Podcast appearances and mentions of Jeffrey Ford

Join us as Gulf War veteran Jeffrey Ford recounts his experiences during Desert Storm. From life in the field to unforgettable moments on the front lines, Jeffrey opens up about what it was really like.Get access to past and bonus content with exclusive guest. Please help support the podcast and veterans so we can keep making the show - patreon.com/GulfWarSideEffects▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬Life Wave Patches: https://lifewave.com/kevinsimon/store/products*Here is my recommendations on what patches to get and what has helped me.Ice Wave - this helps with my neuropathy.x39 - this helps me with brain fog and my shakesx49 - helps with bone strengthGludifion - helps get rid of toxinsMerch: https://gulfwar-side-effects.myspreadshop.com/Contact me with your questions, comments, or concerns at kevinsimon@gulfwarsideeffects.com Subscribe to the podcast at:Spotify: https://open.spotify.com/show/0iZtzQqcVtekSPiE3wKa1IiTunes: https://podcasts.apple.com/us/podcast/gulf-war-side-effects/id1573060506

Join us as Gulf War veteran Jeffrey Ford recounts his experiences during Desert Storm. From life in the field to unforgettable moments on the front lines, Jeffrey opens up about what it was really like.Get access to past and bonus content with exclusive guest. Please help support the podcast and veterans so we can keep making the show - patreon.com/GulfWarSideEffects▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬Life Wave Patches: https://lifewave.com/kevinsimon/store/products*Here is my recommendations on what patches to get and what has helped me.Ice Wave - this helps with my neuropathy.x39 - this helps me with brain fog and my shakesx49 - helps with bone strengthGludifion - helps get rid of toxinsMerch: https://gulfwar-side-effects.myspreadshop.com/Contact me with your questions, comments, or concerns at kevinsimon@gulfwarsideeffects.com Subscribe to the podcast at:Spotify: https://open.spotify.com/show/0iZtzQqcVtekSPiE3wKa1IiTunes: https://podcasts.apple.com/us/podcast/gulf-war-side-effects/id1573060506

Acclaimed film editor Jeffrey Ford joins IT2 in studio as he makes a stop in Fargo, ND. Best known for editing iconic Marvel films like The Avengers, Iron Man Three, Captain America: Civil War, and Spider-Man: No Way Home, Ford has also worked on critically acclaimed projects such as Shattered Glass and Public Enemies. Most recently, he edited Marvel's Werewolf by Night and is currently collaborating with the Russo brothers on Netflix's highly anticipated The Electric State. See omnystudio.com/listener for privacy information.

Director John Polson, editor Jeffrey Ford and screenwriter Ari Schlossberg

Chow down on cheesy garlic bread with award-winning writer Jeffrey Ford as we discuss why writing has gotten more daunting (but more fun) as he's gotten older, the difficulties of teaching writing remotely during a pandemic, how he often doesn't realize what he was really writing about in a story until years after it was written, the realization that made him write a sequel to Moby-Dick, why if you have confidence and courage you can do anything, the music he suggests you listen to while writing, the reason he thinks world building is a "stupid term," the advice given to him by his mentor John Gardner, how the writing of Isaac Bashevis Singer taught him not to blink, why he prefers giving readings to doing panels, the writer who advised him if everybody liked his stories it meant he was doing something wrong, and much more.

Scotty talks to author Rachel Eve Moulton about her acclaimed novels "Tinfoil Butterfly" (2019) and "The Insatiable Volt Sisters" (2023), both from MCD x FSG Books. Along the way they discuss Rachel's upbringing in Antioch, Ohio, her early influences from Flannery O'Connor to Stephen King, the importance of place in her work, the culture shock of moving from Rhode Island to New Mexico, how horror fiction can free an author from the need to write in metaphor, the beauty of and terror of exploring fictional relationships, the ickiness of teeth, and much more. They also talk about the brilliant teen werewolf movie "Ginger Snaps," and how the film's sibling dynamic informed that in "The Insatiable Volt Sisters." You can find Rachel online at https://www.rachelevemoulton.com You can get your copy of "Tinfoil Butterfly" From Bookworks here in Albuquerque!: https://www.bkwrks.com/book/9780374538309 You can get "The Insatiable Volt Sisters" from Bookworks as well: https://www.bkwrks.com/book/9780374538323 Read Rachel's story "Deluge" at New Ohio Review: https://newohioreview.org/2019/12/13/deluge/ Read Rachel's essay "On the Haunted Lives of Girls and Women" at LitHub: https://lithub.com/on-the-haunted-lives-of-girls-and-women/ Be sure to check out the next episode of the YouTube show "Night Time Logic" from Daniel Braum. The series focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. The next episode will be LIVE on April 23 at 7 p.m. EST, and will feature authors Douglas Ford and Jeffrey Ford. You can tune in on Daniel's YouTube channel: https://www.youtube.com/@danielbraum7838 This podcast is powered by Pinecast.

The 2023 World Fantasy Convention was held in Kansas City, Missouri over the weekend of October 26-29 2023. The convention was incredibly kind and generous and featured Jonathan as a guest of honour and Gary as a panelist. During the weekend we grabbed long-time friends of the podcast Kij Johnson and Jeffrey Ford and attempted to discuss 'the art of narrative' or perhaps how you go about finding and telling a story.  The conversation was interesting and we hope you enjoy it. Our thanks to everyone at the Kansas City convention, but special thanks to co-chair Rosemary Williams and her spouse, both of whom went far above and beyond to make sure you got to hear this recording. See you again soon!

Billy sits down with Mandy Walker, Jeff Ford, and Adam Merims -- three vital collaborators from his directing debut, Shattered Glass -- to discuss what has happened to our business since. Learn more about your ad choices. Visit megaphone.fm/adchoices

⚡️ A horror podcast that feels like hanging around with friends! A few quotes from listeners:

Hey, we're podcasting over here! The Abyss gang is hanging out in the Jersey swamps to chat about Jeffrey Ford's Pretty Good Neighbor. Before the lizards appear they discuss This is How You Lose the Time War by Amal E-Mohtar and Max Gladstone, Daniel Braum's The Night Marchers, Vastarien vol 6 issue 1, Teenage Mutant Ninja Turtles Mutant Mayhem, Star Trek: Strange New Worlds, and Philip Fracassi's Boys in the Valley. Now get in the car and listen in! Read Pretty Good Neighbor

Episode 186 Notes and Links to Stephanie Feldman's Work   *Content Warning-Please be aware of discussion of sexual assault*        On Episode 186 of The Chills at Will Podcast, Pete welcomes Stephanie Feldman, and the two discuss, among other things, her early trajectory towards becoming a writer, formative and transformative writers and writing, genre and genre-less writing, the balance between allegory and plot in Saturnalia, the book's focus on Philadelphia and on the world at large, hedonism/inaction  in the wake of climate disasters, the long echoes of sexual assault, class and power in her book, and whether the book has a sense of optimism.       Stephanie Feldman is the author of the novels Saturnalia and The Angel of Losses, a Barnes & Noble Discover Great New Writers selection, winner of the Crawford Fantasy Award, and finalist for the Mythopoeic Award. She is co-editor of the multi-genre anthology Who Will Speak for America? and her stories and essays have appeared in or are forthcoming from Asimov's Science Fiction, Catapult Magazine, Electric Literature, Flash Fiction Online, The Magazine of Fantasy & Science Fiction, The Rumpus, Uncharted Magazine, Vol. 1 Brooklyn, Weird Horror, and more. She lives outside Philadelphia with her family.     Buy Saturnalia   Stephanie Feldman's Website   Review of Saturnalia from John Mauro at Grimdark Magazine   At about 1:55, Stephanie describes her early reading and writing, and being “fated” to be a writer   At about 4:00, Stephanie shouts out Anne Rice, Jeanette Winterson, and others as formational and transformational writers   At about 6:00, Stephanie cites the “world building and atmosphere” of Rice's work that inspired Saturnalia and the Philadelphia of the book   At about 7:20, Stephanie highlights Sofia Samatar, her work regarding Uzbekistan especially, and Jeffrey Ford as beloved contemporary writers   At about 9:00, Stephanie responds to Pete's questions about the importance (or lack thereof) of genre   At about 11:55, Stephanie gives background on/seeds for Saturnalia, including The Masque of Red Death and the Covid pandemic   At about 15:00, Pete asks about the balance/timing involving the book's allegory/symbolism and its plot/premise   At about 16:30, The two discuss the epigraph from Umberto Eco and its connection to hedonism and climate change    At about 18:40, The exposition is laid out, and Stephanie discusses connections to Saturn and fortune telling's importance in the book   At about 22:45, Pete summarizes the night of the winter solstice, including The Lord of Misrule, and Nina's tough times that lead her to do a job for Max    At about 24:30, Pete connects a telling quote from Faulkner to the book's pivotal violation and gender roles and power dynamics   At about 30:50, Stephanie responds to Pete's musings about the book's commentary on social class and power    At about 33:00, Stephanie and Pete speak about Philadelphia's small-town feel and Niña's feelings of being “trapped”   At about 36:55, Stephanie responds to Pete's questions about any optimism/pessimism that comes from the book   At about 38:55, Alchemy and myth and the stories are discussed    At about 40:00, Stephanie talks about the ways she and readers continue to experience the book some seven months after publication    At about 41:40, Pete shares the book's blurb from Carmen Maria Machado    At about 42:00, Stephanie shares an exciting future project   At about 43:00, Stephanie gives the history of the “blue laws” in PA   At about 44:00, Stephanie shares social media/contact info and places to buy her work, including Main Point Books, A Novel Idea, Weird Horror “The Getaway”      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.  Please tune in for Episode 187 with V Castro. She is a two-time Bram Stoker award nominated writer born in San Antonio, Texas, to Mexican American parents, and she has been writing horror stories since she was a child, always fascinated by Mexican folklore and the urban legends of Texas. Her latest is The Haunting of Alejandra.    The episode will air on June 13.

Here's the audio from the February 8, 2023 Fantastic Fiction at KGB reading, with guests Jeffrey Ford & Marie Vibbert. ​​​   Jeffrey Ford Jeffrey Ford is a New York Times Notable author for his novel The Physiognomy. In addition,... Continue Reading →

A time traveler is stranded in a small town. This story appears in SOMEONE IN TIME: TALES OF TIME-CROSSED ROMANCE, published by Solaris. Find more from Jeffrey Ford at well-builtcity.com. Content advisory: suicide

On this episode of Death // Sentence, Langdon and Eden kick things off by summoning the worst version of Eden possible - Conservative Eden! He rants on and on about the whiplash reaction to Sad Puppies and the inevitable, and awful, rise of identity politics focused SFF. Then, the two discuss Jeffrey Ford's The Physiognomy, a World Fantasy Award winning, weird-ass book about corrupted cities, immortality, heaven, time travel (possibly), neurosis, paranoia, fascism, and a protagonist who really, really sucks. No, really. He sucks. Book's great though! Music played: Reliqa - The Bearer of Bad News https://reliqa.bandcamp.com/track/the-bearer-of-bad-news-2 God Alone - Kung Fu Treachery https://godalone.bandcamp.com/track/kung-fu-treachery-2

It's spooky season, and to celebrate, Disney+ has debuted the first-ever Marvel Studios Special Presentation, WEREWOLF BY NIGHT! Join Peach3z, Chris, and Robbie as they discuss the stylish black-and-white horror throwback, dog puns, the mysterious case of the comic-writing roommates, and Giant-Sized Man-Things.Assembly Required has a Patreon! Join us at https://www.patreon.com/assemblyrequired for access to our exclusive Discord server and other Patron-exclusive benefits, including monthly bonus episodes! Our HALLOWEEN HORROR NIGHTS 31 episode is available now, with a chilling new episode coming this Friday!This episode of Assembly Required: An MCU Retrospective is brought to you by Audible. Go to https://www.audibletrial.com/assemblyrequired for a free 30-day trial today! ★ Support this podcast on Patreon ★

The Legends Of S.H.I.E.L.D. Agent Lauren, Agent Michelle, Agent Chris, Special Consultant Anthony, and Producer of the show Director SP discuss the 2022 Marvel Studios Disney+ One Shot Werewolf By Night. The Team debriefs you on the cast highlights and creative team run down, the Legends Of S.H.I.E.L.D. exclusive synopsis, the overall spooky tone, the MCU introduction of The Man-Thing, all the classic horror references, the gore, the practical effects, the sets, the family ideals, Elsa Bloodstone rocking it, our wish for annual Marvel Studios Halloween Specials, the Hallway Mural, the Animatronic Ulyssess, The Bloodstone, and Post Werewolf Ted. The Team also discusses the top Marvel Studios news story over the past week including that Harrison Ford is set to take on the Thunderbolt Ross role, if Mephisto might have been cast in the MCU, and if Adam Driver might have a role in Fantastic Four. Stay tuned after the credits for a few minutes of Legends Of S.H.I.E.L.D. bonus audio you won't hear anywhere else.   THIS TIME ON LEGENDS OF S.H.I.E.L.D.:   Werewolf By Night Marvel Studio Weekly News: Harrison Ford set to take on the Thunderbolt Ross role Was Mephisto finally cast? Will Adam Driver Have a Role In Fantastic Four?   WEREWOLF BY NIGHT [3:49]   Werewolf by Night premiered on Disney+ on October 7, 2022   Directed By: Michael Giacchino https://www.imdb.com/name/nm0315974/?ref_=tt_ov_dr  3 directing credits starting in 2018 Monster Challenge (short) 1x Star Trek: Short Treks Werewolf by Night 157 Composer credits 64 Music department credits (he produced Werewolf by Night's score) 48 Soundtrack credits (including She-Hulk: Attorney at Law)   Story and Teleplay by: Heather Quinn https://www.imdb.com/name/nm9324003/?ref_=ttfc_fc_wr1   2 Writing Credits starting in 2022 1x Hawkeye (3x staff writer and co-producer) Werewolf by Night (co-producer)   Teleplay by: Peter Cameron https://www.imdb.com/name/nm3341711/?ref_=ttfc_fc_wr2    11 Writing Credits starting in 2009 1x Carnival Row 2x WandaVision 2x Moon Knight   Major Cast: Gael García Bernal                     ...         Jack Russell Laura Donnelly                                       ...         Elsa Bloodstone Harriet Sansom Harris    ...                                 Verussa Kirk R. Thatcher                                     ...         Joshua Jovan Eugenie Bondurant                                             ...         Azarel Leonardo Nam                                       ...         Liorn Daniel J. Watts                                       ...         Barasso Al Hamacher                                                      ...         Billy Swan (the servant) Carey Jones                                                       ...         Ted (The Man-Thing) David Silverman                                     ...         The Flaming Tuba Rick D. Wasserman                                            ...         Narrator (voice) (as Rick Wasserman) Richard Dixon                                        ...         Ulysses Bloodstone (voice) Jeffrey Ford                                                       ...         Additional Man-Thing Vocalizations  Erik Beck                                                           ...         Puppeteer   WEEKLY MARVEL STUDIO NEWS [50:13]   Harrison Ford Set As General Thaddeus “Thunderbolt” Ross For ‘Captain America: New World Order', Will Star Opposite Anthony Mackie https://deadline.com/2022/10/harrison-ford-set-as-general-thaddeus-thunderbolt-ross-for-captain-america-new-world-order-will-star-opposite-anthony-mackie-1235146944/ EXCLUSIVE: It's official. Harrison Ford (Indiana Jones franchise) will be taking over the Marvel role of General Thaddeus “Thunderbolt” Ross, beginning with Phase 5 title Captain America: New World Order. He'll star opposite Anthony Mackie, with Shira Haas, Tim Blake Nelson and Carl Lumbly also among the ensemble.   Marvel Studios Has Reportedly Found Its Mephisto https://www.cbr.com/marvel-studios-sacha-baron-cohen-mephisto-mcu/ After multiple outlets reported on the rumor, Editor-In-Chief of Cosmic Circus, Lizzie Hill, took to Twitter to confirm what she'd heard on the matter. According to these sources, Marvel Studios cast Sacha Baron Cohen in Ironheart, with many reporting he'll take up the mantle of Mephisto. This comes after years of rumors, with fans believing the dark lord of hell might be pulling the strings in nearly every Marvel Disney+ series, most notably WandaVision.   RUMOR: Adam Driver Has Met With Marvel for Fantastic Four Role https://www.cbr.com/adam-driver-with-marvel-fantastic-four-casting/ According to The Hot Mic podcast, Driver has met with Marvel Studios for an undisclosed role in the upcoming reboot of the First Family. There's no word on which role Driver would play, though his villainous turn in the Star Wars Sequel Trilogy makes Doctor Doom an obvious choice.   OUTRO AND BONUS AUDIO [59:24]   We would love to hear back from you! Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871.                    Join Legends Of S.H.I.E.L.D. next time as the Agents discuss the Marvel Entertainment X-Men the Animated Series Season 4 episodes 5 - 7 as shown on Disney+. You can usually listen in live when we record Saturday Mornings at 10:00 AM Eastern Time at on YouTube or Twitch. Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871   Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com).   This podcast was recorded on Saturday October 22nd, 2022.   Standby for your S.H.I.E.L.D. debriefing ---   Audio and Video Production by SP Rupert of GonnaGeek.com.   YouTube Video Version: https://www.youtube.com/watch?v=6XXF5KZhR6g  

In this episode of All2ReelToo we take a look at the Disney + and Marvel Special Presentation, Werewolf by Night . On a dark and somber night, a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader. In a strange and macabre memorial to the leader's life, the attendees are thrust into a mysterious and deadly competition for a powerful relic--a hunt that will ultimately bring them face to face with a dangerous monster. Gael García Bernal as Jack Russell / Werewolf by Night: A monster hunter who has been afflicted with a curse that turns him into a werewolf. Laura Donnelly as Elsa Bloodstone: Ulysses Bloodstone's estranged daughter who dislikes her family's tradition of hunting monsters. Harriet Sansom Harris as Verussa Bloodstone: Ulysses's widow and Elsa's stepmother who leads the secret group of monster hunters. Also appearing as the additional monster hunters are Kirk R. Thatcher as Jovan, Eugenie Bondurant as Azarel, Leonardo Nam as Liorn, and Daniel J. Watts as Barasso. Al Hamacher appears as Billy Swan, the Bloodstones' servant;Carey Jones portrays the swamp creature Ted / Man-Thing, with the special's editor Jeffrey Ford providing additional vocalizations; David Silverman appears as the flaming tuba player; Rick Wasserman narrates the special's opening sequence;and Richard Dixon voices Ulysses Bloodstone, Elsa's deceased monster-hunting father who originally wielded the Bloodstone and has become a talking corpse. Erik Beck was a puppeteer on the special. Listen, Rate and Share the show!!!! Find us at all2reeltoo.com Listen to Mike on The Family Fright Night Horror Podcast ... https://open.spotify.com/episode/7kstbpDOnLQeI8BQGLzina Check out some cool music by host Matthew Haase at https://youtu.be/5E6TYm_4wIE Check out cool merchandise related to our show at http://tee.pub/lic/CullenPark Become a Patron of the show here.... https://www.patreon.com/CullenPark Listen to Mike on The Nerdball Podcast.... https://pod.fo/e/ba2aa Check out some cool music from Jason Quick at www.jasonquickmusic.com Check out these cool YouTube creators that Matt was talking about on this episode: https://youtube.com/c/CouncilofGeeks https://youtube.com/c/lostrekkie If you can during these troubling times make a donation to one of the following charities to help out. https://www.thetrevorproject.org/ https://www.hrc.org/hrc-story/hrc-foundation https://pointfoundation.org/ https://www.directrelief.org/ https://www.naacpldf.org/ https://www.blackvotersmatterfund.org https://www.tahirih.org/ https://www.monafoundation.org/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Director / Composer - Michael Giacchino and Editor - Jeffrey Ford ACE WEREWOLF BY NIGHT'S Michael Giacchino and Jeffrey Ford have had many occasions to work together in the past, but never quite like this.  While WEREWOLF BY NIGHT is Michael's first time in the director's chair for Marvel Studios, he's been the composer on five of their features, two of which were also cut by Marvel stalwart, Jeffrey Ford.  However, this special presentation for Disney + marks their first time collaborating as director and editor. WEREWOLF BY NIGHT begins after the death of legendary monster hunter, Ulysses Bloodstone.  Five experienced monster hunters are summoned by Ulysses' widow, Verussa, to Bloodstone Manor where they are instructed to participate in a competitive hunt to determine their new leader.  The object of their hunt is to retrieve the powerful Bloodstone from an unknown foe. MICHAEL GIACCHINO In addition to his work as composer on WEREWOLF BY NIGHT, Michael has also scored the Marvel features; DOCTOR STRANGE (2016), SPIDER-MAN: HOMECOMING (2017), SPIDER-MAN: FAR FROM HOME (2019), SPIDER-MAN: NO WAY HOME (2021) and THOR: LOVE AND THUNDER (2022).  Outside of the MCU, Michael's work can also be heard on; RATATOUILLE (2007) - for which he won an Oscar®, JURASSIC WORLD (2015) and Taika Waititi's upcoming feature, NEXT GOAL WINS (2023). JEFFREY FORD ACE While Jeff Ford's career has been punctuated by the excellent work he has done in smaller projects such as; ONE HOUR PHOTO (2002), BLOODWORTH (2010) and THE COMEY RULE (2020), it is his impressive and unmatched roster of eleven MCU films (plus THE FALCON AND THE WINTER SOLDIER and WEREWOLF BY NIGHT for Disney+) for which he is most well known. Making Marvel's Werewolf by Night In our discussion with Michael and Jeffrey, we talk about: Honoring the horror films of the past The advantages of having the editor on set Brad Bird getting inside of your head The Easter eggs of Fireball Island How to transpose for a flaming tuba The Credits Visit ExtremeMusic and get Michael Giacchino's music for you next project See this episode with Michael and Jeff on YouTube Hear Jeffrey Ford discuss AVENGERS: ENDGAME and SPIDER-MAN: NO WAY HOME Check out all the latest features in Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube and SEE editors Jeffrey Ford, ACE and Leigh Folsom-Boyd, ACE discuss SPIDER-MAN: NO WAY HOME

We are back to our 'Double Header' episodes of @EchoChamberFP https://www.instagram.com/echochamberfp/ In 'Part One' we have a Shudder Original, a Netflix thriller. We take a look at the Lockdown hit LuckyChap Entertainment & Focus Features, and Marvel Studios' new Halloween Special Presentation over on Disney+. In 'Part One' we have: Sissy Watch Review: Here. https://youtu.be/Te5iE3GVHvU South by Southwest Film Festival: 11th March 2022 Digital Release Date: 29th September 2022 Director: Hannah Barlow, Kane Senes Cast: Aisha Dee, Hannah Barlow, Emily De Margheriti, Daniel Monks, Yerin Ha, Lucy Barrett, Amelia Lule, Camille Cumpston, April Blasdall, Shaun Martindale, Victoria Hopkins Credit: Shudder, Arcadia, DEMS Entertainment, Dog Park Pictures Genre: Comedy, Drama, Horror, Romance, Thriller Running Time: 102 min Cert: 18 Trailer: Here. https://youtu.be/gsIrY8GTAjk Watch via Shudder: Here. https://www.shudder.com/movies/watch/sissy/7ba9a67c2524bdab Instagram: @sissy.movie https://www.instagram.com/sissy.movie/ ------------ Blackout Watch Review: Here. https://youtu.be/uLmmhRWAkyY Digital Release Date: 12th October 2022 Director: Sam Macaroni Cast: Josh Duhamel, Abbie Cornish, Nick Nolte, Omar Chaparro, Hernan Del Riego, Edison Ruíz, Fresero Jr, Bernardo Bucio, Daniel Farag, Pedro Lopez, Bárbara de Regil Credit: Falcon Films, Patriot Pictures, Itaca Films, Lost Winds Entertainment Genre: Action, Crime, Thriller Running Time: 81 min Cert: 15 Trailer: Here. https://youtu.be/QP3sxps6k0s Watch via Netflix: Here. https://www.netflix.com/title/81564308 ------------ Promising Young Woman Watch Review: Here. https://youtu.be/Bu67jT6P5fM Sundance Film Festival: 25th January 2020 Theatrical Release Date: 25th December 2020 Digital Release Date: 16th April 2021 Director: Emerald Fennell Cast: Carey Mulligan, Bo Burnham, Alison Brie, Clancy Brown, Chris Lowell, Jennifer Coolidge, Laverne Cox, Connie Britton, Molly Shannon, Adam Brody, Max Greenfield, Christopher Mintz-Plasse, Steve Monroe, Sam Richardson, Alfred Molina Credit: Focus Features, Universal Pictures, FilmNation Entertainment, LuckyChap Entertainment Genre: Dark Comedy, Drama, Mystery, Suspense, Thriller Running Time: 113 min Cert: 18 Trailer: Here. https://youtu.be/we5yV7Gc9rY Website: Here. https://www.focusfeatures.com/promising-young-woman Twitter: @PromisingFilm https://twitter.com/PromisingFilm Facebook: Here. https://www.facebook.com/promisingyoungwoman/ Instagram: @promisingyoungwoman https://www.instagram.com/promisingyoungwoman/ ------------ Werewolf By Night Watch Review: Here. https://youtu.be/pExfQ38An8U Fantastic Fest: 25th September 2022 Digital Release Date: 7th October 2022 Director: Michael Giacchino Cast: Gael García Bernal, Laura Donnelly, Harriet Sansom Harris, Kirk R. Thatcher, Eugenie Bondurant, Leonardo Nam, Daniel J. Watts, Al Hamacher, Jeffrey Ford, David Silverman, Rick Wasserman, Richard Dixon, Erik Beck Credit: Marvel Studios, Disney+, Genre: Action, Adventure, Fantasy, Horror, Superhero Running Time: 53 min Cert: 18 Trailer: Here. https://youtu.be/bLEFqhS5WmI Watch via Disney+: Here. https://www.disneyplus.com/movies/werewolf-by-night/J1sCDfT3MaDl Website: Here. https://www.marvel.com/tv-shows/werewolf-by-night/1 ------------ *(Music) 'World Heist' by Camp Lo - 1997 --- Send in a voice message: https://anchor.fm/eftv/message

Dark, twisted, and funny: Jeffrey Ford's “The Blameless” is narrated by Steven Jay Cohen; and Brian Keene's “Not Alone” is read by Leon Nixon. Tales Beyond Time is a Realm production. Listen Away For more shows like this, visit Realm.fm, and sign up for our newsletter while you're there! Follow us! On Instagram @RealmMedia_ On Twitter @RealmMedia Check out our merch at: merch.realm.fm Find and support our sponsors at: www.realm.fm/w/partners Learn more about your ad choices. Visit megaphone.fm/adchoices

Main Fiction: "Not Without Mercy" by Jeffrey FordThis story originally appeared in Conjunctions #67, Fall 2016Jeffrey Ford is the author of the novels The Physiognomy, Memoranda, The Beyond, The Girl in the Glass, The Cosmology of the Wider World, The Shadow Year, The Twilight Pariah, Ahab's Return, and Out of Body. His short story collections are The Fantasy Writer's Assistant, The Empire of Ice Cream, The Drowned Life, Crackpot Palace, A Natural History of Hell, The Best of Jeffrey Ford, and Big Dark Hole. Ford's fiction has appeared in numerous magazines and anthologies from Tor.com to Magazine of Fantasy and Science Fiction to The Oxford Book of American Short Stories and been widely translated. It has garnered World Fantasy, Edgar Allan Poe, Shirley Jackson, Nebula awards and a New York Times Notable Book of the Year. He lives in Ohio's farm country in a 120-year-old house and teaches part-time at Ohio Wesleyan University.Narrated by: Bob HoleBob Hole is a bon-vivant (hermit), author, podcaster, blogger, and social media addict. He loves science fiction, fantasy, mysteries, stamp collecting, cactus, and most of the sciences (geek AND nerd). He lives in the Sonoran Desert with his partner.Fact: Looking Back At Genre History by Amy H Sturgis Support this show http://supporter.acast.com/starshipsofa. See acast.com/privacy for privacy and opt-out information.

Something weird and wicked this way comes: Marie Brennan's “What Still Abides” is read by Walles Hammonde; and Jeffrey Ford's “86 Deathdick Road” is read by Steven Jay Cohen. Tales Beyond Time is a Realm production. Listen Away For more shows like this, visit Realm.fm, and sign up for our newsletter while you're there! Follow us! On Instagram @RealmMedia_ On Twitter @RealmMedia Check out our merch at: merch.realm.fm Find and support our sponsors at: www.realm.fm/w/partners Learn more about your ad choices. Visit megaphone.fm/adchoices

⚡️ A podcast on cosmic horror, weird fiction, genre topics, Lovecraftian fiction... and more!   ⚡️ Did I say "podcast"? Sure! But it's more like joining friends to chat about your favorite horror movies and books, about cosmic horror, weird fiction, and other geeky topics!   ☠️ THIS EPISODE: Michael Aronovitz, author of DANCING WITH TOMBSTONES. Panelist Bridgette Brenmark writes, "I can only read one story at a time before bed because it's so creepy."   ☠️ Purchase DANCING WITH TOMBSTONES (only $2.99 on Kindle): https://amzn.to/3LHN3Gx ☠️ Purchase THE SCULPTOR: https://www.skyhorsepublishing.com/9781949102543/the-sculptor/  

Welcome to our EXCLUSIVE Spiderman no way home Coverage Featuring lead Marvel editor Jeffrey Ford who worked on Spiderman: No Way Home, The Avengers Films, Captain America Trilogy, Iron Man Movies, and Thor. All that and More! Join us as we break down The Latest Spiderman Film with the Editor of the movie! Presented and Sponsored by Showcase Cinemas De Lux. #MarvelStudios #SpidermanNoWayHome #MCU #Podcast #Exclusive #MarvelCinenaticUniverse #CaptainAmerica #TheAvengers Join this channel to get access to perks: YOUTUBE MEMBERSHIP USE OUR CODE AND SIGN UP FOR TUBE-BUDDY TO START UTILIZING THEIR AMAZING TOOLS, LET TUBE BUDDY DO THE WORK FOR YOU: https://www.tubebuddy.com/POP Get A new Saatva Luxury Mattress, Bed Frame, Bedding, And More By Calling 646-630-9644 And Mentioning POP! Culture Corner Will Get you 10%off your first order! Visit www.Saatva.com to browse around. Subscribe to the channel: SUBSCRIBE NOW! GET SOME FRESH ALL-YEAR MERCH BY POP! CULTURE CORNER: SHOP NOW! —————————————————————————------------------------------------------- Follow The Show On our Social Media! Facebook Twitter Instagram Send us Some ideas or topics you'd like to hear us discuss, Email:———— POP.CultureCorner2020@Gmail.com Special Thank you to all of our Channel Members for your continued support, and dedication to our brand! We do it for you, we do it for the culture! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/popculturecorner20/message

This episode focuses on what it takes to get a business ready for a sale, and how business owners can prepare for what might be one of the most important days of your life. Laurie Barkman hosts Jeffrey Ford, a Founding Partner at Grossman Yanak + Ford, a regional certified public accounting and consulting firm. They talk about the importance of having a transferable business, and how to address risks to protect your sell price. Listen in as they discuss what can derail the sell side process and how to prepare for sell side diligence. Listen in to learn more about: Sell-side insights for business owners thinking of selling at some point What the buyer's team looks for to drive down your selling price between the Letter of Intent and the transaction  Conversely, how the business owner can prepare and take the time with a thoughtful, introspective approach  Assembling a capable deal team philosophically aligned with the business owner, that will pay off significantly in the process   Show Links: Grossman Yanak + Ford website: www.gyf.com Email Jeff Ford, Partner GYF at ford@gyf.com   About Succession Stories Podcast Succession Stories is hosted by Laurie Barkman, the Business Transition Sherpa-- guiding business owners through the process from "transition to transaction." Learn more at https://smalldotbig.com  Book a 1:1 Advisory call at: www.meetlauriebarkman.com lbarkman@smalldotbig.com   We appreciate your support...subscribe, share, and post a review to share what you like about the show!     Is this the year to sell your company? Don't leave your exit to chance. Stony Hill Advisors works with owners like you to get ready and maximize value when you're ready to sell. Visit www.stonyhilladvisors.com/podcast for a complimentary business valuation.  

Two chilling tales that'll make you latch your windows and lock your doors: Max Gladstone's Lovecraftian “Crispin's Model,” as voiced by Robin Ray Eller; and Jeffrey Ford's unsettling “The Angel Seems,” as told by Kitty Hendrix. For more shows like this, visit Realm.fm. Tales Beyond Time is a Realm production. Listen Away. Learn more about your ad choices. Visit megaphone.fm/adchoices

Editors - Leigh Folsom Boyd ACE and Jeffrey Ford ACE Editors Leigh Folsom Boyd and Jeffrey Ford are not exactly newbies when it comes to the Marvel Cinematic Universe.  And while they have many prior MCU colleagues in common, SPIDER-MAN: NO WAY HOME represents the first time they've ever worked together on a project.  Jeff was the editor who introduced Tom Holland's Peter Parker to the MCU when he cut CAPTAIN AMERICA - CIVIL WAR.  Leigh has the distinction of also cutting the previous film in director Jon Watts' "Spidey" trilogy, SPIDER-MAN: FAR FROM HOME alongside editor Dan Lebental ACE. NO WAY HOME picks up things up in the moment after Mysterio exposes Parker's identity as Spider-Man to the world in FAR FROM HOME.  Peter then asks Dr. Strange to make it a secret again with magic, but this breaks open the "multiverse" and allows five supervillains from alternate realities to enter Parker's universe. LEIGH FOLSOM BOYD ACE Even before joining the Marvel Cinematic Universe to co-edit ANT MAN, SPIDER-MAN: FAR FROM HOME and BLACK WIDOW, editor Leigh Folsom Boyd had plenty of experience cutting blockbuster action movies.  Her rich resume includes films like FAST & FURIOUS, FAST FIVE, FAST & FURIOUS 6, FURIOUS 7, PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES and TOTAL RECALL (2012). JEFFREY FORD ACE While Jeff Ford's career has been punctuated by the excellent work he has done in smaller projects such as ONE HOUR PHOTO (2002), BLOODWORTH (2010) and THE COMEY RULE (2020), it is his impressive and unmatched roster of ten MCU films (plus THE FALCON AND THE WINTER SOLDIER for Disney+) for which he is most well known. Editing Spider-Man: No Way Home In our discussion with the SPIDER-MAN: NOW WAY HOME editing team of Leigh Folsom Boyd and Jeffrey Ford, we talk about: Taking care to build a film that can stand on its own within both a trilogy and a franchise Integrating the Easter eggs Collaborating under COVID restrictions The experience of editing on set Jeff Ford finally coming clean about his gaffe in AVENGERS: ENDGAME The Credits Get your free 100GB of media transfer at MASV Visit ExtremeMusic for all your production audio needs Save 20% on subscriptions to Media Composer and Media Composer | Ultimate before 2021 ends Hear Leigh Folsom Boyd talk about editing Black Widow Jeffrey Ford and Robin Buday discuss Avengers: Endgame Editor Dan Lebental on cutting Spider-Man: Far From Home See Chancler's Spider-Man Music Video over on Twitter Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube and see the video version of this interview with Jeff and Leigh

Subscribe: Feedburner | Apple Podcasts Tom Holland’s third solo outing as Spider-man is the most spoiler-prone movie of the year so we don’t waste much time in our non-spoiler section. Spider-man: No Way Home Directed by: Jon WattsProduced by: Kevin Feige, Amy PascalWritten by: Chris McKenna, Erik SommersEdited by: Jeffrey Ford, Leigh Folsom BoydCinematography: Mauro FioreMusic by: … More Spider-man: No Way Home – Popcorn Not Included

PopaHALLic #61 "Not So Home Alone"Gathered for a holiday outing, Steve, Kate and the Resident Kid Expert (RKE) discuss seasonal offerings, including the fifth "Home Alone" movie, "Home Sweet Home Alone," on Disney +. Wait, you say, isn't Macauley Culkin like in his 40s now?! Yes —41, actually—but it's a different kid.  The RKE gives his review. We also talk about:Streaming:"Love Hard," Netflix. In this holiday-themed rom com, Nina Dobrev drops everything to fly across the country for Christmas with the hunk from her dating app that she's never actually met. Surprises await! Hijinks ensue!"Fatman," Peacock/rental. In this dark, violent action movie, a rich kid unhappy about getting coal for Christmas hires an assassin (Walter Goggins) to take out Kris Kringle (Mel Gibson). But Santa's got a brand new bag, and it's filled with ammo.Books:"Out of Body," by Jeffrey Ford. In this dark fantasy thriller, the death of a girl in his arms leads to disturbing, "Twilight Zone"-like dreams for a small-town librarian."The Year of the Witching," by Alexis Henderson. A young woman living in a puritanical society discovers dark powers within herself in this feminist fantasy debut."The Hike," by Drew Magary.  An ordinary guy tries to get back home from a parallel universe in this oddball fantasy mixing elements of fairy tales and video games."Eyes That Kiss in the Corners," by Joanna Ho. This bestselling children's picture book is about learning to celebrate one's Asian heritage. "Milo Imagines the World," by Matt de la Pena. This poignant, timeless children's picture book is about how you can't really know anyone just by looking at them.Popahallics #61 PlaylistCool yule music from Ella Fitzgerald, Kay Starr, Louis Armstrong, Straight No Chaser, and more, including a few holiday tunes you've likely never heard before. Listen.

The Outer Dark presents Quarantine Readings by Jeffrey Ford and Zin E. Rocklyn, plus an exclusive preview of the New York Ghost Story Festival 2021 with founder Daniel Braum. This episode's content was recorded on November 21, 22, and 23, 2021.  Show Notes The Outer Dark Quarantine Reading series returns, beginning with an exclusive preview … Continue reading

Dagens gäst Jeffrey Ford är en av USAs stora skräck, science fiction, fantasy och weird fiction giganter. Här berättar han om sina verk, favoriter, liv och inspirationer.

Welcome to Fright Bites. Every day in October we will release bite-size episodes to get you through Spooky Season. We kick things off with a review of “Out of Body” by Jeffrey Ford.

Over the Road with Jeffrey Ford Truck Driver Jeffrey Ford joins Bruce on the podcast today to talk about his career over the road hauling specialty vehicles across the country. We caught up with Jeffrey in a stop out in Arizona to catch up on his acting career and his life trucking across the country. Jeff was on the podcast before back in episode 346 which you can listen to here. https://theleadpedalpodcast.com/lp346-trucking-while-acting-with-jeffrey-ford This episode is sponsored by Groupe Trans West is looking for professional teams to operate out of their Mississauga terminal with excellent employment benefits between Toronto Ontario and California. Find out more at www.groupetranswest.com  or call recruiter Mike Hahn at 416-606-8296 This episode is also sponsored by Chrome Supply Warehouse offering custom parts for trucks and many specials for truckers. You can learn more at www.chromesupplywarehouse.com About the Show JOIN THE LEAD PEDAL PODCAST FAN CLUB www.TheLeadPedalPodcastFanClub.com LISTEN TO LEAD PEDAL RADIO at www.LeadPedalRadio.com The Lead Pedal Podcast for Truck Drivers talks all things trucking for people in the transportation industry helping them improve their business and careers. Interviews with industry professionals and truck drivers, trucking information, and other features on the industry are meant to be helpful for truck drivers and those in transportation. The Lead Pedal Podcast for Truck Drivers has main episodes released every Monday, Wednesday, and Friday with bonus material on other days. You can learn more about the host and show on our website and make sure to SUBSCRIBE to the show on your favourite podcast platform. www.theleadpedalpodcast.com What does The Lead Pedal Podcast mean? The Lead (pronounced - Led) stands for acceleration or fast-track of your career or business. It is a play on words and we certainly are not here promoting speeding in the industry. We are hoping this information will help you become a professional driver faster than if you didn't know about many of these topics. Are you enjoying the show? If so we would appreciate you leaving us a rating and review on iTunes or on your favourite podcast platform. The show is available at www.theleadpedalpodcast.com  , ITunes, Stitcher, Spotify, Tunein, iHeartradio, SoundCloud, and other popular podcast platforms. Thanks for listening Join The Lead Pedal Podcast Fan Club where are loyal fans get first chance at specials, discounts on merchandise and much more.The club is free to join and you can learn more at www.theleadpedalpodcastfanclub.com   

In this episode of Horror Hill, we bring you a terrifying tale from author Jeffrey Ford, performed by host and narrator Jason Hill, which will introduce us to a young couple on a romantic getaway, which is about to become anything but a honeymoon, when they run afoul of the local spirits. Learn more about your ad choices. Visit megaphone.fm/adchoices

Here’s the audio and video from this month’s Fantastic Fiction at KGB readings and Q&A with Jeffrey Ford & Kaaron Warren.

Welcome to episode 4 of Season 12 of The Coode Street Podcast. Despite an unexpected glitch that caused Jonathan to disappear partway through, he and Gary are joined by Veronica Schanoes, whose Burning Girls and Other Stories is just out, with endorsements from writers and scholars as diverse as Karen Joy Fowler, Jack Zipes, Jane Yolen, Catherynne Valente, Jeffrey Ford, and Roz Kaveny. We talk about fairy tales, anti-Semitism, feminism, labour history, immigrant history, punk rock, and many other elements that go to make up her remarkable short stories. As always, we'd like to thank Veronica for making the time to talk to us, and hope you enjoy the podcast.

Welcome to The POP! Culture Corner Today were Pleased to Have Mr. Jeffrey Ford on the show, Jeffrey Has worked with #MarvelStudios Since The Beginning, Starting His career with them on #CaptainAmerica The First Avenger, And Ending With Endgame, He Worked on Every Single #Avengers Movies, As Well a Every Captain America Movie, & Iron Man3 and Dr. Strange. Hes also known for Public Enemies, Hide And Seek, & So many more. Ever Wondered How Movies Get put together after their filmed? Well strap in, cause were about to find out a little about how Jeffrey and everyone at Marvel, come together to bring these characters to life. We hope you enjoy! this interview was to help raise money for T.Y's Moms Breast Cancer Fight, If you Can Help support a good cause, anything helps, the donation link is below, Every penny helps and goes towards a good cause, to help an individual Fight A disease that has taken so many, If you cant donate today, that's okay, share the message that's free. https://www.gofundme.com/f/michele-roberts-breast-cancermedical-bills?sharetype=teams&member=7206212&rcid=r01-160831547362-63a757d4f6454e33&pc=tw_co_campmgmt_w&utm_medium=social&utm_source=twitter&utm_campaign=p_lico+share-sheet Follow Us on Social Media; Follow Us On Twitter: https://twitter.com/POP_Culture2020 Facebook: https://www.facebook.com/POPCultureCo... Instagram: https://www.instagram.com/pop_culture... --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/popculturecorner20/message

Part II of our extensive, in-depth interview with Jeffrey Ford, ACE, editor of Marvel Studios mega box office hits, The Avengers, Captain America, Iron Man 3 and much more. In this 2nd part of our talk we dig down into Jeff's working style, challenges, tips for assistant editors working their way up, the "politics" of the editing room & more! If you enjoy this video and find it valuable support us by giving us a LIKE and SUBSCRIBE to our channel!

You might know the name Jeffrey Ford as the editor of some of the most successful & exciting box office films of all-time. But Marvel's Iron Man 3, Captain America: The First Avenger, Winter Soldier & Civil War and The Avengers, The Avengers: Age of Ultron, Infinity War & Endgame are only some of his credits. Jeff's work goes beyond the realm of superheroes and CGI extravaganzas. He's also cut powerful dramas like One Hour Photo, Shattered Glass, Crazy Heart and most recently The Comey Rule & Let Him Go. Not only is Jeff an editor at the top of his game, he's also a genuine cinephile who possesses a deep knowledge and love of the filmmaking craft. Collectively, the films Jeff has cut have earned over 4 billion dollars in global box office. In this, Part 1 of our extensive 1-on-1 talk with Jeff we'll do a deep dive into subjects like his career path, get insights into editing mega-hits, about his workflow techniques & challenges and much more. If you love movies and want a deeper understanding of the editing craft from a consummate filmmaker, we know this is something you will really enjoy.

You know we love us some Marvel movies here at Spoiler Country! And today we got to sit down and

In this podcast, The Outer Dark Virtual Symposium 2020 presents the panel Weird World-Building: Strange Cities, “Other” Countries, and Cobbly Universes, featuring Natania Barron, Jesse Bullington, Jeffrey Ford, Seb Doubinsky, L.M. Davis, and Sarah Read. PLUS Readings by Valjeanne Jeffers, Jeff Strand,  L.M. Davis, and Ian McDowell. This programming was recorded on Saturday August 15, 2020. … Continue reading

No matter the rung of the ladder you happen to be on in the entertainment industry, making it in Hollywood is no easy feat. And with how our world is evolving post-pandemic, you might think it will be nearly impossible to maintain any sort of work-life balance for our foreseeable future, especially if you’re fortunate enough to reach the top rung of the ladder like today’s guest. If you’ve ever wondered what it takes to not only survive but thrive while working on giant tent pole films like The Avengers series, Captain America: Civil War and Iron Man 3, or a multitude of other blockbusters, then this conversation is going to give you the inside look you’ve been waiting for. Award-winning editor Jeffrey Ford, ACE has made his career working with big name directors like Michael Mann, Joss Whedon, Anthony & Joe Russo, and Joe Johnston, and he does not sugar coat the reality that editing these films is an all-consuming endeavor. In today’s interview with Jeffrey (which was originally recorded a few years ago back in the ‘Fitness In Post’ days), he does share with us his secrets and routines for maintaining his health and family life without succumbing to bad habits and burnout. We dive deep into the methods he uses to stay energetic and creative despite the long hours, specifically maintaining consistent movement throughout his workday. He also talks about the immense importance of keeping his team rested and refreshed so they too can be productive and creative while still meeting the demanding and intense work schedules on huge tentpole films. While the conversation might not be brand new, the topics we discuss are as relevant as ever. If setting boundaries and maintaining some semblance of sanity in our post-pandemic world is a priority for you, after listening I highly recommend following up this episode with my interview with producer Janace Tashjian where we discuss the importance of setting boundaries, advocating for yourself, and asking for help. Want to Hear More Episodes Like This One? » Click here to subscribe and never miss another episode Here's What You'll Learn: The story of how Jeff began his film career after graduating from USC film school and getting his first job as an apprentice editor with director James Gray and editor Dorian Harris What film school taught him about teamwork and making connections with people in the industry. The struggles he endured through years of unemployment, only working 5 days a month while making films on his own to hone his craft. His humility still leaves him surprised and enthused that people continue to let him cut their films. The extreme focus necessary to edit the film, Public Enemies with Michael Mann, and the demanding schedule and hours he endured. Jeff believes that the longer you sit in front of your screen without moving, the more it inhibits your objectivity and relationship with your audience. Why he makes time for 3 to 4 movement breaks throughout the day. The reason his standing desk has been an enormous benefit to his creativity and mental fortitude. The scheduling fix they use on the Marvel movies to avoid burnout and ensure everyone stays healthy and happy. The importance of having a work environment that provides daylight, space, and amenities to maintain health and well being. Self-assertion and setting boundaries must be built into your routine due to the competitive and intense nature of the business. On Jeff’s team, taking care of yourself is looked upon as a strength rather than a weakness. KEY TAKE AWAY #1: Keep perspective about the job by understanding that your family is your most important support system to keep you going. KEY TAKE AWAY #2: Staying in shape physically is directly connected to your mental well being which is connected to your success. KEY TAKE AWAY #3: Divide the workload between more people working shorter hours to stay creative and productive. Useful Resources Mentioned: Ep113: The Importance of Setting Boundaries, Advocating For Yourself, and Asking For Help | with Janace Tashjian Ep11: Making It In Hollywood as a “Creative” (What They Don’t Teach You In Film School) | with Norman Hollyn Ep17: Is Taking Free Work Really Worth It? | with Alan Bell, ACE Our Generous Sponsors: This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. Click here to learn more and get your Topo Mat. Guest Bio: JEFFREY FORD, A.C.E. (Editor) was born in Novato, California. He attended high school in Troutdale, Oregon and graduated from the University of Southern California School of Cinema-Television in Los Angeles with a degree in Cinema-Television Production. He began his professional filmmaking career in 1994, working as an editorial assistant on James Gray’s debut feature film, “Little Odessa.” He went on to work as an assistant editor on several feature films, including the Academy Award®-nominated “As Good as It Gets” for editor Richard Marks and director James L. Brooks. Ford’s first solo feature as editor was “The Yards” for director James Gray, which premiered in competition at the Cannes Film Festival in 2000. He edited “Teddy Bears’ Picnic” for Harry Shearer, “One Hour Photo” for Mark Romanek, “Hide and Seek” for John Polson, “The Family Stone” for Thomas Bezucha (his work receiving an A.C.E. Eddie nomination) and “Street Kings” for David Ayer. He also edited “Shattered Glass” and “Breach” for director Billy Ray. With Paul Rubell he co-edited "Pubic Enemies" for director Michael Mann. In 2011 he teamed with Thomas Bezucha again for “Monte Carlo." At Marvel Studios, Ford co-edited “Captain America: The First Avenger" (with Robert Dalva) for director Joe Johnston, "Iron Man Three” (with Peter Elliot) for Shane Black and “Marvel’s The Avengers" and "Avengers: Age of Ultron” (both with Lisa Lassek) for director Joss Whedon. “Captain America: Civil War” is Ford’s second film for Joe and Anthony Russo. He also co-edited (with Matthew Schmidt) the Russo's first Marvel Studios feature “Captain America: The Winter Soldier.” He lives in Los Angeles with his wife and two sons. Show Credits: This episode was edited by Curtis Fritsch, and the show notes were prepared by Debby Germino and published by Glen McNiel. The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet).

In this episode: Jeffrey Ford talks about his new novella OUT OF BODY ( https://amzn.to/2ThwrNc )! The gang and I also discuss the new movie THE VAST OF NIGHT, the book THOUGHTS OF GOD, new novels by Laird Barron and by S.P. Miskowski, Ellen Datlow's new anthology FINAL CUTS... and more! (PICTURED: "Angry John Langan" - photo by Jeffrey Ford)

Here's a great conversation between two amazing authors and a reading from the great Jeffrey Ford. You're going to want to give this one a listen ASAP. It's shaping up to be a great series so far.

Ten minutes with... is a special series presented by Coode Street that sees readers and booklovers from around the world talk about what they're reading right now and what's getting them through these difficult times. Gary is joined by award-winning author and ILM filmmaker Gregory Norman Bossert to talk about how the changes facing the movie industry may actually help new voices and new forms, the appeal of not-quite-classifiable stories of the New Weird and other contemporary movements, a new anthology in support of the nonprofit RAICES, podcasts and movies, and his own new short fiction. Short fiction mentioned includes: "The Night Soil Salvagers" by Gregory Norman Bossert (Tor.com, July) "Dear Boy" by Gregory Norman Bossert (Weird Fiction Review #10) "The Hearts of All" by Gregory Norman Bossert (Black Static #73) "Zima Blue" by Alastair Reynolds (and its TV adaptation on Love, Death, and Robots) Books mentioned include: The Unnamed Country by Jeffrey Thomas The Punktown series by Jeffrey Thomas The Troika by Stepan Chapman Vermilion Sands by J.G. Ballard Made to Order: Robots and Revolution by Jonathan Strahan, ed.,  Rambunctious by Rick Wilber Smoke Paper Mirrors by Anna Tambour The Finest Ass in the Universe by Anna Tambour The Well-Built City trilogy by Jeffrey Ford    

We're back and better than ever! When a small-town librarian witnesses a murder, he reacts in the oddest possible way: an out-of-body experience. We're talking OUT OF BODY by Jeffrey Ford, set for publication on May 26th! Also featured: throwing down some money for the swear jar, exposition on feelings for The Hunger Games, the ever-pressing question of how you want to be mourned, and much more!OUT THIS WEEK:RULE by Rowenna MillerThe Ballad of Songbirds and Snakes by Suzanne Collins

And we're doing it! One episode every day, without apology (almost)  Today Jonathan spends ten minutes with the incredible Jeffrey Ford who, despite somewhat terrible audio at his end, is wonderful company as he talks about what he's reading to get through the apocalypse and what you might.   What are you reading right now (and what do you think of it: The Ten Thousand Doors of January by Alix E. Harrow Station Eleven by Emily St. John Mandel The Blizzard by Vladimir Sorokin The Big Goodbye: Chinatown and the Last Years of Hollywood by Sam Wasson What would you recommend people read if they're shut in (and why) The Summer Book by Tove Jansson Travels With a Donkey in the Cevennes by Robert Louis Stevenson The Black Spider by Jeremias Gotthelf The Man Who Watched Trains Go By by Georges Simenon Prosper's Demon by K.J. Parker   What do you have out in the world right now or coming soon you'd like to mention (optional) The Best of Jeffrey Ford (PS Publishing) Out of Body, Jeffrey Ford (Tor.com)

Gordon sits down with Jeffrey Ford and Matthew Schmidt to discuss the editing of Endgame.

Trucking While Acting with Jeffrey Ford Bruce chats with car hauler / trucker Jeffrey Ford who also acts in films during his off time. ford recently had the lead role in a film called The Last Dime and we talk about his career behind the wheel and in front of the camera. You can learn more about the film The Last Dime at http://www.thelastdime.com/index.html This is sponsored by Bison Transport with many opportunities for truck drivers in their fleet across Canada. You can learn more about Bison and the opportunities available at www.bisongoldrushlp.com  or call 1-800-527-5781 This episode is also sponsored by The Trucking Network which holds mega job fairs across the Country. You can learn about all the upcoming events at www.thetruckingnetwork.ca Our song for this episode is “Run” by Head On Entertainment off of their album of the same name. You can learn more about them on the show. About the Show The Lead Pedal Podcast for Truck Drivers talks all things trucking for people in the transportation industry helping them improve their business and careers. Interviews with industry professionals and truck drivers, trucking information, and other features on the industry are meant to be helpful for truck drivers and those in transportation. The Lead Pedal Podcast for Truck Drivers has main episodes released every Tuesday and Thursday with bonus material on other days. You can learn more about the host and show on our website and make sure to SUBSCRIBE to the show on your favourite podcast platform. www.theleadpedalpodcast.com What does The Lead Pedal Podcast mean? The Lead (pronounced - Led) stands for acceleration or fast-track of your career or business. It is a play on words and we certainly are not here promoting speeding in the industry. We are hoping this information will help you become a professional driver faster than if you didn't know about many of these topics. Are you enjoying the show? If so we would appreciate you leaving us a rating and review on iTunes or on your favourite podcast platform. The show is available at www.theleadpedalpodcast.com  , ITunes, Stitcher, Spotify, Tunein, iHeartradio, SoundCloud, and other popular podcast platforms. Thanks for listening

Andy and Dave discuss the Department of Energy’s attempt to create the world’s longest acronym, with DIFFERENTIATE (Design Intelligence for Formidable Energy Reduction Engendering Numerous Totally Impactful Advanced Technology Enhancements), and to accelerate incorporation of ML into energy technology and product design. Google cancels its AI ethics board after thousands of employees sign a petition calling for the removal of one member with anti-LGBTQ and anti-immigrant views. NASA unveils the Astrobees, one-foot cube robots that will work autonomously on the International Space Station to check inventory and monitor noise levels, among other things. And Microsoft partners with French online education platform OpenClasrooms to train and recruit promising students in AI. Research from Eindhoven University of Technology and the University of Trento takes a biologically “inspired” approach to neural net learning, through Neuron Elevation Traces (NATs), that allow additional data storage in each synapse; the result appears to increase the plasticity of the synapses. A mathematical reasoning model from DeepMind can solve some arithmetic, algebra, and probability problems, though sometimes gets simple calculations incorrect (such as 1 + 1 + … + 1, for n>=7). And research creates a musculoskeletal system that can use muscle activation to simulate movement and control. A report from Element AI examines the Global AI Talent distributions in 2019, to include (perhaps not surprisingly) the observation that the supply of top-tier AI talent does not meet the demand. A paper in Nature Reviews Physics surveys the physics of brain network structure, function, and control. A short sci-fi story from Jeffrey Ford describes The Seventh Expression of the Robot General. And Andy highlights a video from 1961 on The Thinking Machine.  

The following audio was recorded live at the KGB Bar on August 15th. Only Jeffrey Ford’s reading is included in this podcast. ​   Michael Swanwick Michael Swanwick has received the Nebula, Theodore Sturgeon, World Fantasy and Hugo Awards, and has the pleasant distinction of having been nominated for and lost more of these same […]

This episode's guest is author Jeffrey Ford! Browse his books here: https://amzn.to/2MQcF5l We talked about THE SHADOW YEAR, which I think deserves to be mentioned in the same breath as DANDELION WINE, BOY'S LIFE, IT, and SUMMER OF NIGHT. We discussed THE TWILIGHT PARIAH and some of his other books, including his upcoming book AHAB'S RETURN. Jeff also talked about his writing process, which was very inspiring. In the second hour, we discussed Amazon's recent habit of removing some customer reviews -- plus creepy clowns, Thanos, and much more! Become a Patreon: get access to our bonus podcasts, get free books, become a guest panelist, and more! Help me to keep the eZine projects going: http://bit.ly/2ojoby9 Check out the Lovecraft eZine Press books: https://lovecraftzine.com/ezine-books/ Follow Mike on Twitter: https://twitter.com/misanthropemike Follow Mike on Facebook: https://www.facebook.com/misanthropemike Email the show: lovecraftezine@gmail.com If you prefer to watch this episode, go here: https://youtu.be/juIgXVc5bjg If you shop Amazon, you can help Lovecraft eZine out tremendously by doing all your Amazon shopping through the eZine Portal. It WON'T cost you anything extra, but Lovecraft eZine will receive a referral fee off of whatever you buy. Thank you! Please bookmark this link: http://amzn.to/TLQKIT

Click to Download Audio On a weekly basis I receive emails, Facebook messages, and tweets from people all over the world who work in creative fields. Some people send me pages worth of their life stories, others are looking for quick tips to optimize something very specific in their lives, but most often the messages I receive are from people frustrated with where they are in their career who don’t know where to go next. It occurred to me recently that the advice I’m providing to an individual privately might be beneficial to many others struggling with similar obstacles in their own lives. So here goes my first attempt at a new series called ‘Dear Zack.’ If you find this beneficial, please let me know in the comments below or send me a quick message letting me know you’d like to read more of these in the future! Dear Zack, I've been editing pretty consistently for the past year and more, but recently I've been having trouble finding work and I want to make sure that I'm doing everything I can to better my chances. I've reached out to people that I have a good relationship with in the past (directors, producers, line producers, editors, etc.) to let them know that I'm available. I've also reached out to agencies with not much luck except for being hip-pocketed at [two big-name agencies].Of course, I'm staying positive since I believe that I've been turning out good cuts and people have enjoyed working with me. But I just wanted to take the extra steps and see if I can learn from a person of your experience. Is there anything more that you did during a time like this other than have patience? Thanks, Martina   Hi Martina, There is no doubt that patience is a required virtue when working to build a fulfilling career. One of the fundamental mindsets I teach in all of my online programs is that life is game of chess, not a game of checkers. You have to be willing to play the long game and stop looking for the next easy move - just because a quick jump is available doesn’t mean it’s the best strategy to win the game. Don’t confuse patience with complacency, however. Often times people reach a certain point in their careers where they believe they have earned the right to their next job, and all they have to do is wait to be discovered. No matter the level you’re at in your career, every single strategic move should have one singular objective: Putting yourself in the right place at the right time so the right people discover you, and thus you “get lucky.” “Luck” is simply the intersection of hard work and opportunity. I’m not implying in any way whatsoever that you are sitting around waiting to be discovered, clearly you are reaching out to past contacts and you’ve built a relationship with not one but two big-name agencies. This is a great start! But you definitely haven’t reached the point yet where there’s nothing else that can be done except sit and be patient. If you follow my podcast and blog then you may already know I spent years jumping from one random indie project to the next (often unpaid), and I was also unemployed for long stretches before finally landing my dream job editing Burn Notice (something I dive into in great detail in my ‘Ultimate Guide to Making It In Hollywood’). While it’s been a few years since being at this stage of my career, I still remember it like it was yesterday. Furthermore, I have yet to speak to a fellow editor (or most other professions in Hollywood for that matter), where people didn’t struggle jumping to the next level in their careers. For example, it took Kelley Dixon (Breaking Bad, Better Call Saul, The Walking Dead) twenty years of working as an assistant to become an “overnight success story.” Take a breath and know this is all part of the journey. The only way to ensure failure is if you give up. Knowing you are at a similar crossroads in your career today that everyone goes through at some point, here are three questions to ask to ensure you are doing everything possible to put yourself in the right place at the right time to be “discovered.” I have also provided concrete action steps so you can start making sh*t happen! 1. Do your résumé and portfolio clearly demonstrate why you are the best fit for the jobs you’re pursuing? Based on your statement, “I’ve been editing pretty consistently for the past year and more,” I’ll assume you are not brand new to the game and have some experience under your belt (most likely you’ve assisted as well?). If you did come up as an assistant editor like most people do, there is a place called “the gray zone” where it can be really tough to transition from assisting to only taking editing work. This is a tough transition, but building a fulfilling career requires pursuing projects that align with your creative passions and your skillset. Sometimes this means making tough financial decisions and (gasp!) turning down what appears to be perfectly good work short term (like assisting) because it no longer aligns with your long term goals. If you simply need a paycheck job to cover your rent and groceries, then survival is priority number one and you don’t have the room to be picky. There’s no shame in making a living. But approaching jobs with this mindset for an extended period of time can unfortunately lead to a less-than-perfect résumé that some might consider a bit “scattershot” (Don’t worry, my résumé was like this for almost a decade). If you’re concerned one of the reasons you aren’t being considered for job opportunities is because your past work experience is less than ideal, let’s get creative with how you present yourself (while staying honest, of course). Action Step: Create multiple versions of your résumé. Because I don’t have a clear sense of your level of experience from your email Martina, for the sake of argument, let’s pretend you have at least five years of industry experience and some of that includes assistant work. Perhaps you have a scattershot portfolio of past projects that includes some comedy work but also commercials, trailers, documentary shorts, indie features, and several years as a tv assistant in multiple genres. If your goal with your résumé is to show how much experience you have as a whole, having one generic list of all your past projects can actually hurt you more than it helps you. At best you have 30-60 seconds to convince someone that you are the right creative fit for the job, so make that decision as easy as possible by organizing your résumé strategically for each potential opportunity. Pigeonholing is the reality in creative industries. While I don’t believe that we should ever be limited to only doing one type of genre work, producers and directors are looking for a slam dunk, so give them the clearest picture possible of why your past experience makes you the right fit for this current opportunity...even if this means dropping a bunch of stuff from your résumé that isn’t the right fit. If you don’t feel you have enough experience to drop anything, then at least have your résumé flow in such a way that the most relevant work is listed first and the least relevant is on the bottom (or the next page). People commonly make the mistake of listing their work history chronologically as if they're applying for a middle management job at Microsoft. This isn’t necessary in creative industries. IN SHORT: Your résumé has one job - demonstrating you are the right creative fit. Make it as simple as possible and craft a unique version for each individual opportunity. BONUS Action Step: Make it braindead easy to navigate your online portfolio. If you also have an online portfolio of sample work, organize it in such a way that people can find the right genre quickly. A home page with every single piece of work you’ve ever done only confuses the person who’s considering you, especially if you’re listing projects you may or may not have edited at all (e.g. you list projects that you assisted on only). Think in terms of building funnels: If someone comes to your site and wants to only watch comedy (or action, or drama, etc), does your site flow in such a way that doing so is obvious and simple? If you haven’t already, I suggest organizing your portfolio site with categories, tabs, tags, or anything else that allows a potential producer or director to curate your content instantly. And if you’re old school and still have a DVD reel, make multiple versions or even custom versions for each job application (I know it sounds crazy, but my custom reel is the main reason I landed Burn Notice). When you reach out for potential jobs, in your email provide direct links to specific examples of your past work - do the hard work for them. While it might not be possible to have five different versions of a website the way you can have five unique versions of your résumé, by providing the right breadcrumbs you make it super simple for them, and you’ll also feel confident they are watching the right work at the right time. Lastly, if you worked on a specific show, don’t just link to the homepage for that show on your website and expect others to dig through and find the right clips. Provide sample scenes directly on your site that demonstrate your best work on that series (and list your specific contribution). If someone sends me a link to watch their work and I end up on a YouTube landing page instead, I’m not going to watch anything because I don’t know where to start or how they were involved. IN SHORT: If your prospective employer can’t find the absolute best clip that represents why you are the best fit for their project within 30 seconds, your site needs to be reorganized. 2. Are you properly leveraging your past relationships? If you are good at what you do, once your foot is in the door and you have a few years under your belt, you will not build your career using your résumé or portfolio: You will build your career with referrals. One of the most frustrating parts about building a creative career in Hollywood is that most jobs are filled before you ever hear about them. You will most likely never know about 95% of the opportunities that might be perfect for you. If a job opening has become public knowledge, that simply means the people looking have already exhausted their contact list. So it’s imperative that you stay relevant on that contact list so you’re part of the “insider” conversations before employers are forced to recruit people on the “outside.” The great thing about building your career with referrals is that rather than always looking for work yourself or having just one agent potentially hunting down work for you, instead you have an entire network of producers, directors, editors, and other colleagues constantly referring you when jobs become available, and you will hear about a lot more than 5% of the opportunities that are a perfect fit for you...without any effort at all! Sounds like a dream, right? The key to building a perpetual sales machine of friends and colleagues looking for work for you is maintaining those relationships even when you aren’t working with them. Sure it helps if you are the best editor they’ve ever worked with and you are #1 on their call list, but short of that, the next best strategy is to be the most recent person on their list. Most job opportunities are filled quickly. If someone comes to me asking if I “know a good assistant,” for example, I don’t have a giant spreadsheet of every single great assistant I’ve ever worked with in my career and their current availability. I don’t take the time to weigh the pros and cons of each to determine who is the most deserving or the most able. The ones I do think of right away and refer to others are often the ones I’ve been in contact with most recently. Action step: Reconnect with people in your existing network...but without asking them to consider you for any upcoming opportunities. You mention in your email, Martina, that you’re already reaching out to past colleagues to “let them know you’re available.” Instead of reconnecting simply to land your next job, instead think of a way you can strengthen your relationship with them by providing value to their lives first. I recommend checking out The Socially Awkward Introvert’s Guide to Networking if you’re looking for creative ways to provide value to colleagues you’ve worked with in the past. For example, rather than sending a mass email to everyone you’ve worked with in the past updating them on your work history and your availability (Side note: Rarely will I consider someone who has Bcc’d me on a chain message), instead email each colleague individually and begin a conversation that shows genuine interest in what they’re working on. End the email with an open-ended but simple question such as, “I read that you are currently directing [XYZ] film. It looks like a challenging project, are you having fun? I hope it’s as much fun as when you and I worked on [ABC] together.” Start up a casual conversation, try to slip in some “in jokes” from past projects, remind them you’re a fun guy or gal. After a couple of exchanges there’s no harm in mentioning you’d love the opportunity to work together again if they’re looking. But providing value to them always comes first - your needs come second. IN SHORT: Do your best to stay in contact with people who can refer work to you, but do so in such a way you never actually have to ask them to consider you. 3. Are you prioritizing the time to build new relationships? You mention in your email Martina that you are reaching out to people you already have a good relationship with, and you are also reaching out to agencies...but are you also working hard to expand your network and meet new people? Whenever I’m actively looking for my next project, I consider unemployment my full-time job, and my number one job duty is expanding my network of contacts. Similar to dating, the catch-22 of meeting new people is that it’s nearly impossible to find the time to network while you’re working, but when you’re unemployed you often reek of desperation because you need work NOW.  Barring having a Delorean parked in your garage so you can start building new relationships two years ago, the next best time to start networking and building them is today. But like connecting with past colleagues, when building new relationships you cannot expect to get anything in return. Your only goal is to provide value to others. Here’s why creating new relationships is so important, especially the higher you climb the ladder: People don’t hire based on experience nearly as much as they hire based on trust and comfort. I am inundated multiple times per week with emails that say the following: “I’m just letting you know that I’m available and I would love to be considered if any opportunities arise.” Here’s the honest truth that few are willing to admit: People will not consider you or refer you for other open projects if they haven’t worked in the trenches with you before. If someone is putting their name on the line, they need to know you can hack it when the bullets are flying, deadlines are tight, and tensions are high. And even more importantly, they need to trust that you have a good attitude under pressure. If I’ve worked with someone in the past and not heard from them in a year, there’s a VERY short list of people I trust enough that I would refer jobs to if they simply sent me the “I’m available for work again” email. But if I have never worked with that person before, the “I’m available” email will have a 0% success rate (even if I like them personally). If a prospective employer is weighing your résumé against someone else who has the same level of experience, they will always choose the person they are more comfortable with. And if they don’t know either candidate, often times the tiebreaker goes to whomever has a stronger referral from within that employer’s network. Therefore, your objective is to meet new people and make them comfortable with you so they trust hiring or referring you for a job in the future. Action step: Strategically build your dream list of contacts...then start reaching out. During several of the long stretches of unemployment earlier in my career, I developed what I now call “The IMDB Game.” After having made the mistake for several years of taking the shotgun approach to networking and job hunting (i.e. sending out hundreds of résumés and demo reels to every single job opening in the industry), I decided it was time to start using a sniper rifle instead (‘Shooter’ pun intended). Here’s how “The IMDB Game” works: Make a list of all of the ‘Dream Projects’ you’d love to work on. At a minimum choose 5-10 of your favorite tv shows, or feature directors & producers, or trailer houses...whatever makes the most sense for the type of work you do. Research all of the relevant people that work on those projects and make a spreadsheet organizing them with the following columns: Name Current project Past (relevant) projects Potential connections? Contact info (email, social media, etc) Find any potential connections you have in common. IMDB Pro has a great feature for this, but if you don’t want to pay the membership fee, with a little elbow grease you can dig through credits of their past projects to see if you have worked with any of the same people. Once you’ve compiled your list, begin reaching out to either your dream connections directly or reaching out to people you’ve both worked with in the past and see if you can get a brief intro. The likelihood of someone responding to you goes up exponentially if you’re referred by someone they trust. Above all else, remember your main objective when reaching out to new contacts is not to land a job: Your sole purpose is to provide value to their lives. IN SHORT: When you’re unemployed, expanding your network should become your full-time job. Rather than taking the shotgun approach, strategically approach the right people who are the best fit for the dream projects you’d like to work on. To Summarize... Unfortunately there is no defined path to success in any creative career, especially filmmaking. But despite the lack of any road to follow, after interviewing many successful people including editing legends such as Walter Murch, Carol Littleton, Kelley Dixon, Jeffrey Ford, and Billy Goldenberg, I’ve distilled what seems like a thousand different ways to “make it” into three very distinct steps anyone can follow, all of which I discuss in detail in my Ultimate Guide to ‘Making It’ In Hollywood: You need a clear picture of the ladder you want to climb You have to do awesome work People have to know you do awesome work It sounds to me Martina like the area you need to focus most of your attention is making sure the right people know that you do awesome work. Rather than “being patient,” here’s a quick summary of the steps you can take to ensure you are making sh*t happen: Customize your résumé to fit each specific job opportunity Organize your portfolio so prospective employers can find the right work quickly Reconnect with past colleagues and connections...but without asking to be considered for a job Strategically expand your professional network with people working on your dream projects I hope this helps you design your own unique roadmap to success, Martina! Be well. Zack Arnold If you would like to submit your own question for a future article, feel free to contact me here.

This week's episode ranges from a discussion about the growing importance of novellas and their advantages both for readers and writers, the difficult question of which story you might pick to introduce a new reader to a favourite author, the importance of distinctive voices in both short fictions and novels, the upcoming 87th birthday of the great Gene Wolfe, and James Cameron's new TV documentary on SF, which features appearance from several SF writers and critics, including Gary. Then Jonathan springs on Gary the question of what his favourite book is, so Gary tossed it right back to Jonathan. We both came up with answers that date back to our respective childhoods. In addition to Gene Wolfe, some of the authors mentioned include R.A. Lafferty, Ted Chiang, Margo Lanagan, Kelly Link, Robert A. Heinlein, T.H. White, Sam J. Miller, Kate Wilhelm, Ursula Le Guin, Andy Duncan, Howard Waldrop, Catherynne Valente, Jeffrey Ford, Lavie Tidhar, John Varley, James Patrick Kelly, Alec Nevala-Lee, and Joseph Heller. In other words, another ramble.

Jeffrey Ford is a successful film editor, with over 19 Editor credits to his name - but I knew him way back when.  In today's interview, we travel into his film-making days as a kid in Troutdale, OR, up to his days at USC, into a tale about the great Richard Donner, and up through his adventure editing the latest Avengers film.  He's learned a lot, and he shares a lot in this 30+ minute interview! The picture, by the way, is from a post-college trip to LA to visit :)

This week Gary and Jonathan are joined by long-time friend of the podcast, Jeffrey Ford. Jeff is the winner of the Nebula, World Fantasy, and Shirley Jackson awards and has published eight novels, six short story collections and more than 130 short stories. His most recent book is Shirley Jackon Award winner A Natural History of Hell. Just out is new short novel, The Twilight Pariah. He joins us to discuss his writing, genre and his first new novel in ten years, Ahab's Return, or The Last Voyage. As always we'd like to thank Jeff for making the time to join us. We'd also like to apologise, this time out, for some technical issues which affect the sound quality of this episode, especially in the first half. We think it's worth persevering with, though.  Next week: Annalee Newitz discusses Autonomous.

Award-winning editor Jeffrey Ford has worked on some of the biggest films on the planet that have amassed multiple BILLIONS of dollars at the box office. His short list of recent credits includes Captain America: Civil War, The Avengers, The Avengers: Age of Ultron, and Ironman 3, just to name a select few. And you would be right if you assumed that editing films like these is an all-consuming endeavor that takes every ounce of energy and focus to survive. In this episode Jeff and I talk about how he started at the bottom and climbed the ladder to editing gigantic tentpole films. But more importantly we also talk about Jeff's secret weapon for staying focused, energetic, and creatively sharp when working brutally long stretches on stressful and high-pressure project: Movement throughout the day. Interested in learning even more about how to use movement throughout your workday to 5X your energy, creativity, and productivity? » Click here to enroll in the '5X Challenge' Show Sponsor: G-Technology Topics of Conversation: Jeff's career trajectory and how he came to work on Marvel blockbusters How going to film school helped Jeff break into the industry Jeff's experience living on five days of work a month Using your free time to develop your skills and climb your career ladder Learning what work will drive you to the next level Jeff's strategies for staying mentally refreshed while working long hours in front of a computer The importance of comfortable communal work spaces Viewing disciplined break time as strength rather than weakness Keeping up with the intense demands of a content-ready culture Controlling your work in order to remain healthy and connected with your love ones Useful Links: Optimize Yourself "5x Challenge" Enjoying The Show? Leave A Rating And Review HERE FiP Question Submission Athletic Greens FiP 56: Advancing Your Career in Post (What They Don't Teach in Film School), Pt. 1 with Norman Hollyn FiP 57: Advancing Your Career in Post (What They Don't Teach in Film School), Pt. 2 with Norman Hollyn FiP Ep74: When You Should Take Free Work (And When You Should Run) with Alan Bell Guest Bio: JEFFREY FORD, A.C.E. (Editor) was born in Novato, California. He attended high school in Troutdale, Oregon and graduated from the University of Southern California School of Cinema-Television in Los Angeles with a degree in Cinema-Television Production.  He began his professional filmmaking career in 1994, working as an editorial assistant on James Gray’s debut feature film, “Little Odessa.” He went on to work as an assistant editor on several feature films, including the Academy Award®-nominated “As Good as It Gets” for editor Richard Marks and director James L. Brooks.  Ford co-edited “Captain America: The First Avenger" (with Robert Dalva) for director Joe Johnston, "Iron Man Three” (with Peter Elliot) for Shane Black and “Marvel’s The Avengers" and "Avengers: Age of Ultron” (both with Lisa Lassek) for director Joss Whedon. “Captain America: Civil War” is Ford’s second film for Joe and Anthony Russo. He also co-edited (with Matthew Schmidt) the Russo's first Marvel Studios feature “Captain America: The Winter Soldier.” He lives in Los Angeles with his wife and two sons.  Show Credits: This episode was edited by Curtis Fritsch, the show notes were prepared by Jakin Rintelman, and this show is executive produced by Kanen Flowers. We are a member of theTHAT STUDIO podcast network. The music in the opening and closing of the show is courtesy of Dorian Cheah from his brilliant album ARA.

Breakfast with Jeffrey Ford over blood sausage as we talk about how being edited by Jennifer Brehl made him a better writer, what it was like to be taught by the legendary John Gardner, why he admitted "I don't really know dick about science fiction or fantasy," and much more.

On this episode of Creativity Wasted, comedian Andrew Magryta pitches a fictional movie about the trials and tribulations of open-mic comedians, comedian Loyd Digg (see "Loyd Have Mercy" on YouTube) is going to utilize his creative writing experience as a Dungeons & Dragons dungeon master to write and narrate fantasy and science fiction audio stories, and comedian Dan Turco, inspired by "escape rooms", proposes a recreational fake kidnapping service. Also featuring Daniel Thomas, Khurum Sheikh, Alex Bozinovic, Jeffrey Ford, and I. This episode is compiled from two previous podcast recording sessions, the first two ideas from episode 12 and the last idea from episode 8.

We nearly did it. We nearly stayed on topic… This week, we reminisce briefly about six years of the Coode Street Podcast (an anniversary we overlooked a few weeks ago), and then segue, after a few brief diversionary rambles, into a discussion of the books we are both looking forward to in the next six months or so, touching upon new books by Angela Slatter, John Crowley, Peter Beagle, Jeffrey Ford, Kameron Hurley, Alastair Reynolds, Ursula K. Le Guin, Christopher Priest, Yoon Ha Lee, Connie Willis, Ken MacLeod, Nisi Shawl, China Mieville, Michael Swanwick and others, along the way touching upon colonialism and culture, the role of the stand-alone novella, how contemporary writers are dealing with Lovecraft, and what anthologies to look out for. As always, we hope you enjoy the episode. Next week, a new episode of the Coode Street Roundtable and a new episode of the main show.

Fact: Science News by J J Campanella Main Fiction: “Blood Drive” by Jeffrey Ford Originally published in After: Nineteen Stories of Apocalypse and Dystopia, edited by Ellen Datlow and Terri Windling. Jeffrey Ford is the author of the novels, Vanitas, The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, The Girl in the Glass, The Cosmology of the Wider World, and The Shadow Year. His story collections are The Fantasy Writer’s Assistant, The Empire of Ice Cream, The Drowned Life, and Crackpot Palace. A new collection, A Natural History of Hell ,will appear in May of 2016 from... See acast.com/privacy for privacy and opt-out information.

Aquí tenéis el resumen de contenidos del episodio S04E06 del podcast de Los VerdHugos. Son casi tres horas, pero lo hemos pasado tan bien que no podemos menos que recomendaros que le dediquéis dos o tres tardes.- Hemos empezado presentando a nuestro genial invitado: Armando Saldaña, del imprescindible blog “Postcards From the Edge”- Hemos detallado hasta la saciedad los títulos finalistas de la BSFA- Hablamos de sagas y de por qué no molan.- Hablamos de Hyperion y de por qué no necesitaba una secuela.- Hablamos de Doctor Who y de su enormidad. Incluso planteamos que Torchwood podría ser mejor serie, aunque no hay consenso al respecto, así que vosotros mismos.- Hablamos de nuestras previsiones y expectativas sobre los títulos que nos va a traer lo que falta de 2016.- Hemos hablado de “The Adventures of Doctor Eszterhazy”, de Avram Davidson- Hemos osado criticar un libro de China Miéville (¡Ha sido Josep Maria!)- Elías nos ha convencido de que “United States of Japan”, de Peter Tieryas, merece echarle un vistazo.- Armando nos convence de leer a Jeffrey Ford.- Vuelve a salir el cómic Locke and Key, según Elías el mejor trabajo de Joe Hill.- Dedicamos un rato a hablar de “Las primeras quince vidas de Harry August”, de Claire North.- Alan Moore y Neil Gaiman también aparecen por el programa.- Hemos condenado la dificultad de ir al cine hoy en día.- Hemos cantado las virtudes de la serie The Expanse y hemos discutido la popularidad de las adaptaciones televisivas de las novelas de género fantástico.- Ha salido el tema de las decepciones al releer libros que nos impactaron de (más) jóvenes.- Hemos hecho las habituales recomendaciones literarias de los participantes en el podcast.Y alguna cosilla más que no ha entrado en el resumen.Lo podéis descargar ya de archive.org y, en cuanto se propaguen los feeds, de iVoox e iTunes. ¡Esperamos que os guste!

The following audio was recorded live, July 15, 2015 at the KGB Bar with guests Jeffrey Ford and David Edison. Jeffrey Ford’s reading is not included in this podcast. FANTASTIC FICTION at KGB reading series, hosts Ellen Datlow and Matthew Kressel present: Jeffrey Ford Jeffrey Ford is the author of the novels, The Physiognomy, Memoranda, The […]

Episode 7. FU PAY ME! Gregory Herman interview “What’s going on with you and your creative experiences” Q&A The importance of being creatively divers. 53:17min Show notes: http://director.gregoryherman.com/ http://juliacameronlive.com/basic-tools/morning-pages/ http://www.blur.com/ Three Days of the Condor http://www.imdb.com/title/tt0073802/ Alan J. Pakula http://www.imdb.com/name/nm0001587/ Jeffrey Ford http://www.imdb.com/name/nm0285701/ Lut Buddy http://www.redgiant.com/products/magic-bullet-lut-buddy/ http://en.wikipedia.org/wiki/Jeffrey_Ford_%28film_editor%29 Russo-brothers http://www.rsafilms.com/company/rsa-usa/director/russo-brothers http://en.wikipedia.org/wiki/Captain_America:_The_Winter_Soldier http://motionographer.com/ Music: Quentin Quatro Summer Mix https://soundcloud.com/ursula1000/quentin-quatro-summer-2013-mix

I talk with Jeffrey Ford about his minimalist approach to marathon training. Jeff typically runs no more than 15-20 miles per week, yet can run a 2:51 marathon. He attributes his success to using Crossfit Endurance and Pose Running Technique. --- Send in a voice message: https://anchor.fm/aaronolson/message Support this podcast: https://anchor.fm/aaronolson/support

I talk with Jeffrey Ford about his minimalist approach to marathon training. Jeff typically runs no more than 15-20 miles per week, yet can run a 2:51 marathon. He attributes his success to using Crossfit Endurance and Pose Running Technique.

Coming up… Cover Art: Stephan Martiniere Main Fiction: “The Prelate’s Commission” by Jeffrey Ford 03:30 “The new fresco that graced the inner dome of the Cathedral of St. Elovisus was a masterpiece of perspective and illusion—the fall of the rebel angels into hell. They hurtled downward through an aquamarine sky swirled with pale pink clouds, their feathers disintegrating in the descent, their features growing ever more monstrous. Some, just ejected from paradise, appeared small and vastly distant, while the progressively larger ones took on weight and velocity. The largest seemed just above the viewer, desperately clawing the sky, eyes wide with the discovery of gravity, about to slam into the marble floor, which was inlaid with a deep and spiraling scene of Hell. At the center of the inner dome above was an illuminated circle where... See acast.com/privacy for privacy and opt-out information.

First Story: “A Night in the Tropics” by Jeffrey Ford The first bar I ever went to was The Tropics. It was and still is situated between the grocery store and the bank along Higbee Lane in West Islip. I was around five or six, and my old man would take me with him when he went there to watch the Giant games on Sunday afternoon. While the men were all at the bar, drinking, talking, giving Y.A. Tittle a piece of their minds, I’d roll the balls on the pool table or sit in one of the booths in the back and color. The juke box always seemed to be playing “Somewhere, Beyond the Sea” by Bobby Darin while I searched for figures, the way people do with clouds, in the swirling cigar and cigarette smoke. Jeffrey Ford is an American writer in the fantastic genre tradition, although his works have spanned genres including fantasy, science fiction and mystery. His work is characterized by a sweeping imaginative power, humour, literary allusion, and a fascination with tales... See acast.com/privacy for privacy and opt-out information.

Coming up… Fact: Cheapskates by Adam Pracht 01:10 Main Fiction: “The Night Whiskey” by Jeffrey Ford 09:30 Fact: Science News by J J Campanella 58:50 Narrator: Rajan Khanna See acast.com/privacy for privacy and opt-out information.

You've heard of bottled cities, no doubt—society writ miniscule and delicate beyond reason: toothpick spired towns, streets no thicker than thread, pin-prick faces of the citizenry peering from office windows smaller than sequins. Hustle, politics, fervor, struggle, capitulation, wrapped in a crystal firmament might reclaim the land, stoppered at the top to keep reality both in and out. Those microscopic lives, striking glass at the edge of things, believed themselves gigantic, their dilemmas universal. Narrated by Christian Beeman.

Coming Up Fact: Film Talk by Dennis Lane 00:55 Interview: Jason Sanford 07:30 How To Run A Con by Michael Swanwick 14:30 Interview: Jeffrey Ford 19:37 Main Fiction: Creation by Jeffrey Ford. 32:50 Narrator: Rajan Khanna Fantasy Magazine See acast.com/privacy for privacy and opt-out information.

Narrated by Rajan Khanna (via StarShipSofa). Learn more about your ad choices. Visit megaphone.fm/adchoices

Convention season is upon us and, on the eve of his birthday, Gary K. Wolfe has ventured out into aligator-infested Florida in search of conversation, con-buddies and, above all else, boat drinks!  In the first of what might just be a series of one podcasts, Gary invited Locus Publications editor-in-chief Liza Groen Trombi, editor and critic Karen Burnham, and award winning author Jeffrey Ford (visiting from the wilds of New Jersey) to sit down and join us in a fairly impromptu and rambling podcast. Starting without an agenda (or in truth and kind of plan at all) we discuss science fiction criticism and the search for the modern essay, the digital age, Locus online, awards seasons, Reza Negarestani's Cyclonopedia: Complicity with Anonymous Materials, The Secret Life of Laird Barron, and the forthcoming Key West Literary Seminar (it's about the literature of the future this time out). As always, we hope you enjoy the podcast!

News: Enhanced Version of Aural Delights 00: 27 Coming Up This Week 02:45 Sofanauts Announcment Peter Watts 04:28 Fact Article: 90 Seconds Megan Argo 07:02 Main Fiction: Boatman’s Holiday by Jeffrey Ford 09:18 Fact Article: Science News by J. J. Campanella 54:03 Closing Remarks: Next Week by Tony C. Smith 01:14:55 Narrators: Peter Piazza Cover Art: Brian Woods See acast.com/privacy for privacy and opt-out information.

Weird NJ/Weird US/Weird Hauntings/Last ExitJoanne M. Austin is a writer and editor who covers two subject matter extremes: the financial services industry and regional folklore as featured in the magazine Weird N.J. At the latter, she edited two special editions of the magazine – Tales From Clinton Road and Last Exit: Travels with Death in the Garden State – and interviewed a wide range of weirdly interesting people, including the Amazing Kreskin, Jonathon “The Impaler” Sharkey, and Sci-fi author Jeffrey Ford. She also compiled and edited the award-winning anthology Weird Hauntings: True Tales of Ghostly Places and has done the same with a second book, Weird Encounters: Ghostly Tales of Haunted Places, which will be available from Sterling Publishing in September 2010.Since graduating with honors from the Maryland Institute College of Art with a BFA in Illustration Ryan Doan has supplied illustration and photo design services to such clients as Barnes and Noble, Sterling Publishing, BMG Entertainment, Sababa Toys, Art Asylum, The Aquarian magazine, The Sun, and commissioned costumers.In 2004 he joined Weird NJ magazine as an Associate Editor and Production Associate/Photographer. That position soon parlayed into Staff Artist when Weird NJ signed a large book deal with Barnes and Noble. He enjoyed that position for five years until branching out to establish himself as a freelancer. He was the primary illustrator for over 32 internationally syndicated titles also supplying cover art for three editions. Included in those titles is the award-winning Weird Hauntings, where he was responsible for acquiring the photography and which he enjoyed being the sole illustrator. The follow-up book Weird Encounters: Ghostly Tales of Haunted Places, his second book, will be released in the fall of 2010 to hopefully the same response as the first. Ryan has also worked as a freelance photojournalist, interviewing and photographing often eccentric, colorful characters. His photography has also appeared in many of his book projects and on the walls of commissioned clients. Ryan just finished working on a special issue for Weird NJ entitled Last Exit: Traveling With Death In The Garden State. He is now seeking to expand his freelance clientele. He can be reached through his web site www.ryandoan.com .Download 01-24-10

"If you want to write, and you want to write a lot, you've got to have a lot of tricks in your bag."

Jeffrey Ford, John Kessel and Delia Sherman

Aural Delights No 75 Nebula Nominee Jeffrey Ford The Dreaming Wind by Jeffrey Ford First Published: The Coyote Road: Trickster Tales, ed. Ellen Datlow and Terri Windling, Viking, Jul07 Narration: Lawrence Santoro Link to the Nebula Awards  site See acast.com/privacy for privacy and opt-out information.

Panel Discussion at SF in SF, March 16, 2008

'The Drowned Life'

SF in SF, March 16, 2008

Why SF and WorldCon MATTER, The Portrait of Mrs. Charbuque, The Girl in the Glass