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2 episodes with sun r
This is episode 115 of Beyond Top 10 Tennis as we come LIVE to you from AM8 International with the latest Rankings & Results on the WTA and ATP tours with [NEW] insights shared. From Top 10 Rankings to the Results of the past week that have set them in motion, we review all key matches and key players from last week's (& those still in-action this week) tournaments on the WTA tour: the events in Cleveland (Ohio) & Monterrey (Mexico) plus this week's US Open 1st Round & Draw Preview; followed by last week on the ATP tour: Winston-Salem Open (North Carolina) plus this week's US Open 1st Round & Draw Preview. The Video for episode 115 is available on both Spotify & YouTube whilst remaining available wherever you enjoy listening. Key Players this week include Kessler (W), Haddad Maia (R/u), Noskova (W), Sun (R/u), Sonego (W) & Michelson (R/u). To order Dr Berge's NEW RELEASE: "How to Develop a Top 10 Tennis Ranking" simply head here. For something different, head on over to Pink Octopus Books for Dr Berge's fictional release. To get in touch with me directly, I'm @drb on Topicthread. There are a few safe-walls previously shared. You'll need to wait up to 24hrs for approval and also, to sign in twice sometimes (we promise it isn't broken). We get quite a bit of spam to bots and it's a simple trick up our sleeves to keep it cleaner and safer for all. To access our Blog, head to AM8International.com/blog To interact with some random polls, head to Sprooke.com You can find Dr Berge here: Substack: @drberge YouTube: @drberge_tennis Instagram: @drberge_tennis X: @drberge_tennis BlueSky: @drberge Thank you so much for listening, please consider following us and/or rating us -- that would be super awesome! Plus, any feedback would be absolutely wonderful and we can look at including it in future episodes and/or blog posts! And of course, thank you for sticking with us, we appreciate your support immensely! Until next time, Enjoy!
Recently I have been discussing the moratorium in Sweden on uranium production and exploration. These conversations have been with Garrett Ainsworth, President and CEO of District Metals, an exploration company focused in Sweden. As helpful as Garrett has been keeping me up to date, I wanted to get another take on the moratorium from a person in country. That's where my guest today comes in! Maria Sunér, CEO of the Swedish Mining Association ("SwedMin") joined me to provide a background on the moratorium and where the government stands on lifting the restrictions. I ask about timelines for potential approval and how quickly mining and exploration could start back up when/if the moratorium is lifted. Recently I have been discussing the moratorium in Sweden on uranium production and exploration. These conversations have been with Garrett Ainsworth, President and CEO of District Metals, an exploration company focused in Sweden. As helpful as Garrett has been keeping me up to date, I wanted to get another take on the moratorium from a person in country. That's where my guest today comes in! Maria Sunér, CEO of the Swedish Mining Association ("SwedMin") joined me to provide a background on the moratorium and where the government stands on lifting the restrictions. I ask about timelines for potential approval and how quickly mining and exploration could start back up when/if the moratorium is lifted. Click here to learn more about the Swedish Mining Association.
In this episode, we're listening to the best stories narrated directly from Reddit r/NoSleep. Enjoy! Support us on Patreon Join our Discord Server Visit our Website Check out our Subreddit Follow us on socials: TikTok Instagram YouTube Original Posts: https://www.reddit.com/r/nosleep/comments/vuhfl9/the_james_webb_telescope_discovered_something/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Ep. 289 - Matt has finally caught up on the Righteous Gemstones and so we take a look back at another sensational season from the best tv show about the church ever. We also discover a lectionary discrepancy and get you ready for the halfway point of Lent, aka Journey Sunday. The Playlist * Lost Track - HAIM * One More Year - Tame Impala * Something in the way - Nirvana * Kiss from a Rose - Seal * Around the Sun - R.E.M. Listen to the full playlist over on the Spotify: https://open.spotify.com/playlist/36q7gNizQQQjzWPpfy7sI4?si=96c5f912c57e4d12 Become a Vinyl Preacher Patreon! https://www.patreon.com/thevinylpreacher Matt Keadle is the pastor of St Mark's Lutheran Church and Campus Ministry in Los Angeles. Zach Parris is the pastor of Lutheran Campus Ministry at the University of Colorado. The Vinyl Preacher was the recipient of the 2019 Joseph Sittler Award given by the Lutheran Campus Ministry Network. It is produced by Nick Morris, aka @drazeforce. Check out his SoundCloud.
Al talks about an incredibly strange Tom Wilson album, Batman and Robin by The Sensational Guitars of Dan and Dale that involved the Blues Project, and Sun R. Also a question about Albert Grossman, and did Al play on Freebird. As always, after each of Al's answers, Nilly the dog adds a brief comment.
Vi tar pulsen Maria Sunér som är vd på gruvindustrins branschorganisation Svemin. Den internationella investeringsviljan i svensk gruvindustri minskar stadigt.Mycket beroende på för krångliga och utdragna tillståndsprocesser enligt svensk gruvnäring.Det här sker samtidigt som efterfrågan på metaller och mineral ökar stadigt i takt med den pågående elektrifieringen och digitaliseringen av samhället.Vad måste då göras för att vi ska kunna utnyttja vårt mineral- och metallrika land mer och bättre?Och är det ur en miljö- och hållbarhetsaspekt verkligen vettigt att öka utvinningen av metaller och mineral när det ofta innebär att stora markområden och sjöar påverkas negativt?Och hur ser relationen ut med Naturskyddsföreningen som protesterar vilt när nya gruvor och dagsbrott planeras?Ska gruvindustrin satsa ännu mer på lobbyism och påverkan för att tillståndsprocesserna ska bli så som det önskar?Varför är Cementakrisen en hjärtefråga för Svemin?Det här och mycket mera diskuterar vi med Maria Sunér. See acast.com/privacy for privacy and opt-out information.
No segundo episódio da série vamos fazer um mergulho no movimento afrofuturista dentro da música, vamos falar sobre Sun Rá que estabeleceu as bases, o lançamento marcante de Janelle Monáe e da adesão dos artistas afrobrasileiros como Xẽnia França, Éllen Oléria e comentários da própria Gaby Amarantos sobre as influências afrofuturistas no seu trabalho. Convidados especiais Fábrio Kabral e Aza Njeri explicando o afrofuturismo em Black is King de Beyoncé Apoie o podcast - http://apoia.se/InfiltradosNoCast Canal do Telegram - https://t.me/infiltradosnocast Fábio Kabral é escritor publicado de fantasia e ficção científica. Passa seus dias estudando, pesquisando e escrevendo os próximos livros. No momento, é autor dos romances “Ritos de passagem” (Giostri, 2014), “O Caçador Cibernético da Rua 13” (Malê, 2017) e “A Cientista Guerreira do Facão Furioso” (Malê, 2019). Mais livros estão a caminho. Aza Njeri é doutora em Literaturas Africanas, pós-doutora em Filosofia Africana, pesquisadora de África e Afrodiáspora no que tange cultura, história, literatura, filosofia, teatro, artes e mulherismo africana. Coordena o Núcleo de Estudos Geracionais sobre Raça, Arte, Religião e História do Laboratório de História das Experiências Religiosas/UFRJ, Canal www.youtube.com/c/AzaNjeri
No sétimo episódio do Raplogia Cast, explicamos a gênese, referências e o que existe por trás da figura de Quasimoto, o alter-ego de Madlib e uma das figuras mais aclamadas do hip-hop. Seu disco de estréia, "The Unseen", completa 20 anos hoje, ainda relevante, transgressos e atual dentro do gênero. Duas décadas depois, destrinchamos a história do disco, passando pela criação do Quasimoto, sua relação com Sun Rá, e como Madlib e su alter-ego deram vida a um dos trabalhos mais atemporais e conceituais de todos os tempos. Fonte: raplogia.com.br/desconstruindo-genese-legado-quasimoto/
Antoine Nogier est Président fondateur de Sun’R, développeur et producteur d’électricité renouvelable photovoltaïque depuis 2007 est également pionnier de l’agrivoltaïsme en France.
The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R'as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kusafuka – Yellow Blood Unovidual & Friends – Dawn Frame Tomoyuki Okada Percussion Ensemble – December – Winter Galaxy Instant Music – Everybody’s Gotta Mutate Bourbonese Qualk – Soft City Vincenzo Zitello – Urdh Marie Celeste – Night In The City Amiri Baraka – 1. The Last Revolutionary (For Abbie Hoffman) Kelis – Rumble (Actress Sixinium Bootleg Mix) björk – NotGet (Lotic kept safe version) DJ RASHAD – Yessah Faust – It’s a bit of a pain Streetmark – Tomorrow Derrick Harriott – Reach Out I’ll be There Keith Hudson – In the Rain (Vocal) Actress – Voodoo Posse Chronic Illusion High Plains – The Dusk Pines Buddy Emmons – There Will Never Be Another You G. S. Schray – Some Baffled Stranger Ahmed Ag Kaedi – Imouhagh Siwlat Daedelus – Perchance a Bit Age – Ballade Prosper – Burning in the Sun R. Stevie Moore – Guitar Interplay Dos Can – One More Saturday Night (live) Maleem Mahmoud Ghania – Moussa Berkiyo/ Koubaliy Beriah La’ Foh Cybe – Anklung Piero Milesi – The Waterfall
01. Mightyfools - Go 02. RESET! - House Of Love (Space Invader Edit) 03. Class Hero & Robbin Oort - Tribe 04. Aleis - Slice 05. Tommie Sunshine, Sonny Denja & KANDY - Brassiere Up 06. Joachim Garraud - DJ Play That Beat (Album Version) 07 Jonas Tempel & Vincent di Pasquale - Be You (Bad Boy Bill Remix) 08. Knife Party - EDM Death Machine 09. Hardwell - Eclipse 10. Hard Rock Sofa & Skidka - Let Me Hear You Scream (Amersy Remix) 11. Cryogenix - Angry 12. Steve Aoki - Deadmeat (Joachim Garraud Dub Remix) 13. Senor Roar - Jenga 14. Galantis - Runaway (U & I) (Quintino Remix) 15. Gosteffects - Move You 16. Axel Bless & Maxon - Medusa
01. Mightyfools - Go 02. RESET! - House Of Love (Space Invader Edit) 03. Class Hero & Robbin Oort - Tribe 04. Aleis - Slice 05. Tommie Sunshine, Sonny Denja & KANDY - Brassiere Up 06. Joachim Garraud - DJ Play That Beat (Album Version) 07 Jonas Tempel & Vincent di Pasquale - Be You (Bad Boy Bill Remix) 08. Knife Party - EDM Death Machine 09. Hardwell - Eclipse 10. Hard Rock Sofa & Skidka - Let Me Hear You Scream (Amersy Remix) 11. Cryogenix - Angry 12. Steve Aoki - Deadmeat (Joachim Garraud Dub Remix) 13. Senor Roar - Jenga 14. Galantis - Runaway (U & I) (Quintino Remix) 15. Gosteffects - Move You 16. Axel Bless & Maxon - Medusa
01. Mightyfools - Go 02. RESET! - House Of Love (Space Invader Edit) 03. Class Hero & Robbin Oort - Tribe 04. Aleis - Slice 05. Tommie Sunshine, Sonny Denja & KANDY - Brassiere Up 06. Joachim Garraud - DJ Play That Beat (Album Version) 07 Jonas Tempel & Vincent di Pasquale - Be You (Bad Boy Bill Remix) 08. Knife Party - EDM Death Machine 09. Hardwell - Eclipse 10. Hard Rock Sofa & Skidka - Let Me Hear You Scream (Amersy Remix) 11. Cryogenix - Angry 12. Steve Aoki - Deadmeat (Joachim Garraud Dub Remix) 13. Senor Roar - Jenga 14. Galantis - Runaway (U & I) (Quintino Remix) 15. Gosteffects - Move You 16. Axel Bless & Maxon - Medusa
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