Podcasts about Uncut Gems

"I made a crazy risk, a gamble. And now it's about to pay off"Get your auction bids ready--this week we're talking about Uncut Gems! With the NBA Finals in full force, we dive back into this Adam Sandler-led, Safdie brothers-directed anxiety attack from 2019. We're joined by friend of the show Jordan Heffernan, who hadn't looked into the opal before this episode.We go through the bets, characters, and gambling debts that make up this movie, highlighting all of the school plays, hired goons, and poisoned fish along the way. So put on your glasses, call Kevin Garnett, and join us for this week's episode! Support our show and become a member of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Scott's Tots⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Patreon! For only $5/month, Tots get ad-free episodes plus exclusive access to our monthly Mailbag episodes where we casually pick through every single message/question/comment we receive. We also have bonus series available to our Patrons, like our White Lotus Special, Party Down, Ted Lasso, Survivor content, and unreleased episodes of this show. Oh, and Tots get access to exclusive channels on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a message.We open with Daniel Arnold's new book You Are What You Do from Loose Joints — the sequencing, the blank pages, the editor's role — and end up on a harder question: what happens when you spend a decade on something and the first question someone asks is "what's next?" We talk through Josh Safdie's account of finishing Uncut Gems and why that question lands like an insult, and whether there's also something honest, even useful, about just moving on.That leads into the photo walk question: can you actually make work when you're with other people, or is this a medium that demands solitude? We use it as a way into what we think is genuinely missing from the Omaha creative scene — not talent, but the kind of competitive pressure that only comes from being around people operating at a high level and taking it seriously. We draw a line between community (people talking about ideas) and scene (people making work and raising the floor for each other).We also get into the difference between finding something valuable and making something from nothing, what it actually takes to own the label of photographer or writer without feeling like you're lying, and why "what's the point?" is the specific thought pattern that keeps you consuming instead of working. The answer, more or less: momentum is the point. -AiSupport the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG 

Logan Gruidl is Senior Producer at Picture Head and the founder of The Trailer Brief, a bi-weekly newsletter covering trailer craft, industry news, and the campaigns shaping entertainment advertising. After coming up as an AE at Outpost and Grandson, Logan built his finishing expertise at Picturehead while quietly becoming one of the industry's most thoughtful new voices. Key Takeaways: The finishing side of the industry is poorly understood even by people in it. Logan breaks down how color, mix, versioning, and delivery work at a post house like Picture Head. The Trailer Brief was born from a need to stay engaged with the creative side of the industry while doing finishing work full-time. The journalism background helped. AI as editorial tool, not ghostwriter. Logan uses ChatGPT to round up trades and Claude to pressure-test his drafts, not write them. The Uncut Gems trailer was the piece that made him want to work in this industry. Grandson had it on their homepage when he was interviewing. Building community matters. Between Behind the Trailer, TWMT, Jules Levy's Tuesday roundups, and now The Trailer Brief, a real ecosystem of industry education and documentation is taking shape. Standout Quotes: "We're in a cool place right now where the people who founded the industry are still working, but there's also a whole new slate of editors who came up wanting to be trailer editors — and now they're working next to the people who cut the things that inspired them." "I felt like the way to keep accountable was to write about them." "If I can distill it down to four bullet points for someone who just got off a 12-hour shift, and they feel better about their knowledge of the industry — that's a win." "I don't think anyone my age really wants to be a finisher, aside from me." "I was like, okay, time to go to Picturehead — be a smaller fish in a bigger pond." Links: The Trailer Brief: the-trailer-brief.beehiiv.com Logan on LinkedIn: @Logan-Gruidl Thanks to our sponsor: The Golden Trailer Awards: goldentrailer.com Join the Community Leave a rating and review Share the episode with a friend in the industry Subscribe for new episodes every week Enjoying the show? Rate and review wherever you listen. It helps more people find us. Now go do some inspired work.

This week on MYTH, we're journeying to the French countryside for a sisterly fable. You'll learn that fairies may not have a clear grasp on what a gift is, that no good deed goes unpunished, and that jealousy can sometimes be a literal snake in the grass. Then, in Gods and Monsters, a tricksy fox will try to become a deadly wolf. Source: French Folklore

Welcome back! This week the ladies dive into "The Drama", the uncomfortable, anxiety-inducing A24 film starring  Zendaya and Robert Pattinson. What starts as an awkward romantic drama about an engaged couple heading into their wedding week, quickly spirals into something much darker after a “worst thing you've ever done” conversation goes completely off the rails. Emma reveals a disturbing part of her teenage past, and that one confession detonates the relationship, the "friend"group, and the entire wedding weekend. We break down the film's tense atmosphere, uncomfortable chemistry, and the bigger conversations surrounding alienation, radical honesty, identity, and whether people should be permanently defined by their teenage years. We also discuss how the movie intentionally challenges audience expectations by centering a Black woman in a narrative typically associated with a very different demographic, and whether that changes the level of empathy viewers are willing to extend. If you watched this movie and immediately needed to unpack all of that emotional chaos with somebody, this episode is for you. Cheers!

This week, Eric and Pascale trick Josh into making at least half the episode to be all about basketball (with some movie related basketball stuff in there, like Space Jam, Hoop Dreams, Hoosiers, and Air Bud, just to keep us on point). We also discuss Holey Confections, bartering, Herb Albert, The Mighty Ducks, Saturday Night Sinema, Wes Anderson's box office, Uncut Gems, the silent film era, and more! Plus, the movies screening the week of Friday May 22 - Thursday May 28: Everyone Is Lying To You For Money, The Drama, The Wicker Man, The Docks Of New York, and The Darjeeling Limited!

GIMME THAT STARFOX MOVIE! - Super Mario Galaxy Full Movie Watch Along:   / thereelrejects   The Super Mario Galaxy Movie Animated Movie Reaction & Breakdown with Greg Alba, Andrew Gordon, Jon Maturan, and John Humphrey! With the absolute massive box office success of The Super Mario Bros. Movie setting up a fast-paced multiverse, Nintendo, Universal Pictures, and Illumination Studios Paris have returned to the cosmos for the biggest event of the Super Mario Bros. 40th Anniversary celebration: The Super Mario Galaxy Movie. Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ In this full Super Mario Galaxy movie reaction, the Reel Rejects crew dives deep into the incredible, fast-paced world building and jaw-dropping computer graphics of Illumination's latest video game adaptation masterpiece. We break down the massive ensemble cast, including Chris Pratt (Guardians of the Galaxy, The Lego Movie) returning as Mario, Anya Taylor-Joy (The Queen's Gambit, Furiosa: A Mad Max Saga) as Princess Peach, and Charlie Day (It's Always Sunny in Philadelphia, Pacific Rim) reprising his role as Luigi. We also check out the massive new cast additions, including Brie Larson (Captain Marvel, Room) as outer-space princess Rosalina, Donald Glover (Atlanta, Solo: A Star Wars Story) bringing the iconic Yoshi to life, and Benny Safdie (Oppenheimer, Uncut Gems) as the unhinged, approval-seeking Bowser Jr. Our hosts break down all the chaotic, sensory-overload action sequences, the mind-blowing transitions from 2D tribute animation back into full 3D models, and the amazing orchestral score by composer Brian Tyler. From the introduction of the Boomsday weapon and Bowser Jr.'s paintbrush mechanics to the unforgettable Star Fox crossover sequence featuring Glen Powell (Top Gun: Maverick, Anyone But You) as Fox McCloud flying the Arwing, this movie gave our hosts plenty to unpack. We also discuss the unexpected father-son dynamics between Jack Black's (School of Rock, Kung Fu Panda) King Bowser and Bowser Jr., the pixel pinñata party, the Honeyhive Galaxy run featuring Issa Rae (Barbie) as the Honey Queen, Luis Guzmán (Wednesday) as Wart at the GameCube roulette casino table, and that incredible Terminator 2 homage ending with Lava Bowser becoming the Skull King. As we dissect the mixed critic reviews versus the massive audience score, we're asking: is The Super Mario Galaxy Movie better than the first film? Does the bare minimum of storytelling work when a movie completely understands its experiential assignment? And are we officially getting a full-blown Super Smash Bros. cinematic universe? Let's talk in the comments! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Greg Alba:  Instagram: https://www.instagram.com/thegregalba/ Twitter:  https://x.com/thegregalba Follow Jon Maturan: https://www.instagram.com/jonmaturan/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with the Safdie Brothers, originally episode 307 from 2020-01-15.Original writeup below:You may know them from the fantastic ‘Good Time' (featuring a tightly wound Robert Pattinson), or maybe ‘Heaven Knows What', but for sure you will be seeing much more of them with their new Netflix / cinema joint and Adam Sandler-starring ‘Uncut Gems'! Pip is a confirmed fan of course, and caught up with them on a very swift whirlwind run in London to talk all things film, from the time taken to get to this stage with the film, seeing the effect of it on an audience (especially comedically), the casting of Adam Sandler, the importance of voices, the use of extras in a far more involved sense, British acting and the realism of it, casting real people, working with musicians, using New York as a character, their intense focus on character even down to auditioning actors for one line appearances, and the sonic world of a film including the ‘Atmos' mix which they go into. Amazing - proper film nerd's one here and you're not one, you might well be by the end. Enjoy!PIP'S PATREON PAGE if you're of a supporting natureJOSH SAFDIE on IMDB!BENNY SAFDIE on IMDB!UNCUT GEMSTHE SMASHING MACHINEMARTY SUPREMEPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Wes and Iris discuss their fav scores and soundtracks, debating classics–JURASSIC PARK, THE LAST OF THE MOHICANS–with relentlessly dissonant modern films–UNCUT GEMS, ONE BATTLE AFTER ANOTHER. Then segue into…music as torture? Contains spoilers. Thanks for listening.  @orwhatevermovies 818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's brand new episode is a full review of 1985's After Hours.   It's quite possible that you have never heard of this movie, but before you dismiss it, listen to this-   Directed by Scorsese.  Starring Catherine O'Hora, Rosanna Arquette, John Heard, Cheech and Chong, Bronson Pinchot, Dick Miller and more.   It could be described as having the anxiety of the original Uncut Gems.  It's fun and we think you will like it.   •0:00:00 - Introductions •0:02:30 - Memories of first viewing •0:06:00  - Pertinent movie details  •0:10:00  -  Critical and fan reviews •0:17:00 - Scene by scene breakdown  •1:42:00 - Modern day ratings —————————————————————— SPONSORS-  **ASPCA-  To learn more about Pet Health Insurance, visit http://aspcapetinsurance.com/breakfast  **TruDiagnostics- Our listeners can get 20% off at http://TruDiagnostic.com using code CONFUSED at checkout. **LITTLE SLEEPIES-  If you're expecting or dressing little ones, check out Little Sleeps.  You can visit http://littlesleepies.com and use promo code PodSpring26 for 15% off **Draftkings-  Download the app now and sign up with code CONFUSED to claim 1,500 flex spins. **FABLETICS-  Get 80% off everything when you sign up as a VIP! Just head to http://Fabletics.com/confused —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Dylan Mick and NicMad. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zach's twitter Matthew's twitter Zach's flickchart Matthew's flickchart podcaststreamit@gmail.com 

Subscribe to Throwing Fits on Patreon. Buongiorno! This Week, Jimmy and Larry are coming to you live from Milan thanks to our good friends at Armani, hitting the stage with Miyako Bellizzi—Oscar-nominated costume designer of Marty Supreme, not to mention Uncut Gems and Good Time—to talk everything from Armani's exceptional new Archivio collection and why people dressing up as your characters is the greatest reward to sourcing vintage underwear and fitting the greats like Timothée Chalamet, Robert Pattinson, and Oscar Isaac.

Von der Autobahn zum Retter Hollywoods? Wir reden über A24. Das Studio, das uns HEREDITARY und SWISS ARMY MAN oder UNCUT GEMS brachte. Genau wie GREEN KNIGHT, THE LIGHTHOUSE, THE ZONE OF INTEREST oder MIDSOMMAR. Um all diese Titel soll es heute gehen. Denn sie zählen für Antje, Chris, Jasper und Schröck zu den Aushängeschildern der Firma, die sich in den letzten Jahren von der kleinen Indie-Klitsche zu einem weltweiten Player hochgearbeitet hat. Und diesen Weg wollen die Vier heute einmal nachzeichnen, erzählen, wer dafür verantwortlich ist, wie das Studio eine solche Karriere hinlegen konnte, warum es gerade Marketing-technisch bei Menschen wie Jasper und Chris so gut aufgeht und warum es dann doch auch so einige Fremdkörper im Portfolio gibt. Also so was wie zum Bespiel SLICE, ON THE ROCKS, PROBLEMISTA, INTO THE FOREST oder sogar LOVE LIES BLEEDING, der bei der heutigen Besetzung keine ungeteilte Begeisterung hervorrufen konnte. Kurz gesagt: es werden vor allem Titel gedropt, um zu zeigen wo man her kam und wohin die Reise geht, ohne einzelne Produktionen wirklich zu vertiefen. Es hat uns trotzdem sehr viel Spaß gemacht und wir hoffen, dass wir ihn auch auf Euch übertragen können. Andernfalls muss Euch Jasper noch mal auf eine Runde GREEN KNIGHT-Pen & Paper mit seinem Schwert einladen. Und das kann nicht in Eurem Sinne sein. Deswegen bleibt so gesund wie gut drauf und viel Vergnügen, Ihr SPRING BREAKER. Ciao. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special bonus episode, Louis sits down with Yorgos Lanthimos, the acclaimed director of ‘Bugonia', 'The Favourite' and ‘Poor Things'. Yorgos tells Louis about working with Emma Stone, suffering for his art, and debating whether or not to direct a Bourne movie.   Warnings: Strong language and adult themes.     Links/Attachments:     Bugonia (2025)  https://tv.apple.com/gb/movie/bugonia/umc.cmc.405pbn0ajtqwj3ycjapyd0i9x?action=play     Dogtooth (2009)  https://www.imdb.com/title/tt1379182/     Pulp Fiction (1994)  https://www.youtube.com/watch?v=lH18ZHdrktM     Blue Velvet (1986)  https://www.imdb.com/title/tt0090756/     Eraserhead (1977)  https://www.imdb.com/title/tt0074486/     Bourne Franchise   https://www.imdb.com/list/ls089971582/     Dude, Where's My Car? (2000)  https://www.imdb.com/title/tt0242423/     The Lives of Others (2006)  https://www.imdb.com/title/tt0405094/     The Tourist (2010)  https://tv.apple.com/gb/movie/the-tourist/umc.cmc.5ka0eofzuve9xw2qb7rcpwbck?action=play    Poor Things (2023)  https://tv.apple.com/gb/movie/poor-things/umc.cmc.3mshuc064vnbpvdq7rl6d3lpf?action=play     Kinds of Kindness (2024)  https://www.imdb.com/title/tt22408160/     Midsommar (2019)  https://tv.apple.com/gb/movie/midsommar/umc.cmc.3btmmnmdi8cci3gb2qupxli8o?action=play     Hereditary (2018)  https://www.imdb.com/title/tt7784604/     Eddington (2025)  https://tv.apple.com/gb/movie/eddington/umc.cmc.16hrancuhb81jh76au2988hqv?action=play     Beau Is Afraid (2023)  https://www.imdb.com/title/tt13521006/     Save the Green Planet! (2003)  https://www.imdb.com/title/tt0354668/     TV Show: ‘Succession' (2018 –2023) - HBO  https://tv.apple.com/gb/show/succession/umc.cmc.3trf3c8kzd8m4w72c9q8dwjqe     Article: Tarantino on Paul Dano  https://www.theguardian.com/commentisfree/2025/dec/11/hollywood-honest-quentin-tarantino-paul-dano     There Will Be Blood (2007)  https://tv.apple.com/gb/movie/there-will-be-blood/umc.cmc.45s5e33zqu277lcdym5taili?action=play     Prisoners (2013)  https://www.imdb.com/title/tt1392214/     Film Franchise: Marvel Cinematic Universe (2008 – present)  https://www.imdb.com/list/ls031310794/     A Minecraft Movie (2025)  https://tv.apple.com/gb/movie/a-minecraft-movie/umc.cmc.1od4a1ayyjqn43uz8fel7ei5e?action=play     Superman (2025)  https://www.imdb.com/title/tt5950044/     The Lego Batman Movie (2017)  https://www.imdb.com/title/tt4116284/     Spider-Man (2002)  https://www.imdb.com/title/tt0145487/     The Mastermind (2025)  https://tv.apple.com/gb/movie/the-mastermind/umc.cmc.3kbnmjk6m6h0hy67h6w6kj6j2?action=play     Anora (2024)  https://www.imdb.com/title/tt28607951/     Daddy Longlegs (2009)  https://www.imdb.com/title/tt1426362/     Longlegs (2024)  https://www.imdb.com/title/tt23468450/     Uncut Gems (2019)  https://www.imdb.com/title/tt5727208/     Good Time (2017)  https://tv.apple.com/gb/movie/good-time/umc.cmc.7950weot61ytepv84enkastys?action=play     Marty Supreme (2025)  https://www.imdb.com/title/tt32916440/     The Smashing Machine (2025)  https://tv.apple.com/gb/movie/the-smashing-machine/umc.cmc.71wzerdj91fo8ep11rcbu3tei?action=play     Exhibition: Yorgos Lanthimos: Photographs (2026)  https://www.onassis.org/whats-on/yorgos-lanthimos-photographs     Athens, Greece https://en.wikipedia.org/wiki/Athens Credits  Producer: Millie Chu   Researcher: Artemis Irvine Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Studios Production for Spotify   www.mindhouse.co.uk    Open a Moneybox Cash ISA at https://moneybox.onelink.me/Cqlx/y3xncge  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sorry that I missed all of you last week with BEHIND THE LENS, but I had no voice. And you all know how catastrophic that is when I cannot talk and sound worse than a Budweiser bullfrog. So my apologies. But it's a new week, and I've got a working voice and working internet, so let's take a look at a film and filmmaker that just blew me away – OUR HERO, BALTHAZAR and co-writer/director OSCAR BOYSON. OUR HERO BALTHAZAR marks Oscar's feature directorial debut, but it is certainly not his first time in the cinematic rodeo given his prior directing experience with some episodics and shorts, but also serving as a producer on films like UNCUT GEMS and FRANCES HA, as well as working his way through the various components of filmmaking, including sound recording, editing, production design, and more, giving him a nice grounding for a feature directorial experience. OUR HERO, BALTHAZAR is a brilliant directorial calling card for Oscar. Co-written by Oscar with Ricky Camilleri, OUR HERO, BALTHAZAR stars Jaeden Martell and Asa Butterworth, along with Chris Bauer, Jennifer Ehle, Pippa Knowles, Avan Jogia, and more. The film rises and falls on the performances of Jaeden and Asa, both of whom will knock your socks off. This is a fascinating and insightful interview with co-director/writer OSCAR BOYSON! Enjoy! http://eliasentertainmentnetwork.com

On this episode of The LA Food Podcast, Luca checks in from Las Vegas in full Uncut Gems mode while Father Sal returns for a chaotic, no-holds-barred Q&A episode.You asked, we answered. We're talking everything from which LA food influencers are completely full of shit, why certain “terrible” restaurants stay packed, and how to actually navigate tipping culture in 2026, to deeper cuts like underrated LA chefs, Mexican breakfast standouts, and whether LA food media ignores entire regions of the city. We also get into real-life dilemmas like bad restaurant recommendations, ordering disasters, and yes, Luca's advice on finding a wife.On Chef's Kiss / Big Miss, the biggest stories in LA food get the treatment. A San Gabriel Valley institution is forced to pull its iconic stinky tofu after neighborhood complaints, sparking a larger conversation about culture, identity, and who gets to “smell” in Los Angeles. The Horses saga returns as Will Aghajanian denies the now-infamous cat-killing allegations in a bizarre and headline-grabbing interview. Meanwhile, the Noma Los Angeles fallout continues to spiral, with conflicting accounts around a viral abuse story complicating an already explosive situation. Plus, we break down the wild new Dodger Stadium menu, including bone marrow tacos and loco moco, and highlight Night Out for No Kid Hungry, one of LA's biggest food events of the year. (Use code LUCA20 for a discount!)In Part 2, we're joined by world-class pizza chef Daniele Uditi live from Pizza Expo in Las Vegas. We dive into his latest project, Lele Dinner Club, and get into a full-on pizza myth-busting session. Should pizza have no flop? Is Neapolitan pizza supposed to be soupy? And are people crazy for expecting a dollar slice to still cost a dollar?If you care about LA food, pizza culture, or just want brutally honest takes on the restaurant world, this one's for you.--Also don't forget you can discover amazing wines by subscribing to MVA.wine - use code LAFOOD for $50 off the first collection (first 20 listeners only!)

Consumida, por el momento, al interior de la carrera por el Oscar 2026, la película que hizo de Timothée Chalamet una figura planetaria (para bien y para mal) hace perfecto sentido dentro de la filmografía previa de los hermanos Safdie —bien podría ser leída como el final de una trilogía integrada por Good Time (2017) y Uncut Gems (2019)— en el sentido que es un relato desplegado entre la energía y la ansiedad, el voluntarismo y el descalabro. Por otro lado, es imposible no pensar en el filme como una relectura del siglo XX desde el siglo XXI; en específico, una mirada a la cultura neoyorkina y el mundo judío de la posguerra, el espacio en que aquellos que no fueron tocados por el Holocausto se despliegan por el mundo con un ímpetu casi salvaje. Al centro de todo ello se encuentra Marty Mauser, chico prodigio del ping pong, moderno Huckleberry Finn, calamitoso hijo, amigo y pareja de quien se cruce en su camino. Haciendo honor a su nombre y apariencia ratonil, Mauser se cuela por los intersticios de la historia en busca de un destino que imagina para sí, pero que acaba por compartir apasionadamente (y casi siempre de mala gana) con quienes le rodean. Obra de increíble ambición, es la prueba viva de que el interés por los Safdie manifestado por Scorsese y otros contemporáneos está más que justificado. De eso y más se habla en este podcast.

Finally a review of the Table Tennis movie. The two things that stand out, this is one Safdie brother going solo on this film after the mighty one-two of Good Times and Uncut Gems, and I've not been kind to the "Marlon Brando" of our age, Timothy "Baby-Cham" Chamalet. He does actually give a very good performance here, and it's a fine film - but it's not in the same league as Uncut Gems and could easily have been an hour shorter. The Ron Howard of Safdie movies.

This week we review what some would describe as a sports comedy movie (we wouldn't), Marty Supreme. Is Marty Supreme a surprise slam dunk, a cinematic double fault, or just Uncut Gems with ping pong? Join us as the gang gives our hot takes and plenty of spin. Sorry for some of the audio issues on this one.   Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Gil - @WR_Gil Romero - @RomeroinATX Zach - @ZachfromNB

Today on Art of the Cut we speak with director/editor Josh Safdie and his co-editor co-producer and co-writer, Ronald Bronstein. Safdie and Bronstein are nominated this year for Oscars for Best Picture, Best Screenplay, and Best Editing for Marty Supreme. Safdie has an additional nomination for the film for Best Achievement in Directing.The pair has worked together for almost two decades on such films as Uncut Gems, Good Time, Heaven Knows What, and Daddy Longlegs.Our discussion today includes the importance of editing the film linearly – not looking at dailies until after the shoot - and being in love with their flawed main character.If you'd like to read along with this interview and see the trailer, clips and stills from the film, visit the BorisFX.com website and check out the Art of the Cut blog:borisfx.com/blog/aotc.

Our Oscars Run continues this week on We Drink & We Watch Things with the most over-caffeinated and divisive contender in the race: Josh Safdie's Marty Supreme. This isn't just a sports movie; it's a chaotic, 1950s-set "ping-pong nightmare" that plays like a heist film where the only thing being stolen is glory. Pour yourself our cocktail of the week - The Hydrator - because this movie doesn't let you breathe for its entire 149-minute runtime.This week, we talk through Timothée Chalamet's electric, polarizing performance as Marty Mauser, a spindly, obsessive table tennis hustler who treats every match like a life-or-death battle for his own soul. We examine the film's unique, frantic energy - reminiscent of Uncut Gems - and analyze Gwyneth Paltrow's stylish return to the screen as the glamorous, world-weary Kay Stone. We also highlight the incredible supporting work of Odessa A'zion, who brings some much-needed humanity to the chaos as the woman Marty leaves in his wake. It's a discussion about the toxic drive for the American Dream, the absurdity of professional ping-pong, and whether Chalamet's "anti-hero" swagger is enough to finally nab him that Best Actor statue.If you're tracking the Oscar race with Mackenzie or just want to hear us debate whether a movie about a "sociopathic screwball" can actually win Best Picture, this is the episode for you. We're blending our awe for the film's kinetic style with our usual casual banter, making this a high-speed highlight of our Oscars Month journey. Don't look away - you might miss the serve!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Adam Sandler Month concludes with Uncut Gems — a chaotic, stressful crime drama that might be Sandler's greatest performance.We discuss:Why the movie feels like a panic attackThe gambling addiction spiralWhy you root for Howard even though he's awfulThat brutal endingAnd our final rankings of the monthNext week: Constantine kicks off Cape Sh!t Month.

Stew forces John Wayne to finally watrch "Narc" and "Uncut Gems" before they both dive into the new Sam Raimi thriller "Send Help." Plus, adventures in Stewart family road tripping.

Hey everybody! This week we are joined once again with Mickey (Raine's mom) to discuss the 2019 anxiety inducing film, Uncut Gems! Listen as we breakdown this beautifully tragic tale of drive, gambling, bad decision making, and of course the unbelievable weight of tension. Enjoy!

For this week's episode, we dive headfirst into “Uncut Gems”, the Safdie Brothers' relentless crime thriller that feels less like a movie, and more like a 2-hour panic attack. Anchored by a career-best performance from Adam Sandler as the gambling addicted jeweler with a talent for digging himself deeper and deeper, we unpack the film's nerve-shredding style, its stacked supporting cast (including an NBA All-Star Kevin Garnett playing himself), and why this might be one of the most stressful theatrical experiences of the last decade. Is it a masterpiece of controlled chaos, a cautionary tale about ego & addiction, or just weaponized cinematic anxiety? Buckle up, because this is how we win...Make a film recommendation for an upcoming episode!Thank you for listening! Don't forget to rate & subscribe. New episodes bi-weekly. Also available on YouTube. All new website coming soon!

To be fair, my interview with Miyako was before Marty came to our screens…. you've seen in previous posts my excuse for the dog eating my homework; I've been producing a film in Philadelphia and the timing is less than stellar. I was also waiting to speak to Mike Fontaine and Kyra Panchenko about their makeup work on Marty which has since been recognized by BAFTA, but Kyra is insanely busy and our schedules did not align. So I am finally releasing my talk with Miyako mostly for bragging rights that I, too was granted the honor of having this superstar on the show.Miyako Bellizzi is THAT GIRL that you want to friends with. She is impossibly cool and effortlessly chic, and above all, spectacularly talented. Josh Safdi's Marty Supreme is without a doubt a polarizing film, but the one fact that is undisputed is it looked flawless. The authenticity, detail, and style are deserving of their Academy Award Nominations and we all knew from the moment this film was released that Bellizzi would be among those craftspeople who were recognized during awards season. I spoke to Miyako early in the film's release so we talked about the press tour a lot. I am not ashamed to admit that I have all the Marty Merch including the Wheaties Box. So while you may have seen this beautiful woman and her extraordinary work in this film featured everywhere from Vogue to Vanity Fair, we had a great time speaking off the cuff about the excitement of the cultural influence of an A24 press tour. Enjoy!0:00 - Intro3:37 - Miyoko from Uncut Gems to Marty8:37 - Creating Gwyneth Paltrow's Costume10:00 - Women's Fashion in the 50's12:13 - Individualizing Gwyneth's Character14:09 - Morphing Dylan into Marty18:04 - Developing and Collaborating Looks20:31 - How Character Arcs Transform Costumes21:48 - Resonance with Marty's Drive23:21 - Outro Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

MARTY SUPREME writer/director Josh Safdie unpacks his favorite movies with podcast hosts Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode Abigail's Party (1977) Marty Supreme (2025) Burying the Ex (2015) Uncut Gems (2019) Dazed and Confused (1993) King of New York (1990) Bad Lieutenant (1992) The Funerals (1996) The Addiction (1995) 4:44 Last Day On Earth (2011) Tomasso (2019) The Driller Killer (1979) Ms .45 (1981) Go Go Tales (2007) The Killing of a Chinese Bookie (1976) A Woman Under the Influence *Kramer vs Kramer (1979) Hero (1992) Alice Doesn't Live Here Anymore (1974) Pink Floyd's The Wall (1979) The Brood (1979) *Fire in the Sky (1993) *Matinee (1993) *A Clockwork Orange (1971) The Lost Boys (1987) *Ferris Bueller's Day Off (1986) Planes, Trains and Automobiles (1987) *E.T. The Extraterrestrial (1982) *The Shining (1980) *Misery (1990) Popeye (1980) The Leprechaun (1992) Mandy (2018) The Princess Bride (1987) This Is Spinal Tap (1984) Barry Lyndon (1975) 2001: A Space Odyssey (1968) Full Metal Jacket (1987) *The 400 Blows (1959) *Pulp Fiction (1994) The Breakfast Club (1985) *The Red Balloon (1956) White Mane (1953) Gremlins (1984) *The Running Man (1987) The Terminator (1984) The King of Comedy (1983) Total Recall (1990) Robocop (1987) *Above The Rim (1994) Rocky (1976) Rocky II (1979) *Rocky III (1982) Rocky IV (1985) Rocky V (1990) Masters of the Universe (1987) Beverly Hills Cop II (1987) *Saturday Night Fever (1977) Stayin' Alive (1983) Carrie (1976) Other Notable Items Our Patreon!  The Hollywood Food Coalition The battle of Jericho Josh Mostel G.I. Joe Anton Yelchin Anagrams  Mike Leigh Abel Ferrera Willem Dafoe Odessa A'zion Clint Eastwood James Cagney The Academy of Motion Picture Arts and Sciences Kevin Garnett Ronald Bronstein Timothee Chalamet Tyler, the Creator Gwyneth Paltrow IFC Films Zohran Mamdani Mira Nair Dustin Hoffman Meryl Streep Eric Clapton Stephen Frears Geena Davis Andy Garcia Chevy Chase David Cronenberg Robert Benton A Nightmare on Elm Street series Wendy Carlos John Candy John Goodman The Cuban Missile Crisis 4DX William Castle Smell-O-Vision Shelley Duvall The Shining novel by Stephen King (1977) Stanley Kubrick TFH Guru Mick Garris The Shining miniseries (1997) Jack Nicholson The Beatles Our Panos Cosmatos podcast episode Johan Johansson Gramaphone Records Kathy Bates James Caan Rob Reiner Alfred Hitchcock Scatman Crothers Vivian Kubrick Jean-Pierre Léaud Benny Safdie John Lennon John Hughes Chris Columbus Chicago The Ramones Richard Edson Jim Jarmusch The History of Bones: A Memoir book by John Lurie (2021) Bob Hope Bing Crosby Mel Brooks Matthew Broderick Albert Lamorisse  The Fleischer Brothers Tex Avery Harold Faltermeyer Arnold Schwarzenegger Oneohtrix Point Never  Richard Dawson Jerry Lewis Paul Verhoeven The New York Knicks Queen Onyx Bernie Mac 2Pac Dolph Lundgren Sylvester Stallone John Travolta Welcome Back, Kotter TV series (1975-78) The Bee Gees Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam Sandler Month rolls on with The Waterboy, a dumb, lovable, endlessly quotable 90s comedy that still holds up. We break down why it works, why critics hated it, Henry Winkler's underrated performance, and whether this is peak Sandler comedy.Then it's Zack Facts, Ace Combat chaos, card game degeneracy, Fallout, The Last of Us, and teasing Uncut Gems next week.

Ben finally got around to watching the Academy Award nominated “Marty Supreme”, and shared his review on the air, comparing it to “Uncut Gems”

Kyle King (@cbjking) joins us for a conversation about UNCUT GEMS (on HBO Max). We deep dive into the movie, discuss listener feedback, review previous ladder connections and decide on our next connected cinematic rung (1:56:22). Submit your comments, rating and suggested connections for next week's movie to themovieladder@gmail.com.Connect with us on Letterboxd (@TheMovieLadder), Twitter (@LadderMovie) and Instagram (@laddermovie). Check out our Letterboxd watchlist to see all the movies suggested on this podcast. You can find us individually on Twitter (@FitzyBrendan and @brooksza) and Letterboxd (@FitzyBrendan and @brooksza). And join us for the Ladder Library Movie Challenge in 2026.

LinksMarty Supreme | Official Trailer (A24)Josh Safdie's new film about a ping-pong hustler, starring Timothée Chalamet.How A24 Created a Viral Marty Supreme Spectacle (Vogue)The jacket drops, the Balenciaga collab, and the marketing machine behind the film.Orlando (1992, Sally Potter)Tilda Swinton as Virginia Woolf's time-traveling, gender-shifting nobleman — this week's mini-challenge.Watch Orlando free on TubiGo watch it. It's right here.Quentin CrispPlays Queen Elizabeth I in Orlando; Merlin imprinted on that image.Tony Zhou, "Edgar Wright: How to Do Visual Comedy" (Every Frame a Painting)The video essay that made everyone realize Wright is doing something nobody else does.The Wicker Man (1973)The original folk horror — the thread connecting Hot Fuzz, Midsommar, and The Witch.Off Menu podcastFlorence Pugh's episode, in which she reveals she does not drink water.Off Menu — Lucia Keskin (Chi With a C)BAFTA-winning comedian, discussed in the member show. "The quietest guest we've ever had."Claire Foy had intestinal worms from filming The Crown (Yahoo News)The truly disgusting reason she no longer drinks caffeine.Man throws shoes at BushThey all throw their shoes.Sarrasine — Balzac (Project Gutenberg)The Balzac novella about a sculptor who falls in love with a castrato — the text Barthes famously dismantled.S/Z — Roland BarthesBarthes's semiotic disassembly of Sarrasine — Merlin's "oh fuck you, you should read Sarrasine" recommendation.Gender: An Ethnomethodological Approach — Kessler & McKenna (U of Chicago Press)The book that changed Merlin's life in a 1988 Gender Studies class: what if there weren't just two genders?Gender Trouble — Judith Butler (PDF)The definitive text — Alex's rec that Merlin bought a beautiful copy of and still hasn't read. Here's a free one.Who's Afraid of Gender? — Judith Butler (Bookshop.org)Butler's newest book — the one Alex was actually talking about. Why are we weird about gender again?"A Question and Three Answers" — Merlin MannThree perspectives on one question about being trans in America.Claude Code (Anthropic)Alex is getting into it and making $200; Merlin's teaching his to not watch Tommy read the paper.Good Time (A24)The Safdie Brothers' sweaty Robert Pattinson thriller — context for understanding what Safdie does.Uncut Gems (A24)Adam Sandler in a diamond district panic attack — the other essential Safdie before Marty Supreme.The Curse (Paramount+)Safdie and Nathan Fielder's deeply uncomfortable TV series.Ricky JayMagician, card sharp, actor, historian of the unusual — referenced during the shoe-throwing bit.Baby Driver — Opening Titles / Coffee Run (feat. "Harlem Shuffle")The scene that is its own argument. Edgar Wright syncing every footstep, every door, every beat.Jon Spencer Blues Explosion, "Bellbottoms"The song that opens Baby Driver and never lets go.Ayoade on Top — Richard Ayoade (Bookshop.org)Ayoade wrote an entire book about the Gwyneth Paltrow movie View from the Top. It's called Ayoade on Top. Of course it is.Olivia Colman is hooked on Ayoade's book premise | Graham NortonThe specific clip — Ayoade explaining View from the Top to a delighted Olivia Colman. Truly one of the great things.Can I Ask You a Question? by Jennifer Venditti (A24 Shop)Venditti's casting book — the woman who found the faces for Good Time, Uncut Gems, and Marty Supreme.Billy the Kid (2007, Jennifer Venditti) — watch free on TubiThe documentary that led to her casting work with the Safdies.Defunctland, "Journey to EPCOT Center: A Symphonic History"A feature-length orchestral documentary about EPCOT Center that has no business being this good.Defunctland, "Disney's Animatronics: A Living History"Bonus Defunctland for the curious.

In this episode, we welcome Skip Lievsay, CAS. Skip is an Oscar-winning Sound Editor and Re-Recording Mixer who has worked on films including Blood Simple, The Color of Money, Raising Arizona, Goodfellas, The Silence of the Lambs, Cape Fear, Malcolm X, Casino, Fargo, The Big Lebowski, No Country for Old Men, I Am Legend, Gravity, The Hunger Games, Birdman, Roma, Uncut Gems, A Quiet Place: Day One, and Marty Supreme. In our chat, he shares on his early days, about working with the Coen Brothers, and his creative approach to crafting sound in post. In March, Skip is being honored with the Cinema Audio Society Career Achievement Award in Los Angeles, CA. The Making Of is presented by AJA:From cinema to proAV: gaining a competitive edge with streaming knowledgeThe worlds of cinema production and proAV are converging. Cinema-grade equipment is making its way into more stadiums, houses of worship, and concert venues. Because of this, professionals that understand the tools and disciplines powering both will stand out. Get ahead of the curve with the latest streaming insights and gear from AJA.Sony's Breakthrough Audio, Imaging and Sports Technologies Raise the Bar for the NFL's Super Bowl LX in San FranciscoSony's New Coach's Headsets, 175+ Cameras and Hawk-Eye Tracking and Video Technologies Capture Every Angle, Split‑Second Decision and High‑Speed Moment of the NFL's Biggest GameSony, an official technology partner of the NFL, announced today that its technology ecosystem will play an expanded role in Super Bowl LX, marking the company's most advanced presence at the NFL's championship game to date.Read more hereNow with Massive 8TB Capacity—Thunderbolt 5 SpeedThe OWC Envoy Pro Ultra now comes in a new 8TB capacity, pairing enormous space with next‑generation Thunderbolt 5 performance. With real‑world speeds over 6000 MB/s and a rugged, bus‑powered design, it's perfect for 4K/8K workflows, on‑location shoots, and fast media offloads. High‑speed, high‑capacity, and ready for serious creative work.Browse hereDonate to Help The Digital Cinema Society SurviveDCS, a 501(c)(3) nonprofit dedicated to keeping filmmakers current on motion picture technology is currently in dire financial straights. We are trying to make the best of a tough situation and asking those who can afford it to help keep us afloat.Please consider donating to DCS hereMeet LiveU Solo PRO:Deliver an outstanding live video experience with the LiveU Solo PRO. Designed for creators and professionals alike, the Solo PRO video encoder provides one-touch, wireless live streaming directly from your camera to popular online platforms and any web destination. Stream with confidence using bonded 4G/5G connectivity and enjoy superior reliability and image quality up to 4K resolution. To learn more, contact Videoguys at 800-323-2325.Learn more herePodcast Rewind:Feb. 2026 - Ep. 116.Feature your products or services in this newsletter and reach 250K+ film and TV industry professionals. To learn more, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Filmmaker Josh Safdie feels like a liar saying he feels anything about being Conan O'Brien's friend. Josh sits down with Conan to discuss showcasing Adam Sandler's dramatic chops in Uncut Gems, prioritizing the casting of real-world characters in his work, and watching Timothée Chalamet transform into a ping-pong champion with his latest hit film Marty Supreme. Plus, Conan issues a bold proclamation to Erewhon's smoothie department. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode features an interview with Supervising Sound Editor and Re-Recording Mixer Skip Lievsay, from the recent film Marty Supreme. Skip discusses his team's approach to the ping pong sound effects and how to use use background sounds to ground a film in a certain time and place. Skip has worked with both Safdie brothers together on Uncut Gems and then with Benny on his own for Smashing Machine and Josh solo on Marty Supreme. Skip tells me what each experience was like. After I finish talking with Skip Lievsay, this episode concludes with backstage interviews featuring all the winners from the sound categories at the recent Director's Guild of Canada Awards. ______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______ Episode Notes: https://tonebenderspodcast.com/347-marty-supreme/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In this episode, we review one of the biggest blockbusters of 2025 from A24, directed by Josh Safdie and starring Timothée Chalamet, Gwyneth Paltrow, and Tyler Okonma in the sports comedy-drama Marty Supreme. We discuss whether this film represents Chalamet at the peak of his acting powers and debate how closely it relates to another Safdie production, Uncut Gems.See omnystudio.com/listener for privacy information.

This week we stress ourselves out

Paul and Amy take a deep breath and revisit Uncut Gems, examining Adam Sandler's career-best performance as a man who just can't stop pushing his luck. They unpack the film's jittery score, its fraught production and awards-season snub, and the lineage of anxious filmmaking that makes every bet feel like life or death. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh Safdie's Marty Supreme transports audiences to a vibrant 1950s world of professional ping pong, yet many viewers remain unaware that the film contains over 500 visual effects shots. Eran Dinur, the film's VFX Supervisor, reveals how his team meticulously recreated period accurate crowds in Tokyo and Wembley while keeping the digital work entirely "invisible." He views his role as a bridge between the filmmaker's vision and the technical reality on set, ensuring that every digital element supports the story without drawing attention to itself. For Eran, the ultimate compliment is a viewer who walks out of the theater believing every single frame was captured in camera. The transition into high end visual effects was an unlikely one for Eran, who spent fifteen years as a classical music composer before a random software download steered him toward ILM and eventually the Safdie Brothers. This musical background provides a unique perspective on the rhythm and "choreography" of effects, whether he is timing CG ping pong balls to Timothée Chalamet's performance or animating the surreal openings of Uncut Gems. Beyond the technical craft, he addresses the current industry backlash against CGI and the marketing trends that prioritize "practical only" narratives. He also offers a practical look at the future of AI in cinema, arguing that tools are only as good as the control an artist has over them. Eran Dinur on IMDB > Eran Dinur's website >  Marty Supreme Trailer > Marty Supreme Wikipedia > The Filmmaker's Guide to Visual Effects: The Art and Technique of VFX for Directors, Producers, Editors and Cinematographers by Eran Dinur > The Complete Guide to Photorealism for Visual Effects, Visualization and Games: For Visual Effects, Visualization and Games by Eran Dinur >   This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)  

On Christmas, director Josh Safdie released his new film, Marty Supreme, starring Timothée Chalamet as a young table-tennis player bent on global recognition. Like Safdie's previous film—Uncut Gems, co-directed with his brother Benny Safdie—Marty Supreme focuses on an American Jewish antihero and unfolds in a deeply Jewish milieu. But while Uncut Gems takes place in present-day New York, Marty Supreme transports us back to the Lower East Side of 1952, examining American Jewish ambition in the immediate aftermath of the Holocaust and amid assimilation into whiteness. This mid-century setting is complicated by various anachronistic elements, including a soundtrack rooted in the '80s and, perhaps most notably, Chalamet's conspicuous lack of a period-accurate accent. On this episode of On the Nose, Jewish Currents editor-in-chief Arielle Angel, senior editor Nathan Goldman, contributing editor David Klion, and contributing writer Mitch Abidor discuss what, if anything, the film has to say about American Jewishness then and now.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Media Mentioned and Further ReadingUncut Gems, dir. Josh and Benny Safdie“An Unserious Man,” Jewish Currents“Marty Supreme's Megawatt Personality,” Richard Brody, The New YorkerWhat Makes Sammy Run? by Budd SchulbergErik Baker's Letterboxd reviewMarie Antoinette, dir. Sofia CoppolaAnti-Semite and Jew by Jean-Paul Sartre“Marty Supreme Is the Moment, With Josh Safdie!,” The Big PictureTough Jews by Rich CohenMari Cohen on Sally Rooney's Beautiful World, Where Are You, Jewish Currents Shabbat Reading List“Demon Doubt,” Vivian Gornick, interview by Rebecca Tuhus-Dubrow, Boston Review“Is This Anything?,” Mitchell Abidor, Jewish Currents

Marty Supreme Christmas Day! In this episode, Shelby and Laura review A24's Historic Sports Drama film directed by Josh Safdie and starring the most passionate man alive--Timothée Chalamet. We discuss the ambitious marketing campaign, explain why Marty is an awful human being, highlight the eclectic supporting cast from Gwyneth Paltrow to Kevin O'Leary, compare the energy to Uncut Gems, lament why Rachel was so into Marty, gush over Tyler The Creator's acting skills, and debate whether Marty's irrational confidence is a good example for people to follow.Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

Jump in with Carlos Juico and Gavin Ruta on episode 269 of Jumpers Jump. This episode we discuss: Stranger things finale theories, Conformity gate theory, World ending theory, Jesus' real voice on video, Divine miracles, Real life Stranger things, Montauk Lab hauntings, Dark Charles Manson theory, Sharon Tate Murder theory, Congress woman mind controlled, Crazy hypnotism stories, Doctor predicts death story, Time Traveller story, Free will & changing realities, Life changing experiences, Uncut Gems movie, Attention span theory, Believing in yourself, Top 100, Mentality, How to become attractive, Cat parasite makes you hot theory, Micheal Jackson thriller theory, Modern day Shakespeares and much more! -Start your $1 per month trial at https://www.shopify.com/jumpers -Build your brand at https://www.northwestregisteredagent.com/jumpersfree Follow the podcast: @JumpersPodcast Follow Carlos: @CarlosJuico Follow Gavin: @GavinRutaa Check out the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/JumpersJumpYT Learn more about your ad choices. Visit podcastchoices.com/adchoices

With Adam and Josh's MARTY SUPREME review (and bonus spoiler talk) coming later this week, we're sharing Adam's December 2019 interview with the Safdie Brothers about "Uncut Gems." For full access to the Filmspotting Archive going back to 2005, join the Filmspotting Family. Membership includes monthly bonus shows, a weekly newsletter, access to the Filmspotting Discord, and more. Use the promo code "supreme" for 20% off thru Jan. 31. Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy New Year from The Strange Harbors Podcast! For the first episode of 2026, we review Josh Safdie's Marty Supreme, a 1950s sports comedy-drama in the world of professional table tennis. We discuss Timothée Chalamet's barn burner performance, his Marty Mauser marketing persona, and what makes a Safdie movie a Safdie movie. Is Marty Supreme just Uncut Gems or Good Time with $50 million tacked onto its budget? Or is there much, much more under the hood? 

Cameron and Juzo review the latest Josh Safdie film, Marty Supreme (2025). As fans of Uncut Gems (2019) and Good Time (2017), we were excited to see what new stress dream Josh Safdie could cook up. Enjoy our review of Marty Supreme (2025)!   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader, with creative experience in brand, advertising, product, music, and film. Isaac is the student. And Juzo, he knows everything about cinema. The podcast is a passion project between three longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support. 

With Marty Supreme in theatres, we thought it was perfect timing to talk about the Safdies and the gems. And we've finally brought in The Ankler's Chris Rosen to join us! In 2019, the ascendant Josh and Benny Safdie brought us Uncut Gems, an anxiety-inducing comic thriller set in New York City's Diamond District and hinging on the … Continue reading "373 – Uncut Gems (w/ Chris Rosen!)"

Electronic music pioneer Daniel Lopatin (aka Oneohtrix Point Never) joins SCORE to discuss his explosive new score to A24's MARTY SUPREME, directed by Josh Safdie, as well as his background as a godfather of the late-2000s “Vaporwave” music genre and his ongoing record producing with singer-songwriter Abel Tesfaye (The Weeknd).Daniel dives into his early life and discovery on early electronic musical instruments, and how a meaningless corporate job helped inspire some of the hallmarks of Vaporwave music, as heard in his 2010 release Chuck Person's Eccojams Vol. 1. Daniel dives into vaporware's inspirations and it's ongoing influence on his albums, work with the Safdie brothers (GOOD TIME, UNCUT GEMS, Showtime's THE CURSE and A24's MARTY SUPREME), and music producing career with The Weeknd.Plus, Timothee Chalamet's visit to his studio drinking a Red Stripe — and we ask Daniel if he can confirm or deny that Chalamet may have a secret music career as Liverpool rap artist EsDeeKid. Interview by Kenny Holmes and Matt Schrader at A24 in West Hollywood. Production coordination by Kyle Bales. Special thanks to Rachel Kwon and the A24 team and Ryan Mazie.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at. To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.com

Sean and Amanda dream big on today's show because they're breaking down one of their most anticipated movies of the year with Josh Safdie's ‘Marty Supreme,' starring Timothée Chalamet. They make the case for why it's one of the best movies of the year, celebrate its relentless and propulsive filmmaking style, and highlight their favorite individual scenes from the movie (1:31). Then, Sean is joined by Safdie to discuss the intense pressure he faced following the success of ‘Uncut Gems,' why Chalamet's personal ambition and drive made him perfect for the lead role of Marty, and work through whether or not this is a “chapter closing” type of movie for Safdie as a director (1:00:26). Hosts: Sean Fennessey and Amanda Dobbins Guest: Josh Safdie Producers: Jack Sanders and Jacob Cornett Shopping. Streaming. Celebrating. It's on Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

After the success of “Uncut Gems,” director Josh Safdie is back with “Marty Supreme” — his first film without his creative partner and brother, Benny. The film is already generating significant buzz, particularly for Timothée Chalamet's performance as a charismatic but arrogant table tennis prodigy. Josh joins guest host Talia Schlanger to talk about the film and what made Timothée perfect for the role. Plus, he reflects on the loneliness he felt while making “Uncut Gems,” what it really means to pursue your dreams, and whether the sacrifice is worth it. If you like this interview, check out Tom Power's conversation with Benny Safdie about his film “The Smashing Machine.”

The thing about machines is that we expect them to keep chugging on – to never break or falter. In the late 1990s, a mixed martial artist named Mark Kerr found himself struggling to shoulder the weight of that expectation. Mark was a winner – a muscular behemoth beloved by fans of a rising new fighting league, called Ultimate Fighting Championship, or UFC for short. His fans across the world knew little of his agonising behind-the-scenes struggle to keep up that facade, to keep entering the ring week after week, to keep The Smashing Machine as he was nicknamed chugging along – never breaking, never faltering. Addicted to powerful painkillers, the pressure to win was killing him.Which is why The Smashing Machine, the recent biopic about Kerr, from my guest today, writer-director Benny Safdie, is a sports movie unlike most others. Think of a sports movie you love. Break it down at its core and I bet you, it's a tale about someone learning to win, right? Starring Dwayne Johnson and Emily Blunt, The Smashing Machine is about someone learning to lose. The liberation that comes with it. The power of realising that we're not our accomplishments. What defines us is our actions out of the wrestling ring – whatever your version of that ring may be. On today's episode, Benny tells me about the quote, “radical empathy” that guided this story – and how it was also perhaps present in his work up till now. Films and TV shows like the hugely acclaimed Good Time and Uncut Gems, both created with his brother Josh – and The Curse, created with Nathan Fielder. We get into all the key beats and scenes from The Smashing Machine in our usual spoiler-filled detail – including that mesmerising ending in which Dwayne Johnson seems to unburden himself of the expectation that he can never falter, not just within his performance of Mark Kerr, but also kind of as himself, this megawatt blockbuster star whose recent career took an interesting path to this story, filling it with metatextual meaning. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

Daniel Lopatin, aka Oneohtrix Point Never, is a musician and composer. He scored the films Marty Supreme and Uncut Gems, and his new album, Tranquilizer, is out now. We chat with Daniel from his home in Brooklyn about Darkside Of The Moon, if Zohran pretends to know Aphex Twin, we compare Soulja Boy and Ariel Pink, the cranked up press run of Marty Supreme, what he said to Tom Cruise recently, we talk a lot about "old heads," but what about the young heads? How he made the Marty soundtrack in a WeWork-style office, the Challengers soundtrack, and opening for NIN and Soundgarden. instagram.com/eccopn twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices