Podcasts about Little America

Last time we spoke about the surrender of Japan. Emperor Hirohito announced the surrender on August 15, prompting mixed public reactions: grief, shock, and sympathy for the Emperor, tempered by fear of hardship and occupation. The government's response included resignations and suicide as new leadership was brought in under Prime Minister Higashikuni, with Mamoru Shigemitsu as Foreign Minister and Kawabe Torashiro heading a delegation to Manila. General MacArthur directed the occupation plan, “Blacklist,” prioritizing rapid, phased entry into key Japanese areas and Korea, while demobilizing enemy forces. The surrender ceremony occurred aboard the Missouri in Tokyo Bay on September 2, with Wainwright, Percival, Nimitz, and UN representatives in attendance. Civilians and soldiers across Asia began surrendering, and postwar rehabilitation, Indochina and Vietnam's independence movements, and Southeast Asian transitions rapidly unfolded as Allied forces established control. This episode is the Aftermath of the Pacific War Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  The Pacific War has ended. Peace has been restored by the Allies and most of the places conquered by the Japanese Empire have been liberated. In this post-war period, new challenges would be faced for those who won the war; and from the ashes of an empire, a defeated nation was also seeking to rebuild. As the Japanese demobilized their armed forces, many young boys were set to return to their homeland, even if they had previously thought that they wouldn't survive the ordeal. And yet, there were some cases of isolated men that would continue to fight for decades even, unaware that the war had already ended.  As we last saw, after the Japanese surrender, General MacArthur's forces began the occupation of the Japanese home islands, while their overseas empire was being dismantled by the Allies. To handle civil administration, MacArthur established the Military Government Section, commanded by Brigadier-General William Crist, staffed by hundreds of US experts trained in civil governance who were reassigned from Okinawa and the Philippines. As the occupation began, Americans dispatched tactical units and Military Government Teams to each prefecture to ensure that policies were faithfully carried out. By mid-September, General Eichelberger's 8th Army had taken over the Tokyo Bay region and began deploying to occupy Hokkaido and the northern half of Honshu. Then General Krueger's 6th Army arrived in late September, taking southern Honshu and Shikoku, with its base in Kyoto. In December, 6th Army was relieved of its occupation duties; in January 1946, it was deactivated, leaving the 8th Army as the main garrison force. By late 1945, about 430,000 American soldiers were garrisoned across Japan. President Truman approved inviting Allied involvement on American terms, with occupation armies integrated into a US command structure. Yet with the Chinese civil war and Russia's reluctance to place its forces under MacArthur's control, only Australia, Britain, India, and New Zealand sent brigades, more than 40,000 troops in southwestern Japan. Japanese troops were gradually disarmed by order of their own commanders, so the stigma of surrender would be less keenly felt by the individual soldier. In the homeland, about 1.5 million men were discharged and returned home by the end of August. Demobilization overseas, however, proceeded, not quickly, but as a long, difficult process of repatriation. In compliance with General Order No. 1, the Japanese Imperial General Headquarters disbanded on September 13 and was superseded by the Japanese War Department to manage demobilization. By November 1, the homeland had demobilized 2,228,761 personnel, roughly 97% of the Homeland Army. Yet some 6,413,215 men remained to be repatriated from overseas. On December 1, the Japanese War Ministry dissolved, and the First Demobilization Ministry took its place. The Second Demobilization Ministry was established to handle IJN demobilization, with 1,299,868 sailors, 81% of the Navy, demobilized by December 17. Japanese warships and merchant ships had their weapons rendered inoperative, and suicide craft were destroyed. Forty percent of naval vessels were allocated to evacuations in the Philippines, and 60% to evacuations of other Pacific islands. This effort eventually repatriated about 823,984 men to Japan by February 15, 1946. As repatriation accelerated, by October 15 only 1,909,401 men remained to be repatriated, most of them in the Soviet Union. Meanwhile, the Higashikuni Cabinet and Foreign Minister Shigemitsu Mamoru managed to persuade MacArthur not to impose direct military rule or martial law over all of Japan. Instead, the occupation would be indirect, guided by the Japanese government under the Emperor's direction. An early decision to feed occupation forces from American supplies, and to allow the Japanese to use their own limited food stores, helped ease a core fear: that Imperial forces would impose forced deliveries on the people they conquered. On September 17, MacArthur transferred his headquarters from Yokohama to Tokyo, setting up primary offices on the sixth floor of the Dai-Ichi Mutual Life Insurance Building, an imposing edifice overlooking the moat and the Imperial palace grounds in Hibiya, a symbolic heart of the nation.  While the average soldier did not fit the rapacious image of wartime Japanese propagandists, occupation personnel often behaved like neo-colonial overlords. The conquerors claimed privileges unimaginable to most Japanese. Entire trains and train compartments, fitted with dining cars, were set aside for the exclusive use of occupation forces. These silenced, half-empty trains sped past crowded platforms, provoking ire as Japanese passengers were forced to enter and exit packed cars through punched-out windows, or perch on carriage roofs, couplings, and running boards, often with tragic consequences. The luxury express coaches became irresistible targets for anonymous stone-throwers. During the war, retrenchment measures had closed restaurants, cabarets, beer halls, geisha houses, and theatres in Tokyo and other large cities. Now, a vast leisure industry sprang up to cater to the needs of the foreign occupants. Reopened restaurants and theatres, along with train stations, buses, and streetcars, were sometimes kept off limits to Allied personnel, partly for security, partly to avoid burdening Japanese resources, but a costly service infrastructure was built to the occupiers' specifications. Facilities reserved for occupation troops bore large signs reading “Japanese Keep Out” or “For Allied Personnel Only.” In downtown Tokyo, important public buildings requisitioned for occupation use had separate entrances for Americans and Japanese. The effect? A subtle but clear colour bar between the predominantly white conquerors and the conquered “Asiatic” Japanese. Although MacArthur was ready to work through the Japanese government, he lacked the organizational infrastructure to administer a nation of 74 million. Consequently, on October 2, MacArthur dissolved the Military Government Section and inaugurated General Headquarters, Supreme Commander for the Allied Powers, a separate headquarters focused on civil affairs and operating in tandem with the Army high command. SCAP immediately assumed responsibility for administering the Japanese home islands. It commandeered every large building not burned down to house thousands of civilians and requisitioned vast tracts of prime real estate to quarter several hundred thousand troops in the Tokyo–Yokohama area alone. Amidst the rise of American privilege, entire buildings were refurbished as officers' clubs, replete with slot machines and gambling parlours installed at occupation expense. The Stars and Stripes were hoisted over Tokyo, while the display of the Rising Sun was banned; and the downtown area, known as “Little America,” was transformed into a US enclave. The enclave mentality of this cocooned existence was reinforced by the arrival within the first six months of roughly 700 American families. At the peak of the occupation, about 14,800 families employed some 25,000 Japanese servants to ease the “rigours” of overseas duty. Even enlisted men in the sparse quonset-hut towns around the city lived like kings compared with ordinary Japanese. Japanese workers cleaned barracks, did kitchen chores, and handled other base duties. The lowest private earned a 25% hardship bonus until these special allotments were discontinued in 1949. Most military families quickly adjusted to a pampered lifestyle that went beyond maids and “boys,” including cooks, laundresses, babysitters, gardeners, and masseuses. Perks included spacious quarters with swimming pools, central heating, hot running water, and modern plumbing. Two observers compared GHQ to the British Raj at its height. George F. Kennan, head of the State Department's Policy Planning Staff, warned during his 1948 mission to Japan that Americans had monopolized “everything that smacks of comfort or elegance or luxury,” criticizing what he called the “American brand of philistinism” and the “monumental imperviousness” of MacArthur's staff to the Japanese suffering. This conqueror's mentality also showed in the bullying attitudes many top occupation officials displayed toward the Japanese with whom they dealt. Major Faubion Bowers, MacArthur's military secretary, later said, “I and nearly all the occupation people I knew were extremely conceited and extremely arrogant and used our power every inch of the way.” Initially, there were spasms of defiance against the occupation forces, such as anonymous stone-throwing, while armed robbery and minor assaults against occupation personnel were rife in the weeks and months after capitulation. Yet active resistance was neither widespread nor organized. The Americans successfully completed their initial deployment without violence, an astonishing feat given a heavily armed and vastly superior enemy operating on home terrain. The average citizen regarded the occupation as akin to force majeure, the unfortunate but inevitable aftermath of a natural calamity. Japan lay prostrate. Industrial output had fallen to about 10% of pre-war levels, and as late as 1946, more than 13 million remained unemployed. Nearly 40% of Japan's urban areas had been turned to rubble, and some 9 million people were homeless. The war-displaced, many of them orphans, slept in doorways and hallways, in bombed-out ruins, dugouts and packing crates, under bridges or on pavements, and crowded the hallways of train and subway stations. As winter 1945 descended, with food, fuel, and clothing scarce, people froze to death. Bonfires lit the streets to ward off the chill. "The only warm hands I have shaken thus far in Japan belonged to Americans," Mark Gayn noted in December 1945. "The Japanese do not have much of a chance to thaw out, and their hands are cold and red." Unable to afford shoes, many wore straw sandals; those with geta felt themselves privileged. The sight of a man wearing a woman's high-buttoned shoes in winter epitomized the daily struggle to stay dry and warm. Shantytowns built of scrap wood, rusted metal, and scavenged odds and ends sprang up everywhere, resembling vast junk yards. The poorest searched smouldering refuse heaps for castoffs that might be bartered for a scrap to eat or wear. Black markets (yami'ichi) run by Japanese, Koreans, and For-mosans mushroomed to replace collapsed distribution channels and cash in on inflated prices. Tokyo became "a world of scarcity in which every nail, every rag, and even a tangerine peel [had a] market value." Psychologically numbed, disoriented, and disillusioned with their leaders, demobilized veterans and civilians alike struggled to get their bearings, shed militaristic ideologies, and begin to embrace new values. In the vacuum of defeat, the Japanese people appeared ready to reject the past and grasp at the straw held out by the former enemy. Relations between occupier and occupied were not smooth, however. American troops comported themselves like conquerors, especially in the early weeks and months of occupation. Much of the violence was directed against women, with the first attacks beginning within hours after the landing of advance units. When US paratroopers landed in Sapporo, an orgy of looting, sexual violence, and drunken brawling ensued. Newspaper accounts reported 931 serious offences by GIs in the Yokohama area during the first week of occupation, including 487 armed robberies, 411 thefts of currency or goods, 9 rapes, 5 break-ins, 3 cases of assault and battery, and 16 other acts of lawlessness. In the first 10 days of occupation, there were 1,336 reported rapes by US soldiers in Kanagawa Prefecture alone. Americans were not the only perpetrators. A former prostitute recalled that when Australian troops arrived in Kure in early 1946, they “dragged young women into their jeeps, took them to the mountain, and then raped them. I heard them screaming for help nearly every night.” Such behaviour was commonplace, but news of criminal activity by occupation forces was quickly suppressed. On September 10, 1945, SCAP issued press and pre-censorship codes outlawing the publication of reports and statistics "inimical to the objectives of the occupation." In the sole instance of self-help General Eichelberger records in his memoirs, when locals formed a vigilante group and retaliated against off-duty GIs, 8th Army ordered armored vehicles into the streets and arrested the ringleaders, who received lengthy prison terms. Misbehavior ranged from black-market activity, petty theft, reckless driving, and disorderly conduct to vandalism, arson, murder, and rape. Soldiers and sailors often broke the law with impunity, and incidents of robbery, rape, and even murder were widely reported. Gang rapes and other sex atrocities were not infrequent; victims, shunned as outcasts, sometimes turned to prostitution in desperation, while others took their own lives to avoid bringing shame to their families. Military courts arrested relatively few soldiers for these offenses and convicted even fewer; Japanese attempts at self-defense were punished severely, and restitution for victims was rare. Fearing the worst, Japanese authorities had already prepared countermeasures against the supposed rapacity of foreign soldiers. Imperial troops in East Asia and the Pacific had behaved brutally toward women, so the government established “sexual comfort-stations” manned by geisha, bar hostesses, and prostitutes to “satisfy the lust of the Occupation forces,” as the Higashikuni Cabinet put it. A budget of 100 million yen was set aside for these Recreation and Amusement Associations, financed initially with public funds but run as private enterprises under police supervision. Through these, the government hoped to protect the daughters of the well-born and middle class by turning to lower-class women to satisfy the soldiers' sexual appetites. By the end of 1945, brothel operators had rounded up an estimated 20,000 young women and herded them into RAA establishments nationwide. Eventually, as many as 70,000 are said to have ended up in the state-run sex industry. Thankfully, as military discipline took hold and fresh troops replaced the Allied veterans responsible for the early crime wave, violence subsided and the occupier's patronising behavior and the ugly misdeeds of a lawless few were gradually overlooked. However, fraternisation was frowned upon by both sides, and segregation was practiced in principle, with the Japanese excluded from areas reserved for Allied personnel until September 1949, when MacArthur lifted virtually all restrictions on friendly association, stating that he was “establishing the same relations between occupation personnel and the Japanese population as exists between troops stationed in the United States and the American people.” In principle, the Occupation's administrative structure was highly complex. The Far Eastern Commission, based in Washington, included representatives from all 13 countries that had fought against Japan and was established in 1946 to formulate basic principles. The Allied Council for Japan was created in the same year to assist in developing and implementing surrender terms and in administering the country. It consisted of representatives from the USA, the USSR, Nationalist China, and the British Commonwealth. Although both bodies were active at first, they were largely ineffectual due to unwieldy decision-making, disagreements between the national delegations (especially the USA and USSR), and the obstructionism of General Douglas MacArthur. In practice, SCAP, the executive authority of the occupation, effectively ruled Japan from 1945 to 1952. And since it took orders only from the US government, the Occupation became primarily an American affair. The US occupation program, effectively carried out by SCAP, was revolutionary and rested on a two-pronged approach. To ensure Japan would never again become a menace to the United States or to world peace, SCAP pursued disarmament and demilitarization, with continuing control over Japan's capacity to make war. This involved destroying military supplies and installations, demobilizing more than five million Japanese soldiers, and thoroughly discrediting the military establishment. Accordingly, SCAP ordered the purge of tens of thousands of designated persons from public service positions, including accused war criminals, military officers, leaders of ultranationalist societies, leaders in the Imperial Rule Assistance Association, business leaders tied to overseas expansion, governors of former Japanese colonies, and national leaders who had steered Japan into war. In addition, MacArthur's International Military Tribunal for the Far East established a military court in Tokyo. It had jurisdiction over those charged with Class A crimes, top leaders who had planned and directed the war. Also considered were Class B charges, covering conventional war crimes, and Class C charges, covering crimes against humanity. Yet the military court in Tokyo wouldn't be the only one. More than 5,700 lower-ranking personnel were charged with conventional war crimes in separate trials convened by Australia, China, France, the Dutch East Indies, the Philippines, the United Kingdom, and the United States. Of the 5,700 Japanese individuals indicted for Class B war crimes, 984 were sentenced to death; 475 received life sentences; 2,944 were given more limited prison terms; 1,018 were acquitted; and 279 were never brought to trial or not sentenced. Among these, many, like General Ando Rikichi and Lieutenant-General Nomi Toshio, chose to commit suicide before facing prosecution. Notable cases include Lieutenant-General Tani Hisao, who was sentenced to death by the Nanjing War Crimes Tribunal for his role in the Nanjing Massacre; Lieutenant-General Sakai Takashi, who was executed in Nanjing for the murder of British and Chinese civilians during the occupation of Hong Kong. General Okamura Yasuji was convicted of war crimes by the Tribunal, yet he was immediately protected by the personal order of Nationalist leader Chiang Kai-Shek, who kept him as a military adviser for the Kuomintang. In the Manila trials, General Yamashita Tomoyuki was sentenced to death as he was in overall command during the Sook Ching massacre, the Rape of Manila, and other atrocities. Lieutenant-General Homma Masaharu was likewise executed in Manila for atrocities committed by troops under his command during the Bataan Death March. General Imamura Hitoshi was sentenced to ten years in prison, but he considered the punishment too light and even had a replica of the prison built in his garden, remaining there until his death in 1968. Lieutenant-General Kanda Masatane received a 14-year sentence for war crimes on Bougainville, though he served only four years. Lieutenant-General Adachi Hatazo was sentenced to life imprisonment for war crimes in New Guinea and subsequently committed suicide on September 10, 1947. Lieutenant-General Teshima Fusataro received three years of forced labour for using a hospital ship to transport troops. Lieutenant-General Baba Masao was sentenced to death for ordering the Sandakan Death Marches, during which over 2,200 Australian and British prisoners of war perished. Lieutenant-General Tanabe Moritake was sentenced to death by a Dutch military tribunal for unspecified war crimes. Rear-Admiral Sakaibara Shigematsu was executed in Guam for ordering the Wake Island massacre, in which 98 American civilians were murdered. Lieutenant-General Inoue Sadae was condemned to death in Guam for permitting subordinates to execute three downed American airmen captured in Palau, though his sentence was commuted to life imprisonment in 1951 and he was released in 1953. Lieutenant-General Tachibana Yoshio was sentenced to death in Guam for his role in the Chichijima Incident, in which eight American airmen were cannibalized. By mid-1945, due to the Allied naval blockade, the 25,000 Japanese troops on Chichijima had run low on supplies. However, although the daily rice ration had been reduced from 400 grams per person per day to 240 grams, the troops were not at risk of starvation. In February and March 1945, in what would later be called the Chichijima incident, Tachibana Yoshio's senior staff turned to cannibalism. Nine American airmen had escaped from their planes after being shot down during bombing raids on Chichijima, eight of whom were captured. The ninth, the only one to evade capture, was future US President George H. W. Bush, then a 20-year-old pilot. Over several months, the prisoners were executed, and reportedly by the order of Major Matoba Sueyo, their bodies were butchered by the division's medical orderlies, with the livers and other organs consumed by the senior staff, including Matoba's superior Tachibana. In the Yokohama War Crimes Trials, Lieutenant-Generals Inada Masazumi and Yokoyama Isamu were convicted for their complicity in vivisection and other human medical experiments performed at Kyushu Imperial University on downed Allied airmen. The Tokyo War Crimes Trial, which began in May 1946 and lasted two and a half years, resulted in the execution by hanging of Generals Doihara Kenji and Itagaki Seishiro, and former Prime Ministers Hirota Koki and Tojo Hideki, for war crimes, crimes against humanity, and crimes against peace, specifically for the escalation of the Pacific War and for permitting the inhumane treatment of prisoners of war. Also sentenced to death were Lieutenant-General Muto Akira for his role in the Nanjing and Manila massacres; General Kimura Heitaro for planning the war strategy in China and Southeast Asia and for laxity in preventing atrocities against prisoners of war in Burma; and General Matsui Iwane for his involvement in the Rape of Nanjing. The seven defendants who were sentenced to death were executed at Sugamo Prison in Ikebukuro on December 23, 1948. Sixteen others were sentenced to life imprisonment, including the last Field Marshal Hata Shunroku, Generals Araki Sadao, Minami Hiro, and Umezu Shojiro, Admiral Shimada Shigetaro, former Prime Ministers Hiranuma Kiichiro and Koiso Kuniaki, Marquis Kido Koichi, and Colonel Hashimoto Kingoro, a major instigator of the second Sino-Japanese War. Additionally, former Foreign Ministers Togo Shigenori and Shigemitsu Mamoru received seven- and twenty-year sentences, respectively. The Soviet Union and Chinese Communist forces also held trials of Japanese war criminals, including the Khabarovsk War Crime Trials, which tried and found guilty some members of Japan's bacteriological and chemical warfare unit known as Unit 731. However, those who surrendered to the Americans were never brought to trial, as MacArthur granted immunity to Lieutenant-General Ishii Shiro and all members of the bacteriological research units in exchange for germ-w warfare data derived from human experimentation. If you would like to learn more about what I like to call Japan's Operation Paper clip, whereupon the US grabbed many scientists from Unit 731, check out my exclusive podcast. The SCAP-turn to democratization began with the drafting of a new constitution in 1947, addressing Japan's enduring feudal social structure. In the charter, sovereignty was vested in the people, and the emperor was designated a “symbol of the state and the unity of the people, deriving his position from the will of the people in whom resides sovereign power.” Because the emperor now possessed fewer powers than European constitutional monarchs, some have gone so far as to say that Japan became “a republic in fact if not in name.” Yet the retention of the emperor was, in fact, a compromise that suited both those who wanted to preserve the essence of the nation for stability and those who demanded that the emperor system, though not necessarily the emperor, should be expunged. In line with the democratic spirit of the new constitution, the peerage was abolished and the two-chamber Diet, to which the cabinet was now responsible, became the highest organ of state. The judiciary was made independent and local autonomy was granted in vital areas of jurisdiction such as education and the police. Moreover, the constitution stipulated that “the people shall not be prevented from enjoying any of the fundamental human rights,” that they “shall be respected as individuals,” and that “their right to life, liberty, and the pursuit of happiness shall … be the supreme consideration in legislation.” Its 29 articles guaranteed basic human rights: equality, freedom from discrimination on the basis of race, creed, sex, social status or family origin, freedom of thought and freedom of religion. Finally, in its most controversial section, Article 9, the “peace clause,” Japan “renounce[d] war as a sovereign right of the nation” and vowed not to maintain any military forces and “other war potential.” To instill a thoroughly democratic ethos, reforms touched every facet of society. The dissolution of the zaibatsu decentralised economic power; the 1945 Labour Union Law and the 1946 Labour Relations Act guaranteed workers the right to collective action; the 1947 Labour Standards Law established basic working standards for men and women; and the revised Civil Code of 1948 abolished the patriarchal household and enshrined sexual equality. Reflecting core American principles, SCAP introduced a 6-3-3 schooling system, six years of compulsory elementary education, three years of junior high, and an optional three years of senior high, along with the aim of secular, locally controlled education. More crucially, ideological reform followed: censorship of feudal material in media, revision of textbooks, and prohibition of ideas glorifying war, dying for the emperor, or venerating war heroes. With women enfranchised and young people shaped to counter militarism and ultranationalism, rural Japan was transformed to undermine lingering class divisions. The land reform program provided for the purchase of all land held by absentee landlords, allowed resident landlords and owner-farmers to retain a set amount of land, and required that the remaining land be sold to the government so it could be offered to existing tenants. In 1948, amid the intensifying tensions of the Cold War that would soon culminate in the Korean War, the occupation's focus shifted from demilitarization and democratization toward economic rehabilitation and, ultimately, the remilitarization of Japan, an shift now known as the “Reverse Course.” The country was thus rebuilt as the Pacific region's primary bulwark against the spread of Communism. An Economic Stabilisation Programme was introduced, including a five-year plan to coordinate production and target capital through the Reconstruction Finance Bank. In 1949, the anti-inflationary Dodge Plan was adopted, advocating balanced budgets, fixing the exchange rate at 360 yen to the dollar, and ending broad government intervention. Additionally, the Ministry of International Trade and Industry was formed and supported the formation of conglomerates centered around banks, which encouraged the reemergence of a somewhat weakened set of zaibatsu, including Mitsui and Mitsubishi. By the end of the Occupation era, Japan was on the verge of surpassing its 1934–1936 levels of economic growth. Equally important was Japan's rearmament in alignment with American foreign policy: a National Police Reserve of about 75,000 was created with the outbreak of the Korean War; by 1952 it had expanded to 110,000 and was renamed the Self-Defense Force after the inclusion of an air force. However, the Reverse Course also facilitated the reestablishment of conservative politics and the rollback of gains made by women and the reforms of local autonomy and education. As the Occupation progressed, the Americans permitted greater Japanese initiative, and power gradually shifted from the reformers to the moderates. By 1949, the purge of the right came under review, and many who had been condemned began returning to influence, if not to the Diet, then to behind-the-scenes power. At the same time, Japanese authorities, with MacArthur's support, began purging left-wing activists. In June 1950, for example, the central office of the Japan Communist Party and the editorial board of The Red Flag were purged. The gains made by women also seemed to be reversed. Women were elected to 8% of available seats in the first lower-house election in 1946, but to only 2% in 1952, a trend not reversed until the so-called Madonna Boom of the 1980s. Although the number of women voting continued to rise, female politicisation remained more superficial than might be imagined. Women's employment also appeared little affected by labour legislation: though women formed nearly 40% of the labor force in 1952, they earned only 45% as much as men. Indeed, women's attitudes toward labor were influenced less by the new ethos of fulfilling individual potential than by traditional views of family and workplace responsibilities. In the areas of local autonomy and education, substantial modifications were made to the reforms. Because local authorities lacked sufficient power to tax, they were unable to realise their extensive powers, and, as a result, key responsibilities were transferred back to national jurisdiction. In 1951, for example, 90% of villages and towns placed their police forces under the control of the newly formed National Police Agency. Central control over education was also gradually reasserted; in 1951, the Yoshida government attempted to reintroduce ethics classes, proposed tighter central oversight of textbooks, and recommended abolishing local school board elections. By the end of the decade, all these changes had been implemented. The Soviet occupation of the Kurile Islands and the Habomai Islets was completed with Russian troops fully deployed by September 5. Immediately after the onset of the occupation, amid a climate of insecurity and fear marked by reports of sporadic rape and physical assault and widespread looting by occupying troops, an estimated 4,000 islanders fled to Hokkaido rather than face an uncertain repatriation. As Soviet forces moved in, they seized or destroyed telephone and telegraph installations and halted ship movements into and out of the islands, leaving residents without adequate food and other winter provisions. Yet, unlike Manchuria, where Japanese civilians faced widespread sexual violence and pillage, systematic violence against the civilian population on the Kuriles appears to have been exceptional. A series of military government proclamations assured islanders of safety so long as they did not resist Soviet rule and carried on normally; however, these orders also prohibited activities not explicitly authorized by the Red Army, which imposed many hardships on civilians. Residents endured harsh conditions under Soviet rule until late 1948, when Japanese repatriation out of the Kurils was completed. The Kuriles posed a special diplomatic problem, as the occupation of the southernmost islands—the Northern Territories—ignited a long-standing dispute between Tokyo and Moscow that continues to impede the normalisation of relations today. Although the Kuriles were promised to the Soviet Union in the Yalta agreement, Japan and the United States argued that this did not apply to the Northern Territories, since they were not part of the Kurile Islands. A substantial dispute regarding the status of the Kurile Islands arose between the United States and the Soviet Union during the preparation of the Treaty of San Francisco, which was intended as a permanent peace treaty between Japan and the Allied Powers of World War II. The treaty was ultimately signed by 49 nations in San Francisco on September 8, 1951, and came into force on April 28, 1952. It ended Japan's role as an imperial power, allocated compensation to Allied nations and former prisoners of war who had suffered Japanese war crimes, ended the Allied post-war occupation of Japan, and returned full sovereignty to Japan. Effectively, the document officially renounced Japan's treaty rights derived from the Boxer Protocol of 1901 and its rights to Korea, Formosa and the Pescadores, the Kurile Islands, the Spratly Islands, Antarctica, and South Sakhalin. Japan's South Seas Mandate, namely the Mariana Islands, Marshall Islands, and Caroline Islands, had already been formally revoked by the United Nations on July 18, 1947, making the United States responsible for administration of those islands under a UN trusteeship agreement that established the Trust Territory of the Pacific Islands. In turn, the Bonin, Volcano, and Ryukyu Islands were progressively restored to Japan between 1953 and 1972, along with the Senkaku Islands, which were disputed by both Communist and Nationalist China. In addition, alongside the Treaty of San Francisco, Japan and the United States signed a Security Treaty that established a long-lasting military alliance between them. Although Japan renounced its rights to the Kuriles, the U.S. State Department later clarified that “the Habomai Islands and Shikotan ... are properly part of Hokkaido and that Japan is entitled to sovereignty over them,” hence why the Soviets refused to sign the treaty. Britain and the United States agreed that territorial rights would not be granted to nations that did not sign the Treaty of San Francisco, and as a result the Kurile Islands were not formally recognized as Soviet territory. A separate peace treaty, the Treaty of Taipei (formally the Sino-Japanese Peace Treaty), was signed in Taipei on April 28, 1952 between Japan and the Kuomintang, and on June 9 of that year the Treaty of Peace Between Japan and India followed. Finally, Japan and the Soviet Union ended their formal state of war with the Soviet–Japanese Joint Declaration of 1956, though this did not settle the Kurile Islands dispute. Even after these formal steps, Japan as a nation was not in a formal state of war, and many Japanese continued to believe the war was ongoing; those who held out after the surrender came to be known as Japanese holdouts.  Captain Oba Sakae and his medical company participated in the Saipan campaign beginning on July 7, 1944, and took part in what would become the largest banzai charge of the Pacific War. After 15 hours of intense hand-to-hand combat, almost 4,300 Japanese soldiers were dead, and Oba and his men were presumed among them. In reality, however, he survived the battle and gradually assumed command of over a hundred additional soldiers. Only five men from his original unit survived the battle, two of whom died in the following months. Oba then led over 200 Japanese civilians deeper into the jungles to evade capture, organizing them into mountain caves and hidden jungle villages. When the soldiers were not assisting the civilians with survival tasks, Oba and his men continued their battle against the garrison of US Marines. He used the 1,552‑ft Mount Tapochau as their primary base, which offered an unobstructed 360-degree view of the island. From their base camp on the western slope of the mountain, Oba and his men occasionally conducted guerrilla-style raids on American positions. Due to the speed and stealth of these operations, and the Marines' frustrated attempts to find him, the Saipan Marines eventually referred to Oba as “The Fox.” Oba and his men held out on the island for 512 days, or about 16 months. On November 27, 1945, former Major-General Amo Umahachi was able to draw out some of the Japanese in hiding by singing the anthem of the Japanese infantry branch. Amo was then able to present documents from the defunct IGHQ to Oba ordering him and his 46 remaining men to surrender themselves to the Americans. On December 1, the Japanese soldiers gathered on Tapochau and sang a song of departure to the spirits of the war dead; Oba led his people out of the jungle and they presented themselves to the Marines of the 18th Anti-Aircraft Artillery Company. With great formality and commensurate dignity, Oba surrendered his sword to Lieutenant Colonel Howard G. Kirgis, and his men surrendered their arms and colors. On January 2, 1946, 20 Japanese soldiers hiding in a tunnel at Corregidor Island surrendered after learning the war had ended from a newspaper found while collecting water. In that same month, 120 Japanese were routed after a battle in the mountains 150 miles south of Manila. In April, during a seven-week campaign to clear Lubang Island, 41 more Japanese emerged from the jungle, unaware that the war had ended; however, a group of four Japanese continued to resist. In early 1947, Lieutenant Yamaguchi Ei and his band of 33 soldiers renewed fighting with the small Marine garrison on Peleliu, prompting reinforcements under Rear-Admiral Charles Pownall to be brought to the island to hunt down the guerrilla group. Along with them came former Rear-Admiral Sumikawa Michio, who ultimately convinced Yamaguchi to surrender in April after almost three years of guerrilla warfare. Also in April, seven Japanese emerged from Palawan Island and fifteen armed stragglers emerged from Luzon. In January 1948, 200 troops surrendered on Mindanao; and on May 12, the Associated Press reported that two unnamed Japanese soldiers had surrendered to civilian policemen in Guam the day before. On January 6, 1949, two former IJN soldiers, machine gunners Matsudo Rikio and Yamakage Kufuku, were discovered on Iwo Jima and surrendered peacefully. In March 1950, Private Akatsu Yūichi surrendered in the village of Looc, leaving only three Japanese still resisting on Lubang. By 1951 a group of Japanese on Anatahan Island refused to believe that the war was over and resisted every attempt by the Navy to remove them. This group was first discovered in February 1945, when several Chamorros from Saipan were sent to the island to recover the bodies of a Saipan-based B-29. The Chamorros reported that there were about thirty Japanese survivors from three ships sunk in June 1944, one of which was an Okinawan woman. Personal aggravations developed from the close confines of a small group on a small island and from tuba drinking; among the holdouts, 6 of 11 deaths were the result of violence, and one man displayed 13 knife wounds. The presence of only one woman, Higa Kazuko, caused considerable difficulty as she would transfer her affections among at least four men after each of them mysteriously disappeared, purportedly “swallowed by the waves while fishing.” According to the more sensational versions of the Anatahan tale, 11 of the 30 navy sailors stranded on the island died due to violent struggles over her affections. In July 1950, Higa went to the beach when an American vessel appeared offshore and finally asked to be removed from the island. She was taken to Saipan aboard the Miss Susie and, upon arrival, told authorities that the men on the island did not believe the war was over. As the Japanese government showed interest in the situation on Anatahan, the families of the holdouts were contacted in Japan and urged by the Navy to write letters stating that the war was over and that the holdouts should surrender. The letters were dropped by air on June 26 and ultimately convinced the holdouts to give themselves up. Thus, six years after the end of World War II, “Operation Removal” commenced from Saipan under the command of Lt. Commander James B. Johnson, USNR, aboard the Navy Tug USS Cocopa. Johnson and an interpreter went ashore by rubber boat and formally accepted the surrender on the morning of June 30, 1951. The Anatahan femme fatale story later inspired the 1953 Japanese film Anatahan and the 1998 novel Cage on the Sea. In 1953, Murata Susumu, the last holdout on Tinian, was finally captured. The next year, on May 7, Corporal Sumada Shoichi was killed in a clash with Filipino soldiers, leaving only two Japanese still resisting on Lubang. In November 1955, Seaman Kinoshita Noboru was captured in the Luzon jungle but soon after committed suicide rather than “return to Japan in defeat.” That same year, four Japanese airmen surrendered at Hollandia in Dutch New Guinea; and in 1956, nine soldiers were located and sent home from Morotai, while four men surrendered on Mindoro. In May 1960, Sergeant Ito Masashi became one of the last Japanese to surrender at Guam after the capture of his comrade Private Minagawa Bunzo, but the final surrender at Guam would come later with Sergeant Yokoi Shoichi. Sergeant Yokoi Shoichi survived in the jungles of Guam by living for years in an elaborately dug hole, subsisting on snails and lizards, a fate that, while undignified, showcased his ingenuity and resilience and earned him a warm welcome on his return to Japan. His capture was not heroic in the traditional sense: he was found half-starving by a group of villagers while foraging for shrimp in a stream, and the broader context included his awareness as early as 1952 that the war had ended. He explained that the wartime bushido code, emphasizing self-sacrifice or suicide rather than self-preservation, had left him fearing that repatriation would label him a deserter and likely lead to execution. Emerging from the jungle, Yokoi also became a vocal critic of Japan's wartime leadership, including Emperor Hirohito, which fits a view of him as a product of, and a prisoner within, his own education, military training, and the censorship and propaganda of the era. When asked by a young nephew how he survived so long on an island just a short distance from a major American airbase, he replied simply, “I was really good at hide and seek.”  That same year, Private Kozuka Kinshichi was killed in a shootout with Philippine police in October, leaving Lieutenant Onoda Hiroo still resisting on Lubang. Lieutenant Onoda Hiroo had been on Lubang since 1944, a few months before the Americans retook the Philippines. The last instructions he had received from his immediate superior ordered him to retreat to the interior of the island and harass the Allied occupying forces until the IJA eventually returned. Despite efforts by the Philippine Army, letters and newspapers left for him, radio broadcasts, and even a plea from Onoda's brother, he did not believe the war was over. On February 20, 1974, Onoda encountered a young Japanese university dropout named Suzuki Norio, who was traveling the world and had told friends that he planned to “look for Lieutenant Onoda, a panda, and the abominable snowman, in that order.” The two became friends, but Onoda stated that he was waiting for orders from one of his commanders. On March 9, 1974, Onoda went to an agreed-upon place and found a note left by Suzuki. Suzuki had brought along Onoda's former commander, Major Taniguchi, who delivered the oral orders for Onoda to surrender. Intelligence Officer 2nd Lt. Onoda Hiroo thus emerged from Lubang's jungle with his .25 caliber rifle, 500 rounds of ammunition, and several hand grenades. He surrendered 29 years after Japan's formal surrender, and 15 years after being declared legally dead in Japan. When he accepted that the war was over, he wept openly. He received a hero's welcome upon his return to Japan in 1974. The Japanese government offered him a large sum of money in back pay, which he refused. When money was pressed on him by well-wishers, he donated it to Yasukuni Shrine. Onoda was reportedly unhappy with the attention and what he saw as the withering of traditional Japanese values. He wrote No Surrender: My Thirty-Year War, a best-selling autobiography published in 1974. Yet the last Japanese to surrender would be Private Nakamura Teruo, an Amis aborigine from Formosa and a member of the Takasago Volunteers. Private Nakamura Teruo spent the tail end of World War II with a dwindling band on Morotai, repeatedly dispersing and reassembling in the jungle as they hunted for food. The group suffered continuous losses to starvation and disease, and survivors described Nakamura as highly self-sufficient. He left to live alone somewhere in the Morotai highlands between 1946 and 1947, rejoined the main group in 1950, and then disappeared again a few years later. Nakamura hinted in print that he fled into the jungle because he feared the other holdouts might murder him. He survives for decades beyond the war, eventually being found by 11 Indonesian soldiers. The emergence of an indigenous Taiwanese soldier among the search party embarrassed Japan as it sought to move past its imperial past. Many Japanese felt Nakamura deserved compensation for decades of loyalty, only to learn that his back pay for three decades of service amounted to 68,000 yen.   Nakamura's experience of peace was complex. When a journalist asked how he felt about “wasting” three decades of his life on Morotai, he replied that the years had not been wasted; he had been serving his country. Yet the country he returned to was Taiwan, and upon disembarking in Taipei in early January 1975, he learned that his wife had a son he had never met and that she had remarried a decade after his official death. Nakamura eventually lived with a daughter, and his story concluded with a bittersweet note when his wife reconsidered and reconciled with him. Several Japanese soldiers joined local Communist and insurgent groups after the war to avoid surrender. Notably, in 1956 and 1958, two soldiers returned to Japan after service in China's People's Liberation Army. Two others who defected with a larger group to the Malayan Communist Party around 1945 laid down their arms in 1989 and repatriated the next year, becoming among the last to return home. That is all for today, but fear not I will provide a few more goodies over the next few weeks. I will be releasing some of my exclusive podcast episodes from my youtube membership and patreon that are about pacific war subjects. Like I promised the first one will be on why Emperor Hirohito surrendered. Until then if you need your fix you know where to find me: eastern front week by week, fall and rise of china, echoes of war or on my Youtube membership of patreon at www.patreon.com/pacificwarchannel.

Little America: The Redcaps & The Hidden in the HillsCould ancient America have been home to a forgotten race of tiny people?And what do murderous goblins, Appalachian cave legends, and buried skeletons have to do with it?This week on That Would Be Rad, we're digging into one of the strangest stories you've probably never heard—the bizarre discovery of thousands of tiny human graves across Tennessee and Ohio, and Montanta in the 1800s, and the folklore that might connect them to something much older…and much darker.We'll cover:

It's just Susan and Cort this week—Kelly's still “swimming with sharks”—but the conversation is packed!They dive into the theme of immigrants and hidden gems, with shoutouts to Superman (yes, he's an immigrant too), the new Superman movie from James Gunn, and hidden cinematic/documentary treasures. Plus, there's plenty of tea on Beyond the Gates, Love Island USA, and what the hell happened to Chelly & Ace?!They also cover: • New cancellations (RIP Duster

In this week's Talking Politics Q&A, Tom Bradby, Robert Peston and Anushka Asthana answer audience questions on Nigel Farage and Reform.Could Nigel Farage turn our country into a Little America?Will Farage tone down Reform's rhetoric the closer to power?Due to our electoral system Reform stand no chance of forming a government. Agree?Can a viewer who voted Conservative, Lib Dem, Labour and now Reform be fitted into voter modelling?Will the Labour government look to thwart Reform councillors?What does the current Labour government stand for? Remember to subscribe to Talking Politics on YouTube or your favourite podcast platform so you never miss an episode. You can also catch up on ITVX.Got a question for the team? Email us on talkingpolitics@itv.com or comment on our social media posts.

Retired FBI agent and criminal profiler Candice DeLong examines the chilling case of Samuel Little, the most prolific serial killer in United States history. For nearly four decades, Little preyed on the society's most vulnerable, evading justice as he carried out a staggering number of murders. Despite multiple arrests, he avoided serious punishment – until a DNA match finally exposed his crimes. Candice unpacks the psychopathy and paraphilias that fueled his crimes, how he was able to kill undetected for so long, and how his confessions helped authorities close dozens of cold cases.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterNeed more Killer Psyche? With Wondery+, enjoy exclusive episodes, early access to new ones, and they're always ad-free. Start your free trial in the Wondery App or visit wondery.app.link/TI5l5KzpDLb now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alok Jha talks to Leilani Raashida Henry about her father: the pioneering Antarctic explorer and civil rights leader, George Washington Gibbs Jr. Born in Florida during the Jim Crow segregation era, Gibbs enlisted in the US Navy in 1935, and went South aboard the USS Bear. On 14 January 1940, Gibbs made history as the first black man to set foot in ‘Little America' and the first recorded person of African descent known to have landed on the Antarctic continent. Leilani, an author, facilitator, coach, artist, and public speaker, pieced together her father's story after his death from diaries and contemporary accounts and wrote a book – The Call of Antarctica: Exploring and Protecting Earth's Coldest Continent – inspired by his life. She has also followed in her father's footsteps on two expeditions to Antarctica.To support the work of the UK Antarctic Heritage Trust click here For more information about our guests click hereSeason 5 of A Voyage to Antarctica is made possible by support from HX Hurtigruten Expeditions.Sound credits:porto 19-05-14 quiet to moderate waves on rock beach.wav by bpayri - https://freesound.org/s/245132/ - License: Attribution 4.0ships cabin.WAV by inchadney - https://freesound.org/s/111123/ - License: Attribution 4.0CD_VIE_012FX_Synthetic_wind by kevp888 - https://freesound.org/s/711283/ - License: Attribution 4.0 Hosted on Acast. See acast.com/privacy for more information.

In this episode we sit down with the incredibly multi-talented Jearnest Corchado to talk about her journey from Puerto Rico to Hollywood. At just 17, she left everything behind to chase her acting dreams in California —now, she’s starring in major roles, including the highly anticipated Lisa Lisa biopic 'Can You Feel the Beat.' Jearnest opens up about making it in the industry, the power of faith and manifestation, and why she believes it’s cool to love God. She also dives into the impact of Bad Bunny on Puerto Rican culture, the harsh reality of gentrification on the island, and what it was like landing roles on Blacklist, Sneakerheads, and Little America. Plus, we get into family, her music career, and what’s next for this rising star. See omnystudio.com/listener for privacy information.

In this episode of 'Slate It Till You Make It,' host Catherine Donnelly interviews returning guest Sean Spann: an actor, teacher, private coach and VO dubbing artist born and raised outside St. Louis, MO. An LA resident for almost 17 years, he's worked as an actor in television, film, commercials, and stage. TV/Film credits include The Little Things, Little America, Shameless, General Hospital, and Jane the Virgin. He's recently been seen in commercials or ad campaigns for Volkswagen, Disney, and Delta Airlines. He's dubbed central characters in Max's 'On The Spectrum' and Amazon's 'The Corruption Game', and in 2023, played Brutus in 'Julius Caesar' in his 7th season at the New Swan Shakespeare Festival. He's instructed Voice, Speech, Movement, Shakespeare on both the college and conservatory level, and privately coaches actors for auditions, voice, and accent modification. Sean earned a BFA in Acting from the University of Evansville, and an MFA in Acting from UC Irvine. THE BEST VOICE AND SPEECH PDF EVERInsta: @seanspanntastic (personal), @spannvoiceandspeech (professional)  coaching and private class website: www.seanspann.comSEASON 3 IS BROUGHT TO YOU BY THE COMMERCIAL CLUB, USE SLATE49 PROMO CODE FOR A DISCOUNTED ONE ON ONE COACHING SESSION.  Click here to support the podcast!

This place isn't really a town, yet it has its own zip code.  Sometimes it's a bit of a game to see exactly how much...

Jared Loftin takes us on a captivating journey from his Alabama roots to his thriving career in theater and television. With notable credits including Teeth at New World Stages, Tick, Tick… Boom! on Netflix, and Little America on Apple TV, Jared reflects on the unique process of developing new works, the highs and lows of regional theater, and his experiences in the evolving post-pandemic performing arts world. This episode shines a spotlight on his ability to bring complex, layered characters to life, sharing insights into the emotional and technical challenges behind his performances. From the thrill of audiences turning against his character in Teeth to navigating the early days of his career without a showcase or agent, Jared's story is one of resilience, creativity, and community. His advice for aspiring performers is as inspiring as it is practical: dive in, embrace the challenges, and stay open to the magic of collaboration. This episode offers a blend of humor, heart, and hard-earned wisdom that will resonate with theater lovers and aspiring artists alike. About Jared Loftin: Jared Loftin is a New York-based actor with a diverse array of credits in theater and television. His stage work includes Teeth at Playwrights Horizons and New World Stages, Gigantic, The Panic of '29, and regional productions of Peter Pan, All Shook Up, and Joseph and the Amazing Technicolor Dreamcoat. On screen, Jared has appeared in Tick, Tick… Boom! on Netflix, Little America on Apple TV, and Red Oaks on Amazon. Originally from Alabama, he studied musical theater at Elon University and has become a sought-after collaborator in new musical theater works. Connect with Jared Loftin: Instagram: @jlofton2 Connect with The Theatre Podcast: YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome Alice Little, one of our favorite guests who has returned for a second episode on the pod! Alice is one of America's most successful courtesans and an intimate companionship expert. She is also a fierce advocate for the adult industry, and as a 4 foot 8 redhead, she lives up to her name! Since the pandemic, Alice's life has pivoted to a wholesome goat farm vibe and working at The Chicken Ranch – we get a juicy inside scoop on this Nevada brothel! Alice also discusses challenges faced by sex workers, concerns stemming from the election, and how moms want their sons to just get laid! Happy holidays, folks! And remember, always verify social accounts before sending money!! BlueChew is a unique online service that delivers the same active ingredients as Viagra, Cialis, and Levitra -- but in CHEWABLE tablets and at a fraction of the cost! Try BlueChew for FREE, just pay $5 in shipping when you use code HOLLY at https://bluechew.com/ Our Sponsor, FLESHLIGHT, can help you reach new heights with your self-pleasure. FLESHLIGHT is the #1 selling male sex toy in the world. Fleshlight Code: HOLLY Fleshlight URL: fleshlight.sjv.io/HollyRandallUnfiltered  __________________________________________________________________________________________________________ Want more from this podcast? Get access to tons of perks by joining my Patreon! We have exclusive bonus content such as live streams of our interviews, early releases, exclusive Q&As, access to my fine art photography and video, plus so much more! Join our community now at http://Patreon.com/hollyrandallunfiltered Connect with Alice online: https://www.thealicelittle.com/ Adult Industry Mental Health Support: https://pineapplesupport.org/ Visit my Official Podcast site: https://www.hollyrandallunfiltered.com/ Follow Holly on all the platforms: https://link.me/hollyrandall Sign up for Patreon Access!! https://www.patreon.com/hollyrandallunfiltered To make a one time donation: https://www.paypal.me/hollyrandall78 Fan mail: 26500 Agoura Road, Suite 102-838, Calabasas CA 91302 

[REPRISE] From science major to punk rock band member to comedy writer, he is now the co-creator of multiple popular television shows, a producer, screenwriter, and film director. Alan Yang joins the show to talk about his creative journey to Parks and Recreation (an experience he cherishes for the incredible education it gave him) and beyond. He also dives deep on his developing a character-based approach to comedy, directing his film Tigertail, and some of his creative influences. Plus: the reason he thanked white guys in an awards speech.This conversation took place in 2020. Questions? Comments? Criticism? Hit us up on social media at @theblcklst.To learn more about The Black List, visit www.blcklst.com. Mentions:+Tigertail: https://www.netflix.com/title/80202958+Little America: https://deadline.com/2018/06/apple-little-america-immigrant-anthology-series-the-big-sick-writers-lee-eisenberg-alan-yang-1202413632/+Master of None: https://www.rottentomatoes.com/tv/master_of_none/s01+Parks and Recreation: https://www.nbc.com/parks-and-recreation

Iranian/American actress & filmmaker Shila Ommi (Disney & Pixar ELEM ENTAL, Apple TV+  “Tehran,” “Little America,” “Charlie Wilson's War”), discussing her work at Pas in Netflix hot new binge-worthy series KAOS (starring Jeff Goldbloom and Janet McTeer). In the intriguing world of KAOS, it's the pantheon of gods versus humans with Zeus at the top of the mythological food chain as the cruel and stylish ruler of the gods, a position he has enjoyed for some time. Then one day he discovers the unthinkable: a wrinkle on his forehead. Paranoia builds, leading the supreme deity down a dangerous and unstable path. All-powerful Zeus is convinced his fall is nigh and sees omens of doom everywhere.  Recently audiences saw Shila as Cinder Lumen Firetown's resident matchmaker in Disney & Pixar ELEM ENTAL, utilizing her natural gift that allows her to smell true love in a Fire person's smoke, whether they know it or not. She boasts numerous matches throughout her tenure—she's proud of her track record—but this brusque, no-nonsense and traditional mom has yet to find a match for her daughter.  Elsewhere audiences can see Shila Ommi on the Apple TV+ espionage thriller, “Tehran.” Shila Ommi is one of the returning co-stars of Apple TV+,  espionage thriller, “Tehran,” now streaming season two now on Apple TV+.  Ommi portrays the character of Nahid Kamali, the wife of Shaun Toub's character Faraz Kamali (a skilled investigator with the Revolutionary Guards), and she also shared the screen with the iconic Glenn Close, and in season two. The heart-pounding “Tehran,” which has earned the comparison in the media already of “24” meets “The Americans,” is must-watch TV at its finest. Shila Ommi is an American/ actress, born in Tehran, and has lived in Los Angeles since the onslaught of the 1979 Iranian Revolution.  Her mother was a poet and her father was a philanthropist, real estate mogul, and the founder and CEO of Iran's largest construction company, Vima Co.  At an early age, Ommi witnessed the wrath of the Islamic regime. Ommi's father was also on their hit list, but her family had the chance to flee the country, leaving behind their wealth and all their belongings to begin a new life in the United States. Today, Shila Ommi is a prominent actress in the Iranian communities in diaspora.  For over a decade, she toured the globe as the lead actress and co-artistic director of Workshop 79, a theatre company spearheaded by acclaimed Iranian playwright/director/actor Houshang Touzie (“A Simple Wedding,” “Argo”). The founder of the LA-based theater group, Turquoise Heart Productions,  Ommi uses theater art as a form of healing and activism, writes, directs, and acts in theatre pieces that share the Iranian experience with American audiences, and the exile experience with Iranians abroad. She is recently directed a play commissioned by the Los Angeles Department of Mental Health. Ommi portrays the character Nahid, in the acclaimed espionage thriller, “Tehran,” with seasons 1 & 2 streaming now on Apple TV+ . She portrayed the character of Yasmin in the Apple TV+ anthology series “Little America” co-starring with Shaun Toub (who is also her screen husband in “Tehran”).  Ommi is also a voice-over artist and performs regularly in animated films and web series.  She is the voice of all the characters, male and female in a cartoon series called “NOPM: Special Forces” which was commissioned by the Boromand Foundation, a human rights organization focused on Iran's human rights violations. She is narrating a video about deforestation, and a film about Iran… both coming out by the end of this year.   Today's sponsor: Www.kaldental.com 310-360-8250 https://www.instagram.com/dds.kaldental    Stay connected on my newsletter and socials: https://www.chonacas.com/links/    

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.

Hosts Jim DeRogatis and Greg Kot look back 40 years into the past and revisit some of their favorite songs of 1984. The hosts also review the new album from Redd Kross.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Prince and the Revolution, "Purple Rain," Purple Rain, Warner Bros, 1984Redd Kross, "Good Times Propaganda Band," Redd Kross, In The Red, 2024Redd Kross, "The Witches' Stand," Redd Kross, In The Red, 2024Redd Kross, "The Main Attraction," Redd Kross, In The Red, 2024Redd Kross, "Way Too Happy," Redd Kross, In The Red, 2024Redd Kross, "Born Innocent," Redd Kross, In The Red, 2024Hüsker Dü, "Turn on the News," Zen Arcade, SST, 1984Minutemen, "This Ain't No Picnic," Double Nickles on the Dime, SST, 1984The Replacements, "Unsatisfied," Let It Be, Twin/Tone, 1984Romeo Void, "A Girl in Trouble (Is a Temporary Thing)," Instincts, Columbia, 1984R.E.M., "Little America," Reckoning, I.R.S., 1984Run-D.M.C., "Rock Box," Run-D.M.C., Profile, 1984The Smiths, "Heaven Knows I'm Miserable Now," Hatful of Hollow, Rough Trade, 1984The Bangles, "James," All Over the Place, Columbia, 1984Echo & the Bunnymen, "The Killing Moon," Ocean Rain, Korova, 1984Nick Cave and the Bad Seeds, "From Her to Eternity," From Her to Eternity, Mute, 1984Robyn Hitchcock, "Sounds Great When You're Dead," I Often Dream of Trains, Midnight Music, 1984Chaka Khan, "I Feel for You," I Feel for You, Warner Bros., 1984Philip Bailey and Phil Collins, "Easy Lover," Chinese Wall, Columbia, 1984The Chills, "Pink Frost," Kaleidoscope World, Flying Nun, 1986See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Uncover the chilling story of Samuel Little, America's most prolific serial killer. Dive deep into his dark mind and the investigations that finally brought his reign of terror to an end. Learn more about your ad choices. Visit megaphone.fm/adchoices

This place isn't really a town, yet it has its own zip code.  Sometimes it's a bit of a game to see exactly how much...

Who knew that America's most prolific serial killer was Black? This week we cover Samuel Little, who got away with the most murders in U.S. history! Lead Investigator: Kierra-Elewa (all pronouns)Content Warnings:  torture, sexual assault, drug use, murder, strangulation, mention of rapeCLICK HERE FOR PICS FROM THE EPISODE Resources:https://youtu.be/ShosKZvtm28?si=m6Z_c52xIJkIA5cQhttps://youtu.be/t1LTUf08XQI?si=6UjPlKT2rsnMO-Zwhttps://en.wikipedia.org/wiki/Samuel_LittleSupport the Show.Instagram | Facebook | Twitter | TikTok

This week Audrey Moore talks to actor David Rosenblatt! David has finished every Self Tape May challenge and his credits include The Minx, Little America, tons of commercials, and a Tony nominated play. He will also teach you at his yoga studio Fire Hot Yoga.   Sponsored by: Casting Networks - CastingNetworks.com/Audrey PROMO CODE: AudreyCN   Please RATE THIS PODCAST to feed the Review Baby! www.RateThisPodcast.com/audrey Call in with listener questions (667) Actor-70 or (667) 228-6770   Links: David Rosenblatt's Instagram: David Rosenblatt Instagram Fire Hot Yoga (David's Yoga Studio): Fire Hot Yoga Self-Tape May Information: Self-Tape May iSpot.tv for commercial trends: iSpot.tv Casting Society of America: Casting Society Avital Ash ep about creating a pilot: https://podcasts.apple.com/ie/podcast/booking-your-own-pilot-avital-ash/id1233482206?i=1000463137861 Link to the renewed TV shows list on Audrey's Instagram: LA, NY, ATL   Host: Audrey Moore Producer: Jesse Lumen Editor: Anisha Adusumilli Mixer: Thomas Snodgrass Show Music: Ari de Niro Special thanks to Thomas Snodgrass for assistance with microphones, Aalok Mehta and 108 Hill for help with the theme song.

In this episode we discuss all the constructs and schemas we break down via nostalgia (which isn't cringe), the madlibs that is the genre of “Canadian improvised soap-opera”, the legend of the McDonald's caboose, being at peace with North West being Simba, mystery smells, Facebook memories of humiliating past statuses, how when you see something (a bad show) you need to say something (horrible about it), that classic commuter archetype of the lothario, not being a patriot, sleeper cells awoken by the national anthem, when your Canadian is showing, how Toronto is technically Little America, actors making choices, hooking up on the GO Train, and SO MUCH MORE!!!

In todays "Crazy Crime of Passion" story Dana looks into Samuel Little who confessed to killing 93 women in the United States which makes him America's most prolific serial killer. Plus DCS plays "Who's Lying" with a listener, talks dealing with pressure, and wether men have morals when it comes to sex or not. 

On this episode of Editors on Editing, Glenn is joined by Hilda Rasula.  Hilda has edited such excellent projects as Transparent, Sorry for Your Loss, Little America, French Exit and Vengeance. Now she has crafted the brilliant satirical comedy, American Fiction. Thanks again to ACE for partnering with us on this podcast, check out their website for more. Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show! --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthecut/support

On episode FOUR-HUNDRED-THIRTY-THREE of The Purrrcast, Sara and Steven welcome writer Emily V. Gordon (The Big Sick, Little America) to chat about her cat, Bagel! We learn Bagel's origin story, her travels, favorite spots in the home, and so much more! The Purrrcast, talking to cat people because we can't talk to their cats.Follow Emily:https://www.instagram.com/emilyvgordon/The Purrrcast is the cat podcast for you and your feline friends. Based in Los Angeles, hosts Sara Iyer and Steven Ray Morris chat with fellow cat enthusiasts about the furry little creatures they love. Not sure how the cats feel about it though.New episodes every Wednesday! Please rate and subscribe in iTunes: https://www.exactlyrightmedia.com/the-purrrcast Email us! thepurrrcast@gmail.comNEW PURRRCAST MERCH: https://www.exactlyrightmedia.com/shopFollow The Purrrcast on Twitter: https://twitter.com/ThePurrrcaston Instagram: https://instagram.com/thepurrrcast/Please like us on Facebook: https://www.facebook.com/ThePurrrcastFollow Sara Iyer on Twitter: https://twitter.com/saraanjuliiyerFollow Sara Iyer on Instagram: https://instagram.com/saraiyer/Check out Sara Iyer on Vimeo: https://vimeo.com/saraiyerListen to Sara's Weezer podcast: https://www.stitcher.com/podcast/weezer-has-turned-and-left-us-hereListen to Sara's Don Bluth podcast: https://www.stitcher.com/podcast/the-bluth-the-whole-bluth-and-nothing-but-the-bluthFollow Steven Ray Morris on Twitter: https://twitter.com/StevenRayMorrisCheck out Steven's new podcast, See Jurassic Right: https://itunes.apple.com/us/podcast/see-jurassic-right/id1239538917?mt=2Theme song by Anabot (Analise Nelson) and Dax Schaffer:https://thesaxelnaiad.bandcamp.com/Artwork by Jillian Yoffe: flatratstudio.comPart of the Exactly Right podcast networkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I moved out to LA in 1999 with my best friend from high school. Every summer in college, we would write a screenplay. We were waiters during the day and then at night we would write,” says Lee Eisenberg. “Primarily, we would write comedies, or at least what we were attempting to be comedies.” Eventually, the partnership dissolved. Eisenberg's friend got a real job and he eventually landed a PA job on the film, Bedazzled. “I was the office PA and I met an intern named Gene Stupnitsky (No Hard Feelings) who was working for Harold Ramis.” “We started writing together, sold a few ideas to Larry David for Curb Your Enthusiasm, then wrote a pilot about two loser magicians who were roommates and just trying to get ahead. We were the two losers,” he jokes. “We sold it to Fox. It never got made, but that was our writing sample. We got hired on The Office. Funny enough, Harold read it, liked it, and hired us to co-write the movie Year One with him.” “When we were first starting off, I think jokes ruled. I'm very proud of that initial pilot, but it has no pathos. It could be animated to a certain extent. It had a lot of similarities to Flight of the Conchords or Arrested Development and less so, The Office.” These days, Eisenberg is best known for writing The Office, Bad Teacher, Hello Ladies, Good Boys, WeCrashed, Little America, and two new series, Jury Duty and Lessons in Chemistry.  Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

Kate talks to gorgeous writer, filmmaker and performer Amrou Al-Kadhi. Amrou is a drag sensation as Glamrou - urgently keep an eye out for tickets to their acclaimed show From Quran to Queen. And! Their first feature film, LAYLA, which is coming soon. When they're not on stage or behind the camera, Amrou writes for television, including the show Little America and the adaptation of their memoir, Life As A Unicorn. In this episode, we hear about their greatest cutest cuddliest love, Phaedra the dog. You can find Amrou on Instagram, through their agents at United, and on amroualkadhi.com. You can find Kate on kateleaver.com. Her book, Good Dog, is published by Harper Collins in Australia, the US and the UK. Who's A Good Dog? is a Stripped Media podcast, produced by Arlie Adlington. Hosted on Acast. See acast.com/privacy for more information.

For more than 20 years, the non-profit organization Alliance Community Services has provided vital health, legal, and social growth services to Utah's underserved Latino community. Now, they are inviting all in Utah to join them to celebrate “20 Years of Empowering the Hispanic Community” at a gala fundraiser at the Little America on Sept. 7th, 2023. The gala will raise awareness of the organization, honor the achievements of the past, and provide future support for Utah's only Hispanic breast cancer support group called “Las Triunfadoras.” In this episode of Utah Weekly Forum, FM100.3 Host Rebecca Cressman is joined by Alliance Community Services C.E.O. and Founder Jorge Arce-Larreta and Cancer Program Director Gabriela Portugal. To connect for more information, resources, or gala tickets, call 801-265-1111 or visit Alliance-Community.org.

Eps 26 Interview with Shugri Said Sahl an author of the memoir THE LAST NOMAD and supporting actor in the upcoming Apple TV + "Little America" episode set in an immigrant Somali community. She was born in the desert of Somalia and spent her early years living with her grandmother in the desert as a nomad. I hope you enjoy our conversation. Your feedback is greatly appreciated. Thanks,

Brayden and Stephanie recap the main news events in Sweetwater County, WY from this week. Tune in every Friday for the latest news!

On this episode Aries and Andy talk about nuts, wash your ass, porn titles, the return of Mookie, Little America, Weapon X, and pilot swag. Musical Guest: John Connor Social Media Instagram: @SpearsBergPod Twitter: @SpearsBergPod Facebook: SpearsBergPod Patreon: SpearsBergPod Youtube: SpearsBergPod  Learn more about your ad choices. Visit megaphone.fm/adchoices

Nishat Kurwa is the SVP and Executive Producer of Vox Media Podcast Network, leading podcasting across Vox Media's house of editorial brands and its network of outside partners, overseeing programming strategy, new show development, and the Vox Media Studios' podcast production team.They have over 150 active shows — from daily news and policy, to tech and business, to culture and sports. Let me put it this way, Nishat knows her stuff and is truly an OG in the audio world.We talk about her journey at Vox Media, her time at Youth Radio and the positive impact the experience has had on her career, and what it's like to be on the editorial as well as business side of things. She tells me why she continues to be bullish when it comes to the podcast industry, potential disruptive trends that we should understand, and what factors she evaluates when developing new shows for the network.We also discuss the number one concern she hears from her mentees, what it was like working at places where no one looked like her, what success looks like for her now, and how she wants to be remembered by those closest to her.

This week, host June Thomas talks to Sian Heder, who wrote and directed the Oscar-winning film CODA and now works on the Apple TV Plus series Little America, which tells stories that are based on real immigrant experiences. In the interview, Sian discusses the success of CODA and shares what it was like to win an Oscar. Then she digs into her work on Little America and discusses the challenges and joys of telling other people's stories.  In the exclusive Slate Plus segment, Sian talks about growing up with a Welsh mother and a Hungarian father and explains how her upbringing informs her work.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews and Kevin Bendis. __ Make an impact this Women's History Month by helping Macy's on their mission to fund girls in STEM. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Sian Heder, who wrote and directed the Oscar-winning film CODA and now works on the Apple TV Plus series Little America, which tells stories that are based on real immigrant experiences. In the interview, Sian discusses the success of CODA and shares what it was like to win an Oscar. Then she digs into her work on Little America and discusses the challenges and joys of telling other people's stories.  In the exclusive Slate Plus segment, Sian talks about growing up with a Welsh mother and a Hungarian father and explains how her upbringing informs her work.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews and Kevin Bendis. __ Make an impact this Women's History Month by helping Macy's on their mission to fund girls in STEM. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Sian Heder, who wrote and directed the Oscar-winning film CODA and now works on the Apple TV Plus series Little America, which tells stories that are based on real immigrant experiences. In the interview, Sian discusses the success of CODA and shares what it was like to win an Oscar. Then she digs into her work on Little America and discusses the challenges and joys of telling other people's stories.  In the exclusive Slate Plus segment, Sian talks about growing up with a Welsh mother and a Hungarian father and explains how her upbringing informs her work.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews and Kevin Bendis. __ Make an impact this Women's History Month by helping Macy's on their mission to fund girls in STEM. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Sian Heder, who wrote and directed the Oscar-winning film CODA and now works on the Apple TV Plus series Little America, which tells stories that are based on real immigrant experiences. In the interview, Sian discusses the success of CODA and shares what it was like to win an Oscar. Then she digs into her work on Little America and discusses the challenges and joys of telling other people's stories.  In the exclusive Slate Plus segment, Sian talks about growing up with a Welsh mother and a Hungarian father and explains how her upbringing informs her work.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675.   Podcast production by Cameron Drews and Kevin Bendis. __ Make an impact this Women's History Month by helping Macy's on their mission to fund girls in STEM. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

We take a trip down memory lane to the year of 1984, when a band from Athens hit the road to promote their 'Reckoning' album. Rockin' the Suburbs on Apple Podcasts/iTunes or   other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

In person Bruce Baek is polite, charming, and warm. But on screen he's ice cold, ruthless, and the perfect foe, a role he eagerly embraces. Join us as Bruce - who you may have seen in HBO's "The Flight Attendant" and AppleTV+'s "Little America" tells us about what it was like being one of the few Asian kids in his school in New Jersey, what made him come to LA, why he chose the Valley, and all the various things that keeps him unique and unpredictable.

Donna finished White Lotus, Little America is back and it's great, Quirky things your pet does.

At 68 years old, James put his mannequin business on hold to enroll at CalArts. What emerged was an autobiographical musical depicting James' childhood during China's Cultural Revolution and his journey to finding success selling mannequins in America.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

In this episode, Hilliard and emerging writer/dir Anthony Alyassyi sit down with lovely and beautiful writer/director/filmmaker Aitch Alberto who recently finished writing on DUSTER, a 1970s-set crime drama series from J.J. Abrams and LaToya Morgan for HBO Max and Warner Brothers TV. She also served as a writer on AppleTV+'s critically acclaimed anthology series LITTLE AMERICA from Alan Yang, Kumail Nanjiani, and Emily V. Gordon. Aitch has adapted for film and directed the award-winning young adult novel, ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE, with Lin-Manuel Miranda executive producing and Eva Longoria and stars Eugenio Derbez. The film premiered at TIFF 2022 and will be out in 2023. Aitch was just named as one of Variety's 10 directors to watch for 2022. In this don't miss episode, some of the highlights we also talked about were -- being a fighter and putting down your dukes, leading with truth, breaking down stereotypes, navigating the film festival circuit, allowing yourself to have fun, connecting on a human level and so much more! Check out the ScreenWriterRR website at www.screenwritersrr.com for information, merch, or our Patreon! Support the show via the Patreon link. Remember support is love! We invest countless hours per week to deliver the actionable content that goes into this podcast. Connect with Us: Chris Derrick on Twitter Hilliard Guess on Twitter Follow Aitch Alberto on Instagram Anthony Alyassyi on Instagram The Undergraduate Film on Instagram The Screenwriters Rant Room on Facebook Theme Song by @ThinkDeP --- Send in a voice message: https://anchor.fm/screenwriters-rant-room/message Support this podcast: https://anchor.fm/screenwriters-rant-room/support

Today, we're joined by actor, writer, and comedian, Kumail Nanjiani! We discuss his new series, Welcome to Chippendales, playing real-life entrepreneur Steve Banerjee (4:39), his fascination with American culture growing up in Pakistan (11:45), moving to America as a teenager (17:23), and performing standup as a college student in Des Moines (22:21). On the back-half, Nanjiani describes performing in Chicago in 2006 (26:17), his family-inspired solo act, Unpronounceable (31:46), and how he and Emily Gordon captured their personal events in the acclaimed film, The Big Sick (35:12). To close, we walk through his dramatic pivot in films like Eternals and Obi-Wan Kenobi (41:55), the consequences of that transformation (45:58), and how he continues to tell rich and complex immigrant stories through Little America, and now, Welcome to Chippendales (53:37).See omnystudio.com/listener for privacy information.

When Ingrid Rojas Contreras was in her twenties and living in Chicago, she crashed her bike. A generation earlier in Colombia, her mother had tumbled into a well. Both women lost their memories, all at once. When Ingrid's mom emerged from amnesia, she had a new power. Will Ingrid have the same experience?Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

A lot changed for Angelica Rubio's family after her mom made a tortilla with what appeared to have Jesus' face on it. Her mom thought it was a miracle but, growing up, Angelica was ashamed of it. It drew attention from tourists and media outlets, which always seemed to be making fun of it, and even The Simpsons and Oprah touched on the topic. Now, more than 40 years later, Angelica revisits that time and how her feelings have changed.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

The first time Hiroki Koga tasted American produce, he was appalled by its lack of flavor. He set out to grow the fruit of his childhood in Japan—dedicating his career to replicating the exquisite strawberry of his youth on American soil.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

Heartbroken by a recent divorce, Serbian immigrant Goran Veljic learned to believe in love again by photographing weddings in New York. Today Goran is a professional marriage officiant and the owner of NY1 Minute Weddings—aptly named for its 60-second services—which we rode along for.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

By the time Ava Do arrived in California as a refugee from Vietnam, she already knew a lot about deception. Then she studied psychology. The combination of the two set her on a path toward becoming one of the foremost mentalists and magicians in the world. Her acts are rooted in the study of human behavior, perception, and the stories we tell ourselves about what is and isn't real.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

When Dawit Haile came to the U.S. as an Ethiopian refugee, he was shocked to learn Americans treat their dogs almost like humans. A fateful return trip to Ethiopia spurred Dawit to create a dog rehabilitation center in Los Angeles and, in the process, heal himself.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

After immigrating from Ireland in the late '80s, Brendan Fay tried marching in the St. Patrick's Day Parade to celebrate his full identity—Irish, Catholic, and gay. He got booed, fired, and even arrested. Brendan eventually realized that if he wanted a truly inclusive St. Pat's parade, he'd have to make one himself.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.Watch the new season of Little America, an Apple Original series, December 9 on Apple TV+ where available.https://apple.co/-Little-America

An anthology series about the immigrant experience hosted by Kumail Nanjiani. Each episode brings you a different story, from the weird and humorous to the gut-wrenching and poignant.Little America: The Official Podcast is an Apple TV+ podcast, produced in conjunction with the Vox Media Podcast Network.https://apple.co/-Little-America

Aitch Alberto is a writer/director born and raised in Miami, Florida. She is a Sundance Episodic Lab fellow, recipient of a Skowhegan Artist Residency, a Yaddo fellowship, a Latino Screenwriting Project Fellowship, and an alumnus of the Outfest Screenwriting Lab. Aitch has written on DUSTER, a 1970s-set crime drama series from J.J. Abrams and LaToya Morgan for HBO Max and WBTV.She also served as a writer on AppleTV+'s BAFTA and Film Independent Nominated anthology series LITTLE AMERICA from Alan Yang, Kumail Nanjiani, and Emily V. Gordon. Most recently, Aitch has adapted and directed the award-winning young adult novel ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE with Lin-Manuel Miranda and Eugenio Debrez producing, from Limelight.Aristotle and Dante Discover the Secrets of the Universe is a 2022 coming-of-age romantic film that is an adaptation of the 2012 novel of the same name by Benjamin Alire Sáenz. Aristotle and Dante had it premiere at the 47th Toronto Film Festival on September 9, 2022.She has been included on The Black List's inaugural Latinx List, as well as the Tracking Board's Hit List and Young & Hungry List, and NALIP's list of "Latinx Directors You Should Know". Aitch has most recently been featured on Variety's 10 Directors To Watch for 2022 and Indiewire's 22 Rising Female Filmmakers to watch in 2022.Enjoy my conversation with Aitch Alberto.

Aitch Alberto is a writer/director born and raised in Miami, Florida. She is a Sundance Episodic Lab fellow, recipient of a Skowhegan Artist Residency, a Yaddo fellowship, a Latino Screenwriting Project Fellowship, and an alumnus of the Outfest Screenwriting Lab. Aitch has written on DUSTER, a 1970s-set crime drama series from J.J. Abrams and LaToya Morgan for HBO Max and WBTV.She also served as a writer on AppleTV+'s BAFTA and Film Independent Nominated anthology series LITTLE AMERICA from Alan Yang, Kumail Nanjiani, and Emily V. Gordon. Most recently, Aitch has adapted and directed the award-winning young adult novel ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE with Lin-Manuel Miranda and Eugenio Debrez producing, from Limelight.Aristotle and Dante Discover the Secrets of the Universe is a 2022 coming-of-age romantic film that is an adaptation of the 2012 novel of the same name by Benjamin Alire Sáenz. Aristotle and Dante had it premiere at the 47th Toronto Film Festival on September 9, 2022.She has been included on The Black List's inaugural Latinx List, as well as the Tracking Board's Hit List and Young & Hungry List, and NALIP's list of "Latinx Directors You Should Know". Aitch has most recently been featured on Variety's 10 Directors To Watch for 2022 and Indiewire's 22 Rising Female Filmmakers to watch in 2022.Enjoy my conversation with Aitch Alberto.