Podcasts about uhs ii

USB Type-C対応でiPhoneでも使えるカードリーダー、バッファローより　最大312MB／sのUHS-IIに対応。　バッファローは、12月上旬からUSB Type-Cカードリーダー「BSCR510U3CSV」を順次発売する。

「プログレードデジタル、SDXC UHS-II V60 GOLDシリーズの最大容量512GBを発売」　ProGrade Digital Incorporatedは、SDXC UHS-II V60 GOLDシリーズの最大容量512GBをプログレードデジタル・アマゾンストアにて発売した。販売価格は税込29,969円。

「プログレードデジタル、「SD/microSD UHS-II」ダブルスロットカードリーダー発売」　ProGrade Digital Inc.は、「SD/microSD UHS-II」ダブルスロットカードリーダーを発売した。希望小売価格は税込5,273円。正規輸入品はAmazon.co.jpのみで購入可能。

درگاه کارت اس دی در مک ها با کلماتی مثل اس دی ایکس سی تعریف میشه که توی این ویدیو توضیح دادم این حروف به چه معناست

「旭東エレクトロニクス、SUNEAST ULTIMATE PROシリーズ「SDXC UHS-II カード V60」4ラインナップ発売」　株式会社旭東エレクトロニクスは、SUNEAST ULTIMATE PROシリーズ「SUNEAST ULTIMATE PRO SDXC UHS-II カード V60」を2022年7月8日に発売する。ラインナップと市場想定価格は以下の通り。

En el Wrap It Up! de hoy hablaremos sobre la tarjeta Lexar Professional 2000x USH-II SDXC ahora disponible en 256 GB de memoria y algunas de sus características que la hacen de lo mejor en el mercado.Support this show http://supporter.acast.com/wrapitup. See acast.com/privacy for privacy and opt-out information. Con tu apoyo podemos llegar a más oídos https://plus.acast.com/s/wrapitup.

Zakup karty pamięci każdego może przyprawić o ból głowy. HC czy XC? UHS-I czy UHS-II? V30 czy V90? Większość symboli, które widnieją na kartach pamięci oznacza prędkość zapisu, więc dlaczego jest ich aż tyle, i który z nich tak naprawdę jest ważny? Odpowiedź znajdziesz w tym odcinku podcastu SUPER35. Po przesłuchaniu już nigdy nie będziesz musiał się tym stresować. Partnerem tego odcinka jest Samsung Memory. Producent kart pamięci Pro Plus i EVO Plus z serii Blue Wave. Więcej na temat tych kart SD znajdziesz na www.samsung.com/pl/memory-storage/memory-card. ----- // Notatka: www.igorpodgorski.pl/podcast/026 // Instagram: @igor_podgorski // YouTube: www.igorpodgorski.pl/youtube // Grupa FB: www.igorpodgorski.pl/grupa // Kurs: www.igorpodgorski.pl/darmowy // Współpraca: kontakt@igorpodgorski.pl

This week on Happy Hour, Benjamin and Zac break down everything that was announced at the October 2021 Apple event, including the bizarre Apple Music Voice Plan, new AirPods and HomePod mini colors. But the stars of the show are the new 14-inch and 16-inch MacBook Pro sporting the latest-generation Apple Silicon chips. Sponsored by Upstart: Find out how Upstart can lower your monthly payments today when you go to Upstart.com/HAPPYHOUR. Sponsored by Headspace: You deserve to feel happier, and Headspace is meditation made simple. Go to Headspace.com/MAC for a one-month free trial. Sponsored by BetterHelp: As a listener, you'll get 10% off your first month by visiting our sponsor at BetterHelp.com/MacHappyHour. Follow Zac Hall @apollozac Benjamin Mayo @bzamayo Read More Apple Music Apple launches new $5 ‘Voice Plan' for accessing Apple Music exclusively with Siri Cheaper Apple Music: What is the Apple Music Voice Plan? HomePod mini and AirPods 3 AirPods 3 improvements include better in-ear detection Apple cuts AirPods 2 price to $129 following introduction of redesigned AirPods 3 AirPods 3 pricing and availability: From $179, pre-order from today Apple unveils HomePod mini in new colors: yellow, blue, and orange M1 Pro/Max Geekbench shows M1 Max offers up to 181% faster graphics than previous 16-inch MacBook Pro Apple unveils next-generation M1 Pro and M1 Max chips for new Macs New M1 Pro and M1 Max MacBook Pro support up to four external displays New 14" and 16" MacBook Pros Here's how the new 14″ and 16″ MacBook Pro compare to other MacBook models Comment: Why the worst thing about the MacBook Pro is good news for everyone MacBook Pro SD card slot supports UHS-II, but not UHS-III or SD Express New MacBook Pro tidbits: size and weight, benchmarks, HDMI 2.0 limitations, more Apple announces 14-inch and 16-inch MacBook Pro: new design, display notch, 120Hz, M1 Pro chip, HDMI, MagSafe, more Listen to more Happy Hour Episodes Subscribe Apple Podcasts Overcast Spotify Listen to more 9to5 Podcasts Stacktrace Apple @ Work Alphabet Scoop Electrek The Buzz Podcast Space Explored Rapid Unscheduled Discussions Enjoy the podcast? Shop Apple at Amazon to support 9to5Mac Happy Hour!

Oglądałeś kiedyś pogromców mitów? W tym odcinku przejmujemy ich rolę i opowiadamy o tym dlaczego 4K to nie jest jakość. Odpowiadamy również na fundamentalne pytanie - czy 4K różni się od full HD tylko rozdzielczością? W tym odcinku opowiadamy o zaletach i wadach rozdzielczości full HD i 4K, o tym czym jest podpróbkowanie i dlaczego jest ważne, o tym czym są są pliki proxy i dlaczego są fajne, o co chodzi z kartami UHS-II, jak nie psuć rynku produkcji video i jak wyceniać swoją pracę. // Przydatne materiały: www.igorpodgorski.pl/podcast/007 // Grupa na Facebooku: www.igorpodgorski.pl/grupa // Newsletter dla twórcy video: www.igorpodgorski.pl/newsletter // Kursy online: www.igorpodgorski.pl/akademia

Your camera stores photos on memory cards, but trying to understand them is a confusing mess of acronyms, speed claims, and marketing. What’s the difference between a UHS-I SD card and a UHS-II card? We break it all down, including why you may not want the fastest (and more expensive) cards available. Sponsor Masters of Photography, online masterclasses with the greatest photographers in the world. Get 5% off any course with the code PHOTOACTIVE. https://mastersof.photography (https://mastersof.photography/ref/27/?campaign=PhotoActive) Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-42-memory-cards)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Migrate Your Aperture Libraries to Photos or Adobe Lightroom Classic (https://support.apple.com/en-us/HT209594) (Apple) Take Control of Your Digital Photos (https://www.takecontrolbooks.com/digital-photos?aff=AFL5392537175), by Jeff Carlson Best USB-C memory card readers (https://www.macworld.com/article/3209758/best-usb-c-memory-card-readers.html), Macworld, by Jeff Carlson SD memory cards: The features and specifications to look for (http://www.macworld.com/article/3208766/sd-memory-cards-the-features-and-specifications-to-look-for.html), Macworld, by Jeff Carlson SanDisk 64 GB Extreme PRO SDXC UHS-I Card (https://amzn.to/2LdJ61E), 170 MB/s Read SanDisk 64 GB Extreme PRO SDHC UHS-II Card (https://amzn.to/2VAaevL), 300 MB/s Read Sony 32 GB SHDC UHS-II Card (https://amzn.to/2V3AlMe), 300 MB/s Read Fujifilm X-T3 Mirrorless Digital Camera (Body Only) - Silver (https://amzn.to/2GU7T6M), the camera Jeff bought. Our Snapshots: Jeff: Fuji X Secrets (https://amzn.to/2UTMjD3), by Rico Pfirstinger Kirk: Tonality Mega B&W Pack (https://skylum.com/luminar/marketplace/looks/53) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed, you’re automatically entered. If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.

Have you Seen this new OM-D E-M1X by Olympus. Holy cow. I’m loving this camera. Let’s look at some of the details. They claim “extensive weather sealing” which sounds like they’re really upping the weather sealing game. I love it. Rain, sleet or snow, they claim it can handle it with ease. That’s awesome. Some Specs: 20.4 MP 4/3 sensor 4K video recording, with “live ND” to mimic the effects of a solid ND filter, nice. 7-stop shake reduction, or 7.5 with the new 12-100mm lens. The integrated grip will hold two batteries. It can shoot up to 120 frames per second in HD video mode. Both SD card slots are UHS-II compatible, which is nice when shooting all those frames per second or 4K video. Also includes a PC flash terminal, headphone and mic ports, as well as micro HDMI. And a USB-C port that can be used to charge both batteries in camera.  WiFi and Bluetooth are supported for connecting to the smartphones. Includes 121 Phase Detection AF points, and 121 contrast detect areas for AF as well.  It also has “Intelligent Subject Detection AF” which they make it sound like it’ll learn the shape of what you’re shooting and it will prioritize focus on that. That’s amazing. It also has face detect and eye detection as well. And it’ll work down to -6EV which is very dark indeed. If you use the electronic shutter, you can get 60fps shooting, or 15fps using the mechanical shutter. If you want to use the electronic shutter and maintain full AF, you’ll be “limited” (a couple of air quotes there) to 18fps. The buffer holds a varying amount of shots depending on how fast you’re shooting. If in manual focus and shooting 60fps, you’ll fill the buffer at 49 shots, that’s less than a second. Did I mention it has dual UHS-II SD card slots? You’re gonna need it! If you’re at the 15fps, you fill it up at 103 frames, so that’s almost 7 full seconds there. Either way you shoot, it’s impressive. This part really interests me, the multi-shot HighRes mode. It’ll create an 80MP Raw image by using the IBIS (In Body Image Stabilization) system to nudge the sensor to different positions to capture the space between the pixels. It does this by taking 8 frames very quickly and then combining them in camera.  Then there’s the hand-held mode, where it does the same thing with 16 total frames, but it only makes a 50MP image. Still, I’m loving the sound of this technology. The so-called limitations of the 4/3s sensor are all but eliminated now.  It has the live composite mode which will build up a scene over time such as star trails.  It also does in camera focus stacking.  OK, just take my money already!!! I love this camera. Along with this camera they have also announced the 150-400 f/4.5 TC1.25x IS PRO lens.  This is a 300-800 equivalent length on a full-frame body, and it has a built in 1.25x extender. It can also be paired with a new 2x extender which would give you a 2000mm in full-frame speak. And they claim you can shoot it hand held due to the combination of the IBIS and the lens’ own stabilization.  I would love to try this out. Olympus, if you’re listening, I’m here for you to put this through the paces. I’ll go shoot eagles or something like that with this setup. That would be so amazing. They’ve already got a few really good lenses out there, the 7-14mm, 12-40 and 40-150 all look like my kind of lenses.  I don’t know about you, but the Olympus line-up has suddenly gotten awesome, at least in my opinion anyway. Sony A6400 Have you also seen that new Sony 6400? I won’t go into all the spec details, but that too is an impressive camera. I love the compact nature, the APS-C sized sensor and lens lineup. If I were to switch to Sony I’d give this on a serious look. In fact I’m actually considering buying this one. If Olympus releases a not-so-over-the-top option of that latest OM-D model then I might be tempted to go that route. One thing is for sure, we have so many good options in gear these days. OK, now on to the images, and revisiting the idea of shooting abstracts, or abstractions once again. I won’t be writing as much in the show notes as I did on the previous episode. I’ll just talk a bit more conversationally about these. Plants, Prague Castle. Notes: I was initially intrigued by these plants, but as I was shooting I felt they could use something more. So I decided to put the camera into manual focus and completely blur out the subject, making a beautiful bouquet of color. I then punched color saturation in post to achieve the affect I was going for. I also had adjusted the exposure to +1 when I took the shot to give it a bit more oomph. B&W Buildings, Boston, MA Boston, MA, USA Notes: I like to isolate the graphic forms and enhance the lines. By zooming in to the subject like this I’m able to eliminate any distractions that might take us away from the subject. Also, by removing the color, I’m able to keep the attention on the shape and form of the building and the glass frames rather than get distracted by the cool color and cloud shapes. Without color, the cloud textures become part of the building more. Also, for the second image I tilted the camera a bit so the side of the building would align with the edge of the frame. Doing so makes the building’s angles even more dramatic and it has some strength leaning up against the side like this where if I didn’t turn the camera on angle, it would feel really balanced, but not as strong. Segmentation series images. I love this series. By shooting the subject in segments I’m able to make a different statement than is normally made. With the yellow leaves, I was able to make it feel like separate pictures laying on top of each other, while still really enjoying the contrast of the lines, the brilliant color of the leaves and the strength of the trunk. But by limiting the view the eye is focused on the specific items that I wanted to highlight and draw the attention too, and other distractions were eliminated. For the black and white option here, the main subject is captured in those three images. They are very nearly evenly spaced and the texture is enhanced by the absence of color, and a little more clarity in Lightroom. The two additional frames in this set are to support and balance the composition overall. It’s important that these extra elements be shown there so we get a greater sense of place, but they are placed behind so as not to overly take away from the main subject. With the twin sisters shot, I really like it because it emphasizes the clouds. This composition works by itself, but I found it a bit boring. But I knew I wanted to bring those clouds in somehow, and with the angled shots and a segmentation I knew I had something good going here. The composition remains simple yet there’s added strength to it because we get to have more of those clouds, but they still aren’t complete. That’s one of the great things about photography, when we crop an element the mind must work to complete it in its imagination. With this type of shot the mind gets an initial look, then it gets more with the added frames and we still don’t complete the clouds so our impression of the magnitude of the clouds is rather enhanced. Grass image I love the simplicity and complexity of this image all at the same time. It’s simple because the depth-of-field is so shallow. It’s complex because the grass blades are going everywhere and they feel rather chaotic. The monochromatic color is also enhancing the idea of simplicity. Raining cottonwoods US, OR, Morrow County. Poplar Trees at the Boardman Tree farm. NR US, OR, Morrow County. Poplar Trees at the Boardman Tree farm. NR I love doing camera movement images. With this set I started out with the camera mounted to a gimbal head and a 50mm lens. I used the gimbal head to restrict the movement to one axis. With a bit of practice I got it working quite nicely. The exposure is about .8 seconds to begin with, and then I get to 1 second for the last two images. For the second to last image I sent on two axis, and the result is a feeling of motion to the side, and it contrasts with the position and direction of the trunks. It’s truly an amazing feeling looking at this image in full resolution. The final image has me hand-holding and twisting. I must have tried this 15 or more times before I got the one that really worked and was what I was looking for. The off-center point of rotation gives it a good sense of balance that’s not perfectly symmetrical. I also appreciate the added movement on the far left side of the image due to the off-center rotation point. Palouse field forms US, WA, Whitman County, Views from Steptoe Butte. The Palouse region is simply amazing. It’s also extremely popular with photographers. With a long tele lens you’re able to really pull out some great shapes, colors and forms from atop Steptoe Butte. If you get there about an hour before sunset you’re probably too late. So get there a bit earlier if you can. Then you can watch the transition of the forms and shadows as they elongate with the setting sun. If you can get a clear day you’re in luck. Sometimes it’s too hazy to get a good shot since you’re shooting subjects that are so far away. Stacked Waves I was testing two lenses and this shot is with the Sigma 150-600 Sport on my Canon 5D mkiv. I decided on a B&W conversion to enhance the effect of the deep tonality of the waves and the brilliant mist that is being blown off the top of the waves. The loan gull makes the shot really sing for me. I got some shots that have more birds, but in the spirit of abstracts and abstractions, this better fits the bill. Palouse Falls thundering water detail Palouse Falls state park is a great place to shoot. Just please be careful. The cliff is very high and the falls are 198 ft high as well. It can be dangerous if you’re not careful. For these shots I was at the top of the rim zooming down. I wanted to capture the energy of the water crashing down into the pool. The water in spring time is quite muddy, so I enhanced the contrast on these images and used a fast shutter speed to freeze the action. Clouds lit rom within Nature has some amazing gifts for us photographers. With this shot I was chasing a storm here in SE Washington. It was moving fast so I did more driving than shooting. I finally got ahead of it enough with a place that I could safely set up and shoot. But as it moved away the lightning was largely on the interior of the clouds, which enhanced the texture of the clouds. Being lit from within also makes for added drama with the foreground clouds. Sun spots The sun is possible to shoot with a 100–400 zoomed out to 400 with a 2x extender. I also used a 10-stop neutral density filter. I used that filter rather than a solar filter so I could render the sunspots. With a standard solar filter you don’t get enough detail to see the sunspots like this. Reminders I’ve got some workshops coming up this summer.  Shoot-n-Print in Walla Walla Total Solar Eclipse in Chile,  Composition, Culture and more in Croatia.

Today Canon released the Canon EOS R, full-frame mirrorless camera. This is an entirely new lens mount for Canon and so an entirely new system. Canon has been pretty quiet over the last few years and Sony has made it quite obvious that the competition has fallen behind. Canon also announced 4 lenses - a 24-105mm, 28-70mm, 35mm and a 50mm. Is the Canon system enough to compete with the Nikon Z6 and Z7? Does it compete with Sony? Lets break it down. The Canon EOS R • 30MP full frame sensor • Dual Pixel Raw, micro-adjustment, bokeh shift and ghosting reduction • 5,655 selectable AF points • 8fps burst rate with one-shot AF • 5fps burst rate with servo AF/AE • 1 SD card slot – UHS-II compatible • UGD 4k up to 25/30p – 1.6x crop • Canon log profile • 4k uncompressed 10 bit HDMI output • HDR movie, 4k Time-lapse movie • Focus Peaking / Focus Distance Indicator • 3.1″ vari-angle, 2.1 million dot LCD with touch control • GPS via phone app • Wi-fi/Bluetooth • LP-E6 / LP-E6N Battery And unfortunately way too many "gotchas" on these features. Music is from Epidemic Sound. If you need music for your videos, Epidemic is simply the best in the business. Check them out here: https://goo.gl/v5wWKr