Podcast appearances and mentions of braden king

He's a very busy guy! And he and I come from the same part of Sasky!Enjoy some time with Braden King!

Director Christopher Zalla discusses his new film, Radical, with fellow Director Braden King in a Q&A at the DGA theater in New York. In the conversation, he discusses how the children's POV informed his cinematography choices, his personal journey in finding a story that resonated with him, and how he worked with Actors of various backgrounds to achieve the types of characters he envisioned. The film tells the story of Sergio Juarez, a sixth grade teacher in a Mexican border town full of neglect, corruption and violence. Saddled with the worst performing students, he tries a radical new method to unlock his students' curiosity, potential, and maybe even their genius. See photos and a summary of this event below: https://dga.org/Events/2023/December2023/Radical_QnA_1123.aspx

In the film The Evening Hour, director Braden King wanted to immerse the viewer in a fully formed world, with spare dialog and little exposition. This approach appealed to cinematographer Declan Quinn, ASC. With such little dialog, Declan paid close attention to finding the right camera placement, how each scene was composed and how the images told the story, with natural and motivated lighting. The Evening Hour tells the story of Cole Freeman, a health aid at a nursing home who lives in a fictional rural West Virginia town. He makes a little extra money on the side selling his client's prescription medication, until an old friend comes back to the Appalachian town and tries to convince Cole to get further involved in the drug trade. The film was shot entirely on location in Kentucky. Braden specifically wanted to shoot in autumn in order to capture the beauty of that time of year and show in images the collapse of these rural towns due to the opioid epidemic and the risk of environmental destruction by mining companies. Declan enjoyed actually shooting on location in the real Appalachia, instead of having to fake it on a soundstage or in a different area. He was able to freely capture everything in the environment, letting the art of cinematography work its magic in the film. The Evening Hour is screening in limited release in New York at the IFC Center and Los Angeles at the Laemmle Monica on August 6th. https://www.laemmle.com/film/evening-hour Twitter & Instagram: @eveninghourfilm Braden King: www.bradenking.com Twitter:@bradenking Instagram: @truckstop Find Declan Quinn: https://www.artistry.net/clients/directors-of-photography/declan-quinn-asc#category=narrative Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep134/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Filmmaker Braden King ("Here") makes his first appearance with "The Evening Hour" a dramatic feature placed in Appalachia. Also, editor Michael Taylor, A.C.E. makes his 4th visit to the show with his latest project, "Nine Days" directed by upcoming guest Edson Oda. Both films were Sundance hits and open Friday, July 30th.

Ray Schwetz gets business development from Braden King, director of The Evening Hour.

Jordan, CJ and Renika are excited to premiere Season 3 of the Crohn's Veteran podcast with Crohn's Warrior and Adelaide South Australia native Braden King. Braeden is the founder of BowelFit. We are honored to listen to Braeden's story and wish him much success in all his endeavors. According to his website, "BowelFit aims to motivate and assist individuals with inflammatory bowel disease take control of their fitness and feel confident in their body." Check out the Bowel fit website. Check out our website at www.crohnsveteran.com today! Get Official Crohn's Veteran Teespring gear!! Follow us on Instagram! @official.crohnsveteran @crohnsveteran @papuro @crohns_and_sexxy Subscribe to the Crohn's Veteran YouTube channel to help us spread awareness for Crohn's Disease, Ulcerative Colitis, and IBS.

A rural drama of life in a fading village in Appalachia. The post Braden King – The Evening Hour #TFF38 appeared first on Fred Film Radio.

A rural drama of life in a fading village in Appalachia. The post Braden King – The Evening Hour #TFF38 appeared first on Fred Film Radio.

A rural drama of life in a fading village in Appalachia. The post Braden King – The Evening Hour #TFF38 appeared first on Fred Film Radio.

A rural drama of life in a fading village in Appalachia. The post Braden King – The Evening Hour #TFF38 appeared first on Fred Film Radio.

A rural drama of life in a fading village in Appalachia. The post Braden King – The Evening Hour #TFF38 appeared first on Fred Film Radio.

A rural drama of life in a fading village in Appalachia. The post Braden King – The Evening Hour #TFF38 appeared first on Fred Film Radio.

A rural drama of life in a fading village in Appalachia.Braden King – The Evening Hour #TFF38 was first posted on November 28, 2020 at 7:57 pm.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Ladies and gentlemen, grazie alla pandemia (…) Dikotomiko finalmente realizza uno dei suoi desideri più antichi: assistere al Torino Film Festival. Un'edizione anomala, con le proiezioni che diventano fruizioni in streaming, eppure il programma, proprio come per le edizioni passate, è ricco di film, corti e documentari di valore indiscutibile.E allora iniziamo una full immersion che ci impedirà di mangiare e di dormire, ma la nostra dieta è costituita prevalentemente da visioni e sogni, su schermi di qualsiasi dimensione. Sarà quindi, comunque, una grande abbuffata. Vi regaleremo dei bollettini di breve durata e dalla periodicità assolutamente irregolare, che comunque grazie alla santissima entità che risponde al nome di podcast, potrete ascoltare dove come e quando piace a voi. Tra pochissimo la prima puntata vedrà la luce, e vi parleremo di: ► The Evening Hour di Braden King, piccolo grande classico, rappresentazione del declino, del crepuscolo, della vecchiaia, in un buco di c##o del mondo sugli Appalachi, una delle aree più depresse – e drogate – degli Stati Uniti. Amore immediato per questo film dolente e sincero come pochi.► Avere vent'anni (1978) di Fernando Di Leo, in versione restaurata, che apre in maniera superlativa la sezione “back to life”.► Las Niñas di Pilar Palomero, che apre la sezione concorso, ambientato nella Spagna del 1990. Un ritratto di un gruppo di adolescenti alle prese con la sessualità, l'onda lunga degli anni ottanta, e la repressione onnipresente di una cultura religiosa che porta ancora i segni indelebili della dittatura franchista.► Sin Señas Particulares di Fernanda Valadez, un road-movie per necessità, un giallo, un film durissimo che racconta la frontiera tra Messico e Stati Uniti, in concorso. E del quale ci parla la nostra amica Saba, ormai volontariamente rinchiusa nel nostro angusto scantinato insieme alla sua Scatola Blu.► A shot through the wall, di Aimee Long: un afroamericano innocente e disarmato, ucciso da un poliziotto statunitense. Sembra tutto ovvio e risaputo, invece no.Noi restiamo virtualmente a Torino: ci risentiremo prestissimo. Intanto, buon ascolto. ☻

Born and raised in NYC, Debbie has worked as Production Designer around the world for over two decades.  Debbie's film projects include Love the Hard Way, Skins, Maria Full of Grace, Uncertainty, A Dog Year, and Mean Girls 2. More recently, Debbie has designed the critically acclaimed film The Tale, directed by Jennifer Fox. Upcoming projects include the award award winning Diane, directed by Kent Jones and upcoming The Evening Hour, directed by Braden King.

Filmmakers Sandi DuBowski, Jennifer Fox and Braden King discuss their past experiences in raising funds for their film projects. This podcast was recorded at the 2012 Creative Capital Artist Orientation Weekend.

Andrew’s documentary credits include: Soul in the Hole, The Lifestyle, and the MTV show True Life: I'm in Iraq, which won the Edward R. Murrow Award for Best Network News Documentary.  Along the way, Andrew has collaborated with some of the leading directors in the New York independent film scene, including Whit Stillman (on Damsels in Distress and The Last Days of Disco), Lodge Kerrigan (on Keane) and for Larry Clark (on Ken Park and Bully).  Andrew’s other narrative projects include: Here for Braden King, a metaphysical road movie filmed on location in Armenia, and Don't Let Me Drown for Cruz Angeles, shot primarily in Brooklyn and both premiered at Sundance.  Andrew's upcoming work includes director Naomi Foner's feature Very Good Girls, starring Dakota Fanning and Elizabeth Olsen, for Groundswell Films.

In this accidental ode to Drunk History, Cinemad sits down at the Creative Capital retreat with filmmakers Cam Archer (sober), Braden King (drunk) and Deborah Stratman (drunk) to talk about film, audiences, erasing art, and parking lot power. We were in between a party and a bathroom, and the mics themselves sound drunk by the end, so, yeah…. sorry about that.