Podcasts about kindle unlimited

This week, we're visiting with Mary Kay Andrews, a longtime writer and certified badass who we adore for her WTAF Wednesdays and her delightful books. We talk about her writing journey, her decision to get publicly, vocally political, and about her new book Road Trip. We had a great time chatting and talking about writing, about research, and about how we should all just take a road trip through Ireland. Of course, we recommend a few books!Find Mary Kay Andrews (and catch WTAF Wednesdays) on Instagram, Threads, or her website.Listen to our earlier romance road trip episode from Season 1 and head over to tell us all about your favorite road trips and find an endless list of road trip recs on the Fated Mates Discord, accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Next week, our read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.Books DiscussedRoad Trip by Mary Kay AndrewsSummers at the Saint by Mary Kay AndrewsThis Kingdom Will Not Kill Me by Ilona AndrewsNevermind the Mistletoe by Louisa DarlingThe Adventures of Huckleberry Finn by Mark TwainThe Odyssey, Emily Wilson's TranslationThe Mostly True Story of Tanner and Louise by Colleen OakleyThis Tender Land by William Kent KruegerThe Road to Tender Hearts by Annie HartnettSponsorsEdward Underhill, author of The House of Now & Then, available in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, or wherever you get your books.Kristina Forrest, author of The Summer Girlfriend, available for preorder in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo or wherever you get your books.Little Brown & Co, publishers of Emily Adrian's Seduction Theory. Available in print, ebook and audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, wherever you get your books, or with your monthly subscription to Kindle Unlimited.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/6/9/s0837-road-trips-with-mary-kay-andrews If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

What do an arrow through the head, a white suit, a banjo, and two wild and crazy guys have in common? Steve Martin. In this episode of the GenX Book Club, Paul Stroessner, Suzanne Mattaboni, and Del Roehling take a nostalgic look back at Steve Martin's memoir Born Standing Up, a fascinating behind-the-scenes story of one of comedy's most innovative performers. The conversation explores Martin's journey from working in the magic shops of Disneyland to becoming one of the biggest stand-up comedians in America. Along the way, we discuss the discipline, persistence, and creativity that fueled his rise, as well as the personal struggles that shaped him. We also revisit some of Steve Martin's most iconic moments, including:

We're celebrating the paperback release of These Summer Storms this week, and that means we're talking about the weather! We talk about rain and snow and wind and tempests and tornadoes and monsoons, and we talk about why we all like weather in books so much (hint, it's because it's dialed up to 11).Tell us all about your favorite weather in romance novels and find an endless list of books that are as wild and stormy as you like over at the Fated Mates Discord, accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NotesWe are fans of Mayor Mamdani, texting Sarah about the weather. This lady didn't get the memo, but we hope she's okay. After this episode was recorded, the Knicks were headed to the MNBA finals, and the Mayor repealed bedtimes for all the kids in New York. Could we love him any more?Eric was camping, which Sarah and I imagine is like Ferngully, but it was real rainy.Half agony and half hope is from Persuasion, which just goes to show you that you can never read Jane Austen and still get the basics!Send Help is a movie with Rachel McAdams and it's basically light horror, maybe? Idk, Jen covered her eyes a lot, but it was super fun.It was a dark and stormy night is from Snoopy, and also an 1830 novel called Paul Clifford by Edward Bulwer-Lytton, who was an aristocrat! He was the first Baron Lytton! Paul Clifford is an example of a Newgate novel.Snowed-in is a subset of forced proximity, but the snowed-in is a symbol.You can watch People We Meet on Vacation on Netflix.Speaking of Crash Landing on You and weather.James Joyce was afraid of thunderstorms.Sophia Benoit will be with Sarah at Book Club Bar in Brooklyn on June 23rd, and with Jen at Women & Children First in Chicago on June 24th. Sarah will be with Mary Kay Andrews on Long Island on June 12th.SponsorsRachel Griffiths, author of Just for the Season, available for preorder in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo, signed from the Ripped Bodice, or wherever you get your books.Lulu Morris, author of The Dating Pact, available for preorder in print, ebook, audiobook from Amazon, Apple Books, Barnes & Noble, Kobo or wherever you get your books.W by Wattpad Books, publishers of Sabrina Blackburry's Half Wylde. Available in print and ebook from Amazon, Apple Books, Barnes & Noble, Kobo, or wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/6/1/s0836-weather-is-genre-these-summer-storms-paperback If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

App Assistente de Estudos em TCC:https://essencialdatcc.com.br/cbt-essential-study-appCurso Definitivo de TCC:www.essencialdatcc.com.brBaixe, GRATUITAMENTE, materiais para uso clínico: hhttps://essencialdatcc.com.br/materiais-gratuitos-tcc/Teste Grátis por 30 dias o Kindle Unlimited: https://amzn.to/3idHGzy - Tenha acesso à Mais de um milhão de eBooks para você ler onde e quando quiser. Incluindo o MEU! :) Teste Grátis por 30 dias o Amazon prime: https://amzn.to/3cM7fXf - Tenha frete grátis e acesso ao Prime Vídeo

This week in the world we live in and life in general w/ host Jon Justice - Pictures of Martin suggest that Depeche Mode might be getting busy again.- Listener feed back SUPPORT JON JUSTICE BY PICKING UP YOUR COPY OF THE EMBARK, THE SCIENCE FICTION SERIES WRITTEN BY JON JUSTICEAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 1990'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZY50'S DEPECHE MODEhttps://youtu.be/Vt69FeFz-ko?si=xmqmYcxCZa4q9P_GLatest drink and chat with Rob Rohm https://youtu.be/rXs7iZX1tfUEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

This week from a galaxy far, far away with Jon Justice.- Mandalorian & Grogu Review- Why the Sequels are as good as the OTSUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

This week, we're joined by one of the greatest, Veronica Roth, whose new book, Seek the Traitor's Son, features one of her most beloved of tropes: Sad Boys Who Punch Things. We were delighted when she suggested we do an episode on this very particular, very delicious romance concept, and of course, we invited her to join us! We talk about how it works, why we love soft boys who are full of rage, and how we stan a hero who is willing to stand back and let his partner be awesome. We also talk about The West Wing & Ladyhawke (makes sense). And of course, we talk about her books!If you'd like to continue the conversation about sad boys who punch things or about Veronica's deep backlist, please join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NOTESVeronica Roth's newest release is Seek the Traitor's Son, the first in a dystopian fantasy duology with a strong romance subplot.We love the follow sad boys: Toby Ziegler, Angel, Fox Mulder, Tobias from Animorphs, and Rutger Hauer from Ladyhawke.The Sixth Faction is coming soon! SPONSORSPiper Rayne, author of The Hotshot, available in print, ebook, audiobook and with your monthly subscription to Kindle Unlimited.Rose Prendeville, author of A Faire Affair, available in print, ebook and with your monthly subscription to Kindle Unlimited.Blue Box Press, publishers of Dylan Allen's beautiful new print editions of The Daredevil, The Mastermind & The Wild Card. Available in print and ebook from Amazon and Barnes & Noble.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/5/18/s0835-sad-boys-who-punch-things-with-veronica-roth If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

This week from a galaxy far, far away with Jon Justice.-  Mandalorian & Grogu Prę-Show -  Why the Sequels are as good as the OTSUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

In this episode pulls a theme from Day 5 of the Courage to Believe Devotional, and our focus is a heavy but deeply necessary one: Grief and Coping with Loss.Most people automatically connect grief with a funeral. We think it only belongs when someone passes away. But as today's interview with Coach Chi illustrates, grief happens profoundly when we lose a relationship through divorce.The brain processes the loss of a mapped-out future the exact same way it processes a physical death. You are mourning a timeline that suddenly no longer exists. Because we build such strong emotional connections, a breakup hits us with a physical, devastating force. And if we don't realize we are grieving, that hidden pain will eventually find a way to show up in other areas of our lives.This episode is for you if you're having trouble coping with the loss of your relationship.Curious about what Day 5 of Courage to Believe 21 Day Christian Devotional for Single Moms covers? Grab your copy in English, German or Spanish. Available on the free Kindle app. Also free on Kindle Unlimited: https://amzn.to/4eY841phttps://solomomstalk.mysites.io/podcast-2-copy/dating-yourself-after-divorceThis podcast is hosted by Captivate, try it yourself for free.Mentioned in this episode:Addressing Our Messy EmotionsGod is not surprised by our messy emotions. But He patiently waits for us to cast our cares upon Him. Whatever stage of life you're in, know that God cares for you. And He sees you.Intro to GriefThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

We are thrilled to have two of our favorite people with us today to discuss one of our favorite genres! Ali Hazelwood and Adriana Herrera, the masterminds behind the AH2 Kickstarter of Historical Trailblazers are here to talk about all the ways historical romance is unmatched! We talk about the new Historical Trailblazer special edition box set that AH2 launched this week, about the power of historicals, and about some of our favorite historical romances, past and present.The Historical Trailblazer Box Set of books, including Indigo by Beverly Jenkins, Butterfly Swords by Jeannie Lin, The Magpie Lord by KJ Charles, Lord of Scoundrels by Loretta Chase, and (of course) Dreaming of You by Lisa Kleypas. The box set includes stunning hardcover editions, gold foil, sprayed edges, original artwork and letters from the authors. Learn more at the AH2 Kickstarter page.If you'd like to continue the conversation about historical romance, please come join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.SponsorsBlue Box Press, publishers of Larissa Ione's Legacy of Desire, available in print, ebook or audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Juniper Butterworth, author of The King in the Forest, coming soon in print, ebook and with your monthly subscription to Kindle Unlimited.Elle Kennedy, author of The Off Campus series, beginning with The Deal, now a television show on Amazon, available in print, ebook and audiobook, at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.Dawn Banks, author of The Spreadsheet Situation, available in print or ebook at Amazon, Barnes & Noble, free with Kobo Plus, or wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/5/11/historicals-with-ali-hazelwood-and-adriana-herrera If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Anatel lança ferramenta para rastrear bloqueios de TV Box no Brasil. iOS 26.5 é lançado para todos com mensagens RCS e novo papel de parede. Polícia Civil de SP resgata mil animais em investigações contra zoosadismo no Discord. Dua Lipa processa Samsung por uso indevido de imagem para venda de TVs. Japão cria drones de guerra feitos de papelão que voam a mais de 100 km/h e mais!

In this encouraging episode, I discuss how solo mothers can move from survival mode to a life of healing, transformation, and purpose through Christ. Drawing from biblical principles and personal experience, I share three powerful tools every solo mother needs: renewing your mind with God's truth, embracing your current mission as a mother, and finding strength through Godly mentorship and Christ-centered community.If you've ever felt overwhelmed, emotionally exhausted, stuck in fear, or uncertain about your future, this episode will remind you that God still sees you, loves you, and has a purpose for your life.Key topics include:Renewing your mindset through ScriptureBreaking generational cyclesWriting a family mission statementHealing from trauma and disappointmentThe importance of mentorship and communityTrusting God in difficult seasonsYour story is not over. Transformation begins when you have the courage to believe.Sample family based, Christ-centered or biblically based mission statements:Example 1: With God's help, I am building a legacy of healing, faith, peace, and purpose that will impact my bloodline going forward.”“But as for me and my household, we will serve the Lord.” — Joshua 24:15Example 2: “I choose faith over fear and transformation over survival as I lead my family toward the future God has prepared for us.”Forget the former things; do not dwell on the past. See, I am doing a new thing!” — Isaiah 43:18–19Example 3: With God as my co-parent and guide, I am raising a family grounded in faith, character, courage, and purpose.”“Train up a child in the way he should go, and when he is old he will not depart from it.” — Proverbs 22:6This episode is inspired by Courage to Believe 21 Day Christian Devotional for Single Moms. If you're inspired and the message resonates, consider grabbing a copy to delve into its transformative message. Available in ebook from Amazon in English, Spanish, and German: https://amzn.to/4trZdbOFree with Kindle Unlimited or download on the free Kindle app.Join the SoloMoms! Talk community at SoloMoms! TalkConnect with J. Rosemarie at JRosemarie.comhttps://solomomstalk.mysites.io/podcast-2-copy/from-survival-modeThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

WhatsApp Plus libera recursos exclusivos para assinantes no iOS; veja quais. Youtuber processado pela Apple vaza tudo do iPhone 18 Pro. Homem filma mulher com óculos e exige dinheiro para apagar vídeo das redes. 'Todos os sistemas fazem isso': Microsoft defende novo recurso de desempenho do Windows 11. E no The Brief, Brasil transforma TV Box pirata em minicomputador para escolas públicas. Google bate US$ 110 bilhões, Samsung chega a US$ 1 trilhão, Meta usa dados internos para treinar sistemas, consegue suspender multa do Cade, Elon Musk fecha acordo milionário para encerrar disputa sobre Twitter e mais!

Governo dos EUA libera documentos secretos sobre avistamentos de OVNIs. Novo vírus para Linux mira em desenvolvedores e pode infectar pacotes usados por milhões. Cibercriminosos roubam dados de 275 milhões de usuários do Canvas. Nintendo anuncia aumento de preços do Switch 2 globalmente! Veja valores. Trump convida big techs, como Apple e Nvidia, para acompanhá-lo em viagem à China e mais!

Chrome está baixando IA de 4 GB em segundo plano; saiba como remover. Vírus bancário usa WhatsApp para roubar dados de brasileiros. Instagram confirma exclusão de contas e perfis perdem milhões de seguidores. Gov.br ultrapassa marca de 500 milhões de assinaturas digitais. Funerária brasileira faz caixões do Super Mario e fãs temem processo: “Não temos autorização”. E no The Brief, o Presidente do Conselho da Samsung alerta sobre riscos da greve.

We're deep diving into one of our favorite historicals from the 00s today — Jennifer Ashley's The Madness of Lord Ian Mackenzie. It's a great follow up to our Paris episode last week, but we also talk about how Ashley really wrote the heck out of this book. We talk about widows, about sex in historicals, about autism rep in historicals, romance families, and the way this series electrified us as readers. This book is a straight up banger.If you're interested in learning more about the AH2 Historical Trailblazer Kickstarter, featuring beautiful, hardcover special editions of Lord of Scoundrels, Indigo, The Magpie Lord, Butterfly Swords and Dreaming of You, head over to the Kickstarter page and sign up for updates!If you'd like to continue the conversation about The Madness of Lord Ian Mackenzie or any of Jennifer Ashley's other books, please come join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is Seven Days in June by Tia Williams. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, wherever you get your books, or with your monthly subscription to Kindle Unlimited.NotesCheck out the AH2 kickstarter, partnering with Fated Mates and Julia Whelan's Audiobrary. It goes live next week!Dua Lipa met her fiance Callum Turner because they both were reading the same book, Trust by Hernan Diaz. Dua Lipa's book club is called Service 95.You, too, might enjoy reading Dungeon Crawler Carl. Or Reacher. Or Murderbot. Jen is thinking of going to bedazzle a copy of Dungeon Crawler Carl, but is that too silly?Dorchester Publishing was a house that published mostly mass market paperbacks, and it shuttered shortly after the publishing of The Madness of Lord Ian MacKenzie. The editor of the book, Leah Hultenschmidt, is now at Forever.There's a new-ish translation of The Odyssey by Emily Wilson that you might like. Xenia is the ancient Greek word for hospitality, and Wilson talks a about how the word comes from the root xenos, meaning both stranger and friend. Maybe if we were all a little more open to those we don't know, things would be different.SponsorsHarperCollins, publishers of Laurie Gilmore's The Daisy Chain Flower Shop, available in print, ebook or audiobook at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Michelle Ruoff, author of A Summer to Stay, available in print, ebook and with your monthly subscription to Kindle Unlimited.Jennilynn Wyer, author of All Our Next Times, available in print, ebook and audiobook, or with your monthly subscription to Kindle Unlimited.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/5/4/0833-the-madness-of-lord-ian-mackenzie If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

This episode shares an inspiring introduction to the Courage to Believe 21 Day Christian Devotional for Single Moms, focusing on faith, resilience, and emotional strength. Whether you're a solo parent or seeking spiritual encouragement, discover practical insights and biblical guidance tailored for your journey.Key topics:- Overcoming emotional turmoil as a single mother through faith- How Scripture can provide comfort during life's challenges- Practical spiritual practices for daily encouragement- The importance of community and connecting with faith groups- Personal stories of overcoming grief, fear, and uncertainty- Resources and tools to support your spiritual journey- The significance of acknowledging emotions and modeling emotional literacy for children- Ways to incorporate prayer into everyday routines- How to rebuild trust with God post-divorce or hardship- Encouragement to find hope in God's promises, especially 1 Corinthians 2:9 and 1 Corinthians 10:13Timestamps:00:07 - Welcome and introduction to the devotional for single moms 00:37 - The promise of 1 Corinthians 2:9 and its relevance to solo parenting challenges 01:07 - Personal story of overcoming panic attacks and emotional overwhelm 02:04 - Finding hope through prayer, Scripture, and faith during difficult times 03:01 - How reading the Bible may help if you're unfamiliar or distant from God 03:30 - The importance of acknowledging and expressing emotions in front of children 04:28 - Breakdown of the three sections of the devotional on spiritual growth and trust 04:57 - Encouragement from Proverbs 11:14 on seeking wise counsel 05:26 - Personal growth, sharing struggles, and connecting story with divine grace 05:48 - Using prompts and journals to deepen your spiritual journey 06:16 - Practical nightly prayer tip: whispering simple words to invite God's presence 06:45 - Emphasis on responsibility and resilience in solo parenting 07:15 - The path to peace through trusting Jesus Christ, even from a distance 08:13 - Building community, online or local church groups, for support 08:42 - Navigating faith with secular or alternative resources 09:10 - Inspirational closing: trusting God's promises and His faithfulness 09:40 - Resources, book purchase options, and encouragement to explore the devotional Resources & Links:- Courage to Believe 21-Day Devotional for Single Moms https://solomonstalk.com/books- Solo Mom Toolkit: https://solomonstalk.store- Amazon - eBook Purchase: https://amzn.to/4f6fLTa - Download on the free Kindle app. Free on Kindle Unlimited: https://amzn.to/3R5XRWHConnect with J. Rosemarie Francis:- Website https://solomonstalk.com| LinkedIn: https://www.linkedin.com/in/jrosemarie/Thank you for listening! May this devotional inspire courage, faith, and resilience on your parenting journey.https://solomomstalk.mysites.io/podcast-2-copy/between-faith-and-motherhood-navigating-solo-parenting-with-courage-and-scriptureThis podcast is hosted by Captivate, try it yourself for free.This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Guia de Motéis sofre vazamento de dados e expõe usuários; empresa confirma ataque. Atualize agora! Samsung lança One UI 8.5 oficialmente; veja lista de celulares compatíveis. Quer aprender inglês rápido? Recurso secreto do Google usa IA para ensinar de graça sem depender de apps! Amazon vai acabar com a venda de livros físicos no Brasil? entenda polêmica que está dando o que falar! Crunch em GTA 6: Rockstar exige trabalho até de madrugada, segundo relatos. Governo aumenta classificação indicativa do YouTube para 16 anos e no The Brief, Andy Jassy CEO da Amazon diz que investidores serão recompensados por gastos com IA.

Falha grave no Linux permite acesso root a qualquer usuário. Jogadores de PlayStation podem receber reembolso após processo coletivo! Veja lista de jogos elegíveis.OpenAI 'acelera' plano de celular próprio e pode ter chip da MediaTek. Sucesso do Mac mini com IA zera estoque e Apple descontinua versão 'baratinha'. Musk faz acordo em processo e leva multa de US$ 1,5 mi por compra do X e Justiça Federal suspende multa de R$ 250 mil do Cade contra o WhatsApp.

This week from a galaxy far, far away with Jon Justice.- Happy Star Wars Day!- LISTENER FEEDBACKSUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

Text Us Here!A city's personality shows up in its weirdest traditions and Cincinnati has plenty. We go live from Overlook Lodge with a bar full of listeners, a stack of merch to give away, and just enough chaos to turn the crowd into co-hosts. From the jump we're talking Flying Pig Marathon energy, the kind of local pride you only understand after you've watched people dress as pigs at sunrise, and the small moments that make a live podcast feel like a real neighborhood hang.Then we dig into the stuff people argue about like it's politics: Cincinnati food, goetta, Taste of Cincinnati, and the eternal Skyline Chili vs Gold Star showdown. We also get into why Reds Opening Day feels like an actual holiday here, what it's like when downtown floods with people, and why some traditions like the WEBN fireworks are beloved until you remember the crowds and traffic. Along the way we veer into entertainment news with a Resident Evil teaser that promises more survival horror than action, plus a Reddit “birth plan” debate that turns into a real talk about boundaries and consent in someone else's home.The second half is pure live-show fun: Cincinnati trivia rounds for shirts and stickers, “would you rather” questions that get oddly personal, and a quick brain-health detour on how board games can support cognition as we age. We close with a special guest, author Anthony Bolton, who joins us to talk about his murder mystery Cat's Got Your Tongue, his writing process, and where to find the book on Amazon and Kindle Unlimited. If you like Cincinnati events, local culture, and unfiltered group chemistry, hit subscribe, share the episode, and leave a review so more people can find the show.SHOUT OUT TO JOE AND SHAWN! (Could be Sean, maybe)You have a limited offer you can use now, that gets you up to 48% off your first subscription or 20% off one time purchases with code: FMJPOD20 at checkout.You can claim it at: https://www.magicmind.com/FMJPOD20Magic MindA mental performance shot you soon won't forget! Make 2025 your year for the best version of you!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showThanks For Listening! Subscribe for X-tra Lives!https://www.buzzsprout.com/1473904/subscribe

Meta rompe contrato após polêmica com vídeos íntimos feitos por óculos Ray-Ban. Banco Central lança serviço grátis para bloquear abertura de contas no seu nome. Filho de 14 anos esfaqueia pai após suposto desafio no Roblox. China recria pessoas e pets falecidos com dispositivo digital. E o balanço da Microsoft, Meta, Alphabet, Amazon e Samsung no The Brief!

Quanto vai custar GTA 6? CEO fala sobre preço e promete valor justo, justo pra quem? Brasil é campeão e recebe mais de 1 bilhão de ligações abusivas por mês. RTX 5070 ganha versão de 12 GB: é o fim do sofrimento nos notebooks? Aleluia! YouTube libera Picture-in-Picture de graça para todos os usuários. Sony finalmente explica DRM de 30 dias do PlayStation: 'verificação temporária'. Visa testa IA agêntica que paga suas contas 'sozinha'. Google investe bilhões na Anthropic, Cade e União Europeia pressionam Google, OpenAI pede desculpas, China barra venda de startup de IA, Intel cresce com IA. E ainda as novidades com nossos apresentadores direto da Gamescom 2026.

We Love Paris in the Springtime and we love Paris in The Paris Match by our very favorite, Kate Clayborn. Today, we're talking about the City of Love itself, with Kate! We talk about the magic of the City of Lights, about the weight it has in romance, and about the mythology it carries with it whenever it's included in a book. Yes, of course, we talk about Jessica and Dain, but we also celebrate Kate's new release, The Paris Match! We're also covering sex workers, chocolatiers, cigarette smokers and heroes who gnaw off their own legs, the Champs de Elysee be damned. Thanks, as always, to Kate for joining us and putting up with our shenanigans.If you'd like to continue the conversation about Paris, please come join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesWelcome Kate Clayborn. Her first episodes way back in Season 1 were about Siblings' Best Friends and then Sexclamation Points!, and since then, she's been on about a million other times. Cormac McCarthy has some strong feelings about punctuation and Random House doesn't like the interrobang, but Sarah's a rebel.Green screen technology has come a long way. In this interview, Heated Rivalry cinematographer Jackson Parrell describes how he used the technology in the show, including the scene on the beach in Tampa. Cinematographer Valentina Vee did a really interesting set of videos talking about the use of green screen technology in the show.The Edna St. Vincent Millay sonnet about place that Sarah quoted is Time Does Not Bring Relief.Kate wrote a round up for People magazine about great books set in and about Paris.Jen heard about Puppets by Jenna Ryan after being tagged in an Instagram post by WendieReads. But in digging around, Jen discovered the Passages podcast did a deep dive of the book in 2025.You can read more about the puppet theaters of Paris in this New York Times article from 2019.SponsorsElle Kennedy, author of Love Song, available in print, ebook, audiobook and with your monthly subscription to Kindle Unlimited.Claire Wilder, author of Nailed, available in print, ebook and with your monthly subscription to Kindle Unlimited.Blue Box Press, publishers of Donna Grant's The Dragon Chronicles, beautiful new print editions of seven books in the series, including Dragon King, Dragon Fever, Dragon Burn, Dragon Night, Dragon Claimed, and Dragon Lost. Available in print and ebook from Amazon and Barnes & Noble.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/4/27/0832-the-paris-match-by-kate-clayborn If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

This week from a galaxy far, far away with Jon Justice.- Thoughts on Maul and Mando and Grogu Promotion - Former Disney employee tells all and stir controversySUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJustice

This week from a galaxy far, far away with Jon Justice.- Thoughts on Maul and Mando and Grogu Promotion - Former Disney employee tells all and stir controversySUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

Pacote Python com milhões de usuários foi infectado por falha no GitHub. Vulnerabilidade no Linux permitia controle total a qualquer usuário. IA Claude apagou toda a base de dados de uma empresa em 9 segundos; entenda. Servidor de Ragnarok Online Brasil será desativado após mais de 20 anos. Google fecha acordo com o Pentágono para uso de IA em projetos confidenciais dos EUA. Claude agora controla apps da Adobe, Blender e outras ferramentas criativas e mais!

Udemy sofre vazamento e expõe 1,4 milhão de usuários. Globo tenta derrubar canais IPTV piratas após rombo financeiro. PlayStation vai bloquear jogos após 30 dias? Entenda polêmica envolvendo DRM. Golpe com voz clonada por IA avança no Brasil; veja como se proteger. OpenAI e Microsoft mudam as regras; China barra venda pra Meta; Elon Musk vs. Sam Altman; Guerra no Irã impacta eletrônicos; OpenAI pede desculpas; IA consome mais energia.

How can you navigate uncertainty in a constantly changing market? Why is persistence the key to a sustainable creative career? Plus why distribution is so important, and the four ways to monetise your creative work. All this and more with Adam Leipzig. In the intro, my reflections on running an author-publisher business after a fantastic e-commerce workshop run by Blubolt, and why you will always pay for marketing with either your time or your money; AI-Assisted Artisan Author webinars; and last call for my Kickstarter Bones of the Deep – J.F. Penn. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing books still matters in a world saturated with visual media The Jeffrey Katzenberg “next” lesson and the power of fearless persistence How uncertainty and the “long middle” are essential parts of the creative process What film editing can teach writers about cutting, shaping, and refining their work The 10 Laws of Culturenomics, including why awareness is not desire and why distribution is everything How generative AI is changing filmmaking — and why creatives should be the architects, not the tools You can find Adam at AdamLeipzig.com. Transcript of Interview with Adam Leipzig Jo: Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. Welcome to the show, Adam. Adam: Thank you so much for having me, Jo. Jo: I'm excited to talk to you today. You have written several books, but you have worked on many more films. So I wondered, why do you think books still have a part to play in reaching people? What do you love about writing books that is different to your filmmaking work? Adam: You can put so much information in a book, and the beautiful thing about a book is that you can pick it up wherever you want, whenever you want, and leave it off and go back to it. It's just waiting for you and it's there. It really allows me, and other authors like me, to share information in a different way, with more details and more stories and more specificity. I love the ability to just share that information and have it always available. You don't need a device, you don't need to have a subscription. You can just go to it whenever you want. You asked me what I love about writing. Like a lot of writers, I'm not sure I love writing, but I do love having written. The thing about a book is that it's a very solitary exercise. A film is a highly collaborative exercise. No movie gets made by one person. It's made by hundreds or sometimes thousands of people. But this book is just me and a laptop and notes and a lot of thought. It's a very introverted, almost monkish existence while you're doing that, and then it has to go out into the world—and that's when it really starts to interact with people. So there's this huge difference between being alone and being always in a collaborative environment, which is what happens when I'm making a movie. Jo: Most listeners will be independent authors in some way, and a lot of us do this because we're control freaks. We like being the only people. So how is that different? You mentioned collaboration in the film industry, but is it almost freeing to do a book without having that? I mean obviously you have editors and publishers and stuff, but— Is it freeing in some creative way? Adam: It is really nice, because there is not another point of view in the room and I can just say what I feel and know that that's there. At the same time, you're right—I have had some amazing editor help and I've had some great early readers that have given me feedback on it and helped me make it so much better than it was when I finished the first draft. I knew that going in. I always test and share what I'm doing to make sure that it lands in the way that I wanted it to land, and it can be helpful for people. Jo: Getting into the book, you have a chapter on “what you do matters.” I feel like this is super hard. This is not a political show, so we're not doing politics, but there are a lot of big things going on in the world. It can be very hard as writers to think, is writing my book actually going to make a difference? So how can you encourage people? Adam: That's the hardest thing, Jo, because there is a lot going on in the world right now. Everything that's going on in the world right now exists because it's following a certain narrative. I don't believe that narratives are come up with because people look at things that are happening and say, “Oh, well let's just write what happened.” I think that we do things from micro experiences that we have with ourselves, our relationships, our families, to the macro experiences of politics and global situations. I believe that happens because there is a narrative that is being followed. So what I say to all creative people is that it's our job to craft and express the narratives that matter—and different narratives—so those narratives can be followed. One of the points that I make in the book is that poets are not overtly really dangerous people. Poets are generally lovely people, a lot of them don't talk too much. They're great to have dinner with, and they just work with words—and often not a lot of words, right? Because beautiful poetry is often concise and simple and spare. Yet there are places where poets are in jail. Because the narratives of those concise, spare, gorgeous idealistic words matter so much that those voices need to be silenced, which means those narratives are dangerous sometimes. Those narratives present an alternate world, an alternate view of reality. I think it's really our job as creative people, as entrepreneurs, as people who are essentially creating narratives out of the soul of our lives and our experience—we want to express those to the world. It's really important for us to express those to the world, especially now, especially because so much is going on. Those narratives are going to become pathways that others can look at and maybe follow. I think that's really important. It's the reason why we do our work. Jo: I absolutely agree with you around writing the narratives that we want in the world. “Be the change you want to see in the world” and all that. I also want to call out the fact that there are hundreds of thousands of books now published, and you come from the film industry, and many more people really watch films or play games than read books. I've wondered about this myself. I've written a few screenplays and sometimes it feels that wouldn't it be better to try and put our words into a visual medium? A lot of authors listening will do micro video like TikTok and all of this. So this is back to the question of— Why books? How can we change these narratives when we feel like we're drowned out by all the media? Adam: I think it's great for authors to express themselves in other media. I have a pretty active Instagram channel, and I love doing that, but it's a really different thing. I'm talking to people in two-minute bursts with very specific things. It's not the same and not the same detail as a book. If we let our understanding of the ocean of content that is always coming to us stop us from doing anything, we wouldn't do anything. That's also true about movies. There are probably 10,000 movies made every year. There are a few hundred that are released. So if every day I thought, “Oh, the movie that I'm working on is maybe not going to be released because there's only a small percent of movies that are made that are released.” Or worse than that, “Of all the movies that are made, there's 500 different shows on Netflix and Apple and Amazon and there's so many choices.” If I thought that everything I was going to do is going to be drowned out, I wouldn't do anything. I just don't believe that's true. I think it's our job to do things. Yes, there's an ocean of content out there, but what we do really matters, and it doesn't have to matter at gigantic scale. We don't know the scale that our work is going to achieve over time. One of the early films that I worked on is a film called Dead Poets Society, and that script was passed on by every studio at least three times. It's probably a film that I couldn't get made now for all kinds of reasons, because it's not a sequel and it doesn't have superheroes or visual effects. When we made that movie, we didn't know the impact it was going to have. It could have been drowned out by things, but it rose to a level that everywhere in the world I go, someone has seen that movie, including people who were not born when that movie was made. We don't know the long arc of our work and the people that it affects. Jo: I love that movie too. “Oh Captain, my Captain.” I can hear everyone saying that behind the screens. This brings us to the title, Fearless Persistence, because of course Dead Poets Society ended up being an incredible success, but not everything turns out so well. I wondered if you could talk about this persistence. How do you keep creating after something you perceived as a failure, or perhaps all the things that didn't get made? Why is persistence so important that you use it in the title? Adam: I've been super fortunate. I've worked with amazing people and on great projects. I've made 40 films at this point, and I'm making more. I've tried to make 400 films. I failed at getting them made 90% of the time, and that's okay. I just keep going. When I was working at Disney and I was an executive at Walt Disney Studios for seven years, there was one movie that we were opening and nobody had really high expectations for it. But it opened huge on a weekend and it beat the competition. We were in our Monday morning meeting and we were dancing on the tables and we were so excited. Jeffrey Katzenberg, who was running the studio at that time, came in, looked around the room, put his hands on his hips, and said, “Next.” We just had to move on. I really learned the meaning of the word “next” about four months later when we had a film that we all knew was going to be hugely successful and make a lot of money and give everyone their bonuses, and it completely bombed at the box office. It was like you gave a party and nobody showed up to eat the hors d'oeuvres. We were in the Monday morning meeting, very glum and not sure what was going to happen. Were we going to be fired? What was going to happen? And Jeffrey walked into the room and said, “Next.” Jo: Mm-hmm. Adam: And we just keep going. I think that is the great and defining quality of people who really have sustainable lives, either as creatives or business people or entrepreneurs. We're persistent. We're just like those little birds—you put their beak in water and they just keep bobbing up. We just keep going. It's not about the people who are the most talented, because I'm certainly not the most talented. I'm certainly not the smartest. I'm certainly not the most creative. There are people who are smarter and more talented and more creative than me all the time, and I get so much energy in being able to know them and work with them. But I am super persistent. I don't stop. If there's something that I really believe in, I'll just keep going. I started taking notes on this book 10 years ago. There are movies that took 12 years to get made. You just keep going. There are times, as a producer, where everybody's fallen away. There was a director attached, there was a star attached. They all left, they did other projects. The material is no longer under option. You don't even have legal rights to it anymore. You just keep blowing on the embers and then eventually maybe it gets made. That's what it's about. Jo: Do you think there's some kind of serendipity or something more that makes a book or a film? Is it timing? Is there just some chemistry? You talked earlier about testing and sharing things to see if they're going to work, but as you mentioned, some films you think are going to be amazing and they bomb. Other things are a slow burn. How do you know when to make a film if you just can't predict this stuff? Adam: You can never predict it, but I think you start with: do you really, really think about it all the time? Do you really care about it? It's not like you're in a meeting or you read a script or you hear an idea and you're super excited about it—but are you still excited about it tomorrow morning? The next day and the next? If you keep waking up every morning thinking, “Wow, that's great, I've got to get that forward,” then I think that is the first indication for me that it's going to have some staying power. I don't think I am that different from everybody else. So if it's something that consistently excites me, I feel like there's going to be at least some other people in the world that it's also going to excite. Jo: Do you think you have a voice, I guess, as a filmmaker as much as a writer? Are there things that excite you consistently that you're drawn to? Or do you think it's much wider as a filmmaker than a writer? Adam: I think it's a lot wider as a filmmaker. Part of it's also just my capacity right now as a writer. I really like the writing in Fearless Persistence and I also recorded the audiobook. I love listening to the audiobook experience. I think it's some of the best writing I've ever done. I have not yet found the capacity to write a novel or to write fiction in the way that other people can. So part of it's just my skill and capacity at this point in my writing career, where I think I'm pretty good at expressing ideas in a nonfiction setting, but I haven't developed the skill set for fiction. In movies, I make documentaries. I make fiction feature films. What attracts me is character. It's always the character, the people, the journey. Are the people really interesting? Do I want to spend two hours of my life in a cinema with them, or 10 hours of my life watching those episodes on a streaming channel? That's what always starts with me. If the character is interesting, then I'll keep going. Jo: I think the book, Fearless Persistence, has a lot of your character in it and your experience. It's not just a nonfiction book of prescriptive rules. You did bring a lot of voice into it, I think. Adam: Thank you. I try to make it be like we're sitting down and we're talking and we're having a conversation. Jo: Coming back to the book—a quote from the book: “Uncertainty isn't the enemy of creativity. It's its greatest ally.” You talk about these messy and unpredictable times. I'm what we call a discovery writer. Some people say “pantser.” It mostly is quite chaotic and unpredictable. Could you talk about this uncertainty and messy creativity? Adam: One of the things I really try to do in Fearless Persistence is give support to all of us in this messy, unpredictable—what I call “the long middle”—where stuff is happening, but you're not seeing obvious results out there. You're either in the world or in your project, and you're just in this mess. That mess is a beautiful place, and I'm trying to give support to the fact that that mess is gorgeous and it's part of the process. It's part of everybody's process. We shouldn't feel as though we are not doing our job when we're in that long, unpredictable, uncertain middle. Because out of that, we discover what we actually want. It gives us a way to refine our taste and refine our direction because we are so uncertain. Then there's this moment—and I don't know if you find this in your own writing, Jo—but there's this moment where that uncertainty changes into: there's no choices here at all. This is just what I have to do. I actually think that the greatest freedom is when there's no choices. Where the path is just there, but we've got to get through the thicket to get to that path. And there's always a thicket. Jo: There's a moment for me where the chaos becomes more certain and I'm like, okay, that's the story. I thought it might have been something else, but now that's what it is. I often have too much material as well. So I wanted to ask you about this too, because as an author with a book, editing is hard for us. Of course there are lots of words and we have to go through it all, but editing on a film—I can't even imagine how hard the editing process is. Could you talk about editing and how you cut and organise these massive projects? Adam: Yes, editing is really hard, but it's also so fun. I think being on a set is great. It's the most fun a kid could have. But being in an editing room is also the most fun a kid could have, because you have all of the pieces and there are so many ways to do it. This is where a film is actually made—in the editing room. Probably the way books are made also is in the editorial process between the writer and your own brain as the editor, or if you have someone who's helping you edit it. Editing is really interesting because it's the only craft that did not exist before filmmaking. Everything else existed, right? There were scripts, there were actors, there were costumes, there was art direction, there was production design, there was music. Editing was a craft that had to be invented for film. So it's a craft that's only about 120 years old. When we make a film, the first thing that the editor does is just put all of the scenes together in a first editor's cut, a rough assembly. It's basically every scene that was in the script as it was shot, and the editor just tries to choose the best angles. That generally comes out maybe a week or two after we wrap photography, and that first cut could be three or four hours long because it's got everything in it. Then the process is: let's take that out. Let's take that out. You don't need this. You can move this scene here and move it there before the other scene. We don't really need that shot. Or can we get to a closeup there? And you get it down, down, down—just like in writing where you kill your darlings. I actually find editing the most fun I have. “Oh, I don't need that sentence.” Or, “I can take out three words here and the sentence is better.” We go through exactly the same process in film editing and squinch it all down to the most compelling and efficient way to tell the story. Jo: I'm glad you say it's fun because I also like editing. I find the editing much more creatively fulfilling because I actually can figure out the book that way. It's so funny, I think as writers, many people either love the editing or they love the first draft. It seems like you enjoy the whole process. Adam: I like the editing so much more than the first draft. I feel like I had to get through the first draft. That was my long middle, that was my uncertain period, that was my thicket. Then my editing was, “Oh, great. Let's cross this out. Let's change that word. Let's lose that paragraph.” That was fun. Jo: So let's say we now have a book or we have a film. In your book, law eight of culturenomics is that “without distribution, there is nothing.” So now we have to get this out there, and this is really difficult. Can you talk about how film distribution has changed? Can you also reflect on how it is for writers, because our distribution has changed a lot too? Adam: So, as you mentioned in the last section of the book, I've observed over the past 30 years that when a work is both aesthetically really excellent and also economically viable and sustainable for the creators, it always observes these ten principles. I call them the 10 Laws of Culturenomics. One of them is “without distribution, there is nothing,” by which I mean: unless your audience, your market, the people that you are seeking to share or serve with the work—unless they can get it, it doesn't really matter. It's like that tree falling in the forest and no one's around to hear it. I always think about my market and my distribution before I start making the movie. I was thinking about that as I was writing the book, because I really want it to be there to meet people where they are and I want them to be able to get it. Film distribution has changed a lot, especially during the pandemic. People stayed home and cinema admissions have fallen off 30% from pre-pandemic levels, so people are going out to cinemas less. That means fewer films are being distributed in cinemas for any viable period of time. Sometimes some movies will be out there for one or two days, literally, in cinemas, and then they go right to streaming. On the streaming side, there was a glut of streaming content. All the streaming channels overinvested in streaming. There were too many shows. I don't know about your Netflix queue or your Amazon queue, but it's unnavigable. There is so much stuff. Now they've cut back a lot—they're just doing a lot less. We're in a situation now where anything can get out there somehow. The question is, does your market, does your audience know about it? Do they want to invest the time to experience it? One of the other Laws of Culturenomics is that “awareness is not desire.” There's a lot of things that we're aware of that we don't want to spend our time with. Everybody was aware of Disney's new Snow White movie. Nobody wanted to go see it. Jo: I must say, I'm not the key demographic for that! Adam: But you knew about it? Jo: Was that a live action one? Adam: Yes. Jo: I don't understand those live action ones, to be honest. Maybe that's why— Adam: I think we are sequelled out. I look at the movie business and I just think what audiences really want is something new, please. Something we haven't seen before. We don't want the 95th iteration of something from the MCU. The studios, because the movies cost so much and they're so risk-averse, talk a lot about “pre-aware titles.” In other words, titles that you've heard of before, so you're going to go see the movie. It works to a certain extent, but I just think it's cinematically boring. In that world, you never could have predicted Oppenheimer. You never could have predicted Barbie. Movies that really don't have a precedent, but they did so well because they're different. I think audiences are craving something different right now. Jo: It's interesting though, isn't it? I agree on one level, but then I also watch Bridgerton and we watched the latest series as soon as it came out. I guess that is pre-aware to a point. I don't read historical romance, yet I really like the show. I think it's because of Shonda Rhimes. I watched Grey's Anatomy for about 20 years. Adam: She's great. Jo: She's amazing. So I feel like this is why it's hard, isn't it? It's hard to know. As fiction writers particularly listening, we have very specific genre audiences, and they often don't cross over into other genres. They love their genre fiction. So it is hard to balance original work that may not be easily sold and the other stuff. I guess that's why the studios do it, right, because they think they can make enough money with the next Marvel movie. Adam: Yes, but I'm curious to know what you think about this, because even within a genre, a really good genre movie or a really good genre book is not the same as all the other books or films in the genre. It's familiar in that it does what the genre says you have to do, but it's different. It's got those unique things that make us feel like super fans, that we really love it. It's familiar enough to fall within the genre—and yes, genres have rules that you've got to follow—but then there's something unique and different that's exciting. And that's why we say, “Hey Jo, you've got to read this book.” Jo: I agree with you. I love that you said “awareness is not desire.” This is another problem with our creative work, right? We have to do marketing. We can throw all this stuff out there, and yet it may or may not work. So let's talk about your book marketing. Obviously you are on this podcast, and I presume your publicists are pitching lots of podcasts, but— What are you doing to promote the book that might be different to a film release? Adam: Well, I don't have a hundred million dollars. Jo: Surprise! Adam: Right? I've got a few hundred dollars, so we're just doing it this way. As you know, once upon a time, legacy publishers actually did marketing. Legacy publishers barely do any marketing now. Every author has to do it themselves. So we have to do this ourselves. It's been the hardest thing. I think it's the hardest thing that we've all had to adopt, that we have to do this thing where there used to be a marketing department and you just hand it over to them and we could just be in our own little creative space. But no, we've got to do this also. So what am I doing? I've amped up my social media. I'm speaking. I am on podcasts like this. I'm sharing as much as I can. I'm asking circles of people who have been early readers of the book. I'm really grateful because I've had really enthusiastic response to it, both from creatives and also some business people, which was surprising to me, but really great. Someone said, “This is the best business book in the past 10 years,” which is really interesting, right? Because you read it, Jo, as an author, but she read it as someone who sits on the board of major companies. That was a pretty interesting response. I'm just asking them to be advocates and share it around. I'd just like to be those people who blow on the embers and let's see if we can make a fire. Jo: We talked about the fun bits earlier. I'm enjoying our conversation, but I know that marketing is not necessarily in the fun bucket. Are you finding bits of the marketing you enjoy? Adam: Yes, I love meeting the audience. I love meeting the people that I'm writing the book for and sharing it with. I've been fortunate enough to be asked to run a writer's workshop in Greece for the past few years. It's a retreat centre called Rosemary's House. It's on the east coast of Greece. A dozen writers. I work with writers all the time, but they're always writing a specific thing, like a screenplay or something. This was a dozen writers all writing different things, and I'd never done that before. I had an extraordinary time. The first year I went, I'd had all these notes for this book, Fearless Persistence, that I'd been compiling for some time. But there I was in the room and I was with the people that I was really intending to write the book for, and that kicked me in the butt and I wrote the book. Then the next year I was back and I finished it while we were there at the writer's retreat. So that was great, and I was with another group of writers. I'll be back there again later this year and the book will be out. So it's this fabulous continuation of really engaging with and meeting the people that I'm seeking to serve with this book. I really enjoy encouraging and mentoring and sharing the systems that are undergirding the creative process, and then the process of how do you build a sustainable life, including all these super practical things that they don't teach you in art school or writing school or film school or even business school. How do you actually build a sustainable life in this practice? I love that. I guess that's marketing, but it's also just being with the people that you're there to serve. Jo: I love that you use “serve.” I use the same word. I say, “Who do you serve?” And that can help people, because I feel like creative people are like, “We don't want to be marketers, we don't want to be salesy.” So if you reframe it as service—who are you trying to help, who are you trying to entertain—that actually helps. Coming to the business side, you mentioned systems. You are right, the book has a lot of business in it, which I love because we talk a lot about business on this show. In one section you say there are only four ways to monetise your creative work. So could you talk a bit about those different ways to monetise your creative work? Adam: Yes. This has been true for maybe 5,000 years because it's not about technology, it's just about how work is monetised. There are only four ways that any piece of work is monetised. For sale. You have a book, and you go to your favourite bookstore and you buy the book, and now you own the book. For rent. You could rent a book from your library, or in a movie context, what you're really renting is the seat for two hours to watch the movie. On subscription. People have subscriptions to Kindle Unlimited or other platforms, or people have subscriptions to a streaming service. Free. When it's ad-supported. That's like linear television where there's ads, or Amazon where there's ads and you don't pay for it. For sale, for rent, on subscription, or free—those are the only ways anything is ever transacted. When it's ad-supported, for example, some people have YouTube channels that are very successful. YouTube is free, and then YouTube is making money from the ads and the creators are getting a tiny little slice of the ad revenue. Jo: Like this podcast. I have sponsors who pay, and they're all related to the author industry. They're companies that I use and work with. I personally recommend them, and that means this podcast is free. Adam: Thank you, sponsors. Jo: Yes, thank you, sponsors! I also have patrons—people who subscribe to the show to support it as well. So I guess we don't have to be in one bucket or another. We can have our work in different buckets. Adam: Ideally, you can have your work in every single one of them. Not always, not necessarily always at exactly the same simultaneous moment, but at a certain point as the work gets out there into the world, as it's lived long enough, it probably will be in every bucket. That's great because we want our work to be as accessible to the people that we're serving in any way they want to get it. Jo: I totally agree. And your audiobook, as you mentioned, will be available in those different formats as well. Adam: Yes. Jo: I find that, especially with nonfiction audio, what I love is being able to listen to just a chapter, just a chapter in a specific part. Someone could actually listen to the 10 Laws of Culturenomics separately to some of the rest of the book. I love that. Adam: I'd never done that before. It was so powerful to record the audiobook because up until that moment, my relationship with this book was fingers typing keyboards, electrons on a screen. It was a completely silent experience. Then I was in this recording booth in Los Angeles and I started speaking the words, and I was visualising the people that I was writing it for as I was doing it. It was so powerful. Then I listened to it and I thought, wow, this is actually a really good experience. It was so powerful that I was recently in Paris because I'm working on some films that are in Europe, and I decided to create a special advanced listener edition of the audiobook, where I took the chapters and put them into individual or grouped listening units. In a recording studio in Paris, I recorded some prefaces and reflections on those listening units, which are now thematic. I'm really proud of that edition. It's not for everybody. The regular Audible audiobook is going to be out there, but this version, which is on my website, I think is a really wonderful version for someone who just wants me to walk with you as you go through the experience of the book. Jo: Are you selling that direct from your website? Adam: Yes, I'm selling it direct on the website. Jo: Brilliant, because we all do that too. You can actually make more money selling audio direct than you do from the streaming. Adam: Yes. Jo: I realise we don't have much time left, but I need to ask you this because the film industry and publishing are in this great time of change with the advent of generative AI. We've seen in the last week the actor Ben Affleck's company, InterPositive, has been acquired by Netflix. So it seems like technology is disrupting a lot. How do you think we can navigate this time? What are your feelings around this new wave of generative AI? Adam: It's a great tool. It's not a great writer. It's actually really a terrible writer. You can always tell when generative AI has written something because it has a certain very annoying style, but it's a great tool. I use it in my production. I teach at the business school at UC Berkeley. We train people on how to use it for various kinds of problems and solutions. But the important thing is that you are the architect of the machine. It's a machine. It is like a paintbrush, but it is not the hand that holds the paintbrush. So I am not concerned that AI is going to go make movies that we all care about, and I am not concerned that it's going to disrupt, in the largest sense, the employment picture. Certainly some jobs are being lost, but new jobs are being gained. It's really interesting. For example, you mentioned Ben Affleck's company, which Netflix just partnered with. It's not making new content. It's creating a better production workflow. It's taking what is shot or what is planned in the production workflow and just making it better and more efficient and implementing it and adding to it. That is a really good use of AI. All the creative power retains within the hands of the creative humans, but it's giving the humans more tools. Jo: I've been reflecting on the idea of the film director, in that people often know their names and they win awards, and yet they didn't necessarily write the script. Some do, obviously, but they didn't act in it, they didn't do all the editing, they didn't do all the different jobs, but it's their creative vision. So is that how you see us playing that part? Adam: I do. I think that's a really good analogy. And look, AI—it's good. It's going to keep getting better. It still has massive error rates, so we still have to be very careful about what we attribute to it and what powers we give it, and what facts we believe from it. Jo: So what are you excited about next? Obviously you are promoting this book, you are doing speaking things, but are you looking to your future continuing to work across film and books? What are you excited about in terms of your creative projects? Adam: The big arc of my creative life is creating ecosystems where creative people can do their best work. This book is part of that. With the movies that I make, as a producer, I try to create the ecosystems where people can do their best work. I envision, and I'm excited about, continuing to do that. Whether it is in a book or in a workshop or in a film that I'm making. I just want to keep doing that: creating these ecosystems where people can really do great work and express themselves creatively, entrepreneurially, and with a positive view of the world to come. Because that is a responsibility, coming back to the first question you asked me. Jo: Brilliant. So where can people find you and your book and everything you do online? Adam: You can find me at my website, which is AdamLeipzig.com, just like the city. Of course, the book is available wherever you buy your books, and the Kindle and the audiobook are exactly where you would expect to find them. You can also find me on Instagram at @AdamLeipzig, and you can find me on LinkedIn as Adam Leipzig. I love interacting with people, so come and find me. AdamLeipzig.com is the best place to find everything. Jo: Brilliant. Well, thanks so much for your time, Adam. That was great. Adam: Jo, thank you so much for having me. It was great talking with you.The post Navigating Uncertainty And Fearless Persistence In A Long Term Creative Career With Adam Leipzig first appeared on The Creative Penn.

This post contains affiliate links, which means I may earn a small commission at no extra cost to you.What if the Duke was a woman — and the courtesan trying to blackmail her was the love interest? If that premise just made you sit up straighter, this episode is for you.Anna Cowan joins us to talk about The Duke, her long-awaited second novel — a queer Regency romance that flips the classic historical hero archetype on its head. This one is for readers who love the lush world of Regency fiction but are hungry for something that feels fresh, politically charged, and unapologetically modern in its sensibilities. We dig into Anna's world-building process, the evolution of historical romance as a genre post-Bridgerton, and what it means to write a female Duke who's conceptually hot in exactly the way the brooding Regency hero always was.Anna also shares a stack of book recommendations spanning classic historicals, gay hockey romance, and Kindle Unlimited reads that will genuinely spark your brain.

In this week's episode, I celebrate both the 300th episode and my 15th anniversary of indie publishing, and look back at 15 lessons learned during that time. You can get the ebook of WRITING LESSONS FROM THE PULP WRITER SHOW at my Payhip store until the end of May 2026. This coupon code will get you 50% off the audiobook of Dragonskull: Curse of the Orcs, Book #4 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: ORCS2026 The coupon code is valid through May 4, 2026. So if you need a new audiobook this spring, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 300 (yes, that is 300!) of The Pulp Writer Show. My name is Jonathan Moeller. Today is April 24th, 2026 and today we're looking back at 15 lessons I've learned over my last 15 years of indie publishing. We'll also start off with Coupon of the Week and an update on my current writing, publishing, and audiobook projects. First up, let's have Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Curse of the Orcs, book number four in the Dragonskull series, (as excellent narrated by Brad Wills) at my Payhip store. And that coupon code is ORCS2026. And as always, the coupon code and links to my Payhip store will be available in the show notes for this episode. This coupon code will be valid through May the 4th, 2026. So if you need a new audiobook for this spring, we have got you covered. Now for an update on my current writing projects. As of this recording, I am about 62,000 words into Dragon-Mage, which will be the sixth book in the Rivah Half-Elven Thief series. If all goes well, I am hoping to have that out in May, though it might slip to June, depending on what I have to do in May. I'm also 4,500 words into Blade of Thieves, which will be the fifth book in the Blades of Ruin epic fantasy series. In audiobook news, a recording of Cloak of Illusion by Hollis McCarthy is approaching the end, one more proofread listen, and it should be there. And then hopefully the audiobook should be out in May. Brad Wills is also recording Blade of Wraiths right now. So hopefully we should have those audiobooks for you before too much longer. And that's where I'm at with my current writing, publishing, and audiobook projects. 00:01:46 Main Topic: 15 Years of Indie Publishing Now onto this week's main topic, 15 years of indie publishing because as of April 2026, I have now been indie publishing for 15 years, which is the longest continuous time I've ever actually done anything in my life. I've never had any other job or professional association that has lasted this long. I've done this for so long that when people are angry with me, they no longer preface their remarks on my feelings by saying, "Listen here, young man." I suppose that puts me in the upper tier of indie authors, not in terms of income or market footprint, but in sheer, bloody-minded longevity. There are still indie authors out there who have been doing this for longer and are still publishing regularly, but not all that many. Eventually, indie authors typically burn out and just stop publishing, or stop publishing due to real life reasons, such as illness, family illness, moving, changing jobs, et cetera, or get some kind of tradpub deal and stop indie publishing. It makes sense that indie authors burn out. Sometimes, or even frequently, both writing and the business side of writing can feel like a slog, but I've been blessed with a mind that loves the grind. I don't say that to gloat, but to instead express my immense and humble gratitude to God (as Abraham Lincoln said long ago, the "beneficent Creator and Ruler of the Universe" & the "Great Disposer of Events") and to all of you, the many people have read (and after 2017 when I started with audiobooks, listened to) one of my books. Thank you all very much. By good fortune, my 15th anniversary of indie publishing and the 300th episode of this podcast coincide. So for the 300th episode of this podcast, I thought it would take a look back at the last decade and a half and reflect on 15 lessons learned in 15 years of indie publishing. #1: Embrace the slog. I think if you want to be a writer, you have to actually like writing. There are a surprising number of writers for whom this is not true, like they enjoy having written or the rewards of the writing, but they don't actually enjoy the part Glenn Cook famously called "put your backside in the chair and do it. " I'm fortunate that I do enjoy that part, but a lot of writers don't. Writing is often a grind in the same way that things like diet, exercise, and home maintenance are. Like if you do them for one day, it's not enough. You have to do them consistently day after day to have results. I think writing is kind of the same way. Effort applied over time cannot do all things, but it can do a lot. This applies to writing as well. A little bit every day can really add up over enough time. #2: Finish the book. A lot of writers get like one third of the way through their book and then give up or start something else. There's often a good deal of perfectionism involved in this. Here is a rule of thumb: a finished, imperfect book is infinitely better than the perfect version that exists only in your imagination, but will never exist anywhere else because you will never write it. Steve Jobs famously said, "real artist ship." I think the corollary is that if you want to be a writer, you have to finish things and then move on to the next thing. If finishing a novel seems daunting, I would suggest first writing short stories or perhaps novellas and learning to finish those. No one runs a marathon without first learning to run a mile after all. #3: Back up your data. This is an important one. I've gone through a lot of computers in the last 15 years, but I've never lost a large chunk of work because I back up regularly. I would suggest a three part system. Use whatever automated local backup your OS provides onto an external hard drive. Do manual local backups onto a flash drive of appropriate capacity and then have some sort of cloud backup you can rely on, which means you'll probably have to pay for it. That way, even if your house or apartment blows up (God forbid!), you will still have a copy of your stuff somewhere. #4: Be willing to learn new skills as needed. It occurred to me that most of these software tools and programs I use on a day to day basis nowadays did not exist when I started in April of 2011, or they're things that I've had to learn in the years since. Like 15 years ago, I didn't know anything about online advertising, Photoshop, 3D rendering, graphic design, social media, paperback formatting, ebook formatting, audiobook production, podcasting, small business taxes, and a bunch of other stuff, but I've picked it up in the year since. I wouldn't say I'm an expert at any one of those things, but I've been able to combine them well. Life, as we know, is change. That means you're going to have to change whether you like it or not, but it's best to make sure you're changing to your advantage. That can mean having to learn new skills. Depending on the skill, it can either be onerous or fun, but it's still worth doing. #5: When possible, give away stuff for free. I know some writers get really worried or upset about giving away stuff for free. They'll price their first novel at $9.99 [all prices mentioned are in USD] or higher, and then say things like a latte at Starbucks costs five bucks, why shouldn't my book, which was so much more work, costs more? (Though these days, I think a Starbucks latte probably is more like $8.37.) Giving things away for free gives readers a chance to try your work in a risk-free environment. If someone picks, for example, Frostborn: The Gray Knight and they don't like it or give up on it by chapter four, they're not out anything but time. But if they enjoy it, they might pick up Frostborn: The Eightfold Knife for $0.99. If they like that, they might go on to the rest of the series where the books are $4.99. That really adds up over time. I've also written and given away via my newsletter a lot of short stories. I have to admit that while I enjoy short stories, I mostly do this to increase the click-through rate of my newsletter. It's best to think of giving away things for free as like planting seeds. If you're a farmer, you pay a lot of money for your crop seed, but then you have to sacrifice it in hope of getting a crop and potentially losing all the money you spent on the seed if it doesn't grow. Giving away ebooks for free is kind of like that. #6: Don't expect sales to go up every year or every quarter. There are pros and cons to the publicly held and traded corporation model, but I think one of the big cons is that the shareholders often demand that revenue goes up every quarter ("Number Go Up", to quote the Internet meme). The trouble is that this isn't sustainable in reality and leads to a lot of economic damage along the way. There's a good chance that when the AI companies tank in the next few years, they're going to take a good chunk of the economy with them because they push this growth at all cost mindset. Even on a smaller scale when a company has mass layoffs to make Number Go Up, it causes all kinds of havoc in people's lives. In writing and publishing, you definitely should not expect sales to go up every quarter or even every year. It just doesn't work that way. Overall, if you have more books, you can generally expect they'll sell more, but it doesn't always or even frequently work like that. Ebook sales, like everything else, tend to ebb and flow. Also, what we will politely call "macroeconomic events" tend to affect sales a good deal. After 15 years, I found that the book reading population tends to overlap a fair bit with the "news doomscrolling" population. So every time there's a significant news event, sales tend to drop. They always drop during a US presidential election year, which inevitably shocks any authors who started publishing after the last election. The 2024 [US Presidential] election had that happen a lot because as you no doubt remember, there were a lot of dramatic news events that summer. Sales also tend to drop around Christmas because of holiday bills, and again in August and September, since that's when a lot of people have significant back to school expenses. If you have a really good sales month or year, that's great, but definitely do not plan on it lasting forever or going up forever. And if you do have that kind of windfall, it's a good idea to do sensible financial things with it- pay down debt, save it in sensible investment or retirement accounts, that kind of thing. It is a terrible, terrible idea to take on additional debt, hire employees you don't need, or commit to other unsustainable financial commitments. Living well below your means is a principle that can help you avoid much pain. Also, if you do have a windfall month or year, be sure to save for the tax bill you will have the next time you file taxes because Uncle Sam (or your national equivalent of Uncle Sam) will very much want his cut. #7: Don't start a series unless you plan to finish it. This is less of a thing for romance or mystery novelists since their books tend to be more episodic. However, if you're writing fantasy or science fiction, it's a really good idea to make sure you finish your series because there's nothing science fiction/fantasy readers hate more than a series that never gets finished. There are a couple of reasons for this, but there have been a few very high profile examples of popular series remaining unfinished and that really soured readers on the idea of unfinished series, which is often detrimental to new writers who are just starting out. So if you're going to write in series, you need to commit to finishing them even if it's a lot of work. I've done that myself a couple times. For a while, I wasn't really sure if I wanted to finish Silent Order or Stealth & Spells Online, but I got them done. If you are a newer writer and you want to write in series, I would suggest starting with trilogies. They're less of a commitment than say something like Frostborn, which was 15 books. #8: Don't stress about bad reviews. Every writer has to learn to let bad reviews go. Obsessing over them isn't healthy and freaking out over them on social media is never good and can have bad consequences. It is a hard lesson to learn, but you just have to learn to ignore bad reviews. People can take reacting to bad reviews to insane extremes. There was a criminal case a while back where writer drove to someone's house and attacked a critic with a wine bottle because of a Goodreads review. Granted, that is an extreme case, but there have been numerous examples of writers going to war with critics over social media or even just complaining about bad reviews on social media only for the Internet to fall on their heads. You just have to learn to ignore bad reviews. It's not easy, but you can just follow these two rules about bad reviews. First, say nothing. Second, do nothing. "Never complain, never explain," to paraphrase Benjamin Disraeli. If it helps, the longer you do this and the more you write, bad reviews matter less because you can't remember everything. Like after you've written your first book, you can remember every single bit of it and every little decision and bit of thought process that went into the writing. But after 172 books, I honestly can't remember everything I've written unless I look it up. Like if someone complained about the griffin diarrhea joke in Malison: Dragon Fury, I would just kind of stare blankly because it would take me a while to remember it! #9: Social media is a potentially destructive time sink. This kind of relates to the previous lesson, but there are a lot of ways that social media can waste enormous amounts of your time. Arguing with strangers is one of them and the most obvious and potentially the most destructive, but passive consumption can be just as insidious. The phenomenon of doomscrolling, of endless scrolling through bad news is well known and is psychologically harmful. There's also "comparisonitis", which can be especially insidious for writers, since people generally put their curated selves on social media. Interestingly, sometimes people put the curated negative selves on social media. The way some people complain and present themselves in their posts, it's amazing they have the energy to type up posts complaining about their woes. No doubt that is done for engagement. There are also countless people who simply make up outrageous stories about hot button issues for clicks and clout. You also want to avoid arguing with strangers on social media because it will inevitably turn out that person in question is unemployed and therefore has infinite free time and also has poor reading comprehension and some sort of rage-based mood disorder. Overall, I would say that the best way to engage with social media while keeping your sanity is to remain positive. Share as few personal details as possible. Don't argue with strangers and only say things that are verifiably true. That will let you avoid a lot of potential trouble. #10: Pay people promptly and on time. Speaking of avoiding trouble, paying people on time will let you avoid a galaxy of woes. No one person can't possess all skills. So if you write long enough, you're going to need to subcontract out some stuff, whether it's editing, cover design, web design, accounting and taxes, audiobooks, and so forth. So if people do work for you and you are satisfied with this work, then you should pay them on time. This is a concept that a lot of people can't seem to grasp, and I've heard a lot of horror stories over the years about authors who try to weasel out of payment. So if you hire people to do things for you and they do them to your satisfaction, then pay them the agreed amount on time. This will also have the nice effect that if you pay people on time and build up track record of this, they'll be more willing to accommodate reasonable requests from you. #11: Don't worry about NFTs, Crypto, the Metaverse, LLMs, or whatever the latest doomsday tech trend is. The second half of the 2010s and the entirety of the 2020s have been filled with technologies that turned out to be useless, stupid, infested with scammers, and overall destructive, such as cryptocurrency, NFTs, the Metaverse, and of course, generative AI. (Apple CEO Tim Cook announced his retirement right before I started recording this episode. I think one of the chief positives of his legacy will be that he kept Apple mostly away from the generative AI mania.) I remember when cryptocurrency was inevitably going to replace fiat money, or when NFTs would be the future of art, or when all the very smart people said that the Metaverse would be the future of work and online communication. A lot of these technologies' boosters said you had to get on board with it right now, or you'll be left behind in the glorious technological revolution. You'll note that none of that actually happened. Crypto's main use case is facilitating cybercrime and NFTs are worthless. The Metaverse, like most of Facebook's bright ideas, wasted a lot of money and did nothing useful. Generative AI is on a similar course. None of its glorious promises of a better future have actually happened, and all it's really done is a lot of destruction and waste of money. The money is running out, public opinion is turning against it, and eventually LLM technology will dwindle to a sketchy corner of the internet much like crypto. Or to put it both more optimistically and snarkily, the best quote I heard about LMMs was that with strange people heralded the next generation of industrial automation technology as the beginning of the Singularity. It's like thinking that the computer that controls the fuel/airflow mixing your car is suddenly going to overthrow society and replace all human work. The one thing these technologies had in common, other than all being massive frauds, is that many writers worried it would be the end of writing, that crypto was going to replace government money or that all art would become NFTs, or that people would prefer AI slop novels over human written ones. However, none of this actually happened and people who predict the future are usually wrong. Various ancient and medieval societies made attempting to predict the future punishable by death. There's an element of religion to this, but I suspect some hard-headed jurists were less worried about offending the gods through false prophecy and had instead realized that many so- called prophets were just grifters attempting to scam money out of the credulous. This principle holds true today. I'm sure by 2030 there'll be some new technology called "groobelfarts" or whatever. Various grifters will swarm over social media saying "groobelfarts" are the future and if you don't get behind the "groobelfarts" (preferably by buying their course and signing up for their newsletter), then you're going to get left behind by the great and glorious "groobelfarts" revolution. But it will turn out to be 95% of scam and then by 2035, all the grifters will move on to the next tech. So I wouldn't worry about generative AI or whatever the next big technology is, which is probably "groobelfarts". #12 It's a really good idea to have your own website. If you're serious about indie publishing, you're essentially running a small business. These days, a small business really needs its own website. I know some writers rely entirely on their Amazon profile pages or social media profiles. This is a really bad idea, in my opinion, because the ebook stores and the social media platforms are changing things all the time and one of those changes might knock your visibility down to nothing. By contrast, with the website, you control it and you can set the content. It's also very useful to have a central location to direct readers. Ideally, your website will have links to all your books, so you can just send readers there. A lot of writers overthink this, but a standard WordPress or Wix template or something of that nature will work just fine for you. In fact, the fewer bells and whistles on your website, the better. It makes it easier to maintain and is that much harder to hack. #13: It's a really good idea to have your own email list. Related to the previous point, it's also an excellent idea to have your own email list to mail your readers. There are some legal requirements around this involving opt-in permission and physical addresses, and obviously it's best to follow them. But an email list, even after 15 years, is still my most powerful tool for reaching readers. As we mentioned above, the various ebook stores and social media platforms forever tinker with their algorithms and visibility. Having your own website is important, but getting people to visit it can be something of a challenge. That's where the email list comes in. With it, whenever you have a new release, you can email people and let them know. Whenever I publish a new book, the best sales day is always, without fail, the day I send out the newsletter. How do you get people to sign up for the newsletter? I found the best way is to consistently give away things for free. If you sign up for my newsletter (and if you haven't, you should do so right now), you get a bundle of free ebooks. Almost every time I publish a new book, I also give away a free short story. So giving away free stuff via the newsletter is a good way to build it and keep subscribers. #14: Don't cheat or be unethical. Like every other business, there are a million ways you can cheat or be unethical in indie publishing- plagiarism, stealing covers, paying for fake reviews, paying for bad reviews for someone you don't like, buying social media followers, manipulating Kindle Unlimited page reads, cranking out LLM slop books, and so forth. Some of it is technically legal, but unethical, and some of it is outright illegal. It can be very frustrating to see people you know are cheating get ahead. That said, it is always best to walk the straight and narrow road as best you can. There are many religious and ethical arguments for doing so, but if those don't appeal to you, the consequences might. If you cheat and do sketchy stuff, sooner or later it will catch up to you. It might take a long, long time. Bernie Madoff ran his scam for decades before he ended up dying in a prison hospital. Sometimes it catches up to you much more quickly. Sam Bankman-Fried only ran FTX for three years or so during the height of crypto mania before it all blew up in his face. People who work for the devil in the end always end up paying him rather than the other way around. So don't cheat or do unethical stuff. Your life will be happier and easier. And at the very least, you won't have to live with a constant low level fear that the consequences are about to catch up with you. #15: Tomorrow is another day. Perhaps today didn't go well. Maybe you're too busy getting your writing done or you got to your writing time and you're just too tired to concentrate. Maybe it was a bad sales day or you got a bad review or you got some bad family news or one of the other myriad ways that Real Life exacts its tolls arrived. Perhaps today was a bad day, but tomorrow is another day. It will be another shot at the ring. I suppose 15 years of self-publishing means I've been doing this for over 5,400 days. There have been some good days and bad days in the mix, but the thing to remember about bad days is that tomorrow is another day. If you miss your writing goal one day, you can try again tomorrow. And that little bit of daily effort adds up cumulatively over time. Conclusion. So those are 15 lessons I've learned in the last 15 years in indie publishing. As always, I would like to thank everyone who read and enjoyed my books and I hope to keep them coming. Meanwhile, we'll close out with a bonus. As I mentioned earlier in the show, by happy coincidence, my 15th anniversary of indie publishing overlaps the 300th episode of this podcast. So to mark the occasion, I'm giving away a free ebook, Writing Lessons from The Pulp Writers Show, which was written by me, Jonathan Moeller, and A.B. Bachmann (who is the researcher, editor, transcriptionist, and webmaster for this podcast and has been very helpful). You can get this ebook for free at my Payhip store until the end of May. So that is it for this week. Thank you for listening to The Pulp Writer Show and the past 300 episodes of The Pulp Writer Show. I hope you have found the show useful as we finish up 300 episodes and continue on to hopefully the next 300. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your view on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

iOS 26 tem 10 funções secretas que agilizam tarefas e mudam o uso do iPhone; conheça. Altman e Musk se enfrentam no julgamento que pode definir o futuro da OpenAI. One UI 8.5: veja quais celulares Galaxy receberão os novos recursos de IA do S26. OpenAI quer lançar celular com chip próprio e sistema inédito, diz analista. Atirador que fez atentado em evento com Trump se descrevia como dev indie e lançou jogo na Steam. Google vai investir até US$ 40 bilhões na Anthropic, dona da IA Claude e Governo proíbe plataformas que monetizam previsões nos esportes, eleições e mais!

HBO Max proíbe oficialmente compartilhamento de senhas em seu streaming. Claro agora oferece iCloud e Google One de até 2 TB em planos pós-pago. Assassin's Creed Black Flag Resynced é oficialmente revelado! Veja trailer e gameplay. Spotify completa 20 anos: saiba músicas e artistas mais ouvidos até hoje. Jogadores processam a Nintendo por conta das taxas impostas por Trump! No The Brief, celulares e TVs vão ficar mais caros: Abinee acredita em aumentos de até 30% e muito mais notícias!

This season, we're expanding our traditional Trailblazer series to include the modern romance writers who we believe will be considered trailblazers in the future. Our first guest on this branch of the legend tree is Ruby Dixon, author of the Ice Planet Barbarians series. Ruby joins us from her home to talk about how she became Ruby Dixon, what inspired the Ice Planet Barbarians series, how she thinks about writing this ever expanding world, the business of the Barbarians, and what's next. We're very grateful to her for making time with us.If you'd like to continue the conversation about Ruby Dixon, her work and the Ice Planet Barbarians, head over to join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesWelcome Ruby Dixon, bestselling author of the Ice Planet Barbarians series.Authors, Publishing Professionals, and Influencers Mentioned: author Anne McCafferty; author Edgar Rice Burroughs; author Andre Norton; author Bertrice Small; author Julie Garwood; editor Cindy Hwang; Ellora's Cave authors Evangeline Anderson, Laurann Donner, and Jaid Black; author R. Lee Smith; Dani Lacey's Ice Planet Pod; TikTokker and now author Charlotte Swan; agent Holly Root; Ruby's writing group, Alexa Riley, Kati Wilde, & Ella Goode.Books and Movies Mentioned: Clan of the Cave Bear by Jean Auel, Last of Mohicans by James Fenimore Cooper, Amarna Sunset by Aiden Dodson, Beneath the Sands of Egypt by Donald Ryan, Daughter of the Forest by Juliet Marillier, Villain Origin Story by Ruby Dixon, Dungeon Crawler Carl by Matt Dinniman.SponsorsLittle Brown & Company, publishers of Elin Hilderbrand and Shelby Cunningham's The Academy, available in print, ebook and audiobook from Amazon, Barnes & Noble, Apple Books, Kobo or wherever you get your books.Lucy Score, author of Mistakes Were Made, available in print, ebook or audiobook, or with your monthly subscription to Kindle Unlimited. Get it wherever you get your books.Lumi Gummies, Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net/episodes/2026/4/19/0831-trailblazer-ruby-dixon If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

We are BACK with one of our absolute favorite types of episodes, our Current KU Reads!! These are books that we have recently read and would recommend on Kindle Unlimited. As always we've got everything from romantic suspense, mafia, romantasy + more!! No spoilers for any of these & please let us know if you've read any of these books & what you thought of them!!Books Mentioned :Secret Haven by Catherine Cowles (Sparrow Falls #6)  The Sweetest Oblivion and Maddest Obsession by Danielle Lori (Made #1 & #2)  My Favorite Fake Romance by Elizabeth O'Roarke (The Favorites #3)  Direbound by Sable Sorenson (The Wolves of Ruin #1)  Mother Faker by Brittanee Nicole (The Momcoms #1)  Slaying the Vampire Conqueror by Carissa Broadbent (Crowns of Nyaxia #2.5) If you enjoyed this episode, don't forget to ⭐ rate and review the show! Your support means the world to us!Book Rec Episodes - Spotify playlist  Patreon Instagram TikTokWebsite

In this week's episode, we discuss the recent changes for new accounts at Draft2Digital, and talk about how there is no magic pill for success for writers. This coupon code will get you 25% off the ebooks in the Malison series at my Payhip store: MALISON2026 The coupon code is valid through April 27th, 2026. So if you need a new ebook this spring, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 299 of The Pulp Writer Show. My name is Jonathan Moeller. Today is April the 17th, 2026 and today we are discussing Draft2Digital account changes and how writers need to embrace the writing grind. Before we start on that, we will have Coupon of the Week and an update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week, and this week's coupon code will get you 25% off the ebooks in the Malison series at my Payhip store. That code is MALISON2026. This coupon code is valid through April the 27th, 2026. So if you need a new ebook for this spring, we have got you covered. And now an update on my current writing, publishing, and audiobook projects. I'm pleased to report that Blade of Wraiths, the fourth book in the Blades of Ruin epic fantasy series, is finally done. You can get Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, bookshop.org, Smashwords, and my own Payhip store. It has been selling strongly, so thank you all for that and I'm glad I was finally able to get it out into the world despite delays. Now that Blade of Wraiths is done, my next main project will be Dragon-Mage, which is the sixth book in the Rivah Half-Elven Thief series, and I'm about 29,000 words into it. I think it will be about 80,000 words, give or take. So I'm hoping to have that out in May, if all goes well. In audiobook news, the fifth book in the Rivah series, Wizard-Assassin, is now out in audiobook. You get it at Audible, Apple, Amazon, Chirp, Google Play, Kobo, and all the other usual audiobook stores. In other audiobook news, Cloak of Illusion is being recorded by Hollis McCarthy right now and Brad Wills will start recording Blade of Wraiths on Monday, if all goes well. So that is where I'm at with my current writing, publishing, and audiobook projects. Good progress all around. So it's nice to have a good progress update there. 00:02:00 Barnes & Noble/ Draft2Digital Changes Now, before we get to our originally planned main topic, we will pause to address a news item. A few people ask what I thought about recent changes that Barnes & Noble and Draft2Digital made for self-publishers. If you're outside of Indie Author World and haven't heard of any of this, the gist is that Barnes & Noble is putting new restrictions on indie author accounts and Draft2Digital is now charging a one-time $20 fee for anyone opening account and an annual $12 fee on any accounts that make less than $100 a year on the platform and if you make more than $100 a year on the platform, the yearly fee is waived. Now, as you can expect, there was a good deal of consternation about this online, especially among indies with only one or two books who might not make $100 a year from their books. So what is my opinion on this? My opinion is threefold. First, it's unfortunate they had to do this. In a more optimum world, they would not have had to do this, but I suspect they were forced into it due to circumstances. And because of that, number two, it is inevitable that something like this was coming along because number three, the reason this happened was the overwhelming flood of AI generated slop from scammers. The ultimate source of the problem, as is the ultimate source of many recent problems in the world, is generative AI. A small number of scammers are generating enormous quantities of AI generated slop books and uploading them to the publishing platforms. We're talking like tens of thousands of books a month or even a week, and the books are absolutely low effort as well: AI generated gibberish text, AI generated cover, and then thrown on the store. Since I wrote this podcast script, James Blatch of Self Publishing Formula put out a Substack stack article on it, and he mentioned that he was talking to someone from Draft2Digital. He mentioned an example of the kind of low quality slop books they're dealing with. Last year when US political activist Charlie Kirk was murdered, within hours, several nonfiction books on the murder appeared on the stores, and these books were essentially either copy and pasted Wikipedia summaries or AI generated books on the topic that, as you might expect since it was a very recent event, contained no useful information whatsoever. The scammers were just hoping that to take advantage of a contentious current event and make a few bucks along the way. Now imagine this multiplying tens of thousands of times over every single day, and that is the scale of the problem. Now, this has always been a problem with self-publishing, especially with Kindle Unlimited, but AI takes it to an industrial scale. With some basic LLM knowledge, you can automate the entire thing. The figures I've heard are that something like 70 to 75% of new submissions to Draft2Digital in the last year have been AI generated scam books of that nature. Now, obviously this is not viable in the long term and is an existential threat to the platform, so something had to be done. Amazon already took some steps in that direction by limiting accounts to only three uploads a day, so it was inevitable that the other platforms would have to follow suit. Now, the best way to reduce scams is to increase friction. That's why it's sensible to lock your front door and your car. If someone really, really wants to break into your house or car, that's not going to stop them, but a locked door will deter lots of casual thieves or junkies who are strolling around looking for low risk things to steal. In the same way, these changes won't stop the problem of AI generated slop books, but it will help [make] the problem more manageable by increasing friction. So it's unfortunate that these changes have to happen, but I suspect something like this was inevitable, and I also strongly suspect that more of this will be coming. I think eventually we're going to end up with a per book publishing fee, like $10 per title, [which] while unfortunate, would severely reduce the financial viability of these scams, but perhaps we'll be fortunate enough that the era of free and low cost generative AI is going to collapse before that happens. The economic signs are increasingly pointing in that direction with the various AI providers hiking prices in the last few months, and scamming with AI becomes a lot less attractive when you're spending thousands of dollars a week on tokens. Ultimately, in my opinion, the villain here is not Draft2Digital and it's not Barnes & Noble, but the villain is the AI companies who have very recklessly and irresponsibly pushed this highly destructive and often useless technology out of a combination of messianic hubris and old-fashioned greed disguised as self-righteous altruism, much like the crypto and NFT advocates before them. I've said before that I think the primary problem with LLM based AI is that it comes with a whole lot of negative results and virtually no positive ones. The changes of Draft2Digital and Barnes & Noble are yet another example of AI creating negative outcomes and no corresponding benefits. But thankfully, it is not all gloom and doom. It's heartening to see how increasingly unpopular AI is becoming with the general public, with shutting down data center construction projects becoming a hot issue in local US politics. I think the best outcome for the entire mess created by AI technology would be for using it to become as socially unacceptable as, for example, smoking in front of small children or placing bets on a dog fighting ring. 00:07:15 Main Topic of the Week: There is No Magic Pill For Writers Now our other main topic of this week, how there is no magic pill for writers and writers should embrace the writing grind. A while back, I was watching a sports documentary and one of the athletes said that when she was asked for advice from those just starting the sport, she would happily share her routines with these competitors because she knew that most people lacked the work ethic necessary to complete them for any length of time. She lamented that all people wanted was a magic pill and that there was no magic pill for success in her sport. And I think the same thing is true of writing and publishing. People want a magic pill to land on top of the bestseller list right away and make lots of money instantly. The truth is for any kind of lasting success, there isn't that magic pill. Most writers make money by persistence instead of trickery. In this episode, I will give you five of the most important things you need as a writer in order to succeed in publishing your work. I can't give you a magic pill, but like that athlete, I can give you my routine. I've mentioned these tactics before in this podcast, but I wanted to collect them all in one place as a starting point of advice for working hard for that magic secret to success. #1: Work hard. You might hear stories of writers only working an hour or two a day, but the reality is that prolific authors are working far more than that. Only a handful of writers can make a full-time living publishing one book every few years. The rest of us are writing as much as possible and getting out books at least a couple of times a year, if not more. Times have changed. In a saturated entertainment industry, people are quick to forget and move on to the next thing. Website algorithms reward authors who put out new content frequently. So to be able to be a full-time writer, I do work typical workday hours, but I also do some work in the morning before I actually start, and then some in the evening as well, though of course that can be modified based on the needs of the day. I also do some work on weekends. I don't work all day on the weekend, but I do try to get at least a thousand words in and any administrative stuff wrapped up on the weekends. And I try to avoid long vacations, partly because I don't want to miss that much work and partly because I don't really enjoy long vacations. I'm not much of a traveler, I have to admit. This is generally more work than in a typical office setting. Especially around tax time, there's also its own share of a boring administrative paperwork that needs to be done. #2: Don't mistake what working hard is or where you should focus your effort. I've talked a lot about the perils of writing adjacent activities on this podcast, meaning things that feel like productive work but aren't. For example, some authors spend hours a day on social media and feel like they're marketing, but really they're just posting an echo chamber of other authors or getting themselves upset by doom scrolling and calling it keeping up with the news or research. They are as mentally drained as if they did hours of productive work, but unlike productive work, they have nothing to show for it. Writing adjacent activities have to be tightly controlled and managed because the majority of your work time should be spent writing and/or editing. Distractions like these writing adjacent activities can take up an entire day if you let them. I keep to a pretty rigid schedule, planning my breaks throughout the day. #3: When possible, do the publishing yourself. Don't rely on sketchy publishing services or vanity presses asking for thousands of dollars to help publish your book. Despite all the outrage over the Draft2Digital's change, $12 a year is still pretty reasonable compared to some of the outrageous fees that these vanity publishers charge. It's worth taking the time to learn how to format and publish books yourself. There's an abundance of free tutorials or low cost ones from reputable sources that can teach you how. It's better to spend time than money and then you have the skill forever. That is one writing adjacent activity that is absolutely worthwhile. Don't wait for the approval of an agent or spend years chasing one down. You can put your book out yourself. By doing it yourself, you have complete creative control, keep all the profits, and get to decide what you publish next. There's a reason that many authors return to self-publishing after accepting a contract with the Big Five publishers in the US. #4: Manage your expectations. The fact is that some genres sell more than others, especially in ebook form. For example, children's picture books are one of the toughest categories for indie publishers, especially as it fills with AI generated slop replacing illustrators. Children's books, technical books, and very specific nonfiction is simply harder to sell than romance, fantasy, or other kinds of fiction. Most authors don't have a massive success with their first book and find that their sales increase gradually over time. Don't expect to become the next indie success mega success story on your first time out. #5: Be willing to change. The beauty of being an indie author is that you have access to a lot of real time data about your books. If you are seeing a lot of clicks on your ads but few purchases, it's best to try changing your book's cover or blurb before giving up on it entirely. If the search results for your book on Amazon don't match your book at all, it's best to tweak the categories and add in some negative targeting to your ads. There's a saying that the best thing you can do to sell your book is to write the next one in the series, and I have found that to be very true myself. If the book isn't an instant success, it might be better to put out the next one instead of endlessly tweaking the first one. #6: Keep going. Most people can work hard for short bursts of time. The real challenge is to work hard over a sustained period of time, especially if there isn't an immediate reward for it. There is something of the same challenge in exercise and eating healthy too in that you don't usually see immediate results. You have to do it consistently for several weeks or months before you start seeing results. The truth is, most writers are not an overnight success or even a success after a year or two of writing. I wrote for years before my first book got published in 2005. Even after my first book was published and didn't sell well (I think my royalties could have bought me a combo from Burger King). It took years of writing and rejection from publishers before indie publishing became viable, and I was finally able to make money from my unsold novels. If I hadn't kept going, I wouldn't have been able to have those books ready when the opportunity of self-publishing began to lead to actual money. So keep going. Even if your first draft is not your liking, even if your first book you put out doesn't sell, even if you feel frustrated, the best thing you can do is just keep going. In short, ignore the influencers who have advice for becoming an instant bestseller, usually by throwing lots of AI produced slop onto bookselling sites. Taking the easy way out is not a long-term strategy. There is no magic pill that leads to selling over two million books over 15 years like I have done (not to toot my own horn about that, so to speak), but I think that shows the results of effort applied consistently over time for a long period of time. So if you want to be a writer, get to work. So that is it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. Next week will be our 300th episode. Talk about effort applied over time, right? So be sure to tune in next week for the 300th episode because we're going to have a special giveaway for that. A reminder that you can listen to all the back episodes of this podcast on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

When you subscribed to this podcast, I bet you thought, “When is Sarah going to interview an expert on theoretical physics ?” Today is your day!My guest is Dr. Chanda Prescod-Weinstein author of the book The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie.And if you're thinking, I was really bad at physics – don't worry, so was I. I found this book to be both incredibly engaging and just the right amount of challenging. Dr. Prescod-Weinstein is going to explain space-time, and how theoretical physics, Black feminist theory, Robert Frost, and the cosmos are all connected.If you held your breath during the liftoff of Artemis II, and were crying when they splashed down safety, not to worry – so was I. I was extremely excited to interview Dr. Prescod-Weinstein, and the timing is perfect. We are in good hands....Support for this episode comes from The Awkward Agenda by Beth Morton, an open-door romance featuring friends-to-lovers, found family, and pirate cosplay, available now digitally in Kindle Unlimited, and in print from retailers everywhere. ...You can find Dr. Chanda Prescod-Weinstein'sPersonal website: http://chanda.scienceNewsletter: http://news.chanda.scienceInstagram: https://www.instagram.com/chanda.prescod.weinstein/Bluesky: https://bsky.app/profile/chanda.bsky.socialYou can find the abstract for her work, “The Cosmos is a Black Aesthetic” at Duke University Press.We also mentioned NASA's image collection. ...Music: purple-planet.com Hosted on Acast. See acast.com/privacy for more information.

When you subscribed to this podcast, I bet you thought, “When is Sarah going to interview an expert on theoretical physics ?” Today is your day!My guest is Dr. Chanda Prescod-Weinstein author of the book The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie.And if you're thinking, I was really bad at physics – don't worry, so was I. I found this book to be both incredibly engaging and just the right amount of challenging. Dr. Prescod-Weinstein is going to explain space-time, and how theoretical physics, Black feminist theory, Robert Frost, and the cosmos are all connected.If you held your breath during the liftoff of Artemis II, and were crying when they splashed down safety, not to worry – so was I. I was extremely excited to interview Dr. Prescod-Weinstein, and the timing is perfect. We are in good hands....Support for this episode comes from The Awkward Agenda by Beth Morton, an open-door romance featuring friends-to-lovers, found family, and pirate cosplay, available now digitally in Kindle Unlimited, and in print from retailers everywhere. ...You can find Dr. Chanda Prescod-Weinstein'sPersonal website: http://chanda.scienceNewsletter: http://news.chanda.scienceInstagram: https://www.instagram.com/chanda.prescod.weinstein/Bluesky: https://bsky.app/profile/chanda.bsky.socialYou can find the abstract for her work, “The Cosmos is a Black Aesthetic” at Duke University Press.We also mentioned NASA's image collection. ...Music: purple-planet.com Hosted on Acast. See acast.com/privacy for more information.

This week from a galaxy far, far away with Jon Justice.- Maul Shadow Lord Exceeds Expectations!- Listener Feedback SUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

By request, we're talking about the characters who have been exiled from family, from community, and from themselves—the irredeemable characters in romance. This is Morality Chain all over again. We're talking about characters that have done terrible things on and off the page, to the detriment of their reputations in the text and outside, with readers, and somehow, by the end of their own book, are made whole and worthy of love. Here lies St. Vincent, Mr. Vivisection, and more.Tell us about your favorite irredeemable characters in romance on our social media or head over to join the Fated Mates Discord, which is accessible to our Patreon subscribers. By joining the Patreon, you meet other Fated Mates listeners and get an extra monthly episode from us. Support us and learn more at fatedmates.net/patreon.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesWe have been so inspired by all the moon joy in the world. Here is the Artemis II path from the Astronomy Picture of the Day; splashdown was awesome; the dark side of the moon isn't like a real thing, exactly; and here's a bunch of other stuff from NASA. Check out our episode from season 1 with astronomer Summer Ash (her interview is at the end of the episode), and learn all about that golden record they sent out to space on Voyager.Michael Corleone was irredeemable! Tommy Shelby? Well, apparently that's open to interpretation!SponsorsNeyha Liu, author of Midnight at Soulfield, available in print or ebook, or with your monthly subscription to Kindle Unlimited.Avery Maxwell, author of The Forgotten Billionaire, available in print, ebook, or with your monthly subscription to Kindle Unlimited.Little Brown & Company, publishers of Ruth McKell's Honey in Her Veins, available in print, ebook and audiobook from Amazon, Barnes & Noble, Apple Books, Kobo or wherever you get your books.Claire Contreras, author of Isle of Wrath, available in print, ebook, audiobook, or with your monthly subscription to Kindle Unlimited.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

This week, we are bringing the chaos (obviously) with indie romance author Staci Hart and trust us, this episode is just as unhinged as it sounds.Known for her swoony, snark-filled romances and laugh-out-loud moments, Staci joins us to talk all things writing, tropes, and what really goes on behind the scenes of your favorite romance books. From her “plotter meets feral gremlin” writing style to why second chance romance is basically writing two books in one, nothing is off-limits.We also dive into:Her favorite (and hardest) tropes to writeThe chaos behind some of her most iconic scenesThe Roseville Ramblers series + what's coming next Audiobooks, narrators, and why we're all waiting patiently for Teddy HamiltonWhat we're currently reading, watching, and obsessing overAnd of course… expect plenty of side tangents, snack talk, and completely unhinged thoughts.So grab your snacky snack and your beverage of choice, and come hang out with us while we chat with one of our favorite indie romance authors.You can find Staci Hart on Instagram, Amazon, Kindle Unlimited, and at her Website.Apply to be a Guest on our showSign up for our Substack Newsletter..Support Our Show (May Include Affiliate Links)Amazon Product Links (Books, Shows, Products mentioned)Sponsorship or Ad Affiliate InquiriesWell Read Candle Company - WhatTheSmut10 saves you $$Audible Free TrialKindle Unlimited Free Trial..Where to Find UsWe are the most active on InstagramWhatTheSmutPodcastCortneyMarySend us a DM, because we would love to hear from YOU!Send us a voice noteWell Read Candle Co10% Off WHATTHESMUT10 Support the show

As promised Readers, we present some of our older rant sessions on random book-adjacent topics. This episode was originally recorded in February 2025 and focused on Kindle Unlimited.--------------Is Kindle Unlimited unduly influencing the writing/editing game? Romantasy books keep getting longer, plot predictability is at an eye-rolling level, and if we meet one more shadow daddy on page 2 we're both going to convert to full-time hockey smut.

In this heartfelt episode, Debra Pascali-Bonaro welcomes author, mother, and doula Maris Young, whose third birth unfolded in the most surprising and beautiful way — as an orgasmic birth. After a breech birth with her second baby, Maris entered her third pregnancy with a clear intention: to reframe the sensations of birth and discover how pleasurable they could be. Through mindset work, daily practice, and integrating resources from Orgasmic Birth, Maris learned to welcome contractions as manifestations of her body's divine power. Her story takes us from quiet, candlelit labor at home — singing through each wave — to the moment her daughter was born and Maris felt a release so deeply joyful, she describes it as living on "cloud nine" for weeks afterward. Join Debra and Maris as they explore how preparation, presence, and curiosity can turn birth into a profoundly embodied experience of strength, connection, and pleasure. In this episode, you'll hear: How Maris shifted her mindset to welcome contractions as power. Why creating a sensory-filled environment mattered for her labor. How the words "I have full life" became her anchor through birth. What it felt like to experience orgasmic release as her daughter emerged. The ways Maris now supports others through her Young Honest Mother community and book Getting Ready for Birth. Learn more:

This biblical retelling of the Resurrection comes from my book, "Messiah: Biblical Retellings." It's read for you by James R Cheatham, the narrator for all five of my Biblical Retellings series on audio! The books are free on Kindle Unlimited, and they're on "All You Can Listen" on Audible here. Happy Easter! Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

It's time to fill those TBR piles again! April means the start of Spring and also another quarterly upcoming romance episode! We're talking about romances hitting shelves and ereaders during April, May & June 2026! Whether historical, paranormal, contemporary or Romantasy, we've got something for everyone in fifty or so recs across every single genre. As a reminder, we haven't read most of these, but we have big plans!If you want more recommendations and more people with whom you can discuss 2026 romance novels, maybe you want to join our Patreon? You get an extra monthly episode from us and access to the incredible readers and brilliant people on the Fated Mates Discord! Support us and learn more at fatedmates.net/patreon.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.AUTHORS: Do you have a book coming out in 2026 that you'd like to make sure we know about? Or, are you a debut romance author who'd like to make sure we know about your debut? Fill out the forms here:2026/2027 Upcoming Romance Novels2026 Debut Romance NovelsSponsorsLavinia K. Darcy, author of Return to Kingscote, available in print or ebook. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Metaltail Press, publishers of SE McPherson's A Villain's Hope, available in print or ebook. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.Neyha Liu, author of Midnight at Soulfield, available in print or ebook, or with your monthly subscription to Kindle Unlimited.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

This week from a galaxy far, far away with Jon Justice.- MAUL Revives Lucas Original Ideas- SW Movie memorabilia brings in huge bids! - Listener Feedback SUPPORT JON JUSTICE AND PICK UP YOUR COPY OF THE EMBARK, SPACE OPERA SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.com@X @JonJusticeInstagram TheJonJusticeFacebook Jon Justice

It never fails to surprise us when we realize we've never talked about a really classic trope even now…eight years in. This week, we're talking about kids in romance—which we've somehow never done before?! We're covering Romance Babies, Romance Kids, and Single Parents in Romance — but so sorry to the Secret Baby lovers out there, that one deserves its own episode (someday). We're talking babies, toddlers and teens, the appeal of the single parent romance novel, and that one Erin St. Claire book that Sarah can't get out of her head.If you want more Fated Mates in your life, or you want to talk more about Romance Babies/Kids, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesThe Silhouette Intimate Moments line eventually turned into Harlequin Romantic Suspense. Erin St. Claire is one of Sandra Brown's many pen names.Wet nurses have been around for a very long time, baby bottles not so much. I say this only because Sarah said “Bottle service” and that's something different.Red ink has been around for a long time, actually. So maybe that's how Sophie had access to it during the Regency?So there's not a whole lot of evidence that birthmarks are hereditary. Shocking, I know.SponsorsThe Romantasy Letters, a new kind of romantic fantasy storytelling, delivered right to your door twice monthly. Use the code FATED to get 20% off your year's subscription. Learn more at RomantasyLetters.com.LJ Andrews, author of Heir of Twisted Lies, available in print or ebook. Get it at Amazon, Barnes & Noble, Kobo, Apple Books, or wherever you get your books.Neyha Liu, author of Midnight at Soulfield, available in print or ebook, or with your monthly subscription to Kindle Unlimited.Lucy Score, author of Mistakes Were Made, available in print, ebook or audiobook, or with your monthly subscription to Kindle Unlimited. Get it wherever you get your books.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Send us Fan MailGenealogist Nicka Sewell-Smith joins me to discuss her connections to Chicago and "The Women Who Built Chicago" bus tour, launched for Women's History Month in partnership with Ancestry, which highlights overlooked women's contributions.Tickets for the bus tour:https://www.eventbrite.com/e/dilla-and-ancestry-present-the-women-who-built-chicago-bus-tour-tickets-1983596857598Want to help support the show? Buy me a coffee! Buy more than one and get a personalized video thank you.https://www.buymeacoffee.com/chicagohistoryLeave me a voice message - just click on the microphone in the lower right corner here: https://www.chicagohistorypod.comUp your cocktail or Sodastream game with Portland craft syrups!https://portlandsyrups.com/collections/all?sca_ref=1270971.MO4APpJH1kAnything purchased through the links below may generate a small commission for this podcast at no cost to you and help offset production costs.Women Building Chicago 1790-1990: A Biographical Dictionary by Rima Lunin Schultzhttps://amzn.to/479TaABQueen: The Life and Music of Dinah Washington by Nadine Cohodashttps://amzn.to/4bNKzGhGet access to millions of books  with Kindle Unlimited. Not an Unlimited subscriber? Get a free 30-day trial here:  https://amzn.to/2WsP1GHWant better sleep? Try the most delicious alternative to melatonin and sleeping pills that helps you fall asleep, stay asleep, and wake up feeling refreshed. MoonBrew. Use the code below for 15% off.https://moonbrew.co/TOMMYHENRYNeed music for YOUR projects? Audiio has got you covered. Try a free trial here:https://audiio.com/pricing?oid=1&affid=481Send me an email - Chicago History Podcast (chicagohistorypod AT gmail.com)Chicago History Podcast Art by John K. Schneider (angeleyesartjks AT gmail.com)Support the show

Someone said something real stupid, and that means we get to hit back in the best way possible — with romance recommendations! Today we're talking about the Opera and the Ballet in Romance! We're talking about historicals and contemporaries, about mafia enforcers and exasperated dukes, about football players and yes, of course, our sweet baby Conrad Wroth. You're going to have a great time. Congratulations to the movie-starrest of movie stars, Michael C. Jordan, on the occasion of his Oscar win.If you want more Fated Mates in your life, or you want to talk more about Opera and Ballet and romance novels, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.Our next read along is The Madness of Lord Ian MacKenzie by Jennifer Ashley. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesTornadoes are scary, but the University of Michigan is keeping track of them for you. Chicagoans think that the city is tornado-proof; it's not.Daylight Savings Time sucks.Cara Dion and Robin Lovett are both Opera Singers — Romancelandia remains the coolest.Thanks Louisa Darling, for giving us this episode about Timothee Chalamet and his boneheaded comments about ballet and opera a few weeks ago, and then he didn't win a single Oscar. Are these things related? Who can say!Magic Mike is the greatest dance movie ever made, or a feminist text. Pick your poison.A ballet book Jen imprinted on as a teenager was called Mariana by Karen Strickler Dean, and for Sarah it was an opera book called Mountain Laurel by Jude Deveraux.Kelly Clarkson and Josh Groban do this version of All I Ask of You from Phantom of the Opera that's very beautiful.Michael B Jordan DID win the Academy Award for best actor, and we couldn't be more happy about it.SponsorsThe Monique Fisher Universe, including The Decadence Series, and the upcoming novella Make Room for Heather, available in print or ebook. Get it at Amazon, Barnes & Noble, or with your monthly subscription to Kindle Unlimited.The Romantasy Letters, a new kind of romantic fantasy storytelling, delivered right to your door twice monthly. Use the code FATED to get 20% off your year's subscription. Learn more at RomantasyLetters.com.Blue Box Press, publishers of Kristin Ashley's After the Climb, a River Rain novel. Available in print, ebook or audiobook from Amazon & Barnes & Noble.Lumi Gummies. Go to lumigummies.com and use code FATEDMATES for 30% off your order.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.

Things are looking very wild out here in the real world so you deserve a deep dive on a book by an author with a big backlist and we are here to give you just that! Today's episode is on Sincerely, Your Inconvenient Wife, a modern day marriage of convenience story from Julia Wolf's The Harder They Fall series. We talk about fake husbands down bad, family drama, and the charm of an author building a big universe for all their characters to live in forever.If you want more Fated Mates in your life, or you want to talk more about Julia's books, please join our Patreon, which comes with an extremely busy and fun Discord community! Join other magnificent firebirds to hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com.Read Sincerely, Your Inconvenient Wife in ebook or paperback, or with your monthly subscription to Kindle Unlimited.NotesHow the great blizzard of 2026 stacked up with previous blizzards. Seems like Providence was a bad place to be. The winner of this year's Chicago's snowplow naming contest: Abolish ICE.Everyone loves Bad Bunny.Ryan Coogler gave a beautiful speech about love at the BAFTA awards. Watch Jayme Lawson from the NAACP Awards give a brilliant explanation of why BAFTA and BBC are to blame for the events at this year's BAFTA awards.We have both been reading a lot of Julia Wolf books ever since our New Year's Milkin' Eve episode.Wyoming is a very big state with a very small population, so small in fact that there are 117 counties that have a bigger population than the entire state. You can play around with comparing populations using this map tool from Slate.The other books we mentioned this episode by Julia Wolf: a rock star romance, Built to Fall. Saoirse's brother's book is Sweet Like Poison. Luca's sister's book is In the Details.SponsorsMelanie Greene, author of New Flames, available in print or ebook. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.The Romantasy Letters, a new kind of romantic fantasy storytelling, delivered right to your door twice monthly. Use the code FATED to get 20% off your year's subscription. Learn more at RomantasyLetters.com.The What in the Smut? Podcast, available wherever you get your podcasts.Vedentro, premium leather accessories. Use code FATED at checkout to get an additional 10% off the best offer on the site.The RestFor even more info about this episode, and to explore everything Fated Mates has to offer, visit: https://fatedmates.net If you wish you had six more days in a week of people talking about romance, may we suggest joining our Patreon? Aside from an additional episode every month you get access to our Discord, where other romance readers are talking about books they love (and many other things!) all the time. It's so fun! Learn more about the Patreon and go join those cool people who love romance as much as you do at patreon.com/fatedmates. Beyond your favorite podcast app, you can find us on Instagram, Threads, Blue Sky, Tumblr, and probably some other places, too, if you look hard enough. If you've never listened to our Stop Book Banning episode, there's no better time than now.