Podcasts about first last

First: Last week, President Donald Trump said, “Nothing's going to happen until Putin and I get together.” Now they have on the phone. But what will it mean for Ukraine. Then: Hundreds of people were killed in Gaza in a matter of days as Israel ramps up airstrikes and its ground offensive. Israeli journalist Ronen Bergman joins the show to discuss. Plus: The center defeats the far right in Romania, and the European Union breathes a sigh of relief. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tomokazu Matsuyama. Born in 1976 in Gifu, Japan, Matsuyama is currently based in Brooklyn, New York. His work spans painting, sculpture, and installation, organically blending and reimagining diverse elements–such as ancient and modern, figurative and abstract, Eastern and Western. His art reflects both his cross-cultural experiences and the evolving nature of contemporary society in our information-driven world. Major public art projects include the Bowery Mural (New York, USA, 2019), Hanao (JR Shinjuku Station East Square, Tokyo, 2020), and Wheels of Fortune (Meiji Shrine, Tokyo, 2020, part of the Jingu Gaien Art Festival). Recent notable exhibitions include Mythologiques (Venice Biennale, 2024), MATSUYAMA Tomokazu: Fictional Landscape (Hirosaki Museum of Contemporary Art, 2023), and MATSUYAMA Tomokazu: Fictional Landscape (Shanghai Powerlong Museum, 2023). His work was also featured in Pop Forever. Tom Wesselmann &… at Fondation Louis Vuitton in Paris (2024–2025). Please visit cerebralwomen.com for his expanded bio. Photo credit: Fumihiko Sugino Artist https://matzu.net/ Pen Magazine Taiwan https://www.matzu.net/media/press/pen-4/ GQ https://www.matzu.net/media/press/gq/ FT https://www.matzu.net/media/press/financial-times/ Bazaar https://www.matzu.net/media/press/harpers-bazaar/ Legend https://www.matzu.net/media/press/legend/ Hypebeast https://www.matzu.net/media/press/hypebeast-4/ Hypeart https://www.matzu.net/media/press/hypeart/ Juxtapoz https://www.matzu.net/media/press/juxtapoz/ Galerie https://www.matzu.net/media/press/galerie-magazine/ Artforum https://www.matzu.net/media/press/artforum/ Kinari https://www.matzu.net/media/press/kinari/ Takashimaya-salon https://www.matzu.net/media/press/takashimaya-salon/ Mythologiques https://www.matzu.net/media/tomokazu-matsuyama-mythologiques/ Almine Rech https://www.alminerech.com/artists/7720-tomokazu-matsuyama Kavi Gupta https://kavigupta.com/artists/95-tomokazu-matsuyama/ First Last https://www.tomokazu-matsuyama-firstlast.jp/english/ Wynwood Walls https://thewynwoodwalls.com/artists/tomokazu-matsuyama/ Kotaro Nukaga https://kotaronukaga.com/en/artist/tomokazu_matsuyama/ Avante Arte https://avantarte.com/artists/tomokazu-matsuyama Hidden Champion https://www.matzu.net/media/press/hidden-champion/ BKMag https://www.bkmag.com/2024/08/06/the-art-of-tomokazu-matsuyama-from-the-streets-of-nyc-to-big-shows-in-paris-and-venice/

Featuring Nate Middleton. Recorded live at Freedom Fellowship Church in Tontitown, Arkansas on Sunday, March 30, 2025.   Visit us online at freedomfellowship.com

Success is measured by humility and grace, not status or achievement.SCRIPTURE READING: Matthew 20:1-16KEY REFERENCE: Matthew 20:16ADDITIONAL REFERENCE: Mark 10:31This Sunday, we're diving into one of Jesus' most surprising teachings: The last will be first, and the first last. In a world chasing status and recognition, Jesus flips the scriptHis call challenges us to redefine success. It's not about accomplishments but humility, grace, and service. We'll explore Matthew 20:1–16 and unpack what this means for our daily lives.If you've ever struggled with comparison or felt overlooked, this message is for you. Invite a friend and let's answer God's call together! #FaithOverAchievement  #GospelTruth  #ServantHeart  #KingdomPerspective  #SuccessInHumility  #GraceOverStatus  #FirstLastParable  #HumilityWins Support the show

March 23, 2025 - Before I Go… - "The first last teaching" by Southwest Christian Church

Our Lent series continues with "First/Last, Last/First," reminding us that true success isn't about what we achieve but who we trust. In Mark 10:17-31, Pastor Mark explores how Jesus calls a rich ruler to let go of earthly attachments and fully surrender to Him.

The PTA finale begins as extended family members Juliano Hodges, Blazzy, Jahlil Nzinga, and Dr. Nipples stop by to pay their respects and- just maybe- save the show. GET BONUS EPISODES AND MORE ON PATREON: https://patreon.com/POWERFULTRUTHANGELS   LISTEN ON APPLE PODCASTS!! https://apple.co/2UetHQb Other Audio Platforms: Spotify: https://open.spotify.com/show/4w3Fpl9Y4Gb8sxCTiBpBac Castbox: https://bit.ly/2vsZBQn FOLLOW US: Powerful Truth Angels: https://www.instagram.com/powerfultruthangels 2TONE: https://www.instagram.com/alex2tone Juliano: https://www.instagram.com/julianohodges Blazzy: https://www.instagram.com/blazzys Jahlil: https://www.instagram.com/jahlilnzinga Dr. Nipples: https://www.instagram.com/seandavidroth Learn more about your ad choices. Visit megaphone.fm/adchoices

Pastor Nick talks about how the parable of the hours.

Episode 306. I go over a few thoughts on Trump, Married vs Single, and 50 cents. But on today's episode, I dive into the question: Are we the first civilization, or are we truly alone in the known universe, and the biggest question of all-are we living in a computer simulation?    Quick LINKS-----------(Example) The Survival Blueprint eBook LRPod Patreon LRPod Website   Quick Links Promotion on The Lenny Reed Pod! Get your link featured in the description of The Lenny Reed Pod across 11 podcast platforms! Promote your business, personal website, Facebook pages, Youtube channel, or any link of your choice. Limited Spots Available! Only 10 link slots per show Two shows per week Don't miss this opportunity tp reach our audience! Contact us today via phone or  email to secure your spot.  

Pastor Marie Myers! Listen to this powerful bonus message by Pastor Marie Myers!  To learn more about becoming a partner with our international ministry, joining us on our next missions trip, or visiting one of our weekly services; please visit: LifeFamilyChurch.net

Whenever I hear 1804-Haitian-fanatics—those who shout with fevered breath about the glories of the Haitian Revolution, about the unshakable Christophe, the unbreakable Dessalines, the brilliant Louverture—I think about something James Joyce once wrote, something about heroism and the lie that holds it together: “Do you not think the search for heroics damn vulgar? I am sure however that the whole structure of heroism is, and always was, a damned lie and that there cannot be any substitute for individual passion as the motive power of everything.” And maybe he was right. Maybe all the grand statues, all the history book renderings of Haitian men and women who lived and fought and bled—maybe they were always meant to obscure something harder to face: that there are no perfect person, no unblemished saviors, no mythic warriors who moved through the world without doubt, without error, without contradiction. That the stories we Haitians tell ourselves, the way we flatten our historical figures into marbles, the way we sand off their edges, all of it is less about truth and more about our comfort. That's what struck me reading Dr. Marlene Daut's “The First and Last King of Haiti.” It isn't a portrait built for worship. Christophe emerges not as an untouchable legend but as a man—a man who built, a man who ruled, a man who inspired and also a man who made shitloads of mistakes, who punished, who carried the weight of the impossible on his shoulders. There is no neat symmetry to his life here, no easy moral at the end. But there is something real, something tangible. There is a man who shaped history and was, in turn, shaped by it. And this is where I think Joyce and the 1804 purists miss each other. Heroism, as an idea, is flawed because we are all flawed. But Haitian history does not belong to those who refuse to see the fullness of its historical figures. It belongs to those Haitians who can hold contradiction, who can see Christophe not as some distant legend but as a man who, for all his flaws, left something behind that still stands. And maybe that is the only kind of heroism worth anything at all. --------INTRO MUSIV-------------------- Neg Mawon Theme: by Dr. Roch Ntankeh Language: Medumba from West Cameroon African Nation Affiliation: Bamileke Musical Genre: Mangabeu Licensed to: Nèg Media Inc Lyrics Tell me the story/Give me the news/Listen to Neg Mawon Listen to the story of the land/Listen to the history of Haiti/People of St Domingue where are you?People of Haiti where are you?/Come listen to the history/Come listen to the story/Where are the scholars? (x2) Come and tell the history to all the people Chorus : Neg Mawon (x5) Tell me history Tell me the news of the land

「永野芽郁さん（25）がナビゲーターに初挑戦「イントネーションでこうも苦戦するかってぐらい苦戦しました」」　永野芽郁さん（25）が、美術展のナビゲーターに初挑戦です。ニューヨークを拠点に活動する現代美術家・松山智一さんが、東京で初めて大規模個展「松山智一展　FIRST LAST」を開催。そのナビゲーターに永野芽郁さんが就任し、音声ガイドに初挑戦しました。永野芽郁さん：人生で初めての音声ガイド、ナビゲーター役だったのでつとまるか不安だったんですけど、無事に終えられて良い仕事始めになったなと思っています。ちょっとしたことなんですけど、イントネーションでこうも苦戦するかってぐらい苦戦しました。皆さんぜひ楽しみにお待ちください。

Send us a textToday, I want to discuss the very first order of business: Commitment. Without it as the first and primary focus, there can be no Recovery. Commitment is faith realized in three stages: Process, Follow through, and Outcome.  Parenting Your Child in Recovery

Today we break down my door to door experience into a fun exercise. It's called "First, Last, Best, Worst, Weirdest." Some takeaways include: The 'Your First Last' concept helps generate content ideas. Mindset is crucial for success in challenging situations. Attitude can significantly impact performance and outcomes. Success can be defined beyond traditional metrics like grades. Effort and persistence are key to achieving sales goals. Area management is essential for larger teams. Setting daily standards can lead to consistent success. Welcome calls can reduce cancellations and improve customer retention. Bundling services can increase contract values and customer satisfaction. Weird experiences in sales can lead to valuable lessons. Hope you enjoy.

In this week's episode, the Catholic Church gives a whole new meaning to Powerball Lotto, somebody finally connects the dots between hurricanes and eating babies, and we'll open the trunk Eli keeps Don Ford in once again. --- See us live in Nashville, Tennessee on December 7th! To make a per episode donation at Patreon.com, click here: http://www.patreon.com/ScathingAtheist To buy our book, click here: https://www.amazon.com/Outbreak-Crisis-Religion-Ruined-Pandemic/dp/B08L2HSVS8/ If you see a news story you think we might be interested in, you can send it here: scathingnews@gmail.com To check out our sister show, The Skepticrat, click here: https://audioboom.com/channel/the-skepticrat To check out our sister show's hot friend, God Awful Movies, click here: https://audioboom.com/channel/god-awful-movies To check out our half-sister show, Citation Needed, click here: http://citationpod.com/ To check out our sister show's sister show, D and D minus, click here: https://danddminus.libsyn.com/ --- Headlines: Archdiocese of LA settles child sex abuse claims for $880 million: https://www.friendlyatheist.com/p/catholic-archdiocese-of-los-angeles Satanic Temple opens 'religious' abortion clinic, promotes 'abortion ritual': https://www.christianpost.com/news/satanic-temple-opens-religious-abortion-clinic.html Catholics claim "bigotry" after Gretchen Whitmer feeds podcast host a chip: https://www.friendlyatheist.com/p/catholics-claim-bigotry-after-gretchen Mormons testing out sleeveless magic underwear: https://edition.pagesuite.com/popovers/dynamic_article_popover.aspx QAnon Idiots Are Pizzagating Hurricanes Now: https://www.wonkette.com/p/qanon-idiots-are-pizzagating-hurricanes

Dr. Terrance Green

Full show - Tuesday | Show and tell | News or Nope - Balloon Boy and Breast Cancer Awareness Month | Writing your own obituary | Men are stupid | First, last, next, best concerts | Will Slacker go on any of these fall dates? | The poop rule @theslackershow @thackiswack @radioerin

What was your first concert, last concert, next concert, and best concert?

In this skyrocketing episode we go over referral magic and how you can ramp them up like magic. We dive into the listener mailbag, and talk customer stories. Come lend an ear now.   #marketing #marketingpodcast #dentco https://dentco.us https://instagram.com/dentcopdr  

Todd talks fantasy strategy when picking at the end of round one and getting two players every time you are on the clock. The Todd Wright Fantasy Football Podcast is presented by Hooters! The post “If You Ain't First, Last Ain't Bad Either” appeared first on JoeBucsFan.com.

Jump start your week with a Jump Start REWIND, read by Roger Shouse.

Thank you for watching All Peoples Church live stream. First Last shares a teaching called The Power of Testimonies. Thank you for listening to All Peoples Church Weekend Worship Gathering. Pastor Jeff continues a series called: Equipping the Saints for Healing. This lesson is called: The Power of Testimonies. Service from July 21, 2024. For more information, please visit our website, www.allpeopleschurch.us or find us on social media!

Send us a Text Message.https://www.patreon.com/AdeptusRidiculoushttps://www.adeptusridiculous.com/https://twitter.com/AdRidiculoushttps://orchideight.com/collections/adeptus-ridiculousJago Sevatarion, known also as Sevatar, "the Condemned," and the "Prince of Crows," was the first captain of the Night Lords Legion and commander of the Atramentar, the elite Terminators of the VIIIth Legion's formidable 1st Company during the Great Crusade and the Horus Heresy eras of the late 30th and early 31st Millennia.He was also an officer of the Kyroptera, the most trusted advisors and confidants of Primarch Konrad Curze within the Night Lords Legion. A native of Nostramo, Sevatar served as equerry to the Night Haunter and was one of the most lethal warriors in the Space Marine Legions of old.Sevatarion's name and skill were as well known as other luminaries of that era, including Ezekyle Abaddon of the Sons of Horus, Corswain of the Dark Angels, Chapter Master Raldoron of the Blood Angels or Lord Commander Eidolon of the Emperor's Children. Support the Show.

Matthew 19:27-20:16

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The First Last Man: Mary Shelley and the Postapocalyptic Imagination (U Pennsylvania Press, 2024) is the concluding text in political theorist Eileen M. Hunt's trilogy of books focusing on the work of Mary Shelley. All three books have been published by the University of Pennsylvania Press, and they weave together Shelley's novels (Frankenstein, The Last Man) and her short stories, as well as her journals and other writings. Hunt is currently continuing her work on Shelley by annotating Shelley's The Last Man and her Journal of Sorrow, both of which were written side by side in the mid-1820s. Hunt's writing of The First Last Man reflects Shelley's own approach to writing, which integrates her own experiences into her imagined universes to explore humanity and our thinking. Thus, The First Last Man is a pivotal analysis of Shelley's iconic work of plague fiction or pandemic novels and Hunt researched and wrote the book during our contemporary experience with the COVID-19 pandemic. While Shelley's Frankenstein may loom large in the background of The Last Man, the focus of the novel is on the legacy of disease, of mass death, of war and conflict, and how to move forward in a destroyed world. Hunt's thesis about postapocalyptic literature, especially Shelley's work in this regard, is that the thread of hope that comes through all of this death and destruction is what sustains us as humans. And this is also what sustained Shelley in the face of her own tragedies, which included the loss of a number of her own children, the tragic drowning death of her beloved husband, and the loss of other family members. For Shelley, plague was a metaphor for her, both literally and figuratively having to contend with all of these experiences that were outside of her control. Hunt explains that Shelley's pandemic novel is well positioned within the extended literature that focuses on plagues and pandemics. Shelley is deeply read—in literature, political theory, the Bible, classical work, and the like—and her work reflects these various genres and the ways in which they wrestle with the ideas of apocalypses and what happens after such destructive events. But Shelley's work is not just situated among these writings on plagues; she actually creates a new form of this kind of work that brings in love and hope while opening up new vistas and beginnings, compelling people to think about what happens in the aftermath of plagues or pandemics. This leads us to post-apocalyptic thinking, compelling the focus on what happens next. Hunt suggests that Mary Shelley is a kind of modern-day Sophocles, a great tragic thinker who helps guide our wrestling with these more eternal questions and does so through fictional prose creations. Such creations push on our imaginations and compel us to think about worlds that may be different than our own, but certainly reflects back our very existences. The First Last Man is a beautiful book, weaving together Mary Shelley's work, her journals and personal experiences, and commentary on her work at the time of the publications. Into this, Hunt brings some of her own journal entries from her research excursions during the Covid pandemic, and her own experiences with tragedy in her own life, honoring Shelley's many skills as a writer in so many different genres and capacities. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Elijah

This story had to deal with Elijah in the wilderness. God provided for him in his time of need. God will provide for you, just learn to trust in Him.

"The First Last Meal" preached by Pastor William Moore at the First Jesus Name Church of Benndale on the Sunday morning of 5 - 5-2024. For more information about our church or this message please email us at fjncbenndale@icloud.com. Have a wonderful and blessed day.

Just a little bit of meal and oil plus a handful of faith formed the ingredients for a miracle in Elijah's day. Pick up your Bible or phone and turn to I Kings 17 to hear the story.For those who use God's Word for Life curriculum, the Bible passage focused on in this episode comes from God's Word for Life, Spring 2024, entitled, "The First Last Meal" (May 5, 2024). This episode is produced by the Pentecostal Publishing House and is hosted by LJ Harry. Visit us at www.pentecostalpublishing.com Find an Apostolic church that preaches this glorious gospel and our response at UPCI.orgTo order resources of the God's Word for Life curriculum, visitPentecostalPublishing.com

"Safety is the most important part of your job." Tune in as Dr. Lana Cormie shares her heartfelt and moving story of navigating life after losing her husband in a workplace incident in 2018. She passionately advocates for improving safety and enhancing an intentional culture of safety in the workplace through ongoing training on the job and prioritizing the reporting of hazards, concerns, and near misses. Lana reminds us of the importance of keeping safety at the forefront and empowering team members to become safety advocates in the workplace, ensuring everyone goes home safely at the end of every workday. About the Guest: Dr. Lana Cormie and her two children are navigating life without a husband and father as a result of a workplace incident. Lana has become a passionate advocate for safer workplaces, campaigning for better policies and improved legislation for workplace safety. She now shares her life experiences in an effort to help improve safety and educate employees and employers on the importance of a safe workplace. Lana believes by sharing her lived experience she can influence safety cultures and that the most important part of work is to go home at the end of the day. For more information: https://cnbsafe.com.au/lana-cormie/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Pick up Holiness Day by Day by Jerry Bridges at the Mariners Bookstore- Visit marinerschurch.org or download the Mariners App for more informationSupport the ministry and help us reach people worldwide: https://bit.ly/MarinersGiveFirst Time?Start Here: https://bit.ly/MarinersconnectcardCan we pray for you? https://bit.ly/MarinersPrayerOnlineYou can find information for all our Mariners congregations, watch more videos, and learn more about us and our ministries on our website https://bit.ly/MarinersChurchSite.FIND US ON SOCIAL MEDIA• Facebook: https://www.facebook.com/marinerschurch• TikTok: https://www.tiktok.com/@marinerschurch• Twitter: https://twitter.com/marinerschurch• Instagram: https://www.instagram.com/marinerschurch

The boys get together to preview this weekend's Copa Tejas clash against Houston Dynamo. Then they talk about another rumored rule change that could come in 2025 before closing out the episode with Best Keeper in the World, Last Business Day, a Best Ball update and the Week 9 picks.0:15 - Intro2:55 - Houston preview32:35 - "Icon player" rule proposal38:10 - Best Keeper in the World41:00 - Last Business Day48:15 - Best Ball update50:10 - Week 9 picksVisit our website for match preview articles, weekly MLS picks and access to our salary cap and roster spreadsheets!Follow the podcast on socialsTwitterInstagramYouTubeThreads

بابک موسوی‌نژاد در دانشگاه منچستر مهندسی عمران خواند اما بعد از اینکه مدرکش را گرفت، متوجه شد که برای این کار ساخته نشده، چون علاقه‌ای به سروکله زدن با اشیاء نداشت و ترجیح می‌داد کارش با آدم‌ها باشد. آشنایی با رابرت چمبرز باعث شد به موضوع توسعه در جوامع محلی علاقه‌مند شود و فوق لیسانسش را در رشتهٔ مدیریت و اجرای پروژه‌های توسعه ادامه داد. با آقای موسوی‌نژاد از تسهیلگری و توسعهٔ جوامع محلی حرف زدیم و همین‌طور علاقه‌اش به فوتبال.  حمایت مالی از پادکست کتابگرد تهیهٔ آنلاین بازی گفت‌وشنود کد تخفیف خرید بازی گفت‌وشنود: eydi        :حامی این قسمت طاقچه: سایت تهیهٔ دستگاه کتابخوان ------------------------- کانال تلگرام پادکست کتابگرد  اینستاگرام پادکست کتابگرد     آدرس ایمیل: ketabgardpodcast@gmail.com لینکدین سیدبابک موسوی‌نژاد ------------------------- پیشنهادهای سید بابک موسوی‌نژاد خواندن | کتاب‌های رابرت چمبرز   اولویت بخشی به فقرا: رابرت چمبرز  (Whose Reality Counts: Putting the First Last)  چالش با حرفه‌ها: عرصه‌های چالش در توسعه روستایی: رابرت چمبرز دیدن | سخنرانی ارنستو سیرولی در تد تاک با عنوان «می‌خواهید کمک کنید؟ ساکت باشید و گوش بدهید»  تجربه کردن | بودن با آدم‌های تاثیرگذار و وقت‌گذراندن با آنها کتاب‌هایی که برای هدیه پیشنهاد دادم وقتی به فوتبال می‌اندیشیم، به چه می‌اندیشیم: سایمون کریچلی روایت و کنش جمعی: فردریک دبلیو میر نردبان شکسته: کیت پین  

Listen to learn more...

“Whose perception is reality?” [Or: The 2nd Sermon on “the Last will be First and the First Last.”] The experience of the first laborers. The experience of the later laborers. The perception of the first laborers. The perception of the Master. The reality of the Kingdom, according to Jesus. (The perception of the later laborers?)

The last seven statements of Jesus from the cross, often referred to as the "Seven Last Words," are a collection of phrases that Jesus uttered during his crucifixion, as recorded in the Gospels of the New Testament. As we approach Easter Sunday, we will anchor ourselves in what Scripture records as the final words that Jesus spoke from the cross. We'll be taking a journey through the last 6 hours and the significance of the words Jesus chose to speak! As followers of Jesus, we engage God's Word in this Lenten season to prepare our hearts for the celebration and victory over the cross.

Rebroadcast - original aired for March 1, 2020   Click here for Notes Mark 8:27-9:8 Sponsor: Opening Music: Misirlou, One Man 90 Instruments by Joe Penna/MysteryGuitarMan at MIM Closing Song by Bryan Odeen

Luther Seminary Professors Kristofer Phan Coffman, Kathryn Schifferdecker, and Rolf A. Jacobson look at Narrative Lectionary readings for February 18, 2024 (First Last and Last First). If you are interested in reading the commentary on Mark 10:17-31 written by Cláudio Carvalhaes, we encourage you to go to our website, https://www.workingpreacher.org/commentaries/narrative-lectionary/first-last-and-last-first-2/commentary-on-mark-1017-31-10 We hope to see you there!  #workingpreacher #lutherseminary #kathrysnschifferdecker #kristoferphancoffman #rolfjacobson #narrativelectionary #narrativelectionarypodcast #podcast #ilovetotellthestory  Watch the video version on YouTube at https://youtu.be/oIXymctJOsk  

It all comes down to this... Content Warnings: N/A Transcript Patrons Conny, Kate Casio, Joshua Hamel, William Grass, Adalyn Peets, Doug Wylie, and Adam Jeppson, Eldritch_Beast, Lenni-Ville Hyttinen, Joakim, Lee Birnie, Beanxxc, and First Last! Cast & Crew SCP Archives was created by Pacific S. Obadiah & Jon Grilz Class of 76 was written by F. Cole Serrano This episode featured “No Not Me” by The Blasting Company Lee Hillerman - Brian David Gilbert Cindy Stephens - Madeleine Moore Ren Kubo - Brandon Nguyen Elm Stevens & Dr. Ash Calder - Graham Rowat Thaddeus Cooper - Damon Alums Deputy West - Chuddnelus Jack Harper - Jon Grilz Eldon - Atticus Jackson Rowan - Nate DuFort Aspen Daniels - Dustin Parsons Hauschka - Scott Paladin Neighbor - Stephen Indrisano Neighbor 2 - Daisy McNamara The Director - Karim Kronfli Automated Message - B. Narr Male Voice - Jesse Hall Female Voice - Ashlee Jones Female Reporter - Nichole Goodnight Stein - Vic Collins Daniels - Brad Colbroock Dialogue Editor - Daisy McNamara Music by Matt Roi Berger Sound Design - Dana Creaseman Showrunner - Daisy McNamara Producer - Pacific S. Obadiah Executive Producers - Tom Owen & Brad Miska Presented by Bloody FM www.Bloody-Disgusting.com www.SCParchives.com Patreon: https://www.patreon.com/scp_pod Twitter: https://twitter.com/scp_pod Facebook: https://www.facebook.com/scppod Discord: https://discord.gg/tJEeNUzeZX Learn more about your ad choices. Visit megaphone.fm/adchoices

First: Last night, Nikki Haley was asked what caused the Civil War. Most would give a one-word answer: slavery. She did not.  Plus: Donald Trump's lawyers have a very busy few weeks ahead. We'll tell you key dates to watch in his civil and criminal trials.  And: Lauren Boebert barely won her red district the last time around. Her solution? Move to an even-redder district.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are recapping Season 3, Episode 19: "The First Last." Join as we discuss the CRU Greek god/goddess competitions, the KT pledge's major miscalculation, Ashleigh teaching Casey to smize, and so much more! References for this ep include: https://www.imdb.com/title/tt1595403/