Podcast appearances and mentions of randy murray

My guest this week is Randy Murray, a good friend of mine who lives here in the beautiful Bulkley Valley (Northern BC). Randy serves in the Freedom movement and is a key volunteer in the organization, BC Rising. He has lots of experience in local governance and small business and is now using his experience and skills to equip citizens with knowledge and information so they can deal with government misinformation and censorship. He's recently launched the Foundational Principles Pledge site where politicians and other citizens can commit to defending the inherent rights and freedoms of all Canadians. The Freedom of Information Library will help you to understand the process of filing an FOI request and has an extensive catalogue of FOI requests already filed. Three websites you'll want to visit:Foundational Principles Pledge: fppledge.ca (please visit and make your pledge!)Freedom of Information Library: freedomofinformationlibrary.ca BC Rising: bcrising.ca       Specific information for BC residents

Did you know that more than 45 million people in the United States have one or more tattoos? With a 26 year profession under his belt, Randy Murray has made a substantial dent to that number! Randy gave himself his first tattoo at the ripe age of 16 and the rest is history! A New Orleans native, he has tattooed all across the country and is known for his “crispy lines,” dot work and his amazing correctional cover ups! Listen in as Taylor Burke chats with Randy about the most painful places to get ink'd, his thoughts on microbladers, and how he does not hold back on turning customers away that don't uphold his values.

Randy Murray talks about how to measure quantity and quality in a multiplying movement of disciples and churches. Visit movements.net to download the Measure What Matters manual: https://www.movements.net/blog/blog/2021/7/13/255-measure-what-matters

“One of the most important commodities in our industry is truth.”   In a world where almost everyone’s personal struggle revolves around the approval from others, it’s always been easier to say what we think people want to hear instead of what things actually are. Truth is the most powerful tool every storyteller can use when they want to win the hearts of their audience.  Director Randy Murray is the man behind the scenes and success of Dr. David Brill's political ad featuring six siblings who rebelled against their brother, Paul Gosar, and encouraged the public to oust him as their Arizona Congressman. These 6 siblings used nothing but pure, honest words, and told the public a story of a family and how they struggled with the truth they all had to live with. They wanted to tell the world what is really happening in the hopes that the rebellion will end up saving not only the people of Arizona, but will also put a permanent end to their brother’s evil ways. Today, Director Murray will teach us how we can turn the truth into the most compelling element to create a hit story of all time. Our guest on this week's show, Randy Murray, unravels the shocking revelation that truth, in its deepest essence, is actually the best tool any storyteller can use in this lifetime.   Become a Master Storyteller Grab your free copy of The 5 Stages of Grief in Telling YOUR Business Story: http://bit.ly/StorytellingTools

Randy Murray

Hello Music Freaks, Another podcast here, chasing after your ears to listen into our guest who a major player in the underground music industry The Prince Of Dance Music eLBee BaD. Thats right on the Decisive Podcast series Special. Check out his interview and music mix with your host Roberto Q. Ingram. More about Elbee, 30 years ago the first 12" vinyl 1988 'Just Don't Stop The Dance' The idea to produce 'a dance rhythm' not heard in dance music. From childhood to late in teenage years L.B. was playing the drums. Most time playing with one band consisting mainly of 2 sets of brothers. Platinum Enterprise. (guitar) Claude & Eddy Howard (drums), (Bass) Linwood & Lamont Booker (drums). Having an elder bass playing brother & often playing with another drummer, taught LB to be tight & literally how to ride with or on another groove. Excellent DJ lessons learned. The band members were all 3 to 5 years older & when the oldest member was on way to college, his whole attitude changed, as he was taken into what we now call 'the matrix'. Entering university, preparing for adult life & the dream of playing music & making records for a life time dwindled. The dream got sucked away into societies realities. The other 2 band members followed that same basic path. There was 'The MaD Drummer' losing his band family as each year got closer to being grown up. New York Hip Hop motion was starting up strong. The first modern day raves, block parties, school parties, 2 turntables & a mic parties were replacing bands performing 'everywhere'. Quickly 'dj'ing' became the fascinating 'thing'. Platinum Enterprise was performing at a well paid wedding. When the bands first set of music was finished, the dj started. The needle dropped on the vinyl & the static was loud enough to 'grab all attention'. Then it came in like the sound of a musical bomb dropping in front of your face…The hits of a snare drum & then horns smoothly flowing & the smoothest LOUDEsT clean & clear sound of madness. Kool & the Gang's live version of Summer Madness. The volume, the Bass & then, toward the end, the synthesised keyboard solo. The moment changed eL's life. The volume & bass coming out the Cerwin Vegas, which was far away from the turntables blew his mind into a musical oblivion & he knew…that's the path. Records!! Turntables! Big speakers!! The young teen got a summer job in which he invested in 2 turntables. That December his mother got him the mixer he was after. (Father did buy the 1st few drum sets). If one could today, imagine never seeing dj's mix. Not having any guides or rules at all. It was all new & nothing was set, & no leaders to follow. Lots of info on sound systems, making speakers, & use of crossovers etc., were somehow the most important at the time. Probaby due to the fact that sound systems were often thrown together from multiple 'family home systems' that came with lots of watts. Originate was the key. Tracks (beats) that no one had, was key. New & old music, different genres, nothing mattered & no one cared as long as it was hot & different/unique! The mix & manipulation of records quickly became more important then the actual sound of the system. & that is where DJ Bad shined like no other. His ideas on different ways of mixing were unique, & he quickly became a local fav. Building up to a radio stations (WGLI engineer to on air & then WBLS) as a mobile music jock, gave access to city wide block parties. The band members (all but the eldest) became crucial members of the 'Super BaD Crew. Growing, they went city wide. Block parties, halls, & onto creating events with our new sound system partners, Mark Blagrove & Michael Webster, both becoming key members of what later came to be Wild Pitch parties. Creating LaRhon Records gave reason to be at record pressing plants. Old factories, dark lighting, with the terrible smell of plastic burning. The friendly feeling in one of them, Apexeton. LB manufactured the 1st two LaRhon releases & there is where he met & befriended the owners, The Ropiak Brothers (City Limits), & the 2 coolest knowledgeable 'helping hand' guys, Silvio Tancredi (Northcott) & Frank Mendez (Nu Groove). Bad's 2nd batch of 12's came out thru the Apexton connections. Nu Groove & City Limits lead the path. With Apexton LB started his own distribution for some records pressed there. Around the same time 'Gotta Get Some Money' dropped on Nu Groove, it was the first glimpse into a record company as a family, & how it really operated. Touching both NY's film industry & banging music industry doors LB was laying foundations. With the heat & action turned up high, on to the 3rd batch of 12"s being released (the 2nd Nu Groove release 'True Story of House' & Lisa Angels 'Show Me' was buzzing in clubs in & around NY) an invite to finally perform in Europe came, yet he turned it down. Nu Groove techno artists were in & out of Europe, but the House music artists seemed to stay local. Berlin calling & BaD was not with it. 3 months and many many telephone calls later, Mark Ernestus finally convinced him to visit Berlin. 12 day trip never ended. The physical stay affair started with the mishap of a wrong return date announced (NY landing date was given/not the European flight take off, one day earlier). Mishap after mishap. Or so it seemed. Paths. Unseen paths layed down. synchronisation of life events become evident. With Mark E, (Hardwax) inside a reggae record store, ''with my back turned to the door, a voice calls out my 1st name & it's not Mark'' (the only person knowing it). Turn slow & almost into shock seeing a friend from high school. Dexter Porter, time to time singer in Platinum Enterprise, & personal friend of Chaka Khan. Together, years before, we've seen her perform & here he is, finding Lamont, in Berlin, in a reggae record store. He had another powerful & special woman eLBee had to meet. Odella Saille. She was the turning point to work in Europe. Offered a position in a new club as resident, & LB became assistant manager-booking agent-dj for the wonderous club called Exit. That gave him opportunity to stop trying to get home. Exit experience also gave way to building club sound systems, booking pop-ular artists (Sister Sledge/Gil Scott Heron/BG The Prince of Rap/Incognito) club management, rave operations, & months of (very little sleep) Friday to Monday basically non-stop. It also birthed the name change, as advised by an angel. Calls herself a witch, saying L.B. Bad (morphed from D.J. Bad) …''for numeric reasons should be more 'strong', than those 5 letters.'' rebirth- eLBee BaD On births, Exit was so big (holding 3000) a chosen few of us (working there) having offices upstairs, actually had artsy apartments (downstairs) in the club… It was in Exit, sunday to Monday morning Berlin hardcore Techno, where resident Dj Tanith dropped Smokebelch two weeks in a row as the last song. Life changer, seventeen 12's records, into the career & the 1st song to generate income, a lovely ambiental song named "New age Of Faith' (bonus track that Frank of Nu Groove did not want)…covered & reproduced by Andrew Weatherall (Sabres of Paradise). Building up a recording studio for the 3rd time, it took a while to truly find 'his groove'. The Berlin influence of hardcore Techno up'd his dj bpm's, yet never losing soul, the line of Tech House was crossed. Entering the 2nd record label family; DJ Hell put out a search party for 'Mr. BaD… International DJ Gigolo. Home of professionalism & true artist care! Never losing the Mad Drummer flavor & it shows up in complex rhythms again & again. *Gonna Be a Great Night (LaRhon). The time arrived when producers started asking eL to voice their recordings. Often taking the artist role instead of producer, more learning was in store, just by seeing how many other producers (from across the globe) create. Dole & Kom, Slam, Savas Pascalidis, Logo, Samuel Sessions, & Basic Channel (I slept With Her But Didn't sleep With Her). Music became more & more catorgorized & to help maintain production freedom, Mr. Bad started to add new characters to his own persona. eLBee BaD - the voice/the dj The Nervous DJ - hypnotic tracks The Mad Drummer - rhythm tracks (only drums) The Voodoo Man - tribal tracks Mad Man in the attic - samples & loops Dr. Spark - drum & bass/breakbeat The Banging Man - Techno LB GooD - will replace eLBee BaD (vocal retirement) Mr. GooD is the bad seed & The Prince of Dance Music is the brain & heart of it. —————————————————————- As the internet helped change how we listen to music, that new freedom allowed for wider music variation. Henceforth the return of Platinum Enterprise. Productions created today, with 'our band might sound like this' attitude. Giving room for more growth, the meeting of Randy Murray, former lead Trumpet player in Sun Ras Arkestra. Birth of the musical experience: 'Sun Ras Children' (Learned a lot of Jazz)

Hello Music Freaks, Another podcast here, chasing after your ears to listen into our guest who a major player in the underground music industry The Prince Of Dance Music eLBee BaD. Thats right on the Decisive Podcast series Special. Check out his interview and music mix with your host Roberto Q. Ingram. More about Elbee, 30 years ago the first 12" vinyl 1988 'Just Don't Stop The Dance' The idea to produce 'a dance rhythm' not heard in dance music. From childhood to late in teenage years L.B. was playing the drums. Most time playing with one band consisting mainly of 2 sets of brothers. Platinum Enterprise. (guitar) Claude & Eddy Howard (drums), (Bass) Linwood & Lamont Booker (drums). Having an elder bass playing brother & often playing with another drummer, taught LB to be tight & literally how to ride with or on another groove. Excellent DJ lessons learned. The band members were all 3 to 5 years older & when the oldest member was on way to college, his whole attitude changed, as he was taken into what we now call 'the matrix'. Entering university, preparing for adult life & the dream of playing music & making records for a life time dwindled. The dream got sucked away into societies realities. The other 2 band members followed that same basic path. There was 'The MaD Drummer' losing his band family as each year got closer to being grown up. New York Hip Hop motion was starting up strong. The first modern day raves, block parties, school parties, 2 turntables & a mic parties were replacing bands performing 'everywhere'. Quickly 'dj'ing' became the fascinating 'thing'. Platinum Enterprise was performing at a well paid wedding. When the bands first set of music was finished, the dj started. The needle dropped on the vinyl & the static was loud enough to 'grab all attention'. Then it came in like the sound of a musical bomb dropping in front of your face…The hits of a snare drum & then horns smoothly flowing & the smoothest LOUDEsT clean & clear sound of madness. Kool & the Gang's live version of Summer Madness. The volume, the Bass & then, toward the end, the synthesised keyboard solo. The moment changed eL's life. The volume & bass coming out the Cerwin Vegas, which was far away from the turntables blew his mind into a musical oblivion & he knew…that's the path. Records!! Turntables! Big speakers!! The young teen got a summer job in which he invested in 2 turntables. That December his mother got him the mixer he was after. (Father did buy the 1st few drum sets). If one could today, imagine never seeing dj's mix. Not having any guides or rules at all. It was all new & nothing was set, & no leaders to follow. Lots of info on sound systems, making speakers, & use of crossovers etc., were somehow the most important at the time. Probaby due to the fact that sound systems were often thrown together from multiple 'family home systems' that came with lots of watts. Originate was the key. Tracks (beats) that no one had, was key. New & old music, different genres, nothing mattered & no one cared as long as it was hot & different/unique! The mix & manipulation of records quickly became more important then the actual sound of the system. & that is where DJ Bad shined like no other. His ideas on different ways of mixing were unique, & he quickly became a local fav. Building up to a radio stations (WGLI engineer to on air & then WBLS) as a mobile music jock, gave access to city wide block parties. The band members (all but the eldest) became crucial members of the 'Super BaD Crew. Growing, they went city wide. Block parties, halls, & onto creating events with our new sound system partners, Mark Blagrove & Michael Webster, both becoming key members of what later came to be Wild Pitch parties. Creating LaRhon Records gave reason to be at record pressing plants. Old factories, dark lighting, with the terrible smell of plastic burning. The friendly feeling in one of them, Apexeton. LB manufactured the 1st two LaRhon releases & there is where he met & befriended the owners, The Ropiak Brothers (City Limits), & the 2 coolest knowledgeable 'helping hand' guys, Silvio Tancredi (Northcott) & Frank Mendez (Nu Groove). Bad's 2nd batch of 12's came out thru the Apexton connections. Nu Groove & City Limits lead the path. With Apexton LB started his own distribution for some records pressed there. Around the same time 'Gotta Get Some Money' dropped on Nu Groove, it was the first glimpse into a record company as a family, & how it really operated. Touching both NY's film industry & banging music industry doors LB was laying foundations. With the heat & action turned up high, on to the 3rd batch of 12"s being released (the 2nd Nu Groove release 'True Story of House' & Lisa Angels 'Show Me' was buzzing in clubs in & around NY) an invite to finally perform in Europe came, yet he turned it down. Nu Groove techno artists were in & out of Europe, but the House music artists seemed to stay local. Berlin calling & BaD was not with it. 3 months and many many telephone calls later, Mark Ernestus finally convinced him to visit Berlin. 12 day trip never ended. The physical stay affair started with the mishap of a wrong return date announced (NY landing date was given/not the European flight take off, one day earlier). Mishap after mishap. Or so it seemed. Paths. Unseen paths layed down. synchronisation of life events become evident. With Mark E, (Hardwax) inside a reggae record store, ''with my back turned to the door, a voice calls out my 1st name & it's not Mark'' (the only person knowing it). Turn slow & almost into shock seeing a friend from high school. Dexter Porter, time to time singer in Platinum Enterprise, & personal friend of Chaka Khan. Together, years before, we've seen her perform & here he is, finding Lamont, in Berlin, in a reggae record store. He had another powerful & special woman eLBee had to meet. Odella Saille. She was the turning point to work in Europe. Offered a position in a new club as resident, & LB became assistant manager-booking agent-dj for the wonderous club called Exit. That gave him opportunity to stop trying to get home. Exit experience also gave way to building club sound systems, booking pop-ular artists (Sister Sledge/Gil Scott Heron/BG The Prince of Rap/Incognito) club management, rave operations, & months of (very little sleep) Friday to Monday basically non-stop. It also birthed the name change, as advised by an angel. Calls herself a witch, saying L.B. Bad (morphed from D.J. Bad) …''for numeric reasons should be more 'strong', than those 5 letters.'' rebirth- eLBee BaD On births, Exit was so big (holding 3000) a chosen few of us (working there) having offices upstairs, actually had artsy apartments (downstairs) in the club… It was in Exit, sunday to Monday morning Berlin hardcore Techno, where resident Dj Tanith dropped Smokebelch two weeks in a row as the last song. Life changer, seventeen 12's records, into the career & the 1st song to generate income, a lovely ambiental song named "New age Of Faith' (bonus track that Frank of Nu Groove did not want)…covered & reproduced by Andrew Weatherall (Sabres of Paradise). Building up a recording studio for the 3rd time, it took a while to truly find 'his groove'. The Berlin influence of hardcore Techno up'd his dj bpm's, yet never losing soul, the line of Tech House was crossed. Entering the 2nd record label family; DJ Hell put out a search party for 'Mr. BaD… International DJ Gigolo. Home of professionalism & true artist care! Never losing the Mad Drummer flavor & it shows up in complex rhythms again & again. *Gonna Be a Great Night (LaRhon). The time arrived when producers started asking eL to voice their recordings. Often taking the artist role instead of producer, more learning was in store, just by seeing how many other producers (from across the globe) create. Dole & Kom, Slam, Savas Pascalidis, Logo, Samuel Sessions, & Basic Channel (I slept With Her But Didn't sleep With Her). Music became more & more catorgorized & to help maintain production freedom, Mr. Bad started to add new characters to his own persona. eLBee BaD - the voice/the dj The Nervous DJ - hypnotic tracks The Mad Drummer - rhythm tracks (only drums) The Voodoo Man - tribal tracks Mad Man in the attic - samples & loops Dr. Spark - drum & bass/breakbeat The Banging Man - Techno LB GooD - will replace eLBee BaD (vocal retirement) Mr. GooD is the bad seed & The Prince of Dance Music is the brain & heart of it. —————————————————————- As the internet helped change how we listen to music, that new freedom allowed for wider music variation. Henceforth the return of Platinum Enterprise. Productions created today, with 'our band might sound like this' attitude. Giving room for more growth, the meeting of Randy Murray, former lead Trumpet player in Sun Ras Arkestra. Birth of the musical experience: 'Sun Ras Children' (Learned a lot of Jazz)

Due to the holiday short week and busy work schedules,  I was unable to get anyone to sit down with us for a live episode of HOT LAPS WITH STATS  on Friday, September 8, 2017. As a result, on Friday,  September 8, 2017, from 8-10 p.m., HOT LAPS WITH STATS will be a rebroadcast of an episode originally aired on March 31, 2017 featuring Jeff Baral and Randy Murray. Jeff is a competitor in the SK Modified Division at Stafford (Conn.) Speedway and Randy is a long-time supporter of the Lou Maestri Super Pro Truck team and now also an Official at Riverhead (L.I. ) Raceway. An episode well worth another listen.   

Sep 4th - Andreas Antonopoulos, Randy Murray from ID's THE JOE SHOW

Sep 4th - Andreas Antonopoulos, Randy Murray from ID's THE JOE SHOW

Join me, Mike Perricone and Mr. C.J. Sports on Friday, March 31, 2017 on THE 11O NATION SPORTS RADIO NETWORK from 8-10 p.m.Our first guest will be Jeff Baral,  who races in the SK Modified Division at Stafford Springs  (Ct) Speedway. Jeff has some new sponsors joining his effort this season. We will be talking to Jeff about how he sees his season unfolding and his future plans as well.  Then,  we will also be joined in the studio by Randy Murray,  who you could say "wears many hats at Riverhead  ( L.I.) Raceway.  With his business, Randy's Performance Center, he is a vital part of the Louie Maestri Super Pro Truck team while also serving as a Tech Inspector. We will talk to Randy about the role of a Tech Inspector and what Race Day is like for him. An entertaining and hopefully informative show as well, so please join us. 

Heritage Elder, Randy Murray, continues our side study of the first 3 Chapters of the Book of Acts. The post Acts Chapter 2 appeared first on Heritage Church.

Addressing some questions brought up in our study of the book of Romans, Heritage Elder, Randy Murray, takes us on a side trip in into the Book of Acts. The post A Side Trip To Acts appeared first on Heritage Church.

**Contest!! Jason repeats a phrase back to Brad in this episode. The first person to identify the movie that phrase comes from (we don't mention it in the episode) gets a $5 Amazon gift card! Just let us know your guess!** Every father needs to see Taken. Do you watch any movies more than once? Brad thinks Netflix sucks but Jason disagrees. Randy Murray's rules are fantastic! Brad MST3Ks the credits. The Next Three Days Taken Memento Netflix's Hastings stumbles, but unlikely to fall Bottle Shock Twilight The Incredibles Mystery Science Theater 3000 A Code For Movie Audiences - Randy Murray A Very Harold & Kumar 3D Christmas Mythbusters - Exploding CD Tropic Thunder Zoolander The Royal Tenenbaums The Son of No One Why Writers Write - Brad Archer Krysten Ritter Pete Postlethwaite Our Picks for November 4, 2011 Brad: none!! Jason: Tower Heist & Killing Bono