Podcasts about Zoolander

Today's Topic:1. Sound Signature Review 6.227 – the original, legacy AAC Ti-RANT 45 on the .45ACP 1911 full size combat handgun. Standardized .45ACP pistol silencer testing is finally here! In today's report, you'll see one of the highest performing .45ACP silencers in history. Originally debuted in 2010, we're about 16 years late, but making up for lost time. How does it stack up in the current day? Stay tuned as PEW Science shows you just how good you had it back then. Let's push the industry forward, one test at a time. Also, why the 1911? We'll talk about that too. (00:09:13)a. Suppressing .45ACP? Is it loud? I thought it was subsonic? (00:18:05)b. But why male models? (Zoolander joke). Why the 1911? (00:27:59)c. AAC Ti-RANT 45? Do they even make that anymore? (they don't) (00:40:44)d. The current state of the pistol silencer market, and why it matters more than you think. (00:58:11)Sponsored by  Legion Athletics and the PEW Science Laboratory!Legion Athletics: use code pewscience for BOGO off your entire first order and 20% cash back always!

Back to horror this week, stay tuned for Zoolander next!

On this episode of CoinDesk's Public Keys at the New York Stock Exchange, Jennifer Sanasie is joined by CoinDesk Indices President Dave LaValle to unpack a $2.97 billion outflow streak from Bitcoin ETFs and what it really means for institutional adoption.Bloomberg Intelligence Senior ETF Analyst Eric Balchunas joins the show to explain why the recent outflows may be more noise than signal, share his bullish outlook on the fast-rising HYPE ETFs, and discuss how firms like Morgan Stanley, Goldman Sachs, and BlackRock are expanding access to Bitcoin through new investment products. In this week's 10X segment, LaValle breaks down the fundamentals of margin trading, explaining what separates professional traders from retail investors when it comes to managing leverage, risk, and conviction. Plus, Stellar Development Foundation CEO and Executive Director Denelle Dixon discusses DTCC's decision to select Stellar as the first public blockchain connected to its upcoming tokenized securities settlement platform, and what it means for the future of tokenization and institutional blockchain adoption. - This episode of Public Keys is brought to you by Kraken. For more: ⁠https://pro.kraken.com/⁠ - Timecodes: 00:00 Welcome to Public Keys 00:54 Jamie Dimon vs Brian Armstrong on Stablecoin Yields 03:21 Bitcoin ETFs Shed $2.97B in Outflows 05:50 BTC ETFs Post Worst Week Since January 06:50 Grayscale Amends HYPE ETF Filing 08:36 Bloomberg Intelligence's Eric Balchunas Joins Public Keys 09:39 Why BTC ETF Outflows Are Just 'Noise' 13:00 Wall Street's New BTC Products: Goldman, Morgan Stanley, iShares 15:33 HYPE Is the 'Hansel from Zoolander' of Crypto ETFs 17:57 Will SpaceX ETFs Pull Capital from Crypto? 20:42 10X: What Separates Pro Traders from Retail 22:25 Knowing Your 'Out': The Biggest Mistake in Margin Trading 25:06 Stellar Development Foundation's Denelle Dixon on the DTCC Tokenization Deal 26:14 Stellar Hits $3B in Tokenized Assets in Five Months 28:46 Can Blockchains Handle DTCC-Level Volume? 30:21 Digital Twins and the Issuer-Led Tokenization Question 31:50 Will One Blockchain Win the RWA Race? - This episode was hosted by Jennifer Sanasie.

At the very height of his mid '90's superstardom, Jim Carrey (Ace Ventura, The Truman Show, Liar Liar) received a then record-setting $20 million paycheck to star in this dark comedy directed by Ben Stiller (Tropic Thunder, Zoolander, Reality Bites).  Carrey starred as a the titular Cable Guy who installs cable television for a newly single bachelor (Matthew Broderick) living in Los Angeles but then makes the mistake of trying to become friends with him and eventually stalking him. :o  And hilarity ensues!  Well as it turned out, the movie was quite funny but at the time was poorly received for being just too dark compared to Carrey's recent more family friendly comedies.  However in the almost thirty years since its release, this has become much more appreciated for its biting satire and is often considered by many fans of Carrey to be among his best performances.   Also co-starring Jack Black and Leslie Mann both very early in their careers, it's time to grab a board.....and/or remote....and go channel surfing!! Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

A beach debate turns into a full courtroom defense for ocean sex, and somehow that's only the beginning. The boys get into Jason's glass dick punishment cup, Kevin's questionable croquet ranking, wedding invite politics, Florida beaches, superhero onesies, Old School quote wars, Grandma's Boy nostalgia, Zoolander line flubs, Kevin letting his daughters settle a gummy snack dispute, Jose explaining that college does not include a laundry maid, and a cake-and-punch wedding that may or may not require emergency pretzel cups.

Reach out to Cody and Buhler to tell them what's up!There is more to life than having a really, really, ridiculously good-sounding podcast!On today's episode of False Start, John Buhler (Lead Writer, FanSided) and Cody Williams (Content Director, FanSided.com), put on their best makeup and strutted down the runway as the two best college football male models the podcasting space has ever seen on this Zoolander-themed show.From trying to figure out who in the college football world be right at home in this 2001 cinematic masterpiece, to using its many premises to help fuel the fire of hot seat talks and playoff discussions, the guys unleashed Magnum for all the world to see!Keep pulling the sweater, eventually the whole thing will unravel because this is False Start!Support the show

Parents everywhere know there's a level of frustration where you stop talking… and start blasting Huey Lewis in the garage like your life depends on it. This episode starts with Rizz admitting one of his kids pushed him so far over the edge that he had to activate the emergency happy playlist — and honestly, that may be the most relatable thing ever said on a daily comedy show.The gang dives deep into the songs guaranteed to rescue your mood, including Bermuda by John Linnell, “Your Love Keeps Lifting Me Higher,” “Power of Love,” “Stayin' Alive,” Wilson Phillips, Grateful Dead deep cuts, and enough Motown to heal emotional damage from modern life. Somehow the conversation turns into Michael Jackson hiding under your bed, CPR training from The Office, and whether Poison's “Nothing But a Good Time” should legally qualify as antidepressants.Then things escalate exactly the way they always do around here.There's major concert news with the Smashing Pumpkins launching a massive anniversary tour for Melancholy and the Infinite Sadness, plus Sonic Temple highlights featuring Shinedown, Daughtry, and Lzzy Hale absolutely crushing live performances. The crew also debates legendary tours after a “greatest concerts of all time” list sparks chaos because apparently U2 and Garth Brooks got disrespected so hard that Moon nearly launched himself through a wall.Speaking of questionable life decisions, Moon opens up about tattoo regret and realizing some of his old ink now resembles “a Walmart quarter-machine mistake.” The gang breaks down famous rock stars with zero tattoos, including Lars Ulrich, Alice Cooper, Trent Reznor, and Dave Mustaine. Meanwhile, Moon's tattoos are slowly evolving into what the show describes as “touched-up church Jesus art.” Honestly, no notes.Celebrity nonsense also reaches elite levels in this episode. Tom Brady apparently debuted a new look that made listeners compare him to Patrick Bateman, an animatronic billionaire, and a rejected Zoolander villain. The crew debates whether Brady's “perfect guy” magic is finally wearing off after another bizarre fashion appearance. There's also fake celebrity dating rumors involving Pamela Anderson and Tom Cruise, SNL madness with Chad Smith impersonating Will Ferrell, Paul McCartney showing up with new music nobody expected, and Casey Musgraves performing breakup songs on top of a washing machine because country music symbolism has fully left Earth.As always, this daily comedy show somehow mixes music nerdery, parenting meltdowns, celebrity gossip, nostalgic chaos, weird news, and absolutely unnecessary side conversations into one giant sarcastic fever dream. It's basically group therapy for people who laugh at inappropriate moments and still think “Stayin' Alive” is a medically useful song.If you love comedy podcasts, funny celebrity gossip, weird stories, sarcastic humor, music debates, and total morning show chaos straight out of St. Louis, this episode has everything except emotional maturity.And yes… somebody absolutely ends the show talking about porno birthdays. Because professionalism is dead.This daily comedy show is proudly brought to you by the beautiful dysfunction known as The Rizzuto Show.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Christopher Carter is the founder, Chairman, and CEO of Approyo, a Wisconsin-based managed services company that was one of the first to put SAP systems into the cloud (back in 2002). He founded Approyo in December 2013 to provide full SAP technology services with extensive capabilities in hosting, managing, upgrading, and migrating.Summary of PodcastKey TakeawaysData Quality is the AI Blocker: AI's value is limited by the "crap in, crap out" problem. Carter advises a mandatory data cleansing project before any AI initiative, as AI tools alone are insufficient and require human oversight.Human-in-the-Loop Governance: Carter advocates for a human-in-the-loop for all critical AI processes to prevent compounding errors. He criticized McKinsey's reported plan for 30,000 autonomous bots, arguing they should be tools to augment human employees, not replacements.Mugatu AI Prevents Data Leaks: Mugatu AI is an AI security tool that uses predictive analytics and homomorphic encryption to prevent accidental data leaks. It flags risky emails (e.g., with sensitive spreadsheets) and suggests secure alternatives like shared links.Early Cloud Adoption: Carter was an early pioneer in virtualising SAP systems on VMware and Azure, which initially met with corporate resistance but ultimately proved to be a cost-saving, flexible innovation for the SAP ecosystem.The "Crap In, Crap Out" ProblemCarter's core message: AI's effectiveness is directly tied to data quality.Problem: Legacy systems contain decades of "dirty data" from acquisitions, stagnant records, and inconsistent formats.Example: One client had 27 years of uncleansed EDI data.Example: Another client's acquisitions created duplicate part numbers (e.g., 7 different codes for the same part).Solution: A mandatory data cleansing project before any AI initiative.AI tools can assist with scraping and matching, but human oversight is essential for validation.The goal is a human-AI partnership to ensure data accuracy.Human-in-the-Loop GovernanceCarter advocates for a human-in-the-loop for all critical AI processes to prevent compounding errors.Critique of McKinsey's Bot Strategy: Carter questioned McKinsey's reported plan for 30,000 autonomous bots, arguing they should be tools to augment human employees, not replacements.Relevance to Finance (FP&A): Clean data and human-AI collaboration enable rapid scenario planning (e.g., 4 forecasts instead of 1), a major game-changer for finance teams.Mugatu AI: Preventing Accidental Data LeaksMugatu AI is an AI security tool named after the villain in the movie Zoolander.Function: Prevents accidental data leaks by flagging risky outbound emails.Mechanism: Uses predictive analytics and homomorphic encryption to analyse content in milliseconds.User Feedback: Provides a "security score" (0-100) and suggests secure alternatives (e.g., a shared link instead of an attachment).Status: 14,794 end-users across 3 major corporations; acquisition interest from companies like NVIDIA.Career as a Tech InnovatorCarter's career is marked by early adoption of disruptive tech, often ahead of corporate policy.SAP & Cloud Virtualisation:Pioneered virtualising SAP systems on VMware and later on Azure.This innovation initially met with resistance from SAP executives, who had not yet formalised a partnership with VMware.Re-engagement with SAP:After a negative client experience, Carter left the SAP ecosystem.A conversation with a friend (SAP's VP of Oil & Gas) over a bottle of Macallan scotch introduced him to SAP HANA, reigniting his interest.Carrick Rangers FC:A minority owner of the Northern Ireland Premier League football club.His involvement stems from a lifelong passion for soccer, including a past role as VP of Sales/Marketing for a professional team. The Next 100 Days Podcast Co-HostsGraham ArrowsmithGraham founded Finely Fettled in 2014 to provide data from The UK High Net Worth Database to marketers targeting affluent and high-net-worth customers. He's the founder of MicroYES, a Partner for MeclabsAI, creating lead generation AI Agents & Workflows and introducing the MeclabsAI Platform. Graham also provides an Answer Engine Optimisation solution to get your website in shape to be found by LLMs.Kevin ApplebyKevin specialises in finance transformation and implementing business change. He's the COO of GrowCFO, which provides both community and CPD-accredited training designed to grow the next generation of finance leaders. You can find Kevin on LinkedIn and at kevinappleby.com

Degens Andy S and Brandon Bombay head to a center for ants to talk about the 2001 comedy classic, 'Zoolander.' Bombay is the first to walk the runway, as he harkens to the gas pump fight scene by telling a story that involved a dangerous gasoline fire when he was a teenager. Then the guys discuss a movie that was basically an extended sketch premise stretched thin at only 89 minutes, but still worked and became a cultural powerhouse thanks to a stacked cast and an onslaught of laughs. Not only did he star, but Ben Stiller also directed this movie packed with quit-cutting wild energy, and overflowing with celebrity cameos. A few of the standouts being a post-'Titanic' Billy Zane, and the effervescent David Bowie who gets beckoned to call Stiller and Owen Wilson's epic walk off. The flick is packed with countless examples of himbo idiocy humor, and in a movie filled with gorgeous faces it's Christine Taylor's perfect face, and perfect delivery as the straight person that helps ground it. Not only did the film give us laughs, but it also provided the signature Blue Steel look that was a joke in the early 2000s, and later became the de facto face both men and women default to in photos for the social media era. After listening to this off-the-rails recording you'll agree that it's a really, really, really ridiculously good episode. 

Hour 2 of Monday's 3 Man Front featured the Big Ten widening the gap with the SEC from a revenue standpoint, Molly's review of 'Zoolander' and an update on the Brendan Sorsby saga!See omnystudio.com/listener for privacy information.

Did this movie have the power to heal the nation?

Passiamo a qualcosa di più breve e leggero. In apparenza.In verità c'è molto di più dietro la filmografia apparentemente sciocca del regista Ben Stiller, iconico volto della commedia americana ma che ha sempre cercato di dire la sua su...beh, tutto.Molti lo stavate aspettando e quindi ecco a voi un film bello, bello, bello in modo assurdo e che non andò un casino l'anno in cui uscì. Per poi diventare un titolo di culto per tutti noi.In una parola, "Zoolander".

It was what I thought it was.

ACOFAE Podcast Presents: Kill Bill vol.1: "Iconic." Female rage is always something that ACOFAE is looking for, and in 2026 it felt like the time to dig into the 2025 archives (hear the old intro!) and pull out Kill Bill, Vol 1. A movie that Jessica Marie had never seen and Laura Marie had seen a million times, ACOFAE dives into the beauty of filmmaking and the power of women. The Bride has been wronged and is out for revenge. Throw in amazing fight scenes and music, and add in a bit of Samurai culture, and you've got Uma Thurman in a yellow suit kicking ass and taking and crossing out names. Revenge is a dish best served cold. TW / CW: death of a parent, miscarriage, sexual assault For additional TW/CW information for your future reads, head to this site for more: https://triggerwarningdatabase.com/ Spoilers: Kill Bill, Vol. 1 Mentions: Machete Kills, Zoolander, Scream *Thank you for listening to us! Please subscribe and leave a 5-star review and follow us on Instagram at @ACOFAEpodcast and on our TikToks! TikTok: ACOFAELaura : Laura Marie ( https://www.tiktok.com/@acofaelaura) ACOFAEJessica : Jessica Marie (https://www.tiktok.com/@acofaejessica) Instagram: @ACOFAEpodcast https://www.instagram.com/acofaepodcast/ @ACOFAELaura https://www.instagram.com/acofaelaura/

Yasss

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Who won the 2018 Academy Award for Best Supporting Actor for playing the role of Dr. Donald Shirley in Green Book? Question 2: Which of the following is NOT an official language of Switzerland? Question 3: Which actor played the role of Vito Corleone in The Godfather? Question 4: Which animal is central to the nomadic herding economy of the Sami people? Question 5: From which language does the term 'eureka' come? Question 6: Which actor played the role of Frank Booth in Blue Velvet? Question 7: Which of these quotes is from the film 'Zoolander'? Question 8: Which of these is a style of tunic suit worn in China? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie of the Year: 1971Willy Wonka and the Chocolate FactoryWilly Wonka and the Chocolate Factory podcast fans, this one is for you. Ryan, Mike, and Greg are joined by special guest Matt Singer of ScreenCrush to revisit one of 1971's most beloved and most debated films on Movie of the Year. In addition, Mel Stuart's musical fantasy has frightened and delighted children and adults in equal measure for over fifty years. This episode also features Movie Trivia and a PopFilter Hall of Fame: Willy Wonka and the Chocolate Factory induction.About the FilmRoald Dahl based the film on his 1964 novel Charlie and the Chocolate Factory. The story follows young Charlie Bucket, who wins a golden ticket and tours the mysterious factory of the eccentric Gene Wilder as Willy Wonka. Notably, Dahl wrote the screenplay himself — and then disowned the finished film. He objected to the liberties the production took with his story and his vision for the character. As a result, that tension between author and adaptation makes this a particularly rich film to revisit.Before diving in, check out our recent episodes on The Last Picture Show, A Clockwork Orange, and The French Connection for more from the Movie of the Year 1971 series.Guest Panelist: Matt Singer of ScreenCrushMatt Singer joins the Taste Buds for this episode. He serves as editor and film critic at ScreenCrush and holds membership in the New York Film Critics Circle. Singer spent five years as the on-air host of IFC News on the Independent Film Channel. He has also contributed to CBS This Morning Saturday, Ebert Presents at the Movies, The Village Voice, and The Dissolve. Furthermore, he won a Webby Award for his work on IFC.com and authored Opposable Thumbs: How Siskel & Ebert Changed Movies Forever.Matt Singer's New Book: Funny BusinessHis latest book is Funny Business, out in October. It covers the comedy films of the 2000s — Old School, Zoolander, The 40-Year-Old Virgin, Superbad, The Hangover, and more. Pre-order it now. Moreover, Willy Wonka and the Chocolate Factory ranks among Singer's four all-time favorite films on Letterboxd. Consequently, this is not just any guest — Singer has thought deeply about this film for a very long time.Willy Wonka 1971 Podcast Discussion: Genre and ToneThe first major topic of this Willy Wonka 1971 podcast discussion is the question that has divided audiences since opening day: what kind of film is this, exactly? The studio marketed it as a children's musical fantasy. In practice, however, it delivers something far stranger and more unsettling. The boat tunnel sequence alone has scared generations of young viewers. Moreover, the tone shifts without warning from whimsical to genuinely threatening. Gene Wilder's performance keeps the audience perpetually off-balance throughout.Ryan, Mike, Greg, and Matt Singer dig into how Mel Stuart navigated the tension between studio ambitions and the source material. They also examine the complicated role of Roald Dahl as screenwriter — a man who shaped the film's darkest edges and then rejected the result. For more on the film's production history on IMDB, the details prove just as strange as the movie itself.What Gene Wilder Brings to Willy WonkaAbove all, the panel examines what Gene Wilder brings to the role that no other actor has replicated. His Wonka radiates warmth that sits one beat away from menace — and a menace that sits one beat away from warmth. No other performer has threaded that needle. For a full look at Wilder's career, therefore, visit his IMDB page.Willy Wonka and the Chocolate Factory: Kids vs. AdultsOne of the central questions of this episode is who Willy Wonka and the Chocolate Factory actually targets. On the surface, it presents itself as a children's film. In practice, though, it rewards adult viewing in ways that most children's films never attempt. The satire cuts deep, the darkness feels genuine, and Wonka makes much more sense to a viewer who no longer roots for Charlie as a pure hero.The panel explores the film through both lenses. As children, most of them fell for the candy and feared the tunnel. As adults, by contrast, they find something else entirely — a film about power, punishment, and the thin line between a visionary and a tyrant. Additionally, they discuss how the film shifts meaning depending on which version of yourself sits in the audience, and why that quality remains so rare.Capitalism, Conformity, and Other -Isms in Willy Wonka 1971Beneath the chocolate and the Oompa Loompas, Willy Wonka and the Chocolate Factory has a great deal to say about the world. The children who fail Wonka's tests are not simply bad kids. Instead, they embody consumer culture, class anxiety, and parental failure. Augustus Gloop represents excess. Violet Beauregarde embodies competitive ambition. Veruca Salt carries unchecked privilege. Meanwhile, Mike Teavee absorbs media saturation. Each child faces punishment not for being a child, but for playing the role of a particular kind of adult in miniature.Ryan, Mike, Greg, and Matt Singer examine what the film says about capitalism, conformity, and the systems that shape children before they can question them. In addition, they take on the troubling labor politics of the Oompa Loompas — workers paid in cacao beans, housed inside their employer's factory, and sent out to deliver moral lectures on demand. It is a lot to unpack. Nevertheless, this episode unpacks all of it.For more critical context on the film's themes, visit RogerEbert.com.Movie Trivia: Willy Wonka and the Chocolate Factory EditionThis episode features a special Movie Trivia segment. Did you know that Gene Wilder agreed to play Wonka only if the character could limp — so audiences could never fully trust him? Or that the chocolate river used real chocolate and cream, and quickly turned rancid on set? Or that Roald Dahl refused to authorize a sequel after the studio ignored his objections to the first film?As a result, the Taste Buds and Matt Singer test their full knowledge of the film. They cover casting history, behind-the-scenes stories, and the many ways the finished film diverged from Dahl's original vision. Even devoted fans will likely learn something new.PopFilter Hall of Fame: Willy Wonka and the Chocolate FactoryThis episode also features a PopFilter Hall of Fame: Willy Wonka and the Chocolate Factory induction. The panel makes their case for which element of the film deserves permanent enshrinement — whether that is Gene Wilder's performance, a specific scene, a song, or something else entirely. Tune in to find out what makes the cut.Why the Willy Wonka and the Chocolate Factory Podcast Discussion Still MattersMore than fifty years after its release, Willy Wonka and the Chocolate Factory stands as one of the most enduring and genuinely strange films in the American canon. It grows with you. Specifically, it means something different at seven, at seventeen, and at forty-seven. Few films can make that claim.Ultimately, this Willy Wonka and the Chocolate Factory podcast episode revisits the film not just as a 1971 classic, but as a living text that continues to reward close attention. With Matt Singer in the mix, expect sharp criticism, genuine passion, and at least one strong opinion about the Fizzy Lifting Drinks scene.Related Episodes from Movie of the Year: 1971If you enjoyed this episode, check out the rest of the Movie of the Year 1971 series:The Last Picture Show — Bogdanovich, nostalgia, and a dying Texas townA Clockwork Orange — Kubrick, free will, and the limits of the stateThe French Connection — Friedkin,

From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built one of the strangest and most fascinating film careers in pop history.In this episode, hosts Laura Gommans and Tom Ooms dive into David Bowie's acting career, exploring how the musician moved through cinema across four decades. They chat about what drew Bowie to the silver screen, why acting became one of his favourite side quests, and the performances that defined his screen presence.From playing Andy Warhol in Basquiat to a perfectly deadpan cameo in Zoolander, they discuss why directors kept casting Bowie, what made him so magnetically strange on camera, and which roles remain the most unforgettable—before tackling the impossible question: who could ever play Bowie in a biopic?Fill out our ⁠survey⁠ and win up to €100 worth of prizes.Get tickets to Sound And Vision: Remembering David Bowie @ LAB111Films Mentioned: The Man Who Fell to Earth (Nicolas Roeg, 1976) Christiane F. (Uli Edel, 1981) Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983) The Hunger (Tony Scott, 1983) Labyrinth (Jim Henson, 1986) The Last Temptation of Christ (Martin Scorsese, 1988) Twin Peaks: Fire Walk With Me (David Lynch, 1992) Basquiat (Julian Schnabel, 1996) Zoolander (Ben Stiller, 2001)Moonage Daydream (Brett Morgen, 2022)

Kristi Noem was relieved of duty; Democrats act like they took her out. They didn't.We will discuss her replacement.Gavin Newsom claims that Noem's firing means the president is losing. Talk about a starving man looking for a meal. That's a big reach, Gav.Speaking of Gavin Newsom, Katie Couric asked him, “Do you have a Zoolander problem?” Gavin, are you just too good-looking and slick? [X] SB – Katie Couric asks Gavin Newsom ZoolanderLots to cover today, mostly because I dedicated Friday to Candace Owens.She works hard for the money!I avoided discussing her, because I'm not interested in her. But I am interested in things that impact the conservative movement.I had put her on the list to never discuss, like I did with Jazzy. But I felt compelled to cover it, and I will on touch on her and Jazzy where it proves useful to make bigger points.As we consider our movement which has little to do with us, and more to do with what we leave for our kids and grandkids, I want to remind you that Democrats are indeed crazy and look at the world through “trip glasses”, or what people on drugs wear to enhance the experience.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What is this? A podcast for ANTS?? That's right bros -- after an awards coverage season that could be described as, well, a bit of a downer, we're kicking off SEASON SIXTEEN with a nostalgic comedy classic, Zoolander! Along the way, we discuss Owen Wilson's undeniable face card, what makes a comedy 'hold up' over the years (and what makes it age like milk), and the insane impact 9/11 had on the entertainment industry! Head to our PATREON to watch video episodes, hear weekly discussion episodes, and more!

"Jack Riccardi talks Iran skepticism and impatience, Gavin "Zoolander" Newsom, McDonald's CEO lesson and The Dish."

Welcome to the Joe Concha Show, where liberalism is a no-go and today's political theater gets a serious reality check. In this episode, Joe breaks down the sudden ousting of Kristi Noem from the Department of Homeland Security and the naming of former MMA fighter Markwayne Mullin as her cool-as-a-cucumber replacement. Joe doesn't hold back on California Governor Gavin Newsom, roasting his bizarre "Zoolander" interview with Katie Couric and his shape-shifting, far-left pandering to win the presidency. You'll also hear why Hollywood legend James Woods left the Democratic party, how sports media personalities like Jemele Hill have gone woke, and why Democratic consultant Julian Epstein thinks his party's only hope for 2028 is JPMorgan CEO Jamie Dimon. Finally, Joe tackles Donald Trump's flawless "Tom Brady" primary endorsement record, Adam Schiff's sudden hypocritical concern over the cost of war, and Joe Rogan's latest viral broadcast. Tune in for a fast-paced, funny, and fiery breakdown of today's biggest headlines! Learn more about your ad choices. Visit megaphone.fm/adchoices

Rich, TJ, and Suzy Shuster debate if the lingering Shai-Gilgeous Alexander “foul merchant” narratives hold water, and weigh in on Jayson Tatum's imminent return to the Celtics. Actress Milla Jovovich joins Rich in-studio to promote her new ‘Protector' action movie, and talks ‘Married with Children,' ‘The Fifth Element,' ‘Zoolander,' ‘Resident Evil,' Robert De Niro and more in a round of ‘Celebrity True or False.'   Rich reacts to the news that Alabama QB Ty Simpson is visiting with the Cleveland Browns. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zoolander himself aka Glen joins the HoH for a great discussion about all things Charmed. Jesse had incredible stories to share and brought a lot of humor, humility and love to our show today.  The House of Halliwell would not be possible if it wasn't for your generous support. The best way to support the show and keep the magic going is listening, liking, subscribing here (wherever you listen to your podcast), on our YOUTUBE channel www.youtube.com/@HouseofHalliwell or becoming a member of our family at hoh.supercast.com SPECIAL THANK YOU TO OUR PRODUCERS WHO GO ABOVE AND BEYOND WITH THEIR GENEROUS SUPPORT Adam Cab Alaina Ford Alexandra Stockdale-Haley Alyssa Olson Amanda B Amanda Nagle Ana Jimenez Andrea Ludlow Angela Marshall Annie Omalley Ashley Collier-Medley Ashley Jacoby Ashley Reinhard Ayjah Allen Bethany Anderson Billie Bonita S Brown Candace Banton Cassy Crouch CC Kroen Charlie Nolting CJHeart81 Claudia Passarella Connie Artero Crystal Dorsey Cindy Bahl Cassandra A Ryan Daniel Kupper David Cross Diana Yordanova Dominique Kiefel Dr Jason Meriwether Dusti Young Elisa Brogren Andersen Emmanuel Lora Emma Bantleman Erica Larabee Erin Mozingo Fabian Maciel Fabrice Foubert Gerogii Kaushadze Jackie Baird Jeremy Joyner Jim Ruggiero JMC Journey Ryan Jorge Luis Sanchez Just Ask Her Productions Karen Montague Katey Carmen Katherine Satter Kathleen Miranda  Kazz Lark Kelley Baxter Ken Montour Kevin Deanm Kerri Cornell Kiera McKissic Kim Ainge Kristina Gutheil Laresa Thorne Larry Doyle Lance Thigpen Lee Israel Leo King Lex Loraine Macdonald Lori Louis DeLaGrange Lucia Salas Maria Cimino Maria Grace Shirley Maria Moor Marina Melissa Magazine Melanie Stout Mister J Nicholas Simmons Nish Smythe Philip McCoy Rachel Shostak Renee Davis Rita Digilova Ryan Byrum Sami Ross Samantha Matthews Samantha Sebuck Sara Bowers Sarah Garliss Sarah Ritcheson Shana Sienna Austin-Monroe Slavica Dinisheva Stephanie Vega Stephanie Verbockel Steven De Brandt Steven Maggiolino Strachan Tara Stickles Tran Hoang Long Troy Valente Thompson Xianne McMiles Zachary Colyer

In this second episode of our dude-only Season 10 of The Skeptical Shaman podcast, host Rachel White (of TOTEM Readings) chats with Alfonso Civile of Heartsick Band: an incredible heavy metal ensemble combining hardcore and metalcore-tinged ferocity with haunting melodies and stunning atmospherics.Alfonso is not only a talented singer, musician, photographer, videographer and multimedia artist, but he generously donated his Zoolander-level Blue Steel modeling skills to our TOTEM + PUCK HCKY merch collaboration photoshoot, currently featured on PUCK's website. Rachel and Alfonso chat all things creativity and art in a time of commoditized slop. How can sincere artists, musicians and other creatives be seen and heard in a marketplace of enshittification? How can they get their fans to understand all of the invisible, unpaid work that being a creator requires? What can we all do to ensure that we still have quality culture, supporting artists in all the ways that matter the most?​Alfonso embodies the incredible diversity in the dude-verse, showing up as an artist, creative and sensitive being in an unexpected world: heavy metal music.LINKS:Rachel's Website: https://www.totemreadings.comTOTEM Readings Substack: https://totemrach.substack.comRachel's Other Links: https://linktr.ee/totemrachPlease support the Sponsors of The Skeptical Shaman Podcast:TOTEM + PUCK HCKY Merch Drop: https://puckhcky.com/collections/totemThe TOTEM Flower Essence Deck: https://a.co/d/gw16LsGThe TOTEM Flower Essences: https://www.etsy.com/shop/TotemReadingsATXTOTEM Spiritual Transformation Coaching: https://www.totemreadings.com/coachingTOTEM Business of Woo Mentoring: https://www.totemreadings.com/business-of-wooAlfonso's Links:Heartsick Website: https://heartsick.usHeartsick IG: https://www.instagram.com/heartsickband/Alfonso IG: https://www.instagram.com/alfonsocivile/Please note: The views and opinions expressed on The Skeptical Shaman do not necessarily reflect the official policy or position of the podcast. Any content provided by our guests, bloggers, sponsors or authors are of their opinion and are not intended to malign any religion, protected class, group, club, organization, business individual, anyone or anything. And remember: sticks and stones may break our bones, but words—or discussions of religious or spiritual topics-- will never hurt us.

A Filmklub podcast szezonális minisorozatában magyar filmkritikusok mesélnek a munkájukról, az életükről, az ars poeticájukról, a hozzáállásukról, az ízlésükről, az álmaikról és vágyaikról."Néha csak szeretem leírni, hogy kurvasokat röhögtem a Zoolander 2-n és szégyellem magam miatta, de ez van" - mondja Klág Dávid, aki először a sajnálatosan rövid életű Time Out magazinnál dolgozott, utána a Gawker szintén túl hamar elhalálozott magyar verziójánál, a Cinknél blogolt, majd az Index Kultrovatába került Libor Anita alá. Az elmúlt hat évben a Telexben viszi a kultúra rovatot, amit pár hónapja átneveztek Karakterre.Szokott írni a Filmvilágba is, rendezett pár videóklipet, például ezt a Galaxisoknak, emezt meg az EZ Basicsnek. Nős, felesége a tehetséges fotóművész, Szombat Éva. Érdemes követni a Letterboxdon és az Instagramon is.Dolgok, amikről szó esett az adásban:Sisso kritikája a Halálhajóról, amit Dávid kinyomtatott gyerekkorábanDávid kritikája a Külön falkáról, ami miatt Kis Hajni mérges lett ráDávid kritikája a Valami Amerika-tévésorozatról, ami miatt Herendi Gábor ráírtDávid interjúja Herendi GáborralA Geszti Péter-interjú, amire Dávid büszkeDávid interjúja Kulka Jánossal, Tövisházi Ambrussal és Tariska Szabolccsal, amire Dávid szintén büszkeDávid kritikája a Most vagy sohárólJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Godfrey crashes the studio alongside Gary Vider. The guys go deep on comedy history, wild impression stories, getting fired, almost getting SNL, bombing charity gigs, surviving COVID shows, and why reps matter more than prestige. Godfrey breaks down his rise on social, iconic roles like Zoolander and Soul Plane, and his brand-new stand-up special Rebel With A Cause, now playing in movie theaters nationwide. Plus, racial comedy debates, theater vs club money, old-school legends, and absolute chaos throughout. Guests: Godfrey Website: https://godfreylive.com Instagram: https://www.instagram.com/godfreycomic Special: Rebel With A Cause – now playing in theaters nationwide Gary Vider Website: https://garyvider.com Instagram: https://www.instagram.com/garyvider Podcast: #1 Dad https://podcasts.apple.com/us/podcast/1-dad/id1749986511 Sponsored by: Willie's Remedy The alcohol alternative that actually works. Fast-acting, THC-infused social tonic with no hangover. Get 20% off plus free shipping on orders over $95 at https://www.drinkwillies.com Use code WMBD Trade Coffee Fresh-roasted coffee matched to your taste by real experts, not algorithms. Get 50% off your first month at https://www.drinktrade.com/drunk Acorns The financial wellness app that helps you invest automatically and grow over time. Get a $5 bonus investment when you sign up at https://www.acorns.com/WMBD Subscribe to We Might Be Drunk: https://bit.ly/SubscribeToWMBD Merch: https://wemightbedrunkpod.com/ Clips Channel: https://bit.ly/WMBDClips Sam Morril tickets: https://punchup.live/sammorril/tickets Mark Normand tickets: https://punchup.live/marknormand/tickets Bodega Cat Whiskey: https://bodegacatwhiskey.com Instagram: https://www.instagram.com/bodegacatwhiskey ⸻ Produced by Gotham Production Studios: https://www.gothamproductionstudios.com Producer: https://www.instagram.com/mrmatthewpeters #WeMightBeDrunk #Godfrey #GaryVider #RebelWithACause #1DadPodcast #MarkNormand #SamMorril #ComedyPodcast #StandUpComedy #WilliesRemedy #TradeCoffee #Acorns #BodegaCatWhiskey Learn more about your ad choices. Visit megaphone.fm/adchoices

Head brewer Steve Agnew, Rye January, V-Eh, New rye lager, From under the stairs, Pumping gas in Oregon, Zoolander gas reference, Frost angels

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We did it. We survived Metal Gear Survive. We talk about the story (what little there is), the repetitiveness of the gameplay, and the overall sauceless-ness of it all. Oh, and we also talk extensively about the cast of Zoolander for reasons.Episode 75: World of Tanks Creature Design

On this special episode, we revisit some of our favorite moments from Monday episodes in 2025. Nikki Glaser relays the risks of a roast, Brad Pitt commits a non-union extra faux pas, Dominic Fike drops his mixtape in jail, Dove Cameron tries to mend her relationship with her dad, Alexander Skarsgård finds his way as an actor post-Zoolander, Jennifer Aniston talks kids and SNL, Adam Scott discovers grief for his mom while filming Severance, Mindy Kaling writes nerdy women who desire, and Charlie Sheen keisters an ice cube after falling asleep on camera.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Johann Urb was born in Tallinn to parents Tarmo and Maris Urb. His father is an Estonian musician and the brother of actor and singer Toomas Urb. At age ten, he moved to Finland with his mother and her new Finnish husband, where he was mainly raised in Tampere. After turning 17, Urb moved to the United States, where his father lived, and started a modeling career in New York City, which eventually led him to pursue acting. He studied drama at the Lee Strasberg Theatre and Film Institute. In 2001, Urb landed a small role in the film Zoolander. He then appeared in the short film Fear of Feathers and guest-starred in one episode of CSI: Miami. In 2004, Urb appeared in the short-lived television series The Mountain. Following that, he guest-starred in several TV shows and took on smaller film roles.In 2005, Urb played a tall, Scandinavian-looking worker—an awkward but loyal ranch hand for Willie and Missie LeHay—in Love's Long Journey, the third installment in the 8-episode Hallmark series Love Comes Softly. Urb's first major film role came with The Hottie and the Nottie in 2008. The following year, he had a brief appearance as a heroic pilot in Roland Emmerich's disaster film 2012, and he played a journalist in the fantasy TV series Eastwick. He also portrayed Leon S. Kennedy in Resident Evil: Retribution, released in 2012. Additionally, he played U.S. Park Ranger Burt Moore, Abby Sciuto's boyfriend, on NCIS. He is also a couples coach alongside his wife, Rachel Pringle Urb.Unlocking Humanity with Ancient Knowledge | Host John Edmonds Kozma Hosted on Acast. See acast.com/privacy for more information.

This episode of The Rizzuto Show dives into Thanksgiving leftovers, failed recipes, chaotic family movie nights, and a furious takedown of Variety's “Top 100 Comedy Movies” list. Rizz recaps how his family rejected both Frankenstein and Weapons before landing on Zoolander, while the team debates the comedy classics missing from the rankings. Lern and Rafe share holiday stories, including leftover burnout, over-the-top carb feasts, and the most unhinged pregnancy pizza order ever submitted to a restaurant. It's fast, funny, comedy show chaos — exactly what you expect from the Rizz Show.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Daily Show Notes:Woman says she needs 3 free seats on plane because of claustrophobiaFirst Alert Weather Day Today, Accumulating Snow This Afternoon Into TonightFlorissant girl injured after car crashes through home day after ThanksgivingAfter Placing An "Insane" Pizza Order For His Pregnant Wife, This Guy's Hilarious Personal Message To Store Employees Is Going Mega ViralThe nude cruise with one hard rule that applies only to menBeauty influencers are encouraging skincare enthusiasts to save their menstrual blood for a bizarre purposeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This conversation with Nathan Lee Graham goes deeper than expected, mixing sharp humor with real insight into a career built on consistency, curiosity, and craft. He reflects on growing up between St. Louis and Los Angeles, navigating a childhood shaped by divorce, experimental schools, and parents who understood early on that the arts were his home. Nathan talks about discovering his calling in high school, the moment Marin Mazie encouraged him to move to New York, and how that one decision launched decades of steady work across stage and screen. Along the way he opens up about playing twins on Scrubs, aging in Hollywood, the discipline required to keep his instrument ready, and why he still sees himself first and foremost as a working actor rather than someone chasing fame. We also dive into the surprising path that led him to Zoolander the day after The Wild Party closed, the unique challenge and joy of creating memorable moments with only a handful of lines, and how he approaches every medium — stage, film, TV — with the same mindset and integrity. Nathan shares what it means to trust collaborators, what he's learning during previews of The Baker's Wife at Classic Stage Company, and why patience, perspective, and self-care have become essential to his life and artistry. It's a thoughtful, warm, and often funny look at a career defined not by one role, but by the sum of its parts and the relationships that shaped them. Nathan Lee Graham is a Grammy winner for Best Classical Album (Songs of Innocence and of Experience), a Los Angeles Drama Critics Circle Award recipient for The Wild Party, and a Drama League Award nominee for Wig Out. His stage work includes originating roles in The Wild Party and Priscilla, Queen of the Desert, with national tours of Hadestown and Show Boat. On screen, he is known for Zoolander, Zoolander 2, Sweet Home Alabama, Hitch, The Comeback, Scrubs, LA to Vegas, Mid-Century Modern, and more. He currently stars as Marquis in The Baker's Wife at Classic Stage Company. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Nathan: Instagram: @nathanleegraham Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trump come Zoolander col suo Arc de Trump. Il fallito attentato a Sigfrido Ranucci. Nikki in studio ci racconta il suo nuovo album. Aldo Rock chiude in bellezza la settimana col l'immancabile pappardella.

Our exit today has us finally being able to turn left! This week, we are talking about Zoolander, written by Drake Sargent, Ben Stiller, and John Hamburg and directed by Ben Stiller. And with a movie with so many cameos, we needed a third head and invited along our buddy Steve Greene!Along the way, we talk about Jim Carrey in the 90s, fashion, Ben Stiller, Christine Taylor, Jon Voight and Angelina Jolie's estrangement, the VH1 fashion awards, Danny Boyle, and the shadow of 9/11 on the film industry. Plus Billy Zane, Bowie, tennis, The X-Files, and the ever present Will Ferrell.Remote Feeds (Steve's new newsletter)Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Strutting on the runway, Mike and Tristan watch Zoolander!Directed by Ben StillerScreenplay byDrake Sather, Ben Stiller, John HamburgStory by Drake Sather, Ben StillerBased on Characters by Drake Sather, Ben StillerProduced by Scott Rudin, Ben Stiller, Stuart CornfeldStarring Ben Stiller, Owen Wilson, Will Ferrell, Christine Taylor, Milla Jovovich, Jerry Stiller, Jon VoightCinematography by Barry PetersonEdited by Greg HaydenMusic by David ArnoldProduction companies: Village Roadshow PicturesVH1 Films, NPV Entertainment, Red Hour Productions, Scott Rudin ProductionsDistributed by Paramount PicturesRelease date September 28, 2001Budget$28,000,000 (estimated)Gross US & Canada$45,172,250Opening weekend US & Canada$15,525,043Sep 30, 2001Gross worldwide$60,780,981

The lightning round covers fashion films, Ariana Grande's talent level, and AI-generated movies, sponsored by the A&M Consumer and Retail Group, Mirakl, Ocampo Capital, Infios, and Quorso. From Chris's surprising Zoolander pick over Devil Wears Prada to Anne's rating of Ariana Grande as a perfect 10, plus discussion of OpenAI's $30 million AI movie "Critters" and the upcoming Spinal Tap sequel. Quick-hit entertainment takes that connect back to retail and culture.

In this week's episode, I take a look back at the movies and streaming shows I watched in Summer 2025. This coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book #1 in the Ghost Armor series, (as excellently narrated by Hollis McCarthy) at my Payhip store: FALLSERPENT50 The coupon code is valid through September 15, 2025 (please note the shorter expiration date). So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 267 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 5, 2025 and today I'm doing a review roundup of the movies and streaming shows I saw in Summer 2025. Before we do that, we will have Coupon of the Week and a progress update on my current writing and audiobook projects. First up, this week's coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book One in the Ghost Armor series (as excellently narrated by Hollis McCarthy) at my Payhip store. That is FALLSERPENT50. This coupon code will be valid through September 15th, 2025 (exactly one week). So if you need a new audiobook to listen to as we head into fall, we have got you covered. Now for an update on my current writing and audiobook projects. I am pleased to report that the rough draft of Blade of Flames, which will be the first book in my new Blades of Ruin epic fantasy series is finished. The rough draft came at about 90,000 words long, which was what I was aiming for. Next up, I will be writing a short story set as sort of a bonus in that plot line called Thunder Hammer and that will be the backstory of one of the characters in Blade of Flames. And when Blade of Flames comes out (which will hopefully be later this September), newsletter subscribers will get a free ebook copy of Thunder Hammer. So this is an excellent time to subscribe to my newsletter. I am also 8,000 words into Cloak of Worlds. At long last, I am coming back to the Cloak Mage series after nearly a year's absence. Longtime listeners will know the reason was that I had five unfinished series and I wanted to spend the summer of 2025 finishing the unfinished ones and focusing up so I will only have three ongoing series at any given time. I'm hoping Blade of Flames will come out before the end of September and Cloak of Worlds before the end of October, and after that I will be able to return to the Rivah series at long last. In audiobook news, recording is finished on Shield of Power. That will be excellently narrated by Brad Wills and hopefully once it gets through processing and quality assurance and everything, it should be showing up on the various audiobook stores before too much longer. Hollis McCarthy is about halfway through the recording of Ghost in the Siege, which was, as you know, the last book in the Ghost Armor series that just came out. And if all goes well, the audiobook should be coming out probably in October once everything is done with recording and quality assurance and all that. So that is where I'm at with my current writing and audiobook projects. 00:02:34 Main Topic: Summer 2025 Movie/TV Roundup So without further ado, let's head into our main topic. The end of summer is nigh, which means this time for my summer movie review roundup. As is usual for the summer, I saw a lot of movies, so this will be one of the longer episodes. For some reason I ended up watching a bunch of westerns. As always, the movies are ranked from least favorite to most favorite. The grades of course are totally subjective and based on nothing more than my own opinions, impressions, and interpretations. Now on to the movies. First up is the Austin Powers trilogy, the three movies of which came out in 1997, 1999, and 2002. The Austin Powers movies came out just as the Internet really got going in terms of mass adoption, which is likewise why so many Austin Powers and Dr. Evil memes are embedded in online culture. Despite that, I had never really seen any of them all the way through. They've been on in the background on TBS or whatever quite a bit when I visited people, but I've never seen them all. But I happened upon a DVD of the trilogy for $0.25 (USD), so I decided for 25 cents I would give it a go. I would say the movies were funny, albeit not particularly good. Obviously the Austin Powers movies are a parody of the James Bond movies. The movies kind of watch like an extended series of Saturday Night Live skits, only loosely connected, like the skit is what if Dr. Evil had a son named Scott who wasn't impressed with him or another skit was what if a British agent from the ‘60s arrives in the ‘90s and experiences culture clash? What if Dr. Evil didn't understand the concept of inflation and demanded only a million dollars from the United Nations? What if Dr. Evil was actually Austin's brother and they went to school together at Spy Academy? Michael Caine was pretty great as Austin's father. Overall, funny but fairly incoherent. Overall grade: C- Next up is Horrible Bosses, a very dark and very raunchy comedy from about 14 years ago. It came out in 2011. Interestingly, this movie reflects what I think is one of the major crises of the contemporary era, frequent failures of leadership at all levels of society. In the movie Nick, Dale, and Kurt are lifelong friends living in LA and all three of them have truly horrible bosses in their place of employment, ranging from a sociopathic finance director, the company founder's cokehead son, and a boorish dentist with a tendency to sexual harassment. At the bar, they fantasize about killing their horrible bosses and then mutually decide to do something about it. Obviously, they'd all be prime suspects in the murder of their own bosses, but if they killed each other's bosses, that would allow them to establish airtight alibis. However, since Nick, Dale and Kurt are not as bright as they think they are, it all goes hilariously wrong very quickly. Bob Hope has a hilarious cameo. If the best “crude comedies” I've seen are Anchorman, Zoolander, Tropic Thunder, and Dodgeball, and the worst one was MacGruber, I'd say Horrible Bosses lands about in the middle. Overall grade: C Next up is Cowboys and Aliens, which came out in 2011. Now I almost saw this in 2011 when it came out, but I was too busy to go to the theater in July of 2011, so I finally saw it here in 2025 and I would say this was almost a great movie, like the performances were great, the concept was great, the scenery was great, the special effects were great, and the story was packed full of really interesting ideas, but somehow they just didn't coalesce. I'm not entirely sure why. I think upon reflection, it was that the movie is just too overcrowded with too many characters and too many subplots. Anyway, Daniel Craig portrays a man who wakes up with no memory in the Old West, with a mysterious bracelet locked around his wrist. He makes his way to the town of Atonement, and promptly gets arrested because he is apparently a notorious outlaw (which he doesn't remember). While he is locked in jail, space aliens attack the town. The aliens, for unknown reasons, abduct many of the townspeople, and Daniel Craig's character, who is named Jake even if he doesn't remember it, must lead the town's effort to recover their abducted citizens. Harrison's Ford has an excellent performance as this awful cattle baron who nonetheless has virtues of courage and fortitude that you can't help but admire. An excellent performance. That said, the movie was just too packed, and I thought it would work better as a novel. After I watched the movie, it turned out that it was indeed based off a graphic novel. Novels and graphic novels allow for a far more complex story than a movie, and I don't think this movie quite managed to handle the transition from a graphic novel to a film. Overall grade: C Next up is Heads of State, which came out in 2025. This was kind of a stupid movie. However, the fundamental question of any movie, shouted to the audience by Russell Crow in Gladiator is, “are you not entertained?!?” I was thoroughly entertained watching this, so entertained I actually watched it twice. Not everything has to be Shakespeare or a profound meditation on the unresolvable conflicts inherent within human nature. Anyway, John Cena plays Will Derringer, newly elected President of the United States. Idris Elba plays Sam Clark, who has now been the UK Prime Minister for the last six years. Derringer was an action star who parleyed his celebrity into elected office (in the same way Arnold Schwarzenegger did), while Clarke is an army veteran who worked his way up through the UK's political system. Needless to say, the cheerful Derringer and the grim Clarke take an immediate dislike to each other. However, they'll have to team up when Air Force One is shot down, stranding them in eastern Europe. They'll have to make their way home while evading their enemies to unravel the conspiracy that threatens world peace. So half action thriller, half buddy road trip comedy. The premise really doesn't work if you think about it too much for more than thirty seconds, but the movie was funny and I enjoyed it. Jack Quaid really stole his scenes as a crazy but hyper-competent CIA officer. Overall grade: C+ Next up, Captain America: Brave New World, which came out in 2025 and I think this movie ended up on the good side of middling. You can definitely tell it went through a lot of reshoots and retooling, and I suspect the various film industry strikes hit it like a freight train. But we ended up with a reasonably solid superhero thriller. Sam Wilson is now Captain America. He's not superhuman the way Steve Rogers was and doesn't have magic powers or anything, so he kind of fights like the Mandalorian – a very capable fighter who relies on excellent armor. Meanwhile, in the grand American political tradition of failing upward, Thaddeus “Thunderbolt” Ross, who spent years persecuting The Hulk and whose meddling caused the Avengers to disband right before Thanos attacked, has now been elected President. To Wilson's surprise, Ross reaches out and wants him to restart the Avengers. But Ross (as we know) did a lot of shady black ops stuff for years, and one of his projects is coming back to haunt him. Wilson finds himself in the middle of a shadowy conspiracy, and it's up to him to figure out what's going on before it's too late. I was amused that lifelong government apparatchik Ross wanted to restart the Avengers, because when the Avengers had their biggest victory in Avengers: Endgame, they were essentially unsanctioned vigilantes bankrolled by a rogue tech billionaire. Overall grade: B- Next up is Ironheart, which came out in 2025. I'd say Ironheart was about 40% very weird and 60% quite good. It's sort of like the modern version of Dr. Faustus. The show got some flak on the Internet from the crossfire between the usual culture war people, but the key to understanding it is to realize that Riri Williams AKA Ironheart is in fact an antihero who's tottering on the edge of becoming a full-blown supervillain. Like Tony Stark, she's a once-in-a-generation scientific talent, but while she doesn't have Stark's alcohol problems, she's emotionally unstable, immature, ruthless, indifferent to collateral damage and consequences, and suffering from severe PTSD after her best friend and stepfather were killed in a drive-by shooting. This volatile mix gets her thrown out of MIT after her experiments cause too much destruction, and she has to go home to Chicago. To get the funds to keep working on her Iron Man armor, she turns to crime, and falls in with a gang of high-end thieves led by a mysterious figure named Hood. It turns out that Hood has actual magic powers, which both disturbs and fascinates Riri. However, Hood got his magic in a pact with a mysterious dark force. When a job goes bad, Riri gains the enmity of Hood and has to go on the run. It also turns out Hood's dark master has become very interested in Riri, which might be a lot more dangerous for everyone in the long run. Overall, I'd say this is about in the same vein as Agatha All Along, an interesting show constructed around a very morally questionable protagonist. Overall grade: B Next up is A Minecraft movie, which came out in 2024. I have to admit, I've never actually played Minecraft, so I know very little about the game and its ecosystem, only what I've generally absorbed by glancing at the news. That said, I think the movie held together quite well, and wasn't deserving of the general disdain it got in the press. (No doubt the $950 million box office compensated for any hurt feelings.) One of the many downsides of rapid technological change in the last fifty years is that the Boomers and Gen X and the Millennials and Gen Z and Gen Alpha have had such radically different formative experiences in childhood that it's harder to relate to each other. Growing up in the 1980s was a wildly different experience than growing up in the 2010s, and growing up in the 2010s was an even more wildly different experience than growing up in the 1960s. Smartphones and social media were dominant in 2020, barely starting in 2010, and implausible science fiction in 2000 and earlier, and so it was like the different generations grew up on different planets, because in some sense they actually did. (A five-year-old relative of mine just started school, and the descriptions of his school compared to what I remember of school really do sound like different planets entirely.) The Minecraft game and A Minecraft Movie might be one of those generation-locked experiences. Anyway, this has gotten very deep digression for what was essentially a portal-based LitRPG movie. A group of people experiencing various life difficulties in a rural Idaho town get sucked into the Minecraft world through a magic portal. There they must combine forces and learn to work together to master the Minecraft world to save it from an evil sorceress. As always, the fundamental question of any movie is the one that Russell Crowe's character shouted to the audience in Gladiator back in 2000. “Are you not entertained?” I admit I was entertained when watching A Minecraft Movie since it was funny and I recognized a lot of the video game mechanics, even though I've never actually played Minecraft. Like, Castlevania II had a night/day cycle the way Minecraft does, and Castlevania II was forty years ago. But that was another digression! I did enjoy A Minecraft Movie. It was kind of crazy, but it committed to the craziness and maintained a consistent creative vision, and I was entertained. Though I did think it was impressive how Jack Black's agent managed to insist that he sing several different times. Overall grade: B Next up is Back to School, which came out in 1986 and this is one of the better ‘80s comedies I've seen. Rodney Dangerfield plays Thornton Melon, who never went to college and is the wealthy owner of a chain of plus-sized clothing stores. His son Jason is attending Great Lakes University, and after Thornton's unfaithful gold-digging wife leaves him (Thornton is mostly relieved by this development), he decides to go visit his son. He quickly discovers that Jason is flailing at college, and decides to enroll to help out his son. Wacky adventures ensue! I quite enjoyed this. The fictional “Great Lakes University” was largely shot at UW-Madison in Wisconsin, which I found amusing because I spent a lot of time at UW-Madison several decades ago as a temporary IT employee. I liked seeing the characters walk past a place where I'd eat lunch outside when the day was nice, that kind of thing. Also, I'm very familiar with how the sausage gets made in higher ed. There's a scene where the dean is asking why Thornton is qualified to enter college, and then it cuts to the dean cheerfully overseeing the groundbreaking of the new Thornton Melon Hall which Thornton just donated, and I laughed so hard I almost hurt myself, because that is exactly how higher ed works. The movie had some pointless nudity, but it was only a few seconds and no doubt gets cut in network broadcasts. Overall grade: B Next up is Whiskey Galore, which came out in 1949 and this is a comedy set in Scotland during World War II. The villagers living on an isolated island have no whiskey due to wartime rationing. However, when a government ship carrying 50,000 cases of whiskey runs aground near the island, wacky hijinks ensue. I have to admit the first half of the movie was very slow and deliberate, gradually setting up all the pieces for later. Then, once the shipwreck happens, things pick up and the movie gets much funnier. Definitely worth watching both as a good comedy movie and an artifact of its time. A modicum of historical knowledge is required – if you don't know what the Home Guard is, you might have to do some Googling to understand the context of some of the scenes. Regrettably, the version I watched did not have captioning, so I had to pay really close attention to understand what the characters were saying, because some of the accents were very strong. Overall grade: B Next up is Happy Gilmore 2, which came out in 2025. This was dumb and overstuffed with celebrity cameos but thoroughly hilarious and I say this even though it uses one of my least favorite story tropes, namely “hero of previous movie is now a middle age loser.” However, the movie leads into it for comedy. When Happy Gilmore accidentally kills his wife with a line drive, he spirals into alcoholism and despair. But his five children still love him, and when his talented daughter needs tuition for school, Happy attempts to shake off his despair and go back to golf to win the money. But Happy soon stumbles onto a sinister conspiracy led by an evil CEO to transform the game of golf into his own personal profit center. Happy must team up with his old nemesis Shooter McGavin to save golf itself from the evil CEO. Amusingly, as I've said before, the best Adam Sandler movies are almost medieval. In medieval fables, it was common for a clever peasant to outwit pompous lords, corrupt priests, and greedy merchants. The best Adam Sandler protagonist remains an everyman who outwits the modern equivalent of pompous lords and corrupt priests, in this case an evil CEO. Overall grade: B+ Next up is Superman, which came out in 2025 and I thought this was pretty good and very funny at times. I think it caught the essential nature of Superman. Like, Superman should be a Lawful Good character. If he was a Dungeons and Dragons character, he would be a paladin. People on the Internet tend to take the characterization of superheroes seriously to perhaps an unhealthy degree, but it seems the best characterization of Superman is as an earnest, slightly dorky Boy Scout who goes around doing good deeds. The contrast of that good-hearted earnestness with his godlike abilities that would allow him to easily conquer and rule the world is what makes for an interesting character. I also appreciated how the movie dispensed with the overused trope of the Origin Story and just got down to business. In this movie, Lex Luthor is obsessed with destroying Superman and is willing to use both super-advanced technology and engineered geopolitical conflict to do it. Superman, because he's essentially a decent person, doesn't comprehend just how depraved Luthor is, and how far Luthor is willing to go out of petty spite. (Ironically, a billionaire willing to destroy the world out of petty spite is alas, quite realistic). Guy Gardener (“Jerkish Green Lantern”) and the extremely competent and the extremely exasperated Mr. Terrific definitely stole all their scenes. The director of the movie, James Gunn, was quite famously fired from Disney in 2018 for offensive jokes he had made on Twitter back when he was an edgy young filmmaker with an alcohol problem. I suppose Mr. Gunn can rest content knowing that Superman made more money than any Marvel movie released this year. Overall grade: A-   Next up is Who Framed Roger Rabbit?, which came out in 1988. This was a very strange movie, but nonetheless, one with an ambitious premise, strong performances, and a strong artistic vision. It's set in post WWII Los Angeles, and “toons” (basically cartoon characters) live and work alongside humans. Private eye Eddie Valiant hates toons since one of them killed his brother five years ago. However, he's hired by the head of a studio who's having trouble with one of his toon actors, Roger Rabbit. Roger's worried his wife Jessica is having an affair, and Valiant obtains pictures of Jessica playing patty cake (not a euphemism, they actually were playing patty cake) with another man. Roger has an emotional breakdown, and soon the other man winds up dead, and Roger insists he's innocent. Valiant and Roger find themselves sucked into a dangerous conspiracy overseen by a ruthless mastermind. This movie was such an interesting cultural artifact. It perfectly follows the structure of a ‘40s film noir movie, but with cartoons, and the dissonance between film noir and the cheerfulness of the toons was embraced and used as a frequently source of comedy. In fact, when the grim and dour Valiant uses the toons' comedy techniques as a tactical improvisation in a moment of mortal peril, it's both hilarious and awesome. Christopher Lloyd's performance as the villainous Judge Doom was amazing. (I don't think it's a spoiler to say that he's villainous, because his character is named Judge Doom and he's literally wearing a black hat.) Like, his performance perfectly captures something monstrous that is trying very hard to pretend to be human and not quite getting it right. And the amount of work it must have taken to make this movie staggers the mind. Nowadays, having live actors interact with cartoon characters is expensive, but not unduly so. It's a frequent technique. You see it all the time in commercials when a housewife is smiling at an animated roll of paper towels or something, and Marvel's essentially been doing it for years. But this was 1988! Computer animation was still a ways off. They had to shoot the movie on analog film, and then hand-draw all the animation and successfully match it to the live film. It wouldn't have worked without the performance of Bob Hoskins as Eddie Valiant, who plays everything perfectly straight in the same way Michael Caine did in A Muppet Christmas Carol. So kind of a strange movie, but definitely worth watching. And it has both Disney and Warner Brothers animated characters in the same movie, which is something we will never, ever see again. Overall grade: A Next up is K-Pop Demon Hunters, which came out in 2025. Like Who framed Roger Rabbit?, this is a very strange movie, but nonetheless with a clear and focused artistic vision. It is a cultural artifact that provides a fascinating look into a world of which I have no knowledge or interest, namely K-pop bands and their dueling fandoms. Anyway, the plot is that for millennia, female Korean musicians have used the magic of their voices to keep the demons locked away in a demon world. The current incarnation is a three-woman K-Pop group called Huntrix, and they are on the verge of sealing away the demons forever. Naturally, the Demon King doesn't like this, so one of his cleverer minions comes up with a plan. They'll start a Demon K-Pop Boy Band! Disguised as humans, the demon K-Pop group will win away Huntrix's fans, allowing them to breach the barrier and devour the world. However, one of the Huntrix musicians is half-demon, and she starts falling for the lead demon in the boy band, who is handsome and of course has a dark and troubled past. Essentially a musical K-drama follows. I have to admit I know practically nothing about K-Pop groups and their dueling fandoms, other than the fact that they exist. However, this was an interesting movie to watch. The animation was excellent, it did have a focused vision, and there were some funny bits. Overall grade: A Next up is Clarkson's Farm Season Four, which came out in 2025. A long time ago in the ‘90s, I watched the episode of Frasier where Frasier and Niles attempt to open a restaurant and it all goes horribly (yet hilariously) wrong. At the time, I had no money, but I promised myself that I would never invest in a restaurant. Nothing I have seen or learned in the subsequent thirty years has ever changed that decision. Season 4 of Clarkson's Farm is basically Jeremy Clarkson, like Frasier and Niles, attempting to open a restaurant, specifically a British pub. On paper it's a good idea, since Clarkson can provide the pub with food produced from his own farm and other local farmers. However, it's an enormous logistical nightmare, and Clarkson must deal with miles of red tape, contractors, and a ballooning budget, all while trying to keep his farm from going under. An excellent and entertaining documentary into the difficulties of both the farming life and food service. I still don't want to own a restaurant! Overall grade: A Next up is Tombstone, which came out in 1993. The Western genre of fiction is interesting because it's limited to such a very specific period of time and geographical region. Like the “Wild West” period that characterizes the Western genre really only lasted as a historical period from about 1865 to roughly 1890. The Western genre was at its most popular in movies from the 1940s and the 1960s, and I wonder if it declined because cultural and demographic changes made it unpopular to romanticize the Old West the way someone like Walt Disney did at Disneyland with “Frontierland.” Of course, the genre lives on in different forms in grittier Western movies, neo-Westerns like Yellowstone and Longmire, and a lot of the genre's conventions apply really well to science fiction. Everyone talks about Firefly being the first Space Western, but The Mandalorian was much more successful and was basically a Western in space (albeit with occasional visits from Space Wizards). Anyway! After that long-winded introduction, let's talk about Tombstone. When Val Kilmer died earlier this year, the news articles mentioned Tombstone as among his best work, so I decided to give it a watch. The plot centers around Wyatt Earp, played by Kurt Russell, who has decided to give up his career in law enforcement and move to Tombstone, Arizona, a silver mining boomtown, in hopes of making his fortune. However, Tombstone is mostly controlled by the Cowboys outlaw gang, and Earp is inevitably drawn into conflict with them. With the help of his brothers and Doc Holliday (Val Kilmer's character), Earp sets out to bring some law and order to Tombstone, whether the Cowboys like it or not. Holliday is in the process of dying from tuberculosis, which makes him a formidable fighter since he knows getting shot will be a less painful and protracted death than the one his illness will bring him. Kilmer plays him as a dissolute, scheming warrior-poet who nonetheless is a very loyal friend. Definitely a classic of the Western genre, and so worth watching. Overall grade: A Next up is Mission Impossible: The Final Reckoning, the eighth Mission Impossible movie. Of the eight movies, I think the sixth one was the best one, but this one comes in at a close second. It continues on from Dead Reckoning. Ethan Hunt now possesses the key that will unlock the source code of the Entity, the malicious AI (think ChatGPT, but even more obviously evil) that is actively maneuvering the world's nuclear powers into destroying each other so the Entity can rule the remnants of humanity. Unfortunately, the Entity's source code is sitting in a wrecked Russian nuclear sub at the bottom of the Bering Sea. Even more unfortunately, the Entity knows that Hunt has the key and is trying to stop him, even as the Entity's former minion and Hunt's bitter enemy Gabriel seeks to seize control of the Entity for himself. A sense of apocalyptic doom hangs over the movie, which works well to build tension. Once again, the world is doomed, unless Ethan Hunt and his allies can save the day. The tension works extremely well during the movie's underwater sequence, and the final airborne duel between Hunt and Gabriel. I don't know if they're going to make any more Mission Impossible movies after this (they are insanely expensive), but if this is the end, it is a satisfying conclusion for the character of Ethan Hunt and the Impossible Mission Force. Overall grade: A Next up is Deep Cover, which came out in 2025. This is described as a comedy thriller, and I didn't know what to expect when I watched it, but I really enjoyed it. Bryce Dallas Howard plays Kat, a struggling comedy improv teacher living in London. Her best students are Marlon (played by Orlando Bloom), a dedicated character actor who wants to portray gritty realism but keeps getting cast in tacky commercials, and Hugh (played by Nick Mohammed), an awkward IT worker with no social skills whatsoever. One day, the three of them are recruited by Detective Sergeant Billings (played by Sean Bean) of the Metropolitan Police. The Met wants to use improv comedians to do undercover work for minor busts with drug dealers. Since it plays 200 pounds a pop, the trio agrees. Of course, things rapidly spiral out of control, because Kat, Marlon, and Hugh are actually a lot better at improv than they think, and soon they find themselves negotiating with the chief criminals of the London underworld. What follows is a movie that is both very tense and very funny. Kat, Marlon, and Hugh are in way over their heads, and will have to do the best improv of their lives to escape a very grisly fate. Whether Sean Bean dies or not (as is tradition), you will just have to watch the movie and find out. Overall grade: A Next up is Puss in Boots: The Final Wish, which came out in 2022. I don't personally know much about the history of Disney as a corporation, and I don't much care, but I do have several relatives who are very interested in the history of the Disney corporation, and therefore I have picked up some by osmosis. Apparently Disney CEO Michael Eisner forcing out Jeffrey Katzenberg in the 1990s was a very serious mistake, because Katzenberg went on to co-found DreamWorks, which has been Disney's consistent rival for animation for the last thirty years. That's like “CIA Regime Change Blowback” levels of creating your own enemy. Anyway, historical ironies aside, Puss in Boots: The Final Wish was a funny and surprisingly thoughtful animated movie. Puss in Boots is a legendary outlaw and folk hero, but he has used up eight of his nine lives. An ominous bounty hunter who looks like a humanoid wolf begins pursuing him, and the Wolf is able to shrug off the best of Puss In Boots' attacks. Panicked, Puss hides in a retirement home for elderly cats, but then hears rumors of the magical Last Wish. Hoping to use it to get his lives back, Puss In Boots sets off on the quest. It was amusing how Little Jack Horner and Goldilocks and the Three Bears were rival criminal gangs seeking the Last Wish. Overall grade: A Next up is Chicken People, which came out in 2016. A good documentary film gives you a glimpse into an alien world that you would otherwise never visit. In this example, I have absolutely no interest in competitive chicken breeding and will only raise chickens in my backyard if society ever collapses to the level that it becomes necessary for survival. That said, this was a very interesting look into the work of competitive chicken breeding. Apparently, there is an official “American Standard of Perfection” for individual chicken breeds, and the winner of the yearly chicken competition gets the title “Super Grand Champion.” Not Grand Champion, Super Grand Champion! That looks impressive on a resume. It is interesting how chicken breeding is in some sense an elaborate Skinner Box – like you can deliberately set out to breed chickens with the desirable traits on the American Standard of Perfection, but until the chickens are hatched and grow up, you don't know how they're going to turn out, so you need to try again and again and again… Overall grade: A Next up is The Mask of Zoro, which came out in 1998. I saw this in the theatre when it came out 27 years ago, but that was 27 years ago, and I don't have much of a memory of it, save that I liked it. So when I had the chance to watch it again, I did! Anthony Hopkins plays Diego de la Vega, who has the secret identity of Zorro in the final days before Mexico breaks away from the Spanish Empire. With Mexico on the verge of getting its independence, Diego decides to hang up his sword and mask and focus on his beloved wife and daughter. Unfortunately, the military governor Don Montero realizes Diego is Zorro, so has him arrested, kills his wife, and steals his baby daughter to raise as his own. Twenty years later, a bandit named Alejandro loses his brother and best friends to a brutal cavalry commander. It turns out that Montero is returning to California from Spain, and plans to seize control of California as an independent republic (which, of course, will be ruled by him). In the chaos, Diego escapes from prison and encounters a drunken Alejandro, and stops him from a futile attack upon the cavalry commander. He then proposes a pact – Diego will train Alejandro as the next Zorro, and together they can take vengeance upon the men who wronged them. This was a good movie. It was good to see that my taste in movies 27 years ago wasn't terrible. It manages to cram an entire epic plot into only 2 hours and 20 minutes. In some ways it was like a throwback to a ‘40s movie but with modern (for the ‘90s) production values, and some very good swordfights. Overall grade: A Next up is Wick is Pain, which came out in 2025. I've seen all four John Wick movies and enjoyed them thoroughly, though I've never gotten around to any of the spinoffs. Wick is Pain is a documentary about how John Wick went from a doomed indie movie with a $6.5 million hole in its budget to one of the most popular action series of the last few decades. Apparently Keanu Reeves made an offhand joke about how “Wick is pain” and that became the mantra of the cast and crew, because making an action movie that intense really was a painful experience. Definitely worth watching if you enjoyed the John Wick movies or moviemaking in general. Overall grade: A The last movie I saw this summer was Game Night, which came out in 2016. It was a hilarious, if occasionally dark comedy action thriller. Jason Bateman and Rachel McAdams play Max and Annie Davis, a married couple who are very competitive and enjoy playing games of all kinds. Jason has an unresolved conflict with his brother Brooks, and one night Brooks invites them over for game night, which Max resents. Halfway through the evening, Brooks is kidnapped, with Max and Annie assume is part of the game. However, Brooks really is involved in something shady. Hilarity ensues, and it's up to Max and Annie to rescue Brooks and stay alive in the process. This was really funny, though a bit dark in places. That said, Max and Annie have a loving and supportive marriage, so it was nice to see something like that portrayed on the screen. Though this also leads to some hilarity, like when Annie accidentally shoots Max in the arm. No spoilers, but the punchline to that particular sequence was one of the funniest things I've ever seen. Overall grade: A So no A+ movie this time around, but I still saw a bunch of solid movies I enjoyed. One final note, I have to admit, I've really come to respect Adam Sandler as an entertainer, even if his movies and comedy are not always to my taste. He makes what he wants, makes a lot of money, ensures that his friends get paid, and then occasionally takes on a serious role in someone else's movie when he wants to flex some acting muscles. I am not surprised that nearly everyone who's in the original Happy Gilmore who was still alive wanted to come back for Happy Gilmore 2. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show enjoyable and perhaps a guide to some good movies to watch. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

MUSICZoë Kravitz and Harry Styles ignited romance rumors after being seen kissing in London, following a promotional event for Kravitz's new film, Caught Stealing, a source tells People magazine. https://people.com/zoe-kravitz-harry-styles-spotted-kissing-in-london-source-exclusive-11797000 It's two against one in The Police as Andy Summers and Stewart Copeland have reportedly filed a lawsuit against Sting, claiming they are owed millions in royalties. https://www.thesun.co.uk/tvandshowbiz/36421649/sting-sued-royalties-ex-bandmates-the-police/ Chino Moreno feels that the Deftones new album, Private Music, is among their best -- and that it's due in part to his decision to get sober. https://www.nytimes.com/2025/08/20/arts/music/deftones-private-music.html Billy Ray Cyrus shared a snippet of an unreleased single, titled "Secrets," which was penned and performed by Miley featuring Billy's favorite band, Fleetwood Mac. https://www.tmz.com/2025/08/25/billy-ray-cyrus-shares-song-miley-wrote-for-him/ TVDevon Walker is leaving Saturday Night Live after three seasons. https://variety.com/2025/tv/news/devon-walker-exits-snl-1236498152/ MOVING ON INTO MOVIE NEWS:After a successful theatrical run, Marvel Studios' Thunderbolts* hits Disney+ on August 27. https://www.usatoday.com/story/entertainment/movies/2025/08/25/thunderbolts-is-releasing-on-disney-soon-what-to-know/85764624007/ 'Jaws' is returning to theaters over Labor Day weekend to celebrate 50 years of terrifying beachgoers and boaters alike. https://www.aol.com/jaws-returning-theaters-50th-anniversary-222608649.html?guccounter=1&guce_referrer=aHR0cHM6Ly9wcmVwcGx1cy5mdXR1cmltZWRpYS5jb20v&guce_referrer_sig=AQAAAB7OBOgAXtZ8Y3wgzNI4b3b0YLUcVry-6CDCKIrcrV47bnOgRR3BOOOHys5uUNFnYr49tEaqlGCltH6ZfTaerFuOS49c503qouV5Hek5AF4DP0BlIcoPCflk4Gf9jQcUO43xnM_d8bm9P9LxjPwLmwiyGFkHzTAzghXEjnIQvRzgHarrison Ford and Jay Leno aren't super close. But they're close enough that they can help each other out with very specific bathroom issues. https://ew.com/harrison-ford-is-getting-jay-leno-to-3d-print-him-a-toilet-seat-11795643 Would you smoke weed with a celebrity? Seth Rogan recently admitted that he will smoke with fans when they ask him to. During a podcast appearance with Ben Stiller, Seth said, quote, "If it seems like it'll really be special for the person, sometimes I will. I've had moments where I'm like, 'This is a big moment for this person. Least I could do is take a couple hits with them.'" As for Ben, he says people often shout "Focker!" at him, as a nod to his character in "Meet the Parents". Sometimes they ask him to give them the "Blue Steel" look from "Zoolander". . . and he's cool with it. https://ew.com/seth-rogen-says-sometimes-i-will-smoke-weed-with-fans-11795160 AND FINALLYThey tell us we're in the golden age of television, and Collider.com put together a list of the 25 best TV performances of the 21st Century. https://collider.com/best-tv-performances-21st-century-ranked/?utm_source=fark&utm_medium=website&utm_content=link&ICID=ref_fark AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textIs a creator's vision more important than fan expectations? When Dan selected Zoolander 2 to counter Tony's Happy Gilmore 2 pick, neither expected to ignite a fundamental debate about the nature of filmmaking itself.What begins as a typical movie discussion quickly transforms into a passionate philosophical standoff. Dan champions Zoolander 2 as a delightfully absurd comedy filled with machine-gun joke delivery, praising everything from Kyle Mooney's hipster character to Kiefer Sutherland's pregnancy reveal. He argues that filmmakers should follow their creative instincts rather than simply recreating what worked before.Tony, however, sees the film as a betrayal. Where the original Zoolander offered grounded fashion industry satire, the sequel's supernatural elements, fashion police, and action-movie aesthetics abandon everything that made the first film special. "This could be about any group of people that want to live forever. It has nothing to do with fashion," he argues, making the case that legacy sequels have an obligation to honor what fans loved.The conversation spirals into fascinating territory as the hosts examine specific scenes through completely different lenses. Whether discussing Benedict Cumberbatch's controversial All character, the bizarre masks sequence, or the lava pit finale, their disagreements reveal deeper questions about artistic growth versus audience satisfaction. Dan summarizes the contrast perfectly: "Happy Gilmore 2 is a perfect sequel but not a great movie, while Zoolander 2 is a horrible sequel but a fine movie by itself."Perhaps most compelling is their exploration of how creative failure shapes artistic paths. Ben Stiller's admission that Zoolander 2's poor reception propelled him toward creating acclaimed work like "Severance" raises questions about whether commercial disappointment sometimes serves a greater purpose.Whether you've seen the polarizing sequel or not, this episode delivers laugh-out-loud moments alongside thoughtful examination of what we truly want from the films we love. By the end, you'll be questioning your own stance on the eternal debate: should creators prioritize their artistic vision or give audiences exactly what they expect?Be our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

Join Sis and Big Pops for a fun, fun talk about one of the things we love most—Nerd Stuff. We discuss our fav bits of nerd news: The FF house was listed on Zillow and you could tour it. New FF vignettes have been dropped as well. ACOTAR 6 may have a finished trash, and GameStop may create an arcade. There's going to be an Animatronic Walt Disney at Disneyland. New Comic Book Wednesday is looking good with a Star Trek: Red Shirts comic. A new movie called Winter Games has been teased, and there was a funny video game shenanigans with 500 hobbits trying to make it to Mt. Doom in a LOTR Online Game. For bingeing, Big Pops has been watching the 50th anniversary of Jaws documentary, Jaws, Independence Day, and Zoolander; as well as playing Mario Kart Tour. Sis has watched Doctor Who, Princess Bride, a chill Zelda TOK let's play, Independence Day, and the Christopher Reeve Superman. Then, Pops shared his pull list! This week he introduces us to Action Comics Issue 1088 by DC; Fantastic Four: First Steps Issue 1 by Marvel; Sisterhood Issue 1 by Image (the horror imprint). His new number 1 is Captain America (legacy #772) by Marvel. His Book of the Week is Planet Death Issue 1by Bad Idea. And last but not least, we review the movie “Heads of State.”

We're back with another 90-minute movie for a crazy busy August. We're chatting about Ben Stiller's Zoolander. Hard to believe Ben Stiller directed both this and Severance. Instagram: @heyitstwogirls, @classicSTINA @daniellecobianchiTwitter: @heyitstwogirls, @classicSTINA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Two Girls Drink Beer Youtube

This week on Good One, Ben Stiller joins us for a conversation about his journey from being a comedy superstar in legendary films like Zoolander, Tropic Thunder and Meet the Parents, to the director and executive producer who brought the creepy, crazy world of Severance to life on Apple TV+. 00:00 Intro 00:01:00 Happy Gilmore 2 00:04:30 Severance 00:18:34 The Mystery of Severance 00:23:48 Severance season finale 00:31:17 The Cable Guy vs Severance 00:38:07 Tropic Thunder 00:43:40 Working with Robert DeNiro 00:46:10 Zoolander 00:48:40 Sondheim 00:52:04 Parenthood 01:05:28 The Laughening Round Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alexander Skarsgård (Murderbot, Melancholia, True Blood) is an Emmy Award-winning actor. Alexander joins the Armchair Expert to discuss accidentally signing up for a month-long cross country ski trek in the South Pole, gaining 25 pounds and long hair in the final season of True Blood because he was prepping to play Tarzan, and how everyone in Sweden exhibits symptoms of No Tall Poppy Syndrome. Alexander and Dax talk about why a sprinkle of anarchy would be good in Sweden, growing up around actors and artists he longed for a dad that drove a Saab, and joining the military as a response to being raised by bohemians. Alexander explains booking his first Hollywood audition for Zoolander, playing AI gone rogue in Murderbot, and whether as a Swede he's liberated from the hedonic treadmill of obsessing about money.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John Hamburg joins GG Hawkins to discuss crafting iconic, rewatchable comedies—from cult hits like Safe Men to mainstream favorites such as Meet the Parents, Zoolander, I Love You, Man, and the upcoming new Meet the Parents installment. Hamburg shares his creative journey, balancing absurd premises with emotional truth, breaking into the industry, and directing the finale of Apple TV's Stick. He also dives into working with comedic legends, developing enduring characters, and orchestrating large-scale scenes with precision and heart. In this episode, No Film School's GG Hawkins and guest John Hamburg discuss... How John's breakthrough began with an NYU short at Sundance, leading to his first film Safe Men His process for deciding to leave NYU early and navigate a career in features vs. film school What drew him to direct the final episodes of Stick on Apple TV Plus and working with Owen Wilson The particular direction and strategy involved in managing huge crowds and authentic golf interactions on a TV-scale production The building blocks of quotable comedy: committing to emotionally real characters, clear scene goals, and grounded set pieces Collaborating with actors like Ben Stiller, Robert De Niro, Philip Seymour Hoffman, Paul Rudd, and Alec Baldwin—balancing scripted freshness and improvisation Behind‑the‑scenes look at tough moments like reworking the poker table speech in Along Came Polly Hamburg's ringmaster philosophy: creating a safe, creative set for spontaneity while keeping an eye on structure and story Memorable Quotes: “I think if the characters are grounded in an emotional reality… that's maybe what makes them stand the test of time.” (27:05) “Directing is such an incredible job, but it can be very lonely at times because you're the only one that knows really.” (43:57) “Sometimes directing is also sort of like being okay with letting something formulate and happen on its own organically.” (44:42) Guests: John Hamburg (IMDb) Resources: Square Peg Social on FilmFreeway I Really Love My Husband w/ In-Person Q&A I Really Love My Husband on Instagram Find No Film School everywhere: On the Web: No Film School (https://nofilmschool.com/) Facebook: No Film School on Facebook (https://www.facebook.com/nofilmschool) Twitter: No Film School on Twitter (https://twitter.com/nofilmschool) YouTube: No Film School on YouTube (https://www.youtube.com/user/nofilmschool) Instagram: No Film School on Instagram (https://www.instagram.com/nofilmschool)

This week we cover a cool story Hansel when we dive into an early 2000s comedy. This week we are covering Zoolander. What will we think of this movie about male models? Tune in to find out as we SHOOT THE FLICK!!!Follow us on Instagram, Twitter, Tik Tok, and Blue Sky

Alexander Skarsgård decided acting wasn't for him at age 13 and he went in a completely different direction with his life. But after time in the Swedish Navy and a false start at university in England, he couldn't fight the pull of acting. Alexander talks with Marc about his career-making roles in Generation Kill and True Blood, the difficulty of making The Northman, the ease of making Big Little Lies, and why he loves doing offbeat comedy, whether it's something goofy like Zoolander, pitch black like Succession, or sci-fi satire like his new series Murderbot. Hosted on Acast. See acast.com/privacy for more information.

Meet Moshe Kasher, a comedian, writer, actor, and podcast host. You may know him from his books, including his memoir Subculture Vulture and Kasher in the Rye. He has written for various TV shows and movies, including HBO’s Betty, Comedy Central’s roasts and Another Period, Zoolander 2, Wet Hot American Summer, and many more. His Netflix specials include Moshe Kasher: Live in Oakland and The Honeymoon Stand Up Special. He co-hosts The Endless Honeymoon podcast with his wife, Natasha Leggero. Catch him live on tour as well! I hope you enJOY!See omnystudio.com/listener for privacy information.

In this episode of Quah (Q & A), Sal, Adam & Justin coach four Pump Heads via Zoom. Mind Pump Fit Tip: Top 3 signs you're losing fat and NOT muscle. (1:53) Are squeem's becoming a trend again? (14:51) Zoolander in real life. (22:01) Fashion isn't about what looks good, but WHO is wearing it. (24:34) Who won the worst photo contest? (31:04) A more appropriate route for fat loss for MOST people than GLP-1s. (32:57) Will we see a change in pharmaceutical advertising? (36:43) Vaccinations and neurodevelopmental disorders. (38:08) Scary Apple wristband lawsuit. (44:59) Fighting the urge when your kid shows an interest in something you love. (47:47) The use of social media to build a fitness business has been misunderstood. (50:58) #ListenerLive question #1 – I've recently switched over from CrossFit/competitive weightlifting to traditional strength training. Any advice on where I should go from here to keep up my peak fitness levels? (54:20) #ListenerLive question #2 – Is my current programming too intense or unsustainable? (1:10:45) #ListenerLive question #3 – Could my hypermobility be the reason I've been so slow to gain after being consistent for so many years, or is that just from my lack of food and overtraining? (1:28:03) #ListenerLive question #4 – Any advice on how I look like a trainer and not like I need to hire one? (1:42:32) Related Links/Products Mentioned Ask a question to Mind Pump, live! Email: live@mindpumpmedia.com Visit Transcend for an exclusive offer for Mind Pump listeners! ** 25% off Tesofensine and Semaglutide: These discounts apply to individual medications only (no bundling required) | 25% off the Transcend GLP-1 Probiotic. Patients can redeem this discount by ordering through a wellness specialist OR by purchasing online. ** Train the Trainer Webinar Series January Promotion: New Year's Resolutions Special Offers (New to Weightlifting Bundle | Body Transformation Bundle | New Year Extreme Intensity Bundle | Body Transformation Bundle 2.0  ** Savings up to $350! ** Slaviks fashion Vaccination and Neurodevelopmental Disorders: A Study of Nine-Year-Old Children Enrolled in Medicaid Real Anthony Fauci: Bill Gates, Big Pharma, and the Global War on Democracy and Public Health Apple Watch Lawsuit Claims Some Bands Contain Harmful 'Forever Chemicals' Mind Pump #1897: Why Phasing Your Workouts Is So Important & How to Properly Switch It Up HANDGRIP DYNAMOMETER Online Personal Training Course | Mind Pump Fitness Coaching ** Approved provider by NASM/AFAA (1.9 CEUs)! Grow your business and succeed in 2025. ** MP Holistic Health Mind Pump # 2337: Is Hidden Household Mold Making You Sick? Mind Pump # 2360: What You Need to Know About GLP-1 With Dr. Tyna Moore Mind Pump Podcast – YouTube Mind Pump Free Resources People Mentioned Jeff Nippard (@jeffnippard) Instagram Dr. Tyna Moore (@drtyna) Instagram