Podcasts about who will speak

Remnant mainstay Matthew Continetti, director of domestic policy studies at the American Enterprise Institute, joins Jonah for a trip to think-tanklandia. Rank punditry abounds: Joe Biden's identity crisis is discussed, the vibes of the American electorate are analyzed, immigration policy is considered, and laughs are had all around. As a treat for all 16 listeners who care, Matt and Jonah revisit the recent Ruminant diatribe on neoconservatism and review the new hit reality TV show that is the United States Senate. Show Notes: -The Right: The Hundred-Year War for American Conservativism -Matt's AEI page -Matt's new Commentary Magazine piece: Who Will Speak for America? -The Conservative Manifesto The Remnant is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including Jonah's G-File newsletter, weekly livestreams, and other members-only content—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jesus' guide for discipleship invites us to rethink our expectations of what discipleship means and who disciples are. Embedded in the invitation is a deep look meeting the soul of our being with enduring love and perpetual hospitality  to embrace the next steps of faith-filled following the Jesus Way. Sermon begins at minute marker 5:37Mark 10:17-31 ResourcesBibleWorm podcast: ⦁ Episode 526 – The Eye of the Needle, Amy Robertson and Robert Williamson, Jr.Mark: Believers Church Bible Commentary, Timothy J Geddert; Herald Press, 2001.Narrative Language Lectionary: 570 First Last and Last FirstTricia Hersey, Rest Is Resistance: A Manifesto; New York: Little, Brown Spark, 2022Richard Rohr, “The Need for Mysticism”, Daily Meditations, August 2, 2020. Image: Nagara Oyodo on unsplashHymn VT 758 Who Will Speak a Word of Warning text: Richard Leach, © 2000 Selah Publishing Co., Inc. music: Alfred V. Fedak, 1988, © 1989 Selah Publishing Co., Inc. Permission to podcast the music in this service obtained from One License with license #A-726929. All rights reserved.

Episode 186 Notes and Links to Stephanie Feldman's Work   *Content Warning-Please be aware of discussion of sexual assault*        On Episode 186 of The Chills at Will Podcast, Pete welcomes Stephanie Feldman, and the two discuss, among other things, her early trajectory towards becoming a writer, formative and transformative writers and writing, genre and genre-less writing, the balance between allegory and plot in Saturnalia, the book's focus on Philadelphia and on the world at large, hedonism/inaction  in the wake of climate disasters, the long echoes of sexual assault, class and power in her book, and whether the book has a sense of optimism.       Stephanie Feldman is the author of the novels Saturnalia and The Angel of Losses, a Barnes & Noble Discover Great New Writers selection, winner of the Crawford Fantasy Award, and finalist for the Mythopoeic Award. She is co-editor of the multi-genre anthology Who Will Speak for America? and her stories and essays have appeared in or are forthcoming from Asimov's Science Fiction, Catapult Magazine, Electric Literature, Flash Fiction Online, The Magazine of Fantasy & Science Fiction, The Rumpus, Uncharted Magazine, Vol. 1 Brooklyn, Weird Horror, and more. She lives outside Philadelphia with her family.     Buy Saturnalia   Stephanie Feldman's Website   Review of Saturnalia from John Mauro at Grimdark Magazine   At about 1:55, Stephanie describes her early reading and writing, and being “fated” to be a writer   At about 4:00, Stephanie shouts out Anne Rice, Jeanette Winterson, and others as formational and transformational writers   At about 6:00, Stephanie cites the “world building and atmosphere” of Rice's work that inspired Saturnalia and the Philadelphia of the book   At about 7:20, Stephanie highlights Sofia Samatar, her work regarding Uzbekistan especially, and Jeffrey Ford as beloved contemporary writers   At about 9:00, Stephanie responds to Pete's questions about the importance (or lack thereof) of genre   At about 11:55, Stephanie gives background on/seeds for Saturnalia, including The Masque of Red Death and the Covid pandemic   At about 15:00, Pete asks about the balance/timing involving the book's allegory/symbolism and its plot/premise   At about 16:30, The two discuss the epigraph from Umberto Eco and its connection to hedonism and climate change    At about 18:40, The exposition is laid out, and Stephanie discusses connections to Saturn and fortune telling's importance in the book   At about 22:45, Pete summarizes the night of the winter solstice, including The Lord of Misrule, and Nina's tough times that lead her to do a job for Max    At about 24:30, Pete connects a telling quote from Faulkner to the book's pivotal violation and gender roles and power dynamics   At about 30:50, Stephanie responds to Pete's musings about the book's commentary on social class and power    At about 33:00, Stephanie and Pete speak about Philadelphia's small-town feel and Niña's feelings of being “trapped”   At about 36:55, Stephanie responds to Pete's questions about any optimism/pessimism that comes from the book   At about 38:55, Alchemy and myth and the stories are discussed    At about 40:00, Stephanie talks about the ways she and readers continue to experience the book some seven months after publication    At about 41:40, Pete shares the book's blurb from Carmen Maria Machado    At about 42:00, Stephanie shares an exciting future project   At about 43:00, Stephanie gives the history of the “blue laws” in PA   At about 44:00, Stephanie shares social media/contact info and places to buy her work, including Main Point Books, A Novel Idea, Weird Horror “The Getaway”      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.  Please tune in for Episode 187 with V Castro. She is a two-time Bram Stoker award nominated writer born in San Antonio, Texas, to Mexican American parents, and she has been writing horror stories since she was a child, always fascinated by Mexican folklore and the urban legends of Texas. Her latest is The Haunting of Alejandra.    The episode will air on June 13.

Stephanie Feldman is the author of the novels Saturnalia and The Angel of Losses, a Barnes & Noble Discover Great New Writers selection, winner of the Crawford Fantasy Award, and finalist for the Mythopoeic Award. She is co-editor of the multi-genre anthology Who Will Speak for America? and her stories and essays have appeared in or are forthcoming from Asimov's Science Fiction, Catapult Magazine, Electric Literature, Flash Fiction Online, The Magazine of Fantasy & Science Fiction, The Rumpus, Uncharted Magazine, Vol. 1 Brooklyn, Weird Horror, and more. She lives outside Philadelphia with her family.     Learn more about your ad choices. Visit megaphone.fm/adchoices

With the Coode Street Advent Calendar now in its second half, Gary sits down with the terrific Stephanie Feldman, the author of Who Will Speak for America? and  Angel of Losses, to talk about what she's been reading, what she'd recommend, and her fabulous new novel, Saturnalia.  As always, our thanks to Stephanie, and we hope you enjoy the episode.

How does a fiction author make a living? When it comes to finding an agent, working with editors, and getting paid, Stephanie Feldman, author of Saturnalia and The Angel of Losses, is an open book about the good, the bad, and the honestly confusing side of publishing. She shows us just how much “rejection is not personal” matters when it comes to getting your work out into the world. And that perseverance to navigate an often harsh industry has resulted in two published novels, being the co-editor of the multi-genre anthology Who Will Speak for America? and her stories and essays appearing in Asimov's Science Fiction, Catapult Magazine, Electric Literature, The Magazine of Fantasy & Science Fiction, The Rumpus, and Vol. 1 Brooklyn.    This Week on the Get Paid Podcast: What it takes before a writer gets royalties The journey of 11 years between her 2 books Inside the world of book editing and publishing What her new book Saturnalia is all about Self-publishing vs. traditional publishing deal Is there any correlation between the quality of a book with how much it sells? How Stephanie gets her advance paid Primary parenting, writing, boundaries, and managing it all How the Amazon algorithm works Intense Twitter trolls Also Mentioned in this Episode: Saturnalia on Amazon Saturnalia on Goodreads The Angel of Losses Vox news on publishers in court Stephanie's short stories Connect with Stephanie Feldman Website Twitter Instagram Thanks for tuning into the Get Paid Podcast! If you enjoyed today's episode, head over to Apple Podcasts to subscribe, rate, and leave your honest review. Connect with me on Facebook, YouTube, and Instagram, visit my website for even more detailed strategies, and be sure to share your favorite episodes on social media. Now, it's time to go get yourself paid.

Today I'm interviewing Stephanie Feldman, author of The Angel of Losses and Saturnalia. She is also co-editor of the multi-genre anthology Who Will Speak for America? and her stories and essays have appeared in Asimov's Science Fiction, Electric Literature, The Magazine of Fantasy & Science Fiction, The Maine Review, The Rumpus, and Vol. 1 Brooklyn. She lives outside Philadelphia with her family Today we're talking about how she managed to persevere through the eight years between her debut novel and her second book, the complex process of rebuilding, and why it's important to love the act of writing more than the idea of being a writer. If you're stuck in the query trenches or trunking novels you were sure would sell, this episode is a treasure trove of advice when it comes to keeping your eyes on your own paper and working at a pace that honors the writers you actually are, rather than the writer you wish you were. So slow down, let it all go quiet, and enjoy my conversation with Stephanie Feldman. Connect with Stephanie online: Stephanie's Website Twitter Instagram Buy her books!

In conversation with Nathaniel Popkin The ''rare writer who can combine keen, grounded, psychological observation with visionary headiness'' (Salon), Ken Kalfus is the author of the novels The Commissariat of Enlightenment, a New York Times Notable Book of the Year; A Disorder Peculiar to the Country, a National Book Award finalist; and Equilateral. His short story collections include Coup de Foudre, Thirst, and PU-239 and Other Russian Fantasies. The recipient of a Guggenheim Fellowship and a Pew Fellowship for the Arts, Kalfus's works have been translated into more than 10 languages. In 2 A.M. in Little America, Kalfus imagines a plausibly dystopian future in which young people from the United States are forced to emigrate to other countries because of large-scale civil unrest. Nathaniel Popkin's many books of fiction and nonfiction include Everything is Borrowed, The Year of the Return, and To Reach the Spring: From Complicity to Consciousness in the Age of Eco-Crisis. He is co-editor of the literary anthology Who Will Speak for America?, was the fiction editor of Cleaver Magazine, and the writer/editor of the Emmy-winning documentary film series Philadelphia: The Great Experiment.  (recorded 5/11/2022)

Nathaniel Popkin is the author of three books of non-fiction and the novels, The Year of the Return, Everything is Borrowed, and Lion and Leopard. He also co-edited the anthology Who Will Speak for America?, which he also spoke about with co-editor Stephanie Feldman on First Draft. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephanie Feldman and Nathaniel Popkin edited Who Will Speak for America?, which includes fiction, essays, photos, cartoons, and poetry from 43 contributing authors.  The anthology was compiled just before the 2016 Presidential inaugeration of Donald Trump. Learn more about your ad choices. Visit megaphone.fm/adchoices

First Draft interview with editors of Who Will Speak for America?, Stephanie Feldman and Nathaniel Popkin.

This week we're taking a quick break from our Summer of Spouses discussions to welcome two guests to the podcast: Stephanie Feldman and Nathaniel Popkin, co-editors of the recently published anthology Who Will Speak for America?, which brings together work from a bunch of contemporary writers responding in various ways to our current political moment. They also chose a book for us to read, Gotz and Meyer, by Serbian novelist David Albahari. In the first half of the show, we talk about Albahari's book, which takes an interesting, experimental path through its narrative of the Holocaust. In the second half of the show we talk about the anthology, Popkin's and Feldman's own writing. Plus our standard lightning-round questions. If you like the show, please consider subscribing to our Patreon, which helps offset our costs and allows us to keep doing the podcast each week. In exchange for $5, you'll also get access to a monthly bonus episode, Book Fight After Dark, in which we explore some of the weirder reaches of the literary universe: Amish mysteries, caveman romances, end-times thrillers and more!

''A marvelous storyteller'' (Chicago Tribune), Mary Morris explores some of her favorite themes-away versus home, childhood memories, and the Midwest-in such works of fiction as A Mother's Love, House Arrest, and The Jazz Palace. The winner of the Rome Prize and the Ainsfield-Wolf Award for Fiction, she is also the author of the travel classic Nothing to Declare: Memoirs of a Woman Traveling Alone. In Gateway to the Moon, Morris interweaves the stories of a secluded New Mexican town's present-day residents with those of its original settlers 500 years earlier.  Nathaniel Popkin is the author and co-author of five books, including Lion and Leopard, Song of the City, and Philadelphia: Finding the Hidden City. He is also co-editor of the literary anthology Who Will Speak for America?, the fiction editor of Cleaver Magazine, and the writer/editor of the Emmy-winning documentary film series Philadelphia: The Great Experiment. In Everything is Borrowed, he ponders regret, history, and the intransigence of the urban landscape through the strangely parallel lives of two men separated by centuries. Watch the video here. (recorded 5/10/2018)

For a guy who calls himself a master of nothing, Nathaniel Popkin does an awfully good job for himself as a novelist, literary editor, critic, journalist, and urban historian. Nathaniel joins the show to talk about his new novel, Everything Is Borrowed (New Door Books), as well as the new literary anthology he co-edited, Who Will Speak for America? (Temple University Press). We get into the fertile subject and setting of Philadelphia, the goal of building a literary hub for his adopted city, the process of writing a novel about anarchists and architects (which I sorta characterize as the anti-Fountainhead), the necessity of self-delusion for artists, his background in urban planning and how it informs his writing, the challenges and rewards of seeking diversity in art, the importance of the Writers Resist movement, how becoming a writer was his way of being Jewish in the world, and why he eschewed MFA vs NYC in favor of PHL! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

My guest is Stephanie Feldman. She co-edited Who Will Speak For America? (https://www.amazon.com/Will-Speak-America-Stephanie-Feldman/dp/1439916241/ref=sr_1_1?ie=UTF8&qid=1514208101&sr=8-1&keywords=who+will+speak+for+america), with Nathaniel Popkin. The editors and contributors to Who Will Speak for America? (https://www.amazon.com/Will-Speak-America-Stephanie-Feldman/dp/1439916241/ref=sr_1_1?ie=UTF8&qid=1514208101&sr=8-1&keywords=who+will+speak+for+america)are passionate and justifiably angry voices providing a literary response to today’s political crisis. Inspired by and drawing from the work of writers who participated in nationwide Writers Resist events in January 2017, this volume provides a collection of poems, stories, essays, and cartoons that wrestle with the meaning of America and American identity. The contributions—from established figures including Eileen Myles, Melissa Febos, Jericho Brown, and Madeleine Thien, as well as rising new voices, such as Carmen Maria Machado, Ganzeer, and Liana Finck—confront a country beset by racial injustice, poverty, misogyny, and violence. Contributions reflect on the terror of the first days after the 2016 Presidential election, but range well beyond it to interrogate the past and imagine possible American futures. Who Will Speak for America? (https://www.amazon.com/Will-Speak-America-Stephanie-Feldman/dp/1439916241/ref=sr_1_1?ie=UTF8&qid=1514208101&sr=8-1&keywords=who+will+speak+for+america) inspires readers by emphasizing the power of patience, organizing, resilience and community. These moving works advance the conversation the American colonists began, and that generations of activists, in their efforts to perfect our union, have elevated and amplified. Stephanie Feldman is the author of the novel The Angel of Losses (https://www.amazon.com/Angel-Losses-Novel-Stephanie-Feldman/dp/0062228919/ref=sr_1_1?ie=UTF8&qid=1530902123&sr=8-1&keywords=the+angel+of+losses)(Ecco), a Barnes & Noble Discover Great New Writers selection, winner of the Crawford Fantasy Award, and finalist for the Mythopoeic Award, and is the co-editor of the forthcoming multi-genre anthology Who Will Speak for America? (https://www.amazon.com/Will-Speak-America-Stephanie-Feldman/dp/1439916241/ref=sr_1_1?s=books&ie=UTF8&qid=1530902155&sr=1-1&keywords=who+will+speak+for+america) (Temple University Press) Her stories and essays have appeared in, or are forthcoming from, Asimov’s, Electric Literature, The Magazine of Fantasy & Science Fiction, The Rumpus, and Vol. 1 Brooklyn. She lives outside Philadelphia with her family. Special Guest: Stephanie Feldman.

With the passing of Billy Graham, who is going to reach the next generation with the Gospel? It’s probably not who you think. In fact, it might not even be one person at all. In this episode of the Renew the Arts podcast, Justus leads the way in a discussion of the changing landscape of Gospel missions in this media-saturated age. Stay tuned at the end for “Who Will Speak?,” a song by Brock’s Folly . . . [ Read More ]

Nathaniel is a writer, editor, historian, journalist, and the author of five books, including the novel Everything is Borrowed, forthcoming in May 2018 from New Door Books. He’s the co-editor of Who Will Speak for America?, a literary anthology in response to the American political crisis, also forthcoming, in June 2018 from Temple University Press. He’s the fiction review editor of Cleaver Magazine, as well as a prolific book critic focusing on literary fiction and works in translation. His work has appeared in the Wall Street Journal, Public Books, The Rumpus, Tablet Magazine, LitHub, The Millions, and the Kenyon Review, among other publications. Nathaniel and I sat down, he in his office in Philadelphia where he lives and works, and me in my office in Seattle, and talked about why literary criticism is important, and what makes for good criticism. Interview by Ryan Evans, producer of On the Edge. Music by @simon-aspinall01