle City Supernatural - on Amazon Prime or on BluRay! (And watch out for some performances from ya bois!)Wanna follow us on social media? Name Your Poison: @Disenfranchpod on Bluesky, Facebook, Instagram, Letterboxd, and YouTube Email us your thoughts or requests to disenfranchpod@gmail.com Rate and review us on Apple Podcasts and Spotify! Find Stephen at @ChewyWalrus on Bluesky, Instagram, and Letterboxd Find Brett at @sus_warlock on Instagram and Letterboxd or @suswarlock on Bluesky Find Tucker at @icenine09 on YouTube and Instagram and @tuck_mugs on Instagram Join our Patreon for exclusive bonus content, including our weekly What Are We Watching? show: https://patreon.com/Disenfranchpod

This week the boys converse about Amalgam Comics, burning books, and monkeys driving flying cars. And that is all before they even get into the plot of the movie. Hope you brought your appetite because we are about to gobble up 1982's Turkey Shoot. Warning…this is no film for chickens!Trailer: https://www.youtube.com/watch?v=qCg5cNqC31kIMDB: https://www.imdb.com/title/tt0082338/?ref_=tttg_ovLeave us a 30 second voicemail and if we like it we'll play it on the show: (949) 4-STABBY (949-478-2229)Like a book club but for dissecting obscure thriller, exploitation, and horror movies. Next movie announced every Wednesday. New episodes every Monday. Follow us on the things:Linktree: https://www.linktr.ee/stabbystabbyInstagram:  @stabbypod  https://www.instagram.com/stabbypod/Letterboxd:   https://boxd.it/dp1ACGet the shirt: https://www.big-other.com/shop/p/stabby-stabby-podcast-tee

On this episode, we discuss 1984's Dune. Meanwhile, Brandon is generally baffled, Jeff Bezos rips Lawrence off, Dan is so charmed by the film, and Rahul is charmed by a terrifying demon child. Plus, a special guest appearance from Lawrence's racist book. Recommendations Baldur's Gate 3 (2023) Celestine: The Living Saint by Andy Clark Talk to Me (2022, directed by Danny Philippou and Michael Philippou) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008, directed by Mark Hartley) What We Do in the Shadows (2019 onward, created by Jemaine Clement) The Short Stories of Theodore Sturgeon  Lao Gan Ma Fermented Soy Beans in Chili Oil Cautions New season of Futurama (2023, created by Matt Groening and David X. Cohen) Plug A big old kettlebell 

On this episode of They Live By Film, Adam, Chris, and Zach sit down to discuss two films by Ozploitation specialist, Brian Trenchard-Smith CHECK OUT OUR NEW YOUTUBE CHANNEL: https://www.youtube.com/@theylivebyfilm Adam's Letterboxd: https://letterboxd.com/TheOwls23/ Zach's Letterboxd: https://letterboxd.com/dharmabombs/ Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm

Let's get down to bizzo, shall we? This week The Searchers are joined by friend of the pod and fellow movie reviewer Nick Langdon to review the Australian film Roadgames from 1981. It stars Stacy Keach and Jamie-Lee Curtis and is directed by Richard Franklin. Tune in to be filled in to loads of information about Australian cinema since Mr. Langdon comes from down unda, mate. We had a great time discussing not only the film but Hitchcock references, Not Quite Hollywood: The Wild, Untold Story of Ozploitation!, Mad Max, and many more Aussie things. Don't worry, this one is sweet as. Find Nick's LB profile HERE and his substack HERE. Find WTM HERE, Eric's LB profile HERE, and Brett's LB profile HERE. Submit your mailbags to us at thesearcherspodcast@gmail.com. Please rate us a 5/5, and review us on Apple, Spotify, or wherever you listen to us. Thank you! Follow us on Letterboxd.com if you'd like to see what we've recently watched and to read our individual movie reviews! Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

In this week's episode, the FM3, get the hell out of Canada and find themselves in sunny Australia, the land of big bugs, jacked studs and ugly mugs! Well only ugly and jacked if you were one of the "actors" in the 1993 ozploitation film "Body Melt". For years the Forever Midnight Crew held high hopes that this movie would bring them a treasure trove of the grossest and goriest deaths to ever grace the silver screen. The holy grail if you will of juicy, slippery bodies turning into kangaroo stew movies.  But once again, Jef, Josh and Brian learn some hard lessons when it comes to getting their hopes up and how quickly their hopes can split open and turn to shit like an overcooked hot dog. Enjoy!

This week I'm joined by the host of Australia's favorite horror podcast (allegedly), Danny Boy, from THE CREEPY CRAP PODCAST for week 3 of Animal Attack Month. We're discussing the Ozploitation classic RAZORBACK. We also talk about the writer's strike, being a Nielsen family, and I embarrass myself again with my inability to deliver a convincing Australian accent. LET'S GO RICK OR TREATING!PODCAST:www.RickOrTreat.comINSTA: @RickOrTreatPodTHE CREEPY CRAP PODCAST (Guest Host):INSTA: @creepycrappodcastRICKY (Host):MY WRITING:www.Rue-Morgue.comwww.SpoilerFreeReviews.comINSTA: @rickrtreatLESTAT VON MONDLICHT (Music by):Youtube:https://www.youtube.com/@lestatvonmondlichtCRIMSON SOUL:Insta: @crimsonsoulofficialhttps://www.facebook.com/crimsonsoulofficialAFTER DARK (Band):https://www.facebook.com/afterdarkofficialuyhttps://www.instagram.com/afterdarkuyhttps://www.youtube.com/@afterdarkuyDROP BEAT EMPIRE (Electrogoth project):https://linktr.ee/dropbeatempireuy

Liv returns to the main feed to discuss the fantastically strange and ambitious Ozploitation slash prog rock film STUNT ROCK. Enjoy a truly vibrant and strange film reviewed by your two favs.Support this podcast at — https://redcircle.com/no-cartridge-audio/donationsAdvertising Inquiries: https://redcircle.com/brands

David “Gribs” Gribble grew up in Brisbane, AU and began studying photography at night school. He became a photo assistant, moved to Sydney, and found a job at a local film studio making commercials and low-budget movies. At the time, in the 1970's and '80's, Australia was experiencing a resurgence of its cinema, known as the Australian New Wave. The government provided tax incentives for ordinary people to invest in movies, and established the Australian Film, Television and Radio School. The country's film industry was jump started, and the genre known as Ozploitation was born. Gribs learned camera operating on the job. His first feature film was The Man From Hong Kong, followed by the Aussie cult classic race movie, Running On Empty. The film Monkey Grip won some awards, and Gribs was asked to shoot his first American movie, Off Limits, starring Willem Dafoe and Gregory Hines. He thinks that working with American actors was different than working with Australian actors- the Americans seemed to be more prone to distraction and sensitive about their appearance. Gribs learned to “light faces, not places” since that's where the dialog comes from, and flattering actors by telling them how great they look in a particular spot, to give them tools to make themselves look better on screen. He also learned that in lighting, it's better to work with a broad brush and shoot before you're ready- as a cinematographer, don't indulge yourself too much. The movie Cadillac Man was challenging to shoot for a few reasons. The movie takes place almost entirely in one location- at the car dealership. Gribs had to combat flat lighting up against the walls of the office, as well as dealing with reflections from shiny cars and large windows. Director Roger Donaldson shot take after take, because actor Robin Williams was constantly improvising off script. Gribs found him extremely funny, and says there was so much extra footage of Williams that was cut out, it could probably make another movie. Gribs also discusses working with Anthony Hopkins on The World's Fastest Indian, Jean-Claude Van Damme on The Quest and shooting the Jesse Stone movies starring Tom Selleck. Find David Gribble: Instagram @gribshott Sponsored by Hot Rod Cameras: www.hotrodcameras.com Sponsored by Aputure: https://www.aputure.com/ Sponsored by Greentree Creative: www.growwithgreentree.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

On Truth & Movies this week, Keanu Reeves is back in action as avenging assassin John Wick in the saga's fourth – and longest – instalment. Alexander Skarsgård has a very bad trip in Brandon Bronenberg's Infinity Pool; co-star Mia Goth joins us to discuss her busy year on the big screen. And continuing the theme of people having a bad time abroad, Ted Kotcheff's Ozploitation classic Wake in Fright gets a welcome run out in Film Club.Joining host Leila Latif are LWLies Digital Editor Hannah Strong and freelance journalist Meg Walters.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Todd is joined by The Vern from the Cinema Recall podcast to look at a film that brings together the best of Hong Kong kung fu cinema and Ozploitation action extravaganzas. Jimmy Wang Yu and George Lazenby star in 1975's The Man from Hong Kong.

We launch an entire month of Australian and Ozploitation classics with the 1971 psychological thriller Wake in Fright. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Twitter: twitter.com/FilmSeizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

The world of the Wasteland is the longest-running Australian film franchise we can think of, and for good reason. Though some of the films have waited literally decades for the right circumstances for them to be made, the original film and its sequel have had a marked and well-studied effect on Hollywood and the Australian cinema experience since its initial release. What kind of effects could Mad Max have had? Aside from releasing Mel Gibson into the world, that is? Join Holly and Matthew as they look into the film, its production, and the reasons behind it conception - and subsequent durability. Main Theme music – Kevin MacLeod"Slow Ticking Clock" – Kevin MacLeodUsed under a Creative Commons license.Sources cited: -- (1985) Tina Turner to Establish Self as Major Actress. 29 July. Jet Magazine. Accessed 23 December 2022. https://books.google.com.au/books?id=mLQDAAAAMBAJ&pg=PA30&redir_esc=y#v=onepage&q&f=false-- James McCausland biography, IMDB. Quotes. Accessed 23 December 2022. https://www.imdb.com/name/nm0565537/bio?ref_=nm_dyk_qt_sm#quotes --Mad Max, IMDB. Accessed 23 December 2022. https://www.imdb.com/title/tt0079501/ -- Mad Max 2 Trivia, IMDB. Accessed 23 December 2022. https://www.imdb.com/title/tt0082694/trivia?item=tr0761718Barra, A. (1999) Film - A Road Warrior is Still on a Roll. 15 August. Accessed 23 December 2022. https://web.archive.org/web/20141206003256/http://www.nytimes.com/1999/08/15/movies/film-a-road-warrior-is-still-on-a-roll.html Beale, L. (2015) Director George Miller talks 'Mad Max: Fury Road'. 8 May. Accessed 23 December 2022. https://www.newsday.com/entertainment/movies/mad-max-fury-road-director-george-miller-talks-c35571 Billington, A. (2009) Rumor: Mad Max 4 is Live Action, Scouting Locations Now? 18 May. Accessed 23 December 2022. https://www.firstshowing.net/2009/rumor-mad-max-4-is-live-action-scouting-locations-now/ Blankenship, M. (2020) The Maximum Force of The Future: Celebrating the Legacy of George Miller's Mad Max. 15 February. Accessed 23 December 2022. https://nofspodcast.com/the-maximum-force-of-the-future-celebrating-40-years-of-george-millers-mad-max Byrnes, P. (2022) George Miller. Accessed 23 December 2022. https://aso.gov.au/people/George_Miller_1/interview/Conterio, M. (2019) Mad Max: Constellations. 15 December. ISBN 9781911325864 Conterio, M. (2021) Throwback: Mad Max. 1 July. Accessed 23 December 2022. https://www.scifinow.co.uk/interviews/throwback-mad-max/ Eakin, M. (2022) George Miller Knows the Power of a Great Story. August 26. Accessed 23 December 2022. https://www.wired.com/story/george-miller-three-thousand-years-of-longing-q-a/Ebert, R. (1985). Mad Max Beyond Thunderdome. 10 July. Accessed 23 December 2022. https://web.archive.org/web/20060110130621/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19850710/REVIEWS/507100301/1023 Goudry, N. (2013) Namibia Film Commission disputes Mad Max 4 location filming damage claim. 7 March. Accessed 23 December 2022. https://web.archive.org/web/20150518065733/http://www.thelocationguide.com/blog/2013/03/ng-film-namibia-film-commission-disputes-mad-max-4-location-filming-damage-claim/ Hartley, M. (2008) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! Maher, D. (1979) We Need George Miller. 1 June. Accessed 23 December 2022. https://trove.nla.gov.au/newspaper/article/213732807 Massoto, E. (2022) ‘Furiosa': George Miller Casts Bullied Child Who Went Viral In ‘Mad Max' Prequel. 22 August. Accessed 23 December 2022. https://collider.com/furiosa-cast-quaden-bayles-viral-george-miller-mad-max/ Miller, G. (1971) Violence in Cinema Part 1. Accessed 23 December, 2022. https://www.youtube.com/watch?v=45Drn7HQmT8 Miller, G. (1979) Mad Max Trailer (Australian release). Accessed 23 December 2022. https://www.youtube.com/watch?v=Odsribz_gQ0 Miller, J. (2015) Tom Hardy Publicly Apologizes to Mad Max Director George Miller. 14 May. Accessed 23 December 2022. https://www.vanityfair.com/hollywood/2015/05/tom-hardy-mad-max-apology Morris, C. (2006) Mad Max is dead, says Gibson. 31 October. Accessed 23 December 2022. https://web.archive.org/web/20070326054758/http://www.moviehole.net/news/20061031_mad_max_is_dead_says_gibson.html Ratcliffe, J. (2012). A Step Back in Time with Mad Max 2. 27 July. Accessed 23 December 2022. https://web.archive.org/web/20150518184922/http://www.abc.net.au/local/videos/2012/07/27/3555167.htm Robinson, J. (2015). 8 Reasons Why Mad Max Is the Most Improbable Franchise of All Time. 15 May. Accessed 23 December 2022. https://www.vanityfair.com/hollywood/2015/05/mad-max-historyRoach, V. (2019). Mad Max stands the test of time on the 40th anniversary of its cinematic release. 6 April. Accessed 23 December 2022. https://www.heraldsun.com.au/news/victoria/mad-max-stands-the-test-of-time-after-40-years/news-story/e40952264728758001776a8d189b6857Rothkopf. J. (2015) Mad Max: Fury Road's George Miller on his post-apocalyptic classics and Mel Gibson. 11 May. Accessed 23 December 2022. https://www.timeout.com/film/max-max-fury-roads-george-miller-on-his-post-apocalyptic-classics-and-mel-gibson Soall, M. (2015) Mark Sexton Interview - OzComicCon 2015. 3 October. Accessed 23 December 2022. https://www.youtube.com/watch?v=ECKsiuF53PY Specter, M. (1982) Myths Shape a Movie from Australia. 15 August. Accessed 23 December 2022. https://web.archive.org/web/20150525072629/http://www.nytimes.com/1982/08/15/movies/myths-shape-a-movie-from-australia.html?pagewanted=2 Starburst (2015) George Miller at the MAD MAX FURY ROAD DVD Launch. Accessed 23 December 2022. https://www.starburstmagazine.com/features/george-miller-mad-max-dvd UPI (1983) Byron Kennedy, 33, Producer of Film, 'The Road Warrior'. 20 July. Accessed 23 December 2022. https://www.nytimes.com/1983/07/20/obituaries/byron-kennedy-33-producer-of-film-the-road-warrior.html

The world of the Wasteland is the longest-running Australian film franchise we can think of, and for good reason. Though some of the films have waited literally decades for the right circumstances for them to be made, the original film and its sequel have had a marked and well-studied effect on Hollywood and the Australian cinema experience since its initial release. What kind of effects could Mad Max have had? Aside from releasing Mel Gibson into the world, that is? Join Holly and Matthew as they look into the film, its production, and the reasons behind it conception - and subsequent durability. Main Theme music – Kevin MacLeod"Slow Ticking Clock" – Kevin MacLeodUsed under a Creative Commons license.Sources cited: -- (1985) Tina Turner to Establish Self as Major Actress. 29 July. Jet Magazine. Accessed 23 December 2022. https://books.google.com.au/books?id=mLQDAAAAMBAJ&pg=PA30&redir_esc=y#v=onepage&q&f=false-- James McCausland biography, IMDB. Quotes. Accessed 23 December 2022. https://www.imdb.com/name/nm0565537/bio?ref_=nm_dyk_qt_sm#quotes --Mad Max, IMDB. Accessed 23 December 2022. https://www.imdb.com/title/tt0079501/ -- Mad Max 2 Trivia, IMDB. Accessed 23 December 2022. https://www.imdb.com/title/tt0082694/trivia?item=tr0761718Barra, A. (1999) Film - A Road Warrior is Still on a Roll. 15 August. Accessed 23 December 2022. https://web.archive.org/web/20141206003256/http://www.nytimes.com/1999/08/15/movies/film-a-road-warrior-is-still-on-a-roll.html Beale, L. (2015) Director George Miller talks 'Mad Max: Fury Road'. 8 May. Accessed 23 December 2022. https://www.newsday.com/entertainment/movies/mad-max-fury-road-director-george-miller-talks-c35571 Billington, A. (2009) Rumor: Mad Max 4 is Live Action, Scouting Locations Now? 18 May. Accessed 23 December 2022. https://www.firstshowing.net/2009/rumor-mad-max-4-is-live-action-scouting-locations-now/ Blankenship, M. (2020) The Maximum Force of The Future: Celebrating the Legacy of George Miller's Mad Max. 15 February. Accessed 23 December 2022. https://nofspodcast.com/the-maximum-force-of-the-future-celebrating-40-years-of-george-millers-mad-max Byrnes, P. (2022) George Miller. Accessed 23 December 2022. https://aso.gov.au/people/George_Miller_1/interview/Conterio, M. (2019) Mad Max: Constellations. 15 December. ISBN 9781911325864 Conterio, M. (2021) Throwback: Mad Max. 1 July. Accessed 23 December 2022. https://www.scifinow.co.uk/interviews/throwback-mad-max/ Eakin, M. (2022) George Miller Knows the Power of a Great Story. August 26. Accessed 23 December 2022. https://www.wired.com/story/george-miller-three-thousand-years-of-longing-q-a/Ebert, R. (1985). Mad Max Beyond Thunderdome. 10 July. Accessed 23 December 2022. https://web.archive.org/web/20060110130621/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19850710/REVIEWS/507100301/1023 Goudry, N. (2013) Namibia Film Commission disputes Mad Max 4 location filming damage claim. 7 March. Accessed 23 December 2022. https://web.archive.org/web/20150518065733/http://www.thelocationguide.com/blog/2013/03/ng-film-namibia-film-commission-disputes-mad-max-4-location-filming-damage-claim/ Hartley, M. (2008) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! Maher, D. (1979) We Need George Miller. 1 June. Accessed 23 December 2022. https://trove.nla.gov.au/newspaper/article/213732807 Massoto, E. (2022) ‘Furiosa': George Miller Casts Bullied Child Who Went Viral In ‘Mad Max' Prequel. 22 August. Accessed 23 December 2022. https://collider.com/furiosa-cast-quaden-bayles-viral-george-miller-mad-max/ Miller, G. (1971) Violence in Cinema Part 1. Accessed 23 December, 2022. https://www.youtube.com/watch?v=45Drn7HQmT8 Miller, G. (1979) Mad Max Trailer (Australian release). Accessed 23 December 2022. https://www.youtube.com/watch?v=Odsribz_gQ0 Miller, J. (2015) Tom Hardy Publicly Apologizes to Mad Max Director George Miller. 14 May. Accessed 23 December 2022. https://www.vanityfair.com/hollywood/2015/05/tom-hardy-mad-max-apology Morris, C. (2006) Mad Max is dead, says Gibson. 31 October. Accessed 23 December 2022. https://web.archive.org/web/20070326054758/http://www.moviehole.net/news/20061031_mad_max_is_dead_says_gibson.html Ratcliffe, J. (2012). A Step Back in Time with Mad Max 2. 27 July. Accessed 23 December 2022. https://web.archive.org/web/20150518184922/http://www.abc.net.au/local/videos/2012/07/27/3555167.htm Robinson, J. (2015). 8 Reasons Why Mad Max Is the Most Improbable Franchise of All Time. 15 May. Accessed 23 December 2022. https://www.vanityfair.com/hollywood/2015/05/mad-max-historyRoach, V. (2019). Mad Max stands the test of time on the 40th anniversary of its cinematic release. 6 April. Accessed 23 December 2022. https://www.heraldsun.com.au/news/victoria/mad-max-stands-the-test-of-time-after-40-years/news-story/e40952264728758001776a8d189b6857Rothkopf. J. (2015) Mad Max: Fury Road's George Miller on his post-apocalyptic classics and Mel Gibson. 11 May. Accessed 23 December 2022. https://www.timeout.com/film/max-max-fury-roads-george-miller-on-his-post-apocalyptic-classics-and-mel-gibson Soall, M. (2015) Mark Sexton Interview - OzComicCon 2015. 3 October. Accessed 23 December 2022. https://www.youtube.com/watch?v=ECKsiuF53PY Specter, M. (1982) Myths Shape a Movie from Australia. 15 August. Accessed 23 December 2022. https://web.archive.org/web/20150525072629/http://www.nytimes.com/1982/08/15/movies/myths-shape-a-movie-from-australia.html?pagewanted=2 Starburst (2015) George Miller at the MAD MAX FURY ROAD DVD Launch. Accessed 23 December 2022. https://www.starburstmagazine.com/features/george-miller-mad-max-dvd UPI (1983) Byron Kennedy, 33, Producer of Film, 'The Road Warrior'. 20 July. Accessed 23 December 2022. https://www.nytimes.com/1983/07/20/obituaries/byron-kennedy-33-producer-of-film-the-road-warrior.html

The world of the Wasteland is the longest-running Australian film franchise we can think of, and for good reason. Though some of the films have waited literally decades for the right circumstances for them to be made, the original film and its sequel have had a marked and well-studied effect on Hollywood and the Australian cinema experience since its initial release. What kind of effects could Mad Max have had? Aside from releasing Mel Gibson into the world, that is? Join Holly and Matthew as they look into the film, its production, and the reasons behind it conception - and subsequent durability. Main Theme music – Kevin MacLeod"Slow Ticking Clock" – Kevin MacLeodUsed under a Creative Commons license.Sources cited: -- (1985) Tina Turner to Establish Self as Major Actress. 29 July. Jet Magazine. Accessed 23 December 2022. https://books.google.com.au/books?id=mLQDAAAAMBAJ&pg=PA30&redir_esc=y#v=onepage&q&f=false-- James McCausland biography, IMDB. Quotes. Accessed 23 December 2022. https://www.imdb.com/name/nm0565537/bio?ref_=nm_dyk_qt_sm#quotes --Mad Max, IMDB. Accessed 23 December 2022. https://www.imdb.com/title/tt0079501/ -- Mad Max 2 Trivia, IMDB. Accessed 23 December 2022. https://www.imdb.com/title/tt0082694/trivia?item=tr0761718Barra, A. (1999) Film - A Road Warrior is Still on a Roll. 15 August. Accessed 23 December 2022. https://web.archive.org/web/20141206003256/http://www.nytimes.com/1999/08/15/movies/film-a-road-warrior-is-still-on-a-roll.html Beale, L. (2015) Director George Miller talks 'Mad Max: Fury Road'. 8 May. Accessed 23 December 2022. https://www.newsday.com/entertainment/movies/mad-max-fury-road-director-george-miller-talks-c35571 Billington, A. (2009) Rumor: Mad Max 4 is Live Action, Scouting Locations Now? 18 May. Accessed 23 December 2022. https://www.firstshowing.net/2009/rumor-mad-max-4-is-live-action-scouting-locations-now/ Blankenship, M. (2020) The Maximum Force of The Future: Celebrating the Legacy of George Miller's Mad Max. 15 February. Accessed 23 December 2022. https://nofspodcast.com/the-maximum-force-of-the-future-celebrating-40-years-of-george-millers-mad-max Byrnes, P. (2022) George Miller. Accessed 23 December 2022. https://aso.gov.au/people/George_Miller_1/interview/Conterio, M. (2019) Mad Max: Constellations. 15 December. ISBN 9781911325864 Conterio, M. (2021) Throwback: Mad Max. 1 July. Accessed 23 December 2022. https://www.scifinow.co.uk/interviews/throwback-mad-max/ Eakin, M. (2022) George Miller Knows the Power of a Great Story. August 26. Accessed 23 December 2022. https://www.wired.com/story/george-miller-three-thousand-years-of-longing-q-a/Ebert, R. (1985). Mad Max Beyond Thunderdome. 10 July. Accessed 23 December 2022. https://web.archive.org/web/20060110130621/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19850710/REVIEWS/507100301/1023 Goudry, N. (2013) Namibia Film Commission disputes Mad Max 4 location filming damage claim. 7 March. Accessed 23 December 2022. https://web.archive.org/web/20150518065733/http://www.thelocationguide.com/blog/2013/03/ng-film-namibia-film-commission-disputes-mad-max-4-location-filming-damage-claim/ Hartley, M. (2008) Not Quite Hollywood: The Wild, Untold Story of Ozploitation! Maher, D. (1979) We Need George Miller. 1 June. Accessed 23 December 2022. https://trove.nla.gov.au/newspaper/article/213732807 Massoto, E. (2022) ‘Furiosa': George Miller Casts Bullied Child Who Went Viral In ‘Mad Max' Prequel. 22 August. Accessed 23 December 2022. https://collider.com/furiosa-cast-quaden-bayles-viral-george-miller-mad-max/ Miller, G. (1971) Violence in Cinema Part 1. Accessed 23 December, 2022. https://www.youtube.com/watch?v=45Drn7HQmT8 Miller, G. (1979) Mad Max Trailer (Australian release). Accessed 23 December 2022. https://www.youtube.com/watch?v=Odsribz_gQ0 Miller, J. (2015) Tom Hardy Publicly Apologizes to Mad Max Director George Miller. 14 May. Accessed 23 December 2022. https://www.vanityfair.com/hollywood/2015/05/tom-hardy-mad-max-apology Morris, C. (2006) Mad Max is dead, says Gibson. 31 October. Accessed 23 December 2022. https://web.archive.org/web/20070326054758/http://www.moviehole.net/news/20061031_mad_max_is_dead_says_gibson.html Ratcliffe, J. (2012). A Step Back in Time with Mad Max 2. 27 July. Accessed 23 December 2022. https://web.archive.org/web/20150518184922/http://www.abc.net.au/local/videos/2012/07/27/3555167.htm Robinson, J. (2015). 8 Reasons Why Mad Max Is the Most Improbable Franchise of All Time. 15 May. Accessed 23 December 2022. https://www.vanityfair.com/hollywood/2015/05/mad-max-historyRoach, V. (2019). Mad Max stands the test of time on the 40th anniversary of its cinematic release. 6 April. Accessed 23 December 2022. https://www.heraldsun.com.au/news/victoria/mad-max-stands-the-test-of-time-after-40-years/news-story/e40952264728758001776a8d189b6857Rothkopf. J. (2015) Mad Max: Fury Road's George Miller on his post-apocalyptic classics and Mel Gibson. 11 May. Accessed 23 December 2022. https://www.timeout.com/film/max-max-fury-roads-george-miller-on-his-post-apocalyptic-classics-and-mel-gibson Soall, M. (2015) Mark Sexton Interview - OzComicCon 2015. 3 October. Accessed 23 December 2022. https://www.youtube.com/watch?v=ECKsiuF53PY Specter, M. (1982) Myths Shape a Movie from Australia. 15 August. Accessed 23 December 2022. https://web.archive.org/web/20150525072629/http://www.nytimes.com/1982/08/15/movies/myths-shape-a-movie-from-australia.html?pagewanted=2 Starburst (2015) George Miller at the MAD MAX FURY ROAD DVD Launch. Accessed 23 December 2022. https://www.starburstmagazine.com/features/george-miller-mad-max-dvd UPI (1983) Byron Kennedy, 33, Producer of Film, 'The Road Warrior'. 20 July. Accessed 23 December 2022. https://www.nytimes.com/1983/07/20/obituaries/byron-kennedy-33-producer-of-film-the-road-warrior.html

When many people think of Australia in the 1960s, they picture an era of protests, sexual exploration and counter-revolutions staged namely by what we now call "The Baby Boomer Generation", who began Australia's first timid steps towards cultural maturity. These Australians began exercising their influence against restrictive legislation, outdated morality and social issues within Australian society, which is exactly the opposite of what their generation stands for now. Cinema around the world was transitioning from big studio led productions to an "Auteur director"-led model. Young experimental film makers with a little cash and a lot of spirit began to make the movie industry their own. Their creativity was influenced by anti-government sentiment after the disastrous results of the Vietnam War, the second wave feminist movement, and the push for the acceptance of the homosexual community. Young Australian film makers were watching, taking notes and preparing for their first steps into the industry. Join Holly and Matthew as they talk Australian New Wave Cinema/Ozploitation, the genre, the heavy hitters, and where the industry would go from here...

When many people think of Australia in the 1960s, they picture an era of protests, sexual exploration and counter-revolutions staged namely by what we now call "The Baby Boomer Generation", who began Australia's first timid steps towards cultural maturity. These Australians began exercising their influence against restrictive legislation, outdated morality and social issues within Australian society, which is exactly the opposite of what their generation stands for now. Cinema around the world was transitioning from big studio led productions to an "Auteur director"-led model. Young experimental film makers with a little cash and a lot of spirit began to make the movie industry their own. Their creativity was influenced by anti-government sentiment after the disastrous results of the Vietnam War, the second wave feminist movement, and the push for the acceptance of the homosexual community. Young Australian film makers were watching, taking notes and preparing for their first steps into the industry. Join Holly and Matthew as they talk Australian New Wave Cinema/Ozploitation, the genre, the heavy hitters, and where the industry would go from here...

As the world exited the Swinging 60s, Australia was looking to their own people for inspiration in the world of the cinema landscape. There were lots of American films to go see, European films were all the rage, but there was something missing from the world of Australian cinemas - the Australian.The Naked Bunyip was the first truly Australian film released to this country, as recent as 1970. It wasn't an easy ride for the director and his team, however, and to celebrate their achievement, we're going to have a long look into what made The Naked Bunyip so popular, so controversial, and so morally grey. Warning: This program contains Nude Sex Scenes; Lewd Humour; and a naked dancing bunyip. Viewer discretion is advised.

Paul Murphy is back for another deep dive into Aussie Cinema and Ozploitation with a discussion of Philippe Mora's 'Howling III: The Marsupials' (1987). #Sponsored Use Promo Code WRONGREEL at manscaped.com Subscribe to Paul Murphy's YouTube Channel:  https://www.youtube.com/c/ThePremierePro/featured Follow Paul Murphy on Twitter: https://twitter.com/PawlMerfy Follow Me on Twitter: https://twitter.com/WrongReel Wrong Reel T-Shirts for Sale: teespring.com/stores/wrong-reel

Y'all ever see that movie where Australian bikers face off against an Italian Nitemare Feddy aboard a lavish train in 1930s America? Oh, maybe that was actually three different movies. Maybe the three our Patreon pals picked for us this week. Up first! We board a cross-country train with John Barrymore and Carole Lombard in the knee-slapping screwball yarn Twentieth Century (from 1934), directed by Howard Hawks and picked by Listener Luke! Next up! We head on over to Australia with a buncha sleazy bikers and a skeezy copper in 1974's Stone, a bonafide Ozploitation classic from a dude who sadly never directed anything else & picked by the legendary Expat Elise! Finally! Of course, it's 1990's Night Killer, a movie that is neither a Texas Chainsaw nor a Nightmare on Elm St, no matter what Claudio Fragasso and Eric from Nashville tell ya! All this plus sweaty men stewing in their juices and smelling burnt turds, the home decor repor(t), the fireworks reporks, Parker's an Otaku Son of a Bitch, yes Sean does say the word 'jazz' at least once, Sweetman's Wrestlechats, bogus Clue boardgames make Kevin wanna puke, a dangerous political sidebar, the Carole Lombard Repord, there's no wrong way to enjoy Troll 2, nerd news and even more! Recorded live-to-tape on Buttered Corn Day, 2022!! Direct Donloyd HereGot a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION!Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll saddle up with the Grave Diggaz for your love and support. With picks like these, you GOTTA #DonloydNow and listen in!

Patrick and Adam Riske celebrate Junesploitation Cars! day with an Ozploitation classic. Download this episode here. (31.5 MB) Listen to F This Movie! on Spotify and on Apple Podcasts.Also discussed this episode: The Bob's Burgers Movie (2022), Crimes of the Future (2022), Apollo 13 (1995), Terminal Velocity (1994), True Lies (1994), Going the Distance (2010)