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This week we review what some would describe as a sports comedy movie (we wouldn't), Marty Supreme. Is Marty Supreme a surprise slam dunk, a cinematic double fault, or just Uncut Gems with ping pong? Join us as the gang gives our hot takes and plenty of spin. Sorry for some of the audio issues on this one. Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Gil - @WR_Gil Romero - @RomeroinATX Zach - @ZachfromNB
Our Oscars Run continues this week on We Drink & We Watch Things with the most over-caffeinated and divisive contender in the race: Josh Safdie's Marty Supreme. This isn't just a sports movie; it's a chaotic, 1950s-set "ping-pong nightmare" that plays like a heist film where the only thing being stolen is glory. Pour yourself our cocktail of the week - The Hydrator - because this movie doesn't let you breathe for its entire 149-minute runtime.This week, we talk through Timothée Chalamet's electric, polarizing performance as Marty Mauser, a spindly, obsessive table tennis hustler who treats every match like a life-or-death battle for his own soul. We examine the film's unique, frantic energy - reminiscent of Uncut Gems - and analyze Gwyneth Paltrow's stylish return to the screen as the glamorous, world-weary Kay Stone. We also highlight the incredible supporting work of Odessa A'zion, who brings some much-needed humanity to the chaos as the woman Marty leaves in his wake. It's a discussion about the toxic drive for the American Dream, the absurdity of professional ping-pong, and whether Chalamet's "anti-hero" swagger is enough to finally nab him that Best Actor statue.If you're tracking the Oscar race with Mackenzie or just want to hear us debate whether a movie about a "sociopathic screwball" can actually win Best Picture, this is the episode for you. We're blending our awe for the film's kinetic style with our usual casual banter, making this a high-speed highlight of our Oscars Month journey. Don't look away - you might miss the serve!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.
Adam Sandler Month concludes with Uncut Gems — a chaotic, stressful crime drama that might be Sandler's greatest performance.We discuss:Why the movie feels like a panic attackThe gambling addiction spiralWhy you root for Howard even though he's awfulThat brutal endingAnd our final rankings of the monthNext week: Constantine kicks off Cape Sh!t Month.
Stew forces John Wayne to finally watrch "Narc" and "Uncut Gems" before they both dive into the new Sam Raimi thriller "Send Help." Plus, adventures in Stewart family road tripping.
Hey everybody! This week we are joined once again with Mickey (Raine's mom) to discuss the 2019 anxiety inducing film, Uncut Gems! Listen as we breakdown this beautifully tragic tale of drive, gambling, bad decision making, and of course the unbelievable weight of tension. Enjoy!
For this week's episode, we dive headfirst into “Uncut Gems”, the Safdie Brothers' relentless crime thriller that feels less like a movie, and more like a 2-hour panic attack. Anchored by a career-best performance from Adam Sandler as the gambling addicted jeweler with a talent for digging himself deeper and deeper, we unpack the film's nerve-shredding style, its stacked supporting cast (including an NBA All-Star Kevin Garnett playing himself), and why this might be one of the most stressful theatrical experiences of the last decade. Is it a masterpiece of controlled chaos, a cautionary tale about ego & addiction, or just weaponized cinematic anxiety? Buckle up, because this is how we win...Make a film recommendation for an upcoming episode!Thank you for listening! Don't forget to rate & subscribe. New episodes bi-weekly. Also available on YouTube. All new website coming soon!
To be fair, my interview with Miyako was before Marty came to our screens…. you've seen in previous posts my excuse for the dog eating my homework; I've been producing a film in Philadelphia and the timing is less than stellar. I was also waiting to speak to Mike Fontaine and Kyra Panchenko about their makeup work on Marty which has since been recognized by BAFTA, but Kyra is insanely busy and our schedules did not align. So I am finally releasing my talk with Miyako mostly for bragging rights that I, too was granted the honor of having this superstar on the show.Miyako Bellizzi is THAT GIRL that you want to friends with. She is impossibly cool and effortlessly chic, and above all, spectacularly talented. Josh Safdi's Marty Supreme is without a doubt a polarizing film, but the one fact that is undisputed is it looked flawless. The authenticity, detail, and style are deserving of their Academy Award Nominations and we all knew from the moment this film was released that Bellizzi would be among those craftspeople who were recognized during awards season. I spoke to Miyako early in the film's release so we talked about the press tour a lot. I am not ashamed to admit that I have all the Marty Merch including the Wheaties Box. So while you may have seen this beautiful woman and her extraordinary work in this film featured everywhere from Vogue to Vanity Fair, we had a great time speaking off the cuff about the excitement of the cultural influence of an A24 press tour. Enjoy!0:00 - Intro3:37 - Miyoko from Uncut Gems to Marty8:37 - Creating Gwyneth Paltrow's Costume10:00 - Women's Fashion in the 50's12:13 - Individualizing Gwyneth's Character14:09 - Morphing Dylan into Marty18:04 - Developing and Collaborating Looks20:31 - How Character Arcs Transform Costumes21:48 - Resonance with Marty's Drive23:21 - Outro Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe
SPOILER REVIEW van het met 9 Oscars genomineerde MARTY SUPREME van Good Time en Uncut Gems co-regisseur Josh Safdie. Enjoy!Redactie: Don Zwaaneveld Bedankt voor het luisteren! Volg @dononfilm op Instagram & Letterboxd en op de Award Expert app voor de meest actuele Oscar voorspellingen.
MARTY SUPREME writer/director Josh Safdie unpacks his favorite movies with podcast hosts Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode Abigail's Party (1977) Marty Supreme (2025) Burying the Ex (2015) Uncut Gems (2019) Dazed and Confused (1993) King of New York (1990) Bad Lieutenant (1992) The Funerals (1996) The Addiction (1995) 4:44 Last Day On Earth (2011) Tomasso (2019) The Driller Killer (1979) Ms .45 (1981) Go Go Tales (2007) The Killing of a Chinese Bookie (1976) A Woman Under the Influence *Kramer vs Kramer (1979) Hero (1992) Alice Doesn't Live Here Anymore (1974) Pink Floyd's The Wall (1979) The Brood (1979) *Fire in the Sky (1993) *Matinee (1993) *A Clockwork Orange (1971) The Lost Boys (1987) *Ferris Bueller's Day Off (1986) Planes, Trains and Automobiles (1987) *E.T. The Extraterrestrial (1982) *The Shining (1980) *Misery (1990) Popeye (1980) The Leprechaun (1992) Mandy (2018) The Princess Bride (1987) This Is Spinal Tap (1984) Barry Lyndon (1975) 2001: A Space Odyssey (1968) Full Metal Jacket (1987) *The 400 Blows (1959) *Pulp Fiction (1994) The Breakfast Club (1985) *The Red Balloon (1956) White Mane (1953) Gremlins (1984) *The Running Man (1987) The Terminator (1984) The King of Comedy (1983) Total Recall (1990) Robocop (1987) *Above The Rim (1994) Rocky (1976) Rocky II (1979) *Rocky III (1982) Rocky IV (1985) Rocky V (1990) Masters of the Universe (1987) Beverly Hills Cop II (1987) *Saturday Night Fever (1977) Stayin' Alive (1983) Carrie (1976) Other Notable Items Our Patreon! The Hollywood Food Coalition The battle of Jericho Josh Mostel G.I. Joe Anton Yelchin Anagrams Mike Leigh Abel Ferrera Willem Dafoe Odessa A'zion Clint Eastwood James Cagney The Academy of Motion Picture Arts and Sciences Kevin Garnett Ronald Bronstein Timothee Chalamet Tyler, the Creator Gwyneth Paltrow IFC Films Zohran Mamdani Mira Nair Dustin Hoffman Meryl Streep Eric Clapton Stephen Frears Geena Davis Andy Garcia Chevy Chase David Cronenberg Robert Benton A Nightmare on Elm Street series Wendy Carlos John Candy John Goodman The Cuban Missile Crisis 4DX William Castle Smell-O-Vision Shelley Duvall The Shining novel by Stephen King (1977) Stanley Kubrick TFH Guru Mick Garris The Shining miniseries (1997) Jack Nicholson The Beatles Our Panos Cosmatos podcast episode Johan Johansson Gramaphone Records Kathy Bates James Caan Rob Reiner Alfred Hitchcock Scatman Crothers Vivian Kubrick Jean-Pierre Léaud Benny Safdie John Lennon John Hughes Chris Columbus Chicago The Ramones Richard Edson Jim Jarmusch The History of Bones: A Memoir book by John Lurie (2021) Bob Hope Bing Crosby Mel Brooks Matthew Broderick Albert Lamorisse The Fleischer Brothers Tex Avery Harold Faltermeyer Arnold Schwarzenegger Oneohtrix Point Never Richard Dawson Jerry Lewis Paul Verhoeven The New York Knicks Queen Onyx Bernie Mac 2Pac Dolph Lundgren Sylvester Stallone John Travolta Welcome Back, Kotter TV series (1975-78) The Bee Gees Learn more about your ad choices. Visit megaphone.fm/adchoices
Adam Sandler Month rolls on with The Waterboy, a dumb, lovable, endlessly quotable 90s comedy that still holds up. We break down why it works, why critics hated it, Henry Winkler's underrated performance, and whether this is peak Sandler comedy.Then it's Zack Facts, Ace Combat chaos, card game degeneracy, Fallout, The Last of Us, and teasing Uncut Gems next week.
Cette semaine à Bobine et Babine, on plonge dans Marty Supreme, le nouveau film réalisé par Josh Safdie. On en profite pour revenir sur le parcours des frères Josh et Benny Safdie, les cerveaux derrière Uncut Gems et Good Time. On analyse l'évolution du style Safdie : tension suffocante, anti-héros incontrôlables et mise en scène ultra nerveuse. Est-ce que Josh en solo garde la même intensité?Un épisode sous pression, entre chaos maîtrisé et cinéma qui donne le pouls dans le tapis.
Ben finally got around to watching the Academy Award nominated “Marty Supreme”, and shared his review on the air, comparing it to “Uncut Gems”
Kyle King (@cbjking) joins us for a conversation about UNCUT GEMS (on HBO Max). We deep dive into the movie, discuss listener feedback, review previous ladder connections and decide on our next connected cinematic rung (1:56:22). Submit your comments, rating and suggested connections for next week's movie to themovieladder@gmail.com.Connect with us on Letterboxd (@TheMovieLadder), Twitter (@LadderMovie) and Instagram (@laddermovie). Check out our Letterboxd watchlist to see all the movies suggested on this podcast. You can find us individually on Twitter (@FitzyBrendan and @brooksza) and Letterboxd (@FitzyBrendan and @brooksza). And join us for the Ladder Library Movie Challenge in 2026.
LinksMarty Supreme | Official Trailer (A24)Josh Safdie's new film about a ping-pong hustler, starring Timothée Chalamet.How A24 Created a Viral Marty Supreme Spectacle (Vogue)The jacket drops, the Balenciaga collab, and the marketing machine behind the film.Orlando (1992, Sally Potter)Tilda Swinton as Virginia Woolf's time-traveling, gender-shifting nobleman — this week's mini-challenge.Watch Orlando free on TubiGo watch it. It's right here.Quentin CrispPlays Queen Elizabeth I in Orlando; Merlin imprinted on that image.Tony Zhou, "Edgar Wright: How to Do Visual Comedy" (Every Frame a Painting)The video essay that made everyone realize Wright is doing something nobody else does.The Wicker Man (1973)The original folk horror — the thread connecting Hot Fuzz, Midsommar, and The Witch.Off Menu podcastFlorence Pugh's episode, in which she reveals she does not drink water.Off Menu — Lucia Keskin (Chi With a C)BAFTA-winning comedian, discussed in the member show. "The quietest guest we've ever had."Claire Foy had intestinal worms from filming The Crown (Yahoo News)The truly disgusting reason she no longer drinks caffeine.Man throws shoes at BushThey all throw their shoes.Sarrasine — Balzac (Project Gutenberg)The Balzac novella about a sculptor who falls in love with a castrato — the text Barthes famously dismantled.S/Z — Roland BarthesBarthes's semiotic disassembly of Sarrasine — Merlin's "oh fuck you, you should read Sarrasine" recommendation.Gender: An Ethnomethodological Approach — Kessler & McKenna (U of Chicago Press)The book that changed Merlin's life in a 1988 Gender Studies class: what if there weren't just two genders?Gender Trouble — Judith Butler (PDF)The definitive text — Alex's rec that Merlin bought a beautiful copy of and still hasn't read. Here's a free one.Who's Afraid of Gender? — Judith Butler (Bookshop.org)Butler's newest book — the one Alex was actually talking about. Why are we weird about gender again?"A Question and Three Answers" — Merlin MannThree perspectives on one question about being trans in America.Claude Code (Anthropic)Alex is getting into it and making $200; Merlin's teaching his to not watch Tommy read the paper.Good Time (A24)The Safdie Brothers' sweaty Robert Pattinson thriller — context for understanding what Safdie does.Uncut Gems (A24)Adam Sandler in a diamond district panic attack — the other essential Safdie before Marty Supreme.The Curse (Paramount+)Safdie and Nathan Fielder's deeply uncomfortable TV series.Ricky JayMagician, card sharp, actor, historian of the unusual — referenced during the shoe-throwing bit.Baby Driver — Opening Titles / Coffee Run (feat. "Harlem Shuffle")The scene that is its own argument. Edgar Wright syncing every footstep, every door, every beat.Jon Spencer Blues Explosion, "Bellbottoms"The song that opens Baby Driver and never lets go.Ayoade on Top — Richard Ayoade (Bookshop.org)Ayoade wrote an entire book about the Gwyneth Paltrow movie View from the Top. It's called Ayoade on Top. Of course it is.Olivia Colman is hooked on Ayoade's book premise | Graham NortonThe specific clip — Ayoade explaining View from the Top to a delighted Olivia Colman. Truly one of the great things.Can I Ask You a Question? by Jennifer Venditti (A24 Shop)Venditti's casting book — the woman who found the faces for Good Time, Uncut Gems, and Marty Supreme.Billy the Kid (2007, Jennifer Venditti) — watch free on TubiThe documentary that led to her casting work with the Safdies.Defunctland, "Journey to EPCOT Center: A Symphonic History"A feature-length orchestral documentary about EPCOT Center that has no business being this good.Defunctland, "Disney's Animatronics: A Living History"Bonus Defunctland for the curious.
Oggi con Emanuela Martini (direttrice di Cineforum) per parlare di Marty Supreme, presentato in anteprima al Torino Film Festival e in sala da questo 22 Gennaio. Josh Safdie si separa dal fratello Benny e firma un film dallo stile frenetico e ansiogeno. Analizziamo l'evoluzione dello stile Safdie(s) post-Uncut Gems e ci interroghiamo sul destino del protagonista: quella di Marty è una vera vittoria o una sconfitta mascherata da trionfo? Gli ultimi minuti, sempre per rimanere in tema di vincitori, parliamo un po' di statuette.Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariSpotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cwApple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw==Logo creato da:Massimo ValentiSigla e post-produzione a cura di:Alessandro Valenti / Simone MalaspinaPer il jingle della sigla si ringraziano:Alessandro Corti e Gianluca NardoPer la gestione dei canali social si ringrazia:Selene Grifò
In this episode, we welcome Skip Lievsay, CAS. Skip is an Oscar-winning Sound Editor and Re-Recording Mixer who has worked on films including Blood Simple, The Color of Money, Raising Arizona, Goodfellas, The Silence of the Lambs, Cape Fear, Malcolm X, Casino, Fargo, The Big Lebowski, No Country for Old Men, I Am Legend, Gravity, The Hunger Games, Birdman, Roma, Uncut Gems, A Quiet Place: Day One, and Marty Supreme. In our chat, he shares on his early days, about working with the Coen Brothers, and his creative approach to crafting sound in post. In March, Skip is being honored with the Cinema Audio Society Career Achievement Award in Los Angeles, CA. The Making Of is presented by AJA:From cinema to proAV: gaining a competitive edge with streaming knowledgeThe worlds of cinema production and proAV are converging. Cinema-grade equipment is making its way into more stadiums, houses of worship, and concert venues. Because of this, professionals that understand the tools and disciplines powering both will stand out. Get ahead of the curve with the latest streaming insights and gear from AJA.Sony's Breakthrough Audio, Imaging and Sports Technologies Raise the Bar for the NFL's Super Bowl LX in San FranciscoSony's New Coach's Headsets, 175+ Cameras and Hawk-Eye Tracking and Video Technologies Capture Every Angle, Split‑Second Decision and High‑Speed Moment of the NFL's Biggest GameSony, an official technology partner of the NFL, announced today that its technology ecosystem will play an expanded role in Super Bowl LX, marking the company's most advanced presence at the NFL's championship game to date.Read more hereNow with Massive 8TB Capacity—Thunderbolt 5 SpeedThe OWC Envoy Pro Ultra now comes in a new 8TB capacity, pairing enormous space with next‑generation Thunderbolt 5 performance. With real‑world speeds over 6000 MB/s and a rugged, bus‑powered design, it's perfect for 4K/8K workflows, on‑location shoots, and fast media offloads. High‑speed, high‑capacity, and ready for serious creative work.Browse hereDonate to Help The Digital Cinema Society SurviveDCS, a 501(c)(3) nonprofit dedicated to keeping filmmakers current on motion picture technology is currently in dire financial straights. We are trying to make the best of a tough situation and asking those who can afford it to help keep us afloat.Please consider donating to DCS hereMeet LiveU Solo PRO:Deliver an outstanding live video experience with the LiveU Solo PRO. Designed for creators and professionals alike, the Solo PRO video encoder provides one-touch, wireless live streaming directly from your camera to popular online platforms and any web destination. Stream with confidence using bonded 4G/5G connectivity and enjoy superior reliability and image quality up to 4K resolution. To learn more, contact Videoguys at 800-323-2325.Learn more herePodcast Rewind:Feb. 2026 - Ep. 116.Feature your products or services in this newsletter and reach 250K+ film and TV industry professionals. To learn more, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe
Filmmaker Josh Safdie feels like a liar saying he feels anything about being Conan O'Brien's friend. Josh sits down with Conan to discuss showcasing Adam Sandler's dramatic chops in Uncut Gems, prioritizing the casting of real-world characters in his work, and watching Timothée Chalamet transform into a ping-pong champion with his latest hit film Marty Supreme. Plus, Conan issues a bold proclamation to Erewhon's smoothie department. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this episode of Netflix vs. Cinema, hosts Tosin Ajayi, Shaun Harris, and Sharon Bollen debate the ultimate question: is it better to stay on the sofa or head to the local theater? The team reviews a mix of blockbuster sci-fi, international disasters, and indie dramas to help you decide where to spend your time and money. The Cinema Selection Mercy : The crew breaks down this Chris Pratt-led thriller set in a near-future Los Angeles. They discuss the film's "screen-life" aesthetic, its surveillance-state premise, and whether the third-act car chases ruin the tension. H Is for Hawk : Tosin reviews this adaptation of Helen Macdonald's memoir, exploring themes of grief and the "majestic" cinematography of a goshawk in flight. Is This Thing On? : Shaun shares his take on the Bradley Cooper-directed film about the life of comedian John Bishop. The Streaming Lineup The Great Flood (Netflix) : Sharon introduces this South Korean disaster film, praising its massive "paradigm shift" in the final act that flips the script on the ecological disaster genre. Shiva Baby (Channel 4/Streaming) : Tosin dives into this claustrophobic indie hit, comparing its social tension to a "domestic Uncut Gems ." Children of the Corn (2020) : Shaun revisits the latest iteration of the horror franchise, focusing on the "creepy" performance of its child lead. The Verdict Between the high-concept world-building of Mercy and the inventive storytelling found on Netflix, the hosts crown a winner for the week. Plus, stick around for the "Correspondence" segment where the team addresses listener feedback regarding filming locations and the logic of their 5-star rating system. Is Netflix killing cinemas? Each week we weigh up what we've seen in cinemas with what we've watched online at home and figure out which provided the best time. At least, we did before COVID jumped in and declared Netflix, Amazon Prime, Disney + and friends the winner. Listen and subscribe on Apple Podcasts https://podcasts.apple.com/gb/podcast/netflix-vs-cinema/id1448277363 Listen and subscribe on Youtube Music https://www.youtube.com/playlist?list=PL8xPMfsDQIDjM70v1Tah6BiKV4E3UQbaK Listen on Spotify https://open.spotify.com/show/6beXVeSImcgHLsPB22BgE3?si=wdoNI6E0SNqNfoqg4qnw4Q Support Netflix vs Cinema by contributing to their tip jar: https://tips.pinecast.com/jar/netflixvscinema Find out more at https://netflixvscinema.com This podcast is powered by Pinecast.
Timothee Chalamet, Gen Z’s only movie superstar, is Oscar-worthy as Marty Mauser - a relentless, charming and often-times horrible hero in a film set in post-WWII Jewish New York. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.
This episode features an interview with Supervising Sound Editor and Re-Recording Mixer Skip Lievsay, from the recent film Marty Supreme. Skip discusses his team's approach to the ping pong sound effects and how to use use background sounds to ground a film in a certain time and place. Skip has worked with both Safdie brothers together on Uncut Gems and then with Benny on his own for Smashing Machine and Josh solo on Marty Supreme. Skip tells me what each experience was like. After I finish talking with Skip Lievsay, this episode concludes with backstage interviews featuring all the winners from the sound categories at the recent Director's Guild of Canada Awards. ______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______ Episode Notes: https://tonebenderspodcast.com/347-marty-supreme/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead
In this episode, we review one of the biggest blockbusters of 2025 from A24, directed by Josh Safdie and starring Timothée Chalamet, Gwyneth Paltrow, and Tyler Okonma in the sports comedy-drama Marty Supreme. We discuss whether this film represents Chalamet at the peak of his acting powers and debate how closely it relates to another Safdie production, Uncut Gems.See omnystudio.com/listener for privacy information.
This week we stress ourselves out
Paul and Amy take a deep breath and revisit Uncut Gems, examining Adam Sandler's career-best performance as a man who just can't stop pushing his luck. They unpack the film's jittery score, its fraught production and awards-season snub, and the lineage of anxious filmmaking that makes every bet feel like life or death. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Josh Safdie's Marty Supreme transports audiences to a vibrant 1950s world of professional ping pong, yet many viewers remain unaware that the film contains over 500 visual effects shots. Eran Dinur, the film's VFX Supervisor, reveals how his team meticulously recreated period accurate crowds in Tokyo and Wembley while keeping the digital work entirely "invisible." He views his role as a bridge between the filmmaker's vision and the technical reality on set, ensuring that every digital element supports the story without drawing attention to itself. For Eran, the ultimate compliment is a viewer who walks out of the theater believing every single frame was captured in camera. The transition into high end visual effects was an unlikely one for Eran, who spent fifteen years as a classical music composer before a random software download steered him toward ILM and eventually the Safdie Brothers. This musical background provides a unique perspective on the rhythm and "choreography" of effects, whether he is timing CG ping pong balls to Timothée Chalamet's performance or animating the surreal openings of Uncut Gems. Beyond the technical craft, he addresses the current industry backlash against CGI and the marketing trends that prioritize "practical only" narratives. He also offers a practical look at the future of AI in cinema, arguing that tools are only as good as the control an artist has over them. Eran Dinur on IMDB > Eran Dinur's website > Marty Supreme Trailer > Marty Supreme Wikipedia > The Filmmaker's Guide to Visual Effects: The Art and Technique of VFX for Directors, Producers, Editors and Cinematographers by Eran Dinur > The Complete Guide to Photorealism for Visual Effects, Visualization and Games: For Visual Effects, Visualization and Games by Eran Dinur > This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)
On Christmas, director Josh Safdie released his new film, Marty Supreme, starring Timothée Chalamet as a young table-tennis player bent on global recognition. Like Safdie's previous film—Uncut Gems, co-directed with his brother Benny Safdie—Marty Supreme focuses on an American Jewish antihero and unfolds in a deeply Jewish milieu. But while Uncut Gems takes place in present-day New York, Marty Supreme transports us back to the Lower East Side of 1952, examining American Jewish ambition in the immediate aftermath of the Holocaust and amid assimilation into whiteness. This mid-century setting is complicated by various anachronistic elements, including a soundtrack rooted in the '80s and, perhaps most notably, Chalamet's conspicuous lack of a period-accurate accent. On this episode of On the Nose, Jewish Currents editor-in-chief Arielle Angel, senior editor Nathan Goldman, contributing editor David Klion, and contributing writer Mitch Abidor discuss what, if anything, the film has to say about American Jewishness then and now.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Media Mentioned and Further ReadingUncut Gems, dir. Josh and Benny Safdie“An Unserious Man,” Jewish Currents“Marty Supreme's Megawatt Personality,” Richard Brody, The New YorkerWhat Makes Sammy Run? by Budd SchulbergErik Baker's Letterboxd reviewMarie Antoinette, dir. Sofia CoppolaAnti-Semite and Jew by Jean-Paul Sartre“Marty Supreme Is the Moment, With Josh Safdie!,” The Big PictureTough Jews by Rich CohenMari Cohen on Sally Rooney's Beautiful World, Where Are You, Jewish Currents Shabbat Reading List“Demon Doubt,” Vivian Gornick, interview by Rebecca Tuhus-Dubrow, Boston Review“Is This Anything?,” Mitchell Abidor, Jewish Currents
Marty Supreme Christmas Day! In this episode, Shelby and Laura review A24's Historic Sports Drama film directed by Josh Safdie and starring the most passionate man alive--Timothée Chalamet. We discuss the ambitious marketing campaign, explain why Marty is an awful human being, highlight the eclectic supporting cast from Gwyneth Paltrow to Kevin O'Leary, compare the energy to Uncut Gems, lament why Rachel was so into Marty, gush over Tyler The Creator's acting skills, and debate whether Marty's irrational confidence is a good example for people to follow.Interested in more movie reviews? Check out our podcast episodes on American Fiction, Barbie, Cannes Film Festival 2024, Challengers, Deadpool & Wolverine, Furiosa: A Mad Max Saga, Gladiator II Ft. Queens Podcast, Inside Out 2 ft. Nikki Meadows, Joker: Folie a Deux, Killers of the Flower Moon, Madame Web ft. Mitch Broadwater, Mean Girls (2024), Oppenheimer, Past Lives Ft. Toya From Harlem, Poor Things, The Fall Guy, The Oscars 2024, We Live In Time, and Wicked Ft. Sisters and the Stars.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (Instagram, TikTok, Twitter, LinkedIn)- Subscribe to our YouTube channel - Check out our website and fill out the contact information formWhat should we watch next? Email us at sisterswhowatch@gmail.com or DM us on Instagram with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)
Jump in with Carlos Juico and Gavin Ruta on episode 269 of Jumpers Jump. This episode we discuss: Stranger things finale theories, Conformity gate theory, World ending theory, Jesus' real voice on video, Divine miracles, Real life Stranger things, Montauk Lab hauntings, Dark Charles Manson theory, Sharon Tate Murder theory, Congress woman mind controlled, Crazy hypnotism stories, Doctor predicts death story, Time Traveller story, Free will & changing realities, Life changing experiences, Uncut Gems movie, Attention span theory, Believing in yourself, Top 100, Mentality, How to become attractive, Cat parasite makes you hot theory, Micheal Jackson thriller theory, Modern day Shakespeares and much more! -Start your $1 per month trial at https://www.shopify.com/jumpers -Build your brand at https://www.northwestregisteredagent.com/jumpersfree Follow the podcast: @JumpersPodcast Follow Carlos: @CarlosJuico Follow Gavin: @GavinRutaa Check out the podcast on YouTube: https://bit.ly/JumpersJumpYT Learn more about your ad choices. Visit podcastchoices.com/adchoices
The new year kicks off with Matt Damon playing poker and Adam Sandler being unhinged and addicted to sports betting. The post Recurring Nightmares Ep. 69: Rounders (1998) v Uncut Gems (2019) appeared first on Critically Sane.
With Adam and Josh's MARTY SUPREME review (and bonus spoiler talk) coming later this week, we're sharing Adam's December 2019 interview with the Safdie Brothers about "Uncut Gems." For full access to the Filmspotting Archive going back to 2005, join the Filmspotting Family. Membership includes monthly bonus shows, a weekly newsletter, access to the Filmspotting Discord, and more. Use the promo code "supreme" for 20% off thru Jan. 31. Learn more about your ad choices. Visit megaphone.fm/adchoices
Happy New Year from The Strange Harbors Podcast! For the first episode of 2026, we review Josh Safdie's Marty Supreme, a 1950s sports comedy-drama in the world of professional table tennis. We discuss Timothée Chalamet's barn burner performance, his Marty Mauser marketing persona, and what makes a Safdie movie a Safdie movie. Is Marty Supreme just Uncut Gems or Good Time with $50 million tacked onto its budget? Or is there much, much more under the hood?
We're kicking off the year with an incredible weekend at the box office! Stranger Things is on the big screen and selling lots of concessions. Does this mean Netflix and movie theaters can work together?? The Housemaid drops only 3% in Weekend 3! Marty Supreme hits $56 mil domestic to pass Uncut Gems as A24's 3rd biggest hit. Are Timothee Chalamet and Sydney Sweeney officially movie stars? Plus we break down Bradley Cooper's love letter to standup comedy, IS THIS THING ON? Huge ep. -- Remember to Rate (5 Stars), Review (Great show, blah, blah, blah) and Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/b-o-boys-movie-box-office/id1489892648 E-mail us: theboboyspodcast@gmail.com Subscribe on Youtube: https://www.youtube.com/@theboboyspodcast Follow us on TikTok and Instagram: @TheBOBoysPod Subscribe on Substack: https://substack.com/@theboboys Our AWESOME artwork was provided by the talented Ellie Skrzat. Check out her work at https://ellieskrzat.com/ Thanks to WannaBO VP of Interns Christopher for running our social media!
On Today's Show Vince will Rate and Review: Good Time (2017), Uncut Gems (2019), Marty Supreme (2025) TimeCodes: Good Time: 4:25 Uncut Gems: 24:35 Producer Thanks: 46:48 Marty Supreme: 53:28 Executive Producer: - Sean Dunleavy - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!
Cameron and Juzo review the latest Josh Safdie film, Marty Supreme (2025). As fans of Uncut Gems (2019) and Good Time (2017), we were excited to see what new stress dream Josh Safdie could cook up. Enjoy our review of Marty Supreme (2025)! Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader, with creative experience in brand, advertising, product, music, and film. Isaac is the student. And Juzo, he knows everything about cinema. The podcast is a passion project between three longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.
With Marty Supreme in theatres, we thought it was perfect timing to talk about the Safdies and the gems. And we've finally brought in The Ankler's Chris Rosen to join us! In 2019, the ascendant Josh and Benny Safdie brought us Uncut Gems, an anxiety-inducing comic thriller set in New York City's Diamond District and hinging on the … Continue reading "373 – Uncut Gems (w/ Chris Rosen!)"
Ronald Young Jr. reviews Marty Supreme by himself… RYJ wants to watch Uncut Gems again, because it's a better version of this movieRYJ - 2.99 of 5 starsFollow me on IG, TikTok, Threads, Bluesky, and Letterbxd - @ohitsbigronAvailable in theatersStarring Timothee, Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara, and Fran DrescherWritten by Ronald Bronstein and Josh SafdieDirected by Josh SafdieFor more information about Marty Supreme, check out this linkSupport Leaving The Theater on Patreon using this link
Electronic music pioneer Daniel Lopatin (aka Oneohtrix Point Never) joins SCORE to discuss his explosive new score to A24's MARTY SUPREME, directed by Josh Safdie, as well as his background as a godfather of the late-2000s “Vaporwave” music genre and his ongoing record producing with singer-songwriter Abel Tesfaye (The Weeknd).Daniel dives into his early life and discovery on early electronic musical instruments, and how a meaningless corporate job helped inspire some of the hallmarks of Vaporwave music, as heard in his 2010 release Chuck Person's Eccojams Vol. 1. Daniel dives into vaporware's inspirations and it's ongoing influence on his albums, work with the Safdie brothers (GOOD TIME, UNCUT GEMS, Showtime's THE CURSE and A24's MARTY SUPREME), and music producing career with The Weeknd.Plus, Timothee Chalamet's visit to his studio drinking a Red Stripe — and we ask Daniel if he can confirm or deny that Chalamet may have a secret music career as Liverpool rap artist EsDeeKid. Interview by Kenny Holmes and Matt Schrader at A24 in West Hollywood. Production coordination by Kyle Bales. Special thanks to Rachel Kwon and the A24 team and Ryan Mazie.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at. To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com
Sean and Amanda dream big on today's show because they're breaking down one of their most anticipated movies of the year with Josh Safdie's ‘Marty Supreme,' starring Timothée Chalamet. They make the case for why it's one of the best movies of the year, celebrate its relentless and propulsive filmmaking style, and highlight their favorite individual scenes from the movie (1:31). Then, Sean is joined by Safdie to discuss the intense pressure he faced following the success of ‘Uncut Gems,' why Chalamet's personal ambition and drive made him perfect for the lead role of Marty, and work through whether or not this is a “chapter closing” type of movie for Safdie as a director (1:00:26). Hosts: Sean Fennessey and Amanda Dobbins Guest: Josh Safdie Producers: Jack Sanders and Jacob Cornett Shopping. Streaming. Celebrating. It's on Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices
After the success of “Uncut Gems,” director Josh Safdie is back with “Marty Supreme” — his first film without his creative partner and brother, Benny. The film is already generating significant buzz, particularly for Timothée Chalamet's performance as a charismatic but arrogant table tennis prodigy. Josh joins guest host Talia Schlanger to talk about the film and what made Timothée perfect for the role. Plus, he reflects on the loneliness he felt while making “Uncut Gems,” what it really means to pursue your dreams, and whether the sacrifice is worth it. If you like this interview, check out Tom Power's conversation with Benny Safdie about his film “The Smashing Machine.”
Unccccuuuutttttt Jaaaaahhhhhhmmmmms. In our final review of the 2019 year of A24, the A24 Rocks crew has finally reached The Safdie Brothers' gambling New York City anxiety rollercoaster Uncut Gems starring Adam Sandler, Julia Fox, Lakeith Stanfield, and Kevin Garnett. Uncut Gems is about a gambling addict named Howard who owns a gem shop in New York City's diamond district. When Howard imports an Ethiopian black opal and shows it to basketball HOFer Kevin Garnett, the black opal takes on a life of its own. Howard owes money around town, though, and specifically to his brother Arno whose goons are chasing Howard to his kids high school play. In the 96th film of their A24 journey, and the final film of the 2010 decade of A24, what will these film reviewers think of Uncut Gems? Caution: movie spoilers.Intro- 0:00 to 4:11.Film Discussion- 4:11 to 1:31:20.Film Ratings/Outro- 1:31:20 to End.Upcoming Podcast Release Schedule-January 7th- The 2019 A24 Oscars.Junary 14th- Our Top 10 Best and Worst A24 Films from 2013-2019.
The thing about machines is that we expect them to keep chugging on – to never break or falter. In the late 1990s, a mixed martial artist named Mark Kerr found himself struggling to shoulder the weight of that expectation. Mark was a winner – a muscular behemoth beloved by fans of a rising new fighting league, called Ultimate Fighting Championship, or UFC for short. His fans across the world knew little of his agonising behind-the-scenes struggle to keep up that facade, to keep entering the ring week after week, to keep The Smashing Machine as he was nicknamed chugging along – never breaking, never faltering. Addicted to powerful painkillers, the pressure to win was killing him.Which is why The Smashing Machine, the recent biopic about Kerr, from my guest today, writer-director Benny Safdie, is a sports movie unlike most others. Think of a sports movie you love. Break it down at its core and I bet you, it's a tale about someone learning to win, right? Starring Dwayne Johnson and Emily Blunt, The Smashing Machine is about someone learning to lose. The liberation that comes with it. The power of realising that we're not our accomplishments. What defines us is our actions out of the wrestling ring – whatever your version of that ring may be. On today's episode, Benny tells me about the quote, “radical empathy” that guided this story – and how it was also perhaps present in his work up till now. Films and TV shows like the hugely acclaimed Good Time and Uncut Gems, both created with his brother Josh – and The Curse, created with Nathan Fielder. We get into all the key beats and scenes from The Smashing Machine in our usual spoiler-filled detail – including that mesmerising ending in which Dwayne Johnson seems to unburden himself of the expectation that he can never falter, not just within his performance of Mark Kerr, but also kind of as himself, this megawatt blockbuster star whose recent career took an interesting path to this story, filling it with metatextual meaning. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.
For the holiday celebration this year, these cinema lovers rewind to 1999 and review the crime-comedy Go starring Sarah Polly, Katie Holmes, William Fitchner, Jay Mohr, Timothy Olyphant, and Scott Wolf. These film reviewers invite on Lamb, who rented out a movie theatre this past year and imported the film reel for "Go." In this triptych tale, Ronna needs to make her rent... and that's all you need to know. Is "Go" a Christmas film, and how has it aged 26 years later? Fire up that shoesaw. Caution: movie spoilers. Intro- 0:00 to 2:06.Film Discussion- 2:06 to 1:00:03.Film Ratings/Outro- 1:00:03 to End.Upcoming Podcast Release Schedule-12/24- Uncut Gems.1/7- The 2019 A24 Oscars.
As far as Jewish filmmakers go, the Safie brothers could well be the GOATs (Greatest Of All Time) when it comes to Jewish sports cinema. One of their earliest collaborations was a 2013 documentary on high school basketball star Lenny Cooke; their breakout feature, Uncut Gems, was a sports-adjacent thriller featuring a Passover Seder with Adam Sandler and Idina Menzel; then younger brother Benny Safdie went on to star in Sandler's Happy Gilmore sequel—another sports film with a Jewish lead character. Now, in late 2025, the brothers (who are great-nephews of architect Moshe Safdie, for those wondering) have gone their separate ways, each directing their own sports movie. Benny directed The Rock in a biopic of MMA fighter Mark Kerr in The Smashing Machine, while older brother Josh Safdie tapped Jewish actor Timothée Chalamet to play table tennis champion Marty Reisman in Marty Supreme. While Marty Supreme is slated for a Christmas Day release 2025, the Globe and Mail's film editor, Barry Hertz, just published a review of the Oscar contender, in which he says the story "burns with the relentless, fight-for-your-life spirit of the Maccabees.... With apologies to Adam Sandler's Eight Crazy Nights, Marty Supreme is, thematically and spiritually, the greatest Hanukkah movie ever made." Hertz joins the Menschwarmers to explain his reasoning and how this ping pong epic fits into the larger canon of Jewish cinema. And before that, the boys chat about Jake Retzlaff leading the Tulane Green Wave to success, and get to the source of an incorrect rumour about the Toronto Blue Jays' Eric Clement being Jewish. Credits Hosts: James Hirsh and Gabe Pulver Producer: Michael Fraiman Music: Coby Lipovitch (intro), chēēZ π (main theme, " Organ Grinder Swing ") Support The CJN Follow the podcast on Twitter @menschwarmers Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to Menschwarmers (Not sure how? Click here )
On the second from last film review for the 2019 year of A24, these A24 film reviewers discuss the 2019 horror-comedy In Fabric, written and directed by Peter Strickland. In Fabric starts with a woman named Sheila Woolchapel (portrayed by Marianne Jean-Baptiste) who works as a bank teller at a British bank. She is a single middle-aged lady with a dismissive son, and one day, she scores a date with a man. To dress up for her date, she decides to buy a red dress at Dentley & Soper's, and this red dress takes on a life of its own. Caution: movie spoilers.Intro- 0:00 to 5:14.Film Discussion- 5:14 to 1:18:54.Film Ratings/Outro- 1:18:54 to End.Upcoming podcast release schedule-December 17th- Go.December 24th- Uncut Gems.January 7th- The 2019 A24 Oscars.January 14th- Our Top 10 Best and Worst Films from the 2013-2019 years of A24.
We talk about the 2019 Safdie brothers film "Uncut Gems." Follow us on Twitter @RecTimePod Email us at RecTimePod@gmail.com Check out our draft drawing video at https://www.youtube.com/watch?v=tc-nYmghcYQ Check out our recommendations list: https://docs.google.com/spreadsheets/d/1xjfgLdGgINO2BShQeShbGp2e-ow5CB7ALtzfmsbVm0U/edit?usp=sharing Check out our Instagram page at instagram.com/RecTimePod Find Magnolia Brown at MagnoliaBrownMusic.com Theme music: "Find My Way" by Magnolia Brown "Old Bidness" music provided by Polyester Robot. Recommendations music provided by Len Binning. Check out Len's YouTube show "Len and Jim Take Over" (link) Follow Magnolia Brown on Facebook (facebook.com/MagnoliaBrownJams) and Reverb Nation (ReverbNation.com/MagnoliaBrownJams)
Daniel Lopatin, aka Oneohtrix Point Never, is a musician and composer. He scored the films Marty Supreme and Uncut Gems, and his new album, Tranquilizer, is out now. We chat with Daniel from his home in Brooklyn about Darkside Of The Moon, if Zohran pretends to know Aphex Twin, we compare Soulja Boy and Ariel Pink, the cranked up press run of Marty Supreme, what he said to Tom Cruise recently, we talk a lot about "old heads," but what about the young heads? How he made the Marty soundtrack in a WeWork-style office, the Challengers soundtrack, and opening for NIN and Soundgarden. instagram.com/eccopn twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome back to The Culture Garden Podcast! In this episode, Rich and Skool dive into The New York Times' list of the Top 100 Films of the 21st Century, breaking down entries ranked 60–51 and what makes each one stand out. From the intensity of Whiplash and the chaos of Uncut Gems to the brilliance of Best in Show, Punch Drunk Love, Inception, Pan's Labyrinth, Borat, The Favourite, and the powerful 12 Years a Slave, the duo explores performances, themes, and the cultural impact of each film.The conversation also touches on the subjective nature of rankings, standout actors, and storytelling choices that have shaped modern cinema. Plus, they crown their King of the Hill from the first 50 films on the list.We appreciate you for listening — be sure to subscribe, comment, like, and share.Y'all be cool how y'all be cool!Instagram: @theculturegardenpodcastE-mail: theculturegardenpodcast@gmail.com
The Duellists (1977) & Top 5 Jewels – honour, obsession, and very stupid men with swordsIn this episode of Bad Dads Film Review, we kick things off with our Top 5 Jewels – a glittering mix of cursed stones, crime magnets and wildly impractical accessories. From the Pink Panther diamond and Uncut Gems' black opal to Titanic's Heart of the Ocean, Baz Luhrmann's blinged-out Great Gatsby, Moana's glowing heart of Te Fiti, and even that doomed chandelier in Only Fools and Horses, we rummage through cinema's treasure box to see which jewels genuinely sparkle and which belong in Claire's Accessories.Then it's back to 1977 for Ridley Scott's stunning directorial debut, The Duellists. Harvey Keitel and Keith Carradine play two French officers locked into a 15–year feud that starts over a petty slight and escalates into a lifelong obsession. We get into:Honour as addiction – why one of them simply cannot let it go, everHow the film turns duelling into a ritual of pride, stubbornness and self-destructionThe way the weapons, stakes and scars escalate with each encounterRidley Scott's eye for light, landscape and costume on a tiny budgetWhy the ending works so well, and what it says about victory, defeat and identityThere's also the usual Bad Dads nonsense: road-trip chat, Christmas hats in December, grumbling about “live-action everything” culture, and a detour into glass onions, murder mysteries and moving house back pain.If you like:Period dramas with gorgeous visuals and nasty steel-on-steel showdownsCharacter studies about pride, masculinity and grudges that outlive their purposeMovie list chaos that jumps from Disney to French noir to jewellery-based heists…then this is a perfect episode to jump into the pod.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
The A24 Rocks crew looks back at the first feature film Harmony Korine directed, the controversial Criterion classic Gummo. Korine directed one of the most famous A24 films in Spring Breakers, so these film reviewers wondered what kind of filmmaking themes Korine established early in his career. And to say the least, controversy was always in his wheelhouse. Gummo is a non-linear story about Xenia, Ohio, a tornado ravaged town with two boys named Solomon and Tummler hunting cats for money. It was also the third film for Chloe Sevigny, who has acted in many other indie gems in her career. How has Gummo aged after all these years? Caution: movie spoilers. Intro- 0:00 to 1:35.Film Review- 1:35 to 54:04.Film Ratings/Outro- 54:04 to End.Upcoming Podcast Release Schedule-December 10th- In Fabric.December 17th- Go.December 24th- Uncut Gems.January 7th- The 2019 A24 Oscars.
Today on the A24 on the Rocks podcast, these film reviewers review the third Trey Edward Shults film in the A24 catalog: Waves starring Kelvin Harrison Jr and Taylor Russell. Waves focuses on an African-American family in southern Florida tackling themes such as family trauma, forgiveness, toxic masculinity, and race in America. It's unique storytelling structure has divided some critics, but has been complimented by other reviewers as a unique tale. Where will the A24 Rocks crew land? Caution: movie spoilers.Intro- 0:00 to 3:28.Film Discussion- 3:28 to 1:24:20.Film Ratings/Outro- 1:24:20 to End.Upcoming Podcast Release Schedule-December 3rd- Gummo.December 10th- In Fabric.December 17th- Go.December 24th- Uncut Gems.
In this episode of Pop Culture Pastor, Dave and Cody sprint headfirst into Edgar Wright's new adaptation of The Running Man, asking the big question: is this the movie that officially crowns Glen Powell as the next great everyman action star?The guys start with a wild but oddly wholesome news item: Timothée Chalamet calling Adam Sandler “one of the best actors of all time” during their “Sandler x Chalamet” event. That launches a fun conversation about Sandler's career arc — from “guy who just makes vacation movies with his buddies” to secretly one of the most versatile actors working, thanks to turns in Punch-Drunk Love and Uncut Gems. There's also a quick detour into DC's Lanterns delay, James Gunn's DCU, and why everything around Warner Bros. feels just a little… wobbly.Then it's full-on Running Man review mode:how this version leans back into Stephen King's original dystopian nightmarewhy Glen Powell feels like the spiritual heir to Bruce Willishow Colman Domingo and Josh Brolin absolutely cook in limited screen timewhy the Hunters are a huge missed opportunity, and how Alan Ritchson could've fixed the whole problem with one menacing glareplus a Deeper Themes segment on media, virtue signaling, and why the real villain might be the human heart, not just “rich bad guys in offices.”In The Lobby, listeners ask about the many faces of Cody (Contrarian Cody, Capitalist Cody, Chaotic Cody, and more), dream podcast guests (Scorsese, Paul Walter Hauser, Weird Al, Harrison Ford), and whether a live-action Legend of Zelda movie can truly be the Lord of the Rings of video game adaptations.Oh, and yes—there's talk of Christmas playlists, Die Hard–inspired Christmas shirts, and why Michael Cera is somehow the loser of the movie simply because there wasn't enough of him.