Podcasts about camus

Send us a textThe fascinating world of wine often hides gems in plain sight. Meet the Bacchus Ginger's Cuvée Pinot Noir 2023, a $12.99 bottle that breaks the assumption that quality must come with a hefty price tag.What makes this wine remarkable isn't just its approachable price point, but the pedigree behind it. David Gordon, who created this Monterey Pinot Noir, has served as the sommelier at Robert De Niro's Tribeca Grill since 1990. As one of America's pioneering wine experts, Gordon's connections run deep throughout the industry. He's one of only three Americans to become an honorary citizen of Château Neuf-du-Pape, and when he decided to create affordable wines, top producers like Camus and Minor Family eagerly offered grapes and technical guidance.Named after Gordon's daughter Ginger (a sure sign of quality, as winemakers never cut corners on bottles bearing family names), this cuvée balances freshness with complexity. The wine undergoes a thoughtful fermentation process: 50% in stainless steel for bright fruit preservation and 50% in neutral oak barrels for subtle oxygenation and texture development. After 10 months in neutral barrels, the result delivers vibrant cherry notes complemented by herbs, strawberry, licorice, and hints of orange zest and mocha.What we're tasting is the advantage of insider knowledge—Gordon's ability to source exceptional grapes through his network, identifying opportunities where high-quality vineyards might have fruit available due to contract changes. For wine lovers, this translates to experiencing grapes that might otherwise end up in bottles twice the price.Whether you're new to Pinot Noir or a seasoned enthusiast looking for your next everyday sipper, Bacchus Ginger's Cuvée demonstrates that sometimes the best values come from those who know the wine world well enough to work outside conventions. If you spot this bottle, don't hesitate to experience what happens when decades of fine wine expertise meets value pricing. Your palate (and wallet) will thank you.Check us out at www.cheapwinefinder.comor email us at podcast@cheapwinefinder.com

durée : 00:57:14 - Autant en emporte l'Histoire - par : Stéphanie Duncan - 1957. Albert Camus reçoit le prix Nobel de littérature. Dans le discours qu'il prononce, il affirme avec force que le rôle de l'écrivain est de se mettre au service de la vérité et de la liberté. Un étudiant algérien l'interpelle alors et l'exhorte de prendre parti pour le camp de l'indépendance... - invités : Martine Mathieu-Job - Martine Mathieu-Job : Auteure, professeure de littératures francophones émérite à l'université Bordeaux Montaigne - réalisé par : Anne WEINFELD

Can hybrid grapes revolutionize the wine world? Adam Huss — Host of the Beyond Organic podcast and Co-owner of Centralas Cellars breaks down what a hybrid truly is, explaining how traditional breeding — and nature itself — has long crossed grape species. With over 70 grape species worldwide, today's modern hybrids are the result of generations of crossing, backcrossing, and innovation. We explore the impact of WWII on agriculture, France's ban on hybrids in appellation wines, and why developing new hybrids is critical for disease resistance, flavor discovery, and more sustainable farming. Plus, Adam shares insights into trialing the “married vine” system — a potential game-changer for soil health, pest management, and flavor expression. Resources:         135: Cold Hardiness of Grapevines 217: Combating Climate Chaos with Adaptive Winegrape Varieties 227: Andy Walkers' Pierces Disease-Resistant Grapes are a Success at Ojai Vineyard Adam Huss – LinkedIn Centralas Organic Wine Podcast South Central Los Angeles Couple Opens New Winery Dedicated to Organic Values, Transparency, Inclusion Wine's F- Word Vineyard Team Programs: Juan Nevarez Memorial Scholarship - Donate SIP Certified – Show your care for the people and planet   Sustainable Ag Expo – The premiere winegrowing event of the year Vineyard Team – Become a Member Get More Subscribe wherever you listen so you never miss an episode on the latest science and research with the Sustainable Winegrowing Podcast. Since 1994, Vineyard Team has been your resource for workshops and field demonstrations, research, and events dedicated to the stewardship of our natural resources. Learn more at www.vineyardteam.org.   Transcript [00:00:03] Beth Vukmanic: Welcome to Sustainable Wine Growing with Vineyard Team, where we bring you the latest in science and research for the wine industry. I'm Beth Vukmanic, Executive Director [00:00:13] In today's podcast, Craig Macmillan, critical resource manager at Niner Wine Estates with longtime SIP Certified Vineyard in the first ever. SIP Certified Winery speaks with Adam Huss, host of the Beyond Organic Podcast and co-owner of Centralis Cellars. [00:00:32] Adam breaks down what a hybrid truly is, explaining how traditional breeding and nature itself has long crossed grape species with over 70 grape species worldwide. Today's modern hybrids are the result of generations of crossing, backcrossing, and innovation. [00:00:50] We explore the impact of World War II on agriculture, France's ban on hybrids and Appalachian wines, and why developing new hybrids is critical for disease resistance, flavor discovery, and more sustainable farming. [00:01:03] Plus, Adam shares insights into trialing the married vine system, a potential game changer for soil health, pest management, and flavor expression. [00:01:12] When Lizbeth didn't get into nursing school on her first try, she could have given up. Instead, she partnered with her mentor Alex, to make a new plan, attend classes part-time, build up her resume and get hands-on hospital work experience. Now Lizbeth has been accepted into Cuesta College's nursing program and her dream of becoming a nurse is back on track. [00:01:36] Lizbeth is a Vineyard Team, Juan Nevarez Memorial Scholar. You can help more students like her who are the children of Vineyard and winery workers reach their dreams of earning a degree by donating to the Juan Nevarez Memorial Scholarship. Just go to vineyardteam.org/donate. [00:01:53] Now let's listen in. [00:01:58] Craig Macmillan: Our guest today is Adam Huss. He is the host of the Beyond Organic Podcast and also co-owner of Centralis Winery in Los Angeles, California. And today we're gonna talk about hybrid grape varieties. Welcome to the podcast, Adam. [00:02:11] Adam Huss: Thanks, Craig. I really appreciate it. Thanks for having me. [00:02:17] Craig Macmillan: So let's just start with the basics. What are hybrid grape varieties? [00:02:22] Adam Huss: I should also say I'm a fan of your podcast as well, so it's really fun to be here. [00:02:26] Craig Macmillan: Thank you. Thank you. [00:02:28] Adam Huss: Been listening for a while. So hybrids, I mean, it's really simple. It's funny, I see stuff on Instagram sometimes where people just are so misinformed and they think that, you know, hybrid means like GMO or something like that. [00:02:41] A hybrid simply is just, you take pollen from grape X, you put it on flowers from grape y, and if those two grapes are from different species, you have a hybrid. If they're from the same species, you just have a cross, and this is something that has been part of traditional breeding since forever. It's also what happens naturally in the wild. [00:03:00] Or I hate, I actually just use two words I try not to use at all, which is like natural and wild, but in forests and streams forests and backyards without human intervention, these pollen get exchanged by wind and everything else and have led to, you know, some of the more. Old popular varieties of grapes that are, considered hybrids that we know of now, like Norton and Isabella and Kaaba. [00:03:23] Nobody actually crossed them. They just happened. So yeah, that's, that's a hybrid. It's very simple. [00:03:29] Craig Macmillan: That's what they are, what aren't they and what are some of the myths surrounding them? [00:03:33] Adam Huss: yeah, great question. You can't generalize about hybrids. Generally speaking. So that's really important thing for people to wrap their heads around, which is because. You know, we'll get into this, but so much, so many hybrids are, and just hybrids in general, are wrapped up in prejudice because we live in this sort of viniferous centric wine world. [00:03:56] You know, , those of us who are in wine, but there, you just can't generalize. The qualities of hybrids are just like humans. Like it depends on what your parents are. You know, you, you get different things every time you mix 'em up and you're not like your brother or sister. If you have a sibling, you know you're gonna be different from them even though you have the same parents. [00:04:13] So that's the same thing happens with grapes. There's genetic diversity and mutation happens and. For hybrids, , the possibilities, the potentials are literally infinite. It's pretty incredible to know that possibility exists. There are over 70 species of grapes on earth besides vitus vara, and if you cross any of those two varieties, yeah, you'll get a genetic cross that's 50 50 of, of two different species. [00:04:40] But that. Within that you could do that cross again and get a different variety of grape, even with the same cross. So it's just amazing. [00:04:51] The modern hybrids that are now out there are. Often multi-species crosses and have been crossed. Generationally again and again and back crossed and recrossed. And so, you know, I was just looking at a hybrid grape that had five species of grapes in its family tree. I mean, there are family trees that would make the royals blush, honestly, in some of these hybrids. [00:05:11] So it's not, it's not something that is just, can be just said. You can say one thing about it or that. And, and the idea of hybridizing doesn't imply anything at all, really, like it is just this process that happens that we've been doing for a long time. This might be a good thing to dispel some of the prejudices. [00:05:34] You know, something like the word foxy often gets thrown around when we start talking about hybrids. I did a whole podcast about this what's really interesting, I just brought this word up to a, a young couple here in LA who are growing grapes and they, they had no idea what I was talking about. [00:05:49] So that's kind of encouraging. Like in, in the younger generations, these prejudices and some of these words that we inherited from the last century , are dying out truly. Which is great, but it still persists and you still hear it a lot and. If anybody goes online and researches some of these grapes, so much of the information available online is actually still misinformation and prejudiced because it comes from this vinifirous centric culture. [00:06:15] And so it's really important for people to understand that like foxy is not what it sounds like. It sounds like it would be this animalistic, musky, maybe scent gland tinged aroma, flavor thing, but. If you taste the grapes that are known as foxy and you go, you know, start researching this by tasting, you'll find that it's actually kind of delicious. [00:06:37] It's usually fruity and you know, candy like strawberry raspberry flavors. And for those of us in the US. It's often something we associate with Grapiness because of Welchs. And the flavors of Welchs, which come from the Concord grape, which is a Foxy grape, are these grapey flavors that we grew up with. [00:06:57] This sense of like grape candy and stuff like that. And that's a lot of times what you find in these, but again, it depends a lot on. The level of the compounds that are in that specific hybrid. Again, you can't, you can't generalize. And just like with anything, if you mix different compounds together, you'll get these nuances and you might have some of that flavor or aroma, but it'll be blended with other things. [00:07:17] And so it takes on new characteristics. So it's way more complex than just thinking like a. All grapes that are hybridized are foxy. That's absolutely not true. Or that foxy is this monolithic thing or that foxy is bad. None of those are true. And then really the other thing to realize is in. Grapes in the native North American varieties of species of grapes. [00:07:41] There's really only one that has been used traditionally in grape breeding and hybridization that has these flavors. And that's Vitus labrusca. It just happened to be used quite a bit because it's endemic to the East coast where a lot of the Europeans who started all this breeding were living and, and it was, you know, very readily apparent in the forest of the East coast. [00:07:59] So that. Got used a lot and it's also got a lot of great qualities of fungal resistance and stuff like that. Muscadine is the other grape that has it, but it's got a different genetic structure so it doesn't get crossed a lot or hybridized a lot. [00:08:11] Craig Macmillan: So like, what are the advantages of hybrids where you take vinifira and you cross it with a Native American indigenous grape? What are the benefits? [00:08:21] Adam Huss: Yeah. Another great question. Just , the historical perspective on this is really important. I think. So, you know, Europeans came here a couple hundred years ago, and eventually they brought some of their favorite plants over, one of which were their grapes. And what they noticed right away is that their grapes, I. [00:08:38] Suffered and died without exception, just across the board. Anything they brought over grape wise just kept dying, kept dying. You know, many people tried for a century at least, you know, including people like Thomas Jefferson, people with enormous amounts of resources, and they just failed. They failed to grow these grapes. [00:08:56] Meanwhile, you know, these things like. Norton, this, these hybridized grapes started developing and people noticed like, oh, this grape, it's crossing with some of , the local varieties and it's doing really well. So they began to realize, like they didn't know then that part of, one of the benefits that you get is phylloxera resistance, for example. [00:09:16] But that was a big one and came to save, you know, Europe's wine industry at the end of the 19th century. But also you have these grapes that . Evolved with the fungal pathogens of this, of these climates of North America and other places around the planet. So they've developed resistance and tolerance for all these things. [00:09:38] And so when you cross them with vinifira, you get some of the desirable characteristics that you might like from Vera, and hopefully you'll get some of that, you know, hardiness and fungal resistance and some of the other, just. General benefits of having hybridized interesting new flavors and characteristics [00:09:56] Craig Macmillan: have you seen some examples of this in your, in your travels? [00:10:01] Adam Huss: the fungal resistance and things like [00:10:03] Craig Macmillan: resistance or Pierces disease resistance or anything like that. [00:10:07] Adam Huss: Oh yeah. I mean, I. Whew, so many. I mean, the fact that people can grow grapes organically in Vermont for example, relies almost entirely on hybrids. You know, first of all, they have extremely cold winters there. They have extremely wet, hot, humid summers there. And if you try to grow vinifera there the only way to do it is with chemicals and, and a lot of heartache and, and high risk agriculture. [00:10:35] But here we have somebody like Matt Niess, who's working entirely with hybrids, with his winery, north American Press, and basically he's not using any sprays in any of his vineyards in here in California because these. These grapes have genetics that developed for resistance to the fungal pathogens of the East Coast. [00:10:55] And so you bring them to this nice dry, you know, Mediterranean climate, they're just like, they're crazy. They're like you know, they're, you can basically spray free now. I mean, some people have a problem with zero sprays because they don't want things to develop, but he has a 70-year-old baco noir vineyard, for example, that's in like a wet region in Sonoma that. [00:11:18] He has never sprayed and it's pumping out grapes and looking beautiful every year. And the really interesting thing about it's, there are some inter plantations of vinfiera in that like somebody. Planted something. Maybe it was Pinot Noir in with the Baco. It's like one every, you know, like there's only a few, a handful of these scattered throughout the acre of the Baco noir, and you can tell which ones those are every year because they're just decimated by mildew by the end of the year, whereas the Baco is just spotless and beautiful. [00:11:46] So that's a really like obvious, [00:11:49] Craig Macmillan: What are the wines like? The bako noir? I've never had a bako noir. [00:11:53] Adam Huss: Oh, his wines. Well, so Baco is nice. It's, I mean, it's higher acid. It's almost like a high acid. Gosh, I don't know what, it's hard. I, I, I hate to go down the rabbit hole of like trying to compare it to a vinifira, but it is unique. But it's a deep red almost interior, like with deep purple, higher acid flavors, but pretty balanced, really luscious. Dark fruited flavors maybe a little. Like Syrah, like meatiness, there may be a touch. You might find that it depends on the year. He's had a couple different vintages, so it's been really interesting to see. I'm, I'm kinda like loving following that year by year, seeing the vintage variation and what. [00:12:35] Different things come out because nobody's really doing this. Nobody's, nobody's experimenting with these. So we don't really know how they'll do in, in California other than what he's doing. And just a couple other growers. But he also this year introduced awba for the first time back into California. [00:12:50] The last catawba Vines were ripped out of California in like the sixties, and he, planted some and finally was able to harvest a crop this year and released what was once. California, I mean, the America's most popular wine from the Ohio River Valley is sparkling catawba, and it's like pink and just delicious, beautiful, beautiful stuff. [00:13:10] If I can step back, I think a lot of the discussion of hybrids, again, comes from this perspective of vinifira culture and how do we. Help vinifera become better. How do we use these hybrids as a tool to help, you know, this sort of vinifira centric culture? But I, I would, I'd like to reframe it. [00:13:31] I think a better way to look at this is hybridization is kind of just what we always do with agriculture. It's how you evolve and adapt your agriculture. Ecologically in the absence of modern chemistry that we have. So like before World War ii, and part of, and this is part of the history, France's history too, is like, you know, we had RA decimating their, their vineyards as well as. , we didn't just bring phylloxera back from North America, we brought BlackRock, Downey mildew, powdery mildew. So , their vines were just like dying. Like they were just dying. And so there was this urgent need and a lot of the hybridization, a lot of, some of our, you know, hybrids like Save El Blanc and things like that. [00:14:15] Came from French breeders who were just trying to save the French wine industry. Like they just wanted to have wine, let alone vinifira. You know, it was that. It was pretty bad at the end of that set, you know? And so they developed these new things and then we, you know, things like Isabella and catawba and things like that were coming over from North America, some of our hybrids that came from here, and pretty soon they had these really productive, really hardy vines with new, interesting flavors that. [00:14:41] People kinda liked 'cause they are like fruity and delicious and interesting and new and, and if you're a farmer and you have less inputs and you get a more productive, like higher yields on your vine, like, it's just kind of a no-brainer. And so people were just planting these things. They really were taking off. [00:14:59] And in 1934, the French were like, whoa, whoa, whoa. Like our, our, first of all, our. Ancient vinifera cultures are going to be completely diluted, but second of all, we're gonna devalue the market 'cause we're gonna have all this like, it's too abundant, you know? So they made, in 1934, they made hybrids illegal in the French Appalachians. [00:15:17] And so that legacy is something that still sticks with us. Of course then World War II happened and we. Didn't really pay much attention to wine at all 'cause we were just trying to survive. But once World War II was over and the the war machine transferred into the pesticide and industrial agricultural machine, the French realized they could keep Vera alive on root stocks of American hybrids or American native varieties by spraying them with these new novel chemistry chemicals. [00:15:49] And so then they started enforcing the ban on hybrids because they could, and they knew they could have the, this alternative. And so that's when you saw like they had their own sort of version of reefer madness where you, you saw a lot of misinformation and hyperbole and outright propaganda and lies about these, these grapes because they were trying to get them out of French vineyards. [00:16:10] It's important to realize that Ban the EU just lifted the ban on hybrids in Appalachian wine in 2021. So it's kind of not surprising that some of these prejudices and misinformation still persist today. We're not too far away from that. I. [00:16:26] Craig Macmillan: And, and why was the band lifted? Do you know? [00:16:30] Adam Huss: That's a great question. It's, it was lifted for ecological reasons because they're realizing these are really important to dealing with climate change. This is like, if you want a sustainable industry, you need to be able to adapt. When you're inside this, this world of vinifira, what I call the vinifira culture, which is, you know, very centered on Vera. [00:16:50] You don't realize how strange it is. You know, it's kind of like growing up with a, a weird family, you know? It's all you know, so you don't know how strange they are until you start seeing the rest of the world. But to think that, you know, 50 years ago we just decided that maybe like. 10 grapes were the pinnacle of viticultural achievement for all time, and we've basically invested all of our energies into, you know, propagating those around the planet and preserving them at all costs is kind of strange when you think about the whole history of agriculture. [00:17:20] And it's really only possible because of cheep fossil fuels and the novel chemistry that we. Have put into our systems. And so if you take those out, if you start thinking ecologically about how do you develop a wine system, I mean the question is like, does it make sense when farming in a world where the only constant is change and we just live in a dynamic world, does it make sense to try to do everything you can to prevent change? [00:17:45] Like is prevention of change like a good strategy? And so I think, you know, diversity and adaptation are. What have always worked, you know, historically through agriculture, and that's kind of the future. I mean, in a real sense, vinifera culture is the past and hybrids are the future. If we want to have a future, there's my enthusiastic, [00:18:09] Craig Macmillan: Well, I'd like you to expand a little bit more on that. 'cause we we have a group of hybrids that are well known or are commonly used. I've, I've been hearing about Marquette a lot more, um, As having a lot of potential WW. What does that future potentially look like and what are some things that would have to happen for that potential to be realized? [00:18:31] Adam Huss: So we have invested, you know, millions of dollars in time and energy and even policy into developing, , the chemicals that we now use to support our, viticulture. And to make it possible in places like Virginia, where, you know, they're developing a whole wine industry there around vinifira in a climate that is, you know, like I said, that was the climate that like Thomas Jefferson failed for and everyone else for hundreds of years failed to grow it there. [00:18:59] If we invested that same amount of time and energy and money into breeding programs and into. Research for the kinds of things that we're now discovering, like DNA markers so that we can have DNA marker assisted breeding. So you're, you're speeding up the breeding process by sometimes two, three years. [00:19:19] Which is, which is significant in a process that can take, you know, 10 to 20 years that any, any little bit helps. So that kinda stuff and just more of it, more private breeders, making it more valuable for private breeders. I always think it's really interesting that like billionaires would rather just do another sort of like cult. [00:19:39] Ego, Napa cab investment, you know, rather than like breed their own personal variety of grape that nobody else could have. I mean, I'm not recommending that, but like, to me that seems really interesting as an idea. You could just have your own proprietary grape variety if you wanted to, you know, but nobody's thinking that way. [00:19:58] But I would say breeding, putting our, our time and energy into breeding not new varieties is, . Really important and, and working with the ones that are already there, I mean. The only reason California's so such strangers to them is because it's so easy to grow here. You know, we're relatively speaking and I get that. [00:20:15] I mean, you know, people like what they like and, and change is hard and market conditions are what they are. But I think we're at a point where. Marking conditions are changed. Like I said, you know, this young couple I was just talking to don't, don't have never even heard the word foxy. And so I think there's a lot more openness to just what's in the glass. Now. [00:20:35] Craig Macmillan: So some. Of it's messaging. If we can have wines that people can taste and do it in a context that's new to them. So there may be an opportunity here with newer wine drinkers or younger wine drinkers potentially, is what it sounds like to me. [00:20:48] Adam Huss: Yeah, and I. I mean, some of this is also realizing all the different ways that hybrids are already being used and could be used. Like, you know, we know you mentioned Pierce's disease. Pierce's disease is this disease that's endemic to California and is heading north. I mean, it's really on the threshold of all of the major wine regions of, of California. [00:21:11] And the only ways . To stop it without hybrids, without resistant hybrids are, are pretty intense. You know, it's like eliminating habitat through, , basically creating a sterile medium of your vineyard and then spraying with insecticides, you know some, sometimes pretty intense insecticides. [00:21:29] The alternative though is there are now multiple varieties of grapes that are. Resistant to them that are tolerant to it so they, they can carry the bacteria, but it won't affect the health of the vine. Those were bred, some of them here, right here in California at uc Davis. And yet if you go to the University of California Agricultural Network Resources page that, you know, kind of handles all the IPM for California, sort of like the resource. [00:21:56] And if you read about Pierce's disease, it makes zero mention of using tolerant. Varieties as a management strategy. And it makes no mention that there are even are tolerant varieties to Pierce's disease as a management strategy. So just that kind of stuff is the shift that has to happen. 'cause it just shows how vinifera centric our entire industry is, like from the top down, even when there are these great strategies that you can use and start implementing to combat these things, ecologically versus chemically. [00:22:25] They're not there, you know, they're not being mentioned. So just little things like that would go a long way. Also, you know, I mean, one of my fun little facts is like. There are already hybrids being used significantly, like probably everybody on who's listening to this has, if you've bought a bottle of wine at a grocery store that was under 20 bucks, you've probably drunk hybrids because 10,000 acres of ruby red is grown in California to make mega purple and mega purples. Pretty much in every, like, you know, mass produced under $20 bottle of wine and it's got esra, Vitus, esra in it. So you've probably been drinking hybrids and not even known about it. [00:23:04] In terms of these Andy Walker hybrids, I do have a little that which were bred for Pierce's disease resistance. I also have kind of a fun story in that I, as you know, like we've, we've both talked to Adam Tolmach, who replanted a whole block that he lost to Pierce's disease with these hybrid varieties, and these are designed specifically to retain a lot of vinifira characteristics. They're like 97% back crossed to be. vinifira and 3% with Vitus, Arizona to have that Pierce's disease resistant specifically. So they don't have a lot of the other benefits that like a higher percentage of North American native varieties would have. Like they, they're still susceptible to powdery mildew and other mildew pretty, pretty intensely, [00:23:44] but just in terms of flavor for anybody who's out there. So I've, I've barrel tasted with Adam. Tasted each of those varieties individually out a barrel. And then we went to his tasting room and tried all of his wines and, and got to, and then he, instead of keeping, he has two red hybrid varieties, two white hybrid varieties, and he blends them and makes a, you know, a, a red blend and a white blend that he calls a state red and state white. [00:24:09] And we went to his tasting room and he makes beautiful wine. All of his wines are great, but no joke. Everybody in my party. Preferred the hybrids to like all of his pinots or raw chardonnay, I mean, I have no idea why. I mean, but, and that's just anecdotal, obviously nothing scientific, but the very least I can say the, the flavors are exciting and delicious. [00:24:29] Right. [00:24:30] Craig Macmillan: If you can get them in front of the consumer, [00:24:33] Adam Huss: Yeah. [00:24:33] Craig Macmillan: the key. That's really the key. [00:24:35] Adam Huss: Right, right, [00:24:36] Craig Macmillan: And for, your own wine making. Are you making wine from hybrids for yourself? [00:24:40] Adam Huss: Not yet just 'cause there are, there just aren't any in California very much, you know, I mean, it's like little patches here and little patches there. And the people that have them are using them for themself, you know, for their own growing. They've grown them specifically you know, Camus has planted some of these Andy Walker hybrids along their riparian corridors to prevent Pierce's disease. [00:24:58] Those varieties specifically are being used. I don't know if they're blending those in. With like their cab or whatever. I honestly think they could, but I don't know if they are. They're probably, I dunno what they're doing with them, but I do grow them here in Los Angeles and I'm, but they're, you know, it's like I'm trying out a bunch of different things, partly just to see how they do, because, you know, they haven't been grown here. [00:25:21] They were developed for colder, wetter climates and so, you know what, how will they grow here in Los Angeles? There's a lot of unanswered questions for some of these. [00:25:30] Craig Macmillan: You and I were chatting before the interview and you have a, a new project that you're very. Excited about tell us a little bit about that, because I thought that was pretty cool. [00:25:39] Adam Huss: Yeah. Thanks. So this past summer, my wife and I finalized the acquisition of this farm in upstate New York that I'm going to develop into a. Married Vine Vida Forestry Demonstration and Research Project. And, and married vines, essentially vines growing with living trees. [00:26:02] But the best way to think about it is if you know the three Sisters of Agriculture, the corn, beans and squash idea, where you plant these. This guild of, of a Polyculture guild, and they have these symbiotic stacking benefits and productivity. This is what a married vine polyculture is for perennial agriculture. And so I don't just see it as vine and tree, but also vine and tree, and then a ground cover and or small shrubs or things like that that are also perennials planted in a guild together to create these stacking benefits and productivity. [00:26:35] Multiple productivity layers as well as making it a grable system because the vines will be up in trees and and we're gonna call it the Beyond Organic Wine Forest Farm. [00:26:47] Craig Macmillan: So gimme some more detail on this. So like, what are the other plants that are in the forest and how are the vines, what's the spacing like? How, how many trees per vine or vine per tree? [00:27:01] How is the vine trellis? Um, I just, I'm really curious about this idea because this goes back to very, very ancient times. [00:27:09] Adam Huss: Yes. Yeah, yeah, [00:27:09] Craig Macmillan: Uh, that I've read about. I've never seen evidence of it, but I have been told that going back to like Roman times, they would plant grapevines, interplant with things like olives, [00:27:18] Adam Huss: yeah, yeah. Yeah. And [00:27:20] Craig Macmillan: use the olive as a trails. [00:27:22] I mean, is this the, is this the same kind of concept? [00:27:24] Adam Huss: You can see some of this still in Italy. So even pre roam the Etruscan times is what the oldest versions of this that are still visible in Campania, just north of Napoli, I think is the largest married vine system that is still in production. And I think it's about, it might be about 34 hectares of this variety where they have elm trees. That are really tall, full sized elm trees. [00:27:51] And then between them they sort of have wires or ropes between the trees and the vines grow up like up 15 meters. Like it's crazy. Like the guys that harvest this, they have like specially designed ladders that are built for their stance so that they can like lock into these 18 meter ladders and be up there like with a little pulley and a bucket, and they're lowering grapes down from way up in the end. [00:28:14] And you get. So many cool things about that, you know, the, the ripeness and the PHS of the grapes change, the higher you go up in that system. , the thinking is they might have even been used to like. Just inhibit invading armies because , it's like a wall of vines and trees that create like almost a perimeter thing. [00:28:33] That that's also how they're being used in Portugal, they are sort of like if you have a little parcel of land, you use trees and vines to create like a living fence keep your domestic animals inside. And animals that might eat them outside and protect, you know, from theft and things like that. [00:28:51] Keep all your crops in a little clo, like a little controlled area. There are old systems where. They're more like feto systems where they were using maple trees and just pollarding them at, at about head height. And every year, every year or two, they would come in and clip off all the new growth and feed it to the livestock. [00:29:10] And meanwhile, the vines were festooned between the, the maple trees is like, you know, just like a garland of, of grapevine. So there's a lot of different things. And what I wanna do is trial several of them. One of the most. Interesting ones that I just saw in whales uses living willows, where you literally just stick a willow slip in the ground, bend it over to the next one that's about a meter and a half away and attach it. [00:29:35] And so you have these arched willow branches that grow once you stick 'em in the ground. They start growing roots and they create like a head high trellis, like a elevated trellis system, and you plant vines in them. And, and it literally looks just like. Like a row of grapevines that you would find here, except the, the trellis is alive and there's no wires and, and you prune the tree when you prune the vine in the winter, you know? [00:29:58] And Willow, I, I don't know if you know, but the, the other interesting thing about that is like willow has been used historically that the salicylic acid is known. Obviously that's aspirin and stuff like that. That's where we get, you know, one of our oldest like pain relievers and things like that. [00:30:12] But. It's used in biodynamic preps as well as an antifungal. And so there's some thought that like this system could be really beneficial to the vines growing with those. Specifically for that, like for antifungal properties or just creating a, you know, showering the vines with this, this salicylic acid thing that will help them grow and have health throughout the season without, with, again, reduced need for sprays of anything. [00:30:37] Craig Macmillan: Yeah, and that was why I brought it up is because there's the idea of working with the natural ecology of what's in the germ plasm of native plants. I. Mixing with an import plant. [00:30:51] And then there's the other way of looking at it and saying, well, what, what about recreating the conditions under which this plant that has evolved in the first place? And I, I just think that there's really fascinating concept. It's really intriguing to me. [00:31:05] yeah. And there's so many different ways you could do it, and that's why it's interested in what you're planning on doing, because there's obviously a lot of ways you could do it. [00:31:11] Adam Huss: Yeah, I wanna experiment with several. Like you said, the, the soil benefits are incredible potentials. And then when you're also thinking about what do I do besides just vines and trees, and I mean, the other thing is like. How does it make the wine taste? Like if you plant a vine with an apple tree or a, a black locust tree, or a honey locust tree, or a, or a mulberry tree, like, does, is the vine happier with one of those trees? [00:31:35] You know what I mean? Does it, does it, you know, and if it is, does that make the wine taste better at the end of the day? All these are really fun questions for me. That's why I'm really excited to do it. But also like what are the benefits in terms of, you know, the health of the vine, the health of the tree? [00:31:50] Do they are, is there symbiotic elements? It seems like they would, I, I think a lot about what kind of mycorrhizal connections and associations the trees have, because we vines have our Arbuscular connections. And so if you plant them with a tree that has similar connections, they might actually have a symbiotic benefit. [00:32:07] They might increase that soil network even further. And then if you're planting shrubs like blueberries or flowers, you know, perennial flowers or Forbes and things like that, that could either be grazed or could be gathered or could be another crop even for you, or it could be a protective thing. [00:32:22] There are things like indigo that you might plant because. Deer don't like it. So you might want that growing around the base of your vine tree thing while it's young, because it will prevent the deer from grazing down your baby vines and trees, you know? And so there's just a, a myriad ways of thinking about these guilds that you can do. [00:32:39] Obviously these are, I. Yeah, they're, they're different. If I was doing it in California, if I was in California, I would be thinking more about olives and pomegranates and figs and things like that, you know, like there's a lot less water for growing trees here, so depending on where you are, unless you're on the coast. [00:32:55] Craig Macmillan: Are you planning on using hybrids in your project? [00:32:59] Adam Huss: Yeah. I don't know how I would do it any other way. Yeah, it's, definitely a climate that. If you try to grow ra, like you're just asking for trouble. And, and just, you know, because of my approach is so ecological, like I will attempt to be as minimal inputs as possible is the other way I look at it. [00:33:20] You know, try to just imitate what's happening around to, to see what that landscape wants to do and then how it. Maintains its health and resilience and maybe, and, and I mean, my, my ideal is to spray not at all. But you know, with not a dogma about that. If I see an issue or if I think like I'm building up these pathogen loads in the vineyard, maybe I'll spray once a year, even if they seem like they're doing okay. [00:33:47] You know, I'm not like dogmatic about nose spray, but I, it's a, it's a fun ideal to reach for. And I, you know, I think potentially with. Some of the symbiotic benefits of these systems that could be achievable with with the right hybrids. You know, I mean, again, I don't wanna generalize about hybrids because you have the Andy Walker hybrids on the one end, which you have to treat just like vinifira in terms of the spray program. [00:34:10] And then on the other hand, you have something like Petite Pearl or Norton, which is like in many cases is almost like a bulletproof. Grape, you know, and in California specifically, it would be like insanely. And then you have things right down the middle. Things like tranet that you know, is basically like, I could blind taste you on Tranet and you wouldn't be able to tell the difference between it and gewurztraminer . [00:34:31] But it's more cold, hearty, it has a little more disease resistance. Gives you a just a little bit, a little bit more of a benefit while still getting flavors that are familiar to you. If you like those flavors. [00:34:43] Craig Macmillan: Is there one thing that you would tell growers on this topic? One takeaway. [00:34:48] Adam Huss: Great question. I think give hybrids the same allowance that you give Vinifera. I. We all know there's a huge diversity of Vin Nira from Petite Ough to Riesling. And not everyone is right for every wine drinker and not all of them per perform the same in the vineyard. And, and you know, and we tolerate a lot of. [00:35:12] Frailty and a lot of feebleness in our veneer vines. We, we do a lot of care. We do a lot of like, you know, handholding for our veneer vines when necessary. If we extended the same courtesy to hybrids in terms of understanding and willingness to work with them. I think like that would just go a really long way too. [00:35:33] And I think we'd be surprised to find , they're a lot less handholding than, than Venire generally speaking. I. But also just try some. I think a lot of the prejudice comes from just not being exposed to them right now. You know, if you, if you think, if you're thinking negative thoughts about hybrids, get out there and drink some, you probably just haven't had enough yet. [00:35:51] And if you don't like the first one, you know, how many bad Cabernets have you had? I mean, if, if I had stopped drinking vinifira, I [00:35:59] Craig Macmillan: Yeah, that's, that's a really good point. If I judged every wine by the first wine that I tasted, that's probably not a very, [00:36:06] Adam Huss: right. [00:36:07] Craig Macmillan: good education there, [00:36:08] Adam Huss: Prevented me from exploring further, I would've missed out on some of the more profound taste experiences of my life if I'd let that, you know, guide my, you know, my thinking about it. So yeah, I think it's like anything with prejudice, once you get beyond it, it kind of, you see how silly it is, man. [00:36:25] It's, it's like so freeing and, and there's a whole world to explore out there. And like I said, I really think they're the future. Like if we wanna have a future, . We can only cling to the past for so long until it just becomes untenable. [00:36:38] Craig Macmillan: Right. Where can people find out more about you? [00:36:42] Adam Huss: So beyondorganicwine.com is the, the website for me. The email associate with that is connect@organicwinepodcast.com. [00:36:53] Craig Macmillan: Our guest today has been Adam Huss. He is the host of the Beyond Organic Podcast and is the co-owner of Centralas Wines in Los Angeles. [00:37:01] Thank you so much. This has been a really fascinating conversation and I'd love to connect with you at some point, talk more about. Out this, thanks for being on the podcast [00:37:08] Adam Huss: Thank you so much, Craig. Appreciate it. [00:37:13] Beth Vukmanic: Thank you for listening. Today's podcast was brought to you by VineQuest. A Viticultural consulting firm based in Paso Robles, California, offering expert services in sustainable farming, vineyard development, and pest management. With over 30 years of experience, they provide tailored solutions to enhance vineyard productivity and sustainability for wineries and agribusinesses across California. [00:37:38] Make sure you check out the show notes for links to Adam. His wine, brand, Centralis plus sustainable wine growing podcast episodes on this topic, 135 Cold hardiness of grapes 217. Combating climate chaos with adaptive wine, grape varieties, and 227. Andy Walker's Pierce's Disease resistant grapes are a success at Ojai Vineyard. [00:38:04] If you liked the show, do us a big favor by sharing it with a friend, subscribing and leaving us a review. You can find all of the podcasts at vineyardteam.org/podcast and you can reach us at podcast@vineyardteam.org. [00:38:19] Until next time, this is Sustainable Wine Growing with Vineyard Team.   Nearly perfect transcription by Descript

Aujourd'hui, j'ai le plaisir d'accueillir Severine C. Camus. Après une carrière dans les ressources humaines, elle s'est formée à diverses approches comme la PNL, l'hypnose, la géobiologie et l'énergétique chinoise. Elle a exercé pendant huit ans en tant que thérapeute et coach, avant de devenir artiste visuelle multidisciplinaire. Elle développe désormais des projets autour des espaces de vie.Elle est l'auteure du Le complexe de la pieuvre paru aux éditions Vuibert. À travers son livre, elle met en lumière ces esprits foisonnants, curieux de tout, souvent très sensibles… et qui peuvent parfois se sentir en décalage. Comment transformer cette richesse intérieure en force ? Comment s'autoriser à exister pleinement sans chercher à se conformer ?Vous pouvez retrouver Severine C. Camus :- Site : https://www.severine-c-camus.com/- Instagram : https://www.instagram.com/severine.c.camus/Bonne écoute !------------------------------------------------------------------------------------------------------------------------------------------Si vous avez apprécié cet épisode, et que vous souhaitez soutenir gratuitement le podcast, n'hésitez pas laisser 5 étoiles et un commentaire sur Apple podcast

Eduardo Vasco y Lara Grube vienen a hablarnos de 'Viaje hasta el límite', una obra de Luis Martín-Santos escrita en 1953 y ahora en cartel en el Teatro Español hasta el 8 de junio. Ernesto Arias interpreta a Pedro, un empresario que lleva al extremo sus relaciones para saber si lo quieren a él o a su dinero. Con ecos de Sartre y Camus, la pieza explora la codicia, el amor y el efecto Pigmalión en un entorno de posguerra marcado por la alta burguesía.Dani Galindo informa sobre la décima edición del Festival Visibles, que promueve la inclusión y diversidad en las artes escénicas, con una programación que pone en valor las diferencias. Ángela Núñez nos presenta la obra del escultor gallego Rodríguez-Méndez, expuesta en el Centro de Arte Contemporáneo 2 de Mayo de Móstoles. Su trabajo, en constante transformación, desafía los límites del objeto artístico. Agnès Batlle nos lleva al CaixaForum Barcelona, donde José Juan Pérez Preciado comisaría Rubens y los artistas del Barroco flamenco, una exposición con 60 obras que muestran la influencia de Rubens en otros grandes maestros flamencos.Laura García cubre la nueva creación de La Fura dels Baus en el Teatro Cervantes de Málaga: SONS: ser o no ser, una versión inmersiva de Hamlet que mezcla proyecciones, sonido envolvente y contacto directo con el público. Inko Martín adelanta el homenaje de la Orquesta y Coro RTVE al director rumano Sergiu Comissiona, que tendrá lugar el 30 de mayo en el Teatro Monumental. Por último, Martín Llade comenta El poder de la música, de Pedro González Mira, un relato novelado donde un personaje, Gastón, recorre su vida a través de la música, desde la radio de su infancia hasta convertirse en crítico, guiado por Bach, Bartók o Beethoven.Escuchar audio

A recording from the archive. Enjoy.Al.

durée : 00:03:37 - Le Pourquoi du comment : philo - par : Frédéric Worms - Et si nous ne pouvions exister sans le dehors ? Pour le psychanalyste Winnicott, une “subjectivité mûre” tient entre limites et ouverture. Être bien dans son corps pour s'ouvrir au monde. Selon le philosophe Camus : on ne sort vraiment que depuis un chez-soi. - réalisation : Rafik Zénine

If I could time travel anywhere, I'd skip the big battles and royal balls. Drop me in a smoky café in 1940s Paris—existentialism, espresso, and all! If you're not convinced, take a listen! 

¡Regalo GRATIS en nuestra LISTA DE CORREO! ➡️https://www.letraminuscula.com/suscribirse-lista-de-correo/ Visita nuestra WEB https://www.letraminuscula.com/ SI deseas PUBLICAR escríbenos : contacto@letraminuscula.com Llámanos☎ o escríbenos por WhatsApp:+34640667855 ¡SUSCRÍBETE al canal! CLIC AQUÍ: https://bit.ly/2Wv1fdX RESUMEN: En este vídeo, Roberto Augusto analiza los casos de escritores que rechazaron el Premio Nobel de Literatura, como Boris Pasternak, Jean-Paul Sartre, Tolstoy, Camus, y Bob Dylan. Reflexiona sobre las razones ideológicas, personales y políticas detrás de estas decisiones y ofrece su opinión sobre la importancia y el impacto del galardón. ⏲MARCAS DE TIEMPO: ▶️00:00 Escritores que rechazaron el Nobel ▶️01:42 Impacto del Nobel en la productividad ▶️03:13 Críticas de Camus y otros autores ▶️04:39 Opiniones personales sobre el Nobel ▶️05:53 Rechazo del Nobel y conclusiones

En un viejo libro dedicado a Sartre y Camus, Mario Vargas Llosa escribió esta brevedad: “Un autor conquistan grandes masas de lectores de la misma manera en que las pierde: misteriosa y repentinamente”

Philosophize This!: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Today we talk about Camus' book The Fall and what the main character represents in his larger project. We also talk about someone Camus deeply admired, Franz Kafka, and how to think of the images he created in his work. We talk about the experience of the modern individual in relation to politics. We also talk about what Camus and Kafka disagreed on. Hope you love it. :) Sponsor: Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we talk about Camus' book The Fall and what the main character represents in his larger project. We also talk about someone Camus deeply admired, Franz Kafka, and how to think of the images he created in his work. We talk about the experience of the modern individual in relation to politics. We also talk about what Camus and Kafka disagreed on. Hope you love it. :) Sponsor: Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lo sponsor di questo episodio è NordVPN! Visto che sei un ascoltatore di questo podcast puoi approfittare di una fantastica offerta:  4 mesi extra per un piano biennale! Usa questo link: nordvpn.com/mitologia Il Tartaro nasconde innumerevoli punizioni, ma forse nessuna è tanto sottile e profonda quanto quella di Ocno, l'eterno intrecciatore. In questo episodio, esploriamo la figura di questo dannato poco conosciuto che tesse instancabilmente una corda divorata da un'asina, simbolo potente del nostro rapporto con la creazione e la transitorietà. Dalle testimonianze di Pausania alla filosofia di Camus, scopriamo come questa figura marginale della mitologia porti con sé un messaggio sorprendentemente attuale sulla dignità umana e sul valore del processo creativo al di là del suo risultato. .-.-, Per avere informazioni su come puoi supportare questo podcast vai qui: Scopri come puoi aiutarmi! Se ti va di dare un'occhiata al libro “Il Re degli Dei”, ecco qui un link (affiliato: a te non costa nulla a me dà un piccolissimo aiuto):  Leggi un estratto da "Il Re degli Dei" Se ti va di dare un'occhiata al libro “Eracle, la via dell'eroe”, ecco qui un link:  Scarica un estratto da "Eracle, la via dell'eroe" Altri link affiliati: Lista dei libri che consiglio (lista in continuo aggiornamento):  Libri consigliati Lista dei film che consiglio (lista in continuo aggiornamento):  Film DVD/BR consigliati Lista hardware che consiglio per chi è curioso del mondo per podcast (lista in continuo aggiornamento):  Hardware per iniziare a fare podcast! Cerchi momenti di pace e serenità? Ascolta i migliori suoni della natura e la migliore musica per meditare, studiare o semplicemente rilassarti: Suoni della Natura e Musiche rilassanti Uso plugin audio da questa Software House: Waves. Se vuoi dare un'occhiata, anche questo è un link affiliato: Waves Software House Learn more about your ad choices. Visit megaphone.fm/adchoices

In de podcast Wat Blijft een aflevering over Albert Camus door Emmie Kollau.  Albert Camus was een Franse filosoof, journalist en schrijver die o.a. bekend werd door zijn boeken ‘De pest', ‘De val' en ‘De vreemdeling'. Hij wordt de filosoof van ‘het absurde' genoemd en tegen zijn zin ook gerekend tot één van de belangrijkste existentialisten. Hij groeide op in de armste wijk in Algiers, week in 1940 naar Frankrijk uit om o.a. lector van de beroemde Parijse uitgeverij Gallimard te worden.  Hij kwam om het leven door een auto-ongeluk.     In Wat Blijft praat Emmie Kollau met:    Eva Rovers (1978), biograaf, schrijver en directeur van Bureau Burgerberaad Het werk van Camus is voor haar op grote invloed geweest en bracht haar o.a. tot het schrijven van haar boek over activisme 'Ik kom in opstand, dus wij zijn' .    Bas Heijne (1960), essayist, columnist en winnaar van de P.C. Hooftprijs. Het werk van Albert Camus deed hem als jongeman weinig. Dat veranderde een paar jaar geleden. Hij zorgde ervoor dat er een heruitgave kwam van vier brieven die Camus tijdens de Tweede Wereldoorlog schreef aan een denkbeeldige Duitse vriend, die zich tot het nazisme had bekeerd.     Roel Meijvis (1995), filosoof en theatermaker. Hij las Camus voor het eerst toen hij met liefdesverdriet op een Waddeneiland zat. Hij was meteen gegrepen, las alles, schreef een scriptie en uiteindelijk het boek 'De glimlach van de aarde. Het voelende denken van Albert Camus'. 

Desde Arica, la ciudad más al norte de Chile, conversamos con Paulina Camus, la artista que está revolucionando la escena independiente con su nuevo sencillo "No Te Gusto". Descubrimos cómo fusiona sus raíces folclóricas con sintetizadores de los 80, guitarras de 12 cuerdas y letras que juegan con la ironía del desamor.https://www.youtube.com/watch?v=kPKLA9YhA90https://open.spotify.com/intl-es/track/3LmKAjfpUhvTCcfxY1sZDnhttps://www.instagram.com/paulunacamus/https://www.facebook.com/paulunacamushttps://www.tiktok.com/@paulinacamusmusica

Dans le Paris effervescent des années 1950, découvrez l'histoire vraie de Françoise Sagan, jeune prodige de 19 ans qui bouleverse le monde littéraire avec son tout premier roman, Bonjour Tristesse. Succès fulgurant, secrets de famille, rencontres marquantes avec Sartre et Camus : suivez le parcours captivant d'une femme audacieuse, prête à conquérir le monde. Mais son ascension sera jalonnée d'épreuves et de révélations inattendues. Jeunesse, liberté, émancipation féminine et bouleversements sociaux s'entrelacent dans un tourbillon d'émotions. Le début d'une légende littéraire, qui a marqué son époque et continue de résonner aujourd'hui. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mathieu Alterman explore les liens étroits entre la littérature et la musique. Il présente des chansons de Serge Gainsbourg, Mylène Farmer, Alain Souchon et d'autres artistes qui se sont inspirés d'œuvres littéraires célèbres, de Verlaine à Orwell en passant par Camus et Shakespeare. Une plongée passionnante dans les croisements féconds entre ces deux arts.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mathieu Alterman explore les liens étroits entre la littérature et la musique. Il présente des chansons de Serge Gainsbourg, Mylène Farmer, Alain Souchon et d'autres artistes qui se sont inspirés d'œuvres littéraires célèbres, de Verlaine à Orwell en passant par Camus et Shakespeare. Une plongée passionnante dans les croisements féconds entre ces deux arts.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 01:17:51 - Les Nuits de France Culture - par : Geneviève Huttin - En 1968, Emmanuel Roblès partage ses lectures fondatrices : Camus, Dostoïevski, Hemingway, Lorca, Dedet. Une traversée littéraire entre tragédie, mystère humain et quête du bonheur. Une méditation vibrante sur la vie, la mort et le destin. - réalisation : Virginie Mourthé - invités : Emmanuel Roblès Écrivain français (1914-1995)

According to College of Policing guidance, Non-Crime Hate Incidents (NCHIs) help forces build an intelligence picture of community tensions and understand where they need to allocate resources for prevention. Indeed, during a House of Lords debate in November 2024, Lord Hanson, the Home Office minister, told peers: “It is vital that the police monitor non-crime hate incidents when proportionate and necessary to do so to help prevent serious crimes”. However, the Telegraph reports that freedom of information requests submitted to police by Harry Miller, the founder of Fair Cop, revealed that many of the biggest forces, including the Met, Greater Manchester and West Midlands do not actually analyse the NCHI data they collect. Meanwhile, the Conservatives are tabling an amendment to the Crime and Policing Bill to abolish non-crime hate incidents. FSU members can use our Campaigns tool to write to their MPs to urge them to vote for this amendment. In our next item, we discuss the barring of Renaud Camus, a French philosopher, from entering the UK due to his controversial views on immigration. Lord Young is quoted in the Telegraph, “We've reached out to him to see if he'd like any help in appealing this decision, and he said yes. So I anticipate that we are going to be getting an immigration lawyer on the case”. He adds, “I don't think that the common good is endangered by inviting people to set out their contentious views in the public square, particularly not someone as distinguished as Mr Camus”. We end with a brief discussion on a new FSU briefing paper written by Trevor Kavanagh and entitled, “Journalism in the Dock, Sir Keir Starmer's Baseless Prosecution of Tabloid Journalists as Director of Public Prosecutions”. The video of Monday's FSU event, “Lifeblood of Democracy”, where we discussed the issues raised within the paper and Operation Elveden, will soon be available on our website. ‘That's Debatable!'  is edited by Jason Clift.

Tune in to hear:Why should we take heed of our internal anxiety that expresses that something is not quite right in our lives?Why do Existential Philosophers think of anxiety as a potential catalyst for personal growth rather than a hindrance?How can passion help us give our anxiety form and function?How did the philosopher Heidegger think about anxiety's role in our lives?How does Albert Camus relate anxiety to one's sense of the weariness of life?LinksThe Soul of WealthConnect with UsMeet Dr. Daniel CrosbyCheck Out All of Orion's PodcastsPower Your Growth with OrionCompliance Code: 0983-U-25093

Today we talk about the concept of exile from the work of Camus. We focus on a couple stories from his book Exile and The Kingdom. We talk about why Camus insists that true lucidity can only arise from the jarring lived experience he calls “exile,” not from armchair reflection. We talk about Janine's desert epiphany in “The Adulterous Woman.” We talk about school‑teacher Daru in “The Guest,” trapped between France and Algeria, whose double exile shows how history can choose for us. We talk about the everyday escape hatches—nostalgia, comfort contracts, curated news bubbles—that let people dodge exile until reality blindsides them. Hope you enjoy it! :) Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Incogni: https://www.Incogni.com/philothis Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our guests are Régis Camus and Carl Hirschmann, co-founders of Heavensake https://www.heavensake.com/, which was founded in 2016. Heavensake is truly unique.  It is the first sake producer that introduced the blending (assemblage) technique to the traditional sake-making process.  The mastermind behind Heavensake is Régis Camus who led the renowned Champagne House Piper-Heidsieck as the Chef de Cave for 28 years.  Another key point of Heavensake is that Régis and Carl and their team work closely with traditional sake brewers. In this episode, we will discuss how the blending techniques that are used in Champagne production work in sake brewing, how its collaborations with top traditional sake breweries inspire the sake industry overall,  and much, much more!!!

Today we talk about Camus' concept of rebellion and how it offers a powerful alternative to abstract ideologies. We talk about solidarity as the foundation for justice without systems. We talk about the death penalty as a symbol of premeditated murder disguised as virtue. We talk about rebellion as something closer to art than politics—an act rooted in experience, defined by limits, and carried out with sincerity. Hope you love it! :) Sponsors: Nord VPN: https://nordvpn.com/philothis  The Perfect Jean: https://theperfectjean.nyc Code: PT15  Harry's: https://www.harrys.com/PHILOSOPHIZE Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

After a brief haitus to focus on 2025 planning, we're back! Last week we sat down with Astrid Atkinson, CEO and co-founder of Camus Energy. We talked about all kinds of fun stuff: how this moment of grid expansion is like the expansion of cloud services, how it isn't, how we can connect large loads faster via flexibility, where Astrid sees the grid going, how Camus started, what cool new stuff Camus is working on today, the nuance between distributed systems versus decentralized systems, and more. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.dertaskforce.com/subscribe

The Japanese philosopher Yujin Nagasawa says the majority of people are what he calls ‘existential optimists'. What does this mean for ideas about evil and the creation of life? Jack Symes' essay takes us through the views of thinkers including Schopenhauer, Stephen Law and Camus. Jack Symes is a New Generation Thinker on the scheme run by the Arts and Humanities Research Council and the BBC to put academic research on radio. He is based at Durham University. His books include Philosophers on Consciousness: Talking about the Mind and Talking about Existence and Defeating the Evil-God Challenge and he is working on a book about morality. Producer: Luke Mulhall

In The Myth of Sisyphus, Albert Camus wrote that "there is only one truly serious philosophical problem and that is suicide." In this week's philosophical news recap, Nathan and Taylor discuss death, dying, and the rise of identity based persecution in the context of existential philosophy. Trigger warning that this episode covers issues related to genocide, suicide, and sexual abuse. If you'd like more information about Camus and/or existential philosophy, see my YouTube channel, BYTE-GEIST, where I have a variety of introductory videos on the topic. Or, check out my interviews with expert existentialist Dr. James McLachlan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Străinul (în franceză L'Étranger) este un roman scris de Albert Camus și publicat în 1942. Tema și perspectivele sale sunt adesea citate ca exemple ale filozofiei absurdului și existențialismului lui Camus, deși Camus a respins personal ultima etichetă. Personajul principal este Meursault, un franco-algerian indiferent ("un cetățean al Franței domiciliat în Africa de Nord, un om mediteranean, un homme du midi care abia cunoaște cultura mediteraneană tradițională") care, după ce a participat la înmormântarea mamei sale, ucide apatic un bărbat arab pe care el îl cunoscuse la Alger. Povestea este împărțită în două părți: punctul de vedere al lui Meursault (narat la persoana I) înainte și, respectiv, după crimă. *Dialog înregistrat la 23 martie, 2025. ▶DISCORD: – Comunitatea amatorilor de filosofie și literatură: https://discord.gg/meditatii ▶PODCAST INFO: – Website: https://podcastmeditatii.com – Newsletter: https://podcastmeditatii.com/aboneaza – YouTube: https://youtube.com/c/meditatii – Apple Podcasts: https://podcasts.apple.com/us/podcast/meditatii/id1434369028 – Spotify: https://open.spotify.com/show/1tBwmTZQHKaoXkDQjOWihm – RSS: https://feeds.soundcloud.com/users/soundcloud:users:373963613/sounds.rss ▶SUSȚINE-MĂ: – Patreon: https://www.patreon.com/meditatii – PayPal: https://paypal.me/meditatii ▶EXTRA: – Twitch: https://www.twitch.tv/meditatii – Politică: https://www.youtube.com/@andrei_vasilachi – Dialoguri filosofice: https://soundcloud.com/meditatii/sets/dialoguri-pe-discord – Book club: https://soundcloud.com/meditatii/sets/book-club ▶SOCIAL MEDIA: – Instagram: https://www.instagram.com/meditatii.podcast – TikTok: https://www.tiktok.com/@meditatii.podcast – Facebook: https://www.facebook.com/meditatii.podcast – Goodreads: https://goodreads.com/avasilachi – Telegram (jurnal): https://t.me/andreivasilachi – Telegram (chat): https://t.me/podcastmeditatii ▶EMAIL: andrei@podcastmeditatii.com

Christopher Laquieze est un penseur autodidacte à la trajectoire singulière. Il n'a pas étudié la philosophie dans un cadre académique classique, mais a construit sa sagesse à travers les épreuves de la vie, la lecture passionnée et une quête personnelle du sens. Il est l'auteur du livre Le Silence de la Joie, une œuvre aussi poétique que profondément philosophique.J'ai découvert Christopher à travers son compte Instagram qui cumule plus de 300 000 followers et que je suivais avec beaucoup d'intérêt, intrigué par la densité et la lucidité de ses propos. Et ce que je peux vous dire, c'est que notre rencontre ne m'a pas déçu — bien au contraire. Dans cette période un peu dystopique et effrayante, j'avoue envie de vous parler de joie et de la manière dont on pouvait la trouver.Et ca tombe bien, dans cet épisode, nous avons plongé ensemble dans une réflexion vertigineuse sur le silence, la joie, le réel et la réalité.Nous avons parlé du silence de la joie, cette joie qui naît sans cause, comme un souffle venu du fond de l'âme. Une joie qui, pour Christopher, est un cri, une forme de révolte face à l'absurdité du monde. J'ai voulu comprendre ce que signifiait pour lui cette forme de joie silencieuse, mais aussi pourquoi il considérait le monde comme “tragique” et comment, malgré tout, il choisit d'y affirmer son existence.Christopher m'a partagé son parcours : une adolescence chaotique, une dépression sévère, une dérive dans la spiritualité dogmatique, et enfin, une renaissance à travers la philosophie. Une philosophie brute, vécue, ancrée dans le réel. Il raconte comment la philosophie l'a aidé à déconstruire des croyances, à abandonner des illusions, mais aussi comment elle peut être déstabilisante, voire destructrice.Nous avons abordé la notion de désir — non pas comme manque, mais comme élan vital — et évoqué des penseurs majeurs : Spinoza, Nietzsche, Camus, Clément Rosset, Pessoa... Autant d'influences qui éclairent sa pensée et nourrissent ses réflexions.Dans cet épisode, j'ai questionné Christopher sur le développement personnel, les dangers de la pensée positive poussée à l'extrême, la mémoire, la solitude, l'amitié, et cette idée si bouleversante : peut-on vraiment “passer à côté de sa vie” ?C'est une conversation d'une rare intensité, lucide, parfois brutale, mais toujours profondément humaine. Une plongée dans l'âme, un dialogue avec nos zones d'ombre, et une invitation à repenser ce que signifie vivre avec joie, malgré tout.5 citations marquantes« La joie, c'est apprendre à désespérer sans tomber dans le désespoir. »« Le silence n'est pas une absence de langage, mais une présence de sens. »« Ce n'est pas parce qu'une chose est bonne que je la désire, mais parce que je la désire qu'elle devient bonne. »« La philosophie ne sauve pas toujours ; elle peut aussi nous détruire. »« On ne se définit pas parce qu'on est, mais parce qu'on n'est pas. »10 questions que l'on se poseQu'est-ce que représente pour toi “le silence de la joie” ?Pourquoi qualifies-tu le monde de tragique ?Le silence est-il le grand oublié de notre société connectée ?Pourquoi t'es-tu autant intéressé à la philosophie ?Est-ce que la philosophie peut nous sauver ?Quelle est ta vision du développement personnel aujourd'hui ?Comment animes-tu la joie en toi au quotidien ?Que signifie “désirer ce que l'on a déjà” ?Comment différencies-tu le réel et la réalité ?Est-ce que l'on peut passer à côté de sa vie ?Timestamps00:00 – Introduction de l'épisode01:45 – Le concept du “silence de la joie”03:06 – Pourquoi le monde est-il tragique ?04:17 – Le silence dans une société ultra-connectée06:16 – Le parcours personnel de Christopher vers la philosophie08:33 – La philosophie peut-elle être destructrice ?13:49 – Une critique de la spiritualité et du développement personnel21:16 – Comment naît la joie dans l'absurde ?23:42 – L'éternel retour et la joie selon Nietzsche30:55 – Désirer ce que l'on a déjà, selon Spinoza35:04 – La gratitude face au quotidien38:44 – Conclusion Suggestion d'autres épisodes à écouter : #335 Trouver du reconfort dans un monde en chaos avec Marie Robert (https://audmns.com/ICuFMra) Vlan #90 Booster sa confiance en soi à l'ère numérique avec Charles Pepin (https://audmns.com/oVsnEHR) #336 Le bonheur doit être le projet de notre siècle avec Arthur Auboeuf (https://audmns.com/LkXQumL)Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Christopher Laquieze est un penseur autodidacte à la trajectoire singulière. Il n'a pas étudié la philosophie dans un cadre académique classique, mais a construit sa sagesse à travers les épreuves de la vie, la lecture passionnée et une quête personnelle du sens. Il est l'auteur du livre Le Silence de la Joie, une œuvre aussi poétique que profondément philosophique.J'ai découvert Christopher à travers son compte Instagram qui cumule plus de 300 000 followers et que je suivais avec beaucoup d'intérêt, intrigué par la densité et la lucidité de ses propos. Et ce que je peux vous dire, c'est que notre rencontre ne m'a pas déçu — bien au contraire. Dans cette période un peu dystopique et effrayante, j'avoue envie de vous parler de joie et de la manière dont on pouvait la trouver.Et ca tombe bien, dans cet épisode, nous avons plongé ensemble dans une réflexion vertigineuse sur le silence, la joie, le réel et la réalité.Nous avons parlé du silence de la joie, cette joie qui naît sans cause, comme un souffle venu du fond de l'âme. Une joie qui, pour Christopher, est un cri, une forme de révolte face à l'absurdité du monde. J'ai voulu comprendre ce que signifiait pour lui cette forme de joie silencieuse, mais aussi pourquoi il considérait le monde comme “tragique” et comment, malgré tout, il choisit d'y affirmer son existence.Christopher m'a partagé son parcours : une adolescence chaotique, une dépression sévère, une dérive dans la spiritualité dogmatique, et enfin, une renaissance à travers la philosophie. Une philosophie brute, vécue, ancrée dans le réel. Il raconte comment la philosophie l'a aidé à déconstruire des croyances, à abandonner des illusions, mais aussi comment elle peut être déstabilisante, voire destructrice.Nous avons abordé la notion de désir — non pas comme manque, mais comme élan vital — et évoqué des penseurs majeurs : Spinoza, Nietzsche, Camus, Clément Rosset, Pessoa... Autant d'influences qui éclairent sa pensée et nourrissent ses réflexions.Dans cet épisode, j'ai questionné Christopher sur le développement personnel, les dangers de la pensée positive poussée à l'extrême, la mémoire, la solitude, l'amitié, et cette idée si bouleversante : peut-on vraiment “passer à côté de sa vie” ?C'est une conversation d'une rare intensité, lucide, parfois brutale, mais toujours profondément humaine. Une plongée dans l'âme, un dialogue avec nos zones d'ombre, et une invitation à repenser ce que signifie vivre avec joie, malgré tout.5 citations marquantes« La joie, c'est apprendre à désespérer sans tomber dans le désespoir. »« Le silence n'est pas une absence de langage, mais une présence de sens. »« Ce n'est pas parce qu'une chose est bonne que je la désire, mais parce que je la désire qu'elle devient bonne. »« La philosophie ne sauve pas toujours ; elle peut aussi nous détruire. »« On ne se définit pas parce qu'on est, mais parce qu'on n'est pas. »10 questions que l'on se poseQu'est-ce que représente pour toi “le silence de la joie” ?Pourquoi qualifies-tu le monde de tragique ?Le silence est-il le grand oublié de notre société connectée ?Pourquoi t'es-tu autant intéressé à la philosophie ?Est-ce que la philosophie peut nous sauver ?Quelle est ta vision du développement personnel aujourd'hui ?Comment animes-tu la joie en toi au quotidien ?Que signifie “désirer ce que l'on a déjà” ?Comment différencies-tu le réel et la réalité ?Est-ce que l'on peut passer à côté de sa vie ?Timestamps00:00 – Introduction : réel vs réalité02:00 – Nos perceptions façonnent notre réalité04:00 – Le langage, la poésie, et la manière de dire le monde06:30 – Mémoire, souvenirs et illusions : quand la fiction transforme le passé09:00 – Solitude, isolement, et rapport à soi12:00 – Peut-on se perdre ? Peut-on passer à côté de sa vie ?15:00 – Nier le réel pour se réfugier dans un récit personnel17:30 – Le deuil, l'imaginaire et les objets symboliques20:00 – Les illusions joyeuses et le risque de désillusion23:00 – L'éternel retour, Spinoza et le désir de ce qui est26:00 – Le conatus et l'énergie vitale du quotidien30:00 – Amour, désir et joie selon Spinoza34:00 – Friction vs confort : le rôle du labeur dans la joie38:00 – Ce que l'on est, ce que l'on n'est pas : se définir par la négation41:00 – Clôture de l'épisode : ouvrir et fermer la porte à l'expérienceDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Philosophize This!: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Today we talk about the book The Stranger by Albert Camus. We talk about why Camus saw himself as an artist and not a philosopher. We talk about happiness. The absurd and it's full implications. The Mediterranean lifestyle. The sun as a symbol of immanence. Revolt against the absurd as a descriptive claim-- not a normative one. Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we talk about the book The Stranger by Albert Camus. We talk about why Camus saw himself as an artist and not a philosopher. We talk about happiness. The absurd and it's full implications. The Mediterranean lifestyle. The sun as a symbol of immanence. Revolt against the absurd as a descriptive claim-- not a normative one. Sponsors: ZocDoc: https://www.ZocDoc.com/PHILO Better Help: https://www.BetterHelp.com/PHILTHIS Thank you so much for listening! Could never do this without your help.  Website: https://www.philosophizethis.org/ Patreon: https://www.patreon.com/philosophizethis  Social: Instagram: https://www.instagram.com/philosophizethispodcast X: https://twitter.com/iamstephenwest Facebook: https://www.facebook.com/philosophizethisshow Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode is a replay from The Existential Stoic library. Enjoy! Many of us seem to believe happiness is a life free of discomfort, a life free of pain and suffering. In this episode, Danny and Randy explore how to deal with discomfort and why, at least sometimes, we should reinterpret its value.Subscribe to ESP's YouTube Channel! Thanks for listening!  Do you have a question you want answered in a future episode? If so, send your question to: existentialstoic@protonmail.com Danny, Randy, and their good friend, Russell, created a new podcast, CodeNoobs, for anyone interested in tech and learning how to code. Listen to CodeNoobs now online, CodeNoobs-podcast, or wherever you get your podcasts.

Rejoignez-moi sur Patreon pour accéder à mon contenu exclusif : https://www.patreon.com/leprecepteurpodcastAu XXe siècle, un nouveau courant philosophique fait son apparition : la phénoménologie. Fondée par Edmund Husserl, la phénoménologie entend "revenir aux choses mêmes". Qu'est-ce que cela signifie ? C'est ce que nous allons tenter de comprendre dans cet épisode.

قسمت سی‌وپنجم: معشوقه یا جاسوس کا.گ.ب؟"سرزمینم/حالا دیگر تو در سپیدی موهایم/ سکتۀ قلبی‌ام/ و در چین‌ و چروک پیشانی‌ام هستی / سرزمین من"پیام ناظم در "بیزیم رادیو" آشنایی با خانم "ورا" نخستین سفر بعد از زندان به پاریس برای تشکر از تزارا، کامو و سارترروایت "چنگیز حسین‌اف" و تردید او بر جاسوس بودن "گالینا"فرار ناظم و ورا از دست "گالینا"ساخت انیمیشن "ابر عاشق" بر اساس داستان ناظم سفر به "باکو" و دیدار با دوستانی چون آهنگساز بزرگ "توفیق قلی‌اف"آوازها: پالیوشکا پولیه: لیف کنیپر آیا در فضا موسیقی وجود دارد؟: اوژن دوگاسرزمین من: فاضل سای و زحل اولجای لالایی: آوازخوان یونانی، ایدلی تسالکیترجمه‌ی شعر این برنامه:احمد پوری (ممد و دو عشق"باصدای مترجم)جلال خسروشاهی و رضا سیدحسینی (حسرت)___________________________کاری از حامد کیان___________________________Episode 35: Lover or KGB Spy?"My homeland/Now you are in the whiteness of my hair/My heart attack/And in the wrinkles of my forehead/My homeland"Nazim's message in "Bizim Radio"Meeting Ms. "Vera"First trip after prison to Paris to thank Tzara, Camus and SartreNarrative of "Chengiz Hosseinov" and his doubt about "Galina" being a spyNazim and Vera's escape from "Galina"Making the animation "Cloud Lover" based on Nazim's storyTrip to "Baku" and meeting with friends like the great composer "Tofigh Gholiev"Songs:Paliushka Polye: Lev KnipperЕсть ли в космосе муз?: Eugen DogaMy homeland: Fazil Say and Zuhal OlcayNanourisma: Greek singer,Idili TsalikiPoetry translation of this program:Ahmad Puri (Mammad and two loves "with the voice of the translator)Jalal Khosroshahi and Reza Seyed Hosseini (Regret)___________________________________________________________A work by Hamed KiaanBölüm 35: Sevgili mi KGB Casusu mu?"Memleketim, memleketimNe kasketim kaldı senin ora işiNe yollarını taşımış ayakkabım"Nazım'ın "Bizim Radyo"daki mesajıBayan "Vera" ile tanışmaTzara, Camus ve Sartre'a teşekkür etmek için hapisten sonraki ilk Paris gezisi"Cengiz Hüseyinov"un anlatımı ve "Galina"nın casus olduğuna dair şüphesiNazım ve Vera'nın "Galina"dan kaçışıNazım'ın hikayesine dayanan "Bulut Aşık" animasyonunun yapımı"Bakü"ye gezi ve büyük besteci "Tofig Guliyev" gibi arkadaşlarla buluşmaŞarkılar:Paliuşka Polye: Lev KnipperUzayda müzik var mı?: Eugen DogaMemleketim: Fazıl Say ve Zuhal OlcayNinni: Yunan şarkıcı, Idli TsalkiBu programın şiir çevirisi:Ahmet Puri (Tercümanın sesiyle "Memed ve iki aşk")Celal Hüsrevşahi ve Rıza Seyyid Hüseyni (Pişmanlık)__________________________________________Hamed Kiaan'ın rseri Hosted on Acast. See acast.com/privacy for more information.

What Camus has to say in The Rebel is very relevant to our current trend towards absolutist and binary thinking! 

Hello :)Je ne sais pas si vous êtes abonnés à ma newsletter (hop), sinon voici le lien, c'est bimensuel et c'est gratuit : https://hop.kessel.media/Plutôt que de vous faire un long discours, je voulais vous la proposer ici en vous la lisant.Le sujet de la semaine dernière était celui de la joie rebelle qui me semble essentielle et que je traite ici.Dans cette newsletter vous trouverez aussi les prochains invités de Vlan et Ping mais aussi 3 liens vers des articles que j'ai trouvé passionnant et que je vous résume.Voici le texte :Quand je dis que je regarde demain avec beaucoup de joie, j'obtiens souvent des regards incrédules. Comment peut-on être joyeux face au changement climatique qui s'accélère, à la "mort" de la DEI (diversité, équité, inclusion) aux États-Unis, à l'emprise grandissante de l'extrême droite en Europe, au triomphe de l'anti-intellectualisme ?Le grand basculement : nous sommes dans l'entre-deux mondesDepuis les années 1980, le sociologue Michel Maffesoli nous alerte : nous vivons une transformation aussi profonde que le passage du Moyen Âge à la Renaissance. La modernité née avec les lumières - et tout son système de valeurs et de croyances - est en train de mourir."Une étoile morte éclaire pendant longtemps encore avant de disparaître intégralement", m'a-t-il expliqué quand je l'interrogeais sur la lenteur de cette transformation.Pour filer la métaphore de l'étoile, je crois que ce que nous vivons actuellement ressemble à l'explosion finale de cette étoile mourante – Une explosion, un dernier éclat spectaculaire avant l'extinction.Les Trump, Musk, Zuckerberg et leurs semblables en sont les ultimes ambassadeurs, brandissant désespérément les valeurs d'un monde déjà révolu :L'individualisme triomphantLe succès mesuré à l'accumulation (argent, notoriété, biens)La toute-puissance de la rationalité et de l'analyse (ce besoin de tout découper en morceaux pour tout expliquer)La croyance aveugle dans le progrès linéaire (notamment le techno-solutionnisme)La sacralisation des grandes institutions comme garantes de l'ordre socialNous vivons tous plus ou moins dans ce monde dans lequel nous sommes nés et qui régit encore, de manière tacite, nos modes de fonctionnement.Les contours du monde qui vientMaffesoli appelle timidement cette nouvelle ère la "post-modernité" car elle n'a pas encore vraiment de nom (elle sera défini par les historiens dans quelques centaines d'années).Ce qui est évident c'est qu'on la sent très fort et qu'elle se dessine autour de 6 grandes mutations :1. Le retour au tribalisme : l'émergence de petites communautés affectives et identitaires2. La réhabilitation de la sensibilité et de l'émotion : la raison n'est plus l'unique boussole3. La valorisation du présent : la fin de la dictature du projet et de la projection perpétuelle4. Le triomphe du nomadisme : la fluidité remplace la stabilité, y compris dans nos identités5. La réinvention du sacré : de nouveaux rituels contemporains émergent6. La vision holistique : afin de prendre en considération la complexité du monde et de sortir de l'analyse pureJe suis certain que vous pouvez ressentir ce monde qui vient doucement.Par essence, ce moment, cette croisée des chemins entre 2 moments, nous amène a beaucoup de contradictions internes d'ailleurs.Parfois je suis surpris de voir des personnes qui sont encore à 200% dans ce monde déjà mort mais je ne juge pas, j'y étais encore il y a quelques années et je sais que c'est un chemin à faire.D'ailleurs, je suis encore partiellement là moi aussi bien entendu.C'est passionnant à observer par ailleurs.L'âge des turbulencesÉvidemment, la modernité ne s'éteint pas sans combattre.Elle montre même son visage le plus terrible, avec une violence inédite. On parle souvent du "retour de la force brute" en évoquant le masculinisme agressif des Zuckerberg, Bezos, Musk ou Trump.Je regarde à nouveau actuellement "The Handmaid's Tale" (la servante écarlate), 8 ans après et les parallèles avec notre présent sont troublants : rejet des personnes LGBTQ+, chute de la natalité (on en parle bientôt sur Vlan ! et qui sera je pense accélérée par les microplastiques dans nos organismes), montée des fondamentalismes.Non, nous n'en arriverons probablement pas dans la dystopie de la série, mais ces échos sont édifiants et on voit ici et là des choses qui résonnent – en particulier, j'ai vu des fondamentalistes forcer des femmes à donner leurs enfants.Je pense que cette période va durer un petit moment, sans doute 10 ou 15 ans mais vous allez voir pourquoi je vous parle de joie !De l'optimisme forcené à l'optimisme lucideLes discussions avec des experts en géopolitique comme Luis Amado (ancien ministre des Affaires Étrangères portugais) que j'ai eu la chance de recevoir chez moi ou Pierre Haski, qui sera bientôt sur Vlan !, m'ont fait évoluer d'un optimisme parfois naïf vers ce que j'appelle un "optimisme-réaliste", certains parlent d'optimalisme.Je ne vais pas vous raconter n'importe quoi pour vous faire plaisir, la période qui s'ouvre est complexe.Il ne s'agit pas de rejoindre Harari qui évoque une potentielle 3ème guerre mondiale, mais d'accepter que certains combats aillent, probablement mais temporairement, dans le sens inverse de l'histoire.Féminisme, démocratie, égalité, racisme, respect des droits de l'Homme…Pour ceux qui en ont envie et qui se sentent déjà dans cette «postmodernité », ce temps doit nous servir à dépasser nos différences, à nous serrer les coudes autour de ce qui nous rassemble.Arrêter de critiquer ceux qui ne sont pas parfaits, arrêter de parler des risques mais construire un programme qui donne envie comme le propose Arthur Auboeuf : se concentrer sur le bonheur et réaliser que cette utopie est aussi écologique.Bien sûr, comme vous, je suis choqué à chaque fois que le monde bascule un peu plus dans l'horreur des excès de la modernité mais nous n'allons pas pouvoir y échapper donc utilisons notre énergie pour construire demain.Je vous l'ai dit : optimisme mais réaliste.La joie comme acte de résistanceC'est ici qu'intervient la joie dont je parle (enfin oui je sais ça aura pris un moment à venir).Comme l'expliquait Camus dans "L'Homme révolté" (1951), la révolte, même ancrée dans la souffrance, procure une forme de joie existentielle. Le bonheur n'est pas le but du combat mais réside dans l'acte même de résister.Le "Programme du Conseil National de la Résistance" pendant la seconde guerre mondiale n'était pas appelé par hasard "Les jours heureux".Il illustrait cette idée que le combat collectif - même dans les heures les plus sombres - porte en lui une forme de bonheur partagé.C'est intéressant de lire des auteurs de cette période.René Char est l'exemple parfait de cette joie dans la résistance et la création d'un nouvel espoir.Se battre, c'est refuser l'absurde, c'est affirmer la liberté contre l'oppression et c'est d'ailleurs de cette période qu'est tirée cette citation de René Char que nous utilisons tous : « Impose ta chance, serre ton bonheur et va vers ton risque. À te regarder, ils s'habitueront. ».Le combat même s'il est dur est une source de fierté et de joie car il redonne du sens à l'existence.Agir sur le monde c'est déjà une source de bonheur d'ailleurs (Charles Pepin – la confiance en soi)Un de mes auteurs favoris, le psychologue Viktor Frankl, enfermé dans les camps nous explique peu ou prou la même chose dans son ouvrage « Man search for meaning » et il va même plus loin puisque toute sa théorie se fait autour du « sens ».Lui explique qu'il a survécu aux camps car le sens ultime était son amour pour sa femme, son désir de finir un travail psychologique et surtout son engagement à témoigner de ce qu'il voyait.Il observe que dans les camps de concentration, ceux qui avaient un but, une mission à accomplir après la guerre, ou même une simple raison de survivre résistaient mieux psychologiquement.Ainsi, lutter n'est pas seulement une action extérieure mais aussi une transformation intérieure.Il observe que même dans l'horreur, certains détenus trouvaient du sens en aidant les autres, en récitant de la poésie, en trouvant des petites victoires sur la déshumanisation.Finalement Frankl insistait sur le fait que, même dans des conditions extrêmes, l'humain garde une liberté fondamentale : celle de choisir son attitude face à l'adversité.Comme Gramsci, il nous dit que l'optimisme de la volonté permet de surmonter le pessimisme de la réalité.La joie est déjà làCette période de contraintes nous permet paradoxalement de redécouvrir l'essentiel. Comme l'écrivait Nietzsche : "Ce qui ne me tue pas me rend plus fort."La difficulté forge non seulement notre résilience mais aussi notre capacité à apprécier les petites victoires, les moments de solidarité, la beauté des choses simples.Ma joie n'est donc pas celle d'un optimiste qui nie la réalité.C'est la joie lucide de celui qui voit dans la tempête actuelle non pas la fin du monde, mais la fin d'un monde.Et dans cette transformation douloureuse mais nécessaire, je trouve une raison profonde d'espérer car je sais que l'histoire nous donnera raison.Le réconfort comme acte de résistanceIl se trouve que je viens de partager sur Vlan ! une conversation incroyable avec Marie Robert. Elle développe dans son livre une idée qui résonne profondément avec notre époque : le réconfort n'est pas un repli douillet mais une nécessité vitale, presque un acte politique."On a tous et toutes un chagrin à raconter", dit-elle.Cette vérité universelle prend une résonance particulière dans notre monde hypernumérisé où les algorithmes nous abreuvent de catastrophes en continu, nous laissant paralysés devant nos écrans, incapables d'agir.Le réconfort dont parle Marie Robert n'est pas celui du plaid et du thé chaud (quoique en février on aime l'idée...). C'est avant tout une invitation à "retrouver le courage d'agir".Dans un monde qui nous pousse à l'individualisme et à la paralysie, se réconforter devient un acte de résistance.Comment ? En réapprenant à lever la tête.Littéralement. Sortir le nez de nos écrans pour croiser le regard des autres, pour redécouvrir l'émerveillement.Ce n'est pas un hasard si ce monde anxiogène nous pousse à baisser les yeux - regarder l'autre, c'est déjà commencer à retisser du lien.Il y a une forme d'audace, aujourd'hui, à oser la disponibilité.À ne pas optimiser chaque seconde de notre temps, à accepter ce que Trevor Noah appelle le "liming" : simplement être là, avec d'autres, sans autre but que d'être présent. Cela fait aussi écho à l'otium dont j'ai tant parlé ici.Cette disponibilité est le terreau du réconfort.Elle nous permet de renouer avec ce qui nous nourrit vraiment : l'amitié vraie (celle où l'on peut déposer son chagrin sans attendre de solution), le rire partagé (qui devient de plus en plus rare à mesure qu'on vieillit), l'émerveillement devant la beauté (même celle d'un simple trombone, comme le raconte une petite fille à Marie).Alors oui, je maintiens ma joie face à ce monde qui change.Mais j'y ajoute cette dimension essentielle du réconfort comme acte politique. Dans une société qui nous pousse à la performance et à l'urgence permanente, oser prendre le temps de se réconforter - et de réconforter les autres - devient un acte révolutionnaire.Ce n'est pas un hasard si les pouvoirs autoritaires commencent toujours par isoler les individus.À l'inverse, tisser des liens de réconfort, c'est déjà commencer à résister.C'est peut-être même la première étape pour retrouver ce courage d'agir dont nous avons tant besoin. Suggestion d'autres épisodes à écouter : [HORS SERIE] Coeur Brisé (https://audmns.com/jJlExgH) [HORS SERIE] Ecologie et mode de vie: comment réagir sans tout sacrifier? (https://audmns.com/iDvwTfO) [HORS-SERIE] 80h de conversation en 2024 résumées en 15 leçons de vie (https://audmns.com/YmITnWV)

In this episode you will hear Professor Heffernan of Merrimack College discuss reader response to Meursault inThe Stranger. Dr. Heffernan will take you on a tour of his previous work on The Stranger and then engage in a discussion of the reading of Meursault as a character in Camus' work.This episode is the last in the series bringing you the addresses give to The Albert Camus Society in 2023 held in Krakow, Poland.

Vanessa Stockard recently visited the podcast for the 3rd time!Vanessa Stockard was born in 1975 in Sydney and spent her formative years in a small country town in the Mid North Coast of New South Wales. At 12 she returned to Sydney as a boarder at Abbotsleigh. After graduating from the College of Fine Arts (COFA) Sydney in 1998 with a BFA, Stockard launched head first into the avant-garde art scene in the bohemian village of Glebe.Stockard is one of the most dangerous artists on the Australian, and by extension, international scene. Her ethereal works of art are a window into the soul of a talented and complex artist, one whose legacy is bound to resonate well past her generation. The existential nature of her painting viscerally questions our concepts of social relationships and reality.Twenty years of introspection and experimentation, ranging over a number of media, have forged Vanessa's style and vulcanised her craft, enabling her to reveal complex misdemeanours, while simultaneously demanding the viewer's self-reflection. She deals with isolation and sadness with intimate care and attention.Vanessa is unhindered by failure, always continuing the discovery of things previously unseen, revealing work that is fresh, unlaboured and penetrating. The deceptive everyday nature of her subject matter belies hidden depths of relationship, feeling and emotion. One could describe her process as absence of thought, a freedom of construct, not unlike the stream of consciousness associated with authors such as Hemmingway and Thomas Wolfe.If light and shade were students, she would be their master. This skill, combined with a naturally deft hand and a determined use of perspective, imbue her subjects with gravitas. The artist refers to set design elements that often alter and morph as her piece progresses. She has said she feels grounded from her ability to draw from the benign surrounds of familiar life, infusing these images with a meaning that yields a meditative satisfaction.Stockard's oeuvre features many pieces developed without any direct visual reference but rather from memory, often incorporating domestic pets such as cats and dogs. Juxtaposing the anthropomorphic nature these animals are given by our society, she infuses the personification of virtue and vice into the everyday canine and feline status quo of our pets. Cats with their fluffy comical exteriors glint with an instinctive urge to kill and cruelly torment their prey, dogs with their providence of happiness, loyalty and friendship are flung back onto Churchill's menacing metaphor for depression.The Kafkaesque mindset behind such works is reminiscent of the existentialist authors like Sartre and Camus. Absurdism appears with cake imagery and its relation to a childlike nostalgia for happiness which may never be real, but rather imaginary, unattainable and unachievable. It's been said “pain is inexhaustible, it's only people who get exhausted…”One can never “have it all”, to be both the artist and patron. To intrinsically understand those things around us that others overlook is what we want from our artists, our creatives. They give voice to the profound mystery of the world around us, surrounded as we are with consumerism, pointless greed, deceit and dissatisfaction. There's no pretension here in these paintings, just spontaneous insight and beauty. Some art is said to speak volumes, but these works are more like innocent and delicate poems, whispering untold truths with an economy of words.Something Rather Than Nothing Podcast

An analysis of the question, 'Why Live?' with a couple poems, Camus, Nietzsche, Puss in Boots, Suzume, and Nosferatu.SourcesCamus'The Myth of SisyphusNietzsche'sBeyond Good and EvilNietzsche'sThus Spoke ZarathustraHerman Hesse'sSiddharthaPuss in BootsNosferatu (2024)SuzumePeter Zapffe'sThe Last MessiahBackground Music"Esperanza" by Hermanos Gutiérrez"You Were Bigger Than Life" by Shook--both slowed and with pitches modified.My Novel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠On Death and God⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Social Media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Labhair Marie faoin moll pobail atá oscailte sa gCrompán ar an gCeathrú Rua.

Robert Zaretsky (University of Houston) joins the Infectious Historians to reflect on his experiences during Covid as he read “plague literature” and volunteered as an aide at a nursing home. The interview begins with Robert reflecting on his thinking during Covid and how he moved from reading history to literature. The conversation continues by moving between Robert's voluntary work at the nursing home and the books he read upon during Covid. Robert reflects on how he read Camus differently during Covid, drawing parallels between the novel and his own personal experiences. He proceeds to raise some of the existential questions from the book, and recounts how he left the nursing home and what happened afterwards.

durée : 00:19:51 - Lectures du soir - Jacques travaille tant et si bien qu'il reçoit un prix au lycée. Ce succès est une source de fierté pour sa mère, qui voit dans cette récompense le fruit de ses sacrifices. Il symbolise aussi l'espoir d'un avenir différent, loin des contraintes familiales.

durée : 00:20:06 - Lectures du soir - À son arrivée au lycée, Jacques ressent à la fois de l'excitation et de l'appréhension, confronté à un milieu plus raffiné et cultivé, il se sent décalé. Mais son intense soif de savoir lui donne la force nécessaire pour s'intégrer.

In this episode, I explore mental health, personal agency, and societal norms, challenging conventional views on bipolar disorder and emphasizing the importance of personal responsibility. I discuss the philosophy of the mind, advocating for reason and empirical evidence in understanding mental well-being. The conversation shifts to cryptocurrency, highlighting Bitcoin as a pathway to financial freedom, and critiques the risks posed by centralized digital currencies.I also address homeschooling, defending parental education against bureaucratic oversight, and critique modern ideologies that contradict human instincts. Drawing on philosophers like Camus and Sartre, I underscore the significance of personal integrity in philosophical discourse. This episode encourages listeners to critically assess societal constructs around mental health, education, and autonomy.GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Also get the Truth About the French Revolution, multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material, as well as targeted AIs for Real-Time Relationships, BitCoin, Peaceful Parenting, and over 100 Call-Ins. Don't miss the private livestreams, premium call in shows, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2022

Rejoignez-moi sur Patreon pour accéder à mon contenu exclusif : https://www.patreon.com/leprecepteurpodcastEcrivain mais aussi philosophe, Albert Camus s'est intéressé à la nature profonde de la condition humaine. Pour Camus, ce qui définit l'être humain, c'est son rapport à l'absurdité de son existence, qui le place face à un dilemme : le suicide ou la révolte. Analyse de cette conception. Vous pouvez nous soutenir :★En devenant contributeur sur Patreon : https://www.patreon.com/leprecepteurpodcast Vous pourrez ainsi accéder à du contenu inédit !★Ou en faisant un don ponctuel sur PayPal : http://paypal.me/leprecepteurpodcastPensez à laisser une note et un avis sur la plateforme de podcast où vous m'écoutez. Cela prend quelques secondes, et c'est un geste très utile pour le référencement du podcast ! Et bien sûr, continuez à partager les émissions que vous préférez sur vos réseaux sociaux.Le Précepteur Podcast a été créé pour vous et continuera d'exister grâce à vous.(Pour toute demande, vous pouvez contacter l'équipe du Précepteur Podcast ici : leprecepteurpodcast@gmail.com)

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comAnderson doesn't need an introduction, but he's a broadcast journalist who has anchored Anderson Cooper 360° for more than two decades. He's also a correspondent for 60 Minutes and the host of a podcast centered on grief, “All There Is.” He invited me on the pod after the death of my mother this summer, and this Dishcast episode is the extended version of our conversation, which covers my experience of the AIDS crisis and the deaths of my parents and my beagle, Bowie. I was not expecting to talk about my AIDS memories, so forgive me for some choking up.For three clips of our convo — on Anderson losing his brother to suicide, how he coped by seeking out warzones, and coming out of the closet on the Dish — head over to our YouTube page.Other topics: the two of us meeting at the downtown DC YMCA three decades ago; Anderson reading passages from my 1990 piece “Gay Life, Gay Death”'; my best friend Patrick who died of AIDS; my HIV diagnosis in 1993 that derailed my Green Card; my constant fear of deportation; the medieval tortures of AIDS; my photographer friend going blind; the program that paired gay men with patients; the men outed to their parents by AIDS; the deeper closet that black men faced; patients being pariahs among other gays; the partners excluded from hospitals and funerals; the clinical depression I fell into after HIV meds saved my life; my brief thought that God might be evil; how my faith sustained me; survivor's guilt; the survivors who escaped into meth; the happy-sad music of Pet Shop Boys; the AIDS quilt and Roy Cohn; the gallows humor of Diseased Pariah News; the amnesia around the plague; Virtually Normal; throwing myself into the marriage fight; the queer activists who opposed that fight; speaking at churches; ACT-UP's rage; the suffering of Christ; Obergefell; the ordeal of my 10-day silent meditation; Anderson losing his father at age 10 and closing down; his mother's struggle with alcohol; the last time he saw his brother alive; the taboo of talking about death; putting seniors in nursing homes; the decline of religion; Camus; my mom's mental illness; my parents' contentious marriage; their divorce after 49.5 years; losing my dad to a ghastly accident in early Covid; my mom's dementia; her prolonged and agonizing death; the mixed blessing of being so close to her; the heroic sacrifices of my sister; the death of Bowie; the power of venting grief; the powerful act of simply being present with mourners; Anderson's worries about his gay status reporting in dangerous places; a gay photographer killed by a mob in Somalia; and helping Tim Cook out of the closet.Browse the Dishcast archive for an episode you might enjoy (the first 102 are free in their entirety — subscribe to get everything else). Coming up: Reihan Salam on the evolution of the GOP, John Gray on the state of liberal democracy, David Greenberg on his new bio of John Lewis, Christine Rosen on humanness in a digital world, and Mary Matalin on anything but politics. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

In the darkest days of World War II, Algerian-French writer Albert Camus sent a defiant message to the Nazis: our victory is inevitable. If you're feeling any election anxiety or grappling with uncertainty about the months ahead, watch this video on Camus' powerful Letter to a German Friend, from his book Resistance, Rebellion, and Death. It's a reminder that our resistance to authoritarianism has deep, resilient roots. And if you're dealing with MAGA extremists in your life—whether you're navigating tough conversations, protecting your space from harassment, or simply trying to understand the cult of Trump—join our live taping with Dr. Bandy Lee, author of The Psychology of Trump Contagion: An Existential Danger to American Democracy and All Humankind, on October 29 at 12 PM ET for our Truth-Teller-level subscribers and higher. You can also send in your questions for Dr. Lee through Patreon if you can't make the live event. On October 24th at 7pm ET, we're releasing a recording of our How to Make a Podcast workshop to answer the questions we frequently get from listeners and help you find your voice. This will be available to our Democracy Defender-level subscribers and above, starting today. We have a lot of exciting events lined up in the coming weeks to connect with our community of listeners. Don't miss our Political Salons every Monday at 4 PM ET on Zoom—a space to vent, ask questions, share what's going on in your world, and just hang out. It's become a dynamic part of shaping the show! Thank you to everyone who supports Gaslit Nation—we couldn't make this show without you. Be sure to subscribe and join us for the lively discussions ahead! A programming change: Our bonus episode Q&A answering questions from our listeners at the Democracy Defender-level and higher will now run next Saturday. Get your questions in, if you haven't yet! Photo: With my uncle Vitalij Keis in his library. For more on his story, listen to our 2013 interview with NPR here: https://theworld.org/stories/2013/08/15/orwells-animal-farm-and-ukrainian-refugees Show Notes: Camus' Letters to a German Friend, a Warning for Our Times https://casdinteret.com/2021/11/albert-camus-letters-to-a-german-friend-warning/ Broadcast to Germany: Dorothy Thompson Speaking https://www.theatlantic.com/magazine/archive/1943/01/broadcast-to-germany-dorothy-thompson-speaking/657045/ Orwell's ‘Animal Farm' and Ukrainian Refugees https://theworld.org/stories/2013/08/15/orwells-animal-farm-and-ukrainian-refugees Orwell and the Refugees: The Untold Story of Animal Farm https://www.amazon.com/Orwell-Refugees-Untold-Story-Animal-ebook/dp/B007JNKF5G