Podcasts about jazz singer

On this episode of The Bandwich Tapes, I sit down with the extraordinary Wendy Moten for a conversation about longevity, versatility, professionalism, and the many different ways a singer can build a meaningful life in music. Wendy has one of those careers that musicians know and revere: a major-label artist in the 1990s, a world-class touring vocalist, a sought-after session singer, a member of the Grammy-winning Time Jumpers, a regular performer on the Grand Ole Opry, and, more recently, a powerful presence for a new generation of listeners through The Voice. What struck me most in this conversation is how clearly she understands her craft, her purpose, and the discipline required to sustain both.We begin by talking about the busy season she is in now, balancing solo work, sessions, weekly performances with the Time Jumpers, and another major tour with Vince Gill. Wendy shares the story of how Vince first called her out of the blue after her run with Martina McBride had ended, and how that invitation opened an entirely new chapter in her career. From there, we get into what she calls her “version of country music,” and how she found it not by imitating the genre, but by studying its history, listening closely, and finding an authentic way to bring herself into the tradition.One of my favorite parts of the conversation centers on harmony singing and what it really means to support another artist. Wendy talks beautifully about what she learned during 15 years as Julio Iglesias's duet partner, including how to listen, how to match breath and phrasing, how to stay out of the way, and how to make someone else sound even better. She says she was “getting paid for self-control,” which is one of the best descriptions of professional background singing I have ever heard. That whole section of the conversation is full of insight for anyone who cares about what it means to serve the music at a very high level.We also talk about church, family, and the support system that made her life in music possible. Wendy reflects on growing up in Memphis, singing in church, and learning early how to stand in front of people, even when she was shy and uncomfortable. She shares how much her parents sacrificed to create opportunities for her and her siblings, and how much those sacrifices still mean to her now. We also spend time talking about her Grand Ole Opry appearances, including the emotion of making her Opry debut without her parents there to see it, and the significance of standing on that stage as a Black woman in a space where history has not always made room for everyone.Along the way, we get into her years at EMI, the pressure to be shaped into whatever version of success the label wanted at the time, and the freedom she eventually found by building a career outside the usual boxes. Wendy talks openly about not needing fame in the conventional sense, about loving the role of underdog, and about continuing to surprise people. This is a conversation about singing, certainly, but also about resilience, humility, excellence, and how to remain generous and grounded across four decades in music.Key TakeawaysWendy Moten reflects on building a career across pop, country, jazz, Americana, sessions, television, and touring without being confined to one lane.She shares how 15 years with Julio Iglesias taught her phrasing, breath, dynamics, communication, and the art of listening more deeply.Wendy talks about singing with Vince Gill and the Time Jumpers, and how she developed her own authentic relationship to country music.She offers a sharp and memorable perspective on background vocals: great harmony singing requires self-control, consistency, and leaving your ego at home.The conversation explores how the church shaped her confidence, artistry, and ability to recover from mistakes in front of an audience.Wendy also reflects on The Voice, why she chose to do it, and how it introduced her to a new audience without diminishing everything that came before it.We discuss the Grand Ole Opry, the emotional weight of her debut, and the significance of taking up space in a tradition that has not always been inclusive.Music from the EpisodeOde to Billy Joe - Wendy MotenDon't Touch Me - Wendy MotenDriving Nails in My Coffin - Wendy MotenFaithless Love - Wendy Moten (with Vince Gill)About the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, singers, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the life experiences that shape the music. It is a show about artistry, process, and the human side of a life in music.Connect with the Showcontact@thebandwichtapes.com

Le premier film « parlant », Le chanteur de jazz, a remporté un succès fou en Amérique. Son acteur principal, Al Jolson, était déjà célèbre pour ses interprétations de Gershwin.En octobre 1927 à New York, le film Jazz Singer d'Al Jolson marque un tournant historique pour l'industrie cinématographique. Jusqu'alors, le cinéma était muet et les salles équipées de pianistes pour accompagner les projections. Mais avec l'arrivée du film parlant, c'est toute une époque qui bascule.

A Mixed Bag on a Tuesday First, a look at the events of the day.Then, Suspense, originally broadcast  June 2, 1952, 74 years ago, A Good and Faithful Servant starring Jack Benny.  Jack's second appearance on Suspense.  An accountant in a department store, who is nearing retirement, carries out an ingenious plan to steal $50,000 - yet all does not go as smoothly as he had hoped.Followed by  Screen Directors Playhouse, originally broadcast June 2, 1950, 76 years ago, She Wouldn't Say Yes starring Rosalind Russell reprising her role in the 1945 motion picture.  A lady psychiatrist falls for a man she meets on a train, with funny if somewhat predictable results.  Then, Lux Radio Theater, originally broadcast June 2, 1947, 79 years ago, The Jazz Singer starring Al Jolson reprising his 1927 screen role.  An adaptation of the first talking feature from 1927 about the son of a Cantor who must choose between a career on the stage and his father's wishes. Finally, Claudia, originally broadcast June 2, 1948, 78 years ago, Peace and Quiet.   David at home. Kathryn Bard and Paul Crabtree star.Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Following on from our last episode this is a special longer examination of what makes a jazz singer

We ask is Laufey a jazz singer. what do you think?

This Special Collections episode is called Broadway - The Performers.  Each episode of Special Collections focuses on a particular common thread that ties together some of my guests. In this episode, that common thread is Broadway. Each of the guests featured here is an accomplished and acclaimed performer in one or more Broadway productions. Broadway is one of the great storytelling traditions in the world — where music, lyrics, story, choreography, and performance come together to create powerful emotional experiences. What connects each of the artists in this collection is not only their Broadway experience, but their love of performing — and their deep connection to the Broadway tradition. Here are the six performers who are profiled in this episode: ⸻ Shoshana Bean - two-time Tony Award–nominated actress. “Hell's Kitchen”, “Mr. Saturday Night”, “Wicked”, “Waitress”, “Hairspray”.  Melissa Errico - Tony Award nominee whose Broadway credits include “My Fair Lady” and “Les Miserables”. Sam Harris - Cy Coleman's “The Life”, Tommy Tune's “Grease”, “The Producers”, “Jesus Christ Superstar”.  Ann Hampton Callaway - “Swing”. BroadwayWorld's “Celebrity of the Year”.   Here's Ann singing “Pick Yourself Up,” another classic song from Swing Time. Darius de Haas - “Kiss Of The Spider Woman”, “Rent”, “The Marvelous Mrs. Maisel”.   Lucie Arnaz - “They're Playing Our Song”, “The Jazz Singer”. Follow Your Dream. —-------- Stay tuned for another Special Collections episode soon.      

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T7E02 - Proyecto Fin del Mundo, o ciencia ficción dura para una amistad sólida ¿Una épica de ciencia ficción dura que te golpea en el estómago con su sentimentalismo justificado y sólido, pero tú tienes que negar que estás llorando por eso al salir del cine porque no te has dado aún permiso de abrazar la emotividad de Ryan Gosling como modelo, pero toda la sala se dio cuenta de cómo berreaste como becerro sacrificial al menos en tres momentos de la película y ahora el elemento xenón te hace fruncir los labios y el ceño? Sí. Tres pulgares abajo. Menú 00:22 - Inicio y presentaciones 01:19 - Reseña de Hoppers (2026) Audios Toot Toot Tutsie, de The Jazz Singer (1927): https://www.youtube.com/watch?6v=nFcFXGyyCio ; Jingle 2, de Monplaisir: https://freemusicarchive.org/music/Monplaisir/Surtout_ne_pas_se_perdre_vol2_2011-2018/Monplaisir_-_Surtout_ne_pas_se_perdre_vol2_2011-2018_-_10_Jingle_2 Episodio grabado el: 14 de abril de 2026

“BESS FLOWERS & FRANKLYN FARNUM: QUEEN & KING OF THE EXTRAS” - 4/13/2026 (135) Actors BESS FLOWERS and FRANKLYN FARNUM were absolute legends of the “blink and you'll miss them” world. They weren't headliners — in fact, they often were not credited or even noticed, but honestly, that's what makes them so fascinating—their careers quietly stitched together the fabric of classic cinema. They were Extras. Without them and other extras like them, all those iconic movie moments would feel a lot less alive. Their careers spanned decades and thousands of films. They became, in their own way, silent witnesses to the evolution of Hollywood from the silent era through the golden age and into the modern period. So this week, we're going to explore the lives and careers of BESS FLOWERS and FRANKLYN FARNUM, examining not only their astonishing productivity but also their unique roles within the Hollywood system. By looking closely at the films in which they can best be seen, we gain a deeper appreciation for their contributions and the overlooked artistry of background performers. SHOW NOTES:  Sources: “This Actor Was in the Most Best Picture Winners over 1,100 Films, March 5, 2024, by Lloyd Farley, Collider.com; “Queen of the Extras: The Bess Flowers Story,” January 24, 2018, Neatora.com; “20 Feet From Movie Stardom: The Overlooked Story of Hollywood's Greatest Extra,” February 20, 2014, by Scott Feinberg, Vanity Fair; “Scales of Presence: Bess Flowers and the Hollywood Extra,” 2011, by Will Straw, Screen magazine;  “Franklyn Farnum Actor, Dies,” July 6, 1961, New York Times; Wikipedia.com Playbill.com TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: All About Eve (1950) The Awful Truth (1937) Torch Song (1953) The Life of Emile Zola (1936) Going My Way (1944) The Lost Weekend (1945) Gentleman's Agreement (1947) The Greatest Show On Earth (1952)  Around the World in 80 Days (1956) The Apartment (1960) Hollywood (1923) A Woman of Paris (1923) A Stranger From Somewhere (1916) The Clock (1917) The Fighting Grin (1918) The Desert Rat (1919) Vanishing Trails (1920)   Billy The Kid (1925) Cleopatra (1934) Hands Across The Border (1926) Laddie (1926) Glenister of the Mounted (1926) The Jazz Singer (1927) The Blue Angel (1930) Gold Diggers of 1935 (1935) Hop-A -ong Cassidy (1935) The Adventures of Robin Hood (1938) Gone With the Wind (1939) Mr. Smith Goes to Washington (1939) Stagecoach (1939) The Lady Eve (1941) Meet John Doe (1941) My Darling Clementine (1946) I Remember Mama (1948) A Letter to Three Wives (1949) The Heiress (1949) White Christmas (1954) Guys and Dolls (1955) The Ten Commandments (1956) Grand Hotel (1932) Dinner at Eight (1933) It Happened One Night (1934) The Thin Man (1934) The Wizard of Oz (1939) Double Indemnity (1944) It's a Wonderful Life (1946)  A Place in the Sun (1951) Singin' in the Rain (1952) Rear Window (1954) Imitation of Life (1959) The Parent Trap (1961) 4(1998) --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

T7E01: Hoppers, ¿el regreso de Pixar? En este episodio hablamos sobre esta fábula conservacionista de Pixar y volvemos a tocar el debate de si el hecho de que Disney comprara a la productora independiente influyó en la calidad de sus obras. Luego nos acordamos que siempre hablamos de ese debate en las últimas veces que hemos reseñado películas de Pixar, los cual nos hace pensar. Menú 00:22 - Inicio y presentaciones 01:38 - Reseña de Hoppers (2026) Audios Toot Toot Tutsie, de The Jazz Singer (1927): https://www.youtube.com/watch?6v=nFcFXGyyCio ; Jingle 2, de Monplaisir: https://freemusicarchive.org/music/Monplaisir/Surtout_ne_pas_se_perdre_vol2_2011-2018/Monplaisir_-_Surtout_ne_pas_se_perdre_vol2_2011-2018_-_10_Jingle_2 Episodio grabado el: 7 de abril de 2026

Ella Beth is a sassy jazz singer and more recently comedian hailing from Australia. Since leaving her hometown, singing has taken her all over Australia and Asia and in traveling she's developed her own brand of on stage performance.This lead to being the first foreign competitor on The Voice Vietnam - making it all the way to the finals!We talk about her time in Vietnam which has been a rollercoaster, between different cities, festivals, teaching, dating and of course motorbikes. We cover it all and more in this episode with Ella Beth.Check out Ella on YouTube.-------------------Theme music composed by Lewis Wright.Main Cover Art designed by Niall Mackay and Le Nguyen.Episode art designed by Niall Mackay, with pictures supplied by guests and used with permission."Send me a message!"Support the show

University of Chicago Assistant Professor in the Department of Cinema and Media Studies, AE Stevenson and Rutgers University–New Brunswick, Assistant Professor of Journalism and Media Studies Brooklyne Gipson join us to talk about digital Black feminism online. We start our discussion with America's relations with the platform TikTok, and how it is a large social media site for Black creators. We then explore how to define community and culture, especially for Black people online, in a world resistant to progress. Building from this, AE and Brooklyne discuss how certain communicative practices in the Black community focus on storytelling as a vehicle for critical thought rather than a lack of media literacy education. This leads to the larger topic of online discourse around the films Sinners and One Battle After Another. We end with dissecting how the recognition of, or lack thereof, Black culture affects people's views of these films. Although they both feature Black actors, they interact with culture very differently. Ultimately, we push for an awareness of the multilayered discussions of media seen as progressive or discursive. They should think about what cultures and communities are being featured and how.        Here are some of the references from this episode, for those who want to dig a little deeper: Academic/Educational readings and resources: Race After Technology: Abolitionist Tools for the New Jim Code Algorithms of Oppression  Dark Matters: On the Surveillance of Blackness Renegades: Digital Dance Cultures from Dubsmash to TikTok Digital Pleasure and Danger: A Roundtable Discussion Niggas on the Internet: Scenes of a Black Social Life (Dissertation) Sites of Chaos: Scenes of a Black Social Life (book in progress) he Black Mirror World: Racialized Disinformation and Misogynoir Online (book in progress) The Comet (1920) [short story, article] The Souls of Black Folk Black Oscars: From Mammy to Minny, What the Academy Awards Tell Us about African Americans People & Places: Ruha Benjamin Ryan Coogler Teyana Taylor Safiya Noble Simone Browne Jasmine Crockett Centinela Drive-In Steve Jobs Charli D'Amelio Leonardo Chiariglione Toni Cade Bambara W. E. B. Du Bois Denzel Washington Lupita Nyong'o Michael B. Jordan Nia DaCosta Sonja Norwood (wickdconfections) Leonardo DiCaprio Timothée Chalamet Sam Raimi Kevin Samuels Andrew Tate Candace Owens Charlie Kirk Erika Kirk Nicki Minaj Steve Bannon Paul Thomas Anderson Maya Rudolph Minnie Riperton Media: Michael B. Jordan Wins Best Actor | 98th Oscars Speech (2026) Sinners (2025) One Battle After Another (2026) Twister (1996) #OscarsSoWhite and The Legacy of Halle Berry by Be Kind Rewind Scream franchise Scream (1996) Scream 7 (2026) Scary Movie franchise Scary Movie (2026 film) Black Panther (2018) Black Panther: Wakanda Forever (2022) Bugonia (2025) Magnolia (1999) Punch-Drunk Love (2002) Inherent Vice (2014) Phantom Thread (2017) Licorise Pizza (2021) Moonlight (2016) James Bond series Live and Let Die (1973) Oregon Trail (game) Lex Marie artwork A Thousand and One (2023) From Dusk Till Dawn (1996) The Jazz Singer (1980) TikTok finalizes deal to form new U.S. unit with major American investors Is the new US TikTok safer? Candace Owens takes on Erika Kirk in 'The Bride of Charlie' Erika Kirk Accidentally Mixes Up 'Grift' Instead of 'Grit' in Awkward Moment at Turning Point USA Event Vine TikTok YouTube Wickdconfections Black American recipe series Exalted (book) ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

 April Fools' Day is here so it's time to talk about bad movies! All this month, we at the Part-Time Fanboy clubhouse will be talking about our favorite “bad” movies. Movies we love, but that other people may not have such a favorable opinion of or movies we haven’t seen, which have terrible reputations, and that we […]

The Hollywood musical feels like it's been with us forever. Starting with the Jazz Singer in 1927, almost 100 years later audiences are still flocking to the box-office to watch the big screen come alive with singing, dancing, comedy and romance.  Joe Stilgoe and Liza Pulman's combined love and exhaustive movie knowledge is on technicolour display here as they bring some of these great movie-musical songs to life on the stage. No big screen, only big talents, great harmonies and lots of music and laughter. So, bring your popcorn as they bring you the magic of the movie musicals.

Jazz singer, cabaret artiste & gender transcendent diva Mama Alto, visited the Bent Notes studio and spoke about using Strength in Softness and Power in Vulnerability in her songs and other presentations; and her love of the music of Billie Holiday – one of Mama’s Idols of song who had a great ability to use Strength in Softness and Power in Vulnerabilty.  Mama notes that the power of subtlety, and subtle choices are such a core element of a Jazz Singer’s art. Hear Mama also chat about Salted Caramels! Mama first perfomed her Billie Holiday songbook in 2015, on the 100th anniversary of Billie’s birth, and has chosen to perform that show again in the David Li Sound Gallery at the Monash University Big Jazz Day Out on Saturday March 21, 2026 – remembering Billie after 110 years. Hear what Mama had to say in this podcast from Bent Notes on JOY 94.9. Mama Alto was guest of Bent Notes on Sunday March 15, 2026 Bent Notes – 2 hours of Jazz and Improvised Music – 7 o'clock every Sunday night JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support this podcast, Donate to JOY; Become a member The post Mama remembers Billie Holiday after 110 years appeared first on Bent Notes.

This week Harrison reviews “The Jazz Singer (1927)”Join this channel to get access to perksSocial Media Links This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit reelyoldmovies.substack.com

Volvemos a hacer nuestro tradicional episodio en el que intentamos adivinar quiénes serán las premiadas y premiados en la ceremonia de los Oscar el próximo domingo. ¿Les recomendamos que basen sus apuestas en nuestras predicciones? No, pero al menos sí escúchenlas, oigan. Esta carrera se está poniendo buena. Menú 00:22 - Toma Tres se presenta 01:22 - Actriz de reparto 08:44 - Actor de reparto 15:59 - Actor 26:38 - Actriz 33:40 - Animada 42:50 - Guion adaptado 49:59 - Guion original 59:23 - Menciones especiales 01:08:49 - Dirección 01:15:51 - Mejor película 01:28:20 - Agradecimientos y despedida Audios Toot Toot Tutsie, de The Jazz Singer (1927): https://www.youtube.com/watch?6v=nFcFXGyyCio ; reel: https://freesound.org/s/411981/

Lucie Arnaz is a renowned actress, singer, and producer. For nearly three decades, she has performed her acclaimed nightclub act throughout the United States and Europe, in Las Vegas, Atlantic City, at Feinstein's, 54 Below, Birdland and the Café Carlyle. She has performed at The Academy Awards show and at the White House. And she's released several acclaimed CDs. She's known also for her roles in the film “The Jazz Singer” alongside Neil Diamond and the TV series “Sons And Daughters”. And she also starred together with her parents in “Here's Lucy”. For anyone living in a cave since the 1950s, or who just isn't old enough, Lucie's parents were the iconic superstars Lucille Ball and Desi Arnaz, who were the stars of the show “I Love Lucy”, one of the most famous and most important shows in the history of television.My featured song is “Juliet Dances” from the album East Side Sessions by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LUCIE:www.luciearnaz.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Si le pop-corn est aujourd'hui indissociable des salles de cinéma, ce n'est ni un hasard, ni une tradition ancestrale. C'est le résultat d'une convergence historique, économique et technologique très précise, qui remonte aux États-Unis, au début du XXᵉ siècle.À l'origine, le cinéma n'est pas un loisir populaire. Dans les années 1910 et 1920, les grandes salles américaines veulent ressembler à des théâtres d'opéra : moquettes épaisses, rideaux luxueux, orchestres, et une clientèle plutôt bourgeoise. La nourriture y est mal vue. Le pop-corn, vendu dans la rue par des marchands ambulants, est associé aux classes populaires, au bruit, aux miettes et aux odeurs. Les exploitants de salles n'en veulent pas.Tout change avec l'arrivée du cinéma parlant, notamment après le succès de The Jazz Singer, puis surtout avec la Grande Dépression à partir de 1929. Des millions d'Américains perdent leur emploi. Le cinéma devient l'un des rares divertissements encore abordables : quelques cents pour oublier la crise pendant deux heures.Or, le pop-corn possède alors trois avantages décisifs :Premièrement, il est extrêmement bon marché. Le maïs est produit en masse aux États-Unis, se conserve longtemps, et un sac de grains coûte peu. Pour un vendeur, le bénéfice est énorme : le prix de vente peut être multiplié par dix ou plus par rapport au coût de production.Deuxièmement, il est facile à préparer sur place. Dans les années 1930, les machines à pop-corn portables se répandent. Elles attirent visuellement l'attention, diffusent une odeur appétissante et fonctionnent devant les clients, ce qui rassure sur l'hygiène.Troisièmement, le pop-corn est peu périssable. Contrairement aux sandwiches ou aux pâtisseries, il ne nécessite ni réfrigération ni cuisine complexe.Au début, les vendeurs s'installent simplement devant les cinémas. Certains exploitants tentent de les chasser, mais constatent vite un phénomène frappant : les salles situées près des vendeurs de pop-corn attirent davantage de spectateurs. Progressivement, des directeurs de cinéma décident d'installer leurs propres stands à l'intérieur.Pendant la Seconde Guerre mondiale, le phénomène s'amplifie. Le sucre est rationné, ce qui rend les confiseries rares et chères. Le pop-corn, lui, n'est pas rationné. Il devient la friandise dominante.Dans les années 1950, avec l'arrivée de la télévision, les cinémas traversent une nouvelle crise. Pour survivre, ils augmentent fortement leurs marges sur la nourriture. Le pop-corn devient alors une source majeure de profits, parfois plus rentable que la vente des billets eux-mêmes.Peu à peu, l'habitude se transforme en rituel culturel. Aujourd'hui, le pop-corn n'est pas seulement une collation : il est un symbole du cinéma. Et si l'on mange du pop-corn plutôt qu'autre chose, ce n'est pas parce qu'il serait intrinsèquement meilleur… mais parce qu'il était, au bon moment, le produit parfait pour sauver économiquement les salles. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Laila Biali is a Toronto-based jazz singer, pianist, and composer, a Juno Award winner, and this year, her career hit a brand-new milestone when she earned her first-ever Grammy nomination, not in a jazz category, but in Best Traditional Pop Vocal Album, for her album Wintersongs. She spoke to Andrew Carter. Photo Credit: THE CANADIAN PRESS/Handout - Chris Nicholls

Conan talks to jazz singer Lucy in New York City about vocal scat technique and the themes of her favorite tunes.Wanna get a chance to talk to Conan? Submit here: teamcoco.com/apply Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

SPIRIT ANIMALJONATHAN LIVINGSTON SEAGULL by Neil Diamond (Columbia, 1973)There were alot of self-help manuals popularized in the 70's; I remember gifting my mother the book “Your Eronneous Zones” (but that's another story)…. My acting teacher in college based her syllabus on Eric Berne's “I'm Ok, You're Ok”. But one of the biggest New Age parables making the rounds was Ex-Aviator Richard Bach's Jonathan Livingston Seagull, the story of an anthropomorphized Christ-like Seagull, who has to fly off from the pack to find his true self.It was a zeitgeist sensation, and spawned a movie with this soundtrack by the immortal Neil Diamond. Maestro Diamond is currently in the middle of a career renaissance - his biographical musical A BEAUTIFUL NOISE  is playing on The Great White Way, and although he struggles with Parkinson's he continues to work on new music. No one was bigger in the 70s, and although the 1960s Neil Diamond that I loved, the Brill Building song plugger who wrote and recorded Cherry Cherry, You Got to Me, and Solitary Man had seemingly transformed himself into a borscht belt crooner, there was no denying his powers of voice and composition, no matter how cheesy the venue (The Jazz Singer?)I chuckled ironically when I pulled this tape from the pile, anticipating mounds of Velveeta. But now, listening for the first time, I am moved to tears. (This is probably because all my youthful cynicism has given up the ghost). It's a beautiful musical meditation produced by Tom Catalano, and arranged by Lee Holdridge, and Neil's voice soars, aloft on chords of longing. Indeed, the album out-grossed the movie by 10 million dollars, and garnered the 1974 Grammy for Best Original Score, demonstrating that although the radio-controlled gliders representing the flying birds in the film might have been fake, Neil's inspiration was not. 

Dans les années 1920, Hollywood est encore un Far West artistique et économique. Les studios naissent, meurent, se restructurent, et la Warner Bros… vacille. À cette époque, les frères Warner – Harry, Albert, Sam et Jack – tentent désespérément de s'imposer dans un marché saturé. Leurs productions coûtent cher, rapportent peu, et l'entreprise file tout droit vers la faillite. Et pourtant, leur sauveur n'est ni un producteur visionnaire, ni une star glamour… mais un chien. Un berger allemand nommé Rintintin.Tout commence en 1918, dans les ruines d'un village français ravagé par la Première Guerre mondiale. Un soldat américain du nom de Lee Duncan découvre une femelle berger allemand et ses chiots abandonnés dans un chenil bombardé. Il sauve deux petits, les ramène aux États-Unis, et en dresse un : Rintintin. Très vite, Duncan réalise que le chien a un talent exceptionnel. Il est agile, obéissant, expressif. Et surtout, incroyablement photogénique.En 1922, Hollywood apprend son nom. Rintintin décroche un rôle dans The Man from Hell's River, et c'est un triomphe. Le public, encore marqué par la guerre, se passionne pour ce chien héroïque, symbole de loyauté et de bravoure. Les producteurs de Warner Bros, eux, voient surtout une aubaine.La Warner, à l'époque, est au bord du gouffre. Elle n'a pas les moyens de rivaliser avec les géants comme Paramount ou MGM. Mais elle peut miser sur un phénomène. Rintintin devient donc la star du studio. Entre 1923 et 1930, il tourne près de trente films et remplit les salles à un niveau inattendu. On raconte qu'à certains moments, ses films rapportent jusqu'à la moitié des revenus annuels de la Warner. On le surnomme même « la saucisse à quatre pattes qui nourrit les frères Warner ».Ce succès permet au studio de survivre, puis d'investir dans ce qui deviendra son grand coup stratégique : le cinéma parlant. Sans l'argent généré par Rintintin, la Warner n'aurait probablement pas eu les moyens de produire The Jazz Singer en 1927, le premier film parlant à succès, celui qui transforme l'industrie et propulse le studio au premier rang d'Hollywood.Ainsi, l'histoire est simple mais incroyable : sans un chiot sauvé des décombres de la Grande Guerre, la Warner Bros n'aurait peut-être jamais existé telle que nous la connaissons. Rintintin n'est pas seulement un chien célèbre ; il est littéralement l'un des fondateurs involontaires du cinéma moderne.Un chien a sauvé la Warner… et, d'une certaine façon, l'histoire d'Hollywood tout entière. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

PUCCI AMANDA JHONES, Jazz Vocalist, extraordinaire!

This week on the New Music Business podcast, Ari sits down with Nicole Zuraitis, a GRAMMY-winning, New York–based jazz singer, songwriter, pianist, and arranger. Her 2023 album How Love Begins—co-produced with Christian McBride—won Best Jazz Vocal Album at the 66th GRAMMY Awards (2024). She's performed widely from Birdland and Dizzy's Club to symphony halls, and first earned GRAMMY attention in 2019 for her arrangement of Dolly Parton's “Jolene” with the Dan Pugach Nonet. Recent projects include the concert release Live at Vic's and international touring, with additional 2025 GRAMMY nominations connected to her work with husband, Dan Pugach. In this episode, Nicole traces her path from early days hustling in New York's scene to recording a live album, collaborating with Christian McBride, touring in China with Jazz at Lincoln Center partners, and navigating the realities of indie artistry. She digs into the power of networking, the pandemic's impact on jazz rooms, why physical formats still matter, and how grants and private donors help fund albums—before previewing what's next on her creative slate. https://www.nicolezmusic.com/4:53 - Introduction and Nicole's new live album9:23 - The decision to record live at VIXX15:53 - Collaborating with Christian McBride22:38 - Touring in China and working with Jazz at Lincoln Center29:08 - The Grammy experience and independent artist challenges36:33 - The role of networking in New York's music scene44:13 - The impact of the pandemic on jazz clubs51:43 - The importance of physical music products in the digital age59:23 - Funding albums through grants and private donors1:05:53 - Nicole's upcoming projects and future plansEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Carl Theodore Dreyer's Vampyr If you dig deep enough, Cinema will unleash great treasures. The Silent Era ended in 1927 with the release of The Jazz Singer . . .  Movies would never be the same. A number of filmmakers would utilize the new technology in innovative, imaginitive, and groundbreaking ways. Fritz Lang's M comes to mind. Musicals became a reality and would astonish audiences. Storytellng became an entirely new artform. However the power of Silent Films would continue to be felt. Chaplin stubbornly held onto silence, while Karl Dane, Douglas Fairbanks Sr., and Emil Jannings would witness their star power dim sound emerged. Danish filmmaker, Carl Theodore Dreyer, would struggle throughout his career with complex material, however he would - years later - be recognized as one of the greatest filmmakers of all time. With Vampyr the struggle with the new technology is evident in its use in the film, however the brilliance in Dreyer's vision is in the visual. The images are haunting, disturbing, and - in many cases - unforgettable. Take a look at this Classic of World Cinema and enjoy one of the great works of the 20th Century. Take a listen as we bring you this powerful film. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Tierney Sutton is a superb 9x Grammy nominated jazz singer. Since 1993 she has fronted The Tierney Sutton Band. Clint Eastwood has called her “my favorite singer” and he hired her to score his film “Sully” in which she sang the ending song “Flying Home”. She has released 16 albums as leader, addressing themes like materialism and the pursuit of happiness. When she's not performing she is in demand as a producer and a vocal coach.My featured song is my reimagined version of Joni Mitchell's version of Charles Mingus's “The Dry Cleaner From Des Moines” from the album Miles Behind. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH TIERNEY:www.tierneysutton.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Two decades after his breakout album It's Time, five-time Grammy Award winner Michael Bublé sits down with Willie Geist at New York's Blue Note Jazz Club to reflect on his journey from Canadian fishing boats to global fame. Bublé opens up about the grandfather who introduced him to Frank Sinatra, Louis Armstrong and Ella Fitzgerald, the early gigs that shaped his craft, and the moment that changed everything in his career. He also talks about his love for Christmas music, the perspective he gained after his son's illness, and his return as a coach on NBC's The Voice, where he's chasing his third straight win. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today in 1927, the release of The Jazz Singer, the first "talkie," though in Japan even silent films had voices thanks to live performers known as benshi. Plus: this month at Peddlers Village in Pennsylvania, it's Scarecrows in the Village. Think Again, Al Jolson: Japan's Silent Movie Culture Is Still Going Strong (Peter Tasker)Scarecrows in the Village (Peddlers Village)Speak up for our podcast as a backer on Patreon

On the October 6 edition of the Music History Today podcast, the original Jazz Singer premieres, Howard Stern moves, & a power couple gets married. Also, happy birthday to Matthew Sweet.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

My Guest today is the fabulous, Annette St John, Jazz Singer Extraordinaire! While she favors the Jazz idiom, she also sings r&b and gospel.She has performed with such legends from Della Griffen, Lonnie YoungbloodIrene Reed, Frank Staton, Etta Jones to George Benson, Al B Sure and Lou Donaldson.Her first live CD was recorded at Smoke nightclub in NYC entitled, "Inside" in 2003. She has performed at Smoke, Birdland, Lincoln Center, The Cotton, the Apollo Theatre, The Village Vanguard and Ashford and Simpson's Sugar Bar just to name few.This episode is funny6 yet so nostalgic...a delightful episode.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mercury-nominated vocalist, composer and producer ESKA talks about her favourite studio gear and how her background as a live jazz musician shapes her approach to writing and recording.Chapters00:00 - Introduction01:30 - ESKA's Journey Into Music06:21 - Using Tech To Tell A Story14:23 - Approaching Each Track Individually16:35 - Developing A Sonic Identity20:18 - Live vs Studio Artist Methods26:59 - Solo Albums And Soundtracks31:47 - Exploration And Improvisation32:43 - Collaborating With Musicians 38:57 - Live Performances With Ableton#CamelCrusher #NeumannTLM103 #NeumannU87 #PrismLyra2 #AbletonLive Eska BiogESKA is a Mercury Award nominated singer, songwriter, composer and producer. Her music blends elements of folk, soul, psychedelia and electronica, shaped by years of live performance and a strong jazz influence. She has released acclaimed projects including her self-titled debut album ESKA and her more recent release, The Ordinary Life of a Magic Woman. Her work has received radio support from Gilles Peterson, Lauren Laverne and John Kennedy, and her debut EP was named one of Bandcamp's Best Releases of 2013.Alongside her solo career, ESKA has collaborated with artists such as Grace Jones, The Cinematic Orchestra, Zero 7, Bobby McFerrin, Esperanza Spalding, Shabaka Hutchings and Kae Tempest, and her credits include theatre and film scores as well as performances at major venues and festivals.https://www.eskaonline.com/https://www.instagram.com/eskaonline/https://www.facebook.com/eskaonline/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Nicole Zuraitis is a fabulous 2x Grammy winning and 4x Grammy nominated jazz singer-songwriter and pianist. This lady has an absolutely gorgeous voice. She won the American Traditions Vocal Competition Gold Medal. She's collaborated with Christian McBride, Morgan James, Livingston Taylor and Benny Benack among others. Nicole leads her own quartet and has performed and recorded with the Birdland Big Band. She's headlined at the Newport Jazz Festival, Saratoga Jazz Festival and Tanglewood, along with clubs like Dizzy's, Birdland and the Blue Note.My featured song is “The Cut Of The Knife”, my recent single. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH NICOLE:www.nicolezmusic.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

EPISODE 102 -  “TALKIES, GANGSTERS, & BUGS BUNNY: THE WARNER BROTHERS JOURNEY” - 8/25/25 In this week's episode, we're turning the spotlight on the incredible journey of the Warner brothers—Harry, Albert, Sam, and Jack—four ambitious siblings who rose from modest immigrant roots to create one of the most influential movie studios in the world: Warner Bros. Studios. Their story begins in the early 20th century, with a hand-cranked projector and a traveling film show, and evolves into a groundbreaking entertainment empire that would forever change the film industry. From their early struggles during the silent film era to their game-changing release of The Jazz Singer, in 1927, the first feature-length "talkie," the Warner brothers didn't just adapt to change—they drove it. Join us as we trace the rise of Warner Bros., a studio born from risk, vision, and a relentless belief in the power of storytelling.   SHOW NOTES:  Sources: Warner Brothers: Hollywood's Ultimate Backlot (2014), by Steven Bingen; Early Warner Brothers Studios (2010), by E.J. Stephens & Marc Wanamaker; You Must Remember This:  The Warner Bros. Story (2008), by Richard Schickel & George Perry; Hollywood Be Thy Name: The Warners Bros. Story (1994), by Cass Warner; The Warner Brothers' Story (1979), by Clive Hirschhorn; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Great Train Robbery (1903); Dante's Inferno (1911); Peril on the Plains (1912);  Raiders on the Mexican Border (1912); My Four Years in Germany (1918); Don Juan (1926);  The Jazz Singer (1927); Little Caesar (1931);  The Public Enemy (1931); Scarface (1932); Baby Face (1933); Female (1933);  Marked Woman (1938); Jezebel (1938);  Angels with Dirty Faces (1938); Captain Blood (1935);  The Sea Hawk (1935);  Charge of the Light Brigade (1936); The Adventures of Robin Hood (1938); The Life of Emile Zola (1937); Confessions of a Nazi Spy (1939); The Maltese Falcon (1941);  Now Voyager (1942);  The Big Sleep (1946); High Sierra (1941);  The Big Sleep (1946); White Heat (1949); You're In The Army Now (1941);  Yankee Doodle Dandy (1942); This Is The Army (1943); Casablanca (1943); Mission To Moscow (1943); A Streetcar Named Desire (1951); East of Eden (1955);  Rebel Without a Cause (1955); Giant (1956); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magos Herrera is the extraordinary 2x Grammy nominated Mexican jazz singer-songwriter, activist and educator. She's known for her vocal improvisation and for combining contemporary jazz with Ibero-American melodies and rhythms. She's released 11 albums including “Aire” her latest. She's performed at top venues like Carnegie Hall, Lincoln Center, the Kennedy Center, the Montreux Jazz Festival and the Montreal Jazz Festival. Forbes has named her “One of the most creative Mexicans”. And she serves as spokesperson for UN Women to promote gender equality. My featured song is “It Don't Matter” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MAGOS:www.magosherrera.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

7/24/25: Activist John Berkowitz & analyst John Feffer debate US policy on Ukraine/Russia War. ACLU of MA E.D. Carol Rose: birthright citizenship, universities' response to Trump attacks, & cuts to public broadcasting. Rev Carole Bull on what is prayer? Jon Anz w/ French Gypsy Jazz singer Tatiana Eva-Marie.

A conversation with aron! – jazz singer/songwriter and multi-instrumentalist who was in Japan for the first time in July 2025 for a live showcase talking about capturing the rebellious spirit of jazz, where jazz fits in the 21st century, using technology as well as piano and guitar to make music, his favourite sound, Japanese food and more. 

Send us a textDr Melissa Forbes worked in law for 10 years until the firm's partner told a story about a bucket of water. That speech sent her straight to a jazz conservatorium, then to the research lab, and finally into community halls where group singing is healing real-world isolation. In this episode of This Is A Voice, Jeremy Fisher & Dr Gillyanne Kayes chat with Melissa on -  the “flight-corrections” that reboot a creative life -  how positive psychology reframes practice, strength and burnout -  why participatory choirs can out-perform stadium shows in human impact -  tips for choir leaders & voice teachers who feel stuck in the “performance-only” loopWhether you belt for Britain, lead chamber choirs, or run a voice studio, the twists and turns in Melissa's story will spark new ideas for you and your singers. Hit play, grab a cuppa, and let's get vocal about making music that matters!00:00 – A Jazz Singer, A Lawyer & A Bucket of Water Walk Into a Bar...05:05 – Bringing the lawyer brain to music08:50 – Is singing research a dry subject?13:55 – Losing (& refinding) your joy in music17:45 – Turning points for different people22:09 – How singing helps with a crisis of social health 24:12 – Music for health and wellbeing#CommunityChoir #PositivePsychology #VoiceScienceRemember to like, subscribe, and hit the bell icon for more insightful episodes. Leave a comment below on what inspired you the most!

Lauren and Michele are playing catch-up on Bravo's crown jewel, "The Valley", so they recap back-to-back episodes! Timestamps:Episode 5 Recap: 6:54Episode 6 Recap: 44:20Two recaps means...Twice as many performances and analyses of Jesse and Michele's beautifully written, sexually tense fights!Twice as much theorizing about where in the world is Jax Taylor??? (Because he is not at inpatient treatment at a rehab or a mental health facility, that's for dang sure.)Twice as many tangents about "The Jazz Singer"!Next week we will recap Episodes 7 and 8, and then it's time for us to say Bienvenido a Miami and start our Real Housewives of Miami coverage!

Excerpt of the 02 Jun 1947 Lux Radio Theatre, which featured a radio version of the movie "The Jazz Singer," starring Al Jolson, Ludwig Donath, Tamara Shayne, and Gail Patrick. This edited clip features a smattering of dialog from the program, along with Al Jolson singing "Toot, Toot, Tootsie," "Keep Smiling At Trouble," and "I'm Sitting On Top Of The World. The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

Georgia Heers, who plays Ella the Jazz Singer in the five-time Tony-nominated hit play "Good Night and Good Luck," tells us about her rapid ascent from Greer, South Carolina to Julliard and Broadway.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Send us a textToday's episode is my conversation about the 1929 film Weary River. Director Jonathan Hammond returns to the podcast to discuss the film and we talk about possibly the most compassionate prison warden character in film history, a theme song that gets played way too much in one film, and whether or not the film works as a part silent and part talking film. You can watch Weary River on YouTube or purchase a copy for your collection and be sure to follow Jonathan on Instagram @jonohamm and keep an eye out for his latest film "Fireflies in the Dusk" at film festivals this summer. You can also listen to the previous interview with Jonathan on the podcast here.Other films mentioned in this episode include:"Fireflies in the Dusk" directed by Jonathan HammondThe Shawshank Redemption directed by Frank DarabontOur Dancing Daughters directed by Harry Beaumont (listen to the episode about that film)Sunrise: A Song of Two Humans directed by F. W. Murnau (listen to the episode about that film)The Jazz Singer directed by Alan Crosland (listen to the episode about that film)Singin' in the Rain directed by Gene Kelly and Stanley DonenThe Broadway Melody directed by Harry Beaumont (listen to the episode about that film)The Room directed by Tommy WiseauDrag directed by Frank Lloyd (lost film)The Divine Lady directed by Frank LloydMutiny on the Bounty directed by Frank LloydCavalcade directed by Frank LloydThe Barker directed by George Fitzmaurice (lost film)Sunset Boulevard directed by Billy WilderNetwork directed by Sidney LumetBabylon directed by Damien ChazelleThe Patent Leather Kid directed by Alfred SantellThe Deer Hunter directed by Michael CiminoWizard of Oz directed by Victor FlemingShowgirls directed by Paul VerhoevenOther referenced topics:Hollywood Babylon: The Legendary Underground Classic of Hollywood's Darkest and Best Kept Secrets by Kenneth Anger"Awkward Early Talkie Theatre: 'Weary River'" by David InmanSupport the show

About Only in AmericaA probing biography of world-renowned Jewish singer and actor Al Jolson and the history of his performance in and the making of The Jazz Singer.About the AuthorRICHARD BERNSTEIN has been a reporter, culture critic, and commentator for more than thirty years. He was a foreign correspondent in Asia and Europe for Time and The New York Times, and was the first bureau chief in China for Time. He is the author of several books, among them China 1945; A Girl Named Faithful Plum; Ultimate Journey, a New York Times Best Book of the Year; and Out of the Blue, named one of the seven best books of the year by The Boston Globe. He lives in New York City.

Baljit Sangra's new documentary issues its central question in its title: Have You Heard Judi Singh? If you have to think about it, the answer is no, because once you've heard Judi Singh sing, you'll remember it – her clarity, her lyricism, the ease with which she scat and sang bebop and standards and original music – you'll remember that you've heard Judi Singh sing for the rest of your life. Originally from Edmonton, gifted jazz singer Judi Singh defied expectations as a Punjabi-Black artist stepping onto the stage in the late 1950s. Though her ethereal voice captivated musicians and audiences, the music industry failed to give her the recognition she deserved—an all-too-familiar story for women and artists of colour. In this lively and deeply felt documentary portrait, Judi's daughter Emily Hughes and Baljit retrace Judi's life and music through archival recordings, intimate recollections, and the bohemian spaces she once inhabited. Weaving together moments of brilliance, struggle, and resilience, the film reintroduces a forgotten artist to the spotlight she always deserved.More people will have the opportunity to acquaint themselves with Judi's voice and her remarkable story after Have You Heard Judi Singh? has its world premiere at the 2025 DOXA Documentary Film Festival. Filmmaker Baljit Sangra returns to the podcast to discuss Judi's artistry and legacy. Episode sponsor: Directors Guild Of Canada, BC District Council

Self-proclaimed “badass and blind” singer, songwriter, guitarist Raul Midón in an expansive and deeply personal conversation about music, identity, independence, and the art of seeing clearly without sight. From his childhood fascination with radio and jazz in a small New Mexico town to his breakout moment in New York with legendary producer Arif Mardin, Midón shares the story of how he forged his unique artistic path. Blind since infancy, Midón has navigated life and a career with extraordinary intention and vision. He discusses the development of his signature sound — a percussive, virtuosic guitar style combined with his soulful voice and signature trumpet-like vocal improvisation — as well as his time as a session singer, his decision to pursue a solo career, and his commitment to self-producing and engineering his own records. Here he also touches on his political awareness, his reflections on artistry and authenticity, and the spiritual and philosophical dimensions of making music. Whether he's performing solo or recording in his Maryland home studio, Midón offers a masterclass in independence, self-expression, and the power of knowing — and trusting — yourself. www.third-story.comwww.leosidran.substack.com www.wbgo.org/podcast/the-third-story

GGACP marks the recent L.A. screening of Drew Friedman and Kevin Dougherty's documentary "Drew Friedman: Vermeer of the Borscht Belt" with this ENCORE of an entertaining 2017 mini-episode as Kevin attempts to stump Gilbert, Frank AND Drew with podcast guest-related trivia. Also in this episode: Gilbert bombs in New Delhi, Jerry Lewis remakes "The Jazz Singer," Anthony Newley headlines an excruciating comedy and “Harvey Korman” appears on GGACP. PLUS: Rummy Bishop! The REAL Fred Flintstone! Drew critiques “How to Murder Your Wife"! And Kevin recalls the invention of the glass top coffee table! Learn more about your ad choices. Visit megaphone.fm/adchoices

Harry and Daniel are joined by special guest Richard Bernstein, author of Only in America, to explore the groundbreaking yet controversial 1927 film The Jazz Singer. As the first feature-length "talkie," The Jazz Singer revolutionized Hollywood, but its themes of assimilation, the American Dream, and generational conflict remain just as compelling today.The conversation delves into Al Jolson's electrifying performance, the film's cultural impact, and the complicated legacy of both the movie and its star—including the troubling use of blackface, which continues to spark debate.Plus, they trace The Jazz Singer's origins—from short story to stage play to cinematic milestone—and consider how it shaped portrayals of Jewish identity on screen. Tune in for a fascinating discussion about one of the most significant (and controversial) films in Jewish and Hollywood history.Buy Richard's book, Only in America - https://bookshop.org/p/books/only-in-america-al-jolson-and-the-jazz-singer-richard-bernstein/20143816The Jazz Singer on IMDb - https://www.imdb.com/title/tt0018037/The Jazz Singer on YouTube - https://youtu.be/PMvn8Ws-l0cConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

Dank Demoss: Noted whale of a rapper Dank Demoss is suing Lyft after a driver said she wouldn't be able to fit in his sedan. What is her music like!? The Gooneral: Nautica Malone, infamous GOON, will live on in so many peoples' hearts, but would you rather just be forgotten? Palette Cleansers: We got yet another white rapper saying the n-word, a man crashes out after getting fired from UPS, and a Super Bowl celebration death. FUCK YOU WATCH THIS!, THE BEAR!, LETTERS TO CLEO!, HERE AND NOW!, AI JEFF!, LATINAS!, CHINESE!, GAY!, GREAT CHINESE BAKE OFF!, JOSIE AND THE PUSSYCATS!, FIRST SUPERCHAT NAMES!, BIG FAT LADY!, RAPPER!, LYFT!, LAWSUIT!, DANK DEMOSS!, APOLOGY!, TOO BIG!, DISCRIMINATION!, CAR IS SMALL!, WON'T SAY IT!, TIRES!, WTF!, WHAT THE FUCK!?, WANNA FUCK!, JAZZ SINGER!, MIKEY CARBS!, TIMOTHY CHALAMET LOOKALIKE CONTEST!, GOONERAL!, GOON!, BIKINA BARISTA!, THY KINGDOM COME!, JERKMATE!, I WILL BE JERKED!, MEME DEATH!, AVENGE ME!, SCREAM!, GIN LEE!, WHITE RAPPER!, N-WORD CONTROVERSY!, GANG!, DIMEBAG DARRYL!, HARRY KNOWLES!, AINTITCOOL!, UPS CRASH OUT!, FIRED FREAK OUT!, CUCK LOSER!, DARYL!, END OF SHIFT!, PHILADELPHIA EAGLES!, GYMNAST!, SUPER BOWL DEATH!, FALL!, NURSE DANCING!, DISABLED PERSON!, LOGANVILLE!, TWERKING!, CLOUT!, EXPLOITATION OF A DISABLED PERSON!, TAKE BIG BOY FOR A RIDE!, WELL HUNG!, GREAT GAY GUY!, FREAK OFF!  You can find the videos from this episode at our Discord RIGHT HERE!

Hello and welcome back to the ultimate audio guide to Oasis. The guest today is Claire Martin, check her out at https://clairemartinjazz.co.uk/discography/take-my-heart/ Support the show Patreon.com/oasispod Email oasispod@gmail.com Twitter @oasispodcast

In 2013, after having posted a series of videos recorded in his family home in North London of himself singing a cappella arrangements of classic - yet sometimes obscure - songs on YouTube, a critical mass began to form around Jacob Collier.  His videos of Stevie Wonder's “Isn't She Lovely” and “Don't You Worry Bout A Thing” were passed around by musicians and music enthusiasts and by 2014 he was being managed by Quincy Jones and traveling around the world. He was one of the first career artists to emerge on YouTube. Jacob's journey since then has been nothing short of extraordinary. Today, at 30 years old, with six Grammys, millions of fans, and collaborations ranging from Herbie Hancock to Chris Martin, his influence spans generations. His Djesse project—four albums in six years, exploring 50 songs and countless collaborations —represents not just his creativity but his ability to bring others into his world. From arenas to intimate collaborations, Jacob Collier is now a fact of musical life. Yet, he remains tied to his roots: the small room in his mother's house where it all began. His first album, In My Room, was both a tribute to that space and a manifesto for his artistic philosophy. Before his star had really begun to rise, I met with Collier in late 2014. He invited me to his family home in North London, where his mother greeted me with tea and cookies while he returned from university. When we finally sat down in his music room to talk, his brilliance was immediately apparent. He spoke about sound with sensitivity and clarity, blending perfect pitch, synesthesia, and a boundless curiosity. He was still a kid, but one with an expansive vision. That conversation remains a revelation. It captured a young artist at the cusp of greatness. It is also the first interview of its kind that exists with the extraordinary artist . Ten years after that first interview, I'm reminded why I started this podcast: to capture history as it's being made. Jacob Collier's story is one of boundless curiosity and connection—a message in a bottle that changed the tide. Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN www.third-story.comwww.leosidran.substack.com