Podcasts about faulkner

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBibliographyAelian. On the Characteristics of Animals. Translated by A. F. Scholfield. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1958–1959.Assmann, Jan. The Search for God in Ancient Egypt. Translated by David Lorton. Ithaca: Cornell University Press, 2001.British Museum. “Papyrus of Nesmin; Bremner-Rhind Papyrus, EA10188.” Notes that the Book of Overthrowing Apep appears in columns 22–32, with the Names of Apep in columns 32–33, and gives a production date of 305 BCE.British Museum. Babylon Teachers' Resource. Notes Marduk's association with the snake-dragon or mušḫuššu.Burkert, Walter. Greek Religion. Translated by John Raffan. Cambridge, MA: Harvard University Press, 1985.Day, John. God's Conflict with the Dragon and the Sea: Echoes of a Canaanite Myth in the Old Testament. Cambridge: Cambridge University Press, 1985.Detroit Institute of Arts. “Mushhushshu-Dragon, Symbol of the God Marduk.”Eliade, Mircea. Patterns in Comparative Religion. Translated by Rosemary Sheed. Lincoln: University of Nebraska Press, 1996.Etymonline. “Draco.” Notes Greek drakon from derkesthai, “to see clearly.”Faulkner, R. O. “The Bremner-Rhind Papyrus—III: D. The Book of Overthrowing ‘Apep.” Journal of Egyptian Archaeology 23, no. 2 (1937): 166–185.Ferdowsi. Shahnameh: The Persian Book of Kings. Translated by Dick Davis. New York: Penguin Classics, 2016.Herodotus. The Histories. Translated by A. D. Godley. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1920. See especially 2.75 on winged serpents and ibises, and 3.107 on frankincense-guarding serpents.Hornung, Erik. Conceptions of God in Ancient Egypt: The One and the Many. Translated by John Baines. Ithaca: Cornell University Press, 1982.Isbell, Lynne A. The Fruit, the Tree, and the Serpent: Why We See So Well. Cambridge, MA: Harvard University Press, 2009.Jacobus de Voragine. The Golden Legend: Readings on the Saints. Translated by William Granger Ryan. Princeton: Princeton University Press, 2012.Jones, David E. An Instinct for Dragons. New York: Routledge, 2000.Le, Quan Van, Lynne A. Isbell, Jumpei Matsumoto, Minh Nguyen, Hikari Hori, Mai Mai, Tomohiro Nishimaru, et al. “Pulvinar Neurons Reveal Neurobiological Evidence of Past Selection for Rapid Detection of Snakes.” Proceedings of the National Academy of Sciences 110, no. 47 (2013): 19000–19005. DOI: 10.1073/pnas.1312648110.LeDoux, Joseph. The Emotional Brain: The Mysterious Underpinnings of Emotional Life. New York: Simon & Schuster, 1996.Lincoln, Bruce. Theorizing Myth: Narrative, Ideology, and Scholarship. Chicago: University of Chicago Press, 1999.MacLean, Paul D. The Triune Brain in Evolution: Role in Paleocerebral Functions. New York: Plenum Press, 1990.Mayor, Adrienne. The First Fossil Hunters: Dinosaurs, Mammoths, and Myth in Greek and Roman Times. Princeton: Princeton University Press, 2000; revised edition, 2011.Öhman, Arne, and Susan Mineka. “Fears, Phobias, and Preparedness: Toward an Evolved Module of Fear and Fear Learning.” Psychological Review 108, no. 3 (2001): 483–522.Pessoa, Luiz. The Cognitive-Emotional Brain: From Interactions to Integration. Cambridge, MA: MIT Press, 2013.Pliny the Elder. Natural History. Translated by H. Rackham. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1938–1962.Smith, Mark S. The Ugaritic Baal Cycle. 2 vols. Leiden: Brill, 1994–2009.Smith, Mark S. The Origins of Biblical Monotheism: Israel's Polytheistic Background and the Ugaritic Texts. Oxford: Oxford University Press, 2001.Varenne, Jean, trans. The Rig Veda. New York: Park Street Press, 1984.Yarshater, Ehsan, ed. “Aždahā.” Encyclopaedia Iranica. Defines aždahā as dragon-like, gigantic snake monsters found in air, earth, or sea, sometimes linked to rain and eclipses.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

AI coding tools promise faster software development, but speed may be creating a new problem: lower-quality software at scale. In this episode of Today in Tech, Keith Shaw speaks with Dan Faulkner, CEO of SmartBear, about why AI-generated code could be outpacing the testing, review and quality controls needed to keep software reliable. Faulkner explains why business leaders could be confusing faster coding with better software development, how “automation bias” can lead developers to trust AI output too quickly, and why intent validation may become a critical new step in the software development lifecycle. They also discuss the risks of AI-generated bugs, weak testing processes, security vulnerabilities, “slop squatting,” and whether the industry is heading toward a high-profile software failure caused by unchecked AI code generation. #todayintech #artificialintelligence #aicoding #qualityassurance Follow TECH(talk) for the latest tech news and discussion!

Fox Footy's Will Faulkner joins Mark Duffield to dicusss Learn more about your ad choices. Visit megaphone.fm/adchoices

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¿Te gusta Reload? Apóyanos en Patreon (https://www.patreon.com/anaitreload) para acceder a contenidos exclusivos, recibir los episodios dos días antes y hacer posible que sigamos adelante

¿Te gusta Reload? Apóyanos en Patreon (https://www.patreon.com/anaitreload) para acceder a contenidos exclusivos, recibir los episodios dos días antes y hacer posible que sigamos adelante

Send us Fan MailCan organisations themselves be trustworthy, or is trustworthiness only a quality of individuals? This question matters for how we think about public institutions, businesses, and charities – and about the responsibilities they bear when people rely on them. Philosopher Matt Clark joins me to unpack what trustworthiness means, what kind of control and awareness an organisation would need in order to count as trustworthy, and why values matter in this context. Along the way, we discuss examples such as the Metropolitan Police and sketch what a genuinely trustworthy organisation might look like.Here's what Matt suggested for further reading:Katherine Hawley. 2017. 'Trustworthy Groups & Organisations.' In P. Faulkner & T. W. Simpson (eds.), The Philosophy of Trust (Oxford University Press) https://doi.org/10.1093/acprof:oso/9780198732549.003.0014Matt Bennett. 'Trusting Groups.' Philosophical Psychology, 37:1, 196-215. https://doi.org/10.1080/09515089.2023.2179478C. Thi Nguyen. 2022. 'Trust as an Unquestioning Attitude.' In Tamar Szabó Gendler (ed.), Oxford Studies in Epistemology, Vol. 7 (Oxford University Press) https://doi.org/10.1093/oso/9780192868978.003.0007Hawley expresses scepticism about the possibility of trust in groups, Bennett provides a different argument to Matt's on why trusting groups is acceptable, and Nguyen is referenced by Matt in the podcast as having a different view of trust.Ethics Untangled is produced by IDEA, The Ethics Centre at the University of Leeds.As well as the podcast, Ethics Untangled is also the name for the long-form online presence of IDEA.Bluesky: @ethicsuntangled.bluesky.socialInstagram: https://www.instagram.com/idea_leeds/Facebook: https://www.facebook.com/ideacetlLinkedIn: https://www.linkedin.com/in/idea-ethics-centre/

Jesmyn Ward is arguably one of the most important writers of our generation.  She has won two National Book Awards before fifty (first woman to do that and first Black woman to do that). And in this, her new essay book, ON WITNESS AND RESPAIR, she writes essays on everything from Faulkner to Hurricane Katrina. This book is in part a look back at some of her most impactful essays, speeches, and book introductions-but this is also a remarkable book full of pain, fascination and joy. Join us in our conversation with one of the generations most thoughtful and talented writers. Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned on this week's episode: On Witness and Respair by Jesmyn Ward Let us Descend by Jesmyn Ward Sing, Unburied, Sing by Jesmyn Ward Salvage the Bones by Jesmyn Ward Men We Reaped by Jesmyn Ward The Fire This Time by Jesmyn Ward Where the Line Bleeds by Jesmyn Ward Between the World and Me by Ta-Nehisi Coates Heavy by Kiese Laymon In Cold Blood by Truman Capote The Years by Nicholas Delbanco Learn more about your ad choices. Visit podcastchoices.com/adchoices

Murray Faulkner tells the story of how Special Olympics got started.

Send us Fan MailMark Faulkner is the Founder and President of Vireo Systems and the inventor behind CON-CRĒT, the #1 absorbed and most widely licensed creatine. It is the only form of creatine that delivers superior performance results without adverse side effects, such as digestive distress, often associated with creatine.The creatine research has been ground-breaking, and the team has been awarded numerous patents for their work. Research continues to reaffirm the efficacy of creatine and demonstrate the additional product benefits, including providing energy to all cells, including immune-boosting t-cells.With a passion for using science to help people live healthier, more active lives, Mark has founded multiple research-driven companies and holds nine patents. He began his career co-founding a forensic toxicology lab that developed the NFL's steroid testing program and worked with Olympic and NCAA athletes.In 2002, his mission to create safe, effective alternatives to steroids led to groundbreaking research on creatine hydrochloride (HCl), resulting in the creation of CON-CRĒT, a superior, clinically backed form of creatine without the side effects of traditional products.Today, through Vireo Systems and its Promera Health division, Mark continues to advance innovation in nutraceuticals and biochemistry, delivering premium products for both people and pets.Find Mark at-https://vireosystems.com/https://con-cret.com/Find Boundless Body at-myboundlessbody.comBook a session with us here! 

The 2026 regular legislative session has concluded. This is an election year in Alabama. In election years, lawmakers often introduce bills that generate favorable headlines but do little to improve the health and welfare of their constituents. State Rep. David Faulkner of Mountain Brook bucked that trend when he filed and passed legislation creating common-sense regulations for Alabama's overnight summer camps. House Bill 381, also known as the Sarah Marsh Heaven's 27 Act, was recently signed into law by Gov. Kay Ivey after receiving nearly unanimous support in the Alabama Legislature. The legislation is named after Sarah Marsh of Birmingham,... Article Link

In this episode, we sit down with AI coach Callan Faulkner to talk about how artificial intelligence can actually make everyday life easier. From meal planning and grocery lists to organizing finances and saving hours every week, Callan shares practical ways she uses AI tools like Claude to simplify work and life. We also dive into the future of AI, how it's changing careers, and why learning to work with AI now could give you a huge advantage moving forward. If AI feels overwhelming or confusing, this episode breaks it down in a simple, real-world way anyone can understand. Let's dive in!

Bro. Phil Faulkner presents "Following God's Plan" from 2 Kings 4, during a worship service at Immanuel Baptist Church, Florence, Ky. Please visit us at 7183 Pleasant Valley Road Florence KY 41042, or call us at (859) 586-6829. Church links: Website: https://www.ibcflorence.com Daily Devotions: https://www.ibcflorence.com/devotions Free App: http://www.ibcflorence.com/ibc-app Our entire list of recent sermons: https://www.ibcflorence.com/recent-sermons Youtube: https://www.youtube.com/ibcflorence Facebook: https://www.facebook.com/ibcflorenceky Instagram: https://www.instagram.com/ibcflorence/ Podcasts: https://soundcloud.com/user-658781358 Live Stream: https://www.youtube.com/ibcflorence/live We would love to know how to pray for you! Romans 10:9

Notes and Links to Kerri Schlottman's Work   Kerri Schlottman is a writer of literary fiction novels, most recently Daytime Moon, out with Unnamed Press as of May 12, 2026. Her novel Tell Me One Thing was named a 2025 Storytrade Literary Fiction Finalist, a two-time 2024 PenCraft Fiction Award Winner, a 2023 American Book Fest Best Literary Fiction Book Finalist, and a Shelf Awareness Best Book This Week.  She works to support artists, performers, and writers in creating new projects and is a part-time graduate professor at NYU in arts administration. Previously, she was a massage therapist, a factory worker, a copy editor, and briefly enrolled in law school.  Buy Daytime Moon   Kerri Schlottman's Website At about 2:00, Kerri talks about early feedback for Daytime Moon At about 3:00, Kerri outlines her arts administration university job At about 5:00, Kerri gives background on her early reading and writing  At about 6:20, Kerri talks about transformational and formational works and writers At about 7:20, Kerri expands on the particular greatness of Vonnegut At about 8:30, Kerri responds to Pete asking about Detroit and Michigan and any connections to “Midwest Nice” At about 9:30, Kerri cites contemporary writers who push her own work forward, include Charlotte McConaghy and Christie Hodgen At about 11:20, Kerri shoots out publisher Unnamed Press and places to buy her book, as well as book events, one with Meagan Woods At about 13:35, Kerri talks about seeds for the book and gives interesting background on the history of the Salton Sea At about 16:30, Kerri details a New Yorker article about Hannah Upp and its influence on her work At about 18:45, Pete shouts out Tod Goldberg's stellar Salton Sea writing, and Kerri expands on the “fascinating” life in the Salton Sea “plots”/flat and Slab City and “off the grid” living  At about 21:50, Pete outlines the book's exposition, and Kerri responds to Pete's questions about the symbolism of this part and its setting up later plot At about 25:50, Pete outlines more of the book's opening and main characters, and Kerri speaks to the combination of the “artsy, countercultural" Isa and the business-oriented Merce At about 30:00, Kerri expounds on connections between Isa and her brother  At about 32:30, Kerri responds to Pete's questions about Ella, Isa's sister, and the reason for Isa's fleeing the Salton Sea At about 34:45, Kerri talks about Isa's “culture shock” in NYC, and talks about Dane's sending them on a quest with letters left behind At about 36:00, Pete highlights the later age for the coming-of-age in the book-a resounding success At about 36:55, Kerri responds to Pete's question about different expectations for men and women and their treatment and/or neglect of their children At about 41:10, Isa's Lizzie and her cancer diagnosis are discussed, as Kerri discusses her last days and promises At about 45:00, Pete asks Kerri about ideas of tarot and the future and belief in some or all of the process/precepts; Kerri talks about “escapism” in its many forms At about 48:00, The two discuss Isa's sadness after her friend's death and Isa's interactions with her father At about 49:00, Kerri gives background on a tarot reading scene that Pete highlights as so well-drawn At about 49:50, Pete stumbles into a classic Faulkner quote and the two discuss the past's impact on the characters' present At about 52:15, Pete references a great Alice Elliott Dark line when talking about the book as a moving “elegy” At about 53:40, Kerri discusses the “cascading effect” as Isa and Cole begin to meet new/undiscovered family members At about 55:10, Pete mentions the book as a great “road trip book” in response to Kerri's reflection on “found families” At about 57:45, Pete remarks on how masterfully Kerri deals with time span, and she reflects on her mindset in writing about this as she did At about 1:00:00, Kerri talks about “allusion[s]” in the book to environmental dangers happening in real time At about 1:02:45, Pete gives kudos to Kerri for the book's pathos and overall greatness    You can now subscribe to the podcast on Apple Podcasts, and please leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 342 with Isaac Fitzgerald, the New York Times bestselling author of Dirtbag, Massachusetts (winner of a New England Book Award and the New Atlantic Independent Booksellers Association Book of the Year Award). He appears frequently on The Today Show and is also the author of the bestselling children's book How to Be a Pirate as well as the co-author of Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos (winner of an IACP Award). His next book, American Rambler, is out now.    The episode airs on May 12, Pub Day for American Rambler.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Fox Footy's Will Faulkner joins Mark Duffield to dicusss the departure of Carlton coach Michael Voss, the Blues list and what's next for the struggling club. Learn more about your ad choices. Visit megaphone.fm/adchoices

We Welcome The Late Cathy Faulkner!

Send us Fan MailWe tell the story of the Saint Joseph Colony in Arkansas, a Catholic immigrant settlement built around the Mass, devotion to Saint Joseph, and a shared life of prayer and work. We also trace how disaster struck in 1892, what physical relics survived, and why this legacy still challenges us to live with steadier faith today.• the colony's roots on sacred ground in Arkansas and why the history still matters • Father Joseph Strube's missionary approach through service and patience • German and Central European Catholic immigrants seeking religious freedom • Marianstadt and the vision for a Catholic community in the Arkansas River Valley • churches, schools, catechism, and feast days as the center of community life • Catholic Point as a model of daily prayer joined to daily work • devotion to Saint Joseph as protector and spiritual pattern • agricultural hardship, isolation, and mutual aid shaped by divine providence • expansion across Conway, Faulkner, and Pope Counties with new parishes • the May 8, 1892 tornado and the few surviving items that remain today Family, there is more to this post, so please see the link in the description for the rest of the article. Be sure to click the link in the description for a special news item. And since there is more to this article, finish reading and check out the special offer. Visit JourneysofFaith.com website today.https://journeysoffaith.com/pages/about-usOpen by Steve Bailey Support the showChat with US 24/7 Ask us anything https://chatting.page/mjxs9aerrtgm3lmpndlcepmbyosntrjnDownload Journeys of Faith App for Iphone or Android FREE https://journeysoffaith.com/pages/download-our-appJourneys of Faith brings your Super Saints PodcastsPlease consider subscribing to this podcast or making a donation to Journeys of Faith Help us Grow!Why you should shop here at Journeys of Faith official site!New Mega Search Engine!Lowest Prices and Higher discounts up to 50%Free Shipping starts at $18 - Express Safe Checkout Click HereCannot find it let us find or create it - - Click HereRewards Program is active - click Here

Federated Farmers’ local government spokeswoman on the prospect of some much-needed local body reform.See omnystudio.com/listener for privacy information.

In today's conversation, we move beyond the idea of simply recording numbers in the cardiac arrest patient. Instead, we explore how physiological data can be used to guide real-time resuscitation, helping clinicians understand what is happening inside the patient, how interventions are working, and where care should go next. Joining us as the guest to discuss this is Mark Faulkner. Mark is an Advanced Paramedic for Hampshire and Isle of Wight Air Ambulance (HIOWAA), where he provides clinical leadership through his critical care practice. His work spans frontline practice, education, quality improvement, and the development of clinical pathways that shape the delivery of advanced pre-hospital care. This is the reading list associated with the episode:Barreto, A. et al. (2020) ‘Diastolic blood pressure and survival in cardiac arrest', Resuscitation, 155, pp. 1–8.Bernard, S.A. et al. (2024) ‘Physiology-guided resuscitation in cardiac arrest', Journal of Clinical Medicine, 13(12), p. 3527.Brede, J.R. et al. (2019) ‘Prehospital REBOA in cardiac arrest', Resuscitation, 140, pp. 136–143.Butterfield, E. et al. (2024) ‘Prehospital arterial monitoring in cardiac arrest', Scandinavian Journal of Trauma, Resuscitation and Emergency Medicine, 32(1).Kruit, N. et al. (2025) ‘Prehospital ECPR (PRECARE study)', Resuscitation, 188.Nolan, J.P. et al. (2021) ‘European Resuscitation Council Guidelines', Resuscitation, 161, pp. 98–114.Perkins, G.D. et al. (2018) ‘Epinephrine in OHCA', New England Journal of Medicine, 379(8), pp. 711–721.Rubertsson, S. et al. (2014) ‘LINC trial', JAMA, 311(1), pp. 53–61.Sutton, R.M. et al. (2014) ‘Hemodynamic-directed CPR', Resuscitation, 85(3), pp. 397–402.Yannopoulos, D. et al. (2020) ‘Advanced reperfusion strategies', Circulation, 141(10), pp. 784–796.Rees, P. et al. (2023) ‘Prehospital arterial blood pressure monitoring and outcomes in cardiac arrest', Scandinavian Journal of Trauma, Resuscitation and Emergency Medicine.Barrett, J. et al. (2023) ‘Diastolic blood pressure and ROSC in OHCA', Resuscitation.VitalStream from BHA Medical sponsors this podcast: Closing the Haemodynamic Blind Spots in Acute and Pre-Hospital CareVitalStream is a wireless, wearable, non-invasive haemodynamic monitoring platform designed to deliver continuous, real-time physiological data, so you're not relying purely on intermittent cuff readings when patients are unstable, moving, or in non-traditional care environments.Using AI-driven analytics and patented Pulse Decomposition Analysis, it provides continuous blood pressure alongside advanced haemodynamic parameters such as cardiac output, stroke volume, systemic vascular resistance, and fluid status. The aim is simple but critical: to help clinicians understand not just what the blood pressure is, but why, and whether a patient is fluid responsive or in need of a different intervention.BHA Medical's VitalStream solution focuses on integrating this level of monitoring into acute care workflows, streaming real-time data to a centralised platform, supporting earlier recognition of deterioration and more informed clinical decision-making.In corridor medicine, where patients are often managed outside traditional monitored spaces, the challenge is missed deterioration between spot checks. Continuous trending helps reduce those “blind spots,” enabling earlier identification of haemodynamic decline and better prioritisation when systems are under pressure.And in pre-hospital care, the value is in maintaining a clear physiological narrative from first patient contact through to hospital handover. VitalStream is designed for rapid deployment, applied, calibrated, and delivers data within around 90 seconds, using a low-pressure finger sensor that allows teams to follow trends in real time, rather than relying on isolated snapshots.For more information, visit: https://www.bha-medical.com/vitalstream-patient-monitoring

Judy Faulkner runs a company whose software touches nearly every American's medical records. Katie traveled to Epic's sprawling, whimsical campus in Verona, Wisconsin to sit down with Judy Faulkner, the 82-year-old founder and CEO who's been at the helm for nearly 50 years. Judy talks about the living-room moment she cracked the code for electronic health records, why being one of three women in a room of 200 men turned out to be a competitive advantage, and how Epic's AI tools are quietly transforming what happens in the exam room. Katie also presses her on the hard stuff: the monopoly accusations, the non-compete clauses, the antitrust suits, and why Judy has pledged to give 99% of her wealth away while some of America's biggest tech billionaires have given far less. Hosted on Acast. See acast.com/privacy for more information.

Richie Faulkner of Judas Priest joins Metal Mayhem ROC to break down Elegant Weapons and their new album Evolution. Faulkner shares the story behind a track originally brought into a Priest session—sung by Rob Halford but left off the record—that ultimately found its place on this release, highlighting the creative link between both worlds. The conversation covers how Evolution builds on Horns for a Halo, the current lineup with Ronnie Romero, Dave Rimmer, and Christopher Williams, and the studio dynamic with Andy Sneap. Faulkner also dives into songwriting approaches, Nashville's musician network, album sequencing, touring plans for Elegant Weapons, the next chapter for Judas Priest, and a candid health update. LINKS https://metalmayhemroc.com/ https://judaspriest.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This Postmodern Realities episode is a conversation with JOURNAL author Stephen Mitchell about his article, “A Dim Light in Man: Moral Responsibility in Faulkner's ‘Intruder in the Dust''”.  [Editor's Note: This essay contains spoilers for Intruder in the Dust.] This is also part of Literary Apologetics Column. https://www.equip.org/articles/a-dim-light-in-man-moral-responsibility-in-faulkners-intruder-in-the-dust/One way you can support our online articles and podcasts is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10, which is the cost of a latte, lunch out, or coffee drink. To leave a tip, click here.Related articles and podcasts: Episode 464: Opening-out Delight: Romantic Love as Divine Sign in the Novels of Walker Percy“Opening-out Delight: Romantic Love as Divine Sign in the Novels of Walker Percy”Episode 432: Love (Not Rocks) All the Way Down: Horror and Hospitality in Coleridge's ‘The Rime of the Ancient Mariner'“Love (Not Rocks) All the Way Down: Horror and Hospitality in Coleridge's The Rime of the Ancient Mariner“.Episode 410: The Just Man Justices: A Review of D. C. Schindler's ‘Retrieving Freedom: The Christian Appropriation of Classical Tradition'The Just Man Justices: A Review of D. C. Schindler's ‘Retrieving Freedom: The Christian Appropriation of Classical Tradition'Episode 357 Christian Faithfulness Via the Agrarianism of Wendell Berry“How to Love a Neighbor in the Anthropocene: Christian Faithfulness Via the Unsettling Agrarianism of Wendell Berry” Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.

Two men, one in his 40s and another aged in his late teens, have been arrested as part of the investigation into the fatal assault of a 29-year-old woman in Co Tipperary in March. For the details Petula Martyn, our Mid West Correspondent.

Nancy Pearl talks with Brad Bigelow about his new biography, "Virginia Faulkner: A Life in Two Acts," which revisits the life of a once-promising American writer, editor, and overlooked literary figure. Bigelow traces Faulkner’s rise as a writer and the personal struggles that reshaped her path. The Book Lust conversation also explores Bigelow’s lifelong fascination with neglected books, forgotten writers, and the compelling lives that continue to draw him to biography.

for The Loco Beach Coconuts schedule, visit: https://bananaball.com/locobeachcoconuts/

Epic Systems manages the electronic health records for hundreds of millions of people. This makes Faulkner a healthcare heavyweight and one of the most successful female entrepreneurs in history. So why haven't we ever heard much from her? Stephen Dubner travels to Verona, Wisc., to explore the Faulknerverse.   SOURCES: Judy Faulkner, C.E.O. and founder of Epic Systems. Seth Howard, executive vice president of research and development at Epic Systems.   RESOURCES: "Epic Systems (MyChart)," by Acquired (2025). "Federal antitrust lawsuit against Wisconsin-based Epic Systems will move forward," by Joe Schulz (Wisconsin Public Radio, 2025). "Bill Gates meets Willy Wonka: How Epic's 82-year-old billionaire CEO, Judy Faulkner, built her software factory," by Ashley Capoot (CNBC, 2025). "Epic: The Future of Health Information Technology," by Regina Herzlinger and Brian Walker (Harvard Business School, 2024).   EXTRAS: "Can A.I. Save Your Life?" by Freakonomics Radio (2026). "How to Fix the Hot Mess of U.S. Healthcare," by Freakonomics Radio (2021). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

CarneyShow 04.24.26 Mary Engelbreit, Jeff Faulkner, Tom O'Keefe, Erin Lapidus, Paul Kopsky by

Send us Fan MailIn today's pod we sat down with Dr. Margaret Faulkner, Senior Marketing Scientist at the Ehrenberg-Bass Institute for Marketing Science to talk about how nonprofits really grow.The Institute is famous for its evidence-based approach to marketing and the groundbreaking book How Brands Grow. Dr. Faulkner brings decades of research from blue-chip commercial brands to the nonprofit sector, challenging some of our most deeply held beliefs about donor loyalty, retention, and brand differentiation.Key TakeawaysAcquisition Beats Retention for Growth: While the nonprofit sector has heavily indexed on donor retention for the last 20 years, science shows that acquisition is actually the vital driver of growth. Because donors naturally lapse due to changing life circumstances (attrition), you must continually acquire new donors just to stand still, let alone grow. Relying solely on retention will eventually erode your donor file and lead to a deficit.The Law of Double Jeopardy: Smaller charities often assume they have better loyalty and deeper connections with their donors than massive organizations. However, research proves otherwise. Big brands naturally have higher loyalty metrics simply because they are highly visible and easy to think of.Mental Availability & Category Entry Points: To grow, you need "mental availability"—the propensity for a donor to easily think of your brand. This is built by connecting your charity to "Category Entry Points," which are the real-life triggers that prompt someone to give (e.g., tax time, turning 60 and wanting to run a marathon, or wanting to leave a legacy).Physical Availability: Mental availability is useless if it's hard to make a gift. Physical availability means making your online platforms streamlined and ensuring that donating, volunteering, or signing up for events requires as few clicks as possible.Focus On Marketing Reach: When spending your marketing budget, prioritize broad reach over high frequency. It is better to reach a wide audience once than to inundate a small group of the same people multiple times. Ensure your creative uses distinctive brand assets early on to capture attention in a cluttered environment.—⛰️ Don't miss out on the next BuildGood Summit! Sign up to be the first to know about the dates, location and super early bird discounted tickets at www.buildgoodsummit.com  

What happens when AI writes code faster than anyone can test it? In this episode of Eye on AI, Craig Smith sits down with Dan Faulkner, CEO of SmartBear, to explore one of the most underappreciated risks of the AI coding boom. As tools like Claude Code and Codex push software development to unprecedented speed, the systems built to validate that software are being left behind. Dan makes a distinction that every engineering leader needs to hear: clean code passing unit tests is not the same as an application that actually works. Dan introduces the concept of application integrity, continuous and measurable assurance that your software does everything it was intended to do and nothing it was not. He explains why the gap between what AI builds and what teams actually validate is already creating hidden risk in production, and why that risk compounds the faster you ship. We also get into the new failure modes that agentic AI is introducing. Slop squatting, instruction inversion, cascading errors. These are not theoretical. They are happening now, at scale, in codebases that no human has fully read. Dan also walks through SmartBear's autonomy ladder framework and their newest product BearQ, a team of AI agents that explores your application, builds a knowledge graph, authors tests, runs them, and updates everything as your app evolves. The key distinction: it is built to augment human teams, not replace them. Finally, Dan shares his honest take on the future of software engineering. The fallacy was always that coding was the hard part. The hard part is knowing what to build. That skill is not going anywhere. Subscribe for more conversations with the people shaping the future of AI and emerging technology.   Stay Updated: Craig Smith on X: https://x.com/craigss  Eye on A.I. on X: https://x.com/EyeOn_AI   (00:00) Introduction and Dan Faulkner's Background  (01:05) What SmartBear Does: Testing and API Lifecycle Management  (03:27) AI Is Outpacing Application Testing  (07:51) Slop Squatting, Instruction Inversion and New AI Failure Modes  (17:31) Black Boxes, Technical Debt and the Expertise Crisis  (22:00) How to Avoid Self-Validating AI Systems  (24:11) The Autonomy Ladder and BearQ  (31:30) Why Testing Must Be Continuous and Everywhere  (36:31) Infrastructure Risk and Automation Bias  (44:11) The Future of QA and New Specialist Roles  (50:44) How Teams Use SmartBear Tools Today  (58:57) The Future of Software Engineering and Human Roles

The faulkner family are planning the funeral of Scarlett, the 29-year-old mother of one who died on Sunday following an assualt in Tipperary three weeks ago. We hear from the priest helping the family, Fr. Pat Hogan.

From wartime England to the rise — and fall — of pro soccer's first big American boom, Roger Faulkner has seen it all — and now, he's telling that story in his new memoir, "You Can't Get There from Here: My Soccer Journey from Derby to Detroit." In this episode, we sit down with the Detroit Express co-founder to trace an unlikely journey: from growing up in Derby to helping bring top-flight international soccer to the Midwest at the height of the original North American Soccer League. Alongside high-profile partner/soccer  impresario Jimmy Hill, Faulkner helped build a franchise that aimed to blend global star power with big-event American sports presentation — highlighted by marquee signings like Trevor Francis and matches staged inside a cavernous new Pontiac Silverdome. Faulkner offers a candid, behind-the-scenes look at what it actually took to launch and operate an NASL club — where ambition often outpaced economics, and where the line between visionary and unsustainable was razor-thin. He reflects on the league's rapid ascent, its structural fragility, and the lessons learned as the Express hastily relocated amid the NASL's broader unraveling. Just as compelling, Faulkner shares how he stayed in the game — helping build the foundation for soccer's next chapter in the U.S., including an instrumental role in bringing the 1994 World Cup to Detroit. It's a revealing conversation — and a fitting companion to his hoot of a memoir — with one of American soccer's most underappreciated builders, who lived both the dream and the reality of the sport's first modern era. PLUS: Our trivia contest is back - this time for a chance to win a copy of "You Can't Get There from Here"! + + +    SUPPORT THE SHOW: Buy Us a Coffee: https://ko-fi.com/goodseatsstillavailable The "Good Seats" Store: http://tee.pub/lic/RdiDZzQeHSY BUY THE BOOK:  "You Can't Get There from Here: My Soccer Journey from Derby to Detroit": https://amzn.to/423VyFO SPONSOR THANKS:  Royal Retros (10% off promo code: SEATS): https://www.503-sports.com?aff=2 Old School Shirts.com (10% off promo code: GOODSEATS): https://oldschoolshirts.com/goodseats FIND AND FOLLOW: Linktree: https://linktr.ee/GoodSeatsStillAvailable Web: https://goodseatsstillavailable.com/ Bluesky: https://bsky.app/profile/goodseatsstillavailable.com X/Twitter: https://twitter.com/GoodSeatsStill YouTube: https://www.youtube.com/@goodseatsstillavailable Threads: https://www.threads.net/@goodseatsstillavailable Instagram: https://www.instagram.com/goodseatsstillavailable/ Facebook: https://www.facebook.com/GoodSeatsStillAvailable/ LinkedIn: https://www.linkedin.com/company/good-seats-still-available/

This replay episode brings back a great conversation with Ali Faulkner of AEF Interiors about what it really looks like to grow an interior design business with intention. Ali shares how she built her firm by leaning into process, trusting her instincts, and making thoughtful investments in support before the results were fully visible.Rebecca and Shaun talk with Ali about balancing strategy with gut instinct, using Instagram as both a marketing and educational tool, and why community matters so much when you are scaling a design business. From hiring help for social media to building referral relationships with other designers, architects, and builders, this episode is packed with practical insight for designers navigating change and growth.In this episode they discuss:Why trusting your instincts can be just as important as relying on the numbers when making growth decisionsHow Ali positioned AEF Interiors around process instead of aesthetic aloneWhat happened when she invested in social media support and why Instagram became a major lead sourceWhy organic content can attract both ideal clients and fellow interior designersHow networking with architects, builders, realtors, and other designers can create long-term opportunitiesThe importance of hiring people who are better than you in their specific rolesWhy tracking your time is essential for pricing, hiring, and understanding what it costs to run your businessHow community and designer-to-designer relationships can support both your business growth and emotional healthMentioned:AEF Interiors websiteFollow Ali on InstagramHaven WorkshopHer workshop with TandemDiving Into the Interior Design ProcessOur links:Subscribe and leave a review - Apple PodcastsLike, Comment, & Follow - Hot Young Designers Club InstagramRebecca's InstagramShaun's InstagramFor more information - Check out the websiteBecome a “Loyal Hottie” - Support us on PatreonDesign Resources - Check out our shop

Tunes: David Faulkner & Stephen Turner: Hit Her Between the Legs, Dorrington Lads, William Vickers: Whipper and Girder or Ranger's Frolick, Patrick MacDonald: Tune 7 (Whip her and Girde her) William Dixon: Hit Her Between the Legs, The Black and the Grae, John Peacock: The Black and the Grey, John Rook: Black and the Grey, Dorrington Lads (By David Faulkner) Bruce and Stoke: The Black and the Grey John Johnson: Black and All Black, Thanks to David Faulkner for sending in some tunes and thoughts. Check out his music here: https://soundcloud.com/user-944955873 And Check Out the Bagpipe Society's Website and Blowout: https://www.bagpipesociety.org.uk/blowout/2026/ Sources: 1770: Whipper and Girder or Ranger's Frolick from William Vickers Manuscript http://www.farnearchive.com/farneimages/jpgs/R0304500.jpg +X+X+ 1784: Tune #7 (Whip Her and Gird Her) from Patrick MacDonald's A Collection of Highland Vocal Airs: https://books.google.com/books?id=XCvLHYWLkFcC&newbks=0&pg=RA1-PA33#v=onepage&q&f=false +X+X+ 1733: Hit Her Between the Legs from William Dixon's Manuscript +X+X+ 1733: The Black and the Gray from Matt Seattle's Transcription of William Dixon's Black and Grae https://jeremykingsbury.bandcamp.com/album/rowly-powly +X+X+ 1800ish: Black and the Grey from John Peacock's Favorite Collection of Tunes http://www.farnearchive.com/farneimages/jpgs/K0101100.jpg +X+X+ 1840ish: Black and the Gray from Rook Manuscript https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/075.htm +X+X+ 1882: The Black and the Gray from Bruce and Stoke's Northumbrian Minstrelsy https://archive.org/details/northumbrianmins0000jcol/page/n5/mode/2up +X+X+ 1751 Black and All Black from Johnson's Choice Collection of Country Dances http://www.cpartington.plus.com/Links/Johnson/Johnson%20Info.html +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Florida's players went to the old staff and asked for tougher practices — and nothing changed. Under Jon Sumrall, nobody has to ask. We dive into spring scrimmage takeaways, insider practice notes, the QB competition, explosive defensive performances, Faulkner's "we can't block is no excuse" philosophy, and the tempo system designed to weaponize Florida's speed. This is a new era in Gainesville. #FloridaGators #GatorsFootball #SECFootball #CollegeFootball #GatorsBreakdown #GoGators #CFB #FloridaGatorsFootball JOIN Gators Breakdown Plus: https://gatorsbreakdownplus.com Warner Safari Polos: https://warnersafari.com/discount/gatorsbreakdown Gators Breakdown Merch: https://gatorsbreakdown.printful.me Get Florida Gators merch at Fanatics: https://fanatics.93n6tx.net/DVYxja Questions or comments? Send them to gatorsbreakdown@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's just say it: the AI conversation is getting loud, and a lot of what you are hearing is flat-out wrong. Is AI destroying creativity? Is it stealing jobs? Is it guzzling all the water? My dear friend and AI powerhouse Callan Faulkner is back on the show to cut through the noise and give it to you straight.Callan is the founder of The Uncommon Business, where she runs a multi-million dollar company with a team of seven, a 48% profit margin, and zero sales staff. Her secret is not hustle. It is how she orchestrates AI. In this episode, she breaks down the real difference between someone who uses AI and someone who architects it, and why that gap is the competitive edge creative entrepreneurs cannot afford to ignore.We also get into the truth about AI and the environment, why Callan thinks an MBA is one of the worst investments you can make right now, and what the future of work actually looks like for humans who are paying attention.In this episode, you will learn:00:01 Why the AI conversation has reached a new level of urgency in 202606:22 Callan's background and how she built a multi-million dollar company with no sales team08:13 The real role of humans in an AI-powered business world14:49 Why Callan believes an MBA is one of the worst investments right now18:16 The $5M job offer she turned down and what it revealed about purpose21:53 The actual data behind AI's environmental impact26:56 What happens to people who get AI training after a layoff30:18 What a fully AI-powered business actually feels like day to dayResources Mentioned:Follow @callanfaulkner on Instagram!Callan Faulkner's AI Bootcamp (April 21)Superhuman Work recorded courseDesire AIThe Wealthy Creative SocietyAre you enjoying the podcast? We'd be so grateful if you gave us a rating and review! Your 5 star ratings help us reach more businesses like yours and allows us to continue to deliver valuable content every single week. Click here to review the show on Apple podcast or your favorite platformSelect “Ratings and Reviews” and “Write a Review”Share your favorite insights and inspirationsIf you haven't done so yet, make sure that you subscribe to the show wherever you listen to podcasts and on Apple Podcast for special bonus content you won't get elsewhere.xo, Tracy MatthewsFollow on Social:Follow @Flourish_Thrive on InstagramFollow @iamtracymatthews  InstagramFollow Flourish & Thrive Facebook

263: I sat down with Callan Faulkner to talk about what's actually working with AI right now and how it's changing the way we build and run businesses.(Show Notes: REtipster.com/263)A year ago, AI felt like a cool tool. Today, it's becoming the operating system behind everything. In this conversation, we break down how AI agents, automation, and custom-trained systems are replacing manual work and unlocking massive leverage.We also talk about what's overhyped, what still requires human judgment, and how real estate investors (especially land investors) can start using AI to gain a serious edge.If you're trying to scale your business, free up time, or just understand where things are going, this is a conversation you don't want to miss.

What does it take to write strong sentences? How do you keep writing when the world feels dark? How do you push past self-doubt, build a sustainable writing practice, and trust that your voice is enough? Anne Lamott and Neal Allen share decades of hard-won wisdom from their new book, Good Writing. In the intro, Hachette cancels allegedly AI-written book [The New Publishing Standard]; How Pangram works; Publishing industry insights from Macmillan's CEO [David Perell Podcast]; Photos from Notre Dame and Saint Chapelle; The Black Church; Bones of the Deep coming in April. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Neal Allen is a spiritual coach, former journalist, and author of non-fiction and flash fiction. Anne Lamott is the New York Times bestselling author of memoir, spiritual and creative non-fiction, and literary fiction, including Bird by Bird: Instructions on Writing and Life, which many authors, including me, count as one of the best books on writing out there. Neal and Anne are also married, and their first book together is Good Writing: 36 Ways to Improve Your Sentences You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why strong verbs are rule number one How Anne and Neal's contrasting styles created a unique call-and-response writing guide Practical advice on finding and trusting your authentic voice across genres Why award-winning novelists typically write for only 90 minutes a day — and what that means for your writing practice How to keep writing during dark and discouraging times without giving up The uncomfortable truth about publication, longevity, and why nobody cares if you write You can find Neal at ShapesOfTruth.com and Anne on Substack. Transcript of the interview with Neal Allen and Anne Lamott Neal Allen is a spiritual coach, former journalist, and author of non-fiction and flash fiction. Anne Lamott is the New York Times bestselling author of memoir, spiritual and creative non-fiction, and literary fiction, including Bird by Bird: Instructions on Writing and Life, which many authors, including me, count as one of the best books on writing out there. Neal and Anne are also married, and their first book together is Good Writing: 36 Ways to Improve Your Sentences Jo: Welcome to the show, Neal and Anne. Anne: Thank you so much, Jo. We're happy to be here. Neal: Hi, Jo. Jo: Let us get straight into the book with rule one, which is use strong verbs. How can we implement that practically in our manuscripts when most of us don't start with the verb? We're thinking of story or we're thinking of message? Neal: Throughout the book, it's pointed out that these are rules for second drafts, right? So you've put it down. You've already got your story down, you've already got your piece down—your email, your text, it doesn't matter what. Then you stop, you pause, you go back to the beginning and you go sentence by sentence and look at them. Anne: I'd like to add that there's a lot in the book, usually on my end of the conversation, that has to do with really using these rules anywhere and everywhere. Whether you're writing a memoir or a grant proposal, I believe these rules apply to getting everything written at any time, in any phase of the work because, from Bird by Bird, I'm all about taking short assignments and writing really godawful first drafts. What is fun about writing is to have spewed out something on the page and then to get to go back right then and just start cleaning it up a bit, straightening it out, probably inevitably shortening it. One place to start is to notice how weak our verbs are. If I say “Jo walked towards us across the lawn,” it doesn't give the reader very much information. But if I say “Jo lurched towards us across the lawn,” or “Jo raced towards us across the lawn,” then right away you've improved the sentence with really two or three quick thoughts about what you actually meant with that verb and a better one. So it really applies to every level and stage of writing, but Neal's right—this is really about going back over your work sentence by sentence and seeing if you can make it stronger and cleaner and clearer. The reason it's rule one is to write strong verbs. Neal: A nice thing about strong verbs is that they often preclude the need for an adjective or an adverb, right? If I say “I trudged,” it's shorter than saying “I walked slowly and depressed.” Jo: Absolutely, and how you answered that question is kind of how the book works, right? Because Neal does an outline of the rule, and then Anne comes in and comments. Maybe you could talk a bit about that process. You are both strong characters, obviously you've been writing a long time. Talk a bit about how you made the book and how that worked as a couple as well. Neal: I'd had these rules collected for a number of years and I had them on my website. When I met Anne, she liked them and would hand them out when she was doing writing sessions. I was intrigued at some point a few years ago and looked around to see whether there was a list like mine out there. I noticed that all the other lists I saw were much shorter. Hemingway had his four rules for rewriting. Elmore Leonard, his eight, which are wonderful. Margaret Atwood has 10. The longest I saw was Martin Amis had, depending on what year it was, 14, 15 or 16—he'd go back and forth with a couple of them. I had 30-some and I wondered, well, 30-some might be enough for a book. I didn't want to write a scolding book like on grammar. I didn't want it to be academic or written like “I'm the expert, I know.” I'll just let my mind range. I'll explain the rule and then let my mind go where it went. Which, by the way, is one of the rules—show then tell. Not “show, don't tell.” It's show, then tell. Let your mind riff after you've explained something to the reader or shown something to the reader. So I wrote the book. It was too short to be published, and I showed it to Anne and I asked her, “What do I do with this?” Anne: I said, “Hey, I know something about writing, Bub,” and I asked if I could contribute my thoughts and retorts and examples and prompts to each of his rules. We were just off and running because his stuff was so solid. Mine is more maybe welcoming and giving encouragement and hope to writers because writing's hard. It's still hard for me. This is my 21st book and I'm only a third of it. Writing's hard, and what we hope is that our conversation can help people understand: a) it's hard for everybody, and b) it'll work if you just keep your butt in the chair and do the best you can, and then go back one day at a time and try to make it a little bit better. Neal: It turned out to be pretty serendipitous because just naturally I'm more of an explainer and Annie is more driving toward catharsis. So the call and response is always: I set out the rule, I explain the rule, and Annie drives it toward catharsis and usefulness. Jo: In some chapters you do disagree in some form. How did that work in the process of writing? Anne: Usually I disagree because Neal might be using words that are too big, or it might be a little bit elitist, I would think. Or of course I would point out that he's completely overeducated, whereas I'm a dropout and so I have a much plainer, more welcoming version of the rules. All of the rules are so strong, but I would feel that the way he explained it was beyond me. So I would come in and try to explain what Neal had been explaining. It was actually really funny and fun. We do come from really different directions. Neal is an explainer. He's like an ATM of information, and I am the class den mother who brings in treats and party favours on everybody's birthday. My message is always: you can really, really do this, I promise, trust me. But you start where you are, you get your butt in the chair, and then Neal comes along and says what has worked for him. He was a journalist forever, so he writes in a very different way than I write. It just turned out that the two of us together kind of make a whole. People have asked us if there were a lot of conflicts or if we really objected to the other person's take. I can tell you, Jo, there wasn't a day when we had only conflict. We were just laughing and we were excited because one of us would remember a great example from literature. We came to believe that these two very distinct voices would form one voice of encouragement for any writer. Jo: That brings us to rule number eight, which is trust your voice. I feel like this is easier when you've been writing a while. We're told to find our voice, but I remember as an early writer when I read Bird by Bird and other books and I was like, “How on earth do I find my voice?” Maybe you could talk about this more for early stage writer. How do you find and trust that voice? Neal: Boy, that is a halt for almost all of us. This follows from any intellectual pursuit that requires lots of practice and repetitions. Malcolm Gladwell's great statement, or discovery, or restatement from somebody else who discovered it, that the human brain requires 10,000 hours of repetitions before something can be allowed to just flow without thought. Flow as if intuitive rather than thinking. I don't think that's any different in writing than it is in basketball or football or anything else—sports, creative pursuits, everyday pursuits. There's just a lot of repetitions required. Some people have the experience that I did, where you're just going along getting better and better, doing it over and over again, learning this, learning that, adding in this, adding in that, moving toward a goal of virtuosity or whatever. And all of a sudden, bang, one day, it all works and your voice emerges. Other people don't have that experience, don't have that one day that it happened or that feeling that it suddenly happened. For some people it takes less than 10,000 hours, but for most people it is a hell of a lot of repetitions. Anne: I think for me, the most important aspect to finding your own voice is noticing how desperately you don't think your voice is good enough and that you want to write like somebody else. I always mention that when I was coming up, at about 20, I wanted to sound like Isabel Allende because I loved her work so much. Or Ann Beattie, who was writing those wonderful short stories in the New Yorker. Or Salinger, who I'd started reading probably at 10 years old. I had to come to the understanding that I can't tell my stories and my truth and my version of life—which is really what writing is—in somebody else's voice. Unless it's a kind of advanced writing exercise to write in the voice of an alcoholic billionaire in Spain. For most of us, it's about finding out that our voice is what people want to hear. It's hard to believe, but it is absolutely true. If you have a story to tell me, Jo, I just want you to tell me your story. I don't want you to try to sound like Virginia Woolf or Margaret Drabble. I want you to be Jo. If it's the written version you're sending me, I can probably go through and help you maintain your voice while making the writing stronger by following certain really basic rules. But spiritually and psychologically, this is just about the most important rule of all because that's why we're here. That's why we are on this side of eternity—to discover who we are and why we're here. Part of that is discovering who, deep down, when all the layers are peeled away, we are, and then how to communicate that to a reader. Without trying to sound more impressive or more brilliant or more ironic than we actually are, our voice is good enough. It's hard to believe. Our voice is what we want you to tell us your stories in. Neal: I distinctly remember the day I found my voice, for odd reasons. I just can remember it, and the first thing I did when this story felt like it had written itself to me was look at it and go, “Crap. That doesn't sound like Faulkner.” Jo: It sounded like you. Anne: Or bad Faulkner. Jo: Do you think we have to find our voice maybe multiple times, depending on genre? For example, I recognised that feeling with one of my novels. It was novel number five. I was like, “Oh, that's my voice.” But then it took me a lot longer to find that in memoir because, well, I think memoir is super hard. Do you think we have to go through these 10,000 hours in different genres? Neal: Not for me. I don't think any differently about how I'm entering into a business letter, a text, a novel, a self-help book, or any of the things that I do. I feel like I just have to turn this switch and let it go, and I can trust myself. So that's interesting. I can imagine you could develop a second voice. I haven't ever needed to. Anne: I would agree that I write my novels and my nonfiction really from a kind of central bus station deep inside of me. One of our rules is write the hard things—write about life and death and loss and grief and relationships and getting old and being here during these incredibly cold, dark times. Because the reader, i.e. me, is just desperate for truth and for real. I started out wanting to sound like John Updike or sound like a New York glitterati male writer, and I can't tell you what is really real in somebody else's voice. I disagree with Malcolm Gladwell. I think it's 10 hours—a little bit different there. But when I'm writing autobiographical spiritual pieces or my novels, I have to kind of settle myself down, like gentling a horse, and find that bus station inside of myself where I'm observing and I'm tugging on the sleeve of the person sitting next to me and saying, “I just saw something really interesting. Do you have a minute?” That's really what writing is. I just saw something or thought of something or imagined something or remembered something really interesting. Do you have a minute? If I'm talking to the person next to me, I'm not going to try to sound like Laurence Olivier or anybody else. I'm just going to tell them my story. The best four or five word great quote is from our screenwriter friend, Randy Mayem Singer, and she said: “Tell me a story. Make me care.” Those six words really transcend all genres. It's just: I can tell you a story my way if you're interested. Got a minute? Jo: You mentioned that, really interesting, you said, “I need to settle myself down,” particularly in these dark times. This is not a political show, and obviously we're all from different countries here and we all have different views of what difficult times are, but we all go through them. When big things in the world make us feel like perhaps what we are doing is not so important, how do we get through that? That “shouldn't I go do something more important than writing a story” feeling? Neal: Everybody is encouraged to be a political scientist nowadays, or to be an ethicist or to be a moralist as their job, and that's kind of ridiculous, right? We've been handed our role. By the time you're 30, you've been handed your role in the world, and that's your productive role. You have certain citizenship requirements, which might include voting or marching or watching the news every day. That's not the rest of your day unless you actually work in parliament as an aide or doing some kind of social policy work. I am not going to let the external world ruin my day. I'm going to keep that to a certain number of minutes of my day that is appropriate to my role in the world. I am perfectly productive in the world. I have lots of things that I do. I work hard. Everybody works hard. There are no lazy people in this world any more—civilisation's too difficult. You want lazy? Go back to 300,000 years of tribal life, where as soon as you had fulfilled your last need for calories for the day, you made it back to camp slowly so you didn't burn calories, and lulled from about 10:00 AM to 2:00 PM. The rest of the day you reclined so you weren't burning calories and gossiped with your fellow tribespeople. None of us is like that now. I'm perfectly productive without having to say I should be more productive and more concerned about the foibles of the species. Anne: Neal does something with his clients, with whom he does this work on taming the inner critic. It's about having them make a list of what they do every day. Rain or shine or catastrophe or peace or war or whatever, you just do it. I wake up, I pray, I put my glasses on. I get a little bit of work done every day. I meditate for 15 minutes every day. I get outside every day because that is the most nourishing, spiritual reset button I can get to. I catch up with my friends. We have a grandson here. We hang out with him. I do certain things every day, and one of them is I get a little bit of work done. Of course what I'd rather do is just stay glued to CNN and have my tiny opinions on every single thing that is happening and how things would be better if they followed my always excellent advice. Instead, what I do is I will meditate for 50 minutes a day and it won't be really beautiful and inspiring—it'll be like a monkey at the mall who's over-caffeinated. I will also get outside. I don't know if I'll get a really good long walk with 10,000 steps in, but I will get outside and I will pay attention. I will breathe in fresh air. I will have moments of wonder. I will also sit down, and I will be doing it after we talk. I'm going to get my own writing done for the day. I really recommend that to writing students: write down what you do every day. And in it, figure out at least one pod—a 45-minute pod—where you can get a little bit of writing done. Something that may serve the writers in your audience is that I make long lists and I encourage all beginning writers to make long lists of every memory and thought and idea that they've had. But mostly memories, often starting very young. Thinking about early holidays and school are great prompts. Make a list of 25 memories you have that you've told people over the years that are meaningful to you. If you remember them, they're meaningful. You may think that they're meaningful because of this or that, but you sit down and you write about them for 45 minutes and you're going to discover that there was a kernel of insight, or even healing, in them that you hadn't known when you set out to write them. I taught writing forever at this bookstore called Book Passage in Marin. We would spend a part of every hour having the writers, the students, explain to me why they weren't getting any writing done, and they were excellent ideas. Any excuse your listeners have about why they're not getting any writing done—believe me, it's a good excuse and I've heard it 10 times. If you are committed to writing, you have to meet us halfway, and that means that you set aside 45 minutes or an hour and a half or whatever you can give me to get a little bit of writing done. Get one passage written—the first or eighth thing on the list of really important memories that you've carried in your pocket all these years. Neal: The typical amount of time that a Booker Prize winner, or a National Book Award winner here in America, spends writing—a novelist—is one to two hours in the morning, getting 45 minutes to an hour and a half of work done, a thousand to 1,500 words. And then they stop. The reason they stop is it's really brain-consuming. To do this is hard work, and it's intellectually vigorous. High-end programmers can work two and a half hours on average before they have to stop because they've used up their brain energy—the blood going to the brain and expending calories and whatever is going on in there. It's not a long time. It's just repetitive time. The Booker Prize winners, they typically work six days a week, not five days a week. An hour and a half a day is about the mean. About 1,200 words is about the mean. Jo: It's interesting because you mentioned what's stopping people from writing, and you also mentioned it's hard work. One of the things I've heard a lot recently is: “This is really hard. I thought writing was meant to be this romantic myth where I would sit down and things would stream into my brain and it would be easy. And if it's not easy and fun, then maybe it's wrong for me.” So maybe you could explain more about the hardness and why hard is still good. Hard doesn't mean it's a bad thing. Neal: The interesting thing about writers is that they are really interested in very complex thinking about sentences. A few things distinguish a writer from a subject matter expert or a plotter—who either writes plots and is interested in the movement of plots, or who is a subject matter expert in something and either novelises it or writes nonfiction. It's that a writer is first concerned about the puzzle of a sentence, second concerned about the flow of a paragraph really, and only thirdly concerned about the subject matter. I don't care what the subject matter is. What I want to concentrate on ultimately is the sentence. And getting a sentence to look right in context requires building sentences upon sentences upon sentences. It's more like painting than it is like writing in that sense. If you look at a painter, once they've put one brushstroke down—and usually it takes them a while to figure out what that brushstroke is, how big it is, how wide it is, how thick it is, how grainy it is—then the second brushstroke becomes a puzzle based on what they just did with the first brushstroke and the remaining canvas. A writer thinks that way about each sentence and realises that each sentence has layers of information in it—diction, colour, rhythm, harmony, melody, plot, all sorts of things are happening. How many of those are taken care of in that sentence? Well, that becomes the interest. It's hard in the sense that to be virtuosic at it, to be really good at it, requires a lot of study and a lot of mistakes. Most of the mistakes are getting rid of clichés and finding your way past them, and that's a long, long process. This isn't something that can be just picked up because you have a talent. You were told at a certain time you were a talented writer, so you can just pick it up. As soon as you get into it, you see that the sentences are demanding a heck of a lot of work. Anne: I would add that I don't find it all that fun and easy—I never find it fun and easy. I've been doing this professionally for 52 years now, since I was 20, when I worked at a magazine. I think that's an illusion. So much of becoming a writer is unlearning what you thought it meant and how it would go. That you would sit alone like Bartleby the Scrivener, hunched over working on your ledger. That was not true at all, because a lot of our book, Good Writing, has to do with the collaboration between you and a writing partner, a writing group or a writing collective, and eventually an editor. It's not about that lonely, hunched-over romantic, Wuthering Heights sense of seriousness. And it's also not giddy. It's not Walt Disney. It's just very real. It's one human sitting down at the desk with paper or at the keyboard, and it is just trying, one day at a time, to write what's on your heart, what's on your mind, what's on your scribbled notes, what you're trying to transcribe from this little bit of a flicker of an idea about something that you've always meant to tell on paper. And then writing it. Some parts of the day's work will be pulling teeth. The secret of writing—and I write about this a lot in Bird by Bird, I write a lot about it in Good Writing—is you just don't give up. Because you wanted to be a writer when you grew up. What that means is that you write a little bit every day and you read about writing. You read good books on writing. You read Stephen King. You read William Zinsser. You read all the Paris Review interviews of writers at work. You enter into the writing life because it's a calling, like a monk to a monastery. You've gotten into the water, it's a little cold at first, and you stay in it. And it starts to be something that is so fulfilling, if maybe not fun. It's fulfilling. You will feel this rare excitement that you're doing what you have put off for so long, or that you're re-entering it in a new way with a different sense of commitment and maybe a little bit more wisdom and probably a lot more stories to tell. Jo: I did want to ask Anne, because coming back to Bird by Bird, many writers listening will have read it. I've also read over the years about your son and your faith. These are really personal things that you have shared. It feels like we live in this age of judgement and cancellation, and writing what you call our truths can be very difficult. People are afraid. What would you say to them? And obviously also rule 33 is “write hard stuff”, so I guess that gets into it too. How do we do this? Anne: A lot of people don't have the calling to write personal stuff or autobiographical stuff or stuff about spiritual or emotional or psychological healing. They want to write about England in the 1300s. I've always told my writing students to write what they would love to come upon, because then they're creating it. If they love to read historical romances, or they love to read journals—I have to say, I read every single journal of Virginia Woolf's in my early twenties, and I read every single volume of her letters in my early twenties. It was thrilling to be in that intimate, umbilical connection to a writer that I loved so much, and into the world of Bloomsbury, and into the world of England between the wars. People may not want to write like I write, and I would assume they don't. My calling is that I love to write about real life and I use my immediate experiences of daily living and my family and my husband and our animals and my nation and my recovery and my church. All of that is the stuff that I love to come upon in other people's work, and so I write it. Neal writes differently. He is a journalist and a novelist, and he is writing a lot in a much more sociological way than I am. He is writing with this font of knowledge about socioeconomic and historical understanding of the world. Yet he's just raggedy old Neal Allen, but he loves to come upon different stuff than I love to come upon. Does that answer your question? Neal: I think one thing to notice is that the whole bully-victim cycle that we are promoting and living in now—and it's a cycle because if somebody claims that they have been bullied, then their only defence is to become a bully themselves. The victims become the bullies. It just gets worse and worse. It's the old revenge story. What I've noticed when I think about it is the authors who I respect the most tend to be humanists. Humanists tend not to be cancelled, and I've never felt a great danger. Of course, I watch my words in certain ways that are fashionable—you can't use this word any more, and all of that. But in terms of ideas, humanists embrace the world in a funny, different kind of way than people who chase after conflict, chase after separation of people from each other, tribalism, all of that. When I look back, my heroes were always humanists. Some of them might be cancelled now, but just for the weirdest reasons—like Henry Miller or Mark Twain might be cancelled for very strange reasons. These are absolute humanists who love everybody in the world in a certain kind of odd way. Virginia Woolf is the most incredible humanist in the world. She's not going to be cancelled. Jo: She cancelled herself. Neal: There we go. Jo: As we come towards the end, I do want to return to something—you've both talked about calling and you've been handed your role, and this sort of “we are writers now.” Both of you have had great longevity in the career, and I've been doing this now 20 years. I've noticed so many people who leave the writing life, so I wondered what tips you had on making it long term. How do we do this long term, assuming we are feeling a calling? People have to balance the money side, they're balancing book marketing, which is always a nightmare for all of us, and the writing. Any tips for longevity? Neal: I have no idea. I have lived outside of the writing life, just kind of using it as a secondary skill, for half of my life. I left journalism because it didn't pay well enough to support a family of six. I moved into the corporate world. I loved the corporate world. I didn't have any problem with it, but it wasn't the writing world. When I came out of the corporate world, I first went into “tame your inner critic” sessions with people—executive coaching, other kinds of coaching. Only lately, only in the last 10 years, have I really resumed my writing career. I think maintaining a writing career, like anything in the arts, is incredibly difficult financially. It just will be. Annie will tell you—you were, what, 15 years into your career before you had your first home office? Anne: Yes. Neal: Right. Anne: More than that. I was 20 years in before I had a door I could close to keep the Huns out—i.e. my child. Here's the thing: nobody cares if you write, if you hate it, or if you've given up. It might be that you would find your creative soul, your imaginative, creative life force at ecstatic dancing on Saturdays in the town park, which we offer here in our tiny town. It might be that you're a painter. My best friend started painting several years ago and she's incredible. If you want to write, the horrible thing is that you just have to keep setting aside a pod. I keep using the word pod because that's how I get any work done at all—an hour. Now, Neal and I can both tell you, and Neal alluded to this: you set aside an hour and that will give you maybe 40 minutes of actual writing. And we'll give the Booker Prize winners 40 minutes of actual writing. You have two hours and that gives you an hour and 15 minutes. That's how it works. If you care and if you long to be a writer, to immerse yourself in the writing life—I hate to sound like a Nike ad, and I don't know if you have this in England—but you just do it. One thing that gets in everybody's way is this fantasy of getting published and how if they get published, it will be like the world has stamped “validated” on their parking ticket and their self-esteem will now be much, much better and more consistently excellent than it ever was before. We can tell you: we've got this book that's out, brand new, and it makes you much more insecure and much more anxious than you were before it got published. Because how's it going to do? Is it going to get reviewed? There are very, very few places reviewing books any more. Carol Shields, who wrote an incredible book 30 years ago called The Stone Diaries. She was teaching large, large writing retreats, a thousand people at a time, and she would tell them that five to 10 of them will be published. Getting published means that you get your book out and you have one week to make it. You have one week in the bookstores for it to get noticed. And there are 180,000 hardback books published in America every year in general interest. So you write a novel that's about a small town. You have great dreams that it's going to be an Oprah book and that this is going to happen and it will lead to a second contract, and then you can start investing in diamonds or buy a set of fish forks. It doesn't happen. My first book that made any money at all for me was my fifth book. It was a journal of my son's first year called Operating Instructions, and it was the first time that I didn't have to have a second job. I was 38, and I had been writing—and writing full time—since I was 20 and publishing since I was 26. If the carrot that is enticing you to get any new work done is publication and finding an agent and getting published, it's not going to happen for you. I can just promise you that. If your dream is to become a writer and to become a member of the writing community and to write—and it will be discouraging—but if you want to write, you just keep pushing back your sleeves. You don't get up. You sit down and you keep your butt in the chair. If your work is really good, it may get published. If your work is excellent, it may not. But that can't be what gets you to commit to being a writer when you grow up. Jo: Fantastic. So where can people find Good Writing and all your books and everything you both do online? Neal: On March 17th the book comes out. You can get it online, anywhere online. It's published by Penguin Avery. March 17th, it gets released. Anne: As we said, it'll be in the bookstores for a while. Neal: It'll be in the bookstores in America. You might have to go online in Great Britain at first. Jo: Oh yes, it's definitely there. And what about your websites as well? Anne: I don't have a website. Neal: I have a modest website at ShapesOfTruth.com. That tells you about my other books also. Anne: I'm at Substack, Anne Lamott. I'm on Facebook, Anne Lamott. I'm kind of all over the place. But this is kind of terrifying: 80% of books bought in America are bought at Amazon on cell phones. Jo: Yes, absolutely. Actually, I was going to ask—have you recorded the audiobook as a pair? Anne: Yes, we have. It's available if you go—I hate to always be plugging Amazon, but it's so easy. If you go to Amazon, it'll give you a choice of hardback or audio or Kindle. Neal: And if you don't want to go to Amazon and want to find another place to buy it that you feel more comfortable with, go to Penguin Random House and just put in “Good Writing, Anne Lamott.” I think it'll take you to a splash page that gives you a choice of a half dozen online places to order it. Jo: Brilliant. Well, thanks so much, both of you, for your time. This has been brilliant. Anne: Oh, Jo, thank you. Pleasure and an honour. Thank you for having us. Neal: Thank you, Jo. As you can see, we really get turned on talking about this! Anne: Yes, we do.The post Strong Verbs And Hard Truths. Good Writing With Anne Lamott and Neal Allen first appeared on The Creative Penn.

Surfing has the power to transform lives. In this episode of The Temple of Surf Podcast, we welcome Joshe Faulkner, a two-time South African surf champion whose life story is as powerful as the waves he rides. Born and raised in the township of Jeffreys Bay, Joshe Faulkner grew up surrounded by both incredible waves and difficult realities. Jeffreys Bay is known worldwide for its legendary right-hand point break, Supertubes, one of the most perfect waves on the planet. But for many young people growing up in nearby townships, life can be extremely challenging. Joshe's childhood was shaped by poverty, gang culture, and the daily pressures of growing up in an environment where many young people are pulled toward crime. In his own words, the choices often seemed simple: follow the path of the streets, or find another way. For Joshe, surfing became that path. Inspired by older surfers in his community and supported by local mentors, Joshe began surfing at a young age. The ocean quickly became a refuge, a place where he could escape the pressures of the township and focus on something positive. Surfing gave him discipline, purpose, and a vision for a different future. As his talent developed, Joshe started competing in surf contests across South Africa. His natural ability, powerful style, and deep knowledge of the waves at Jeffreys Bay helped him rise through the ranks of competitive surfing. Over time he achieved remarkable success, becoming two-time South African Surf Champion and one of the most promising surfers to emerge from the region. But Joshe's journey has never been easy. Along the way he faced personal losses, including friends and family affected by gang violence in his community. These experiences shaped his perspective on life and strengthened his determination to pursue surfing as a way forward. Today, Joshe Faulkner represents a powerful example of how surfing can create opportunities and inspire change. His story shows how the ocean can offer a different path, even in the most challenging environments. In this conversation, Joshe shares his personal journey from township life to national champion. We discuss the role surfing played in shaping his life, the challenges of competing internationally, and the importance of mentorship and community support. For surf fans around the world, Joshe Faulkner's story is a reminder that surfing is more than a sport, it can be a force that transforms lives.

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How do you know we're not just trying to sell books with this pod? Well, we fire up with a Carolyn Chute novel that's ... out of print. That's some business savvy! But Sam claims she's the Faulkner of the north (an important Mainer!) and you should really find a copy if you can. And, not to worry, the rest of these books are widely available. We've trotted out the Alarm Clock sound effect again, too, which means one of these books is seriously important. This fortnight, we read: "Letourneau's Used Auto Parts," by Carolyn Chute "The Fountain," by Casey Scieszka "Leviathan Falls," by James SA Corey "London Falling," by Patrick Radden Keefe What sound effects did we give each of these books? You'll just have to listen and find out!

In this episode, Dr. David Traster of The Neurologic Wellness Institute sits down with Mark Faulkner of CON-CRĒT Creatine to explore the expanding science of creatine — far beyond strength training. With a background in physics, biochemistry, forensic toxicology, and athletic drug testing, Faulkner shares how creatine hydrochloride (CrHCL) was discovered and how it differs from traditional creatine monohydrate in absorption, dosing, and neurological applications. We discuss: Creatine as the rate-limiting molecule for ATP production Brain energy metabolism and cognitive performance Creatine deficiency in modern diets Kidney function myths and creatinine lab interpretation Bioavailability differences between monohydrate and CrHCL Huntington's disease research Emerging data on traumatic brain injury (TBI) and concussion Immune system function and T-cell energy This episode reframes creatine as a foundational cellular energy molecule critical for muscle, brain, immune, and metabolic health. Educational purposes only. Not medical advice. Boca Raton, FL | Chicago, IL | Waukesha, WI | Wood Dale, IL

Buster Faulkner's Day 2 spring practice comments gave us the first real clues about Florida's QB battle, and the hints are louder than people think. We also dive into Faulkner's rave review of Vernell Brown III's leadership and what Dallas Wilson's “mental reps” tell us about how UF is handling him this spring. If you want the early blueprint for this offense, this is where it starts. #FloridaGators #GatorsFootball #SECFootball #CollegeFootball #GatorsBreakdown #GoGators #CFB #FloridaGatorsFootball JOIN Gators Breakdown Plus: https://gatorsbreakdownplus.com Warner Safari Polos: https://warnersafari.com/discount/gatorsbreakdown Gators Breakdown Merch: https://gatorsbreakdown.printful.me Get Florida Gators merch at Fanatics: https://fanatics.93n6tx.net/DVYxja Questions or comments? Send them to gatorsbreakdown@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Florida Gators face a high-stakes quarterback battle as Aaron Philo and Tramell Jones, Jr. compete for the starting role—can either newcomer handle the SEC's brutal schedule and elevate the Gators' offense under coordinator Buster Faulkner? Philo's deep familiarity with Faulkner's system clashes with Jones's established rapport in Gainesville, creating one of college football's most intriguing competitions. Who will push the ball downfield more effectively without costly turnovers? Brian Smith breaks down each quarterback's strengths, the importance of chemistry, and UF's challenging slate that includes Texas, Auburn, and Georgia. The episode explores the critical impact of decision-making, the need for mobility in high-pressure games, and how the Gators' young roster might rise to the occasion. With head coach John Sumrall under immediate scrutiny and Florida's offensive identity on the line, every snap counts—will Philo or Jones seize the moment and guide the Gators to more wins than expected? Everydayer Club If you never miss an episode, it's time to make it official. Join the Locked On Everydayer Club and get ad-free audio, access to our members-only Discord, and more — all built for our most loyal fans.  Click here to learn more and join the community: https://theportal.supercast.com/ Help us by supporting our sponsors!  5-Hour ENERGY Have your cake & drink it too. Birthday cake-flavor is back, no fork needed. Vanilla-y cakey flavor, caffeinated kick, and no sugar. It's party time. Order Now at https://5-hourENERGY.com or Amazon. Mazda Like our players, we're driven by the details. Because highlights make the reel. What it takes to get there makes it count. There's more to a Mazda. Because there's more to you. Turbo Tax For a limited time, you can have your taxes done by a local TurboTax expert for just $150 — all in, if a TurboTax expert didn't file for you last year. Just file by February 28. Take taxes off your plate and get back to your life.  Visit https://TurboTax.com/local to book your appointment today.  Indeed Listeners of this show get a $75 Sponsored Job Credit to help give your job the premium placement it deserves at http://Indeed.com/podcast FanDuel Use your Profit Boost on an NBA future and get entered for your chance to win a trip to the NBA Finals.  Play your game with FanDuel, the official sports betting partner of the NBA. Visit https://FANDUEL.COM to get started.  FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expire in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Florida head coach Jon Sumrall candidly discusses NIL budget constraints, defensive line depth concerns, and his trench-first philosophy. Offensive coordinator Buster Faulkner explains his player-driven approach to scheme adaptation and why he brought Aaron Philo from Georgia Tech. Sumrall also breaks down his hands-on approach to special teams and more. #FloridaGators #GatorsFootball #SECFootball #CollegeFootball #GatorsBreakdown #GoGators #CFB #FloridaGatorsFootball JOIN Gators Breakdown Plus: https://gatorsbreakdownplus.com Gators Breakdown Merch: https://gatorsbreakdown.printful.me Get Florida Gators merch at Fanatics: https://fanatics.93n6tx.net/DVYxja Questions or comments? Send them to gatorsbreakdown@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Get the inside scoop on Florida's new coaching era with Jon Sumrall, offensive coordinator Buster Faulkner, and defensive coordinator Brad White as they discuss explosive plays, quarterback philosophy, and building a winning culture. In this episode of Gators Breakdown Plus Member Chat, David Waters is joined by special guest Nick de la Torre from Florida Victorious to break down exclusive coordinator interviews and what fans can expect from the Gators' revamped offense and defense. #FloridaGators #GatorsFootball #SECFootball #CollegeFootball #GatorsBreakdown #GoGators #CFB #FloridaGatorsFootball JOIN Gators Breakdown Plus: https://gatorsbreakdownplus.com Gators Breakdown Merch: https://gatorsbreakdown.printful.me Get Florida Gators merch at Fanatics: https://fanatics.93n6tx.net/DVYxja Questions or comments? Send them to gatorsbreakdown@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

An elderly couple known for their quiet lives and deep roots in North Carolina are found dead, setting off an investigation that stretches far beyond a single crime scene. What begins with an early-morning fire along a rural highway soon collides with a second act of violence nearly two hundred miles away. As authorities follow the trail, familiar assumptions fall apart. An arrest brings answers, but also raises unsettling questions about what was planned, what was hidden, and how much more lay beneath the surface. How to support: For extra perks including exclusive content, early release, and ad-free episodes - Go to - Patreon How to connect: Website Instagram Facebook Twitter Please check out our sponsors and help support the podcast: Nutrafol - Start your hair growth journey with Nutrafol. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code MADNESS Uncommon Goods -  To get 15% off your next gift, go to Uncommongoods.com/madness Grow Therapy - Whatever challenges you're facing, Grow Therapy is here to help. Visit GrowTherapy.com/MADNESS today to get started. Availability and coverage vary by state and insurance plan. Shopify - Sign up for a one-dollar-per-month trial period at shopify.com/madness Quince - Upgrade your wardrobe with pieces made to last with Quince. Go to Quince.com/madness for free shipping on your order and 365-day returns. Greenlight - Don't wait to teach your kids real-world money skills; start your risk-free Greenlight trial today at Greenlight.com/MADNESS CBDistillery - Right now you can save 25% off your entire purchase by going to CBDistillery.com and use promo code MADNESS Research & Writing: Ryan Deininger Sources: Law and Crime Trial Playlist 2020 Appeal Jury chooses life not death for CDPL client Campbell Texas man gets life sentence for robbing, killing Granville couple Campbell found guilty of murder; Victims' family speaks Judge won't allow statements of dead father to be part of son's murder trial Multistate crime spree leaves 2 dead, 3 wounded New details emerge in gruesome murders of Granville County couple Son of murdered Granville couple recounts unsettling phone call A To Z of True Crime Stories Volume 1 Man accused of murdering Granville County couple seeks to avoid death penalty Eric Campbell found guilty of all charges following shootout on I-64 in 2015 "Crazy" father and son charged in crime spree; couple dead, cops shot Bodies of Granville County couple found after police shootout on West Virginia highway Relatives of accused killer round out defense case in Granville murder trial Prosecution wraps up case against man accused of killing Granville couple Gun, fuel found in burned home of slain Granville couple Granville community mourns couple killed in apparent random attack Father, son charged in New Year's Day slaying of Granville couple Aunt: Texas man took fall for Granville couple's murders because dad wasn't there