Podcasts about camus

Cet épisode avec Maud Bailly est sans doute l'un de ceux qui m'a le plus chamboulée. Derrière son parcours hors norme, j'ai découvert une femme extraordinaire.Inspectrice des finances, en passant par cheffe de gare à la SNCF, directrice du digital puis dirigeante dans l'hôtellerie de luxe… rares sont les trajectoires aussi inattendues et audacieuses que celle de Maud Bailly.Aujourd'hui à la tête de Sofitel, MGallery et Emblems au sein du groupe Accor, Maud n'a jamais suivi un plan de carrière parfaitement tracé. Elle a avancé au gré des rencontres, de sa curiosité et de son goût pour le terrain et l'humainMaud nous parle de la peur et de la nécessité de ne pas la laisser prendre les décisions à notre place. On parle aussi de la vulnérabilité, qui n'affaiblit pas les dirigeants mais les rend plus humains. Et de cette conviction que j'aime particulièrement : la vie a souvent plus d'imagination que nous.Ce qui m'a frappée chez Maud, c'est son authenticité désarmante et son humilité, elle qui cite Camus aussi naturellement qu'elle raconte ses ratés. Restez d'ailleurs jusqu'au bout : elle nous livre une anecdote absolument hilarante.Une belle leçon de leadership et de liberté.Bonne écoute ✨Chapitrage 00:00 Introduction01:00 La peur, notre pire ennemie06:25 Accompagner le doute, entre bienveillance et exigence18:32 L'authenticité et un parcours tout sauf linéaire31:36 Rester connectée au terrain, du digital à l'hôtellerie39:46 L'anecdote la plus improbable et son enfance dans les mots48:50 Le crible du Podcast1:04:24 Les livres recommandés par Maud BaillyNotes et références de l'épisode ✨ Pour retrouver Maud Bailly :LinkedIn✨ Sont également cités dans l'épisode :Le groupe Accor et ses marques Sofitel, MGallery et Emblems, qu'elle dirigeLa SNCF, où elle a été cheffe de gare à Paris-Montparnasse✨ Pour retrouver les livres cités par Maud Bailly :L'Homme révolté, d'Albert CamusLe Premier Homme, d'Albert CamusCyrano de Bergerac, d'Edmond RostandLe Soleil des Scorta, de Laurent Gaudé✨Les citations de l'épisode :« La vraie générosité envers l'avenir consiste à tout donner au présent. » Albert Camus« La vie a plus d'imagination que nous. » la maman de Maud BaillyHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

In our series about how twentieth-century philosophy and biography intersect, David talks to philosopher Alex Carter about the life of Albert Camus, novelist, playwright, journalist, celebrity and public intellectual. What makes Camus a philosopher as well? How was he shaped by his Algerian background? Does it make sense to call him an absurdist? How did he try to reconcile the very different parts of his extraordinary life? You can find out everything you need to know about this podcast – who we are, what we do, plus upcoming events and full lists of all episodes including PPF+ bonus episodes on our website https://www.ppfideas.com Next time in The Lives of the Philosophers: J. L. Austin They can't harm you, if they can't find you! Use code ppf at the link below  and get 60% off annual plans: ⁠https://incogni.com/ppf Learn more about your ad choices. Visit podcastchoices.com/adchoices

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

Se prepare para tirar as crianças da sala, porque o sangue correu solto no Santuário! Assistimos e comentamos o icônico Episódio 62, que encerra a épica batalha de Hyoga de Cisne contra Milo de Escorpião. Além do clímax dramático e do despertar do Sétimo Sentido, debatemos os bastidores técnicos da animação e as piadas mais hilárias que cercam esse episódio clássico! Neste vídeo, você vai conferir: Censura nos Anos 90: Lembramos como esse episódio era violento, com o sangue de Hyoga jorrando como uma verdadeira cachoeira e Milo pisando no sangue dele. Uma cena pesadíssima para a TV aberta da nossa infância! Camus e Milo Fofoqueiros: Rimos muito da "versão comentada" da luta. Para o Milo saber tantos detalhes da vida de Hyoga, o Camus com certeza passou no Templo de Escorpião para fazer uma fofoca de meia hora e contar que afundou o navio da mãe do pupilo! A Polêmica do Traço: Analisamos o trabalho do diretor de animação de Shizuo Kawai. Embora seu estilo seja mais corpulento, musculoso e destoe do padrão delicado de Shingo Araki (lembrando bastante Hokuto no Ken ou Jojo), debatemos como essa arte crua e sangrenta casou perfeitamente com a brutalidade da luta. Hyoga, o "Donzelo" de Bronze: Deixamos o clubismo de lado e criticamos a postura mimada de Hyoga. Ele desiste fácil, não quer largar o "encosto" do cadáver da mãe e está SEMPRE sendo carregado nos braços ou amparado por algum amigo. A Redenção de Milo: Exaltamos a maravilhosa atitude de Milo. Ao reconhecer o valor de Hyoga, ele decide salvá-lo parando o sangramento, provando ser um dos Cavaleiros de Ouro com mais personalidade e livre-arbítrio da franquia. Você acha que o traço desse episódio é feio ou combina com o clima violento? E o Hyoga mereceu levar as 15 agulhadas por ser tão dramático? Deixe seu comentário e vamos debater! ACESSE Blog: http://podcastsaintseiya.blogspot.com.brSimpleCast: http://simplecast.com/PodcastSaintSeiyaFeed: http://feeds.feedburner.com/podcastsaintseiyaDiscord: https://discordapp.com/invite/T9JVaWS

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

We live in an age with a curiously cheerful relationship to failure.  But that optimism was built for a world that no longer quite exists. For three generations now, doing everything right-- getting an education,  holding down a full-time job, following the sensible plan--  has stopped reliably buying a house or a secure retirement. When a single failure can be genuinely ruinous, the advice to dust yourself off and "fail fast, fail forward, fail better"  starts to sound like a privilege reserved for those who can already afford it.So what actually is failure? Who who sets the standard?  Is failure really as generative as we like to tell ourselves,  or is that a comforting story that only holds up when the stakes are low? Can a person fail at life, or only in it? And if our failures have become so devastating that no one dares risk them, is the fix a better attitude toward failing, or a world that stops punishing people so severely for it?This week, we take seriously the possibility that our growing dread of failure is  a rational response to a world that has made failing unaffordable. The real answer, we suggest, may be less about how to fail better and more about how to build a world where other people's failures aren't so ruinous.Grab a drink and join us as we fail our way through Beckett, Nietzsche, Kierkegaard, and Camus toward some clearer sense of what it means to fall short — and toward imagining Sisyphus, if not happy, then at least clear-eyed.Full episode notes available at this link:https://hotelbarpodcast.com/podcast/failure---------------------SUBSCRIBE to the podcast now to automatically download new episodes!SUPPORT Hotel Bar Sessions podcast on Patreon here! (Or by contributing one-time donations here!)BOOKMARK the Hotel Bar Sessions website here for detailed show notes and reading lists, and contact any of our co-hosts here.Hotel Bar Sessions is also on Facebook, YouTube, BlueSky, Instagram, and TikTok. Like, follow, share, duet, whatever... just make sure your friends know about us! ★ Support this podcast on Patreon ★

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

Camus' early play Caligula belongs in the same group as his other two works of this period, The Myth of Sisyphus and The Stranger. But in its own way, it is particularly relevant today! ... Check out my new books! This one is called: The Last Human: How Technology is Changing What it Means to be Humanhttps://www.amazon.com/Last-Human-Technology-Changing-Means/dp/1069510831/  

Pour Michel Serres, elle était une « sainte laïque ». Camus portait toujours sur lui une photo d'elle, Bernanos une lettre qu'elle avait écrite sur la guerre d'Espagne. Pour le 100ème anniversaire de sa naissance, Régis Burnet exhume la philosophe Simone Weil, en compagnie de Christiane Rancé, écrivain, et Martin Steffens, professeur de Philosophie. Portrait d'une femme assoiffée de vérité qui associa avec démesure : combat politique, vision philosophique et pratique mystique. Emission du 18 octobre 2009.

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

เคยหงุดหงิดกับงานที่ซ้ำซาก จำเจ วนลูปทุกวัน แล้วดูเหมือนว่างานนั้นจะดำเนินไปอย่างไม่สิ้นสุดบ้างไหม? ความหงุดหงิดที่เกิดขึ้นนี้อาจเป็นสิ่งที่คนทำงานไม่น้อยล้วนประสบพบเจอในชีวิตประจำวัน แต่รู้ไหมว่าปัญหานี้ไม่ได้เพิ่งเกิดขึ้น และมีนักปรัชญาชาวฝรั่งเศษได้ขบคิดหาคำตอบกับมันมาก่อนหน้านี้แล้ว  . อัลแบร์ กามูส์ (Albert Camus) จะเปลี่ยนงานที่ไร้ความหมายให้กลายเป็นงานที่มีค่าแม้จะต้องทำมันซ้ำๆ ไปทุกวันได้อย่างไร? ติดตามได้ในพอดแคสต์ 5M EP. นี้ . . #goodtime #5minutespodcast #missiontothemoonpodcast 

เคยหงุดหงิดกับงานที่ซ้ำซาก จำเจ วนลูปทุกวัน แล้วดูเหมือนว่างานนั้นจะดำเนินไปอย่างไม่สิ้นสุดบ้างไหม? ความหงุดหงิดที่เกิดขึ้นนี้อาจเป็นสิ่งที่คนทำงานไม่น้อยล้วนประสบพบเจอในชีวิตประจำวัน แต่รู้ไหมว่าปัญหานี้ไม่ได้เพิ่งเกิดขึ้น และมีนักปรัชญาชาวฝรั่งเศษได้ขบคิดหาคำตอบกับมันมาก่อนหน้านี้แล้ว  . อัลแบร์ กามูส์ (Albert Camus) จะเปลี่ยนงานที่ไร้ความหมายให้กลายเป็นงานที่มีค่าแม้จะต้องทำมันซ้ำๆ ไปทุกวันได้อย่างไร? ติดตามได้ในพอดแคสต์ 5M EP. นี้ . . #goodtime #5minutespodcast #missiontothemoonpodcast 

Nihilism is not the same as apathy Why nihilism can become a justification for inaction The pain and personal cost of continuing to care How information overload creates paralysis Why the systems feeding us outrage benefit from our inaction Turning down global noise without abandoning social responsibility Why meaningful action is usually local Art-making as an antidote to reactivity and overwhelm Becoming generative rather than merely responsive The controversy around casting choices in The Odyssey Why audiences increasingly approach art as propaganda The artist's job is not to reinforce conclusions we already hold How propaganda sacrifices craft to deliver its message Why much so-called religious art is actually political propaganda Beauty as an invitation into discomfort, growth, and transformation Why “wokeness” and “anti-wokeness” are both too small for what art can do Links For Justin:Read Justin's SubstackOrder In The Low - NEW Book with Scott EricksonCoaching with JustinOrder In Rest - New Book of PoemsOrder Sacred StridesJustinMcRoberts.comSupport this podcastNEW Single - Let GoNEW Music - Sliver of HopeNEW Music - The Dood and The BirdThe Book - It Is What You Make itHearts and Minds Amazon Barnes and Noble

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

You're at a party. Someone hands you a drink and asks the most unavoidable question there is: so, what do you do? Notice what happens next. They asked what you do, and you're about to answer with what you are. Nobody says "I do medicine." We say "I am a doctor." So what happens to "I am my job" when AI starts doing your job? That question is bigger than "will a robot replace me." It's: who do you become if it does? To get there, I bring in a king condemned to push a boulder uphill forever, then Camus on why happiness doesn't have to wait for meaning, Arendt on the difference between doing the dishes and building a cathedral, and Hegel on why a kid throwing stones into a pond is doing something profound. Where I stand: I've spent more than ten years building AI products, so this is not an episode about the machines coming for us. It's a question my own industry doesn't ask often enough. I close on three questions no machine can answer for you. Sit with them this week, and the next time someone hands you a drink and asks what you do, your answer won't be a job title. More questions between episodes, in my newsletter: https://www.linkedin.com/newsletters/the-french-philosopher-7216970073071104001/

Jaap Jansen en PG Kroeger lazen vijf zeer interessante boeken en bekeken een magnifieke film. De zomerboeken zitten vol ideeëngeschiedenis en politieke conflicten gedurende vele eeuwen. Met persoonlijke verhalen, portretten, onthullingen en worstelingen met democratie, dictatuur, geloof en tolerantie. *** Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! De film De Gaulle: Résistance draait vanaf 6 augustus 2026 in de bioscoop Steun Greenpeace in de strijd tegen onherstelbare schade door diepzeemijnbouw. Teken de brief aan het kabinet-Jetten Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend ons een mailtje en wij zoeken contact. *** 1) Willem van Oranje, Apologie – Vertaald en ingeleid door René van Stipriaan (Querido Facto) Prachtig bezorgd boek door René van Stipriaan neemt de lezer mee op reis door het leven, werken en denken van 'de Zwijger' in de jaren tussen1540 en 1580. Geen andere leider in onze streken publiceerde ooit zo'n persoonlijke verantwoording van zijn politiek, filosofie, strategische en spirituele keuzen. Vanaf zijn tienertijd speelt hij een prominente rol in de aristocratie van Europa, opgevoed en als prins gevormd door de absolute elite van de machtigste familie, de Habsburgers. Keizer Karel en diens zus Maria van Hongarije blijven zijn rolmodellen. Juist daarom keert hij zich af van ‘de tirannie die mij mijn hart doorwondt'. Oranje kiest tegen bruut geweld en onderdrukking en voor de vrijheden van de Nederlanden. Apologie is een uitdagend en gedurfd boek. Hij richt zich tot de Staten-Generaal, de bevolking in den brede en heel de Europese elite. Hij bepleit vreedzame matiging en beginselvastheid, ook tegen al te felle calvinisten en allereerst tegen het Spaans bewind, dat het beleid van zijn rolmodellen had verraden. De toon, ironie, felheid en scherpte van zijn redeneringen laten ons merken waarom hij destijds zo bekend was als briljant redenaar. Oranje is in dit boek zijn eigen memoires-auteur, politiek spindoctor, spiritueel filosoof en vurig bepleiter van de vrijheid van geweten, burgerrechten en tolerantie van verschillen tussen overtuigingen en beginselen. 2) Peter Longerich – Onwillige Volksgenoten (Hollands Diep) De propaganda en de decoratie van het Nazibewind kennen we. Maar wat dachten de mensen die in de bioscoop de Wochenschau zagen en Leni Riefenstahls films eigenlijk zelf? Longerich dook in diepe, uitvoerige bronnen en schetst de 'Stimmunggeschichte' van het Duitse volk in de Nazitijd. Een tijdsbeeld als zelden vertoond met feiten en analyses van de 'stemming onder de mensen' van Beieren tot Bremen. Boeren blijken ontgoocheld door het opgelegde productiebeleid en zien hun dagloners en masse wegvluchten. Arbeiders zien de armoede van de crisis welbewust voortduren. Massaal klagen burgers over partijmanifestaties en 'vrijwillige’ donaties. Al heel vroeg - rond 1935 - is oorlogsangst dominant. Met heftige conflicten tussen het regime en gelovigen. Kerken werden verzetshaarden, Hitler durfde nooit hard door te pakken. Propaganda-triomfen als de Olympiade konden angst en wegkijken niet verdrijven. Het boek biedt bovendien een verfijnd stuk 'bureaucratie-geschiedenis'. Want het was niet vanzelfsprekend om die 'stemmingen en indrukken' in een dictatuur zonder meer door te spelen naar boven. Hoe de Duitse ambtenaren hun rol als rapporteurs inkleedden, hoe zij boodschappen verpakten, de feiten niet konden verhullen, dus dan maar in balans brachten laat Longerich ook zien. Heel herkenbaar, zeker als je zulke patronen ook nu aanschouwt in Poetins Rusland of Trumps MAGA-sfeer. 3) Auke Kok – Mussert (Hollands Diep) Auke Koks biografie is rijk en onthullend. Hij slaagt erin een politiek onbenul, een onaantrekkelijke hoofdpersoon toch heel boeiend te maken. Mussert was een antiparlementair en autoritair techneut. Collega's brachten hem Mussolini's fascisme bij, ook een regime dat verzot was op moderne techniek en autoritair optreden. En Indische kringen zorgden voor een racistisch superioriteitsaffect. Dat werd de politieke brug naar de nazi-ideologie. Nederlanders verdienden in het Germaanse wereldrijk een eigen, machtige plaats naast Hitlers ariërs, meende hij. De NSDAP-leiding zag dat toch wat anders en Arthur Seyss Inquart noteerde dat Mussert geen sieraad was voor het naziregime. Integendeel. Hij was koppig, had geen mensenkennis, werd door de bevolking geen leidersfiguur maar een landverrader gevonden en Mussert voerde een beroddelde levenswandel. Tot in zijn proces na de bevrijding klopte hij zich op de borst voor zijn moed tegenover de Duitsers. Hij had immers Neerlands lot van annexatie zoals Oostenrijk of Sudetenland verhinderd, daar zou hij uiteindelijk een standbeeld voor krijgen, dacht hij. 4) Willem de Bruin – Ontspoord (Atlas Contact) Hoe ondergaat een samenleving en haar politiek bestel een overweldigende technologisch revolutie? Ontspoord gaat over de komst en dominantie van de allernieuwste industriële mobiliteit - de spoorwegen - maar heel dat verhaal over de 19e eeuw gaat over deze tijd. De opmars van het internet en de actuele AI-revolutie komen steeds in je hoofd op bij het lezen van het fascinerende tijdsbeeld van het destijds arme en achterop lopende Nederland na 1830. Ideologische principes over de publieke zaak en particuliere taken domineerden het debat. Maar dat spoorwegen een heel eigen organisatie van technologische finesse, lange termijn investeringen en sociale sturing vereisten zagen velen pas laat. De liberaal Thorbecke maakte een zwenking naar overheidssturing. Abraham Kuyper zag de geheel nieuwe infrastructuur als een staatstaak die God had opgedragen. Bismarck vond het een strategisch netwerk van zo'n geopolitieke betekenis, dat het nimmer aan ondernemers overgelaten kon worden. De Eerste Wereldoorlog bewees zijn gelijk, ook in ons land. In 1937 waren de NS een feit, uiteindelijk. De discussie - zelfs de 19e-eeuwse - stond nadien niet stil. Paars overwoog heel even de NS naar de Beurs te brengen. De actuele dreiging in Europa en de NAVO-planning bewijzen nogmaals Bismarcks profetische blik. 5] Bastiaan Rijpkema & Bart Schreuders (red.) – Tolerantiedenkers (Prometheus) Is er een actueler, indringender thema dan de verhouding tussen democratie en tolerantie en de vele misverstanden over wat tolerantie eigenlijk is? Dit boek biedt twintig portretten van onmisbare denkers - vooral een soort ideeënschets - van Plato tot Chantal Mouffe en Barbara Skarga. Bekende namen komen langs, waarbij hun soms verrassende gedachten over ruimdenkendheid en geslotenheid centraal staan. Tocqueville natuurlijk, Spinoza, Machiavelli, Popper, Camus en Erasmus uiteraard. Het boek is niet te missen doordat er mensen aan het woord komen die niet elke dag over de tong gaan, maar bijzonder inspirerend zijn. Nicolaus Cusanus (1401 – 1464) uit een wijndorp aan de Moezel bijvoorbeeld. In de 15e eeuw een essentieel diplomaat en geleerde die door heel Europa reisde. Hij betoogde dat als God oneindig is en één, dan de mens dit nooit zal bevatten. Mensen zullen een eigen, onvolmaakt idee van die 'Heilige Wijsheid' - inderdaad, Hagia Sophia - ontwikkelen, beseffend dat zij 'wetende onwetenden' zijn. Alle reden dus tot intensieve, tolerante dialoog om zo dichterbij dat mysterie te komen. Hij zocht daarom nadrukkelijk zelf zo'n dialoog met de Islam op. En ervoer dat tolerantie dan, ook, schuurt en afstand meebrengt. En nooit passief kan zijn, maar dwingt tot actieve dialoog. De Franse denker Claude Lefort (1924 – 2010) - inspirator van Paul Frissen – was als jong trotskist afkerig van het Stalinisme en zo ook van Sartre. Hij zag dat democratie tolerantie vereist, omdat de plaats van de macht per definitie leeg is, alleen tijdelijk vervuld op zijn best. En hij definieerde dat er 'le politique' is - het democratisch bestel van instituties en regels - en 'la politique' - de geesteshouding die daarbij past, zoals het voorkomen van 'permanente vijandschap' en zondebokken. Bestel en ethos. Verwar die vooral niet. *** Verder luisteren 580 - Lenteboekenspecial 555 – Winterboeken: dominanten en dissonanten in een veranderende wereld 527 - Politici en hun boek 522 - Zeven zomerboeken 472 - Winterboekeneditie - Premiers, Leiderschap, Macht 441 - Extra zomeraflevering: boekenspecial! 395 - Vijf boeken en een afscheidsbrief 363 - Extra zomeraflevering: PG tipt boeken! 286 - Extra zomeraflevering: PG tipt boeken! 269 - Vijf boeken die je moet lezen om Europa beter te begrijpen 259 - De omgevallen boekenkast: leestips van PG! 133 - Amerikaanse presidenten: boeken die je volgens PG móet lezen! 99 - Tips voor thuis: de omgevallen boekenkast van PG! 35 - Charles de Gaulle *** Tijdlijn 00:00:00 – Deel 1 00:29:06 - Deel 2 00:55:35 - Deel 3 01:15:05 - Deel 4 01:59:59 - Einde See omnystudio.com/listener for privacy information.

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

POUR COMMANDER MON LIVRE :https://www.editions-larousse.fr/livre/la-philosophie-cest-pour-vous-aussi-9782036070325/POUR COMMANDER MA BANDE DESSINÉE PHILORAMA : https://www.editions-larousse.fr/livre/philorama-9782036082434/Disponible aussi dans toutes les bonnes librairies !

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Les sons du carnaval, une descente aux enfer, Orphée et Eurydice, la mort, la vie, lʹamour, et Rio de Janeiro. La Palme dʹor du festival de Cannes 1959, lʹOscars du meilleur film étranger en 1960, est Orfeu Negro, film musical de Marcel Camus sorti en 1959. Il est adapté d'une pièce de Vinícius de Moraes, Orfeu da Conceição montée en 1956 à Rio. Le film, comme la pièce dʹailleurs, est une adaptation du mythe dʹOrphée. Une thématique ancienne, dépoussiérée par des rythmes entêtants, brulée de soleil, grouillante de vie, dans des paysages extraordinaires avec la mer et le Pain de sucre au loin. Orphée, cʹest lʹhistoire dʹun amour absolu, dʹun musicien qui ira jusquʹaux enfers récupérer sa femme. Lʹadaptation du mythe dans les favelas de Rio, dans le cadre du carnaval est une révolution esthétique. Le film suscite lʹenthousiasme de la critique européenne et américaine, tout en soulevant des critiques au Brésil. Tout enchante : le choix des acteurs, non professionnels à lʹexception de Marpessa Dawn, néanmoins débutante dans le métier, le choix dʹune distribution exclusivement noire, saluée comme courageuse, les mélodies, le tourbillon des couleur, les rythmes. Les thèmes du film composés par Luiz Bonfá et Antônio Carlos Jobim deviennent des classiques de jazz. La bossa nova pénètre dans les cœurs, la samba nous invite à danser. Cʹest un véritable tourbillon des sens que propose Marcel Camus. Un film complètement hypnotique sur lequel nous allons poser, presque 70 plus tard, un regard tendre mais lucide, en le replaçant dans son contexte. Il ne nous reste plus à emboiter nos pas dans ceux dʹEurydice et de débarquer à Rio à la veille de carnaval. REFERENCES Jean-Michel Devésa, " Orphée et le carnaval, entre mascarades et parades. Autour d'Orfeu Negro de Marcel Camus. ", dans Penser le carnaval: variations, discours et représentations, Éditions Khartala,, 2010, 311 p. (lire en ligne [archive]), p. 177-193. Jean de Baroncelli, " "Orfeu Negro" "Al Capone" ", Le Monde,ý 22 juin 1959 Jean de Baroncelli, " Nouveau succès français Orfeu Negro ", Le Monde,ý 14 mai 1959

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durée : 00:03:31 - Les Matins de France Culture - par : Raphaël Laloum - En 1933, Albert Camus étudie la philosophie à Alger. Atteint de la tuberculose, le jeune homme est contraint de rester deux mois au repos complet. Au fil des mois, la maladie transforme son rapport à l'existence et développe sa vocation d'écrivain. - équipe : Thomas Beau Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

John Dairbe Ó Flatharta, Doire Fhearta & Dudley Nee, Camus ag labhairt faoi Bheachlín Ó Máille as Doire Fhearta a cuireadh i gcré na cille inné.

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Sustainable ambition isn't about wanting less — it's about knowing whether your drive is coming from desire or from fear, because the two can produce the exact same to-do list and completely different lives. In this episode, Brett Ingram breaks down why genuine ambition can rest and compulsive striving can't, what your nervous system already knows about your goals before your mind admits it, and a simple four-signal framework for checking your own engine so you're not guessing anymore. What You'll Learn in This Episode Why hitting a goal and feeling almost nothing isn't a discipline problem — it's a signal worth reading The hidden difference between two people working identical sixty-hour weeks: one running on desire, one running on fear Five warning signs that ambition has quietly turned compulsive, including a moving finish line and rest that starts to feel illegal Why the body — not the calendar — is the most honest narrator of whether your ambition is sustainable The five types of rest almost no one gets all of, and why scrolling on the couch isn't one of them How career-identity fusion sets you up for an existential crisis the moment the job changes, and how to build a sturdier sense of self The Four Signals of Sustainable Ambition — a practical framework for checking any goal you're currently chasing Episode Timestamps [00:00] Introduction — the goal that felt like nothing when you hit it [01:30] The central idea: sustainable ambition as a different relationship with wanting [02:00] The Two Engines — desire vs. fear, and why they produce identical résumés [07:00] Five warning signs the engine has switched from ambition to compulsion [10:30] What the body already knows — stress cycles, cortisol, and the five types of rest [15:00] Purpose without losing yourself — career-identity fusion and the identity trap [18:30] Where a calling actually comes from — mastery and meaning follow competence [21:00] The Four Signals of Sustainable Ambition, explained and applied [24:30] Sisyphus, Icarus, and Groundhog Day — three stories about the same distinction [26:00] Reflection questions and an exercise for this week [27:30] Closing thoughts Episode Summary Most high-achievers have had this exact experience: you hit the goal — the promotion, the number, the recognition — and instead of the satisfaction you expected, you feel a flicker of relief that evaporates almost instantly, replaced by a new target on the horizon as if the last one never counted. Brett Ingram's central argument in this episode is that this feeling is never a discipline problem. It's information, and it's been trying to tell you something about the engine underneath your ambition all along. The episode opens with what Brett calls the two engines. Picture two people, both working sixty-hour weeks, both building something ambitious, both indistinguishable from the outside. One is running on desire. The other is running on fear. Genuine ambition is curiosity with a direction — it wants to build the thing, solve the problem, get better at the craft, because the effort is in service of something the person actually wants. Compulsive striving looks the same from a distance but is powered by the fear of being inadequate, the dread of stopping and finding nothing underneath the achieving. The cleanest diagnostic, Brett argues, isn't how hard you work or how big the goal is — it's whether you can actually rest without the achievement-shaped hole reopening the moment you stop moving. From there, Brett walks through five warning signs that the engine has switched: identity fusion, where one bad outcome quietly becomes "I am not enough"; a finish line that keeps relocating with no interval of satisfaction; rest that feels illegal, filled with guilt or secret work; feedback from people close to you that gets explained away instead of examined; and chasing an outcome you can describe in vivid detail but can't explain the "why" behind. He shares his own experience building a digital marketing business where something working well only ever produced the thought "what's next to get it to the next level" — and realizing, in hindsight, that he never actually enjoyed the process itself. The conversation then turns physiological. Brett makes the case that ambition isn't only a mindset issue — it's a nervous system issue, and the body has been keeping score the entire time. A healthy stress response mobilizes, handles the threat, and returns to baseline. Compulsive ambition keeps that system in chronic, low-grade activation until it stops feeling like stress and starts feeling like normal. He draws a sharp distinction between passive distraction — scrolling on the couch — and genuine physiological recovery, and names five types of rest worth knowing: physical, sensory, emotional, social, and creative. "You can't out-discipline a body that never gets to down-regulate," he says. "Recovery isn't the reward for ambition. It's the maintenance that makes the ambition sustainable at all." Perhaps the most personal section of the episode deals with identity fusion and career. Brett shares the story of shutting down his first business — a custom-computer company he built out of his basement and grew to seven employees — and describes the day he turned off the lights as closing down more than a business. It was closing down a part of himself, because for four or five years, the business had been his entire identity. This connects to one of the episode's most useful reframes about calling: contrary to the idea that passion is discovered fully formed, Brett argues that mastery and meaning tend to follow competence — you find something interesting, get better at it, and the calling builds itself through the doing, not before it. This is a core thread of the Purpose & Meaningful Work pillar — locating your sense of self somewhere sturdier than a job title, so that when a role ends, the loss is professional rather than existential. The episode closes with the Four Signals of Sustainable Ambition: the engine (want or fear?), the rest test (can you actually stop?), the craft line (are you attached to the work or only the win?), and the enough line (do you have an actual internal definition of "enough," written down and concrete?). Brett reinforces the point with three cultural touchstones — Camus's Sisyphus, happy in the pushing itself; Icarus, whose danger was never ambition but ambition with no ceiling; and Groundhog Day, where the way out was never external. The episode's closing line captures the whole argument: "You're allowed to want more and be complete right now. Those two things were never actually in conflict. Only the fear ever made it look that way." Resources Mentioned Albert Camus, The Myth of Sisyphus — referenced for the closing line "One must imagine Sisyphus happy," used to illustrate meaning living in the pursuit itself rather than a final arrival The myth of Icarus — used to illustrate that the danger isn't ambition itself but ambition with no ceiling or signal for "enough" Groundhog Day (film) — referenced as a modern picture of compulsive striving, where nothing external resolves the loop until the character's motivation itself changes Frequently Asked Questions What is sustainable ambition and how is it different from compulsive striving? Sustainable ambition is a relationship with wanting that doesn't require you to be in a permanent state of deficit in order to function. It's curiosity with a direction — you want to build the thing and enjoy the process, and the effort serves something you actually want. Compulsive striving looks identical from the outside but is powered by fear of inadequacy rather than desire, and it's chasing away from something rather than toward it. How can I tell if my ambition is driven by desire or fear? The clearest test is what happens the moment you hit the goal. If you feel satisfied, even briefly, before moving on to the next thing, that's genuine ambition. If the moment evaporates almost instantly and gets replaced by anxiety about the next benchmark, that's the compulsive engine. Naming the goal out loud and honestly asking "want or fear?" is a simple way to start — and the answer can be mixed. Why don't I feel satisfied after achieving something I worked hard for? That flat feeling usually means the goal was never really the point — it was a way of outrunning a fear of inadequacy rather than building toward something you wanted. Because compulsive striving is about escape rather than arrival, hitting the target doesn't resolve anything. It just reveals that another target was already waiting. What are the warning signs that ambition has become compulsive? Five to watch for: identity fusion, where one bad outcome becomes "I am not enough"; a finish line that keeps moving with no interval of satisfaction; rest that feels illegal or guilt-inducing; feedback from people close to you that you explain away instead of examining; and being able to describe the outcome you want in vivid detail while struggling to say why you actually want it. What are the Four Signals of Sustainable Ambition? The engine — is this goal driven by desire or fear? The rest test — can you actually stop without anxiety flooding back in? The craft line — are you attached to the work itself or only to the win? And the enough line — do you have a real, concrete definition of "enough" that doesn't keep relocating itself past wherever you currently stand? Is it a problem if my identity is tied to my career? Caring deeply about your work is different from being fused with it. Fusion means you no longer exist independently of how the work is going, which is fragile because careers change, companies restructure, and roles end. The goal isn't to care less about your work — it's to locate your sense of self somewhere sturdier than a job title, so a career setback stays professional instead of becoming existential. Does building sustainable ambition mean I have to want less? No. Brett is explicit that none of this is an argument for lowering the bar or wanting less. Sustainable ambition is a healthier relationship with wanting, one where the pursuit doesn't require you to be broken in order to keep going. You're allowed to want more and still feel complete right now — those two things were never actually in conflict. Keep Exploring If this episode resonated, these are worth your time: Purpose & Meaningful Work Pillar — The full framework on career, calling, and building work that actually fits your life → Purpose & Meaningful Work Guide The Growth Trap — A closer look at when self-improvement itself becomes a way of avoiding the life you're supposedly improving → optyoumize.com/podcast/the-growth-trap-self-improvement-avoidance How Much Money Is Enough — The financial version of the "enough line" — what happens when a number keeps relocating itself → optyoumize.com/podcast/how-much-money-is-enough Enjoyed This Episode? The best way to support optYOUmize is to subscribe and leave a review — it takes about two minutes and makes a real difference in helping more people find the show. Apple Podcasts · Spotify · Amazon Music · YouTube Leave a Review →

Episode: 2618 Søren Kierkegaard: Christian Existentialist.  Today, an exit.

What happens when a routine healthcare research assignment turns into a murder investigation?On this episode of This Week in America with Ric Bratton, author Susann Camus discusses her gripping novel, Bless Your Heart: A Jeannie Johal Thriller, a suspense-filled story that blends medical research, pharmaceutical intrigue, murder, and Southern charm into an unforgettable page-turner.Healthcare researcher Dr. Jeannie Johal arrives in Greenville, North Carolina, expecting to assist with an important public health study involving a promising new pharmaceutical treatment. Instead, on her very first day, her new boss is murdered, and Jeannie finds herself caught in a dangerous web of sabotage, deception, and hidden agendas. As she searches for the truth, she discovers that everyone has something to hide—and trusting the wrong person could be deadly.Drawing on her background in healthcare and her experience as a Master Gardener, Susann Camus creates an authentic, richly detailed mystery set against the unique backdrop of Greenville and the Pitt County Arboretum. The novel combines compelling characters, realistic medical details, and nonstop suspense that keeps readers guessing until the final pages.In this episode you'll discover:• The inspiration behind the Jeannie Johal thriller series• How Susann's healthcare career influenced her storytelling• Why Greenville, North Carolina, became the perfect setting for a mystery• How gardening, poisonous plants, and medical research become key elements of the story• What makes Jeannie Johal a smart, determined, and relatable heroineThis Week in America with Ric Bratton is one of America's premier syndicated radio shows and podcasts, featuring engaging conversations with bestselling authors, business leaders, health experts, historians, innovators, and thought leaders. Heard on more than 100 radio stations and podcast platforms worldwide, each episode delivers practical advice, inspiring stories, expert insights, and thought-provoking discussions covering business, personal development, health, wellness, technology, history, education, entertainment, and the issues that matter most.Whether you're a fan of medical thrillers, crime fiction, murder mysteries, suspense novels, strong female protagonists, pharmaceutical conspiracies, Southern mysteries, or compelling page-turners, Ric Bratton's conversation with Susann Camus offers an inside look at the inspiration behind Bless Your Heart and the creative process of building an unforgettable thriller. Don't miss this exciting episode of This Week in America.Keywords Susann Camus, Bless Your Heart, Jeannie Johal, Jeannie Johal Thriller, medical thriller, murder mystery, crime fiction, suspense thriller, pharmaceutical conspiracy, healthcare thriller, mystery novel, Southern mystery, Greenville North Carolina, Pitt County Arboretum, master gardener, women sleuths, female detective, hospital thriller, epidemiology, healthcare research, public health, suspense novels, page turner, mystery podcast, author interview, thriller books, crime novels, book podcast, Ric Bratton, This Week in America, bestselling thrillers, medical suspense, women in fiction, investigative thriller

What begins as a medical research assignment quickly turns into a murder investigation.On this episode of This Week in America with Ric Bratton, author Susann Camus discusses her gripping new novel, Bless Your Heart: A Jeannie Johal Thriller, a fast-paced mystery filled with pharmaceutical intrigue, Southern charm, and unexpected twists.Healthcare researcher Jeannie Johal arrives in Greenville, North Carolina, to investigate suspicious activity surrounding a promising new drug study. Before she can even begin, her new boss is murdered. Suddenly, Jeannie finds herself navigating a maze of hidden motives, dangerous secrets, poisonous plants, and a community where everyone seems to know more than they're willing to admit.With authentic medical details, memorable characters, and suspense that keeps readers guessing until the final pages, Bless Your Heart is a thriller that mystery lovers won't want to miss.If you enjoy authors like Michael Connelly, Lisa Gardner, Karin Slaughter, or Jeffrey Deaver, this conversation is for you.This Week in America with Ric Bratton is one of America's premier syndicated radio shows and podcasts, featuring engaging conversations with bestselling authors, business leaders, health experts, historians, innovators, and thought leaders. Heard on more than 100 radio stations and podcast platforms worldwide, each episode delivers practical advice, inspiring stories, expert insights, and thought-provoking discussions covering business, personal development, health, wellness, technology, history, education, entertainment, and the issues that matter most.Whether you're a fan of medical thrillers, crime fiction, murder mysteries, suspense novels, strong female protagonists, pharmaceutical conspiracies, Southern mysteries, or compelling page-turners, Ric Bratton's conversation with Susann Camus offers an inside look at the inspiration behind Bless Your Heart and the creative process of building an unforgettable thriller. Don't miss this exciting episode of This Week in America.https://www.amazon.com/Bless-Your-Heart-Jeannie-Thrillers/dp/B0GNP4Q9J5/ref=tmm_aud_swatch_0https://www.susanncamus.com/https://christianworksmedia.com/http://www.bluefunkbroadcasting.com/root/twia/71626scam.mp3  Keywords Susann Camus, Bless Your Heart, Jeannie Johal, Jeannie Johal Thriller, medical thriller, murder mystery, crime fiction, suspense thriller, pharmaceutical conspiracy, healthcare thriller, mystery novel, Southern mystery, Greenville North Carolina, Pitt County Arboretum, master gardener, women sleuths, female detective, hospital thriller, epidemiology, healthcare research, public health, suspense novels, page turner, mystery podcast, author interview, thriller books, crime novels, book podcast, Ric Bratton, This Week in America, bestselling thrillers, medical suspense, women in fiction, investigative thriller

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Puntata speciale del Cacciatore di libri dedicata al Premio Strega, 80esima edizione, assegnato l'8 luglio a Roma. Ha vinto il romanzo "I convitati di pietra" di Michele Mari (Einaudi) con 190 preferenze. A votare una giuria di 800 persone, di cui 460 Amici della domenica, ossia personalità del mondo della cultura, 245 votanti dall'estero selezionati agli Istituti Italiani di Cultura nel mondo, 30 voti collettivi di scuole, università e circoli di lettura, 65 voti di lettori forti. Al secondo posto, con 38 voti di distanza, "Platone. Una storia d'amore" di Matteo Nucci (Feltrinelli). A seguire "La sonnambula" di Bianca Pitzorno (Bompiani), "Lo sbilico" di Alcide Pierantozzi (Einaudi), "Donnaregina" di Teresa Ciabatti (Mondadori), infine "Vedove di Camus" di Elena Rui (L'orma editore).

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Solemne es el título de la novela de autoficción de Santos Cerdán, La caída, que ya tiene cuajo titularla como la novela de Camus. El término «solemne» viene de sollus annus, todo el año, porque solemne es aquello para lo que uno se pasa el año aguardando y lustrando los zapatos: el cotillón de Nochevieja, la cabalgata de Reyes, la corrida de Beneficencia, una boda con photocall, cosas así. De ahí que resulte tan cómico el solemne fuera de temporada, el baranda que se presenta endomingado un jueves por la mañana como si le fueran a prender el Toisón de Oro. El libro de Santos no pasará a la historia como un hito de la literatura carcelaria ni está a la altura de Koestler o de Solzhenitzyn, pero nos deja una enseñanza filosófica. No sé si te has fijado, Carlos, en el hecho de que el adjetivo solemne siempre acompaña un insulto, nunca un elogio. Uno puede ser un solemne majadero o un tonto solemne, pero nunca "un solemne tipo estupendo", "una solemne gran amiga". La solemnidad es la mitra de cartón piedra, el capelo cardenalicio que se pone el más bobo cuando quiere que le hablen de usted o le besen el anillo. Con la solemnidad pasa como con el smoking: uno se lo calza y se cree Von Karajan, presto para dirigir la Filarmónica de Berlín, y en realidad parece el mayordomo del conde Drácula. Por eso, porque abjuro de la solemnidad, esta noche pienso acudir a los premios Cavia con mis playeras J´hayber y mi camiseta del Xacobeo 93.

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Dans cet épisode, Cathy reçoit Annamaria, professeure de FLE (français langue étrangère) et passionnée de littérature française. Annamaria raconte comment la littérature a transformé son rapport au français, puis elle partage des conseils pratiques pour choisir des textes adaptés, afin de lire avec plaisir sans chercher à tout comprendre. Elles évoquent aussi la lecture avec des adolescents et le projet de club de lecture « Voix de femmes et Société ».Ensemble, elles explorent comment la lecture peut devenir un vrai levier pour progresser en français, enrichir son vocabulaire, mieux comprendre la culture francophone et prendre confiance à l'oral comme à l'écrit.Le Club de Lecture : https://voixdefemmesfle.my.canva.site/voix-de-femmes-et-soci-t-formation-fleRecommandations de lectures accessibles dès le niveau intermédiaire et transcription de l'interview: https://francais.mypolyglotlife.com/2026/07/01/comment-utiliser-des-livres-pour-apprendre-le-francais/Fiche de vocabulaire pour les membres Patreon: https://www.patreon.com/cathyintroSommaire00:00 Introduction et présentation d'Annamaria2:42 Comment la littérature a changé son rapport au français5:55 L'Enseignement d'une Matière par l'Intégration d'une Langue Étrangère au lycée, quand le français devient une langue de communication et non un objet d'étude12:26 S'identifier à ce qu'on lit. Les auteurs existentialistes (Sartre, Camus, de Beauvoir): la lecture comme déclencheur d'une introspection et un prétexte pour partager ses émotions et réflexions14:01 Comment utiliser des livres pour apprendre le français ? Objectifs, goûts et choix des supports20:24 Faut-il tout comprendre et apprendre du vocabulaire quand on lit ?24:00 La littérature avec des adolescents: multimodalité, créativité et lecture active en classe28:23 Un résumé des points-clés à retenir pour utiliser des livres pour apprendre le français30:00 Le projet de club de lecture « Voix de femmes et Société »Abonne-toi à la newsletter pour ne rien rater: https://mypolyglotlife.kit.com/feuillederoute *********************

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