Podcasts about haunting

Linda joins From the Shadows Podcast to share two chilling experiences that have stayed with her for years. First, she recounts an unsettling encounter with the ghostly janitor of an old Columbus hospital. Then, she shares the event that has left her searching for answers for more than a decade. While living in Westerville, Ohio, she witnessed strange lights and heard bizarre sounds unlike anything she'd ever experienced. Could it have been a UFO? Did something actually land nearby? If you lived in the Columbus or Westerville area around that time and remember seeing unusual lights or hearing unexplained sounds, let us know in the comments.Please like, share, and subscribe if you enjoyed this episode. Support our channel by becoming a YouTube member for special emojis, members only lives, new Ozark Howler episodes, and bonus paranormal episodes. Click the JOIN button under this video. Join us on Patreon https://www.patreon.com/fromtheshadowsVisit our Merch Shop https://www.fromtheshadowspodcast.com/shop/ Follow us on:TikTok - https://www.tiktok.com/@fromtheshadowspodcast Facebook - https://www.facebook.com/fromtheshadowspodcast Instagram - Shane Grove - https://www.instagram.com/shanegroveauthorInstagram - Podcast - https://www.instagram.com/fromtheshadowspodcast#UFO #Ohio #ColumbusOhio #Westerville #Paranormal #Ghost #Haunting #Alien #Aliens  #UFOEncounter #HighStrangeness #Mystery

Throwbacks are where I re-release old episodes from the archives. So don't worry if you have heard it already, as 'New episodes' will continue to come out on Sundays. To get some of the old episodes heard.~~~This episode will speak with Kara in Georgia, and she works at a historic bed and breakfast in downtown Savannah, Kara and as well as the guests that stay have reported numerous paranormal encounters at the 168-year-old inn. Savannah is widely known as the most haunted city in America.More information on this episode on the podcast website:https://ufochroniclespodcast.com/ep-261-haunted-savannah/Want to share your encounter on the show?Email: UFOChronicles@gmail.comOr Fill out Guest Form:https://forms.gle/dPxd35ii1m2ejGgU9All Links for Podcast:https://linktr.ee/UFOChroniclesPodcastPodcast Merchandise:https://www.teepublic.com/user/ufo-chronicles-podcastHelp Support UFO CHRONICLES by becoming a Patron:https://www.patreon.com/UFOChroniclespodcastX: https://x.com/UFOchronpodcastThank you for listening!Like share and subscribe, it really helps me when people share the show on social media, it means we can reach more people, more witnesses. Without your amazing support, all this wouldn't be possibleBecome a supporter of this podcast: https://www.spreaker.com/podcast/ufo-chronicles-podcast--3395068/support.

What began as an ordinary night shift at a rural Kentucky personal care facility quickly turned into a nightmare. Lora shares her terrifying encounter with a dark shadow entity that seemed determined to torment the overnight staff during a violent storm. What was lurking in the halls that night? But that's only the beginning... She also recounts an eerie experience where she, her mother, and her sister believed they saw her father walking along a lonely country road—only to discover something impossible had happened.Finally, Lora tells the chilling story of being pursued by a mysterious glowing ball of light while driving home as a teenager. Are these isolated paranormal events, or are they somehow connected? Watch and decide for yourself. Have you experienced a shadow person, ghost, or unexplained encounter? Share your story in the comments. Support our channel by becoming a YouTube member for special emojis, members only lives, new Ozark Howler episodes, and bonus paranormal episodes.Join us on Patreon https://www.patreon.com/fromtheshadowsVisit our Merch Shop https://www.fromtheshadowspodcast.com/shop/  Follow us on: TikTok - https://www.tiktok.com/@fromtheshadowspodcast Facebook - https://www.facebook.com/fromtheshadowspodcast Instagram - Shane Grove - https://www.instagram.com/shanegroveauthorInstagram - Podcast - https://www.instagram.com/fromtheshadowspodcastd mysteries. #Paranormal #Haunted #Ghosts #Kentucky #ScaryStories #Haunting #Shadow #Supernatural #ScaryStory

Netflix animation is having another monster year, with Nathan Greno's body-swap comedy “Swapped” racing up the platform's all-time rankings behind “KPop Demon Hunters.” Jim Hill and Drew Taylor also examine Disney's uncertain live-action remake strategy, the return of “Hotel Transylvania” and a new theatrical Looney Tunes short. Plus, Drew shares highlights from his conversation with Greno about the making of Netflix's latest animated hit. HIGHLIGHTS • “The Odyssey” dominates the worldwide box office while Disney's live-action “Moana” suffers a steep second-weekend decline. • Disney moves ahead with “Tangled” and a possible continuation of “The Princess and the Frog” despite uneven remake results. • “Toy Story 5” approaches the billion-dollar mark as “Minions & Monsters” falls short of franchise expectations. • Sony and Amazon MGM prepare “The Haunting of Hotel Transylvania” for a theatrical release in 2027. • Disney Junior tests a YouTube-first launch strategy with the new animated preschool series “Ozzy Fox.” • Director Nathan Greno discusses the creation and unexpected streaming success of “Swapped.” • “Daffy Season” brings the Looney Tunes back to theaters with a modern spin on the classic rabbit-season-versus-duck-season routine. • Titmouse joins Meow Wolf's upcoming Los Angeles exhibition as an animation and creative-design partner. HOSTS • Jim Hill - X/Twitter and Instagram: @JimHillMedia - jimhillmedia.com • Drew Taylor - X/Twitter and Instagram: @DrewTailored - drewtaylor.work FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Save up to 12% on Disney and Universal theme park tickets with UnlockedMagic.com. Their experienced team can help you find great ticket prices and make planning your next Florida vacation less stressful. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

At the end of November, we put together a crew of ghost hunters, skeptics, and random people to investigate the claim that our local asylum is haunted. It is. Sign the petition to keep a proposed AI Data Center from being constructed on the Pennhurst grounds: https://www.change.org/p/protect-pennhurst-from-data-center-development

This is a Grave Talks CLASSIC EPISODE! PART TWOMost hauntings are tied to a place. But what happens when the activity follows you instead?For Rylie Cousins, strange encounters didn't end when her family packed up and moved. From one home to the next, the same unexplained phenomena kept appearing—unseen footsteps, icy cold spots, unsettling whispers, and the constant feeling that something was always nearby. As the years passed, it became harder to believe the locations were haunted. Instead, it raised a much more unsettling question: was Rylie herself the reason the activity never stopped?In this classic episode of The Grave Talks, Rylie shares the experiences that have shaped her life, explores what it means to be a possible "ghost magnet," and explains why she's no longer trying to outrun whatever has been following her for so many years.#TheGraveTalks #GhostStories #Haunted #Paranormal #HauntedHouse #GhostMagnet #Spirits #Supernatural #ParanormalPodcast #TrueHauntingLove real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE!Most hauntings are tied to a place. But what happens when the activity follows you instead?For Rylie Cousins, strange encounters didn't end when her family packed up and moved. From one home to the next, the same unexplained phenomena kept appearing—unseen footsteps, icy cold spots, unsettling whispers, and the constant feeling that something was always nearby. As the years passed, it became harder to believe the locations were haunted. Instead, it raised a much more unsettling question: was Rylie herself the reason the activity never stopped?In this classic episode of The Grave Talks, Rylie shares the experiences that have shaped her life, explores what it means to be a possible "ghost magnet," and explains why she's no longer trying to outrun whatever has been following her for so many years.#TheGraveTalks #GhostStories #Haunted #Paranormal #HauntedHouse #GhostMagnet #Spirits #Supernatural #ParanormalPodcast #TrueHauntingLove real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

There are haunted objects... and then there's Annabelle.In this episode, we dive into the chilling true story behind the world's most infamous haunted doll. From terrifying eyewitness accounts and unexplained paranormal activity to the investigations that made Annabelle a legend, we explore why so many people believe this seemingly innocent doll is connected to something far darker.Whether you're a skeptic or a believer, this is one haunting that has left investigators, witnesses, and paranormal experts questioning what is truly possible.

Amy and Steve go to Flagstaff, Arizona, to investigate a haunted crystal shop, only to discover the entire town is engulfed by paranormal activity. Can they deliver answers to the tormented community? Or is Flagstaff doomed to fear the dead forever? Hosted on Acast. See acast.com/privacy for more information.

Crater Lake in Oregon is one of America's most beautiful natural wonders, but its history is filled with darker stories. Formed inside the collapsed remains of Mount Mazama, the lake is tied to Klamath sacred tradition, stories of Llao and Skell, vanished aircraft, an unsolved double murder, and the strange floating figure known as the Old Man of the Lake.The BOOKBY US A COFFEEJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links:https://podcasts.apple.com/us/podcast/spooky-lakes-volume-2/id1379959217?i=1000697558240https://www.usgs.gov/geology-and-ecology-of-national-parks/geology-crater-lake-national-parkhttps://oe.oregonexplorer.info/craterlake/history.htmlhttps://www.nps.gov/crla/learn/nature/crater-lake.htmhttps://www.nps.gov/crla/learn/historyculture/index.htmhttps://www.craterlakeinstitute.com/smith-chronological-history-of-crater-lake/the-history-from-1900-to-1949/smith-history-98/https://www.craterlakeinstitute.com/smith-chronological-history-of-crater-lake/the-history-from-1950-to-1999/smith-history-135/https://www.craterlakeinstitute.com/crater-lake-new-archives/2000-3/2000-05-3/Thanks so much for listening, and we'll catch up with you again on tomorrow.Sarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

Step into The Twilight Zone as we visit the Season 1 episode "The 16 Millimeter Shrine," a poignant and haunting story about fading stardom, nostalgia, and the dangers of living in the past. Starring the legendary Ida Lupino, this early Twilight Zone classic follows Barbara Jean Trenton, a once-famous Hollywood actress who retreats into her private screening room, endlessly watching old films from her glory days. But when fantasy begins to blur with reality, Rod Serling delivers one of the series' most emotional and bittersweet tales.  In this episode discussion, we explore: The unforgettable performance by Ida Lupino The episode's themes of aging, celebrity, and escapism Rod Serling's commentary on Hollywood and fame The ending and its lasting impact Why "The 16 Millimeter Shrine" deserves more appreciation among Twilight Zone fans Whether you're a lifelong Twilight Zone enthusiast or discovering this episode for the first time, join us as we examine of of Rod Serling's earliest explorations of memory, regret, and the seductive pull of the past.  What are your thoughts on "The 16 Millimeter Shrine"? Share your interpretation and favorite moments in the comments below. If you enjoy classic television, horror, science fiction, and vintage Hollywood discussions, be sure to Like, Subscribe, and Ring the Notification Bell for more deep dives into The Twilight Zone and other classic genre favorites. 

In this episode i'll be sharing 4 stories about people who have worked near, on or around offshore oil rigs. Each story is accompanied with rain and haunting ambience. TimestampsIntro : (00:00)Story 1: (00:15) Story 2: (07:10) Story 3: (23:41) Story 4: (30:36) SUBMIT YOUR SCARY STORYsubmityourownscarystory@gmail.comPatreon : https://www.patreon.com/c/BoozeAndBoos?vanity=userJoin My Discord! https://discord.gg/sMUtpDwJAD Stories Found & Edited By : Zack Graham SUPPORT HIM & BUY HIS BOOKS :) Mogollon Monsters - https://a.co/d/d2BHQCPGhosts of Gravsmith - https://a.co/d/ahThYHA ►[ Intro & Background Ambience] -  @Binadra3D  ►[《 Background Music

Send us Fan MailWe're wrapping up our mini series of some paranormal with the Belmez Faces, the Ackley House, and the Northfleet Horror.Like the show on Facebook - https://www.facebook.com/OurWeirdWorldPod/Follow John on Twitter and Instagram @TheJohnHinsonFollow the show on Instagram @OurWeirdWorldPodWant more John? Everyone wants more John. Visit www.johnhinsonwrites.com for all the books, podcasts, waterfalls, and more!

Join me as I talk with Dominic Chinery and Sasha Van Reenen about their new TV project ‘Ghosted', mixing documentary with mockumentary, exploring local folklore, legends, and supernatural tales from Essex and beyond. (Yes – there's more to Essex than TOWIE, although the TOWIE people may feature!)We also talk about personal ghostly experiences and brushes with the world of the paranormal, and have a collective moan about how d*mn hot it was at the time of recording!Find out more about the GHOSTED team and their project here - https://www.facebook.com/profile.php?id=61590693666722 GHOSTED - Upcoming Mockumentary/Documentary series - a Creative & Arts crowdfunding project in United Kingdom by GhostedBecome a supporter of this podcast: https://www.spreaker.com/podcast/paranormal-uk-radio-network--4541473/support.

Deep in the industrial heart of Birmingham, England, stands Aston Hall, a towering, red-brick monument to cruel ambition, ancient wealth, and concentrated malice. Built in the 17th century by Sir Thomas Holte, a fiercely loyal Royalist with a temper like a shotgun, this grand estate was designed to scream power to those who beheld it. Holte survived the devastating cannon fire of the English Civil War and a lifetime of vicious family feuds, only to die with a treasure trove of regrets. Yet, his twisted soul is said to be curiously absent from the estate. Instead, the halls are occupied by the wreckage he left behind: the spirits of those he controlled, neglected, and drove past the edge of sanity. In this episode, we dive into the dark, jagged legacy of the Holte name and the legendary hauntings that keep Aston Hall permanently locked in a supernatural time loop. We track the tragic "Grey Lady," a daughter allegedly imprisoned in the high tower until her mind shattered; Mrs. Walker, the relentless housekeeper who still vanishes into thin air the second you try to kick her ass out of her favorite antique chair; and the grim, heartbreaking apparition of Dick, a falsely accused houseboy swinging silently from the rafters of the servants' quarters. Citizens of the Milky Way, prepare yourselves for The Haunting of Aston Hall!

Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026) begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Moving between the practical and the philosophical, forensic anthropologist and author Gabriella Soto asks what it means to care for the dead and what society owes to those who die in its name. Through the lens of haunting, she explores how the dead continue to shape the living, not as objects of horror but as moral agents whose presence demands justice. Centered primarily in Arizona and South Texas, Border Afterlives offers a border-scale comparative account of forensic practices, critiques the limits of “best practices” in under-resourced systems, and calls for a re-imagining of forensic humanitarianism grounded in reciprocity and dignity, beyond human rights. This is a book that insists on remembering the dead. In this conversation, we discuss the difficult interplay between federal immigration policy and local practices of death care on the border, the implications of policies that cause increased death tolls, the politics of humanitarian immigration reform, and, finally, how allowing ourselves to be haunted by the slow mass casualties of the border can and should inspire us to act. Gabriella Soto is a contemporary archaeologist who examines the material world to understand pressing social issues. Integrating ethnographic methods, GIS technology, and archival research, she specializes in migration materialities, focusing on Latinx migration and security at the US-Mexico border. Her work analyzes the material footprints of transit, forensic death investigations, and security and humanitarian infrastructure. An ACLS fellow whose work has also been funded by the Wenner-Gren Foundation, Soto is a research affiliate at the Binational Migration Institute and holds faculty affiliations at Arizona State University's School of Transborder Studies, School of Interdisciplinary Forensics, and the Latinx Oral History Lab. Her research has appeared in American Anthropologist and Political Geography, and her article on migrant material culture won the American Anthropological Association's Gordon R. Willey Paper Prize. Dr. Soto is the author of Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026) begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Moving between the practical and the philosophical, forensic anthropologist and author Gabriella Soto asks what it means to care for the dead and what society owes to those who die in its name. Through the lens of haunting, she explores how the dead continue to shape the living, not as objects of horror but as moral agents whose presence demands justice. Centered primarily in Arizona and South Texas, Border Afterlives offers a border-scale comparative account of forensic practices, critiques the limits of “best practices” in under-resourced systems, and calls for a re-imagining of forensic humanitarianism grounded in reciprocity and dignity, beyond human rights. This is a book that insists on remembering the dead. In this conversation, we discuss the difficult interplay between federal immigration policy and local practices of death care on the border, the implications of policies that cause increased death tolls, the politics of humanitarian immigration reform, and, finally, how allowing ourselves to be haunted by the slow mass casualties of the border can and should inspire us to act. Gabriella Soto is a contemporary archaeologist who examines the material world to understand pressing social issues. Integrating ethnographic methods, GIS technology, and archival research, she specializes in migration materialities, focusing on Latinx migration and security at the US-Mexico border. Her work analyzes the material footprints of transit, forensic death investigations, and security and humanitarian infrastructure. An ACLS fellow whose work has also been funded by the Wenner-Gren Foundation, Soto is a research affiliate at the Binational Migration Institute and holds faculty affiliations at Arizona State University's School of Transborder Studies, School of Interdisciplinary Forensics, and the Latinx Oral History Lab. Her research has appeared in American Anthropologist and Political Geography, and her article on migrant material culture won the American Anthropological Association's Gordon R. Willey Paper Prize. Dr. Soto is the author of Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026) begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Moving between the practical and the philosophical, forensic anthropologist and author Gabriella Soto asks what it means to care for the dead and what society owes to those who die in its name. Through the lens of haunting, she explores how the dead continue to shape the living, not as objects of horror but as moral agents whose presence demands justice. Centered primarily in Arizona and South Texas, Border Afterlives offers a border-scale comparative account of forensic practices, critiques the limits of “best practices” in under-resourced systems, and calls for a re-imagining of forensic humanitarianism grounded in reciprocity and dignity, beyond human rights. This is a book that insists on remembering the dead. In this conversation, we discuss the difficult interplay between federal immigration policy and local practices of death care on the border, the implications of policies that cause increased death tolls, the politics of humanitarian immigration reform, and, finally, how allowing ourselves to be haunted by the slow mass casualties of the border can and should inspire us to act. Gabriella Soto is a contemporary archaeologist who examines the material world to understand pressing social issues. Integrating ethnographic methods, GIS technology, and archival research, she specializes in migration materialities, focusing on Latinx migration and security at the US-Mexico border. Her work analyzes the material footprints of transit, forensic death investigations, and security and humanitarian infrastructure. An ACLS fellow whose work has also been funded by the Wenner-Gren Foundation, Soto is a research affiliate at the Binational Migration Institute and holds faculty affiliations at Arizona State University's School of Transborder Studies, School of Interdisciplinary Forensics, and the Latinx Oral History Lab. Her research has appeared in American Anthropologist and Political Geography, and her article on migrant material culture won the American Anthropological Association's Gordon R. Willey Paper Prize. Dr. Soto is the author of Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Don't Whistle At Night welcomes Jamie Nez July 18th, 2026 EP: 66 TOPIC: Highly Strange Encounters From the 4 Corners. This will include, Bigfoot, Haunting, Skinwalker Encounters, A story about a Kokopeli, A Centaur, and more! Tune in!!! United Public Radio & UFO Paranormal Radio www.uprntalkradio.com

Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026) begins with the undocumented individuals who die crossing the U.S.-Mexico border—deaths that are both preventable and politically produced. Moving between the practical and the philosophical, forensic anthropologist and author Gabriella Soto asks what it means to care for the dead and what society owes to those who die in its name. Through the lens of haunting, she explores how the dead continue to shape the living, not as objects of horror but as moral agents whose presence demands justice. Centered primarily in Arizona and South Texas, Border Afterlives offers a border-scale comparative account of forensic practices, critiques the limits of “best practices” in under-resourced systems, and calls for a re-imagining of forensic humanitarianism grounded in reciprocity and dignity, beyond human rights. This is a book that insists on remembering the dead. In this conversation, we discuss the difficult interplay between federal immigration policy and local practices of death care on the border, the implications of policies that cause increased death tolls, the politics of humanitarian immigration reform, and, finally, how allowing ourselves to be haunted by the slow mass casualties of the border can and should inspire us to act. Gabriella Soto is a contemporary archaeologist who examines the material world to understand pressing social issues. Integrating ethnographic methods, GIS technology, and archival research, she specializes in migration materialities, focusing on Latinx migration and security at the US-Mexico border. Her work analyzes the material footprints of transit, forensic death investigations, and security and humanitarian infrastructure. An ACLS fellow whose work has also been funded by the Wenner-Gren Foundation, Soto is a research affiliate at the Binational Migration Institute and holds faculty affiliations at Arizona State University's School of Transborder Studies, School of Interdisciplinary Forensics, and the Latinx Oral History Lab. Her research has appeared in American Anthropologist and Political Geography, and her article on migrant material culture won the American Anthropological Association's Gordon R. Willey Paper Prize. Dr. Soto is the author of Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

In previous episodes, we have explored a number of locations across the globe where reports of seemingly paranormal activity have emerged with unusual frequency. Amongst the most disturbing have been those associated with enclosed tunnel systems, including the Hoosac Railway Works and the London Underground. In this episode, we turn our attention to another pair of tunnels, where a succession of bizarre and inexplicable incidents gave rise to what are now known as the Sullivan County Hauntings.   Chime is not just smarter banking, it is the most rewarding way to bank. Join the millions who are already banking fee free today. Head to https://chime.com/bedtime   Ollie. Feed the Obsession. Go to https://ollie.com/bedtime and use code bedtime to get 70% off your first box!   MUSIC Tracks used by kind permission of Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0   Tracks used by kind permission of CO.AG Learn more about your ad choices. Visit podcastchoices.com/adchoices

Matt Ley is the co-founder of The Mudutu Effect, an educational and esoteric project dedicated to exploring consciousness, spirituality, paranormal research, and the pursuit of knowledge. Named after the Sumerian word mudutu, meaning "knowledge," the project was created alongside Allyson Ford as a platform for those seeking a deeper understanding of the unseen world. Through Cosmos Astrum Radio, independent media, spiritual education, handcrafted ritual tools, and community outreach, Matt encourages people to approach the paranormal with curiosity, critical thinking, and respect for both ancient traditions and modern investigative techniques. His work also extends into collaborations with esoteric communities and educational initiatives that help newcomers navigate the many paths of the occult and metaphysical world.Tonight on Spaced Out Radio, Matt joins Dave Scott to discuss what it truly means to investigate the paranormal responsibly. From ghost hunting and haunted locations to spiritual practices, consciousness, and unexplained phenomena, Matt believes the best investigators combine open-mindedness with discipline, patience, and a commitment to evidence. Rather than chasing sensational claims, he advocates for thoughtful research, careful documentation, and understanding the historical and spiritual context surrounding each case. Whether you're an experienced investigator or just beginning your journey into the unknown, this conversation will explore the methods, ethics, and mindset needed to investigate the paranormal the right way.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. #UFO #UAP #AlienDisclosure #UFOSightings #UFOCoverUp #Aliens #SpacedOutRadio #Paranormal #UFOCommunity #disclosure -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

On the #amwriting podcast's Margin Notes, host Jennie Nash talks with Caroline Bicks, Stephen E. King Chair in Literature at the University of Maine and co-host of the Everyday Shakespeare podcast, about her book Monsters in the Archives: A Year of Fear with Stephen King. Bicks describes how she became the first invited into King's Bangor archives after King called to meet her, and how her sabbatical became a year of researching five formative works (including Carrie, Night Shift, The Shining, Salem's Lot, and Pet Sematary) to understand how horror language creates lasting fear. She explains choosing a first-person narrative that blends literary criticism, archival discovery, and her own anxiety, including eerie moments in the archive and insights into King's word-level edits, literary influences, and Shakespearean foundations, especially The Shining's ties to Hamlet.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Read the Book* Monsters in the Archives by Caroline BicksTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Welcome, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work and creative lives.I'm here today with a super special guest. I'm so excited to speak with Caroline Bicks. She is the Stephen E. King Chair in Literature at the University of Maine, where she teaches courses in Shakespeare, early modern culture, and horror fiction. And she's the author of all kinds of very cool books ... about Shakespeare, including one on cocktails.Um, and, uh, is the co-host of the Everyday Shakespeare podcast, and we are here today to talk with her about her new book called [00:01:00] Monsters in the Archives: A Year of Fear with Stephen King. Welcome.Caroline: Thank you. Thanks for having me.Jennie: So this is gonna be the strangest interview you've probably ever done. ICaroline: don't know.Because- I've talked to a lot of people around the world about this Stephen King book.Jennie: I couldn't read your book. I, I couldn't read it. I can't read horror. Yeah. Which listeners of this podcast are gonna laugh about, ‘cause I'm actually coaching someone live and they're writing gothic horror, and they're probably like, “All you talk about is horror, Jennie.”But, um, it's actually the reason why I wanted to talk to you, because you made a decision in the writing of this book that I thought was super cool. Mm. Which was you put yourself in it.Caroline: Yeah.Jennie: And you're a scholar.Caroline: Yeah.Jennie: And you've written scholarly books, and you approach this with a scholarly perspective, but you, you really put yourself in it.And, and so [00:02:00] I was reading it for that part of the story and I had to skip over huge chunks of, of the, of the work. Because what you're doing in this book is you're getting at this question of- W- what, what is scary in writing? Like, how does it actually work? How does it act- what is the magic or the function that makes us feel this thing?And you actually feel it yourself while you're going through it, and I found it quite terrifying actually. So, um, that's kinda what I wanted to talk about is how did you make the decision? Well, first of all, you were the first person, I wanna make sure I get this right, ‘cause this is very cool. Yeah. You were the first person who was invited to the archives, the Stephen King archives.Caroline: Yeah. I mean, it's, it's a bit of a story, so I won't spend too much time on it, but just the mo- Oh, no, do. It's good ... when I ch- when I took this position... So I've been a Shakespeare professor my whole adult life, ba- as soon as I graduated from grad school in the late ‘90s, [00:03:00] and I was at Boston College for 15 years.I took this position at University of Maine nine years ago as a Shakespearean. Um, so it is an endowed chair in Stephen King's name because he's our most famous alum. So when I took the position, I, it was because I'm a Shakespearean, not because I'm a horror specialist. Um, I had always been a Stephen King fan since I read him when I was 12, and he scared the beje- Jesus out of me, um, with The Boogeyman story.Jennie: Right.Caroline: Um, so when I took this position though I was told, “You're never gonna meet Stephen King. Don't even make contact with him.” I'm like, “Fine, you know, this is still a great job. I'm excited.” Um- ThanksJennie: for the money. Yeah.Caroline: Thanks for... You know, no, it's a wonderful fund. It was funded by the Harold Alfond Foundation, and it's to support the public humanities, which is an incredible mission.So, um, I get to give money away to people. You know, it's a great, great position, but I was not a horror specialist. And particu- a- and as an adult, I actually wasn't reading horror because it scares me too much. You know? Yeah, yeah. Um, but it had grabbed me when I was a teenager. So it was about four years into the [00:04:00] job when I got a call at home from Stephen King, which just, uh, uh, my jaw hit the floor.And he said, “You know, I think it's time we meet.” I'm like, you know, I, I really fan-girled because I really, I have so much admiration for him and respect. Um, I invited him to come talk to our students. He was brilliant, generous, funny, kind, and I felt so at ease that I felt like I could ask... You know, and I got to know him professionally.We had a good professional relationship that developed from there. When I had a sabbatical year coming up the next year- I could have written another Shakespeare book. I had another one in my head. I've written a bunch of them but I knew that he and Tabitha had just collected all of his manuscripts and put them in a climate-controlled space attached to their home in Bangor, and I thought, “You know, this is an incredible opportunity.I would love to dig in there and be the first one in there, and just read those early drafts of the books that scared me so much when I was a teenager, and try to just explore why. Why were they sticking in my head still?” Um, again, I am not a specialist in... I'm not a cognitive scientist. I'm not a [00:05:00] specialist in horror literature, but I'm obviously highly trained in how to do literary analysis and how to do archival work, not Shakespeare, because we don't have any of his works, but, you know, I, I understand what that process is.So back to your question about why I wanted to bring myself into it, which was, you know, I had been experimenting with first-person storytelling after I got tenure. You know, ‘cause it's a long process, Kate. Right. And most of my writing had been academic writing, but I really had always loved storytelling And I got a piece into the Modern Love column.I started to have some success with publishing my first-person stories, and I was like, “You know, I love this.” So when I had this opportunity to go into his archives, they generously said yes, was amazing. I thought, “You know, I really wanna tell this story. I don't wanna write an academic book. I want this to be the story of a literature scholar, but really the story about a scared kid.”Jennie: Yeah.Caroline: You know, you, you never lose that scare, you know, I don't... This is the thing. Fear has stuck with me with those stories [00:06:00] for 40 years. So I was fascinated, and I just wanted to understand how he had crafted the language so that it was sticking in my head still. Because when I was talking to people around, you know, whenever you mention Stephen King to people, you know, if they've read him, they remember specific lines and specific words, and I was like, “That's an extraordinary, um, 50 years on to have that power.”So, um- Well- Anyway. Yeah. Go ahead. I, I could talk about this forever, so you tell me- Oh, no, it's- ... where you wanted to pick up from this.Jennie: It's so good. Well, I have to tell you this funny anecdote, which is that my college roommate was from Bangor, Maine, and babysat his kids in that house.Caroline: Oh, that's insane.Jennie: So when I went to visit her, she drove me by that house.There you go. And I was like, “Oh, hell no- Yeah ... would I ever babysit in that house.” Like, it's-Caroline: It's ‘cause it's like a gothic, it's like straight out of Haunting of Hill House ...Jennie: actually, and like these spiderweb gates that, and you describe that in the [00:07:00] book and, and the- Yeah ... archives are in that house. They'reCaroline: in the house.They're attached to the back. I know. And it, it was so, it was, it was insane. It was like a full-on 360 experience writing this book. Um, and I, I knew, like, so I did the research for a year. I didn't even know if this would be a book. I just knew I wanted to have the opportunity to be in there because it, I knew it was a great opportunity, and I was so curious, you know?Yeah. So I, I came out of the year with just tons of notes and observations, but I didn't have a book, you know? Yeah. And then I started experimenting with writing a chapter, and I just, the storytelling just came forward and then when I got an agent and she, you know, s- I, I, I was able to get a contract based on a proposal and that one chapter I had written and I was really fortunate to have a fabulous editor, David Ebershoff, at Hogarth, who is just such a wonderful writer himself, and he really encouraged me to bring my voice in and bring my story in even [00:08:00] more.Um, so that's- And- ... that's the story of that.Jennie: Was it hard for you as a scholar to do that?Caroline: You know what? It was so freeing and so fun that it actually wasn't, you know? Because I, I knew this wasn't going to be an academic book, so once I let go of that- Yeah ... um, I was like, wow, I have the, and yet I have this skill set I can bring forward, and I knew that's what would make this unique.Um, but I can combine my two favorite ways of writing, ‘cause I do actually love writing literary criticism. Like it's, I get a thrill out of it. I wouldn't be doing it this long if I didn't get a thrill out of it, but I also love telling my own stories and drawing a reader in. And so for me it was like just a circus carnival.Like it was so fun to be able to do it. Once I had the permission and I had a contract, I was like, fine, you know? I, I, who am I writing this book for? I'm writing it for me, you know? Like this is just something I wanna do because I'm so passionate [00:09:00] about it and I, and I love Stephen King. And, um, once I got into it that way and wasn't thinking about who's gonna criticize me for this, like how will academics view this, I was like, I don't care.I just don't care. I know I've got a great story to tell that people are gonna love to read because there's so many people that love not just Stephen King, but people who love reading about how great books get written, you know? Yeah. And so that was the audience I had in my mind when I, when I was crafting it.It was really, in my mind, anybody who cares about books and writing. It doesn't have to be... So when you say, you're not the first person who's said to me, “I can't read your book,” or, “I can't read-” Oh, I'm so glad. “... Stephen King books,” you know, and I'm like, “That's okay. You can skip, you know, the parts that really scare you,” because there's plenty about just like that first chapter I wrote about Pet Sematary, just his sticky notes back and forth with his copy editor, which is so fun I think.You know, it's just like, wow.Jennie: Totally. Yeah. But the thing that you do is you- Allow yourself to confront that fear-Caroline: Yeah ...Jennie: [00:10:00] that, that I feel that the people can't, that can't read horror feel. You know, anybody that even allows themselves to be scared feels. And-Caroline: Yeah ...Jennie: and you, you do some very specific things, um, which I, I found fascinating, including tracking down on eBay the original copy of that book you read as a- Yeah, I wanted-as a teenager.Caroline: Yeah, that was part of the process for me, was I wanted to make sure I was reading... So before I would go into the archives for each work, and I'd spent like two... I only picked five, because I wanted to... First of all, I knew I wanted to make this personal. Um, and those were the five that scared me the most when I was a teenager.So I grew up in the ‘70s and the ‘80s as a teenager, so for me, it was in real time when the books were coming out practically. So it was- Yeah ... Carrie, Night Shift, The Shining, Salem's Lot, Pet Sematary. Um, I'm forgetting one of course. Uh, but I went -Jennie: The other one.Caroline: The other one. Had a huge impact on me. [00:11:00] So it was those five, and I, I knew those were the ones I was gonna do a deep dive into, and that I wanted to really re-engage with, and bring my whole self to.So I wanted to find the copies that I had read in the ‘70s and the early ‘80s. And fortunately, it's pretty easy to find them. Uh, so yeah, but eBay sometimes I had to go on, or go into a used bookstore and, you know, find the like actual 1979 paperback, you know.Jennie: Um- I mean, that- Um ... I just, there's some, there's so much to say about that because-Caroline: YeahJennie: like, I just, um- We, we just had a new bookcase built, um, which is something I've wanted to do well for eight years in this house. But it's a thing I've always wanted to have, which is like a grand bookcase, and it just was finished last week, and we had all the books packed up in storage, and we brought all the books back.Then we went through this discernment process of what goes [00:12:00] on those shelves. And I, you know, I had all those books from when I was a kid, even when I was a kid-kid, and they're yellow, and moldy and falling apart, and the covers aren't on, and they're taped and-Caroline: Yeah ...Jennie: eh, but I cannot let them go-Caroline: Yeah ...Jennie: because those...that was the object.Caroline: That's the object. This is what I feel sad for kids now, because they're not gonna have those same memories, um, of books. Yes. You know? And I don't think they stick in your head the same way if you don't have the full sensory embodied experience with a book.Jennie: Right. You know? Even when you open...I read on Kindle, which I love for so many reasons. Yeah. But you don't even see the cover.Caroline: You don't see the cover, right. And for me, it's so much. Like, I remember going to the Scholastic Book Fair and being like- Yes ... “I'm getting Summer of My German S- Soldier because Christy McNichol's on the cover,” you know?Yes. Yes. So yeah, that was part of the journey for me was I did wanna just [00:13:00] reconnect with those books again, try to h- and as much as you can, you know, reexperience the feelings of f- like The Shining, I actually... the only one I still have from 1977 is the actual Shining that I read. Um, and that's, for me, that woman in room 217.Well, I know you haven't read it ‘cause you're probably... What? But, um, it, that particular one I still have from, from when I was growing up. Um, and I love that I still have it, and it still has the photo... You know, it's the version that has the photo inserts that includes the Kubrick film photos. Oh, okay.Jennie: Okay.Yeah, yeah.Caroline: And I read it before I saw the film, so I remember being- 15 reading it and then seeing the pictures and being like you know? And that's part of the experience, but it wasn't, it's different than seeing the film, you know? And I really, I wanted to write this book as a love letter to language and to books, and not to film.Like, there's, that's a whole other category I think that enters people's brains in totally different ways. It's a very different experience. For me it's about, like going back to your original question [00:14:00] about like why, why, why do stories cause fear, and like what's the value perhaps in that? Yeah. That was something I came to after this long journey really, and talking to people and thinking about why.And also by understanding and reading more about Stephen King's books and talking to him about them, and realizing for him how much these stories are rooted in personal experiences or fears of grief and loss. And- Yes ... that was really profound for me. And like The Night Shift, which is the ur-text that I start with, ‘cause that's the one I read when I was 12, and that's his first collection of short stories.It came out in 1978. It's 20 short stories. But he ends it with a story about his mother dying, and it's, I mean, it's thinly veiled autobiography. It's about a man who's watching his mother die in the hospital. Um, but it's clearly a mirror of his own experience losing his mother when he was 26. And I'm like, wow, what's that doing in a collection of horror stories?[00:15:00] And it's like, what? ‘Cause that is of course, at least for me and I think for a lot of people, that's the core fear we first have, is that where's mommy, right? Yeah. Right? You lose the person who's in charge of taking care of you, and if you're lucky, does it well and with care. Um, but even if it's not, like Carrie, you know, the more I was looking through the Carrie drafts, I was like, right, he's really homing in on Carrie calling out for her mother even though her mother's terrible and abusive to her, right?So it's, there's just this, I don't know. It's a long way around to say I think horror, and he writes about this really eloquently, is a way for us to metabolize our deepest fears. Um, and to look at trauma not head-on but sideways. Um, and he writes about that, um, a number of different places in a really powerful way.He's just such an extraordinary human. You know, he's been thinking about this and for so long.Jennie: Yeah. Yeah. So, so your willingness to [00:16:00] confront that, those particular fear, fears in your own self and on behalf of the reader, really puts you in it. I mean, like you, there's a really lovely moment where you are reading I think it's, I think it's Pet Sematary, reading the actual book, and you have to turn it over so you- Yeahdon't see, like on your nightstand so you don't see the cover. I'mCaroline: scared, I'm scared of the cover, right, still.Jennie: Yeah.Caroline: Yeah.Jennie: And then there's moments, se- several where you're driving And you're sort of holding your breath while you drive past a place that he writes about or, or- Mm-hmm ... you know, um, well you have to tell the story, I'm sure every interviewer asks you about the, um, the doorknob in the archive.You have to, like, I was-Caroline: Yeah, not too many people have asked me about that, but I'm like, that to me was the scary moment-Jennie: Wait, shut up ... the most, theCaroline: most sturdy. I'm like, wh- uh, why did that happen? But of course, I mean, there's a reason why it happened. It's, it's, it [00:17:00] automatically locks if, you know, the, if you- Okaydon't lock it So let's, let's play- So but it just happened that we were inside the archive room. It was me and, and Julie Ugli, who is their assistant, who was helping me through this whole process. And I know, and I was, like, literally holding the first page of the first draft of The Boogeyman, the story that had scared me so badly when I was 12, about a monster that comes out of closets, and we're like in this room.And the, the archive room, it actually, it almost feels like a closet. It's not huge at all. You know, it's just-Jennie: Yeah ...Caroline: top to bottom, ceiling to floor stacked shelving with, you know, boxes of materials. And yeah, and we were in there, and I'm holding the first page, and the lock closes on its own. It just goes...And I'm like, I'm looking at Julie, I'm like, “What is, what's happening?” We don't have our cell phones with us. I'm like, “Are we stuck in here? Like, what's gonna happen?”Jennie: In the scary archive- In this, I was terrified ... in the back of the scary house. Like-Caroline: I know, I know. It was like, you can't make this stuff up.That's why I was like, I [00:18:00] couldn't wait, when I finally got a chance to write the book and sit down and write, I was like, I can't wait to tell these stories, because they just... I, I'm not a fiction writer. Like, I, I have such mad respect for- I don't know about that ... well, I've m- We'll see I don't know. I have mad respect for people who can write fiction.For me, I only can write what I know and exper- So I'm like, ah. But these stories were just so amazing. Or like when I was reading The Shining, like the first draft of The Shining, which is crazy. I mean, it's so different from the published version. And like getting to the woman in room 217, and like reading th- and literally my head w- like I thought I was having a stroke.Like it was like, like... And it's like, and then I find an interview where Stephen King writes about how he was scared to go back to that scene when he was revising it, the book, because he was dreading it. And I was like, oh, my God, have I just like had some kind of telepathic experience with Stephen King?Like- Right ... across time, space, and yeah, it was amazing.Jennie: Well, yeah. I mean, [00:19:00] it's just, um, uh, I actually made myself go through the whole book skipping giant chunks.Caroline: I feel so badly I put you through this.Jennie: I know. I, I feel like why, I kept saying, “Why? Why did I think this was a good idea?” Um, and it- I mean, even just tangentially, I, I don't know.It's interesting. I have, I'm sure you have this too, anybody who reads a lot or spends a lot of time with words, you have a capacity to sort of pay half attention, if that makes sense.Caroline: Mm-hmm.Jennie: Um, like you c- could sort of look at it without letting it all the way in. Yeah. But I, I just was, I just was riveted by the thread of, of your story and your putting yourself through that as a scholar and a human.But, but then some really cool things happen, and I, and I have flagged, um... Do you, [00:20:00] w- would you mind reading a tiny piece? It's- No, not at all ... it's on page 82, and it's the p- the paragraph that starts, “These manuscripts.”Caroline: Yeah.Jennie: That would be amazing.Caroline: Absolutely. So this is actually the moment I just described to you, where my head was like, I got...Oh, actually, I had just discovered the last 150 pages of the original Shining manuscript in a random folder in the archives, and I was like, “What is this doing here?” And I was getting obsessive about the manuscripts at this point, clearly- Yeah. Yeah ... just like the main character in The Shining, Jack Torrance, who gets obsessed with the manu- with the papers in the basement of the Overlook Hotel.But here we go. “These manuscripts are definitely getting into my head, and not just its rational part. In his memoir, when King describes books as being a uniquely portable magic, he doesn't specify what kind of magic. What if manuscripts can absorb and store more than just ink and words? [00:21:00] What if their pages can pass on dark energy along with dark stories?Ghosts have more than one way of making sure their stories are heard, of ensuring that the past is not forgotten, but rather pressed into our minds, even if we wrench our heads off the pillow and refuse to listen.” And that last is a reference to my, I used to see a ghost when I was five, and I write about that in the book too.Jennie: I mean, when I read that, I was like, “That's, that's me.” Like, these ghosts and horrors are pressing themselves into my mind, and I'm refusing to listen, and they still, they still do. And, um, King's stories in particular are so iconic, you can't really escape them. Like, you, you know the scenarios, you know the characters, you know-Caroline: YeahJennie: you know. And, and so it was interesting for me reading this book that that described my [00:22:00] experience where I was both repelled and magnetized at the same time.Caroline: That's beautiful the way you just put that. I mean, I think that is exactly our relationship also, of course, to our own fears. You know, again, what makes these stories endure, and I didn't go into this book thinking like, “This is a book about promoting Stephen King,” and, you know- Rightlike, I don't work for Stephen King. I just want to put that out there. Right. He, you know, he graciously agreed to let me go into the archives. He's been very generous about answering all my questions I had about the manuscripts, but he never at any point was like, “You can't say this,” or, “This is how you're supposed to say this.”So, but what I came away with after this process was exactly what you're describing, why we need these stories, why they endure, actually, is because they tap into our very real human fears. It's not about the monsters. It's about the grief and loss that's coming for all of us if we live long enough, you know?So you, and you have to at some point confront that, you know? So if it's- Yeah ... you can [00:23:00] try to run away from it, but it's coming, and that's part of being human. That's the human experience, obviously. Not to be glib, but it's like-Jennie: Yeah ...Caroline: you will experience loss. You will experience grief. And if these stories help you metabolize that or have a cathartic experience with that feeling without having to actually experience your worst fear, right?Um, like Aristotle says, it's cathartic, right? It's you watch a play, a, a tragedy because you experience a catharsis.Jennie: And did you, did you get to that in your own process?Caroline: That's a really good question. Um- You know, I, I think I became more aware of it. You know, I am, you know, and I write about this very openly in the book, that I was an extremely anxious little kid, um, which is part of why I think the boogeyman triggered me in the particular way it did, you know.Um, and that I grew into a pretty [00:24:00] anxious adult, you know? Yeah. I think anxiety is one of those things that, you know, I... Again, I was born in the ‘60s, so we didn't have this language for this back then. Like, my parents wouldn't have known to call me an anxious child, you know? Right. They probably would've said, “Oh, she's shy,” or, “She's whatever.”Um, so I think I, you know, like, and I as an adult, I think I've, I've found ways to manage it pretty well, but I am definitely a control freak. Like, that's part of how I manage it. I shouldn't use that language, but you know, it's like I, I like to just control what I can control, and that makes me feel that I can put the anxiety at bay.So I will say I think it's been interesting for me, Nick, now when I have those moments that are my worst fear moments that sometimes still will creep up on me just even though when I think I've figured it out, like doom s- doom scenarios. I tend to go to doom scenarios. So, like, if I can't reach... Uh, I will say Life360 has been, like, the best invention on the planet for me-with my two kids [00:25:00] and my husband. I'm like, “I know exactly where everyone is.” Yeah. It has saved me a lot of worry. Sometimes Life360 doesn't work, or sometimes a person still doesn't answer the phone, and then I have to manage my anxie- And then it's like... So I will say it's been interesting going through this process and having to confront or revisit the core of what scares me and, like, why that impacts, you know, why certain moments come forward for me still.So I think, yeah, I think it has helped me to a degree. Like, I can recognize it more clearly now. I'm like, “Oh, right, that's why I'm scared of that,” you know? Um-Jennie: That's so cool.Caroline: Yeah.Jennie: And it feels like that's the, the, um, the transformation in the book is you're exploring how that actually works and the language and the stories.Mm-hmm. But you're, you're also exploring how it works in your own self, how it did when you were young, how it does now- Yeah ... these moments when you're scared. So it- Mm-hmm ... there's such [00:26:00] a depth to it and, I mean, I just, uh, even in my half reading of it, I just loved it. Thank you. And, um, there's something that happens That's kind of crazy, which is, so you're a Shakespeare scholarCaroline: Mm-hmmJennie: And I ha- I, I know from reading Steve, a- about Stephen King, from reading his book On Writing, of course, and, um, interviews and such that, uh, I'm, I'm probably gonna say this in a disrespectful way, and I don't mean it to be so, but the, the easiest way I can describe it is that he's always had sort of a chip on his shoulder that he's just a popular writer and not taken seriously in a literary way.Mm. I don't know if that's, if that is fair to say, but that's how I'm saying it. Uh,Caroline: yeah.Jennie: And, um, what, what I found incredible was that [00:27:00] here comes this Shakespeare scholar into his archives doing proper scholarly archiver, arch- archival work, and there's this moment when you begin to see Shakespearean themes in his, in his work, and you can't ignore it, and particularly in, in Carrie and- Yeahparticularly around exactly the thing you were wrestling with, which is like a young girl's- I don't know, sense of, of not being fitting in the world or, um-Caroline: Yeah ...Jennie: right? And so that, um, there's, on page, since you have the book in your hand, um, I think it's pageCaroline: 202. Mm-hmm.Jennie: And it refers back to that passage you just read about portable magic.It's the one that's I remembered.Caroline: [00:28:00] Right. Okay. So this is going back to when I first was, um, I was in the final round of the job for the Stephen E. King Chair in Literature, and I was working on a book about Shakespeare's, the girls in Shakespeare's plays and world and teenage girls and their cognition.Like, the how were people during Shakespeare's day thinking about girls' brains? Yeah. So I'd been working on this for 10 years. Um, and then I was getting ready to give my job talk. This was the first time Stephen King and Shakespeare came together for me, and it was getting ready, and this, again, this is an authentic story, like write what you know.So I was getting ready for the job talk. I remembered that King's 1974 novel, Carrie, featured a 16-year-old girl whose telekinetic powers are unleashed when she gets her first period in the school shower. I started rereading it, and within a few pages came across an uncanny phrase. When she's walking home after being dismissed early, Carrie feels her brain flexing in a new way, [00:29:00] as if her powers have been waiting below the surface for her to reach, quote, “mental puberty.”I couldn't have wordsmithed this dynamic cognitive change better myself. In the last part of my job talk, I used the phrase to connect the brain work of Juliet Capulet, who's described as being two weeks away from seeing the change of 14 years, to Carrie's newly activated adolescent mind. It felt like a moment of pure portable magic between Stephen King, Shakespeare, and me.Jennie: Ugh, so beautiful.Caroline: Oh, thank you. Yeah. I mean, that was just so gobsmacking. Like, when that happened, I was like, I ca- I can't believe it, but yeah.Jennie: And then, now I may be getting some of the things wrong here, but then you- You realize, is it Carrie that, that you realize he was, you thought he was emulating a play, a Shakespeare play?Caroline: I think you're thinking of Shining. I mean, definitely at the end of the Carrie [00:30:00] chapter I return to, I did notice echoes of Macbeth, and I was convinced that that must have been what he was thinking about. And, and what's funny is, so one of the conversations I got to have with him, I mean, he's so generous with his time, one of my last conversations with him was about the end of Carrie, and that's a book that he actually doesn't like very much.You know, it was his first published novel, he was 26, and he's like, “I think that was written by a young man who thought he knew more than he did.” So he's, it's not a book that he goes back to. He recognizes it's important, and it's important to him, but, ‘cause it started his whole career, his whole trajectory.Um, but he didn't particularly, he hasn't returned to it. Yeah. So that was a fun chance for me to sort of talk to him and say, “Hey, you know what? I think you should maybe go back,” ‘cause it's it's, there's a lot of Shakespeare in there. Anyway, but the Shining chapter, what was fascinating, so there's this first draft, which I, I write a lot about, called The Shine, that's in the archives, with a totally different ending.Um, and when I looked at it, [00:31:00] he'd also divided it into acts and scenes, like Roman numeral acts and little- Mm ... Roman numeral scenes. And I was like, “This, what is this? This is like a Shakespeare play.” Like, that's what it looked like. And then sure enough, I found out he was imagining, he was thinking of a Shakespeare tragedy when he wrote The Shining.And that was the first moment where I was like, “What? This is insane.” Like, this- Yeah ... like, ob- obviously that became, for me, the story I wanted to tell about that particular set of manuscripts, was sort of uncovering, like, what's the Shakespeare play? Like, what's the tragedy? And I didn't wanna ask him because I didn't want- I wanted to go in with my mind clear, like, of any outside influence.I just wanted to see what my Shakespeare brain, because I'm so embedded in Shakespeare. I also have a Shakespeare podcast I do with my best friend. Like, we're, I'm always thinking about Shakespeare and how it relates to everyday life. You know, and so I'm like, “Well, how does it relate to The Shining?” Which is, like, an ur-American text.Like, this, like, say what you want about horror, [00:32:00] like- I'd be shocked if people don't know what The Shining's about, even if they haven't read it even if they haven't seen the film. Like, you probably know something about The Shining, right? Right. So I was like, if there's a Shakespeare tragedy at the foundation of this, you know.And here's the thing about Stephen King that I came to learn, again, reading all of his notes and finding these edits, and I did find traces of Macbeth in the first draft of The Shine, um, that he ended up taking out. So I was like, “Oh, is it Macbeth? It feels like it could be Macbeth.” There's so many things it has in common with it, with hallucinations and with baby bashing.And, you know, all of these horrible things that are in Macbeth are certainly in that book. Um, but I really wanted to go in, like, just on an adventure, like, see what I saw. So I didn't ask him which chi- tragedy until I was fully done with all my research and I felt like I had it all done. And that's when he drops that he was thinking of Hamlet.And once he said that, of course, it became so ... I mean, I [00:33:00] had seen traces, there were references to Ophelia that also didn't make it into the final published draft. So you wouldn't know this. This is the beauty of archival work, like you're gonna see things that other people will never know about unless you tell the story.That's why I felt so passionate about this. Like, “I need to tell people-” Yeah ... “that Ophelia was in the first draft, that he was thinking of Ophelia.” ‘Cause of course, you know, again, even if you don't know The Shining, the woman in the tub, the woman in the bathtub, like a drowned woman in a tub, like ah, Ophelia.Yeah. Like Ophelia's another one of those ur, like she's so, she's such a part of our cultural air, right? I mean, like no matter what country you're in. Right. There's a reason Taylor Swift has a whole, you know, song The Fate of Ophelia. Like people know what that means. Um, so I was like, “Oh my gosh, this is, this is incredible.This is even deeper than I thought it was gonna be.” Um, but also it made me appreciate how much that book is about intergenerational trauma. Um, and it's not ... So he doesn't like the Kubrick film [00:34:00] for reasons that, you know, a couple different reasons. One is that it flattens out the character of Jack Torrance, and Jack Torrance is an abused child himself, and he passes on that abuse to his son, Danny, right?Um, but you wouldn't know that from Kubrick's film. While Hamlet, of course, is about a father's ghost coming forward. Like, “The past is a ghost,” King writes, which is so f- powerful, right? Um, here's this ghost saying, “You need to kill for me.”Jennie: Yeah.Caroline: Yeah. And that's what happens to Jack. Yeah, so anyway, that's a long way to say that wasEach chapter was my favorite in different ways, but that one I loved being able to do the deep Shakespeare dive.Jennie: And was that ... You know, so I started that question by saying I, I had heard or understood or maybe inferred that, um, you know, King himself had this sort of desire- Okay ... to be taken more seriously.Was that, that must have been, I don't know, powerful for both you and him, uh, to [00:35:00] come to that? Not like, “Oh, you're the only person that's ever made him feel that way” or-Caroline: Yeah,Jennie: no,Caroline: I agree ... or agree with that, but. Like I, yeah. And, um, I mean, I will say I think part of the reason he was always really ... I mean, first of all, he's just so generous, and any writer who's ever worked with him has the same experience.Like he just gives his time. He just loves writing and writers so much that he will just, he'll just t- like any email I would send him, he'd write back in like an hour with a response. The part about how he feels about academia, you know, and I never directly asked him that because I didn't wanna ... You know, if he wanted to bring it up, great.But I think- Yeah ... my, after going on this journey with him, he clearly loves talking about- literature. He's the most well-read person I've ever met. I'm just gonna say that hands down. Like, the guy reads- Really? ... cons- constantly and if you read his early works, like even when he was 17, he wrote The Long Walk, okay, which just came out as a film, [00:36:00] and in that, he's citing T.S.Eliot, he's cit- he's citing Poe at 17. Okay? So he's, he, he, this, he comes by this honestly. He's not just trying to seem smart. Like, he literally is constantly reading and it's clear when you read his manuscripts or when you read his published books, he's making references to all, whether it's Shirley Jackson or Wallace Stevens or, you know, uh, he's so capacious in his knowledge of literature.And, like, just a couple months ago, he sent me an email, I don't, I can't remember, we were talking about something about Salem's Lot, and he was like, “Yeah, when I was writing Salem's Lot,” which again, this is 1975 when he's writing Salem's Lot, so that's a long time ago. He's like, “I was really into James Dickey's poetry.”Jennie: Whoa.Caroline: You know, who was an American no, you know, poet laureate. Uh, he's like, “And I was reading everything I could read of, of his and then I read Deliverance, and then I went back to his poetry, and that really impacted how I wrote the chapters [00:37:00] about the Lot,” which if you've read Salem's Lot, has some very lyrical, poetic chapters about the town, like, “The town knew about darkness.The town had its secrets and knew how to kept it.” And then he, like, sends me the entire poem that he was thinking about that James Dickey wrote. So I mean, it's, he's, and it's not performative. He's not, like, he has nothing. He doesn't need to prove anything to me, you know?Jennie: Right, to anyone, yeah.Caroline: He just literally loves, he loves literature.Like, this guy, he loves poetry. I mean, he actually writes poetry. He wrote poetry as an undergraduate. Uh, it was actually the core start for him of The Stand, was a poem he wrote called The Dark Man one day when he was, like, hungover in the school, like, cafeteria. Like, so it's like he, he's been thinking about literature and living with literature and, uh, since he was a teenager, if not earlier.His mom brought him, uh, Bram Stoker out of the public library when he was nine, so I mean, the guy- Whoa ... ‘cause he asked for it. He asked for Dracula. [00:38:00] I wasn't reading Dracula when I was nine. Were you? I mean-Jennie: No,Caroline: no. I was reading Little House on the Prairie. I mean-Jennie: Yeah. Yeah, exactly. Wow. Wow. So- I mean, this book, again, it's called Monsters in the Archives: My Year of Fear with Stephen King by Carolyn Bicks.It's just incredible, whether you're a King fan, whether you're a horror fan, um, but for sure for all writers, which are all our listeners. If you can, if you can bear it.It's very specific, um, a very specific- specific exploration of, of how good writing works really. Yeah. Right. And, and how you... You know, there's always that perennial question of how do you get emotion on the page? How do you make your reader feel something? And you, you show it very specifically, and I wanted so badly [00:39:00] to, to get into the details, and I, and I, I just, I just couldn't.Um, maybe someday, but, um, I just, I just can't recommend it enough for, for, um, this audience and, um, you know, anyone who's interested in any of these things we've talked about.Caroline: Thank you so much. I really appreciate that. And I will say, like, the Pet Sematary chapter, which is the first one, that was the first day I was in the archives.One of the things I discovered about him day one was how much attention he pays to word sounds. So I think for any writer interested in sort of doing a deep dive into, like, how one word change, right- Yeah ... can make a difference, you know? Yeah. And I didn't appreciate that about his writing until I went in there and saw his notes to the copy editor where he's like, “Nope, the word's clitter, not clatter.This is why.” You know? Like,Jennie: he's- There's a, um- Yeah ... yeah, there's a book I love, it's probably right behind me, um, called The Artful Edit by Susan Bell, in which she [00:40:00] shows examples of that kind of very careful change in, um, The Gre- The Great Gatsby and The English Patient and various works of, of literature, and your, your whole book is like that.It's, it's just amazing. Um- Thank you ... so is the next book gonna be the Shakespeare one you had thought of before? Or are you gonna- ... go in the, in the personal direction?Caroline: You know, it's such a good question. I think right now I'm just taking a break, you know, because I'm the kind... Like, I immerse myself in a project, and this has been so all-consuming.Um, and I'm back to doing my Everyday Shakespeare podcast, which I love and I missed. Um, so I'm doing that. And I, I really don't like to think too far ahead about what I'm going to write. I like to have it come organically.Jennie: Yeah.Caroline: Um, so I could go back into the archives. I could write another one of these kinds of books, but I don't know if that's the [00:41:00] right thing for me right now.Jennie: Yeah.Caroline: Um, I want to make sure whatever I write next- You know, I loved writing this book so much. It's my favorite... I mean, it's, it was such a powerful experience for me, um, because I could bring my personal experiences into it and my scholarly self into it. I don't... You know, it's gonna be hard to recreate that.Yeah. I think it can be done, but I don't wanna force it. Yeah. So I'm gonna wait and see what the next, what the next oneJennie: is. Don't you, don't you love the interviewer who's like, “Hey, congratulations. You wrote a book. What, what's your nextCaroline: one?” What are you working on now? What are you doing now? I know. And I get that.I'm like-Jennie: So mean ...Caroline: I'm just, I'm just reading books I wanna read. I'm doing my laundry. I'm getting to know my dog again. You know?Jennie: Oh, wow. Well, thankCaroline: you. But, you know, it's a fair question. Yeah.Jennie: Yeah, yeah. Thank you for coming and chatting about this, and for writing such a cool book. And- Thank you ... um, I'm looking forward to seeing what you do next.Caroline: Thank you, Jennie. It was a [00:42:00] pleasure.Jennie: Well, for our listeners, until next time, stop playing small and write like it matters.The #amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Late Night TRUE HAUNTINGSBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

For nearly three years, she loved living in her apartment. It felt safe, comfortable, and completely ordinary. Then she got engaged, started planning a wedding, and began packing for a move into her new home. That's when everything changed.It started with small things that were easy to dismiss, but the closer moving day came, the more difficult those explanations became. Soon it wasn't just her experiencing the strange activity. Her mother, sister, and even her fiancé witnessed things they couldn't explain, leaving them all wondering why the apartment had suddenly become so active.The mystery has never been whether something strange was happening. It's why nothing happened for nearly three years... until she was getting ready to leave.#HauntedApartment #RealGhostStories #GhostStories #Paranormal #HauntedHome #Supernatural #Unexplained #GhostEncounter #MovingDay #TrueParanormal #Haunting #ParanormalPodcast #StrangeExperiences #HauntedLiving #MysteryLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

In tonight's episode of Avery After Dark, we're diving into five chilling paranormal encounters that have left witnesses questioning everything they thought they knew. From a terrifying breakdown on a lonely highway near Area 51, where two impossible figures emerge from the darkness, to an unsettling experience at work that defies all logic, these stories only become more disturbing as they unfold. You'll also hear about an eerie night at a remote lake house, along with two more unforgettable encounters that blur the line between the natural and the supernatural. Turn down the lights, settle in... and prepare for CHILLS!

Canada's own MERLE, one of the country's best-known paranormal investigators and host of the popular Ghosts of the Great White North segment, teams up with acclaimed author and rock historian Susan Masino for a fascinating look at where rock music and the supernatural collide. MERLE has spent years investigating haunted locations, uncovering forgotten history, and documenting unexplained encounters across Canada and North America. His passion for preserving haunted history and searching for credible evidence has made him a trusted voice in paranormal research, bringing listeners chilling stories from some of the continent's most active locations.Joining him is Susan Masino, author of six books, including the internationally acclaimed The Story of AC/DC: Let There Be Rock, now published in eleven languages, and Family Tradition: Three Generations of Hank Williams. Susan has also appeared in the Van Halen: The Early Years DVD and AC/DC's Let There Be Rock, while hosting Wisconsin's popular 94.1 JJO Local Stage radio program. Her latest book, The Secrets of the Universe, explores synchronicity, past lives, numerology, healing, and ghost adventures, inspired in part by her own investigations at legendary haunted locations such as Bobby Mackey's Music Hall, Gettysburg, and the Green Door brothel in Deadwood. Tonight, MERLE and Susan combine their love of music history and paranormal research to share incredible stories of haunted musicians, ghostly encounters, supernatural legends, and the eerie side of rock 'n' roll that refuses to fade away.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. #UFO #UAP #AlienDisclosure #UFOSightings #UFOCoverUp #Aliens #SpacedOutRadio #Paranormal #UFOCommunity #disclosure -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

April 1973, a quiet suburb outside São Paulo. A twenty-one-year-old mother sits down for the first time all day, and finds the sofa beside her torn open. Nobody's there. Nobody's been there.This week, Yvette Fielding investigates the Guarulhos Poltergeist, Brazil's most thoroughly documented haunting. Slashed furniture, falling stones, spontaneous fires, cuts appearing on skin, and a red-furred beast glimpsed by an entire family. It baffled sceptical scientists, drew in the journalist who'd later crack the Enfield case, and ended up filed inside a real CIA psychic-warfare programme.Was it a curse, conjured by human malice and aimed at one young woman? A mind under unbearable strain? Or something we still have no name for? Listen, and decide for yourself.

Channel Stealing My Content : https://www.youtube.com/@SpectralVaultLYTIn this episode I'll be sharing 6 Stories all featured from the state of Florida. These stories are meant to relax and unsettle you. Grab a drink and settle in :) TimestampsIntro : (00:00)Story 1: (02:21) Story 2: (06:09)Story 3: (20:51)Story 4: (26:54) Story 5: (33:37) SUBMIT YOUR SCARY STORYsubmityourownscarystory@gmail.comPatreon : https://www.patreon.com/c/BoozeAndBoos?vanity=userJoin My Discord! https://discord.gg/sMUtpDwJADStories Found & Edited By : Zack Graham SUPPORT HIM & BUY HIS BOOKS :) Mogollon Monsters - https://a.co/d/d2BHQCPGhosts of Gravsmith - https://a.co/d/ahThYHA ►[ Intro & Background Ambience] - Aidenhttps://www.youtube.com/@UC-dIpawoAP9T9ccC0tgb-xw ►[《 Background Music

What's up ghouls, gals, and all of our paranormal pals out there...In today's episode, we're getting spooky with special returning guest, actor, producer, and cinematographer Michael Gagliano. Michael's back to dive even deeper into the strange and the unexplained.Welcome back, Michael!*Episode originally aired as a Livestream special event*Send us a Message!Follow us on all of our social media platforms:InstagramFacebookTikTok

This next guest is a medium, pet medium, paranormal investigator and a meteorologist who explains the paranormal using the science of energy. He applies science to earthbound entities he calls “ghosts” and “spirits” which we will certainly explain the difference between the two with our guest, however he has a new book: Haunting of Wilson Castle. (Part of the Haunting of Series) Let's go ahead and welcome Rob Gutro!Rob GutroWebsite: https://robgutro.com/IG: https://www.instagram.com/robgutro_authorFacebook: https://www.facebook.com/RobGutroAuthorMediumhttps://www.facebook.com/ghostsandspirits.insightsfromamediumCrazy Train RadioFacebook: facebook.com/realctradioInstagram:  @crazytrainradioX/Twitter:  @realctradioBlueSky:  @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube:  youtube.com/crazytrainradio

For nearly three years, she loved living in her apartment. It felt safe, comfortable, and completely ordinary. Then she got engaged, started planning a wedding, and began packing for a move into her new home. That's when everything changed.It started with small things that were easy to dismiss, but the closer moving day came, the more difficult those explanations became. Soon it wasn't just her experiencing the strange activity. Her mother, sister, and even her fiancé witnessed things they couldn't explain, leaving them all wondering why the apartment had suddenly become so active.The mystery has never been whether something strange was happening. It's why nothing happened for nearly three years... until she was getting ready to leave.#HauntedApartment #RealGhostStories #GhostStories #Paranormal #HauntedHome #Supernatural #Unexplained #GhostEncounter #MovingDay #TrueParanormal #Haunting #ParanormalPodcast #StrangeExperiences #HauntedLiving #MysteryLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

For Ophelia Fey, the paranormal has never been a passing interest—it has been a lifelong journey that began with unexplained experiences in childhood. Those early encounters ignited a passion for investigating hauntings, spirits, and the mysteries that exist just beyond our understanding. As a highly intuitive investigator and member of Task Force Wraith, Ophelia combines personal insight with historical research and a commitment to gathering credible evidence. She is also the author of Salt Blood, with a deeply personal memoir on the way, bringing her gift for storytelling to both her writing and her exploration of the supernatural.Joining her is Jason Gornichec, founder of Task Force Wraith, whose disciplined, evidence-based approach has become the foundation of the team's investigations. Jason believes that patience, careful observation, and teamwork reveal far more than assumptions ever could. Together, Ophelia and Jason travel throughout Ohio and beyond, examining haunted locations, strange encounters, and unexplained phenomena with professionalism and an open mind. Tonight on Spaced Out Radio, they share some of their most compelling paranormal adventures, discuss the methods they rely on in the field, and reveal why pursuing the truth often raises even more fascinating questions than it answers.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. #UFO #UAP #AlienDisclosure #UFOSightings #UFOCoverUp #Aliens #SpacedOutRadio #Paranormal #UFOCommunity #disclosure -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

For years, Eric Cooper of Forest Moon Paranormal, based in Concrete, Washington, has investigated some of the Pacific Northwest's most intriguing mysteries. From haunted locations and ghostly encounters to cryptid sightings, Sasquatch reports, UFO activity, and claims of extraterrestrial contact and abduction, Eric has dedicated himself to searching for answers where conventional explanations often fall short. His investigations combine traditional field research with an open mind, allowing him to examine the strange through multiple lenses while documenting evidence from some of the region's most active paranormal hotspots.Tonight on Spaced Out Radio, Eric joins Dave Scott to explore a compelling question that continues to challenge researchers around the world: Are ghosts, Bigfoot, UFOs, ET encounters, and other unexplained phenomena all connected? The conversation dives into remote viewing, consciousness, and the possibility that these seemingly separate mysteries may stem from the same underlying source. If the paranormal is more interconnected than we've ever imagined, what does that reveal about our reality—and our place within it? Prepare for a fascinating discussion that crosses the boundaries of the unexplained.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. #UFO #UAP #AlienDisclosure #UFOSightings #UFOCoverUp #Aliens #SpacedOutRadio #Paranormal #UFOCommunity #disclosure -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

This is a Grave Talks CLASSIC EPISODE! PART TWOBefore The Exorcist terrified the world, there was a real boy — and a true story that shook both the Church and the nation. His name was Roland Doe, and what began as strange noises and mysterious scratches quickly spiraled into one of the most disturbing possession cases ever recorded. The walls whispered. The marks on his body formed words. And as his behavior turned darker and more violent, desperate family members turned to priests for help — leading to a series of harrowing exorcisms that inspired one of the most infamous horror films of all time.In this chilling episode of The Grave Talks, paranormal expert Jeff Belanger unearths the truth behind the legend. Who was Roland Doe? What really happened in that St. Louis bedroom? And did the evil that plagued him ever truly leave?#TheExorcist #RolandDoe #TrueExorcism #Demonic # #Excorism  #ParanormalPodcast #RealHauntings #DemonicPossession #TheGraveTalks #ExorcismStory #TrueHorror #RealLifeExorcist #HauntedHistoryLove real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE!Before The Exorcist terrified the world, there was a real boy — and a true story that shook both the Church and the nation. His name was Roland Doe, and what began as strange noises and mysterious scratches quickly spiraled into one of the most disturbing possession cases ever recorded. The walls whispered. The marks on his body formed words. And as his behavior turned darker and more violent, desperate family members turned to priests for help — leading to a series of harrowing exorcisms that inspired one of the most infamous horror films of all time.In this chilling episode of The Grave Talks, paranormal expert Jeff Belanger unearths the truth behind the legend. Who was Roland Doe? What really happened in that St. Louis bedroom? And did the evil that plagued him ever truly leave?#TheExorcist #RolandDoe #TrueExorcism #Demonic # #Excorism  #ParanormalPodcast #RealHauntings #DemonicPossession #TheGraveTalks #ExorcismStory #TrueHorror #RealLifeExorcist #HauntedHistoryLove real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Lamarvelous News. Danny Glover. Morons in the News.   Apologizing to the Couch. Haunting Sandwiches. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? Kevin Spacey.   From the Vault. Bridger’s Buddies.

A man is granted a weekend furlough from prison to attend his grandfathers funeral and finds himself at the center of one of the most terrifying hauntings ever documented. With police officers, prison guards, family members, and a prison chaplain all witnessing the impossible, the Rain Man Haunting remains one of the most chilling paranormal cases on record...Avery After Dark is a real human hosted podcast that began in 2022. Every episode is hosted and narrated by Avery Ross, a real human and always will be. Never artificial. Enjoy!Watch this podcast episode! Click HERE to check it out & subscribe to the Avery After Dark Youtube Channel!Business Inquires | averyannross@gmail.comJoin the PATREON or Youtube Memberships for BONUS episodes of Avery After Dark! Thank you for your support :)Make sure you are following along for all the latest!TIKTOKINSTAGRAMFACEBOOK

This is a Grave Talks CLASSIC EPISODE! PART TWOWhat was meant to be a fresh start quickly became something far more difficult to explain.After moving into a Victorian home in Hanover, Pennsylvania, DeAnna Simpson began experiencing activity that didn't follow a simple pattern. What started as unexplained disturbances soon escalated into ongoing experiences that affected both the home and those living in it.In search of answers, she brought in a range of help—from clergy to investigators—but the activity continued, raising questions about what was happening and why it wasn't stopping. Along the way, the situation became more complex, with experiences that went beyond what she initially expected.DeAnna shares what it was like living through the events now known as The Hanover Haunting, the impact it had on her daily life, and what she learned as she tried to make sense of it all.It's a look at what happens when a home becomes the center of ongoing paranormal activity—and when the answers aren't easy to find.#paranormal #hanoverhaunting #hauntedhouse #paranormalactivity #spiritattachment #darkentities #ghostencounters #supernatural #realghoststories #hauntedhome #paranormalinvestigation #paranormalpodcast #thegravetalks Love real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

A small apartment became the backdrop for months of unexplained activity—slamming cabinets, misplaced belongings, strange noises, and the constant feeling that someone else was in the room.At first, it was easy to blame the apartment. But as the experiences became more personal, another possibility began to emerge.Years later, one detail still refuses to fit. When the couple eventually went their separate ways, the unexplained activity didn't simply disappear. It disappeared for one of them.Sometimes the biggest mystery isn't where a haunting happens. It's who it chooses to follow.#RealGhostStory #ParanormalEncounter #AttachedEntity #HauntedRelationship #UnexplainedActivity #ShadowFigure #ParanormalExperience #SomethingFollowedHer #SupernaturalMystery #ThingsThatCantBeExplainedLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE!What was meant to be a fresh start quickly became something far more difficult to explain.After moving into a Victorian home in Hanover, Pennsylvania, DeAnna Simpson began experiencing activity that didn't follow a simple pattern. What started as unexplained disturbances soon escalated into ongoing experiences that affected both the home and those living in it.In search of answers, she brought in a range of help—from clergy to investigators—but the activity continued, raising questions about what was happening and why it wasn't stopping. Along the way, the situation became more complex, with experiences that went beyond what she initially expected.DeAnna shares what it was like living through the events now known as The Hanover Haunting, the impact it had on her daily life, and what she learned as she tried to make sense of it all.It's a look at what happens when a home becomes the center of ongoing paranormal activity—and when the answers aren't easy to find.#paranormal #hanoverhaunting #hauntedhouse #paranormalactivity #spiritattachment #darkentities #ghostencounters #supernatural #realghoststories #hauntedhome #paranormalinvestigation #paranormalpodcast #thegravetalks Love real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE! PART TWOWhen Hunter and Jenny Scott bought their dream home in Rockford, Alabama, they thought they were starting a new chapter — until the house started writing one of its own. Shadow figures emerged from dark corners, unseen forces lashed out, and a violent history began to reveal itself piece by chilling piece. This wasn't just another haunting — it was personal.As paranormal activity escalated, even Harper Lee, author of To Kill a Mockingbird, became intrigued by the home's murderous past. What had happened within its walls that drew both the living and the dead? And why did it seem intent on driving its new owners away?In this episode of The Grave Talks, we sit down with investigator Kim Johnson, who helped uncover the dark secrets buried beneath the Rockford home and guided the Scotts through one of Alabama's most disturbing true hauntings.#TheRockfordHaunting #HauntedAlabama #HarperLee #ParanormalPodcast #RealHauntings #GhostStories #TheGraveTalks #TrueHaunting #HauntedHouse #ShadowPeople #DemonicHaunting #HauntedHistoryLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE!When Hunter and Jenny Scott bought their dream home in Rockford, Alabama, they thought they were starting a new chapter — until the house started writing one of its own. Shadow figures emerged from dark corners, unseen forces lashed out, and a violent history began to reveal itself piece by chilling piece. This wasn't just another haunting — it was personal.As paranormal activity escalated, even Harper Lee, author of To Kill a Mockingbird, became intrigued by the home's murderous past. What had happened within its walls that drew both the living and the dead? And why did it seem intent on driving its new owners away?In this episode of The Grave Talks, we sit down with investigator Kim Johnson, who helped uncover the dark secrets buried beneath the Rockford home and guided the Scotts through one of Alabama's most disturbing true hauntings.#TheRockfordHaunting #HauntedAlabama #HarperLee #ParanormalPodcast #RealHauntings #GhostStories #TheGraveTalks #TrueHaunting #HauntedHouse #ShadowPeople #DemonicHaunting #HauntedHistoryLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

Flying jackets, faces frozen mid-scream, a coven convinced they needed David Bowie's blood, and a demon that crashed a text at exactly 666 megabytes — these are the paranormal encounters the famous swear actually happened to them.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/CelebrityGhostEncountersREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/ff82f8yuFEATURED STORIES IN THIS EPISODE: Don't try and tell some celebrities that ghosts don't exist, because they've seen all the paranormal proof they need to believe. (Celebrity Encounters With The Paranormal) *** A prayer for food resulted in fish raining down from the sky in Yoro, Honduras. And now it happens regularly – sometimes twice a year – with still no definitive explanation. (Cloudy With a Chance of Sardines) *** Is it possible that UFO sightings and sightings of the Chupacabra are somehow related? Even stranger – is it possible the strange dog-lizard-like creatures came from crashed spaceships? (UFOs And The Chupacabra) *** Weirdo family member Laura tells a strange story about a candy store – and its resident ghost. (Haunted Candy Store)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:13.649 = Show Open00:02:50.627 = Celebrity Encounters With The Paranormal00:31:59.645 = UFOs And The Chupacabras ***00:39:37.674 = Cloudy With a Chance of Sardines00:46:26.106 = Haunted Candy Store ***00:50:58.248 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Celebrity Encounters With The Paranormal” by Brent Swancer: http://bit.ly/2ZAzYGX“Celebs Who Have Had Ghost Encounters by Lydia Price: http://bit.ly/2Iq0bCm“UFOs And The Chupacabra” by Nick Redfern: http://bit.ly/2XS41cy“Cloudy With a Chance of Sardines” by Panchali Dey: http://bit.ly/2IQ9p9Y“Haunted Candy Store” by Weirdo family member, Laura(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: January, 2021This episode of Weird Darkness gathers famous names who swear the paranormal found them, a Puerto Rican legend that ties dead Chupacabras to a crashed UFO, a Honduran town where fish fall from the sky, and a Wisconsin candy store with a listener's uneasy childhood dream folded in.It opens with celebrities who came away convinced. Carrie Fisher described lights and electronics switching on and off in her Beverly Hills home after her friend R. Gregory Stevens died there; Matthew McConaughey named the blue-dressed spirit he confronted in his house Madame Blu; and a young Keanu Reeves watched an empty jacket drift through a doorway in his New York apartment, the reality of it confirmed only by his nanny's face. Patrick Stewart saw a man in a beige coat vanish in the wings of the Theatre Royal Haymarket during Waiting for Godot, later matched to the ghost of 19th-century actor-manager Baldwin Buckstone, who died in 1879. Peter Jackson woke to a woman with a screaming face at the foot of his bed near London's St. James Theatre, a ghost his wife had seen two years earlier. Miley Cyrus fled a London flat over a boy she kept seeing on the bathroom sink; Ariana Grande photographed what she called textbook demon faces at Kansas's Stull Cemetery and found the file measured 666 megabytes; and David Bowie spent much of the 1970s certain a coven of witches wanted his semen, lighting black candles and hiring white magician Walli Elmlark to exorcise his swimming pool. John Lennon, by Uri Geller's account, described bug-like beings outside his apartment and an alien metal egg left in his hands, while Sammy Hagar claimed aliens plugged his sleeping brain into a machine and uploaded numerical code in 1967. Shorter accounts follow from Megan Mullally, Kendall Jenner, Gigi Hadid, Chloe Sevigny at the Lizzie Borden house, NASCAR's Dale Earnhardt Jr., Kate Hudson, Jessica Alba, Lucy Hale, Laura Linney at Broadway's Belasco Theater, Claudia Schiffer, Emma Stone, Selena Gomez, Alyson Hannigan, Demi Lovato, Jenna Bush-Hager in the White House, and Megan Fox.From there the episode travels to Puerto Rico, where writer Nick Redfern chases the claim that the shuttered Roosevelt Roads Naval Station once held the bodies of dead Chupacabras the way Wright-Patterson Air Force Base is rumored to hold dead aliens. On visits between 2004 and 2015, Redfern and monster-hunter Jon Downes collect accounts of a 1957 UFO crash in the hills of Canovanas, sealed off by the military for roughly three weeks, and a second reported crash in the El Yunque rain forest in February 1984 — both said to have left dead Chupacabras in the wreckage, though the creature angle only attached itself to the older case after the Chupacabra panic began in 1995.Next comes Yoro, Honduras, and the Lluvia de Peces, the Rain of Fish that residents trace to Father Jose Manuel Subirana, a Spanish missionary who prayed three days and nights over the region's hunger in the 1850s or '60s. Once or twice a year after a heavy May or June storm, live sardine-like fish cover the streets of a town more than 100 miles from the ocean, and a National Geographic team in the 1970s found the stranded fish were completely blind, hypothesizing underground rivers forced above ground by flooding rather than the waterspouts others propose. The town of roughly 93,000 celebrates with a festival, a parade, and a Miss Fish Rain crowned to ride a float dressed as a mermaid, and locals refuse to sell the catch, sharing it instead as a blessing.The episode closes with Weirdo family member Laura, who worked summers at a haunted candy store in a Wisconsin tourist town, a converted house where a ceramic jar once flew across a room at a coworker. That coworker, a Canadian tribeswoman from a family with the 'sight,' listened to Laura describe a dream that returned every Christmas Eve until she was six or seven — a black, pulsing void of indistinct voices that rose to screams and a pressure closing on her chest, replaced in its final occurrence by an overhead view of a storage yard before it stopped for good. When Laura finished, the coworker told her it was a good thing she never listened to the voices, and suggested Laura had unconsciously sealed off her own ability to sense the spiritual after something that was not benevolent kept trying to reach her.

This is a Grave Talks CLASSIC EPISODE!Step into the lavish yet eerie world of Nevada's Mizpah Hotel, where the glitz of the early 1900s collides with a century's worth of ghost stories. Once a dazzling playground for the rich and powerful of the mining boom, the Mizpah now hosts a far more permanent crowd — its ghosts.Guests report encounters with The Lady in Red, a glamorous apparition known for her love of jewelry and her haunting presence in the upper floors. Others hear the giggles of unseen children echoing through the third floor or spot the spectral miners who still roam the halls. But the bravest whisper about the basement, where dark figures lurk and the air itself seems to hum with secrets from the past.In this episode of The Grave Talks, we're joined by Chavonn Smith, Jessie DiMaggio, and Heather Ingalls to uncover the truth behind one of Nevada's most haunted hotels — a place where the past refuses to check out. #MizpahHotel #HauntedNevada #LadyInRed #HauntedHotel #GhostStories #RealHauntings #TheGraveTalks #ParanormalPodcast #HauntedHistory #HauntedPlaces #NevadaGhosts #GhostEncountersLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE! PART TWOStep into the lavish yet eerie world of Nevada's Mizpah Hotel, where the glitz of the early 1900s collides with a century's worth of ghost stories. Once a dazzling playground for the rich and powerful of the mining boom, the Mizpah now hosts a far more permanent crowd — its ghosts.Guests report encounters with The Lady in Red, a glamorous apparition known for her love of jewelry and her haunting presence in the upper floors. Others hear the giggles of unseen children echoing through the third floor or spot the spectral miners who still roam the halls. But the bravest whisper about the basement, where dark figures lurk and the air itself seems to hum with secrets from the past.In this episode of The Grave Talks, we're joined by Chavonn Smith, Jessie DiMaggio, and Heather Ingalls to uncover the truth behind one of Nevada's most haunted hotels — a place where the past refuses to check out. #MizpahHotel #HauntedNevada #LadyInRed #HauntedHotel #GhostStories #RealHauntings #TheGraveTalks #ParanormalPodcast #HauntedHistory #HauntedPlaces #NevadaGhosts #GhostEncountersLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

Download Swamp Dweller Scary Stories:Itunes: https://apple.co/2L7znZpSpotify: https://spoti.fi/2WUFDG8►join the swamp dwellers!►Subscribe to my channel: https://www.youtube.com/channel/UCyYjOfKMuuIv0oMjG68Reug►Follow me on Instagram! https://www.instagram.com/swampdwellerofficial/►Join me on Twitter: https://twitter.com/iSwampDweller►'Like' my Facebook Page: https://www.facebook.com/SwampDwellerReads►Submit stories to http://swampdweller.net/ or swampdwellereads@gmail.com

This is a Grave Talks CLASSIC EPISODE!Rhoda Derry's story is one of the most haunting and heartbreaking in the history of American asylums. Once a vibrant young woman, her life descended into unimaginable torment after being committed to a mental institution in the 1800s. Subjected to years of cruelty, neglect, and isolation, Rhoda became a symbol of the horrors inflicted upon those society chose to forget.But death wasn't the end of Rhoda's story. To this day, visitors to the Peoria State Hospital — where she spent her final years — report strange noises, shadowy figures, and an overwhelming sadness that seems to emanate from the very walls. Many believe Rhoda's spirit still roams the grounds, searching for the peace she was denied in life.In this chilling episode of The Grave Talks, we speak with author and paranormal researcher Sylvia Shults about the enduring legend of Rhoda Derry — a woman whose suffering echoes through time, and whose ghostly presence continues to remind us of humanity's darkest mistakes.#RhodaDerry #HauntedAsylum #PeoriaStateHospital #RealGhostStory #ParanormalPodcast #HistoricHaunting #TheGraveTalks #Hauntings #HauntedIllinois #AsylumGhosts #TragicHauntings #TrueParanormalLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE! PART TWORhoda Derry's story is one of the most haunting and heartbreaking in the history of American asylums. Once a vibrant young woman, her life descended into unimaginable torment after being committed to a mental institution in the 1800s. Subjected to years of cruelty, neglect, and isolation, Rhoda became a symbol of the horrors inflicted upon those society chose to forget.But death wasn't the end of Rhoda's story. To this day, visitors to the Peoria State Hospital — where she spent her final years — report strange noises, shadowy figures, and an overwhelming sadness that seems to emanate from the very walls. Many believe Rhoda's spirit still roams the grounds, searching for the peace she was denied in life.In this chilling episode of The Grave Talks, we speak with author and paranormal researcher Sylvia Shults about the enduring legend of Rhoda Derry — a woman whose suffering echoes through time, and whose ghostly presence continues to remind us of humanity's darkest mistakes.#RhodaDerry #HauntedAsylum #PeoriaStateHospital #RealGhostStory #ParanormalPodcast #HistoricHaunting #TheGraveTalks #Hauntings #HauntedIllinois #AsylumGhosts #TragicHauntings #TrueParanormalLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

The most evil among us are sometimes sentenced to death — but by cutting their lives short, are we unknowingly creating malevolent entities that haunt us forever?EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/DeathRowGhostsREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/mr3vu756FEATURED STORIES IN THIS EPISODE: The most evil of lawbreakers in our society – the murderers and rapists – are usually confined to life in prison. The most evil of the evil are sometimes sentenced to death. But is it possible that by cutting short the lives of the horrific individuals on Death Row, we are unknowingly creating new malevolent entities that continue to torment us from the grave? (The Ghosts of Death Row) *** From beatings to murders to a handful of escape attempts made by Alcatraz's prisoners, the terrifying history of Alcatraz prison contains plenty of ghosts. (The Hauntings of Alcatraz) *** What if UFOs aren't from another planet – or even another dimension? What if they are actually machines built right here on Earth, piloted by human time travelers? (Time Machine Flying Saucers) *** Weirdo family member Amber Harris shares a true story called “Darkness Was My Neighbor”. (Darkness Was My Neighbor)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:00:51.953 = Show Open00:02:45.176 = Ghosts of Death Row00:23:40.720 = Hauntings of Alcatraz ***00:40:46.307 = Time Machine Flying Saucers ***00:47:37.172 = Darkness Was My Neighbor00:53:53.392 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“The Ghosts of Death Row” by Brent Swancer: http://bit.ly/2KzEFw9“The Hauntings of Alcatraz” by Erin McCann: http://bit.ly/2QSsuM6“Time Machine Flying Saucers” posted at UFO Digest (link no longer available)“Darkness Was My Neighbor” by Amber Harris – submitted directly to Weird Darkness(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: January, 2022Weird Darkness journeys into haunted prisons, botched executions, secret time-travel technology, and a neighbor's death that seemed to linger after the funeral, spanning true crime, the paranormal, and a firsthand ghost story from a listener.It opens with the ghosts of Death Row, where condemned killers appear to keep terrorizing long after execution. German immigrant Frederick Hollman, one of America's earliest serial killers, was hanged at the Ford County Jail in Paxton, Illinois, on May 14, 1897, after promising to return and rap on the windows of the witnesses and jurors who convicted him — and the jail is now a paranormal hotspot where his face has been photographed glaring into his old cell. Lavinia Fisher and her husband John ran the Six Mile House near Charleston, South Carolina, in the early 1820s, allegedly poisoning and dropping wealthy travelers through a trapdoor before their hanging for highway robbery, and her aggressive spirit is still blamed for choking sensations and foul stenches at the Old Charleston Jail. Raymond Snowden, dubbed Idaho's Jack the Ripper for the 1956 stabbing of Cora Dean, endured a botched twenty-minute hanging at the Old Idaho Penitentiary in Boise in 1957 and reportedly haunts the gallows site alongside inmate Douglas Van Vlack, who leaped to his death from the cell block rafters. Ted Bundy, executed in Florida's electric chair on January 24, 1989, has supposedly been seen grinning atop the chair and telling guards he beat them all, while Willie Lloyd Turner — executed by lethal injection in 1995 after fifteen years and five aborted trips to the chamber — appeared so lifelike after death that inmates mistook him for the living. The segment closes across the Atlantic with executioner John Ellis, who hanged more than a hundred people at Manchester's Strangeways Jail before killing himself in 1932 and is said to still patrol B Wing to keep the prison's other ghosts, including poisoner Mrs. Merrifield, in line.From there the episode moves to Alcatraz, the federal penitentiary that operated on its fog-bound San Francisco Bay island from 1934 to 1963 and earned a reputation as one of America's most haunted sites. The solitary cells of D-Block known as "the hole" are tied to the 1940s strangulation death of a screaming inmate in cell 14D, possibly the work of former occupant Rufus McCain, and visitors report icy fingers and unnatural cold there. The 1946 Battle of Alcatraz left two guards and three escapees dead in a utility corridor where clanging noises still echo, psychic Sylvia Browne sensed murdered hitman Abie "Butcher" Maldowitz in the laundry room, and the catacomb "dungeon" beneath A-Block preserves the screams of prisoners once chained naked to its walls. Al Capone spent part of his 1934 sentence strumming a banjo to hold off insanity, and that banjo music is still reportedly heard in the halls, while "Birdman" Robert Stroud haunts the hospital wing where he was confined among his canary research. The island carried dark associations long before the prison, from Ohlone tribal beliefs that it gathered evil spirits to the Civil War soldiers who died chained in its guardhouse basement, and even the 1969 to 1971 Native American occupation ended in fire and loss before the ghosts reportedly stayed behind.Next the episode turns to a fringe theory that reframes flying saucers as human technology rather than alien craft, arguing that a secretive commercial group used patent-law secrecy to build working time machines in twentieth-century laboratories. The account claims these machines can move an ion through time in both directions, that short-range "trans-burst" devices let a person leap across nearby distances, and that the UFOs people photograph are previews of future mankind rather than extraterrestrial visitors. It ties the idea to Einstein's 1901 work as a patent clerk and to E=mc², and recasts Area 51 as cover not for alien bodies but for a commercial experiment involving four trained monkeys linked to a 1961 interstellar flight.The episode closes with a listener account from Amber Harris, who lived at the end of a cul-de-sac in Williamsburg, Virginia, in a house set down in a ditch so the second floor sat level with the street. After her next-door neighbor died suddenly in his home and his widow moved away, the house sat unsold for months, and one night past midnight the hallway light outside Amber's bedroom switched on without the telltale sound of anyone climbing the loud staircase, casting the shadow of a male figure beneath her door before it went dark. Weeks later her sister woke her by text to watch the dead neighbor's dog standing beneath the orange street light, barking at the empty house before turning its head directly toward the two of them at the window and then vanishing, an image that stayed with the family until a job moved them to Indiana, with the neighbor's house still unsold when they drove past it the following May.