Podcasts about Sun Ra

Episode 498 - Sam Quinones Pete's Percussion Podcast Following Pete's thoughts about his experiences at the Canadian Percussion Network's “The Space Between V” conference, Author and journalist Sam Quinones (The Perfect Tuba) stops by to talk about Sam's career in journalism, growing up in California, crime reporting, and writing about tuba players and band directors (06:05), his relationship with music, his love of various genres and styles, and his background in punk rock (16:20), his first jobs in writing and building his writing skill set, talking to interesting people, and some of his favorite writers (25:00), his early research on the book, Tuba Fats, and Robert Caro (36:05), the connections between addiction and fulfillment through hard work in music, along with the needs of bands directors to become advocates for their work (41:50), and finishes with the Random Ass Questions, with segments on the challenges for young journalists today, The Godfather films, and great music from The Rolling Stones, Sun Ra, and Emmylou Harris (01:05:45).Finishing with a Rave on the Sam Quinones book The Perfect Tuba: Forging Fulfillment from the Bass Horn, Band, and Hard Work (01:20:10).Sam Quinones Links:Sam Quinones' websiteThe Perfect Tuba - Sam QuinonesOther Links:The Stockton RecordThe Los Angeles TimesJune 17, 1994 trailer (The OJ Simpson chase)Folk Music Center“Carol” - The Rolling Stones“Mama Tried” - Merle Haggard“Stand By Your Man” - Tammy Wynette“Jambalaya” - Clifton Chenier“La Puerta Negra” - Los Tigres Del Norte“Sweet Emotion” - Aerosmith“What's Your Name” - Lynyrd Skynyrd“Chain Saw” - The Ramones“Clampdown” - The Clash“California Uber Alles” - Dead KennedysKillings - Calvin TrillinRobert CaroThe Corpse Had a Familiar Face - Edna BuchananOn Writing Well - William ZinsserNever Let Me Go - Kazuo IshiguroThe Godfather trailerThe Godfather Part II trailerGoodfellas trailer“Me and Billy the Kid” - Joe Ely“Space is The Place” - Sun RaQuarter Moon in a Ten Cent Town - Emmylou HarrisRaves:The Perfect Tuba - Sam Quinones

Dmitri Mugianis is a psychedelic practitioner, musician, and space creator. In this episode, we explore addiction, psychedelics, music, culture, modernity, space, healing, community, and religion, topped off with some coffee, cigars, and Harlem fried chicken. Connect and Learn MoreWebsites: dimitrimugianis.com  ·  cardea.netInstagram: @dimitrimugianisResourcesBooks: How to Change Your Mind, Virtue HoardersPeople: Allen Ginsberg, Alexandre Tannous, Andrew Huberman, Catherine Liu, Deacon Seraphim, Federico Fellini, Glenn Johnson, Herbert Hunkie, Joe Rogan, Ingmar Bergman, John Sinclair, Lou Reed, Martin Buber, Martin Luther King Jr., Michael Pollan, Michel Foucault, Michel Negroponte, Peter Attia, Pier Pablo Pasolini, Ralph Waldo Emerson, Randy Polumbo, Richie Ogulnick, Robert F. Kennedy, Ross Ellenhorn, Sara Glatt, Walter CronkiteFilms: Frostbiter, I'm Dangerous with LoveMusicians: Fela Kuti, Leisure Class, MC5, Sun Ra, The Stooges , The Velvet UndergroundPodcasts: Huberman Lab, This American Life, The Peter Attia Drive, The Joe Rogan Experience, The Symbolic World

Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”. The Coen Brothers' 1991 masterpiece Barton Fink […]

Original Release Date: Monday 1 June 2026    Description:   Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”.  The Coen Brothers' 1991 masterpiece Barton Fink gets revisited at 35 and is found to be better than ever. The film genre of neo-noir gets analyzed, and the all-too-overlooked Hickey & Boggs (directed by Robert Culp and co-starring Culp and Bill Cosby) gets championed as an outstanding exemplar of that genre. The death of certain kinds of horror tropes are foremost on Dean's mind after seeing Scream 7, whereas Phil is intrigued by the new generation of horror exemplified by the current box office sensations Backrooms and Obsession. Then, Dean and Phil switch genres yet again, and examine cinematic comedy through two documentaries (Mel Brooks: The 99 Year Old Man! and Marty, Life is Short), one all-time classic (Some Like it Hot) and two current releases in theaters (I Love Boosters and The Sheep Detectives).

CITR 101.9FM (Vancouver)'s 24 HOURS OF RADIO ART in a snack size format! Difficult music, harsh electronics, spoken word, cut-up/collage and general CRESPAN© weirdness. This morning's broadcast features SUN RA / MERZBOW | GRANT BEASLEY | CONRAD SCHNITZLER | JOHN OLIVER | ARTIFICIAL MEMORY TRACE | SIMON WHETHAM / GREGORY BÜTTNER | CYPARISSUS | NOLAN HILDEBRAND, and JOE ACOSTA.

In this episode of MFM Speaks Out, host Sohrab Saadat Ladjevardi (aka SoSaLa) speaks with internationally acclaimed trumpeter, composer, filmmaker, and educator Volker Goetze about his lifelong journey through jazz, West African griot traditions, flamenco, and socially conscious artmaking. Volker reflects on discovering jazz in Cologne through artists like Miles Davis, Sun Ra, and Don Cherry, and how music became a spiritual and emotional refuge after the loss of his father at a young age. The conversation explores his deep connection to Senegalese and Mandé music, the cultural significance of the griot tradition, and his long-running collaborations with kora masters Ablaye Cissoko and Ali Boulo Santo Cissoko. The episode also dives into the creation of Volker's current project, Flamencora — a boundary-pushing trio blending flamenco guitar, kora, and trumpet jazz improvisation. Volker discusses the rhythmic and cultural complexities of flamenco, the influence of maqam and African polyrhythms on his trumpet playing, and the challenge of building authentic cross-cultural collaborations. Upcoming Performances May 28, 2026: FlamenKora at The Drome, NYC (same venue as duo's NYC premiere with Ablaye Cissokho) 4 May 30, 2026: FlamenKora at Tempo Arts Performance Base, Kingston (renovated church with adjustable reverb for electronic music/sound installations) 4 May 2026: 20-minute performance at Emily Harvey Foundation with Johanna Roa's poem for Sor Juana Inés de la Cruz (17th-century Mexican nun-intellectual); features flamenco singer Christian performing traditional siguiriya melody with Roa's text Beyond music, Volker shares insights into his documentary filmmaking, including his acclaimed film Griot and socially engaged projects focused on homelessness and displacement. The conversation closes with a candid discussion about the realities of surviving as an independent musician in New York, the changing economics of the music industry, streaming, grants, cultural funding, AI, copyright concerns, and the importance of artistic community through organizations like Musicians for Musicians. Topics Discussed Volker Goetze's early introduction to jazz in Cologne The emotional and spiritual power of improvisation Discovering West African music and the griot tradition Opening for Youssou N'Dour in Senegal The role of the griot as historian, storyteller, and cultural guardian The deep musical connections between jazz and West African traditions Falling in love with flamenco and learning its rhythmic language The creation and evolution of Flamenkora Collaborating with kora masters Ablaye Cissoko and Ali Boulo Santo Cissoko Working with legendary percussionist Mino Cinelu The influence of maqam, Indian rhythmic systems, and polyrhythms Volker's documentary films Griot and Displaced Lessons from mentors, including Markus Stockhausen and Enrique Vargas The realities of sustaining an international music career Music grants, touring economics, and the collapse of CD revenue AI, copyright, and the future of musicians' rights The importance of artistic community and Musicians for Musicians Upcoming performances in New York Artists & Influences Mentioned Miles Davis Billie Holiday Don Cherry Sun Ra Paco de Lucía Toumani Diabaté Ali Farka Touré Salif Keita Randy Weston Arturo O'Farrill Joe Lovano Subjects Covered Jazz improvisation Flamenco rhythm and harmony Kora traditions African diaspora and musical lineage Cultural exchange in music Documentary filmmaking Music activism Artist sustainability Grants and independent funding AI and copyright concerns Community building among musicians Featured Music Bétiyata Sadier Toumaranke CreditsProducer and host: Sohrab Saadat Ladjevardi aka SoSaLaPublisher: Musicians For Musicians (MFM), Inc.Technical support: Adam Reifsteck (MFM Board)https://musiciansformusicians.org

Nathan Maharaj spoke with physicist Chanda Prescod-Weinstein, author of the 2021 book The Disordered Cosmos, a highly personal reflection on the human and inherently flawed practice of scientific inquiry and her career as a Black Jewish scientist. Her new book is The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie. In it she explains to readers, what's really going on with quantum cats? what does a light-swallowing black hole actually look like? what can we learn about quantum theory from the Afrofuturist jazz musician Sun Ra? —and a whole lot more. Why Chanda Prescod-Weinstein sees hope in cosmic curiosity

Nathan Maharaj spoke with physicist Chanda Prescod-Weinstein, author of the 2021 book The Disordered Cosmos, a highly personal reflection on the human and inherently flawed practice of scientific inquiry and her career as a Black Jewish scientist. Her new book is The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie. In it she explains to readers, what's really going on with quantum cats? what does a light-swallowing black hole actually look like? what can we learn about quantum theory from the Afrofuturist jazz musician Sun Ra? —and a whole lot more. Why Chanda Prescod-Weinstein sees hope in cosmic curiosity

Faust - It's A Rainy Day, Sunshine Girl Damon - Don't You Feel Me Joe Boyd and The Field Hippies - You Can't Ever Come Down Joe Zawinul - His Last Journey Top Drawer - Song Of A Sinner AKA - Do What You Like Daniel Lentz - Requiem, In Memoriam Wolfgang Stoerchle David Crosby - What Are Their Names Shadrack Chameleon - Don't Let It Get You Down Willie Nelson - Stay Away From Lonely Places Jeffrey Alexander and The Heavy Lidders - Black Peter (ft. Marissa Nadler) Unicorn - Sleep Song Azrachel - Garden of Earthly Delights Yes - Vevey (Revisited) Shin Jung Hyun & The Men - Twilight (Ft. Jang Hyun) The Beach Boys - Our Prayer Anoushka Shankar - Daydreaming (Ft Nils Frahm) Babla and Kachan - Aay Mere Dil Lynn Blessing - Emerald River International Harvester - Sommearlaten Ween - A Tear For Eddie Ilous & Decuyper - L'Espoir Pink Floyd - Wot's…Uh The Deal New Riders of The Purple Sage - All I Ever Wanted Wendy & Bonnie - Children Laughing (demo) June Tyson & Sun Ra and His Arkestra - Never Never Land Rainy Day - Flying On The Ground Is Wrong

In episodes 21 and 22 of the Pop Apocalypse, host Matt Dillon welcomes musician and mathematician Robert Schneider. Schneider is the lead singer of the psychedelic pop band The Apples in Stereo, a producer for bands including Neutral Milk Hotel and Olivia Tremor Control, and currently serves as an Assistant Professor of Mathematical Sciences at Michigan Technological University. In part one, we discuss Robert's religious upbringing in the American South before exploring the mystical dimensions of The Elephant 6 Recording Co. We touch on the Church of the Subgenius, meditative practices, Krishna Consciousness, church camps, Surrealism, and Sun Ra's Arkestra, then take a deep dive into how the Beach Boys served as the spiritual and artistic north star for Elephant 6. Robert Schneider bio Robert Schneider is a musician, producer, and mathematician. He co-founded The Elephant 6 Recording Co. in the early 1990s, a collective of independent musicians and artists. Schneider is the lead singer and songwriter for The Apples in Stereo, a psychedelic pop band that has recorded seven studio albums. As a producer, Robert recorded and mixed some of the most celebrated albums of the 1990s, including Neutral Milk Hotel's In the Aeroplane Over the Sea and Olivia Tremor Control's Dusk at Cubist Castle. He completed his PhD in Mathematics at Emory University in 2018, specializing in number theory and combinatorics. Robert is now Assistant Professor of Mathematical Sciences at Michigan Technological University, where he helps run the Mathematics and Music Lab.

Après 5 jours en terre berruyère pour la 50ème édition du Printemps de Bourges, retour dans la capitale avec des films au programme, oui mais des films sur la musique. Rendez-vous à partir de jeudi au Reflet Medicis et à L'Arlequin, salles de la rive gauche bien connues des cinéphiles, pour le retour avec sa 9ème édition de FAME, le festival international de films sur la musique. Un pionnier mystérieux de la musique minimaliste, un portrait de Sun Ra avant qu'il ne monte à bord de sa Rocket Number Nine, des metalleuses norvégiennes… loin des hagiographies stéréotypées des plateformes et des plans marketing, FAME célèbre le documentaire tant dans son geste artistique que dans son intention de porter un témoignage autant culturel que sociétal ou historique sur l'époque. FAME c'est l'occasion de voir en images la scène alternative mondiale trop souvent confinée à l'underground. Aujourd'hui dans Place des Fêtes, je reçois les co-fondateurs de FAME, Benoît Hické et notre Olivier Forest national. On embarquera tout à l'heure pour l'île de la Réunion, en compagnie du musicien Rone et du réalisateur Valentin Paoli qui cherchent à parler aux baleines. Mais d'abord direction le Chili juste après la chute de la dictature de Pinochet.

Aprofitant la propera visita de Kamasi Washington a casa nostra fem un viatge sonor per connectar l'antiguitat amb el futur, la Terra amb el cosmos. A trav

Mike Fiorito arrives at the Virtual Alexandria to discuss his new book, The Innerspace of Outerspace: Exploring Other Worlds Through Music. Let's explore the liminal realm where music acts as a vital portal to unseen dimensions and a map for the inner space of the human mind. We delve into the "tone science" of Sun Ra, whose cosmic jazz arrived like a signal from another universe, challenging conventional reality and offering a path to a more liberated alter-destiny. The journey continues through the ambient dreamscapes of Brian Eno and the progressive rock visions of Jon Anderson, exploring how these giants were inspired by non-human intelligences and realities beyond the material world. Alongside the insights of musical pioneers like Syd Barrett and Steven Halpern, we discover how sound serves as a universal language and a bridge to a sacred understanding of oneness with all of creation. Get the book: https://amzn.to/4cacOxQ More on Mike: https://mikefiorito.com/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Merch store: https://aeonbyte.creator-spring.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Novedades: Meitei, Román d'Hors, Throwing Snow, Polygonia, Rosa Pisotola, Dj ADHD, Divorce From New York, Demuja, Passarani, MoMA Ready, J.O.S.H.U.A. Disco de la semana: Oma TotemEspecial: Villalobos Vs. Sun RaLa Perla: AdamskiEscuchar audio

Five years ago today, we lost one of the original writers of SNL—the amazing Anne Beatts. One of only two female writers on the staff when the show began, Anne's contributions were vital, formative, and iconic. She was nominated for an Emmy all five years she wrote for Saturday Night Live, winning for her work in Season One. She also won a Writer's Guild of America Award for her work on the SNL 25th Anniversary Special.We highlight Anne's work in this VINTAGE episode of "The Early Years of SNL," which features one of the most memorable outings from some of her most beloved characters—The Nerds. In this Season Three finale, "Nerds Prom"—coming unsurprisingly in the prime "post-monologue" slot—not only continues to build on the world of Todd & Lisa but introduces the character of Marshall (Todd's father), played to perfection by host Buck Henry.This classic original era episode has Buck in an excellent Olympia Café sketch, working with a "Stunt Puppy," attending the "Sodom Chamber of Commerce," and (of course) visiting with the Samurai. In addition, we are treated to one of the most eclectic musical guests in SNL history in Sun Ra.Jon Schneider from The Saturday Night Network was our guest for this episode, which was originally released on October 1st, 2024.---------------------------------Subscribe & Follow today!And follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptprojectBluesky: @nr4ptproject.bsky.socialFacebook: The Not Ready for Prime Time ProjectContact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

My guest on Line Noise this week is Dominick Martin, AKA Calibre, a hugely renowned producer from Belfast best known for drum & bass but who has also made everything from jazzy folk to deep house. We were talking ahead of the release of his new Calibre record, Tricklemore Sea (released on May 1), an album of elegant and often elegiac downtempo beats on which Martin's voice features heavily. Over the course of an hour, we spoke about everything from Martin's lack of confidence in his voice to his upbringing in 80s Belfast, passing by Lankum, Sun Ra, Swerve, perfect pitch, bringing his parents to gigs and what his daughter thinks of his music. Line Noise comes to you with the support of Cupra. Photo by JakeDavis_@jakephilipdavis_@khromacollective-9772

In her highly acclaimed debut, distinguished cosmologist and particle physicist Dr. Chanda Prescod-Weinstein shared with her audience an abiding sense of wonder at the cosmos, while imagining a world without the entrenched injustice that plagues her field. Now, in The Edge of Space-Time, she embraces that cosmic wonder, taking readers on a mind-altering journey to the boundaries of the universe, inviting us to spend time at the edge of what we know about space-time and about ourselves.Guided by her conviction that for humanity to go forward we must know our cosmic past, and drawing on poetry and popular culture—from Langston Hughes, Queen Latifah, and Lewis Carroll, to Big K.R.I.T., Sun Ra, and Star Trek—Prescod-Weinstein renders accessible some of the most abstract concepts of theoretical physics to tell fascinating stories about the history and fundamental nature of our universe. Here we meet the quantum cat that is both dead and alive, learn the difference between dark matter and dark energy, explore the inner workings of black holes, and investigate the possibility of a unified theory of quantum gravity, following our guide out to the far reaches of the cosmic event horizon and down to the tiniest (and queerest) neutrino. Along the way, she calls on us to resist colonial approaches to space exploration and instead imagine a better path forward in our pursuit of humanity's undeniable connection with the stars.Through Prescod-Weinstein's clear-eyed and unique perspective, and informed by her deep knowledge of postcolonial history and Black feminist thought, The Edge of Space-Timeargues that physics is an essential way for everyone to look at the universe and presents a compelling case that “the edge” is a powerful vantage point from which to see the big picture.Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://peculiarbookclub.com/⁠⁠⁠⁠⁠Newsletter: ⁠⁠⁠⁠⁠⁠⁠⁠https://subscribepage.io/schillacenews⁠⁠⁠⁠⁠⁠⁠⁠VIP Membership: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://payhip.com/PeculiarBookClub⁠⁠⁠⁠⁠⁠⁠⁠Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@PeculiarBookClub/streams⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peculiarbookclub.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/groups/peculiarbooksclub⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepeculiarbookclu

My guest on Line Noise this week is Dominick Martin, AKA Calibre, a hugely renowned producer from Belfast best known for drum & bass but who has also made everything from jazzy folk to deep house. We were talking ahead of the release of his new Calibre record, Tricklemore Sea (released on May 1), an album of elegant and often elegiac downtempo beats on which Martin's voice features heavily. Over the course of an hour, we spoke about everything from Martin's lack of confidence in his voice to his upbringing in 80s Belfast, passing by Lankum, Sun Ra, Swerve, perfect pitch, bringing his parents to gigs and what his daughter thinks of his music. Line Noise comes to you with the support of Cupra. Photo by JakeDavis_@jakephilipdavis_@khromacollective-9772

Travessa sonora pels ports del Mediterrani, entre nost

In this episode, KQED's Marlena Jackson-Retondo visits the band room at Roosevelt Middle School in Oakland and speaks with longtime music teacher Randy Porter, who is retiring after 40 years in Oakland Unified schools. Porter shares how introducing students to experimental jazz, including the music of Sun Ra, helps young musicians explore creativity and possibility.

Martin Willis, joined by UFO Jack, speaks with author Mike Fiorito about the intriguing relationship between music, consciousness, and the unknown. The conversation explores the idea that sound and music may function as a tuning mechanism for the mind, shaping perception and opening pathways to deeper states of awareness. Drawing on examples from experimental and electronic music, the discussion looks at how sound can communicate beyond language and influence human consciousness in unexpected ways. The interview also touches on visionary figures such as Sun Ra and his concept of tone science, linking music with cosmic exploration, as well as the connection between sound, imaginal experiences, and anomalous phenomena. Together they consider whether music might serve as a bridge between inner consciousness and the wider mysteries of the universe.SHOW NOTES

Dit zijn onze shownotes:Abonneer je gratis op onze podcast via jouw favoriete podcast-app (zoals Google Podcasts, Spotify of Apple Podcasts), dan valt de eerstvolgende aflevering van het derde seizoen automatisch in je podcastbibliotheek.Wil je ons helpen? Geef ons dan likes en recensies in jouw favoriete podcastapp en deel ons met iedereen die wel wat Ballet Kroket kan gebruiken in het leven!Welkom bij aflevering 24 van het derde seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket.Je kunt onze opnames bijwonen, iedere maandagavond van 19:45 - 21 uur in Studio Kookhaven in Amsterdam Oost. Wil je erbij zijn? Aanmelden kan via de mail: alles@balletkroket.nlHost Francien Knorringa zag de film Sirat van Oliver Laxe. https://www.filmladder.nl/film/sirat-2025Host Jannekee Kuijper zag de The Boyfriend op Netflix. https://www.netflix.com/title/81685212. Ook zag ze de serie Blind Sherlock op Netflix. https://www.netflix.com/title/81617193. En ze zag de serie C.B. Strike op HBO Max. https://play.hbomax.com/show/7bc0af25-c3a5-4145-b044-e5dd3074f6f1Gids Helena Hilgerdenaar las Rouwdouwers van Falun Ellie Koos. https://www.atlascontact.nl/boek/rouwdouwers/Gids Bart Prinsen bezocht de tentoonstelling Move you fool van Shertise Solano in het Centraal Museum in Utrecht. https://www.centraalmuseum.nl/nl/nu-te-zien/tentoonstellingen/shertise-solano-move-you-foolHij liet hierbij muziek horen van het Sun Ra, het nummer Friendly Galaxy. https://open.spotify.com/track/2KiNFtMJla6VkxxoWz7cXkOnze Adverteerders:Onze technicus Reinder Van der Put doet de nabewerking van onze opname. Daardoor klinkt deze als een klok. Een even betaalbare als onmisbare dienst voor podcastmakers. http://putintomedia.nlSeafarm, voor de lekkerste oesters. https://www.seafarm.nl/producten/oestersDe Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op het werk niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl. Zoek Kookhaven ook op Instagram, daar vind je alle informatie over de komende oester- en scheermes pop up.Don Ostra - oestermannen Arend Bouwmeester (de jonge), nieuwe ster Marijn en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. Neem contact op met Dick Ferwerda als je oesters wil bestellen voor pasen, dan kun je ze vlak voor pasen ophalen tijdens een oester pop up in de Kookhaven. www.donostra.nl Don Ostra is ook te vinden op Instagram. Daar is de informatie over de komende oester- en scheermes pop up te vinden.Jachthaven Bouwmeester, de full service jachthaven in Amsterdam waar je van reparatie, stalling tot volledige botenbouw overal voor terecht kan. https://jachthavenbouwmeester.nlAdverteren in Ballet Kroket? Mail alles@balletkroket.nlBallet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dat kan iedere maandagavond. Op bepaalde dagen maken we er een heel evenement van. Bijvoorbeeld op maandag 15 december 2025. Mail alles@balletkroket.nl of stuur ons een DM op Instagram @balletkroket.Kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM.Abonneer je via je favoriete podcast-app op onze podcast dan vallen de nieuwe afleveringen vanzelf in je bibliotheek.Reageren? We horen graag van je!www.balletkroket.nlalles@balletkroket.nl

Trail 103.3 is proud to once again be a media partner of the Big Sky Documentary Film Festival in Missoula — and this week we're welcoming filmmakers, directors, and special guests into the Trail studio for quick conversations about the films lighting up the festival.In this episode, Mike Smith sits down with Peter Nauffts (archival producer) to talk about Sun Ra: Do the Impossible — the American Masters documentary spotlighting the poet, philosopher, Egyptologist, bandleader, and jazz visionary Sun Ra, and his ever-evolving ensemble, the Sun Ra Arkestra. The film traces how Sun Ra built a singular musical and spiritual vision of Afrofuturism, blending ancient Egypt, interstellar metaphors, and boundary-pushing free-form jazz. Peter also breaks down what archival producing actually looks like today (the sifting, the treasure-hunting, the format headaches, and the magic of finding the right shot), plus why Sun Ra's work still feels like it's broadcasting from the future.Film info (Big Sky Doc Fest): Sun Ra: Do the Impossible (84 min) — Director/Producer: Christine Turner. Montana Premiere — Screening at the ZACC: Wed, Feb. 18 @ 8:30 PM, followed by a conversation between MTPR's Bryan Ramirez and Peter Nauffts. 

durée : 00:59:48 - Étrange ! - par : Nathalie Piolé -

This month on American Masters, PBS will present “Sun Ra: Do The Impossible” — a new documentary celebrating the life and legacy of Sun Ra, one of the most visionary figures in jazz music. Sun Ra's early work was shaped by Hoosiers, including trumpeter Art Hoyle, saxophonist/flutist James Spaulding, and recording engineer Bud Pressner.

This month on American Masters, PBS will present “Sun Ra: Do The Impossible” — a new documentary celebrating the life and legacy of Sun Ra, one of the most visionary figures in jazz music. Sun Ra's early work was shaped by Hoosiers, including trumpeter Art Hoyle, saxophonist/flutist James Spaulding, and recording engineer Bud Pressner.

Last February, having just inherited the title of Black Lens programmer at Milwaukee Film, Ty Williams absolutely nailed his selections for a series showing off the range of Black stories that have come to the big screen over the years.Now, he's putting that UW-Milwaukee film degree to good use once again. This time, however, he pulled in his picks around a particular theme. “Afrofuturism: Fates Beyond Fiction” includes six works — two short films and four full-length features — that jump from comic books to sci-fi horror to just plain weird.As you'll hear Williams explain in this episode, what unifies his selections are how they “focus on the concept of dreaming a better future or a different world than the one we live in now.” That comes across in a bunch of different ways during the series, including the bad-assery of Wesley Snipes in Blade, the code-switching absurdity of Sorry to Bother You, and the messianic star turn by music legend and generally far-out dude Sun Ra in Space Is the Place.You'll get to hear Williams and our trusty co-hosts talk about how he put together the full lineup, as well as how generally awesome the theater staff are at the Oriental and Downer theaters, and whether the third movie in a trilogy is ever the best one.#####Cinebuds is sponsored by Joe Wilde Garage Door Company.

Tell Us How You Really FeelWe dig into part three of our Best Beat Tapes 2025 series, stacking seventeen producers who push tone, texture, and community forward. From Baelei's serene craft to Johnny U's closing blitz. We trace khow beat scenes and collectives, keep beat culture thriving.Intro Music: Tuamie “That's Not Salsa” from To Be of A Greater Instrument Zawati Moon “Divine Feminine” from The Metaphysical Wonders of Zawati, Vol. 1Baelei “Peace” from balance.Bugginout “Space or Time” from Bugginout's Basement Batch 5Takeo Watanabe “Wave Motion” from Piece of My ScapeDr. Mistalow “Document 370” from The Extract Volume 1 from Jersey ProduceT3MPO! “Time Flies” from The Extract Volume 1 from Jersey ProduceChop The Head “Dirge for Sun Ra from You're All CowardsPhdirac “HOMAGE [87.5]” from vignetteNawab.hi.go “inflmmmmation” from Tape 1Theory Hazit “Zoinks” from Boombap is my love language.Kershawn Tha Don “Melancholy” from Mood SwingKing John-iLL “whuteverittakes” from iLLfLips(tape10)Devin Burgess “Balloons In The Sky” from HEAUX [OST] (instrumentals) co-prod. Josh JessenGldnmnd “Yang” from Kobu - Codeword: Bumpsillingsworth “ruffles your feathers” from pressed 2El. From Mightyrecordings “Nina” from STILL BEAMIN'Jonathan UniteUs aka JohnNY U. Feat. DFNS (5 Boro RMX) prod. Ray Robinson from COAGULATE [side b]Subscribe to the YouTube, hit the

Learenna A. Reynolds walks into a room carrying history, spirit, and heat. An interdisciplinary artist and filmmaker from the South Side, she has been described as the walking embodiment of God's consciousness, and the work earns that description. Her practice pulls from culture, folklore, and lived experience, shaping images that feel remembered rather than invented. On Visual Intonation Podcast, Reynolds speaks with the clarity of someone who knows where she comes from and why it matters.Reynolds is deeply connected to The New Art School Modality, a learning space where currency is not degrees or credits but exchange, discipline, and devotion to practice. She is the owner of fleshxbone.works and a director at rawhead.anbloodybone, building worlds that move between film, ritual, and education. Her path includes work at j3llyfr1uts production, study through alternative art pedagogies, and hands on experience across production, communications, and teaching. This is not a résumé. It is a map.Her short film Raw Head an' Bloody Bone stands at the center of this conversation. Originally created to honor D'Angelo's album Voodoo, the film draws its title from African American folklore once told to children during enslavement. Reynolds describes the film as an experience, one rooted in hoodoo, spirit, and sound. If you love film. If you love music. If you love work that listens as much as it speaks. This film calls you in.In this episode, Visual Intonation Podcast traces Reynolds's journey from camera operation and arts education to producing and directing work that feels ceremonial and precise. We talk about diet mississippi, about teaching K through 8 students, about Sun Ra, and about building creative teams that honor vision without dilution. The conversation moves slowly when it needs to. Then it strikes. This is an episode about practice, presence, and making work that knows its ancestors.Learenna A. Reynolds‘s Socials & Website: https://paa.ge/learennaareynolds/Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

What if paint could hold fear, wonder, and the cosmos all at once? That question runs through this conversation with guest host Jamele Wright Sr., where we explore Jack Whitten's radical break from gesture and the relentless search to make painting enough on its own terms. From turning acrylic into “glass” to trapping forms on a truly flat plane, we trace how Whitten rebuilt painting through mechanics, experiment, and time in the studio.We get candid about gimmicks—when devices clarify and when they distract—and why one stunning passage can sabotage an entire canvas. A spontaneous pilgrimage to see a 10-by-10 Clifford Still became a turning point: white walls, no tricks, just a square that redefined what the work needed. That experience sets up a bigger argument for seeing art in person, where edges, drape, and surface detail can't hide behind the glow of a screen. Along the way, we connect Rothko's vertical bars, Twombly's relentless repetitions, and the sheer grind that makes a monumental gesture land with authority.Whitten's language of the spiritual, magical, and cosmic opens the door to the era's space-age curiosity and Black futurist soundtracks—Sun Ra, Funkadelic, and Earth, Wind & Fire—and to the ambition of putting “the fear of God” in paintings. We talk practice as training: ten-painting cycles, breaking boredom at eight, honest tests of scale, and letting assistants' “mistakes” become creative constraints. Color mixing from scratch, documenting stages, and cooling down after a studio crescendo all feed a process that values interiority and invites slow looking.Abstraction here isn't an absence; it's the artist's inner weather made visible. One hundred people can read the same canvas a hundred different ways, and that plurality is the point. If you're hungry to make work that holds up off-screen and in real space, this one will nudge you back to the studio and into the museum with fresh eyes. If it resonates, subscribe, share with a friend who loves painting, and leave a review to tell us what artwork last made you stop and stay.Follow Jamele at https://www.instagram.com/artthenewreligion/Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

Check out our upcoming tour dates in February at https://www.drunkblackhistory.com/upcoming-shows! We'll be hosting shows in Philly, LA, Boston, Austin, Brooklyn, and more!   Don't forget to follow us on Instagram at officialdrunkblackhistory!On the first episode of 2026, host Brandon (@frodo_blackins) is joined by Afros and Audio Podcast Festival founder and creative strategist Talib Jasir. They discuss Talib's founding of the podcast festival, why he has decided to step away, and the career and lasting legacy of musician and poet, Sun Ra. DBH Links:- https://www.instagram.com/officialdrunkblackhistory- https://www.drunkblackhistory.com/ - https://www.youtube.com/@drunkblackhistory- https://www.teepublic.com/t-shirt/16706941-dbh-logoGuest:Talib JasirHosts:Brandon CollinsThe Saturn Broadcast Recipe:Ingredients 1.5 oz Anteel Gin or Du Nord Fitzgerald 0.5 oz Amaro Nonino 0.75 oz Pineapple juice  0.5 oz Fresh lemon juice 0.25 oz Honey–ginger syrup  2 dashes Angostura bitters Instructions Add all ingredients (except optional float) to a shaker with ice. Shake hard—like you're trying to wake the ancestors. Strain into a chilled coupe or rocks glass over a large cube. If using charcoal or butterfly pea tea, gently float or swirl for a galaxy effect. Garnish Dehydrated pineapple wheel or lemon twist "Drunk Black History" is a production of Casa de Collins LLC.

2025 Maya Angelou Book Award winner Alison C. Rollins joins co-hosts Whitney Terrell and V. V. Ganeshananthan to discuss her 2024 poetry collection Black Bell. She explores the history and symbolism of a bell-laden iron device used to control and torture enslaved people and describes the replica she created after studying metalworking. She also recounts the story of Harriet Jacobs, who spent seven years hidden in her grandmother's attic before escaping slavery. Rollins talks about how her poems engage in call and response with other texts, including the music of Sun Ra and Stevie Wonder and images connected to ornithology, anatomy, Afrofuturism, and the history of slavery. She reflects on who has historically been granted the title of “poet” in America and discusses the archival research behind her writing. Rollins rings a glass bell and reads several poems from Black Bell.To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by V.V. Ganeshananthan, Whitney Terrell, Amelia Fisher, Victoria Freisner, Wil Lasater, and S E Walker. Alison C. RollinsBlack BellLibrary of Small CatastrophesOthers:Incidents in the Life of a Slave Girl by Harriet JacobsThe Divine Comedy - Inferno, Purgatorio, Paradiso by Dante AlighieriThe Chronicles of Narnia by C.S. LewisThe Lord of the Rings by J.R.R. TolkienWu - Tang Clan - Enter The Wu - Tang (36 Chambers) [Full Album Mix] See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's show, we spend quality time with the records that sparked joy, inspired us to get out of bed, face the day & conquer the world as the world continued to rage like a dumpster fire. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Quem foi Sun Ra e como a visita de um habitante de Saturno revolucionou a música terrestre, inaugurou o afrofuturismo e expandiu a imaginação das pessoas negras até o espaço em uma época de violenta segregação racial.Apoie este podcast: alinevalek.com.br/apoieAssine nossa newsletter: alinevalek.substack.comFale comigo: escreva@alinevalek.com.br

Mad Men told the Nature Conservancy et al to brand themselves a "Movement" - back in the 70's when those soon-to-be-billionaire orgs got their meal ticket from the Clean Air Clean Water acts and the EPA. Here's the catch. Real social movements have music. Sun Ra and Neil Young, Erykah Badhu and Bjork and Brian Eno and Yoko Ono - made their own way to the Earth and back to our ear. Now the complete and utter emergency we are experiencing has got us turning to the Earth itself for the music. And we're hearing symphonies from the plants and animals, rocks and clouds. Radical tunes are rising like Amazonia natives invading COP 30. The whole Earth is singing. Like real social movements, the breath of our Earth activism will be music.

We had a chance to catch up with Mike Noordzy from Mothguts and Cody McCorry from We Used to Cut the Grass to talk about this upcoming show.  The two of them collaborated on two sound pieces that set the tone for our discussion.  While what they performed is not what they will be playing at the show, Mike and Cody are two truly inspired and creative people who represent the best of Asbury Park!Mothguts 20th Anniversary Show & We Used to Cut the Grassplus Mono Means Onehttps://apboardwalk.com/news/events/mothguts-we-used-to-cut-the-grass/MOTHGUTSMothguts is a New Jersey–based instrumental quartet known for smashing together the worlds of death metal, free jazz, grunge, grindcore, noise, and sludge into a relentless sonic assault. Founded in 2005, the band has carved out a reputation for fearless experimentation, chaotic energy, and a sound that refuses to be contained by genre.The lineup features Mike Noordzy on bass, Ben Ross on drums, Anthony Ware on alto saxophone, and Chris Welcome on guitar. Together, they've cultivated a brutal yet boundary-defying aesthetic, marked by blistering improvisation and crushing heaviness.Now celebrating their 20th anniversary, Mothguts remains a singular force in the underground, revered for their uncompromising creativity and blistering live shows. Two decades in, the band continues to blur boundaries and challenge listeners with music that is as punishing as it is visionary.WE USED TO CUT THE GRASSWe Used to Cut the Grass is a shapeshifting experimental ensemble led by composer/bassist Cody McCorry, most frequently appearing as a 10-piece band known for heavy brass and two tightly synchronized drum kits. Heavily inspired by the likes of Frank Zappa, John Zorn and Sun Ra, the band has roots in the blurred zone between progressive rock and jazz fusion, but has since stretched further into post-rock and experimental endeavors, reaching from orchestral/chamber works to absurdist sound collage. The group's sophomore album, “We Used to Cut the Grass #2,” is the follow up to their similarly self-titled album released in 2022. It has been described by math rock periodical Fecking Bahamas as “a much needed joyride.” On the album and its composer, Prog Critique has this to say: “I don't know if he's a genius or a brilliant madman… [the album] surprises, it disorients, as much as it captivates… have we ever seen a band cover such a rich palette?”MONO MEANS ONEMono Means One is a psychedelic prog trio and the brainchild of bassist and composer John Ferrara, best known as the bass player and co-founder of the acclaimed world fusion band “Consider the Source.” Mono Means One's sound contains melancholic melodies, rich sonic textures with Drum ‘N' Bass grooves and Mathrock sensibilities. Half composed and half improvised, the music is often dark, with moments of calm serenity and other times heavy, oscillating between chill grooves to almost unbearable intensity. Originally composed entirely on the bass guitar, John paired up with Rob Madore (Drums) and Isaac Young (Keys) to add intensely nuanced beats with futuristic colorful sonic textures. All three members produce a sound that is powerful and unique all to their own.Ferrara has been dubbed the “Unsung Genius” of bass tapping by bass sensation Charles Berthoud, is a teacher at Scotts Bass Lessons, and has been featured in Bass Magazine, NoTreble, Bass Musician magazine among many other publications.Doors 7:00 PMShow 8:00 PM21+ admitted Asbury Park Vibes Podcast Available on Spotify, Apple, Google, iHeart, Audible, and PandoraHosted by Diane DiMemmo & Doug DresherCopyright 2020-2025 Asbury Park Vibes. All rights reserved.

Though he departed this earthly realm in 1993, Afrofuturist and free jazz icon Sun Ra's cosmic tones continue to echo through the spaceways. A composer, poet, and some might even say a prophet, Ra seemed to understand that his work would outlive him, staging:  “In some far off place, many light years in space, I'll wait for you. Where human feet have never trod, where human eyes have never seen. I'll build a world of abstract dreams and wait for you.”  This week on the show, we sit down with Sun Ra Arkestra guitarist DM Hotep, who, under the leadership of 101-year-old saxophonist Marshall Allen, continues the work of Ra. When the Arkestra was called overseas in 2022, Allen was advised by doctors not to accompany the group. But music is a way of life and though he was required to stay stateside, Allen still wanted to play. So DM Hotep, aka David Middleton, reached out to the Philadelphia-based arts org Ars Nova Workshop to stage a series of concerts in Philadelphia. In May of 2025, a collection of these live performances from Solar Myth was released under the title Marshall Allen's Ghost Horizons, which finds the saxophonist joined by Hotep and guests like Wolf Eyes, James Brandon Lewis, Yo La Tengo's James McNew, and others. Including both Ra classics and new material, Ghost Horizons demonstrates how the currents of Ra's philosophy and artistic ethic continue to the present day, pointing toward uncertain futures.  DM joined the Arkestra in 2000, meaning he didn't play under Ra's tutelage. Still, he provides keen insight into the Arkestra's meta-mythic mission and cosmic scope. He joined us to discuss his tenure in the band, Ra's ideas and concepts, his roots in funk and soul, and the driving force behind Ghost Horizons.  Transmissions is created in partnership with the Talkhouse Podcast Network. We're brought to you by ⁠⁠⁠⁠⁠Aquarium Drunkard⁠⁠⁠⁠⁠, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you'll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

This week on the show, the Portland-based group of Roman Norfleet, Harlan Silverman, and Kennedy Verrett, aka The Cosmic Tones Research Trio.  “Cosmic” is a term that has, thanks to critics and writers, become a little overused. Practically every indie rock band or country-based singer/songwriter with an effects pedal employs “cosmic” touches these days. But in the case of the Trio? Well, it's actually earned. Inspired by the spiritual jazz of Alice Coltrane and Pharoah Sanders, the experimental outer space jams of the Sun Ra Arkestra, and the spacious, meditative soundscapes of Laraaji, the Trio's sound is one based in deep harmonic resonance and the idea that music can, in a very real sense, heal listeners. Your mileage may vary, of course, but listening to the deep and searching sounds of the group's new self-titled album, out October 24 via Mississippi Records, we find ourselves contemplating notions of inner sound, of a kind of music that plays deep down, at the core of all there is.  In this conversation, we speak with the Tones about a variety of topics, including the influence of Sun Ra, the musings of Sufi mystic Hazrat Inayat Khan, whose book, The Mysticism of Sound and Music is a foundational text for the Trio, the group's ecumenical approach to musical spirituality. “Cosmic” may be a loaded term these days, but as the Trio explains in this interview, we are each our own little cosmos; we hope the following conversation brings you into deeper engagement with the universal within you. It certainly did so for us. We're brought to you by ⁠⁠Aquarium Drunkard⁠⁠, an independent music media crew headed by Justin Gage. Over at Aquarium Drunkard, you'll gain access to 20 years of music writing, playlist, essays, mixtapes, radio special, podcasts, videos and more.

For the latest edition of Reading Is Funktamental, we speak with Richie Unterberger, author of more than a dozen of the great books on rock ' n ' roll history. His latest work was as a contributor to a great book of essays on underappreciated record producer Tom Wilson, Everybody's Head Is Open To Sound. Wilson was a black Harvard graduate who produced the debut recordings of jazz greats Sun Ra and Cecil Taylor, who produced the incredible early work of Bob Dylan and discovered not only Frank Zappa and the Mothers of Invention but the Velvet Underground. For more, read my earlier piece, a review of the book for PopMatters here https://www.popmatters.com/tom-wilson-underrated-icon "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books, and film has been featured in The New York Times, Rolling Stone, PopMatters, The Seattle Times, The Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he serves as the book reviewer.

For Episode 16 of Pop Apocalypse, we welcome composer, artist, and media theorist Paul Miller. Miller is best known for his music as DJ Spooky, the avant-garde turntableist who has collaborated with artists ranging from Chuck D to Yoko Ono. He has also re-scored classic films, such as The Cabinet of Dr. Caligari, and his art has been showcased in exhibitions at the Whitney Museum of American Art. In this wide-ranging conversation, we asked Paul to explore the eeriness of life in the digital age. We touch on the perils and possibilities of artificial intelligence, the role of the DJ, Japanese Butoh as a response to nuclear tragedy, re-scoring D.W. Griffith's The Birth of a Nation, and how Einstein, science fiction, and Sun Ra have shaped Miller's work.

Josh Hight's new release "In His Wake" from his project PINES was shaped by grief, disillusionment, and a search for something beyond the visible world. The songs here are intimate and expansive, fusing the weight of lived experience with a sense of mysticism and emotional pull. This is music made from memory, distance, and quiet intensity, possessing a rich sonic depth, blending shoegaze, slow-burn Americana, and dreamlike psychedelia. Special guests include Andy Bell (Ride, Oasis) on guitar, Emmett Kelly (Bonnie “Prince” Billy, The Cairo Gang, The Hard Quartet) on guitar and bass, and vocals from Dottie Cochran of Deary.  The title track, “In His Wake,” is a reflection on being the only surviving child in a family touched by loss—haunted by absence but also frustrated by the dullness and complacency of adulthood. “Fifteen” explores a formative relationship marked by imbalance, looking back on it through the lens of maturity, with all its contradictions intact. “Uriel” is a ritual invocation—part hymn, part apocalyptic prayer—calling to the archangel in a time of digital saturation, collapse, and the possibility of transcendence.  A professional photographer and director, Hight's creative work lives at the intersection of image, sound, and emotion. His musical vision is is raw, cinematic, and steeped in atmosphere. Richard Norris' first production was Jack The Tab, the seminal acid house album co-created with Genesis P-Orridge of Psychic TV. He went on to work with artists including Joe Strummer, Sun Ra, Robert Fripp, and Dave Ball of Soft Cell as part of The Grid, as well as Erol Alkan in the psychedelic duo Beyond The Wizard's Sleeve.  Josh met producer Richard Norris at a Stone Club event in London, where they discovered they lived minutes from each other in Lewes. What began as a collaboration on film soundtracks soon evolved into a deeper creative partnership. The EP was recorded at Norris' Metal Box Studios in Lewes.  www.Instagram.com/_p.i.n.e.s_ www.JoshHight.com  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell     

Due to demand, we are uploading past Free School sessions and will resume uploads to Spotify.We discuss the movie "Sinners" by Ryan Coogler, and the struggle for ideological clarity at this time. We also share more of our preparations for the symposium on Ellington, Mingus, Sun Ra and Bootsy.

The most recent Record Store Day episode is barely in the rear-view, but the boys decide to take on four more vault finds dug up by jazz detective Zev Feldman. Which ones are keepers and which ones get the dreaded label "redundant" and an invite off the island (or, at least, out of the record collection)? Only listening to this podcast will answer that query! Yusef Lateef – ATLANTIS LULLABY – THE CONCERT FROM AVIGNON; Sun Ra – AT THE SHOWCASE LIVE IN CHICAGO; Art Tatum – JEWELS IN THE TREASURE BOX; Bill Evans – LIVE IN NORWAY – THE KONGSBERG CONCERT.

Our guest this week, Rob Hopkins, is a towering figure in the world of regenerative change.  Co-founder of Transition Network and of Transition Town Totnes, he is host of the podcast 'From What if to What Next', stars in the groundbreaking French film 'Demain', speaks at TED Global and TEDx events and most recently, has created a collaborative music project with artist Mr Kit, ‘Field Recordings from the Future‘ which will be released on 17th of May 2025, alongside his new book,‘How to Fall in Love with the Future'. With the subtitle, 'A Time Traveller's Guide to Changing the World', this book does what it says on the tin - it offers a radical, moving, deeply inspiring dive into the people and movements throughout history who have used visions of the future to inspire positive change on a large and dramatic scale. From the life and writings of musician Sun Ra and the history of Black utopian movements to the latest neuroscience on what goes on in our minds—and hearts—when we travel through time, Rob brings essential new thinking to anyone overwhelmed with dread and anxiety for the future. He asks us to consider: what would the world look like if we all got to work imagining—and then building—a world we were deeply in love with?So this is our invitation to you: Listen to Rob now, then read his book, then explore what a genuinely flourishing future would feel like for you. And then together, let's make this happen. Rob's website https://www.robhopkins.net/Rob's book on Hive Books https://www.hive.co.uk/Product/Rob-Hopkins/How-to-Fall-in-Love-with-the-Future--A-Time-Travellers-Gu/31447799What we offer: Accidental Gods, Dreaming Awake and the Thrutopia Writing Masterclass If you'd like to join us at Accidental Gods, this is the membership where we endeavour to help you to connect fully with the living web of life. If you'd like to join our next Gathering 'Becoming a Good Ancestor' (you don't have to be a member) it's on 6th July - details are here.If you'd like to train more deeply in the contemporary shamanic work at Dreaming Awake, you'll find us here. If you'd like to explore the recordings from our last Thrutopia Writing Masterclass, the details are here

"I want more risks." The French DJ and producer talks about groundbreaking musical practices, musique concrète and her forthcoming album, Juggling Dualities. There's a history of groundbreaking musical practice that's lost in modern dance music, at least according to Hermione Frank, AKA rRoxymore. The French DJ and producer has been questioning the dominant modes of creativity for a long time. First, she learned from the world of free jazz and Afrofuturism as a child—her dad was close friends with pioneering spiritual jazz musician Sun Ra. She then went on to study musique concrète, the avant-garde school of sound collage pioneered by Pierre Schaeffer. Today, Frank makes music that's geared more towards the dance floor, and in this RA Exchange, she uncovers how she brings her background pushing musical boundaries into more "listenable" contexts. She also dives into working with the now-defunct collective Room 4 Resistance—an intersectional feminist party for Berlin's FLINTA community which also hosted workshops dedicated to fostering systems of care—and why she's moved on from Berlin, a city that she once viewed as a hub for creativity, accessibility and as the nucleus of political, risk-taking art. Frank has a new album, Juggling Dualities, out July 17th on !K7. It sits at the fringes of New Age and dub, taking a sideways look at wellness culture by meditating on the importance of self-care while simultaneously poking fun at it. Pre-order a copy here and listen to the episode in full. -Chloe Lula

The Kronos Quartet — founded in Seattle, now based in San Francisco — has shaped modern classical music for more than 50 years. Their 2024 album Outer Spaceways Incorporated reimagines the work of the trailblazing American jazz pianist, Sun Ra, featuring covers and collaborations with artists like Jlin, Armand Hammer, and others. In addition to recorded testimonials from Laraaji, Georgia Anne Muldrow, and longtime Arkestra leader Marshall Allen, KEXP’s Larry Mizell, Jr. spoke with one of the Kronos Quartet’s founding members, David Harrington. “The more I’ve learned of Sun Ra, the more I’ve realized we’re like brothers or something,” Harrington laughs in the interview. “The question I have been asking all these years is: What’s next? What can music be that it hasn’t been so far? How might I become a better musician? How might I learn more about the world through music, with music, because of music?” Support the show: kexp.org/deeper photo via Impulse! Records and ABC/Dunhill RecordsSupport the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

This week, I'm joined by JoE Silva, the author of The Minimoog Book and host of Athens 411, who chose the film Moog to discuss.We talk about how JoE first met Robert Moog and then went on a 14 year journey to write The Minimoog Book, Rush's Geddy Lee writing the preface to the book, the incredible stories surrounding Sun Ra as one of the first musicians to get a Minimoog, the strange era where digital synths overtook analog synths, how shy and gentle Robert Moog was, Moog's onstage work with Yes, the synth company's humble beginnings, the music industry's fear of synths replacing 'real' musicians, Kraftwerk, why live music was the most important factor for Moog making his instruments, JoE's time with Eno, the amazing early documentary footage of the Moog factory, Bernie Worrell & Rick Wakeman's outdated conversation in the film, DJ Spooky, Taco Bell's 'Island Of Electronicus, Stereolab, our top 3 synth parts of all time and more. So let's set the oscillators to the max on this week's episode of Revolutions Per Movie!JoE SILVA: https://www.athens441.org/aboutTHE BOOK: https://bjooks.com/products/the-minimoog-bookTHE FILM: https://www.youtube.com/watch?v=yRsSSjqZ1ykREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

It's not too often that a story will make a connection between Linda McCartney, The Beastie Boys and The Clash, but this month's film does just that. Welcome to episode 126 of See Hear Podcast. When the average person is asked to name a single important figure in reggae music, they'll most likely say Bob Marley. Without taking away from his importance, reggae's production giant, who helped Marley in his early years, was Lee “Scratch” Perry. For this episode, we look at a 2008 documentary called The Upsetter: The Life and Music of Lee Scratch Perry. He was born in a rural area of Jamaica, but after working on a job to build a road in the western region of the island, he claimed to have found a connection between the sound of the rocks he helped move and the sound of music – sure beats the usual musician story of stealing their sibling's record collection. The film certainly tells a story, but is also more of a character study about Perry. He was a musical innovator being an early innovator in dub reggae. He'd recorded and produced music that was ska and rocksteady reggae, but it's his experiments in dub he's most remembered for. He's also remembered for burning down his beloved music studio because a rubber ball placed on his console had been moved – okay, the story's a little more complex than that. Was he eccentric? Was he a charlatan? Was he really named Pipecock Jackson, and looking to become American president? The film only looks to Perry for discussion, so without other talking heads, we ask if he's a reliable narrator. Kerry, Tim and I discuss Rastafarianism, the link to Sun Ra, sound systems, our connections to reggae music, and the scary connection to Dennis Wilson. Please join us for a fun conversation. You can find the film on Kanopy, but our conversation can be listened to independent of the film. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we'll talk about we have Kash Patel's promise, chronic wasting disease in Georgia and a festival to honor Sun Ra. Then we'll bring on guest Adam Schwartz. He's a writer, producer, filmmaker and actor who's best known for his ongoing work with the sketch comedy brand It's a Southern Thing. Here are some links to some of Adam's (and It's a Southern Thing's) work that we talk about: It's a Southern Thing on Facebook Most recent sketch (the bugs are plotting) If GPS navigation were southern "Broken News" pilot Choosing your grandma name is serious business If the Twilight Zone were southern How southerners learn to drive Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaker and writer Miranda July, whose novel All Fours is on many best books of the year lists, and was described in the New York Times as "the year's literary conversation piece." July spoke with Terry Gross about issues in the novel, like separating from a spouse you're growing distant from, perimenopause, and having an affair. And jazz historian Kevin Whitehead reviews a newly released recording of a concert he attended in 1978, by pianist Sun Ra and his Arkestra.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy