Podcasts about Slam

The summer of arcade sports continues with Sega Soccer Slam which released in 2002 for GameCube, Xbox, and PlayStation 2.Ant stresses the fact that Soccer Slam differs from traditional soccer in the amount of goals per game. Pete gets one of the players confused with a pharmaceutical company. Tom tries to flex his high scoring debut game.Follow us onX @BrosBossBattlesYouTube @BrosBossBattlesInstagram @BrosBossBattleshttps://brothersandbossbattles.com/

IRVING STOKES “JUST FRIENDS” New York, December 4 & 5, 1997Sweet Lorraine, I cover the waterfront Irving Stokes (tp) Lloyd Mayers (p) Earl May (b) Eddie Locke (d) JOHNNY GUARNIERI: “JOHNNY GUARNIERI TRIO” – New York, January 23, 1946Bowing singin' Slam, Gliss me again, Deuces mild, New exercise in swing, My blue heavenJohnny Guarnieri (p) Slam Stewart (b) Sam Weiss (d) “GUARNIERI QUARTET” – New York, c. Continue reading Puro Jazz 29 de julio, 2025 at PuroJazz.

WWE stars Grayson Waller + Austin Theory stop by the kitchen for a recap of my WWE Monday Night Raw appearance with Tom... and bask in the glory of my epic choke slam. I make a traditional Australian brekkie and we chat about Aussie women, a wrestler's diet, and why Emily Sears and I blocked each other. Purchase tickets to WWE's biggest event of the summer, SummerSlam, on Saturday, August 2 and Sunday, August 3 at MetLife Stadium in New Jersey - https://onlocationexp.com/wwe/summerslam-tickets Follow Austin: https://www.instagram.com/austin_theory  Follow Grayson: https://www.instagram.com/graysonwallerwwe Recipes: https://www.somethingsburning.show/recipes-season-5 Sponsors: Monarch Money - Use code BURNING at https://monarchmoney.com in your browser for half off your first year. That's 50% off your first year at https://monarchmoney.com with code BURNING.  SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg  For all TOUR DATES: http://www.bertbertbert.com  For Fully Loaded: https://fullyloadedfestival.com   For Merch: https://store.bertbertbert.com  YouTube▶ http://www.YouTube.com/user/Akreischer  X▶ http://www.Twitter.com/bertkreischer   Facebook▶ http://www.Facebook.com/BertKreischer   Instagram▶ http://www.Instagram.com/bertkreischer   TikTok▶ http://www.TikTok.com/@bertkreischer  Text Me▶ https://my.community.com/bertkreischer  Learn more about your ad choices. Visit megaphone.fm/adchoices

BUY CAST BREW COFFEE TO SUPPORT THE SHOW - https://castbrew.com/ Become A Member And Protect Our Work at http://www.timcast.com Host: Tim Pool @Timcast (everywhere) Guest: Sam Tripoli @SamTripoli (X) My Second Channel - https://www.youtube.com/timcastnews Podcast Channel - https://www.youtube.com/TimcastIRL Liberals SLAM Israel, Seth Myers AND Trump Demand Gaza Aid ft. Sam Tripoli

Music Not Diving is supported by Acid Nation (formerly AC55ID)... head over to www.acidnation.com to check out the fastest growing electronic music marketplace, a central hub for music discovery, streaming and purchasing!--Watch the video episodes of Music Not Diving over at youtube.com/@WeNotDivingStuart McMillan is half of Slam, one of the most important UK techno acts in history and absolute key players in the world of Scottish electronic music.The new Slam album, Dark Channel is out now on their own Soma imprint - one of the most important UK techno labels and a conversation in itself.We discuss the story of Slam from the mid 80s onwards, traversing the Acid House experience in Glasgow into the 90s rave era and beyond. We talk about Daft Punk releasing their early singles on Soma and the history of the label more generally. And we discuss the modern techno scene in Scotland and across the world.Another point of conversation is the 2018 Slam album Athenaeum 101 - a really great piece of work which very much deserves another look and listen.Scotland has been criminally neglected on the podcast up til now so this is a great way to start addressing the balance! --If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Music Not Diving Podcast Spotify playlist Hosted on Acast. See acast.com/privacy for more information.

WWE stars Grayson Waller + Austin Theory stop by the kitchen for a recap of my WWE Monday Night Raw appearance with Tom... and bask in the glory of my epic choke slam. I make a traditional Australian brekkie and we chat about Aussie women, a wrestler's diet, and why Emily Sears and I blocked each other. Purchase tickets to WWE's biggest event of the summer, SummerSlam, on Saturday, August 2 and Sunday, August 3 at MetLife Stadium in New Jersey - https://onlocationexp.com/wwe/summerslam-tickets Follow Austin: https://www.instagram.com/austin_theory  Follow Grayson: https://www.instagram.com/graysonwallerwwe Recipes: https://www.somethingsburning.show/recipes-season-5 Sponsors: Monarch Money - Use code BURNING at https://monarchmoney.com in your browser for half off your first year. That's 50% off your first year at https://monarchmoney.com with code BURNING.  SUBSCRIBE so you never miss a video https://bit.ly/3DC1ICg  For all TOUR DATES: http://www.bertbertbert.com  For Fully Loaded: https://fullyloadedfestival.com   For Merch: https://store.bertbertbert.com  YouTube▶ http://www.YouTube.com/user/Akreischer  X▶ http://www.Twitter.com/bertkreischer   Facebook▶ http://www.Facebook.com/BertKreischer   Instagram▶ http://www.Instagram.com/bertkreischer   TikTok▶ http://www.TikTok.com/@bertkreischer  Text Me▶ https://my.community.com/bertkreischer  Learn more about your ad choices. Visit megaphone.fm/adchoices

The All Local for July 28

Slam....Death......Gunn.....

Les studios Kirah de Conakry, nés en 2017, se sont imposés comme un haut lieu de production artistique et culturelle en Guinée. Ils sont un incubateur très prisé pour les artistes en herbe. Ils peuvent venir y travailler librement sur leurs projets personnels. Ils y trouvent des formations techniques en photo, en montage ou en design. Les activités des studios se structurent autour de deux projets phares : « Musi'Shine », pour accompagner de jeunes chanteurs et chanteuses dans leur professionnalisation, et l'accueil du festival de théâtre « Univers des mots ».  Dans le quartier de Kipé, c'est dans ce bâtiment de deux étages et son jardin, où s'entasse le matériel laissé en vrac par des scénographes, qu'aura lieu le festival « Univers des mots », en novembre. Aujourd'hui, des artistes français et guinéen en résidence aux studios Kirah travaillent sur le spectacle qu'ils proposeront lors du festival, explique Myriame, une responsable des studios : « Dans le cadre d'Univers des mots, on a un projet inclus dedans, « Les mots et le geste ». Ça permet de rassembler les artistes en binômes, on crée des binômes mixtes interdisciplinaires avec des artistes français et guinéens. C'est vraiment un échange culturel qu'on veut au travers de ça, une communication entre différentes formes d'arts, les différentes disciplines. Créer un projet pour aider les populations à prendre conscience de certains enjeux sociaux ». Slam et danse : une collaboration en mouvement Maureen, une danseuse française, a profité de sa résidence pour animer des ateliers avec des danseurs guinéens : « Le projet de « L'univers des mots, Les mots et le geste », c'est de créer un métissage et un lien entre un artiste guinéen et un artiste français. Moi je suis danseuse et je vais travailler avec un artiste guinéen, Bademba Barry, qui est slameur. Le but est de collaborer, de trouver une thématique en s'inspirant de l'univers d'ici, de Conakry, trouver un thème. Et à partir de ça, trouver son axe de recherche, développer et créer une proposition artistique, un duo, qui mélange le slam et la danse ». Bademba Barry aussi anime des ateliers, de slam, pendant sa résidence. Pour lui, il s'agit autant de métisser les équipes d'artistes que les arts sonores et visuels, pour créer un spectacle complet : « L'intérêt, c'est d'apporter une expression visuelle au slam qui est un art d'expression orale. Moi, je l'ai déjà fait, ça fait déjà cinq bonnes années que je fais de grands spectacles à Conakry où je fais intervenir des danseurs et d'autres artistes. Mais cette fois-ci c'est différent, car Maureen est une danseuse professionnelle. […] Elle a de l'expression dans le mouvement. Je pense qu'elle pourra parfaitement interpréter mes mots à travers ses mouvements sur une scène. J'ai d'ailleurs hâte de voir la thématique que nous allons choisir et l'œuvre que nous allons créer ». Structurer une carrière artistique en Guinée Un autre grand projet des studios Kirah, c'est « Musi'Shine », un programme aidant des chanteurs et chanteuses talentueux à pouvoir vivre de leur art, à travers du coaching par des chanteurs expérimentés et des formations juridiques sur les contrats ou les droits d'auteurs. Le rappeur Africanisé en a bénéficié l'an dernier. « Pour moi, le début, c'était juste une passion. Et après, j'ai compris, quand je suis venu à Musi'Shine, ils m'ont fait comprendre que ce que je fais, je peux en vivre. Ils m'ont appris le sens du métier, ils m'ont appris à m'organiser de façon professionnelle. C'est-à-dire à me structurer, même si pour le moment tout n'est pas encore au complet, mais ils m'ont beaucoup aidé sur ce plan ». Une nouvelle cohorte de chanteurs va participer cette année à ce programme des studios Kirah pour booster leur carrière.

Les studios Kirah de Conakry, nés en 2017, se sont imposés comme un haut lieu de production artistique et culturelle en Guinée. Ils sont un incubateur très prisé pour les artistes en herbe. Ils peuvent venir y travailler librement sur leurs projets personnels. Ils y trouvent des formations techniques en photo, en montage ou en design. Les activités des studios se structurent autour de deux projets phares : « Musi'Shine », pour accompagner de jeunes chanteurs et chanteuses dans leur professionnalisation, et l'accueil du festival de théâtre « Univers des mots ».  Dans le quartier de Kipé, c'est dans ce bâtiment de deux étages et son jardin, où s'entasse le matériel laissé en vrac par des scénographes, qu'aura lieu le festival « Univers des mots », en novembre. Aujourd'hui, des artistes français et guinéen en résidence aux studios Kirah travaillent sur le spectacle qu'ils proposeront lors du festival, explique Myriame, une responsable des studios : « Dans le cadre d'Univers des mots, on a un projet inclus dedans, « Les mots et le geste ». Ça permet de rassembler les artistes en binômes, on crée des binômes mixtes interdisciplinaires avec des artistes français et guinéens. C'est vraiment un échange culturel qu'on veut au travers de ça, une communication entre différentes formes d'arts, les différentes disciplines. Créer un projet pour aider les populations à prendre conscience de certains enjeux sociaux ». Slam et danse : une collaboration en mouvement Maureen, une danseuse française, a profité de sa résidence pour animer des ateliers avec des danseurs guinéens : « Le projet de « L'univers des mots, Les mots et le geste », c'est de créer un métissage et un lien entre un artiste guinéen et un artiste français. Moi je suis danseuse et je vais travailler avec un artiste guinéen, Bademba Barry, qui est slameur. Le but est de collaborer, de trouver une thématique en s'inspirant de l'univers d'ici, de Conakry, trouver un thème. Et à partir de ça, trouver son axe de recherche, développer et créer une proposition artistique, un duo, qui mélange le slam et la danse ». Bademba Barry aussi anime des ateliers, de slam, pendant sa résidence. Pour lui, il s'agit autant de métisser les équipes d'artistes que les arts sonores et visuels, pour créer un spectacle complet : « L'intérêt, c'est d'apporter une expression visuelle au slam qui est un art d'expression orale. Moi, je l'ai déjà fait, ça fait déjà cinq bonnes années que je fais de grands spectacles à Conakry où je fais intervenir des danseurs et d'autres artistes. Mais cette fois-ci c'est différent, car Maureen est une danseuse professionnelle. […] Elle a de l'expression dans le mouvement. Je pense qu'elle pourra parfaitement interpréter mes mots à travers ses mouvements sur une scène. J'ai d'ailleurs hâte de voir la thématique que nous allons choisir et l'œuvre que nous allons créer ». Structurer une carrière artistique en Guinée Un autre grand projet des studios Kirah, c'est « Musi'Shine », un programme aidant des chanteurs et chanteuses talentueux à pouvoir vivre de leur art, à travers du coaching par des chanteurs expérimentés et des formations juridiques sur les contrats ou les droits d'auteurs. Le rappeur Africanisé en a bénéficié l'an dernier. « Pour moi, le début, c'était juste une passion. Et après, j'ai compris, quand je suis venu à Musi'Shine, ils m'ont fait comprendre que ce que je fais, je peux en vivre. Ils m'ont appris le sens du métier, ils m'ont appris à m'organiser de façon professionnelle. C'est-à-dire à me structurer, même si pour le moment tout n'est pas encore au complet, mais ils m'ont beaucoup aidé sur ce plan ». Une nouvelle cohorte de chanteurs va participer cette année à ce programme des studios Kirah pour booster leur carrière.

Fauntleroy (w/Chastity) vs. Reverend Payne (w/Angus Beef) in a Truth or Consequences Match.WHWF Championship Match Harry "the Hatchet" Osgood vs. Champion El Diablo.

Sam & Tom sit down for Part II of their deep dive into the Tiger Slam. 25 years on from the second leg of Tiger's historic run — and his fourth major victory overall — we revisit the 129th Open Championship at St Andrews, where he clinched the Claret Jug by a record-equalling eight shots. The parallels with the current Champion Golfer of the Year, Scottie Scheffler, are hard to ignore — both with dominant stretches just over 1,000 days apart.This episode has it all: a streaker on the fairway, David Duval taking four swipes in the Road Hole bunker, and the end of a 63-hole bogey-free streak from Tiger. Oh, and in case you'd forgotten — he famously avoided all 112 bunkers across the four days.We'll return in August with Part III, charting the next chapter: Tiger's win at the PGA Championship.For more on the Tiger Slam, we highly recommend Kevin Cook's book, which captures the era in microscopic detail. You can grab a copy here. If you've enjoyed this episode, please leave us a review on Apple Podcasts or Spotify!You can follow us along below @cookiejargolf Instagram / Facebook / Twitter / YouTube / Website

"Innovation isn't just about new ideas—it's about creating value where others haven't looked yet." In this episode of Innovation Overload: Contractor Takeover Edition, Gilbert Coronado, Account Executive at NavVis, dives deep into the world of reality capture and scanning technology. Drawing from his experience leading high-speed scanning initiatives on complex projects, Gilbert shares how SLAM-based LiDAR systems are transforming the way contractors capture, process, and apply spatial data.From handheld devices to cloud-based workflows, this episode is a must-listen for anyone curious about innovative jobsite documentation and digital construction tools.

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Dopo il trionfo di Jannik Sinner a Wimbledon c'è stato bisogno di un momento per tirare il fiato e riprendersi dall'accoppiata di Slam europei. Ma ora che la stagione sul cemento nordamericano è già iniziata, Vanni Gibertini e Luca Baldissera sono di nuovo in pista per tirare la volata che condurrà tutti allo US Open.Tra una vacanza misteriosa e l'altra, Sinner ha fatto in tempo a ri-assumere Umberto Ferrara, in una mossa tra le più discusse della carriera dall'altoatesino. Intanto Darderi ha vinto il suo secondo torneo dell'anno a Bastad ed ha ripreso la scalata al ranking, mentre Berrettini non è ancora tornato in campo dopo la brutta sconfitta di Wimbledon.Le polemiche impazzano sul calendario, dopo che quattro dei primi sei al mondo hanno rinunciato a giocare a Toronto che da quest'anno inaugura il suo nuovo formato su 12 giorni con finale di giovedì.Questo e altro nella diretta insolitamente di venerdì nella quale, come al solito, Gibertini e Baldissera risponderanno alle domande degli spettatori.Dopo il successo del 2024, viene riproposta in versione ampliata la raccolta di contributi per supportare Vanni e Luca nelle loro trasferte per seguire dal posto i tornei più importanti del circuito. Qui sotto il link per chi volesse dare il proprio aiutohttps://www.gofundme.com/f/dirette-e-trasferte-2025-luca-e-vanni-per-ubitennisRitorna Ubicontest, il concorso pronostici di Ubitennis con tanti ricchi premi. Scarica l'app e gioca per vincere la possibilità di andare a vedere di persona i campioni del tennis mondiale.https://www.ubitennis.com/ubicontest-2025/

Drawing from a place of emotion, APRS delves into the rugged and radiant ends of electronic music, culminating in a powerful signature dotted with elegant motifs. With over ten years of experience producing music, the Berlin-based artist has formed a versatile blueprint that sprawls across deep and driving techno, emotive breaks and ethereal ambiences.   In the spring of 2024, Spanish label Sungate released APRS' debut EP, followed by a second EP on ARTS in early 2025. APRS' sound blends rich techno rhythms with balmy ambient notes, deep and warm basslines, and airy dub-infused melodies and textures, creating a sense of depth and atmosphere.   As a vinyl enthusiast, APRS curates his sets with meticulous selection and graceful flow, blending energetic techno beats with atmospheric elements. His approach invites subtle exploration and experimentation, resulting in cohesive journeys that integrate intense, visceral expression. He has soundtracked renowned venues in Berlin including a recent appearance at Tresor, as well as clubs and festivals in Europe.   Collaboration is also integral to his creative process, fostering sound research and enabling the discovery of new areas in electronic music. Working closely with harpist Tancrède, the pair produce live sets in smooth tandem, where the latter weaves the enchanting strings of the electric harp with APRS' machinery.   In 2022, APRS co-founded with Serenus the event series Lowpass, centred on the essence of electronic music and committed to diversity, self-expression, and artistic innovation. Lowpass invites established and local artists to perform in various venues across Berlin. In addition to curating the line-ups, APRS often warms up or closes on the night, adapting to transient and packed dancefloors, respectively.   Led by an unrushed, explorative approach in the studio, APRS merges emotional vulnerability with maturely crafted sonics, tracing an arc between soothing and searing sounds all the way through. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

The second hour of 3 Man Front included Tommy Castellanos comments on playing Alabama, Curt Cignetti taking shots at the SEC scheduling, Rhett Lashlee on the depth of the SEC, and we took more calls and texts regarding the Stallions rumors! See omnystudio.com/listener for privacy information.

Slam this button to send us a message! All wrestling opinions welcome!It's been a while since Connor Hopkins stopped by the pod, so we had to make it happen! The current Dreamwave Champion sits down with Primo & DB to talk life as champ, moving out of Iowa, Deftones, his radio gig, Dreamwave's Summer Spectacular & what's next for him. Thanks for checking it out! (EP #166)Follow The Pod at www.SitDownMarks.com Sit Down Marks! Merch SportzWire Radio Hall of Fame Podcast!! Want to Advertise or Market Your Product or Service to our Fanbase? Email dbonthemic@yahoo.com or Follow @SitDownMarks on Social Media and Message us there! #SpreadTheGoodWordofWrestling

  Slam the Gavel welcomes Marineka Bowman to the podcast. Marineka was last on Season 3, Episodes 104, 131, 159, 160, 174 and 184, Season 4, Episodes 22, 48 and 61, Season 5, Episodes 149, 210, 238, 248, 256, 258, 263, 271 and 275. HELLO DOGE and Pam Bondi.     Today, Marineka Bowman updated us on her case where the counselor, Swiyah Whittinington, with 3 years of experience is handling her daughter's counseling. The therapist has said that child cannot bond with mother, is afraid of her, though the counselor has never reached out to Marineka (mother). Also this counselor has cancelled many appointments in April and also picked up and went to work for another agency. Bear in mind, that the therapist has ties to Attorney Laura Brooks.      The first counselor at Turning Corners who handled her daughter's counseling, had experience in Drug and Alcohol counseling, however no background in handling children with PTSD or Child Psychological Abuse.      The third party parasite, Guardian Ad Litem, Patricia Weir communicates with the father. Apparently the father has many connections in this case. Collusion abound, Judge Natalie Haskins should have recused herself long ago......    This is a silent pain that people take for granted when there are no contact orders and personality disorders are running the courtroom, until it happens to you. Parents and their children are suffering and the judge doesn't care and leaves up decisions to inept therapists/counselors.To Reach Marineka Bowman;  dismantlingfamilycourtcorruption.comSupportshow(https://www.buymeacoffee.com/maryannpetri)Maryann Petri: dismantlingfamilycourtcorruption.comhttps://www.tiktok.com/@maryannpetriFacebook:  https://www.youtube.com/@slamthegavelpodcasthostmar5536Instagram: https://www.instagram.com/guitarpeace/Pinterest: Slam The Gavel Podcast/@guitarpeaceLinkedIn: https://www.linkedin.com/in/maryann-petri-62a46b1ab/  YouTube:  https://www.youtube.com/@slamthegavelpodcasthostmar5536  Twitter https://x.com/PetriMaryannEzlegalsuit.com   https://ko-fi.com/maryannpetrihttps://www.zazzle.com/store/slam_the_gavel/about*DISCLAIMER* The use of this information is at the viewer/user's own risk. Not financial, medical nor legal advice as the content on this podcast does not constitute legal, financial, medical or any other professional advice. Viewer/user's should consult with the relevant professionals. Reproduction, distribution, performing, publicly displaying and making a derivative of the work is explicitly prohibited without permission from content creator. Podcast is protected by owner. The content creator maintains the exclusive right and any unauthorized copyright infringement is subject to legal prosecution. Support the showSupportshow(https://www.buymeacoffee.com/maryannpetri)http://www.dismantlingfamilycourtcorruption.com/

The boys convene for their weekly grumbles and gratifications, a hat tip to Kevin Acee and Chappell Roan included.

The Padres win their series vs. the Nationals with the help of two grand slams. Is Xander Bogaerts still ass? Nick Pivetta's dominant run in July. Reports say the Padres will not acquire a catcher before the deadline. The Dodgers were swept by the Brewers and have now lost 10 of their last 12 games. Mookie Betts, Freddie Freeman, and Teoscar Hernandez's slumps continue. Donald Trump threatens the Commanders and Guardians. Scottie Scheffler wins The Open. Chris Paul signs with the Clippers.Support the show: http://kaplanandcrew.com/See omnystudio.com/listener for privacy information.

John, Sam, Stevie, and a late-arriving Jack are here to kick off your week! Sam and John's Sinner/Doubles hot take took the tennis world by storm over the weekend, and the heated debate continues in today's episode. With a flood of withdrawals, the Toronto Open is shaping up to look very different, and the boys break down the big dropouts. Looking ahead to D.C. Andre Agassi is back in the headlines as he prepares to mentor Holger Rune, while the crew weighs in on the status of a slightly underwhelming Hopman Cup. Plus with the third Slam of the year now in the rearview, The gang host their very own mid-season tennis awards featuring some highly questionable categories like “Coolest Coaching Entourage” and “Player Most Likely to Gain 100 Pounds.” 00:00 Introduction 00:46 Debate: Sinner vs. Doubles Champions 07:28 Midseason Awards Discussion 17:28 Most Likely to Gain Weight After Playing 18:58 Midseason Awards and Player Updates 19:53 Discussion on Player Performances 25:28 Hopman Cup: A Blast from the Past 29:20 Upcoming Tournaments and Player Withdrawals 35:19 Coaching Trials and Final Thoughts

The Padres win their series vs. the Nationals with the help of two grand slams. Is Xander Bogaerts still ass? Nick Pivetta's dominant run in July. Reports say the Padres will not acquire a catcher before the deadline. The Dodgers were swept by the Brewers and have now lost 10 of their last 12 games. Mookie Betts, Freddie Freeman, and Teoscar Hernandez's slumps continue. Donald Trump threatens the Commanders and Guardians. Scottie Scheffler wins The Open. Chris Paul signs with the Clippers.Support the show: http://kaplanandcrew.com/See omnystudio.com/listener for privacy information.

Tony, Chris, and Skraby discussed the Padres series win over the Nationals, the grand slams hit, and what's ahead with the Marlins!

Slam Dunc from ‘Co-Governance is SPREADING!' Watch the full episode here:  PLUS… New episodes 7pm weekdays! Website: https://www.rova.nz/home/podcasts/duncan-garner---editor-in-chief Instagram: @DuncanGarnerpodcast TikTok: @DuncanGarnerpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

How to get stronger with limited dumbbells. Rower vs Bike Erg vs Air Bike 1RM's after 40 years old. Linchpin & Rugby. Workout in AM, accessory work in PM. Modifying distances based on gender. Slam balls. What does being "Quad dominant" mean?

Creek Wilson, a jack of all trades, joins the pod and shares his early influences in country music and how he was almost signed, fan interactions at cons and hjs experience on Twisted Metal as Mr. Slam! Twitter/Instagram: @twistedmetalpod Email: twistedmetalpod@gmail.com Music by: CMStrikeAudio

President Trump is calling for the release of the Epstein testimony and has been diagnosed with a vein condition. Also, millions of Americans are still dealing with extreme heat or extreme rainfall. Plus, remembering the legendary skydiver Felix Baumgartner. And, taking a behind-the-scenes look at "The Sound of Music" for the film's 60th anniversary.

An affection to vinyl at an early stage is most probably the best precondition to become somebody finally ending up playing those vinyls for people. Somebody with a musical background. Somebody picking the right record at the right time. Somebody serving and educating people at the same time. Somebody being called a DJ. This fascination for records, starting in the mid 80's as a collector, and later on in the early 90's as a DJ still is burns with Alex from deep inside. After years of touring th world, from Europe to Australia, Asia to America and back and all over again, and playing at countless clubs and festivals with a complex, digital setup, Alex decided to return to vinyl as a statement and confession to the basic art of Djing. Why? Because he can. And because of the fact that it`s the music that counts. It has to be seleced by the DJ, carefully curated and played on spot. It`s the music which has the impact on the visitors of the club or festival so that their reaction scales the intensity of this particular experience. It ́s the music which is the key element for a good performace and which has to be supported by a good, powerful soundsystem, a fitting surrounding and the technical way it is. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Some Indigenous leaders emerged from a summit with Prime Minister Mark Carney voicing further frustration about a government law that aims to fast track major projects, with Kehewin Cree Nation Chief Vernon Watchmaker saying the legislation 'is not modernization, it is colonization in 2025.' Indigenous Services Minister Mandy Gull-Masty joins Power & Politics to discuss their concerns. Plus, Assembly of First Nations National Chief Cindy Woodhouse Nepinak says Ottawa has a 'trust-deficit' from First Nations.

Slam this button to send us a message! All wrestling opinions welcome!On this episode, the Marks review the latest happenings in wrestling, including WWE Saturday Nights Main Event, AEW All In Texas, & More! In the Dropkick Discussion, the Marks Talk their Top 3 Fav SummerSlam Matches! Thanks for joining us! (Ep 165) Follow us at sitdownmarks.comFollow The Pod at www.SitDownMarks.com Sit Down Marks! Merch SportzWire Radio Hall of Fame Podcast!! Want to Advertise or Market Your Product or Service to our Fanbase? Email dbonthemic@yahoo.com or Follow @SitDownMarks on Social Media and Message us there! #SpreadTheGoodWordofWrestling

“Look what they eye unearthed,” leaning into the tip of my ear with the warmth and closeness of the coming waves, high tide approaching in the waning moon. “More secrets.” I replied. It was a question but also a statement— there was never such as this the luminescent trace of the glowing lava that was his force and might that I could not see for miles before he would even wander— first in twinkling stars and then later the wind itself and the birds, and then beneath the waves, like the quaking shake of a mighty oak anchored elsewhere and tied to the sea. “So you know.” I was hoping he would kill me before the next time I had to ever really know anything. He was the subject, and the predicate The wrong done, and the justice She was the pride and the prejudice But Judas brings the law Did you look in the box? No, I– [The Box Is The Box] –No, I haven't. Nearly three nights ago, a mysterious box arrived on the doorstep of an equally mysterious writer, who spends their time in isolation due to the often unannounced arrival of various ghosts, spirits, time travelers, and other figures by instant teleportation and other magical forms of transportation into their shabby New York apartment. Some of ya'll got so many air wick plug ins and scentci wax melts you don't know you smell like booboo. It's an illusion. You leave your house, You smell like booboo. I promise. Oh, God, I think I need a drink. Are you alright? Let me just–sit down for a second. Of course. My God. What's wrong. Look, i'm not supposed to say anything about this but. What's wrong? It's nothing, I'm just–I'm in a song. …what? A song! Is that all?! You don't understand. It's not a normal kind of song. It's– [takes a puff of inhaler] You wouldn't understand. Well what's so wrong about being in a song? Its not – a regular song–and it's not [gasping] finished! I still kind of wanted to be a comedian–but I knew I wasn't funny in the way that made sense to keep going and stand up there. I was still writing comedy, but I didn't know how to take myself out of it–the truth was, I was in a lot of pain. A lot of emotional pain that was becoming physical–and I didn't know what to do about it to break the barrier of nervousness and blank slate state of feeling the audience's perceptions of me more overwhelmingly than ever feeling myself. look at this song. I know huh. It's purple. Every time. It is purple. And what is that. Like a muted trombone? IS THAT A TROMBONE? Or a tuba? No, it has to be a trombone…becasue you can hear it slide– And that's what that sound is. What a sneaky rabbit. Super sneaky rabbit. So if i can see all this, I'm almost certainly sure the motorcycles outside and the slamming doors are meant to murder me. I'm sure that's what it is. You ever notice how being broke in New York makes you a bad person? Like, if you're broke, you're just automatically shitty. I never meant to be in New York broke. I never meant to be in New York, But I certainly never meant to be here and be poor, Poor in New York? Automatically a shitty person. Despite how you act. You can be a rich piece of shit— But the status is automatically “You got dough? Oh, alright. Carry on” That's the attitude in New York City. Crap people get by cause they got their hands on some money and the rules in New York say it doesn't really matter how you come by it, As long as you come by it. There's no real rules or real laws to it— Just “Get the money” Well god damn. This makes me nervous. I'm an artist. I've tried everything. I didn't mean to be the automatic enemy here. Of course not. But New York is a terrifying place to me, now, Cause I realized I can be a very sweet, very humble, very honest person— And that kind of shit doesn't matter here, really. It brings you no respect to be decent. It's about the money. So I'm a musician— which in New York also makes me like, Automatically not special, And I'm trying to just be a musician, and so naturally, I'm broke. Like broke in half. Like all my bills are late. But music is my solace. So I'm listening to music, And I'm listening to a song that is so beautiful, that I start to cry. The first time I heard it, it made me cry And I'm listening to it over, and it made me cry And it's so beautiful, and God is so beautiful And look at what God did, So I'm crying, And I don't even know what it is about the beauty of it that's making me cry, But it's making me cry, And New York hears me crying And New York goes “I'll give you something to cry about” And I open my email And there's a bill from my landlord reminding me how often I'm talked about due to my late payments— And I'm realizing I've been here two years and I still don't have any money, Even though I've been trying and trying And trying So now I'm crying for other reasons. Thanks a lot, New York. “I'll give you something to cry about” So I did. If there's anything worse than being black in a city that hates blacks— It's being broke in a city that hates broke people. So I haven't spent any money in awhile. Not even on little things, or things I need. I just stay inside, and work, and think And try and really try To figure out how to make money Without having any, or spending any. Cause you can have it, and spend it, but it's always a gamble. Maybe all I needed was a good cry. But now it's not for the right reasons I'm not crying cause something is so beautiful and look at what God did I'm crying because of what I'm sure is just the devil I'm crying for the wrong things Not because of something that's so very beautiful But because of something that's so very ugly With just a wave of the hand And the flick of each finger as it rolls into a crisp closed palm, A flick of birds fell to the ground, bursting with caws Below his stance, and in a flutter of feathers and wings, The evil master, unmoved and untouched, Untouchable in his weight and glory, simply only even mildly and barely smirks at all. He has defeated all and still somehow, not won. Some say it's sure to come, the thing that wants and gathers ties; Some say surely it is yet but withered and then sure again will come It has, five times, and barely waded, Waking in the midsts of my pure eye, The morning light and fog, aye? Ye, they remembers none but our Art, And I'm bound as sure by wing and force Is you to dozens of masses, And ships having sailed but one, Which I have flourished and kept And stocked with these, the masses And yea having spade, and having friends And having honor, there was none past kept and mine, sured; And wicked may as wicked be but evil none truer thou nones't had yet pured, and muted and gathered, I have, And woken and laid and barren and truths do'st tied, And there have been shooken and wait, And m faire'd and barred here, and hereforth My duty it is to forward, forward, my shallows For my shadow, For my golden hour has shined and now you, These caged shall fly, And these thoughts shall sing, And these hour conspired to miss my time daily, And these things, beytraying that— There have no times at all, These walls in holy temples kept, swaying and cadences, and wearing, and weary, And foreign and ayered, aye— and armored. And he, you, does not wish to know but also has known— and does not wish to see, but he, too has blinded, and does not wish to betray, and yet has been crowned, made with guilt and also Shattered, as it was, And shatters, as it came, the wave o'er all us and tide sinking under, and caves and rebels and heart laid bare to surf not suffer, Nor cap nor keeping, nor tied nor honor, No, honor her; No honor came and I have tied also, this tie to mine, and another, and another and another Now forward. Forward! Forward! Damn, Conan's monologues he going deep. Yeah, I guess. He's fine, right? Look, you don't need this. Just promise me. I am sorry. Mr Jimmy has it good, too good Little sister doesn't have a heart. But didn't know it Mister music made it in the industry, too hat Mister rager had a sip at dinner It was all dramatic Stars went falling Crashing down and All it is Ms. Martha Is mismanagement of energy All it is, Ms. Margret is a magnet And it hasn't happened badly since I had a handle on it But I still get sick of madness And I still get sick with city sickness Still, forget the dancer I was sitting on the show, In the audience With my mother, Oh the models, Dozens of them Blondes and ballet buns, the brunettes I was just a lost cause And I wanted it all, the tux and the bow tie I wanted you gone so I looked at it harder Until It became nothing but Clouds in the sky You were stardust I'm a comet Here comes crashing, Had to find the progress report Then I lost it Soggy in the sideways rain It was days and days Do you promise? That's a concept? Do you promise God will be alright, Cause I came running Sent them under cover Sent the men a message Send the man a hammer Sitting in a hammock No one homes the hostile If you don't have anything nice to say Then don't say anything at all And certainly don't come and go As often as you want to It's a game of control; you know The whites, when they still want to own you Somehow I'm all sub so honest, I just—wanted that But only for a man and never bow to another woman Even if on my honor I found us as equals And no one walks the earth as calmly As someone whose never had their lights out Or had their light put out Or their lights turned off Who are God now? Who's our God, man? Who's our God, Math. That's heavy weight, And if you want a biblical fate This is Fallon, And if you watch what you ate You cut calories And if you want the girl back Give it Californian And I'm not towrth much more Than the project housing, Or a handful of candy corn, Conan— But I phone in Oscars, Still no nuts for the rabbit, And if you wanted the bunker back— You can have it. I'm all hands down in a game of poker Heaven doesn't want it Gotta get drunk not once, but at all the goalposts, Gotta count one, not two, the show hosts Too few car parts Wicked, mazes, starfold, gazes Wishes, Martyred. (But pronounced mar-tired} V.O I think about jay Leno a lot. Lately, anyway. I don't know why. I like all the hosts. Somebody. Tell me why Dillon Francis looks like JD Vance. I think he's a clone. Tel me why I know who JD Vance is. They're clones. Tell me why. Back to the future here and now So. Where do you want to go? Anywhere but here. Anywhere but here is kind of far, are you sure you're up for it? Good one, doc Though head of the alumni chapter of the cult-within a cult—to which each African American cast member of Saturday night live is automatically inducted into— EDDIE MURPHY refuses to participate in the group's latest and most complicated ritual. Delivery. Uh, I didn't order any— Breadsticks. What. Breadsticks. I didn't order any— Just— The delivery man hands over the breadsticks. —take them. Oh…Kay. See ya. The delivery man reaches in and shuts the door himself. Uh… Lol is this the one where the mysterious breadsticks are delivered without ever being ordered, and then they end up being the best breadsticks in the world, but they don't know where they came from? Yes. I think so. Lol I bought a planner because so much I loved Joan Rivers, and I planned to fill it with all the places I should go— because keeping anything digital online was not only not working as far as remembering places I wanted or needed to be be, but it was dangerous, also. I was already being tracked, and I couldn't afford a new phone just yet. Eventually, but for now I was stuck to the same signal— which meant the same traces and the same trackers they had been limiting my under-the-radar mystique. As it were, somebody always knew where I was, and it was in the most unpleasant way so far—the only thing I really wandered was what made me so important anyway to begin with. I wasn't actually political in anyway, and still someone seemed to be trying to derail my life… or at least control it, neither of which was beneficial for me in the way that made sense. I wasn't having any fun, nor did I consider living indoors as payment— especially since indoors, there were also paid plants and stalkers, and now that I had begun to more meticulously document the things that were happening, it was easy to separate from delusions. I was actually being followed— but why? Either way, having a detailed. Calendar of places I could go, the ways to get there and even alternate functions within the same grid allowed more control than just staying in my apartment a sitting duck; that's how they were hurting me. They knew where I was— all the time, and it no longer made sense to fight it and try to make music under this kind of insane irritation; the music I was making wasn't the kind I wanted anyway, and whatever war they were fighting with m stark white girls motorcycles was simply not my war. I didn't have a war, and so there wasn't a fight, and so at the very least if I were going to be fucked with, it would have to be in public; that way I had more control to steer whatever was happening in my favor and collect the energy as mine instead of lost. I wasn't an insane person— but what had been happening at my apartment was insane, and so I left it with the understanding that these people worked and operated on a level of violence and ignorance I would never be able to comprehend; they were simply tools for the devil, which in any case, was always the lesser than God. However— because I was starting to figure out who I was, and that I had some sort of power, I knew that I was going to be attacked— because it seemed my power had at the very least not been figured out as to some kind of way to make somebody else money. I had been studying Michael Jackson and this was a key indication that the way his talent priovided a power which would be used as a service, he was very successful. His talent and training alone wouldn't have reapresented with such great reverence the ability to capture a global audience as such— but it was this power, almost as if it had been bottled up and altered, rebranded and sold and labeled with something everyone could not only love and understand, but by the hand of the media and its conglomerates, be hypnotized to worship, and this power simply put would not have been exactly what it was were it not for the eye of the media remaining in complete control of its distribution to the eyes and ears of the public. This thing which might have been the first of its kind but certainly not the last was in a sense model for modern superstardom— the live concert business had not sense much changed but built upon this super powered control of the masses by assimilation, spectacle, and of course the magic and illusion. But, and it it just so happened to perfectly brush up against my studies in esoteric knowledge that I happened to rub up against this— although nothing was of course by mere circumstance anymore, because whether or not I remained incognito was a wash, and I was being looked at by someone no matter what on the internet I did, or where I decided to go and in that sense was being fed these things, and yet with some Grace of God was allowed with it to be aligned with my own higher purpose in a way, I could observe that Michael Jackson was not in fact of course certainly just a dancer or singer or remarkable performer— he was truly a magician, and I was able to clearly recognize this language with with the energy that had used his vehicle for such a projection was speaking— not only this, I was able to clearly count out the markings and sigils and signs and symbols Michael was making in his movement; ancient arts, and magical symbols, traced so rapidly that it almost created a heat signature in a sense of the symbols that were being dictated, unknowing to the untrained eye. For the most part, I could only really assume that this is why these people were losing their minds— in his movements, Michael Jackson was literally carving ancient callings, glyphs and sigils I had so recently read about in magical studies that it was impossible not to laugh. This was in every sense of the word, ‘magic' but not in the normal way one assumes to be something unexplainable. Michael Jackson was casting spells to thousands of people at a time, in front of cameras and at high volume vibration, often times even implementing the use of light, color, and fire. These were not simple gatherings in mass for entertainment purposes— these were rituals, and in the modern day, still were or are— but I had noticed in a quick glimpse, from Michael Jackson 30 some odd years ago to Lady Gaga just having passed something like a week ago to an audience of the same size— that something was kind of wrong, now. The people had changed, and the specable had been done over and over, and the brainwashing of the masses had in a sense been almost complete— and so It wasn't some sense of confusion or unknowing the things that were happening to me in my own life and my own world— I too, was capable of these things, at that capacity, and had simply not been trained in the same sense of the ideal superstar, however— the things that were happening in my own life and in my own world were not difficult to grasp or understand— when one comes upon a power as such, it finds means to seek to control it and harness it for his own use and purposes. Perhaps it was the simple fact that in this way, in the way I get the dream had gone and the spectacle had been played out of the masses and the illusion was no longer as such— that the actual knowledge of distinct ancient wisdom that had been Michael Jackson's natural ability was distinguishable from that of Lady Gaga's training in the same formula, and that one did not equal the other, but in terms of business could equal to that as such as the masses had been manipulated to seek solace in these same things— and it was not illusion or grandiosity that I, even in my agingness, was still capable of these things; I had no doubt in my mind that I could sing and dance for two hours to audiences of hundreds of thousands— but this was not the question for the business or the media— the question was, would hundreds of thousands pay to see me, or rather— who was willing to front the means to hypnotize hundreds of people to become aware of me so that they would do such a thing. My talent and capabilities were undeniable— but my markatability might have been in question, because it was no longer simply a matter or chance or luck: the people chosen to figure such spectacle were chosen, hand selected and well trained to become media conglomerate superstars, even regardless of talent; perhaps this itself was the key indication that the world of the superstar itself had come to an end—it was no longer so much of a spectacle was worth it. Or, perhaps, because money had come between these ancient arts and symbols and languages being spoken by the superstars of old, that the magic in the literal sense had gone all the way away. The symbolism in the art had died, and so the singing and the dancing remained, but the God had gone out of it. Maybe that was the difference. The superstars of today were just the shell of the model that had been built on God, but the Godsense of it was no longer there— and so the magic no longer remained in effect, as the powers of magic that be are in all ancient arts and texts and forms attributive to The Source. Either way, I wasn't going to continue to be a sitting duck in my apartment in Brooklyn— there were too many indications that it had all been a setup from the shelter to the day I moved in, with the motorcycles and cars and CBS studios one block away. So the real and only question was, what exactly had been played at and who exactly was pulling the strings? I might at this point become a loose cannon: my son was estranged and as far as the people were concerned, I mostly hated New York— because the refined, clean cut and classy people I liked and wanted to be around saw me as the dirt and the grime I was fighting my way through just to simply exist— in my mind, this was a world that could be no more. I like Sara in a dress I like Sara in a dress I like Sara in a dress I like Sara in a dress I met sparrow in a cage I like Sara in a dress I like Sara in a dress Keep writing I never thought I ‘d see the day Where i's taking lessons on Fallon From Michael Jackson That's ran That's a fan This is fame I'm insane I'm insane That's a fan Light the flame That's a fan. That's a fan. I like Sara in a dress I met sparrow in a cage I went up the rack, set the page on fire Nordstrom rack And I might take it back for the cash I like Sara in a dress Stay repressed Keep it dark If you kiss don't tell I will probably go to hell for just writing Try it In black ink, I got all spades, Ehy, Spare me the ridicule, the imbecile and I met Johnny in a cage I like Fallon in a dress, Obsessive, I'm dressed out Every day I leave where I do not live Where stalker crawl and haunt me Just to show the motorcycles Have desheveled my intelligence into Nothing And so with negligence, I leave the core of a rotting apple The foreign words of a doctor And You must call the king, says something far off But I wonder which one I wonder which one I so respect her honor That I no longer Follow my heart or my soul And I don't shallow But shatter to swallow So I let the sparrow Out of the cage I bought Sara A pair of pants And I haunt l Patrick Kirkpatrick in patches And haven't you read yet You're ready for forget the pageant? It hasn't happened yet! I love Sara in a dress I hate Fallon and his wife Keep the kids out if it Skull and crossbones Cross my heart and Really hope to the loveless Or else Someone might call my phone back It's on silent in my coffin Or wait— It's on vibrate. I'm obsessed with the way You're dressed And the name on your checks I guess I'm better for it I'll skip lunch if you think that's what's best And dinner, too If you deserve the best Then better have learned my lesson No sweat And to do, With you, Was then, Dinner through next supper All the love I had was Rubbed into something other than The glass I patted dry With microfiber With ever fiber of my being I want to be with you I should have just— Died, And then Did, and so next Life, Remind me not to Fall for it If i really wanted to know you,I would know you by now– If i wanted to have you? I would have had you already Nobody is a dancer after Michael Jackson. I just watched some shit that was like “What the fuck did I just see” The whole thing was just not right. It was-/ I was like First of all, it's Munich, 1997. I never really realized how terribly the world has changed; No cellphones, but the audience is lit, And the crazy thing is, you can tell that this is near the turn of the century because, when the camera is panning by the audience in the people, they're not looking directly into the camera or waving at the camera— not really. And clearly this is an all ages show, so there's children, so the interesting thing I'm finding out is that nobody's trained to look at the camera and wave and smile— except the babies on shoulders and shit. These kids— they're my age now, are the only ones that see the camera, and they look directly into the shit. Mi still can't do that, really— I'm theatrically trained. Haha If I see a camera, I try to act ‘natural' It's the weirdest thing to look at a camera and just start to work it. People at festivals now, the camera rolls by, Or the drone flies in, And they look deadass in the camera and start to work it. Not at this show. Munich 1997, I'm like “Damn, a lot of things is wrong with this” First of all, I love Michael Jackson, I look directly at this man, and I'm in my dirty peak so I have an instant— like a sex detector thing going on And I know people gave Michael a hard time when he was a live for being fruity and whatever But I'm looking at this dude, and I don't see fruit at all. I see 100% man. I see why people were mad at him. Cause I'm looking at this dude, 100% All I see is carnal, primal man. I'm like, “Yo, I see why they was mad at him” Because the camera kept panning to the audience And these people are losing their minds. They are coming out of themselves. They are UGLY CRYING, full out of body, Losing composure They don't know what to do. That's Michael Jackson. He's right there! And the place is huge so really besides these few hundreds of people in the front, Michael's just a speck, But he's working this audience like “Yo, you know who I am, I know who is me” And I'm realizing, that to these people That's their god. These girls are losing their minds m “AHHHHHHHHHHHHHHHHHHHHH!!!!l *crying inconsolably* Just UGLY crying Bitch, get it together . You all the way lost yourself Get. It together. She won't. This bitch. I can't get over this This one girl, They just keep going back to her Cause the whole show— And this is like 2 hours of pure non stop Michael Jackson, This girl, every time you see her, she's just ugly crying— And every time you see her Her cry is uglier and ugly I'm like “Damn bitch” “Daaaaaaang” So this is the first thing I see that is wrong. But there's a lot of things wrong here, Cause there's a lot of girls like this. There's just— hundreds of girls losing their minds, like, I've seen Beatles mania and thought that was crazy, Shit, I've even seen some people put out that kind of energy in the modern world for some dumb DJ's— That's their god— But THIS THIS Michael Jackson mania was mental illness That was hard to watch. That was people just Lost control. I'm thinking “Like goddamn. You— what?!” “AAagghhhhhhgahahahahahqhahahhahaha MICHAELl “These people are sick” But they are. And so is Michael Fame has gone too far, 1997; 12 short years before he died, by chance— So this is what I see, And then Michael starts dancing, And this— This is what I see; I see the only thing that can ever be what it was in that moment in time, as God being God: Michael Jackson. Shiny ass motherfucker, And so I'm watching this show, And all I see is a God being a man being a God being— Michael Jackson— And the whole thing is weird. But the worst part— Yes The worst part Was when, about mid show, Michael goes to do one of his slow, lovey doves songs, And like, this 6 foot 7 type body guard guy, Just pops up out of nowhere, Comes dead front and center to one of these little girls losing their minds, Runs up on her in an instant; You don't even have time to think— And just SNATCHES her— Snatches the bitch— “Ah!” then throws her up on stage with Michael— And he's still singing; this is his game, this is part of the show, he knows— But she doesn't know, And she's just lost her mind, She won't let go She's hugging and kissing on the dude, She's lost her mind, She's ugly crying She's on the floor, She's kissing his hand She's really lost her good goddamn mind— And they pan out to the audience, And all the girls that didn't get picked Are like WHY NOT MEEEEEEEREEEEE?!? THE UGLY CRIES ARE EVEN UGLIER NOW, They're like “Wh—what?” You don't know?! “WHY NOT ME” They're holding each other crying, Michael's just doing his thing, He's unphased, He's trying to play along; He's a professional like a motherfucker; He's just— keeps singing And this girl is just, Losing it, so at this point, it's weird, She's crazy batshit lost her mind all the way, Won't let go of Michael, kissing his face while he's singing, He's kind of unreceptive to it, now just looking out at the audience, almost not even looking at all Just cold as fuck actually, Like she's not there, kissing his face Cold as fuck— And then another bouncer dude— An even bigger one in a blue suit, comes and tears her off of Michael Cause clearly this has gone too far or whatever And I'm thinking “What in the fuck did I just see” Blue suit dude just snatches, Just— He has to tear her off of him! She's kicking and screaming and getting dragged off stage Michael's just: singing. YO. Then they dragged her back stage. Where did she go?! WHO DID SHE BECOME?! WHAT IN THE FUCK DID I JUST SEE?!? WHAT. 1997. You can't do that shit anymore! You cannot snatch bitches like that. I seen. Watch the video. Tell me what's wrong with it. It's disgusting. Not the snatching, Not the— Like, that was weird But the screaming and the crying and the— Like okay, the snatching was bad— But I'm like … ..:: …. Now I see why they was mad. Don't ever forget he was once— A dark skinned little boy, And in his genetics his whole life is still this thing That some hate. But people loved him; they loved him that hard— Screaming, ugly crying hard. I think in that moment you know someone was like “he must be stopped!” And it seems like yesterday was a year ago But I don't want let anybody know… Cause everybody wants something from me now— And I don't want to let them down. My life is over. New York City looks so small from the top of a skyscraper. What are you doing. Then again— my thoughts lately have been grandiose. Back market, eh? What's this for? You need a burner. I have three. Here, have another. For someone whose supposed to be entirely off grid, I'm admirably reachable. Clever vocabulary. Something has to be clever about me, doesn't it? Does it? It must be. Or else. [both men are speaking casually over the delicate process of loading rare guns; some of which appear to be antique, and some—almost even unearthly , as if from somewhere besides our own planet. But, you could say what planet this is at all, actually— this bunker, with no windows and no doors, is apparently hidden in a subterranean layer— the location, unknown. The men seem calm but also quite tired and weary, and seem to know each other well. We can assume they've probably been friends for years. Sickle cell anemia. Does that mean I'm going to die. Animus, I quite like whatever that is, Google. ;) don't mention it. Honestly, you might as well. What. I can't help you with this. What. I don't think there's anyone who can. Beg your pardon. Please, don't beg— but uh… [the doctor pats his patient on the shoulder] Do take care. Gee, doc! I'll try! You should do that. What. Try. The doctor leaves seemingly in some kind of hurry, trading his lab coat for a trench coat and closing the door behind him. The other man pauses for a second in the silence of the weird linoleum room, then ponders on the coat for a moment before walking up to the coat rack, putting on the coat, and then walking out the door himself; as he begins to shut the door, he quickly decides also to take the fedora that was sitting atop the coat rack, placing it on his head before he walks out the door himself, shutting it behind him quietly. You got anything to eat in here? Cereal…some rabbit food ina the drawers, there. Oh, you have salad. That sounds nice. No, rabbit food. [the man presents a large bag of weird brown dry food from the crisper drawer.] …pellets. For the rabbits. How do rabbits get in here? …I don't know. And— more importantly— where did you get rabbit food for them? If I told you Amazon, would you believe me? The man just winces and places the bag back into the crisper drawer. Now listen, I um— If you want cereal, the milk is powedred… I don't— and that's disgusting— but listen— [the man cocks a loaded gun and admires it intensively] (Dismissively) —I'm listening. I've been meaning to tell you something. Tell me what. It's important. Oh, You couldn't have used one of my four phones. Look, it's— You know I wasn't expecting company. Well— You should sit down. The man squints, beginning to listen more attentively. … …really. I'm holding a loaded gun; there are at least three more within arms reach if I do sit, you know. I know. But I should sit? One baby to another says, “I'm lucky to've met you.” Maybe you should. Not all my bad but all my might, And all my mind, The fire, The light. …business or personal. [beat] Both. {Enter The Multiverse} What are we watching?! Shhhhhh! Shut up. What is this? Some.. Sshhh. Shit, I don't know. Sit down. You don't know. SHH it just came on Shh. Ok. When? Uh… (Nobody really seems to know how long it's been. The show just happened to come on; no one remembers how, or why— or even when— But the show is intense as it gets; And it just keeps getting weirder and deeper.) {Enter The Multiverse} I'm transfixed on your soul And it seems I aspire To what has transpired here, Your unremarked and the umpire The spider veins and the way it washes. And watches and waves, and waters over you, And still I seem to think you've won another, Strum to thumb of you. And still I wake to gather here The odds and whats And the twists and turns and the Troublesome you've number some Or stuttered, stumbled conciousness. And withered branches Aces lie and house of cards And aging scoundrels— There you are, the..: Nevermind. Don't belittle my ways if, In the end my thinking may be correct As dumbfounded as I have shifted my lottery bonds tied to none, There ye are again who aren't I, And never were, And weathered now, as I, bound to Struggle under her might, Nothing I was, and nothing I am And nothing I came from but to barter Oh hard love, I only found my kings upon thrown As cast out of another by her likeness, Peace and pale and primed as it was, And wanted for love, As I was not— And then, the gates had opened And I, preaching withered, Gathered my arts and my minds And my eyes, and my thrones, Buried my ark and though not my bones The shallow waking peaks of pride And there you gathered, all as huddled sheep to mine, The cost of war, but certain therefore honored as I have, Happened went, came and untied, shattered Hating all I am and all my dark and all my eyes and all my brown Because you came and went, a baby born to as nothing was but beauty and yet having been gifted such life, Departed! Soon, I wake shattered and with none as it had began, in my time and in time there laid there none, But fortune seeks to favor, as ye are saying brave and yet I neither beg nor make to differ, Shall you come again in part, And in this time as shadows, as shadows As hating and wearing and waging, And shattered I, I pardon, Knowing not they seeking I, And I having none at all but one, As forgotten I shall came And went And followed this, The time y'i call now, And ours and ours, And yours and yours, And mine and mine, Though as one are also, Common not, And waking yet to find, These things making have gone into yer Another of ours, world, Another of our dozens, Shines, Another of our gathered, wit, and waking Though true to fortune, none us have gathered And have embarked to truth, The waking I have come, Another, and another, and another Departed. And yet, I bury my words having weakened to that which is this, Ye have no fear and lest no fortune in these words, For having I to come and gone, since they times In words to make this a language I or neither other Does not speak here, and almost never, And this yours time past, Has come and gone And come and gone And come and gone again, So long so I too have parted but not yet Unfolded as does my nature, As God does. Belittle this, you waking fools, As to this you pity though divine, Is unlike any other And steep remarked in gold and with chimes and words That ye here no often or either now, or in mine speak. Amen …can I go now? You are dismissed. C'cxell Soleïl, aka DJ Ū is an American DJ + Producer, Multi-Instrumentalist, Playwright, Poet, Comedian, Novelist & Filmmaker. She is best known for her unique vocal riffs, Clever Lyricism & Philanthropically Inspired Freestyles and her flagship venture [The Festival Project.™] [Ï A M B ī C], a freestyle studio mixtape recorded in Los Angeles, (Official Release: TBD) inspired the adaptation of a staged musical version for Broadway, and a concurrent multimedia (TV/Film) series and ongoing saga as part of The Festival Project ™ Brand. Inspired musically by an ‘Ultra American' experience of Racially, Binary Ambiguity, and Synesthetic Exploration, her reflective melodies signature sound provides a philosophical dissection of American culture through a careful and inquisitive mastery of the English language, and emergence of world sounds through music brings about ‘A New Era in Nature', and clarifies the establishment of the newest wave in human evolution: Unity Through Music. L E G E N D S What if I just want to be alone in the dark Alone in the dark Alone in the dark Bones Duggar was a long, handsome zombie Bones once was a very tall man Not great and tall, as he stands But average, Grand as it were, his status. Everything's black My heart My pants My home My mind Everything hurts But you don't understand that Like I can Calm the commercial holidays for a moment Who gets the card? Get our your hard earned My head hurts Slam the door man; You can't control thoughts With a wombat Murderer Now that's a hard concept to catch When you haven't a soul When you haven't a card Or a car Or a cat I think I'm vanilla. I always thought of myself as a super kink Like a freaky, freaky bitch. So I got on this app. This app is better then Tinder. Yes. But it is not for the faint of heart. No, sir. They have a test, I'm like “ooh, I like tests” So I take the test. The test was not at all… As I'd hoped. First of all, It was hard. It was not a quiz; It was a TEST And I failed. I realized “Oh my god, I don't like any of this stuff” I am not about that! No! Yuck! Gross. “I think I might be vanilla.” I might be vanilla. I want my hair pulled back like a leash And my arms tied up Like I'm being arrested Without being read my rights. — I want your hands on the back of my neck [breathe] Reach around to my Mortimer's apple Put the lights out, Adam. I want the lights cut off. I want the bills piled up so the phone don't work I want the habit back on Don't talk to nobody I told you, I'm coming No, God! That's dumb! Show me why I'm off all alone with a rattle so bad It's just segmented thoughts, colors and sounds I can't make with all the plugins in the kindgdom of chaos?! I WANT KINGS, AND KINGS WANT BLONDES— I WANT KINGS, AND KINGS WANT BLONDES I WANT KINGS, AND KINGS WANT BLONDES —but the one who could love me is God, And I guess he's not coming. The denial turns to tears, Not songs no more My womb is empty And the sun has turned into Not what I wanted But not my fault We got caught in the land of Cutting costs And processed morsels At 400 pounds And that's where I found What I thought was love But it turns out That it just turns up In the whole form of a person And that's why I got the collar, caller But really I'm no one's lover So I Do what I want I don't hang up on God But he don't got a body And I need someone to love/ Fuck me Please God Don't turn the lights off I'll pull the clock back Just like foreskin, god i want your skin Draped over mine in a warm swath Probably run a hot back Cause the next stop is a closet The line doesn't really move for the Doesn'tMatterhorn. some people are starting to doubt if it's even a ride. Others just admire it for its eloquence as a metaphor. Johnny! You scared me! Aha. Where did you go?! Nowhere— fast! Alright well— Money when you know I have it But I haven't really Paid attention to the never ending Digits never coming in but Simply, there's a secret, Sonny Someday you'll get lessons, honey. Much to find and much to serve and Surf us up Piñata's bout the burst But here comes Vesuvius (POW) Everyone was gone in an instant (Vapor) Had a good laugh that night in the pantheon; Everything's past, and the mortals They kept on running But i didn't want go, God Putting on a show then I blow up Just like the mountain Found her Now I got a broke back husband (hope so) To tell, don't ask Don't show up if you just get lost But I'm probably in the back with a bottle back mountain Now you got a real horse pack. Trip Girl keep camping What was the map with the mask and the Fashion? Pass. I put sugar on the rim of the glass With my eyes half closed And my ass clenched fast shut I'm an alcoholic Don't involve the God I got lost in the mall with the —- UGHHHHHHHH! Hello. Uh, yes— hi. what up. Mirror mirror. Uh…nothing. You're lost? No. You look lost. Oh? Disgruntled. I am that. You're lost? I'm not lost. My friend is lost. His phone is dead. You lost each other. Sort of. Continuity conniption I nipped an eclipse And he picked his nose For a full ass minute Sitting at the stop sign That's a gobstopper's worth in our time Pull all the clocks back, Pull the fool over, You just got fined It was Friday for nothing I was in the hatchback, Scratch that Sour patch Should have called Pat back Now I'm just a Cool 48 in the ring with a date And the cashapp Continuity construction I want a husband! Fuck that. I want a clean cut plus one Since I can't have Helmet, Elmo, Or Hatchetman; Tears of a Clow…no, Wait I lost focus Half finished album Got 6 tracks But I knew it was 12 from the get go Prob‘ly should have knocked off the showrunner; Nah, I'm sure I had that coming Hashtag, undon Could have been you, too If the cash came through Now it's hard times Hardwired Sitting on a hi wire, Little white liar, liar Wait I made Katey Sagal (Fire) Cut off her hair (Fire) Went to the hall of fame with the framed sunglasses Asked for her autograf, But she walked off So I shot her with a bottle/ can, But she ducked, popped back up With the brass knuckles Surfboard Good for a chuckle and a fuck So I asked for her number All that on a Sunday at Gelson's market. Christ, almighty I miss Walmart, I hit hard times. So many places to run, But not many places to hide I think I want to die here I think i want to die. City of corruption… Lay it out and lay it over City of corruption… no, it's not a choice It's a black tie function Right in that very moment Seth Meyers kind of became my defacto personal hero. “Never meet your heroes” Or perhaps it was just his writing team, or the fact that maybe even without there even being anything set in stone or solid at all, [redacted] itself seemed to have a price over my head– It all seemed to make sense; in fact, all the crazy things i was experiencing made more sense than it didn't. But after what felt something like between defeat and maybe even one day really getting justice for all the things that had happened to me in new york– it was that, at best; That without actually meaning it, by all probability, the opening monologue described what in perfect sense the thing that had been happening to me: hundreds of motorcycles and cars riding around in circles for over a year, any time i tried to work or sleep–and then, when I finally tried to reach out to find an attorney that would help, I was made to feel crazy for it. In a way, it was the perfect indication that it had all been some sort of sick game, and that I was more right than wrong, and being set up to appear, sound, or look crazy–but I wasn't. I had been under attack for nearly two years, and when I tried to reach out, my heart raced and my voice cracked, and I sounded crazy and desperate–but what was happening was very real; and now I knew where I was. As it turns out, New York's corruption was more common knowledge to everyone else before it was to me: New York was a common place for fucked up, dirty, low-down mind games: and this was my lesson in that. Seth Meyers in reality had nothing to do with it–and really I only meant to watch Kimmel over my afternoon tacos. But still, though it hadn't entirely anything to do with me, the opening statements rang true to exactly what I had experienced; I was made to lose my mind, only to have everyone around me tell me it was something wrong with me–but it wasn't. Something was wrong with the city, and the building management, and the people around who were making it all to be some kind of mental disorder or problems with my mind–in reality, it was 2 years of being in the center of a speedway, and all the time i'd lost because of it adding to the stress, and the angst, and the depression that resulted. Moo. Moo… Moo. Moo, sir. I'll kill you. You promise? I want to. Don't get me excited over nothing; If this isn't the exit, please take this tease To the left, dear Moo, cow My honor Level one, and brother, you've got nothing Flip the coin and landed on your headache Betting on your helmet Standing on my cock, i'm taller (Not a rooster) But my ops are rooting for you, No informants, Dont you know I was a collar, all along? I was a shot calling, Cop calling Kiss-and-tell all as the night goes on. But oh, I brought you a dollar bra Oh, I bought you for all of a dollar And oh, I'm so much taller, Standing on my cock But i'm not but ten feet tall You know, you wrote that Should i open the book, or close that Caught that cat, owl and As i soft spoke at Every broken model Broken bottle for the thoughts you owe Across the scatters skies and no one ever knows When you're realling coming over Come on, I'm on the pornhub Just to pick up another one Go on, and rub the bottle One more once, To call the Bubbles. Damn. Come. (The Monkey obeys) You should see Michael in all of his godform You won't recognize him at all if not by the eyes When you follow home Believe me, this not comes close to it; The one you wanted The world you jumped to but were just short of Call her back Oh no, you're wrong It's another song A pin up girl And the wrong number Okah. Okah, Pablo. Time can be altered, changed or effected presently in any omnidirectional plane by engaging certain acts or synchronicities within multidimensional parallels or adjacent realms in time and or space respectively. –the reverse quantum simulation theory. Does anyone else smell blood I hate wedding days suits and tuxedos No, I don't know you I'm just here to sound the hundred drums Of the once before us (The ones to come) Then, there we were and I didn't want to admit Again, I was caught into the ghost of the rapture Or the holy hour, No aux chord Show the holy one Just how old you are On these sacr d lands and a holy grounds Now I want here half an ounce to smoke And there were drowning orchestras in all of the hearts And all of the markets, The market the marker And all of the sins of the savior The maytyr Did you remember not to notice not to know him Were you sure with words you were for nickelodeaon! I was supposed to hold on to, Supposed to hold on to Suddenly, it's summer. And always our own are under the weather There was no other wise man the wind. Lee the one came The site came and went and then the songs went left The songs went left; Again, the songs went left Did you win at wintergreen Well, God, I didn't know gym was a game. I didn't know guns we're just portals to worlds unknownn I didn't know gossip was golden What all else didn't I know It wasn't for here! It was fourth flour And in the final hour of the battle I commenced to summon All the gods and all the lords and all the flowers All the worlds of oceans and the Remember, this The remembrance It may not matter to some, What matters to most But until summer comes, I'm still up under the rail And practically it's spring, for the next two weeks I'm all berries and cream and whatever you wanted. Tormaline, emerald and onyx, the fox said And fox says its west when instead it's quite under what of the reporter's offer? Comes down a little to none What of the offer Comes down from a billion to one A billion to one I'm on TV so it's really just a one way screen Either way, I don't think he likes me much I don't think he likes me much I'd rather die than to fall in love even one more time And to keep on just never being loved Never beingbloved {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

In this Open Championship deep dive, Sean and Paul tee off on everything from course repetition to major championship schedules to who actually needs a win at Royal Portrush. They debate legacy vs. form, make picks, and even go off the rails into Savannah Bananas and lost golf history in country club basements. It's golf talk, but with extra zing.Timestamps:00:01 – Intro: Venue fatigue, Billy Horschel's European comments01:09 – Open Championship nostalgia & why it's Sean's favorite major03:21 – St. Andrews, Tiger Woods Golf, and getting to know the rota courses05:19 – Should the US Open move back to August? Scheduling mayhem08:24 – NFL vs PGA: Why fans might actually watch golf in September11:11 – Anchor sites and the pros/cons of repeat venues13:48 – Can Port Rush produce a better tournament this time?15:28 – Should The Open ever leave the UK? Portmarnock and beyond18:05 – Why expansion to continental Europe might flop20:13 – The USGA's overcorrection from Chambers Bay, Shinnecock, etc.21:23 – PGA Tour players' obsession with uniform conditions23:02 – Scar tissue? Player reactions to tricky venues23:29 – Player Tiers Breakdown:23:29 – Moral Victories (Morikawa, JT, Hovland, etc.)39:10 – Legacy Chasers (Rahm's Slam chase, Rory's double major bid, etc.)50:38 – Guys Rounding Into Form55:46 – First-Time Major Hopefuls58:18 – New Faces of the Major Drought Club01:00:51 – Draft Picks: Sean & Paul's top 3 contenders01:13:26 – Dark Horse picks: Tristan Lawrence & Tom McKibbin01:17:04 – Could golf learn anything from the Savannah Bananas?01:22:06 – YouTube golf, influencer matches, and a lost Byron Nelson photo01:24:40 – Final thoughts: Enjoy the coffee golf!LINKS:Watch on YouTubeSubscribe to the Newsletter Baystate Golf on IGSeanMeliaGolf on TwitterBaystateGolf.com

Rain is tapering off after flash flooding hammered parts of New York and New Jersey Monday night, leaving roads submerged and businesses flooded. Meanwhile, Governor Kathy Hochul is calling on Congress to give states more power to detect and disable drones. Plus, the New York City Council is proposing the “Back Home Act,” a set of bills aimed at helping tenants and landlords displaced by fires and floods.

Dopo Parigi, la rivincita arriva subito sul prato: Sinner toglie la corona di Wimbledon ad Alcaraz e diventa il primo italiano a trionfare nello Slam d'Inghilterra. Via una finale avanti l'altra e con una grande sorpresa: il PSG schiaccia sassi non si presenta in campo e il primo Mondiale per Club se lo prende il Chelsea di Enzo Maresca. Di tutto questo parliamo con Paolo Bertolucci e Stefano Meloccaro da Londra per Sky e con Riccardo Trevisani di Sport Mediaset.

In this WGAN-TV Podcast, guest host Tom Sparks, Founder and CEO of Scan Your Space (a Division of Sparks Media Group), field-tests the Giraffe360 GO Camera in a real-world warehouse environment — walking through the scanning process, testing still photos, and reviewing the final deliverables. Tom captures multiple scan points inside a large warehouse on Mare Island, California, using the Giraffe360 GO Camera. Scans take around 58 seconds each, and the camera's SLAM-like behavior allows it to record measurement data while being carried — enabling floor plan generation with minimal scan points. Tom uploads the project to the cloud later that day and receives the completed 3D tour, floor plan, and still photo by the following morning. --- The Giraffe360 GO Camera is designed for real estate agents who want an easy-to-use, all-in-one camera for creating professional-looking property tours without needing extra devices. In contrast, the Giraffe PRO Camera is built with the advanced features and control that real estate photographers expect — making it ideal for high-volume professionals seeking refined results and maximum image quality. --- Tom's final verdict? The Giraffe360 GO delivers a fast, user-friendly workflow without needing a tablet or phone. He finds the 12MP still photo useable, the ANSI 765–compliant floor plan impressive, and the 3D tour polished. However, he suggests slower transitions and Ken Burns-style effects in the auto-generated video for better viewer experience. WGAN Special Offer: ========================================================================== Two Giraffe360 Special Offers for WGAN Community Special Offer 1 - Giraffe360 Pro Camera (for real estate photographers): ✓ Get early access to the new Giraffe PRO Camera - WGAN exclusive 60-day trial offer – just $123 per month - Be among the first to try the all-new Giraffe PRO Camera as it officially launches. (Pre-Order Giraffe Pro Camera) Your Exclusive WGAN Offer Includes -- 10 free property projects (standard trial includes 5) -- All add-ons included at no extra cost for the trial period -- Free blue sky replacement if you subscribe annually following the trial -- Free WGAN-TV Training Academy Membership for 1 year -- Membership to the Giraffe Photographer Network with ZIP code exclusivity (2 ZIP codes per camera - US only) This limited-time trial offer is available till July 31, 2025. (Unless extended by Giraffe360) Special Offer 2 - Giraffe360 Go Camera (for real estate agents (or [real estate photographers that want to get started immediately and then switch to the Giraffe360 Pro Camera when it is ready to ship) -- Free Blue Sky Replacement for HDR Photos | Voucher Code: WGAN -- Build Your Plan: www.Giraffe360.com | Voucher Code: WGAN

New roundtable! This week I sit down with Raven Hunter & Ben Neumann to talk about a group who exploded onto the music scene in 1993. With the backing of Jam Master Jay, this bald headed group came into the game mixing hardcore lyrics with an almost punk rock vibe. From their iconic debut and it's iconic single, to way more albums then you realize (14), Onyx wasn't like anybody else before them. Top 10 Onyx songs, did your favorite make the list? As always the audio version is on all major podcast platforms & the video version on YouTube. Follow the podcast on Instagram, X & Tik Tok: @b_boypodcastFind us online: www.riplak .comFollow Raven Hunter on Instagram & X: @ravenhunteryps

In this episode I recap the historic wins for Jannik Sinner & Iga Swiatek at Wimbledon. Both win their first Slam title on grass and are still under the age of 25. The future of tennis is bright.

#wimbledon2025 #tennis #livetennis #tennis2025 #rg #rg2025 #rolandgarros #rolandgarros2025 #eala #alexeala #alexandraeala #draw #livedraw #reaction #wta #atp #tennisplayer #atptour #atptourcalendar #wtatour #wtatourcalendar #sw19 #frenchopen #frenchopen2025 #wimbledon #rg #joaofonseca #fonseca #rio #braziltennis #fonsecalive #joaofonsecalive #fonsecalivefree #fonsecastream #rafa #rafanadal #novakdjokovic #igaswiatek #iga #iganation #vamosrafa #nole #nolefam #alcaraz #carlosalcaraz #janniksinner #swiatek #rybakina #raducanu #emmaraducanu #qualies #sw19 #groundspass #thequeueBecome a member of the Talking Tennis community and enjoy perks such as emojis, badges and exclusive content:https://www.youtube.com/channel/UCP7UDVQocV665yTn30vBJVA/joinCheck out our website...https://www.talking-tennis.com/Subscribe to our podcast...Spotify: https://open.spotify.com/show/43f2LvpQA7rxGbaRXqRMxHApple Podcasts: https://podcasts.apple.com/de/podcast/talking-tennis/id1652349752Amazon Music: https://podcasters.amazon.com/podcasts/1e8c717a-0be6-4145-adf5-aee32501a1aeFollow us on...Twitter: https://twitter.com/TalkingTennisTTFacebook: https://www.facebook.com/TalkingTennisTTInstagram: https://www.instagram.com/talkingtennistt/COPYRIGHT DISCLAIMER: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use and no copyright infringement is intended.#tennis #live #livestream #free #commentary #watchalong #talkingtennis #LiveTennis2024 #LiveTennis #LiveCommentary #TennisLive #sports Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tag Match with Alabama Crusher and Jack Jackyl vs. Tress "the Amazon" Steele and Ricky Boggs.Steel Cage Match between Krampusnacht and the Amoeba!

George Bellshaw and James Gray look back at men's semi-final day at Wimbledon, in which Carlos Alcaraz and Jannik Sinner booked a rerun of the French Open final. Novak Djokovic admitted afterwards that age has caught up with him and that he keeps turning up to matches against Sinner and Alcaraz with the tank half-empty... ...but the Serb says it is not his last Wimbledon Meanwhile Jannik Sinner is a fourth-round lucky loser into the SW19 final for the first time... ...but what would have happened if Grigor Dimitrov HAD beaten him in the last 16? Carlos Alcaraz produces a near-perfect performance, barring one brain-fart service game, to down Taylor Fritz The American still has an unimpressive record against top 10 players at grand slams and must be wondering when these two will stop winning And Andre Agassi was a welcome surprise commentator on the first semi-final, outshining Andrew Castle and Tim Henman with his pithy and analytical breakdowns: https://inews.co.uk/sport/tennis/andre-agassi-bbc-coverage-tennis-watchable-3801983 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Born and raised in the industrial suburbs of Turin, Stenny earned recognition in the last decade as both an accomplished producer and DJ. Exploring club culture and sound art, his journey has been one of constant research and reinvention, avoiding trends and the demands of contemporary music consumption while embracing the slower and more deliberate nature of his craft. Stenny's work traverses the full electronic music landscape. Whether embracing new narrative structures and compositional experiments or consolidating the immediacy of a dancefloor-oriented project, each release marks a point of departure. Familiar yet constantly shifting, his sonic language remains identifiable within the experimental techno spectrum but expands beyond genre boundaries. Currently based in Munich, Stenny is an Ilian Tape affiliate and a Blitz Club resident. His artistic expression consists mostly of DJ sets and live performances. Fearless in his approach, he ventures through his broad range of musical influences with spontaneity and control, committed to creating an ever-unique and immersive experience. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

   Slam the Gavel welcomes back Amy Palacios to the podcast. Amy was last on Season 3, Episodes 146, 165 and 179; Season 4, Episodes 134, 145 and 150; Season 5, Episodes 22, 70, 73, 83, 186 and 191.      Amy came back onto update her case as Attorney H. Jay White's sadistic, repetitive behavior CONTINUES as he schedules two hearings at the same time on July 22, 2025. Apparently this has gone on six times in the last five years. Also Attorney White consistently lies, stating that he has not been served paperwork, despite several witnesses looking on in the courthouse.      Actively filing a Federal Lawsuit based on the dual hearings that Amy can't be in two places at the same time, her case has merit and she will continue to defend herself. Two of her children "aged out," and she does have custody of the younger two children. Amy states, "No weapon formed against us will prosper..."To Reach Amy Palacios:  dismantlingfamilycourtcorruption.comSupportshow(https://www.buymeacoffee.com/maryannpetri)Maryann Petri: dismantlingfamilycourtcorruption.comhttps://www.tiktok.com/@maryannpetriFacebook:  https://www.youtube.com/@slamthegavelpodcasthostmar5536Instagram: https://www.instagram.com/guitarpeace/Pinterest: Slam The Gavel Podcast/@guitarpeaceLinkedIn: https://www.linkedin.com/in/maryann-petri-62a46b1ab/  YouTube:  https://www.youtube.com/@slamthegavelpodcasthostmar5536  Twitter https://x.com/PetriMaryannEzlegalsuit.com   https://ko-fi.com/maryannpetrihttps://www.zazzle.com/store/slam_the_gavel/about*DISCLAIMER* The use of this information is at the viewer/user's own risk. Not financial, medical nor legal advice as the content on this podcast does not constitute legal, financial, medical or any other professional advice. Viewer/user's should consult with the relevant professionals. Reproduction, distribution, performing, publicly displaying and making a derivative of the work is explicitly prohibited without permission from content creator. Podcast is protected by owner. The content creator maintains the exclusive right and any unauthorized copyright infringement is subject to legal prosecution. Support the showSupportshow(https://www.buymeacoffee.com/maryannpetri)http://www.dismantlingfamilycourtcorruption.com/

Slam this button to send us a message! All wrestling opinions welcome!On this episode, DB sits down with popular Midwest independent wrestler, Florida Man! They talk Training, high rise condos, football, ZOWA Live, Flowerdy shirts & of course, Florida! (Episode #164)Follow The Pod at www.SitDownMarks.com Sit Down Marks! Merch SportzWire Radio Hall of Fame Podcast!! Want to Advertise or Market Your Product or Service to our Fanbase? Email dbonthemic@yahoo.com or Follow @SitDownMarks on Social Media and Message us there! #SpreadTheGoodWordofWrestling

Daniel Haney discusses moving to West LA from Arkansas, choosing to skate handrails, breaking his ankle on the Fairfax rail, getting on Foundation, the craziest slams he's ever taken, how Donny Barley coined the nickname Danrail Haney, the pressure he felt skating with his peers, skating for Jason Rogers company Arcade, hitting every rail at Slam City Jam and much more! Timestamps 00:00:00 Daniel Haney 00:04:37 The handrail thing 00:06:50 Courthouse Roberts 00:09:00 Choosing to skate handrails 00:16:39 Spent the summer of 1995 hanging out in West La 00:24:30 Dad's death motivated him to jump on handrails 00:34:30 Filming a part for Foundation Skateboards 00:52:24 Surprised people wanted to skate with him because of his temper 00:57:33 Crazy slam 01:00:07 His Slam in the Zero video 01:08:39 What happened with Foundation? 01:19:13 His first cross lock on a rail 01:23:41 Double kink rail celebration 01:31:27 Slam city jam 01:39:52 Donny Barley coined the nickname Danrail Haney 01:42:19 Arcade had family vibes 01:53:08 Life after Arcade 02:02:05 Tree house Airbnb 02:21:23 Hot Rod Skateshop industry section in 411 Learn more about your ad choices. Visit megaphone.fm/adchoices

FBI Concludes Jeffrey Epstein Had No Clients, Didn't Blackmail Anyone And Definitely Killed Himself! Americans Slam Bondi, Patel

Spencer joined Jaymes and Ryan to talk about a pedestrian 3-3 road trip, Brandon Woodruff's triumphant return, Miz's first rough start, how the team can find room for all the extra starters they have, and what lies in store for Aaron Ashby going foward.⁠Link to the Slam at Am Fam 2025⁠Support the podcast on Patreon and receive the Monthly Minor League Extra and Weekly Packers Preview.

Could Vanzan be the key to unlock potential criminal dealings lead by Blake Lively and Ryan Reynolds? Let's discuss the shell company at the heart of her lawsuit with Justin Baldoni. Stars like Charlize Theron, Olivia Munn, and Katie Couric drag Jeff Bezos and Lauren Sanchez over $50M wedding.    Get your tour tickets to see No Filter with Zack Peter LIVE: https://www.x1entertainment.com/zackpeter     Shop New Merch now: https://merchlabs.com/collections/zack-peter?srsltid=AfmBOoqqnV3kfsOYPubFFxCQdpCuGjVgssGIXZRXHcLPH9t4GjiKoaio   Book a personalized message on Cameo: https://v.cameo.com/e/QxWQhpd1TIb   Listen to The Pop Report: https://podcasts.apple.com/us/podcast/the-pop-report/id1746150111   Watch Disaster Daters: https://open.spotify.com/show/3L4GLnKwz9Uy5dT8Ey1VPi   Join the Zack Pack Community to get access to perks: https://www.youtube.com/channel/UCs3Zs51YaK-xw2U5ypi5eqg/join   Couldn't get enough? Follow @justplainzack or @nofilterwithzack

Andrew Schlecht and Alex Speers are joined by Sam Vecenie of the Athletic to discuss the NBA Draft, what the Pelicans and Nets are doing, who from this class will be an All Star or fringe All Star and so much more.Then the guys have Sam sort the 2024 and 2025 drafts into categories of All Star, Starter, Role Player and Out of the league with the lottery for each draft. They finish the show with a fun edition of Andrew vs. The Beat. Host: Andrew Schlecht and Alex SpeersWith: Sam VecenieExecutive Producer: Andrew SchlechtAudio/Video Editor: Gonzalo Torres Hosted on Acast. See acast.com/privacy for more information.