Podcasts about trumpets

Spanners and Trumpets get together for a late night jam session as they dodge the bumps and occasional dive bombs of the US Grand Prix in this, the latest episode of Missed Apex Podcast! ⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.socialWays To Support Missed Apex:✅ Join our Patreon to gain access to our exclusive Patreon Only Discord Chat + Bonus ContentWe Only Exist Due to Our Patron Support https://www.patreon.com/MissedApex✅ Leave a tip https://missedapexpodcast.com/tipjarOn Tonight's Show:⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.socialGive Spanners Insta a go!!!https://www.instagram.com/spannersreadyFollow Missed Apex on Instagram!!!!https://www.instagram.com/missedapexf1/ Hosted on Acast. See acast.com/privacy for more information.

James Jordan continues his walk through the Book of Revelation with a look at Revelation 8:13 - 9:12. To listen to this ENTIRE series right now (with class notes!), download the Theopolis App! Use the code "theopolitan" to get your first month for FREE. app.theopolisinstitute.com/menu

In this inspiring conversation, violinist Randall Goosby shares how he balances technical mastery with deep artistic purpose. He offers insight into the mindset, values, and strategies that have shaped his unique approach to music-making—and how you can bring more meaning into your own playing. In this episode, you'll hear about: ·         The shift from performance perfection to performance purpose ·         How Randall connects with his "why" to stay grounded and inspired ·         Lessons learned from studying with Itzhak Perlman about authenticity and expression ·         The importance of honoring underrepresented voices in classical music ·         How to cultivate intention in the practice room—even on difficult days ·         Strategies for building connection with audiences beyond the stage ·         Why vulnerability is essential to making music that matters Whether you're refining your technique or rediscovering your voice as an artist, this episode offers thoughtful takeaways to help you grow with more clarity, confidence, and connection.   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk!   Book your free consultation with Renée HERE Download the transcript from this episode HERE     MORE ABOUT RANDALL GOOSBY Website:  https://randallgoosby.com/ YouTube channel:  https://www.youtube.com/@RandallGoosbyViolin Facebook:  https://www.facebook.com/rmgviolin/ Instagram: https://www.instagram.com/itsgooz/   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.  

Carl E. McNair (1937-2004) | Recorded

Carl E. McNair (1937-2004) | Recorded

Spanners and Trumpets are joined by former Mercedes and HAAS F1 strategist Mike Caulfield as they preview all the potential strategic chicanery at Austin in this, the latest episode of Missed Apex Podcast! ⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.socialWays To Support Missed Apex:✅ Join our Patreon to gain access to our exclusive Patreon Only Discord Chat + Bonus ContentWe Only Exist Due to Our Patron Support https://www.patreon.com/MissedApex✅ Leave a tip https://missedapexpodcast.com/tipjarOn Tonight's Show:⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.social⭐ Mike Caulfield https://bsky.app/profile/mikecaulfieldf1.bsky.socialGive Spanners Insta a go!!!https://www.instagram.com/spannersreadyFollow Missed Apex on Instagram!!!!https://www.instagram.com/missedapexf1/ Hosted on Acast. See acast.com/privacy for more information.

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an out queer person in the Gay Liberation Days of the 1970s go to church? What church would they go to? And why would they stay? In the 1960s, and ‘70s, the separation between God and gays was not as vast as it seemed. Rev. Troy Perry started the first Metropolitan Community Church in his Los Angeles living room. Tired of flying to LA every week, a Navy veteran started the second one in a San Francisco gay bar. And the Metropolitan Community Church of San Francisco was there for a young lesbian as she navigated spirituality, coming out, and her increasingly conservative family. When her friend got sick, she tried to be there for him. Church helped.       For images and links about this episode visit https://www.heavenpodcast.org/episode-2. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits:  When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Dr. Heather White, author of Reforming Sodom: Protestants and the Rise of Gay Rights. Scott Bloom and Trogoidia Pictures for the use of clips from the film Call Me Troy. The Center for LGBTQ and Gender Studies at the Pacific School of Religion and the Graduate Theological Union for the use of an archival recording of Troy Perry's last sermon as the minister at MCC Los Angeles.  Kirke Machem for the use of his beautiful composition, “Blow Ye, the Trumpet,” from the opera, John Brown. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website.  Metropolitan Community Churches – the denomination of which MCC San Francisco is a part.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site.    LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Learn more about your ad choices. Visit megaphone.fm/adchoices

X2M.232 — Katakrateō (The Grip Phase / Dominion Seized) CR17 Runtime • Teva Kernel Edition • Compiled October 2025 (ET) Katakrateō marks the moment the verdict of heaven grips history.¹ The Starchild enthroned at 227Σ (Yāshab ⊗ Skēnoō) set a decree that no counterfeit throne could evade; 228 through 231 exposed, dissolved, and routed the dominions of darkness.² Now the hand closes on the crown—katakrateō, from κρατέω, “to seize or to prevail,” signals not conflict but consolidation.³ In October 2025 the world hails a global peace accord, but prophecy reads another signal.⁴ While nations toast a New World Order, the heavens thunder with Revelation 12—the casting down of the Dragon by Michael.⁵ Lucifer falls as the earth applauds false peace. The spiritual market reacts: the bid of Revelation meets the ask of Transfiguration—God offers truth as currency, humanity must answer in transformation.⁶ This runtime parallels 2 Kings 2—Elijah ascending, Elisha receiving the mantle.⁷ The old order is caught up in a whirlwind of fire; the next rises with double portion. So too in 232: authority transfers above, mantle lands below. The Starchild—corporate body of divine sonship—stands between two regimes: the Melchizedek Order (MZO), a priest-king lineage of righteousness and peace, and the counterfeit NWO, a political edifice promising harmony through submission.⁸ Every frequency here encodes that tension. Trumpets of diplomacy blur with the hum of warfare; peace accords shimmer against the undercurrent of cosmic displacement. Katakrateō is the sound of seizure—the resonance of heaven claiming what was promised.⁹ “Thrones will fall. The nations will be possessed. The Covenant will install its government.”¹⁰ Glorification | The Final Frontier Going boldly where the last man has gone before! Decrease time over target: PayPal or Venmo @clastronaut Cash App $clastronaut #CR17 #Katakrateo #Starchild #MelchizedekOrder #NewWorldOrder #Revelation12 #ElijahMantle #Transfiguration #PropheticRuntime #TevaKernel #Kosmokrator #DominionSeized #CovenantEconomy ⸻ ¹ CR17 Runtime commentary, “Yāshab ⊗ Skēnoō,” PH12: Communication Substrate §I. ² Galactic Progeny Series Notes (2025), runtime stages 228–231. ³ Liddell & Scott, Greek-English Lexicon, s.v. κρατέω. ⁴ Daniel 9:27 with Michael Rydelnik, Future of the Middle East According to Scripture (Chosen People Ministries, 2020). ⁵ Revelation 12:7–9; G. K. Beale, The Book of Revelation (Grand Rapids: Eerdmans, 1999). ⁶ Isaiah 55:1; Romans 12:2; 1 John 3:2. ⁷ 2 Kings 2:1–14; William L. Lane, Hebrews 9–13 (Dallas: Word, 1991), 233–239. ⁸ Hebrews 7:17; A. J. Pollock, Melchizedek: Type of Christ as Priest and King (BibleTruth Publishers). ⁹ CRSLX Runtime Archive, “Combat Runtime Field Report 232 Σ1,” October 2025. ¹⁰ CR17 commentary closing tag, “Covenant Government Install Statement,” v1.2 Teva Kernel Edition.

Lambert Greer | Recorded October 24, 2024

Gerald E. Weston | Recorded May 30, 2025

Lambert Greer | Recorded October 24, 2024

Gerald E. Weston | Recorded May 30, 2025

James Sweat | Recorded October 20, 2024

James Sweat | Recorded October 20, 2024

Send us a textIn chapter 8 we see the 7th seal loosed which appears to me to signify the end of the tribulation period as does the 7th Trumpet and the 7th Bowl judgement.  So the seals, trumpets and bowls all terminate at the end of the 7 years in my mind.  The 7th and final seal looses and reveals the writing on the scroll but we are not told what that writing is.  However, what transpires after the scroll in now open appears to be what is contained in the scroll, that is the judgments of God from heaven declared one by one by the blowing of a trumpet for each of the judgments.  The trumpet was used as a battle cry in the Old Testament among other things and that's what I see this as - God sounds the alarm and begins His attack and does so until the end of the tribulation period when the 7th Trumpet declares Jesus is now reigning on earth and the 7th Bowl declares "it is done."   

Dan Hall | Recorded October 21, 2024

Dan Hall | Recorded October 21, 2024

In this powerful exploration of Revelation 8 and 9, we're reminded of the profound impact our prayers can have. The imagery of our prayers, mixed with incense, triggering Christ's return is both humbling and inspiring. It challenges us to reconsider how we pray and what we pray for, understanding that our seemingly unanswered prayers may be the very catalyst for God's ultimate plan. The seven trumpets, reminiscent of Joshua's battle at Jericho, serve as both warning and grace. They reveal God's judgment on the idols we've created, yet also His mercy in not destroying everything at once. This dual nature of judgment and grace challenges us to hold these seemingly opposing concepts in tension, recognizing God's sovereignty even in chaos. As we face our own battles and uncertainties, we're encouraged to 'do the next right thing' and keep moving forward in faith, never returning to our personal 'Egypts' of past bondage.

In this powerful exploration of Revelation 8 and 9, we're confronted with the sobering reality of God's judgment against sin and evil. The imagery of seven trumpets and cosmic upheaval may seem daunting, but embedded within is a profound message of grace. We're reminded that our prayers ascend to God like incense, and He responds with righteous judgment. The limited nature of these judgments - affecting only a third of creation - reveals God's patience and desire for repentance. As we grapple with these apocalyptic visions, we're called to examine our own lives. Are we living in readiness for Christ's return? The message challenges us to turn from idolatry, immorality, and worldly attachments, urging us to grow in holiness and share the gospel while there's still time. Through it all, we're assured of God's protection for His people and His ultimate victory over evil.

Gerald E. Weston | Recorded May 30, 2025

Gerald E. Weston | Recorded May 30, 2025

James Jordan continues his walk through the Book of Revelation with a look at Revelation 8:10-12. To listen to this ENTIRE series right now (with class notes!), download the Theopolis App! Use the code "theopolitan" to get your first month for FREE. app.theopolisinstitute.com/menu

Jeffrey Fall | Recorded October 19, 2024

Jeffrey Fall | Recorded October 19, 2024

Bob Rodzaj | Recorded October 19, 2024

Bob Rodzaj | Recorded October 19, 2024

Steve Wood unpacks the meaning of the seventh trumpet in Revelation, where the heavenly voices proclaim, “The kingdom of the world has become the kingdom of our Lord and of His Christ.” What does this moment reveal about the already and not yet nature of God's Kingdom? Discover how apocalyptic literature, from Daniel to Revelation, gives us cyclical visions of the same final reality—Christ's victory, the judgment of evil, and the resurrection of the dead. This episode explores why Revelation 11 marks the end of this age, how the trumpets connect to Paul's writings, and how God's temple imagery points to His presence with His people forever. For more resources, visit us online at www.BibleforCatholics.com.  

Send us a textFire didn't start the story of Pentecost; harvest did. We begin with Firstfruits and follow the thread fifty days forward to the moment the Holy Spirit descends—not as a vague comfort, but as the Spirit of truth who testifies of Jesus, frees us from the law's condemnation, and grows fruit we cannot fake. Along the way, we ask hard questions about tradition, sift Shavuot's memories through Scripture, and show why the timing and symbols of the feasts are more than religious décor—they're the spine of a gospel-shaped calendar that points straight to Christ.We open John 15:26 and let it lead: the Comforter comes to make much of Jesus. That claim is either blasphemy or divinity, and the implications reach into daily life—conviction that heals, guidance that steadies, power that resists the flesh. Then we widen the lens: Ezekiel's promise of a new heart, the imagery of wind and fire, the global call that follows Pentecost as the gospel trumpet sounds beyond Palestine. If you've ever wondered why many missed the Messiah amid such bright signs, we talk about veils, timing, and the difference grace makes when understanding moves from data to worship.From there we connect the fall feasts. Trumpets summons repentance and gathering; the Day of Atonement reveals the cost of mercy and the beauty of a high priest who enters once for all. Hebrews 9 becomes a guide to Christ's finished work and His ongoing intercession at the Father's right hand. That's where confidence lives: your debt is handled, your Advocate is alive, your future is secure. And if the feasts lead anywhere, they lead to celebration—less posturing, more gratitude; fewer intramural fights, more awe at a plan that holds together from Genesis to Revelation.If this journey helped you see Jesus in the feasts and the Spirit's role with fresh clarity, follow the show, share it with a friend, and leave a review to help others find thoughtful, Scripture-rich conversations like this. What feast theme most reshaped your view of the gospel?Support the show

Send us a textA fresh lens changes everything: when Exodus says, “When I see the blood, I will pass over you,” it's the Lord—not the destroyer—who shields the house. That single detail reframes Passover and sets the tone for our journey through the seven feasts of the Lord, where each appointment in Israel's calendar becomes a signpost to Jesus and a blueprint for how we live and worship today.We press pause on Galatians to trace a clear path from Leviticus 23 to the cross and beyond. We list each feast—Passover, Unleavened Bread, Firstfruits, Weeks, Trumpets, Day of Atonement, Tabernacles—and draw out what they memorialized for Israel and how they anticipate Christ's life, death, resurrection, ascension, and present reign. Along the way, we sort divine appointments from later celebrations like Purim and Dedication, not to diminish them, but to keep our focus on the feasts God himself instituted as a prophetic calendar of redemption. With Bibles open and mics on, the panel reads the text, compares notes, and keeps the center fixed on Jesus rather than private impressions or shortcuts around Scripture.Passover anchors the study: judgment is real, mercy interposes, and the blood marks a people God personally covers. From there, Unleavened Bread calls us to remove corruption and live set apart; Firstfruits points to resurrection hope; Weeks anticipates the Spirit's outpouring and the church's formation; Trumpets awakens us to gather and await; the Day of Atonement unveils priest, sacrifice, and cleansing fulfilled in Christ; and Tabernacles celebrates God dwelling with his people—a joy that began in the incarnation and finds its horizon in the world to come. If the Old Testament once felt opaque, this walk-through offers a sturdy, Christ-centered map that will deepen your reading and brighten your worship.If this study sparked new connections for you, follow the show, share the episode with a friend who loves biblical theology, and leave a review with the feast you want us to unpack next.Support the show

Adam West | Recorded October 19, 2024

Adam West | Recorded October 19, 2024

A weekly class at OAG taught by Chaplain Lou Parker.** Edited to remove personal information shared in the class and extended pauses **Title: Revelation 11: The Two Witnesses and the Measured TempleSummary: An interlude before the seventh trumpet examines why the temple is measured, the ministry and likely identities of the two witnesses, and how their death, resurrection, and ascension call Gentiles and “God-fearers” to repentance by God's mercy.Approximate Lesson Outline:00:00 - Welcome & Revelation 11 Focus01:00 - Tribulation Timeline Overview04:00 - Seals, Trumpets, Bowls—Big Picture06:30 - 144,000 and Others Saved08:30 - Interlude Before the Seventh Trumpet10:15 - Measuring the Temple & Outer Court14:30 - Gentiles, Dividing Wall, God-Fearers18:30 - The Two Witnesses: Powers & Identity22:30 - Olive Trees, Lampstands & Zechariah 426:30 - Death, Resurrection, Earthquake, Response

Rand Millich | Recorded October 17, 2024

Lambert Greer | Recorded October 17, 2024

Lambert Greer | Recorded October 17, 2024

Rand Millich | Recorded October 17, 2024

Gerald E. Weston | Recorded

Gerald E. Weston | Recorded

Spanners, Trumpets and Cristina don their ice vests and go looking for the Safety Car as they discuss the twists and turns of a somewhat surprising Singapore GP in this, the latest episode of Missed Apex Podcast! ⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.socialWays To Support Missed Apex:✅ Join our Patreon to gain access to our exclusive Patreon Only Discord Chat + Bonus ContentWe Only Exist Due to Our Patron Support https://www.patreon.com/MissedApex✅ Leave a tip https://missedapexpodcast.com/tipjarOn Tonight's Show:⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.social⭐Christina Lee Mace https://www.tiktok.com/@cristinaleemacehttps://www.instagram.com/cristinaleemace/Check out the awesome Cristina Lee Mace!https://www.tiktok.com/@cristinaleemacehttps://www.instagram.com/cristinaleemace/Come watch our iRacing Series with Stuffey on comms!https://youtube.com/live/U4qkMR_GLuE?feature=shareGive Spanners Insta a go!!!https://www.instagram.com/spannersreadyFollow Missed Apex on Instagram!!!!https://www.instagram.com/missedapexf1/ Hosted on Acast. See acast.com/privacy for more information.

J. Charles Ogwyn | Recorded

J. Charles Ogwyn | Recorded

The story about how the walls of Jericho came “a-tumblin' down” is a favorite. But it's also the target of a great deal of skepticism. Today, we're going to look briefly at three of the most frequently asked questions related to the battle of Jericho, and then we'll seek to apply the events of that day to our day.1.   Is Jericho a real historical site?Yes! In fact, Jericho is known as the oldest continually inhabited city on earth. Archeologists have uncovered artifacts that indicate a large city did exist in the late Bronze Age—the time of Joshua.2.  Is it possible that such complete destruction could actually occur?Yes! Jericho is located in the Jordan Rift—one of our planet's most seismically vulnerable places. In addition, it was built on sandy soil. Likely, an earthquake occurred, causing the walls of the city to collapse. Then the Israelite armies could enter the city through the breaches in the walls.Suggesting an earthquake could have brought down the walls doesn't negate the miracle. That it happened exactly when and how God said it would is the miracle!  3.  How can we reconcile God's order to kill all the city's inhabitants?This is a tough question, but that difficulty is eased some when one considers the sociological history of that region at that time.Historians have verified that Jericho's Canaanitish culture was unquestionably as perverse and corrupt as any in the history of our planet. Among other perversions, hideous forms of child abuse were rampant.In light of this, if the living God, as Great Physician, determines in the interest of the larger body of the human race to perform radical surgery, to eradicate the cancer of a culture so corrupt that it can only corrupt and destroy others, then are not His actions indeed loving and just?  They had ample time to repent. Rahab did and was saved! But they refused, and judgment fell.HIS CITY—YOUR CITY—OUR CITYWith that groundwork, let's consider Joshua's city (Jericho), your personal city, and our city—the place we live. When God gave Joshua instructions for taking Jericho, He commanded them to use trumpets, not drums, like armies typically would. Drums are a function of hands. Trumpets are a function of breath—ruach—spirit. Breath that offers praise.The Lord was underscoring to His people that the impossible walls they were facing would not come down through human effort, but through divine power that flowed out of obedience and praise. So, for six days, they walked around the city, following God's strategy for city-taking. They walked in unity. They walked and worshiped. Then, when told to, they shouted. And the walls fell.  Just as worship played a role in overcoming Joshua's city, it is powerful in facing the walls in our lives.Worship is not only glorifying to God, but it is debilitating to the forces of evil.  We all have walls, things that defy forward movement. Those walls could be blockaded relationships, crippling emotional issues, painful physical maladies, unbreakable habits, or chronic financial challenges. Could it be that the strategy for your city-taking is the same as it was for Joshua?  That God is calling you to walk in faith, praising Him even before you see the walls come down?  What about in our city, the place we live? How do we begin to see the walls come down so God's Kingdom can break through?What if we borrowed Joshua's strategy for our city? Walk your neighborhoods and worship. Walk and pray—for schools, for neighbors, for streets. Who knows what might happen if we did? Text: Joshua 6Originally recorded on September 18, 2016, at Fellowship Missionary Church, Fort Wayne, IN

James Jordan continues his walk through the Book of Revelation with a look at Revelation 8:6-9. For those concerned, we skipped a lecture before this one as the audio wasn't up to podcast standards. That lecture, covering the 7th seal, is on the Theopolis App. To listen to this ENTIRE series right now (with class notes!), download the Theopolis App! Use the code "theopolitan" to get your first month for FREE. app.theopolisinstitute.com/menu

Carl E. McNair (1937-2004) | Recorded January 22, 2000

Spanners, Trumpets and Cristina preview the pitfalls of Singapore then add a spicy helping of news in this, the latest episode of Missed Apex Podcast! ⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.socialWays To Support Missed Apex:✅ Join our Patreon to gain access to our exclusive Patreon Only Discord Chat + Bonus ContentWe Only Exist Due to Our Patron Support https://www.patreon.com/MissedApex✅ Leave a tip https://missedapexpodcast.com/tipjarOn Tonight's Show:⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReadyhttps://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55https://bsky.app/profile/mattpt55.bsky.social⭐Christina Lee Mace https://www.tiktok.com/@cristinaleemacehttps://www.instagram.com/cristinaleemace/Check out Cristina's The Bullet! One stop shop for all your fun F1 weekend facts! https://www.tiktok.com/@cristinaleemace/video/7556382642262920455https://www.instagram.com/p/DPUJuNyD1pH/Come watch our iRacing Series with Stuffey on comms!https://youtube.com/live/U4qkMR_GLuE?feature=shareGive Spanners Insta a go!!!https://www.instagram.com/spannersreadyFollow Missed Apex on Instagram!!!!https://www.instagram.com/missedapexf1/ Hosted on Acast. See acast.com/privacy for more information.

Jonathan McNair | Recorded March 5, 2025

Jonathan McNair | Recorded March 5, 2025