Podcasts about Production designer

Episode 163 - Engaging Children in a Digital Age In this episode of the Faith and Family Filmmakers Podcast, Matt welcomes Nathan and D'Lytha Myers, accomplished filmmakers committed to producing faith-based content for children. D'Lytha, an actress, producer, and homeschool mom, and Nathan, a filmmaker and production designer, discuss their award-winning musical feature 'Aria Appleton Shines.' The conversation highlights the challenges of competing with modern, quick-hit content on platforms like YouTube for children's attention and the importance of storytelling that resonates with young audiences through a faith-centered lens. The Myers also discuss their approaches to maintaining high-quality narratives, the significance of restoring parental authority in a digital age, and their grassroots marketing efforts for their latest project. Highlights Include:Welcome and IntroductionChallenges in Christian FilmmakingCreating Child-Appropriate ContentBalancing Entertainment and ValuesThe Role of Technology in Children's LivesFamily Engagement and DiscussionAddressing Parental Authority in FilmsWhere to Watch 'Ariana Appleton Shines'Distribution Challenges and Self-PublishingBio:Nathan D. Myers and D'Lytha Myers are a creative husband-wife team using story and artistry to plant seeds of truth in the next generation. Nathan is an award-winning filmmaker, actor, and designer known for his work on major faith- based projects, including serving as Lead Designer for Capernaum Studios featured in "The Chosen" (Seasons 1–3) and Production Designer for "Matter of Time" starring Sean Astin. D'Lytha is a classically trained musical theater performer, homeschool mom, and Director of Fort Worth Actors Studio. Together, they created "Aria Appleton Shines", a delightful, deeply meaningful kids' musical film that recently won the Gold Crown Award for Best Feature Comedy from ICVM. The film was also nominated for Best Picture at CWVFF.https://linktr.ee/AriaAppletonhttps://linktr.ee/NathanDMyershttps://www.instagram.com/dlythamyers/Content Christian Media Conference: https://www.christianmediaconference.com/Exclusive FAFF DISCOUNT CODE for $75 of a full 5-day registration: "FAFF75"FAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsFAFF July Filmmakers Bootcamp: https://www.faffassociation.com/filmmakers-bootcampScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorshipThe Faith & Family Filmmakers podcast helps...

Help us make our first feature length Messed Up Movie: https://www.misfitparade.com/mrcreamjeans Erin Jackson is an artist and production designer currently living and working in Atlanta. We met Erin through Atlanta Horror Film Festival and she's been a friend and supporter ever since. In this Filmmaker Friday we talk about her messed up inspirations creating dead bodies and bloody props for horror films, why she recommends working in the art department on film sets, the challenges of working on higher budget projects in Atlanta, and how the low-budget indie scene feels like one big family. Youtube: https://youtu.be/qZd-iHUHKro Connect with Erin: https://www.instagram.com/__babewiththepower__/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

Our host chats with Tad Branham, Production Designer and Head of Design for Steamroller Animation, about his work as a production designer and all about their new show, Spice Frontier. They talk about how being a production designer is a lot like being the conductor of an orchestra, in charge not of a single element, but the entire look of a show or film. We bring you back in time to Tad's childhood, where he was influenced by He-Man and many other shows of that era. In our Advice segment, Tad talks about how being a Jack of All Trades can actually be a boon to set you apart as an artist. You can watch Spice Frontier right now on YouTube https://youtu.be/SeAqnHywrx8?si=TxKgSnkQMN1t5hIAand be sure to follow @steamrolleranimation on all the socials!

Daniel's work as Art Director work includes: Mr. Turner, Jekyll and Hyde, Swallows and Amazons, The Zookeeper's Wife, On Chesil Beach, and Peterloo. Daniel's Production Design work includes: Cass, Britannia, Dream Horse, Tetris, True Detective, Argylle, and the upcoming Pressure.

Tell us what you though of the episodeProduction Designer Julie Berghoff shares how she crafted the immersive world of The Studio, using long takes and oners to design environments that speak directly to the audience. From building the Golden Globe Awards set to creating unforgettable visual moments, Julie takes us behind the scenes with stories that reveal the art and intention behind her work.Julie Berghoff is an Emmy-winning production designer known for her visually striking work across film and television. She rose to prominence with James Wan's Saw and later designed The Conjuring, The Kids Are All Right, Neighbors, and Army of the Dead. Her television credits include The Handmaid's Tale, for which she won an Emmy. Berghoff's career spans features, series, and major brand commercials, earning her a reputation for inventive, immersive design.#sethrogan #tvseries #hollywood #visualstorytelling #appletv #productiondesigner #artdirector #thestudio  http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

Joining us on the Bridge this week is Production Designer, David Blass. Known for his work on ‘Star Trek: Picard', his credits also include The Boys, Preacher, Justified, and many other television series you've enjoyed. We had a great conversation with Dave and cover a great deal of ground on this one, from Roger Corman to the importance of Saurian Brandy. Plus, we touch on "765874 - Unification" - the Star Trek-themed short film that you have to see to believe. Settle in and enjoy.Check out his website here: https://daveblass.carbonmade.com/Paramount+ / Star Trek: Picard: https://www.paramountplus.com/ca/shows/star-trek-picard/Please let us know if there is a book that you want us to review on the podcast! You can always reach us on our social media links below or email us at talesfromthebridgepodcast@gmail.com. Link tree https://linktr.ee/talesfromthebridge

For our first episode covering Black Mirror's USS Callister: Into Infinity we welcome Production Designer Miranda Jones. Miranda will talk us through expanding and creating new worlds in the first Black Mirror sequel episode.Black Mirror Season 7 Trailer : https://www.youtube.com/watch?v=WtmnHZCoofoProduced by Daniel Miller and Monika DittonArtwork Designed by Piotr MotykaMusic by ELPHNTContact: creativeindustryinsight@gmail.com

Go deep into the wild with Production Designer Margot Ready, as she breaks down the immersive design work behind Yellowjackets Season 3. From the construction of the haunting wilderness village to salvaged plane parts turned into symbolic props, Margot shares how realism, storytelling, and survival instincts shaped every design decision. Host Kim Wannop, Set Decorator and Emmy winner, explores how architecture, collaboration with costumes, and strategic use of Vancouver's forests helped build an unforgettable world. If you love set design, character development through space, and behind-the-scenes magic, this is a must-listen.Discover the Art of TV and Film Design on Decorating Pages Podcast!Step behind the scenes with Emmy-winning set decorator Kim Wannop as she explores the magic of visual storytelling. Each episode delves into the artistry of TV and film production, featuring exclusive interviews with industry professionals—production designers, set decorators, prop masters, and more. Gain rare insights into how your favorite shows and movies come to life.Whether you're a film enthusiast, design lover, or simply curious about the creative process, Decorating Pages Podcast is your ultimate guide to the world of TV and film production. Don't miss a single episode—subscribe now to start your journey behind the scenes!

We talk about 1998's Belly, the amazing cinematography by Malik Hassan Sayeed, Hype Williams' music video aesthetic, giant gels and Kino Flos, how the Production Designer and Costume Designer affect the photography of the movie, the legacy of Haile Gerima and more!(This episode is a Patreon Exclusive).

Tom's work as Production Designer has included the feature films: Green Street Hooligans, First They Killed My Father, and Bloodshot, and the television series, Whitechapel and Luther. Tom's work as Supervising Art Director includes the films: Tinker Tailor Soldier Spy, A Good Day To Die Hard, Spy, By The Sea, Tomb Raider, Venom: Let There Be Carnage, Wonka, Dune, and Maria.

In our first ever emergency episode, we unpick Donald Trump's 'tweet-bomb' from last week in which he announced a 100% tariff on all movies made in "foreign lands."This left a lot of us asking what this announcement might mean for the film industry in the UK and the US, so in this episode we try to make sense of the madness with the help of some experts on both sides of the Atlantic.We're joined by Production Designer and former chair of the British Film Designers Guild, Blair Barnette, and former President of the US Art Directors Guild, Thomas Walsh, who give us their take on the situation and answer some of your questions about it.LINKS:BFDG www.britishfilmdesigners.comADG www.adg.orgFOLLOW US!Instagraminstagram.com/openingcreditsTikToktiktok.com/@weareopeningcreditsYouTubeyoutube.com/@weareopeningcredits Hosted on Acast. See acast.com/privacy for more information.

Today we welcome Production Designer Philip Messina who joins to talk to about their on Black bAG. Philip will talk us through designing a spy movie set in London and the creative choices that he and the team made. Black Bag Trailer : https://www.youtube.com/watch?v=Du0Xp8WX_7IProduced by Daniel Miller and Monika DittonArtwork Designed by Piotr MotykaMusic by ELPHNTContact: creativeindustryinsight@gmail.com

Oscar winning Production Designer Hannah Beachler joined me for #CarolynTalks to discuss her stunning work on #SINNERS the multi-genre period feature by filmmaker Ryan Coogler. We spoke how she used the concept of duality, colour schemes, history, and spirituality as inspiration for the eye-catching set pieces.#SINNERSMovie #RyanCoogler #MichaelBJordan #WunmiMusaku #DelroyLindo #FilmCritic #InterviewFollow Hannah on social media @HannahEBeachlerFollow me on social media @CarrieCnh12paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #KCrushVisit Authory.com/CarolynHinds to find links to all of my published film festival coverage, writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Dave engages in an enlightening conversation with Michael Shaw, the production designer responsible for designing the sets of the new 'Daredevil: Born Again' series. Michael shares their unconventional journey into the industry, starting as a painter and sculptor before transitioning to production design. They discuss the unique challenges and creative decisions behind designing the sets for Daredevil, emphasising the aim to blend homage to the past with new, grounded elements. The series was specifically shot in New York to capture its authentic energy, posing logistical challenges but enhancing the production value. The guest also delves into the intricate details of designing sets that reflect character narratives, including Matt Murdoch's visually immersive apartment and Wilson Fisk's uncomfortable new environments. They wrap up by sharing insights on other projects like 'Billions' and 'Orange Is the New Black,' their newfound appreciation for the superhero genre, and their current work on the upcoming second season of Daredevil.00:00 Introduction and Background00:20 Journey into Production Design01:57 Working on Daredevil05:39 Creating Authentic Sets07:31 Challenges and Inspirations13:14 Insights on Fight Sequences20:20 Other Notable Projects23:59 Current and Future Work24:22 Personal TV Preferences27:07 Dream Projects and ConclusionSupport this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

SEASON 2 - EPISODE 138 - Suzie Davies - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Suzie Davies (CONCLAVE, SALTBURN, MR. TURNER). Suzie once thought she'd be a sheep farmer, but after working for model-makers on commercials, she found herself drawn to the art department and filmmaking. A frequent collaborator with director Mike Leigh (Season 1, Episode 76), Suzie reveals how they first met and how she works with him within his unique process. We also learn how the boundaries of production inform Suzie's general approach to design, and she shares how she tries to help directors realize their creative visions within these limits. Later, Suzie reflects on the challenge of finding period locations in the modern world, and we discuss how she augments locations to suit the film's reality. Suzie also shares what made the estate in SALTBURN so unique as a location, and we learn how she balanced the production of that film with weekend location scouts in Rome for CONCLAVE. Throughout the episode, Suzie reflects on how she made the most of the opportunities presented to her throughout her career, and we discuss the enduring appeal of being just a sheep farmer. - This episode is sponsored by Aputure

Tell us what you though of the episodeAlex McDowell, the visionary production designer behind movies like *Fight Club*, *The Crow*, and *Minority Report*, shares his fascinating journey into cinema and the meticulous world-building behind Spielberg's futuristic masterpiece 'Minority Report'.This episode dives deep into how cinema reflects and predicts societal shifts, featuring insights into collaborating with experts from MIT and corporations like Apple to build a believable future. Discover the challenges faced during production, including the innovative techniques behind iconic scenes like the Spidey sequence and vertical car chase. Designer. Royal Designer for Industry. Creative director, production designer, professor, world builder. British, living in the US since 1986. McDowell is an advocate and originator of the narrative design system, world building. His practice incorporates design and storytelling across media in education, research, institutions, corporations, entertainment media. &cHe is co-founder & creative director of Experimental Design, Director of the World Building Institute & USC World Building Media Lab, Professor of Cinematic Practice at the University of Southern California, School of Cinematic Arts, William Cameron Menzies Endowed Chair in Production Design, Associate Professor, USC Dornsife College of Letters, Arts and Sciences, The Bridge Institute.#artdirection #precogs #minorityreport #artdirector #minorityreportinsights #stevenspielberg #tomcruise #scifi  http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

SEASON 2 - EPISODE 136 - Judy Becker - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Judy Becker (THE BRUTALIST, CAROL, BROKEBACK MOUNTAIN). Judy's love for art and collaboration began at the age of 3 and developed throughout her childhood, and after discovering the theatre department in high school, she found her way into the New York filmmaking scene. Having worked in a number of projects across many different periods of history, Judy shares how she approaches bringing those spaces to life, and we reflect on the fact that absolute accuracy to a period doesn't always look real on the screen. Later, during our discussion of her work on THE BRUTALIST, Judy reflects on the challenges of communicating with a crew whose language is nothing like her own, and she reveals how they fought for scraps of plywood and found (and built) post-war America in Hungary. Judy also shares how she approached designing The Institute—the architectural centerpiece of the film—and she reveals how they used the scale model they built in the actual shoot. We also discuss the differences between working on location and in a stage, and Judy shares the creative attraction to working on producer Ryan Murphy's many television shows. - This episode is sponsored by Aputure

On this episode of Decorating Pages, host Kim Wannop interviews Production Designer Michael Shaw and Set Decorator Rebecca Meis DeMarco about their innovative work on Marvel's "Daredevil: Born Again". Learn how they brought realism and tactile detail to the Marvel Universe, crafting sets that reflect the characters' complex stories. Explore the thoughtful design choices, from Matt Murdock's sensory-driven spaces to Wilson Fisk's intentionally uncomfortable interiors. Discover behind-the-scenes secrets and creative inspirations from these talented industry professionals. Perfect for fans of Marvel, design students, and film enthusiasts eager to learn about the intricate art of set design.#MarvelPodcast #Daredevil #SetDesign #ProductionDesign #FilmIndustry #BehindTheScenes #Hollywood #DecoratingPagesPodcastDiscover the Art of TV and Film Design on Decorating Pages Podcast!Step behind the scenes with Emmy-winning set decorator Kim Wannop as she explores the magic of visual storytelling. Each episode delves into the artistry of TV and film production, featuring exclusive interviews with industry professionals—production designers, set decorators, prop masters, and more. Gain rare insights into how your favorite shows and movies come to life.Whether you're a film enthusiast, design lover, or simply curious about the creative process, Decorating Pages Podcast is your ultimate guide to the world of TV and film production. Don't miss a single episode—subscribe now to start your journey behind the scenes!

SEASON 2 - EPISODE 134 - Nathan Crowley - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Nathan Crowley (WICKED, DUNKIRK, INTERSTELLAR). After growing up in England, Nathan's dreams of selling secondhand sports cars in LA were cut short after a run in with set designer and fellow countryman Joe Hodges at a bar outside Paramount, and we learn how Nathan dove headfirst into the art department after assisting Joe on HOOK. Nathan later shares how he made the jump to heading the department himself, and we discuss his approach to production design throughout the episode. We uncover the reasoning behind the aesthetic choices of DUNKIRK, and Nathan shares how he accounted for the practicalities of filmmaking during a globetrotting location scout to help realize the vision of INTERSTELLAR. In the back half of the episode, we discuss Nathan's recent work on WICKED, and he shares what attracted him to the film and what scared him about designing one of the most well-known worlds in the American imagination, and he reveals how Donna Langley, the head of the studio, helped convince production to plant millions of tulips for the film. Plus, Nathan shares a key lesson he learned while working with director Michael Mann about following his instincts. - This episode is sponsored by Aputure

Production Designer Dylan Hutchins | The Isaac Abrams Show | Ep 172Welcome to another exciting episode of The Isaac Abrams Show! In this episode, we sit down with the incredibly talented Dylan Hutchins, a renowned production designer known for his creative genius in the world of commercials / Film, and his recent collaboration with Conan O'Brien during the Oscars.

Carmen's Production Design work includes: The Assassin's Code, Them That Follow, I See You, Drunk Bus, Dear Zoe, Manodrome, If I Had Legs I'd Kick You, and the upcoming Kids Go Free To Fun Fun Time. Carmen's television work includes: Swedish Dicks, Web Of Make Believe, Lifted, and Mo.

Me (Ed) and Holly have always loved matte paintings and miniatures, and despite knowing very little about how to work with them, we are diving in with GRIND. In today's episode we talk about how we plan to pull that off, and also Holly's journey into the world of production design! Theme song by Matt Glass (@glassbrain), Artwork by Felipe Sobreiro (@sobreiro) Hosted by Brea Grant (@breagrant) and Ed Dougherty (@eddied4me)Join our Patreon for extra content!

Stephonik's Production Design work includes: Prince of Broadway, Snowbird, The Florida Project, Red Rocket, Bleeding Love, and Gonzo Girl. Stephonik has made musical contributions for the films: Prince of Broadway, Tangerine, Snowbird, and Bleeding Love.

Welcome to the Season 6 Premiere of Decorating the Set: From Hollywood to Your Home with Beth Kushnick! We kick off the new season with a fantastic interview with Production Designer and Beth collaborator, Michael Fitzgerald. From his teenage days interning at Shakespeare Santa Cruz to his collaborations with Beth on Rare Objects and Starz's Run The World and, to most recently, working on Disney's fantastic 2024 film, Out of My Mind, Michael has seemingly done it all in the business. We are so lucky for him to bring us his love of production design and his boundless passion and creativity. A must listen to episode to begin the new season!   The Interview with Michael begins at Time Code: 6:06 Join the Decorating the Set Community by subscribing to our Official Facebook Group (https://www.facebook.com/groups/decoratingthesetpodcast)! Interact with Beth, Caroline, Producer Mike, and all of the DTS listeners! GUEST BIO: MICHAEL FITZGERALD Production Designer Michael Fitzgerald is a California native, having begun as a teenager interning for Shakespeare Santa Cruz and regional theater companies, he continued his exploration of theater and set design at the UCLA School of Theater, Film and Television. His subsequent move into the realm of feature films allowed him to nurture close collaborations with directors, a creative relationship that he values immensely. His recent forays in the documentary world have also enabled him to bring the directors' very personal visions to the screen. Michael is currently working on the documentary series People of the West, recounting and visualizing the rich and complex history of California's native peoples. Out of My Mind, is Michael's third feature film collaboration with director Amber Sealey, after the Ted Bundy prison drama No Man of God (2021) starring Elijah Wood. Amber and Michael met at Shakespeare Santa Cruz as teenagers! Out of My Mind (2024) is Disney's very first film featuring a nonverbal lead actor with cerebral palsy. The challenge for Michael was two-fold: to create realistic spaces at the character's home, school environments and other locations, and also to make every working set completely accessible, to accommodate the numerous actors in the cast with disabilities.   Michael has always had a strong intuition for how to best bring a story to life, creating worlds that are visually authentic and in synch with the tone of each project. Visit Michael's Website: www.michaelfitzgeraldproductiondesigner.com Visit Michael's Instagram: @michaelfitzpd ### For over 35 years, Beth Kushnick has created character-driven settings for countless award-winning television series and feature films. As a Set Decorator, she's composed visuals that both capture and enhance any story. Now, she wants to help you capture and enhance YOUR story. Join Beth and her co-host, Caroline Daley, each week as they go behind the scenes of Hollywood's magic, and give you approachable, yet sophisticated tips to realize the space that best expresses who you are. ### Follow Beth Kushnick on Social Media:  Instagram: @bethkushnick Twitter: @bethkushnick Website: BethKushnick.com Beth is the Decorator By Your Side and now, you can shop her Amazon Store! CLICK HERE! Follow Caroline Daley on Social Media: Twitter: @Tweet2Caroline Website: PodClubhouse.com ### Credits: "Giraffes" by Harrison Amer, licensed by Pod Clubhouse. This is an original production of Pod Clubhouse Productions, LLC. Produced, engineered and edited at Pod Clubhouse Studios. For more information, visit our Website.

Welcome to the Season 6 Premiere of Decorating the Set: From Hollywood to Your Home with Beth Kushnick! We kick off the new season with a fantastic interview with Production […]

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft speaks with Production Designer Kato Lawton, along with film students Austin and Andy, about their experiences on the ECR 2024 feature film 'A Mess of Memories.' The discussion delves into the parallels between method acting and production design, the creative process behind crafting detailed and immersive sets on an indie budget, and the personal backgrounds that led each guest to their current roles in the film industry. Key topics include the challenges of working on a hoarder's house set, the importance of understanding character for effective production design, and valuable lessons from past experiences that contributed to their current skills.       Episode Timestamps     00:00 Introduction to Method Acting in Production Design 00:35 Welcome to Trilith Institute Talks 01:06 Meet the Guests: Kato, Andy, and Austin 01:57 Kato's Journey to Production Design 05:04 Austin's Path to Filmmaking 09:40 Andy's Background in Theater and Film 11:52 The Role of a Production Designer 14:18 Challenges and Creativity in Indie Filmmaking 15:50 Building the Hoarder House Set 21:19 Leadership and Team Management in Production Design 27:30 Valuable Feedback from Non-Filmmakers 28:40 Happy Accidents in Filmmaking 29:56 Production Design Tricks and Techniques 31:35 Challenges of Filming in a Hoarder's House 34:57 Influences and Inspirations in Production Design 38:34 The Art Department Experience 47:48 Advice for Aspiring Production Designers 50:43 Conclusion and Final Thoughts     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

[REBROADCAST from February 18, 2025] As part of filming the "Wicked" screen adaptation, the actors performed on practical constructed sets, from Shiz University to Emerald City. Oscar-nominated production designer Nathan Crowley discusses his vision for designing the world of "Wicked."Follow along with us during Sunday's Academy Awards on our Instagram (@AllOfItWNYC), and click here to print out and play All Of It Oscar's Bingo.

Raphaelle Gamanho is a Production Designer whose journey began as a Graphic Designer with an art degree, opening the door to the art department at large. Here, like many individuals, Raphaelle is cross-trained in sets and props. Over the years, she has developed a focus in special effects including miniatures, fabrication, and practical in-camera effects. These days, she works on stop-motion and puppetry content as well as regular human-scale indie short films and features. Connect with Raphaelle:➡️ Instagram: @raphaellegamanho➡️ TikTok: @raphaellegamanhohttps://raphaellegamanho.com/About The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.Follow Us! ⤵️Instagram & TikTok: @thelot1podcasthttps://www.instagram.com/thelot1podcast/?hl=enhttps://www.tiktok.com/@thelot1podcast–Hosted byDeji Bankole (@deji_bankole)Christopher Henley (@henley_son)Produced byMina VazirianEdited byChristopher Henleyhttps://linktr.ee/thelot1podcast Hosted on Acast. See acast.com/privacy for more information.

This is the first of two episodes of our chats centred around the Oscar-nominated epic The Brutalist. First, Dom Lenoir sits down with writer-director Brady Corbet. Starting out as an actor, he seamlessly transitioned into a highly successful career behind the camera. Some of his acclaimed works include The Childhood of a Leader (2015) and Vox Lux (2018). Today, he talks all about: Writing and directing The Brutalist Putting the cast together Storyboarding and rehearsals The challenges of making a 3.5-hour epic with a budget of under $10 million Next, Giles Alderson chats with production designer Judy Becker. You might recognise her incredible work from films like Brokeback Mountain (2005), Shame (2011), Silver Linings Playbook (2012), American Hustle (2013), and Carol (2015), just to name a few. She shares insights on: Breaking into the industry Working on The Brutalist Workflow and mood boards Sit back, relax, and enjoy our epic conversations with Brady Corbet and Judy Becker. And don't miss part two with Guy Pearce, coming this Friday!   THE BRUTALIST is out in cinemas NOW! | Trailer When a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, wealthy client.   WATCH OUT YOUTUBE CHANNEL our interview with Skeleton Crew showrunners Jon Watts and Christopher Ford here https://www.youtube.com/watch?v=iHKr20viJYM&t=33s   PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Viola Wells @violasjournal is an award-winning Production Designer, writer, and Perfume Curator whose passion for fragrance has shaped her uniquely fascinating career…Based in Hungary, Viola collaborates with museums and exhibitions to explore the intersection of scent and art history. Her innovative work includes curating fragrances for studies and lectures, as well as scenting movie sets to create immersive atmospheres for actors. With her expertise, Viola transforms fragrance into a storytelling medium, making her a perfect guest for On the Scent. From memories that have inspired her, convincing directors to experience the power of scent, a history of the world's first fragrance based in alcohol, to helping open a perfume museum and THE dream perfuming project she has in mind [my precioussssss]; what a fascinating guest Viola was. We so hope you enjoy listening! Viola mentions: @bourjois_uk KobakoThe history of Hungary Water CologneLink to the abbey museum:https://g.co/kgs/T7v8ak5More information about the abbey's history in this article (written in English):https://civilek.info/en/2021/05/29/fragrance-museum-opens-in-pannonhalma/@ikeauk Fireplace Candle @beaufortlondon Terror & Magnificence @jeanarthesparfums Amore Mio@esteelauderuk Spellbound @viviennewestwood Anglomania@cacharelparfums Lou Lou

Monique Dias is an LA based Production Designer best known for her work on NBC's GRAND CREW, the award winning Netflix series GENTEFIED, and the period dramedy ANGELYNE. She is an AFI Production Design alumnus, has a BFA from the University of Arizona in Media Arts, and is an uncertified wine enthusiast.She has spent 15 years designing for television and film, and has an array of experience that also includes music videos, commercials and documentaries. Monique is currently expanding this skillset to include experiential theater and immersive design. Creating captivating worlds for stories to be told is her utmost passion, and she is always looking for ways to expand her craft.During the pandemic, Monique found her way into animation, working remotely to design and illustrate the worlds of THE HARPER HOUSE and #1 HAPPY FAMILY USA. Her 3D modeling skills have served her well in both live action and animation, and is a tool she often utilizes to visually communicate her ideas.Monique is always seeking new opportunities to help storytellers research and reinvent genres through design. She takes a “story first” approach to all of her ideations and loves to turn scripted words into transcendent worlds.Connect with Monique:➡️ Instagram: @esmo_duowww.moniquedias.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.☕Tourist Hat Coffee Companyhttps://touristhatcoffeecompany.com/

In this episode of Psycho-Cinematic, Vic is joined by Production Designer Matt Likely to discuss his work designing the sets on "From". Chapters 0:00 Intro 0:52 Working on Robert Eggers' “The Lighthouse” 2:51 Working on “Hobo with a Shotgun” 3:50 The film industry in Halifax 6:16 How Art Director and Production Designer differ 7:36 The Art Department on “From” 9:35 Victor's art 11:07 Telling the story through the set 14:10 Creating sets before a season 15:51 Building the town in “From” 21:31 Where's the Motel? 22:58 The workload on “From” 25:16 Building the caves 29:20 Matt's “Making Of” Videos 34:23 Filming in the RV 36:45 Creating the lighthouse lens 37:16 Collapsing Jim's house 39:06 The homes in “From” 41:18 The spiderwebs in the forest 41:57 Building the lighthouse 44:00 The challenges of filming in the snow 48:16 Using scale models of the sets 50:44 What's next for Matt Follow me on IG: https://www.instagram.com/bigvicmedia?igsh=MWVvd3c5c2dyODN1ag%3D%3D&utm_source=qr Follow me on TikTok: https://www.tiktok.com/@bigvicmedia?_t=8nLBsEUZy0c&_r=1 Psycho-Cinematic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirt Listen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2Id Guest: Matt Likely Follow Matt on IG: https://www.instagram.com/mlikely/?hl=en Watch Matt's Behind the scenes videos: https://youtube.com/@mattlikely7538?si=EDVB48BDpSre_4k7

Kendall's Set Decorator work includes the films: Love Is Strange, Chuck, You Were Never Really Here, Uncut Gems, Things Heard and Seen, Confess, Fletch, Problemista, and The Room Next Door. Her television work includes the series: Odd Mom Out, The Punisher, and The Changeling. Kendall's debut as Production Designer, the acclaimed His Three Daughters, received glowing reviews and is streaming on Netflix. 

0:00 SEG 1 Director Jonathan L. Bowen talking about his new movie “The Comic Shop” starring Jesse Metcalfe, Tristan Mays, and Eric Roberts. https://www.directorbowen.com/  25:44 SEG 2 Producer Dave Blass talks about Star Trek and the new Star Trek short film “Unification” which has taken the internet by storm. Dave Blass' socials - https://linktr.ee/daveblass  “Unification” TRAILER https://youtu.be/6_Lg2W-0UU4?si=gp5WmAIaxPlOufei  “Unification” SHORT FILM https://roddenberry.x.io/  34:51 SEG 3 Dave Blass continued Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague  Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223) Buy tickets to 2 Rivers Comic Con coming to St. Charles in May 2025 https://2riverscomiccon.com/  Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl  Patreon -   https://www.patreon.com/GeekToMeRadio  Website -   http://geektomeradio.com/    Podcast -   https://anchor.fm/jamesenstall  Facebook -   https://www.facebook.com/GeekToMeRadio/   Twitter -   https://twitter.com/geektomeradio   Instagram -   https://www.instagram.com/geektomeradio/  Producer - Joseph Vosevich https://twitter.com/Joey_Vee  --- Support this podcast: https://podcasters.spotify.com/pod/show/jamesenstall/support

This week on Decorating Pages, we welcome Production Designer Michael Fitzgerald to explore the stunning visuals behind Out of My Mind. Adapted from Sharon Draper's bestselling novel, the film required Michael to create a world that captures the heart and imagination of both readers and new audiences. From designing Melody's intimate spaces to the broader school environment, Michael shares his creative approach, inspirations, and the challenges of bringing this empowering story to life.

"Beetlejuice Beetlejuice" had its world premiere as the opening night film at the 2024 Venice Film Festival, where it received positive reviews and was heralded as a return to form for Tim Burton as his long-awaited sequel to 1988's "Beetlejuice" once again highlighted his use of practical effects, striking designs, and makeup work. The hair and makeup team, which consists of Christine Blundell, Lesa Warrner, and Neal Scanlan, were kind enough to spend a few minutes speaking with Dan Bayer about their work on the film, followed by Ema Sasic's conversation with Production Designer Mark Scruton and Set Decorator David Morison who also had much to say about their work on Burton's latest. Please be sure to check out the film, which is now available to watch at home on physical, digital, and streaming on Max from Warner Bros. Pictures and is up for your consideration for all eligible categories at this year's Academy Awards including Best Makeup & Hairstyling and Best Production Design. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Nuria's film work in the Art Director role includes the films: Evolution, Sergio and Sergei, and One Year, One Night. Nuria's Set Decorator work includes films such as: Live Is Life, Love Gets A Room, and Bird Box: Barcelona, along with television series: The Crown, Top Boy, and Who Is Erin Carter. Recent Production Design work for Nuria includes the films: My Loneliness Has Wings and A House On Fire, and the upcoming series, A Muerte.

Bob Bonniol is an Emmy Award winning Director, Production Designer, andProducer. He is known for his implementation of extensive media andinteractive features in his productions and installations. His practice spans the worlds of theater, broadcast, opera, installations, and architecture. In 2023, he has widely deployed new interactive technology and AI to elevate live concert production, with tour designs for Billy Joel, Blake Shelton, Megan Thee Stallion, and the One Night Houston Festival. In the course of his career he has worked from Broadway to Beijing, helpingclients like Disney, NBCU, ABC, Live Nation, AEG, Marvel Studios, and Lucas' film gathers and dazzles audiences of millions. We had the pleasure of Bob being on the show in February of 2023, you can check out episode #183 on our website www.geezersofgear.com Please welcome Bob back to the Podcast. This Episode is brought to you by Elation and Main Light

In this episode, I sit down with Set Decorator Shane Vieau and Production Designer Patrice Vermette to dive into the extraordinary design feats behind *Dune: Part Two*. They take us through the challenges and triumphs of building complex, immersive sets that merge seamlessly with natural landscapes like the harsh desert environment and extensive visual effects of even shooting with an infrared camera. From the ingenious fabric choices that withstand intense desert climates to the striking 360-degree dining hall and the cultural aesthetics woven into every design, we explore the craftsmanship and collaboration that bring *Dune's* world to life. Join us as they share their experiences across diverse filming locations in Jordan, Budapest, Abu Dhabi, and Italy, where innovation met tradition in this epic project. #Dune #Dune2 #SetDesign #ProductionDesign #FilmSets #ShaneVieau #PatriceVermette #BehindTheScenes #FilmProduction #SciFiMovies #CinematicUniverse #MovieMagic #DesertSets #FilmLocations #Podcast #DecoratingPages #InteriorDesign #Jordan #Budapest #AbuDhabi #Italy #VFX Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast! As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling. Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production! #DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNow Subscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadio Follow at: Instagram: decoratingpages  YouTube: Decorating Pages Podcast TicTok: @decoratingpagespodcast  Contact Kim Wannop at kimwannop@decoratingpagespodcast.com www.decoratingpagespodcast.com

"The Penguin" just concluded its first season last night with an explosive finale that has audiences talking and eagerly looking forward to what might be next for Colin Farrel's Oswald "Oz" Cob. We were lucky to speak with the show's production designer, Kalina Ivanov, as she was able to dive into all things Gotham City, how it expands upon what was set up in Matt Reeves's "The Batman," and more. Please listen to the interview below and be sure to check out the show, which is now available to stream in full on Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, I had the pleasure of chatting with the incredibly talented Production Designer, Roberto Bonelli, about his work on Zoë Kravitz's directorial debut, "Blink Twice." Join us as we dive into the fascinating behind-the-scenes story of how Roberto and his crew transformed Channing Tatum's tech billionaire character's private island into a captivating hacienda, packed with Victorian colors and intricate design elements. Roberto shares his journey of researching Yucatan architecture to choose the perfect location for this unique narrative. Repainting the compound in Victorian colors, adding details and expanding the pool area and using the existing jungle green to play off fits perfectly into the puzzle of the narrative. Roberto's innovative designs breathe life into every scene. He also tells of the stunning 9-foot tall light fixtures and a picture perfect custom-built sauna that add depth to the story.

Marching ever forward ‘neath the wooded shrine I stray not from the path. I hold death's hand in mine. Disney+'s Marvel Television series Agatha All Along wrapped this week with a 2-episode series finale that brought the series to an emotionally satisfying climax. While initially uneven tonally, Agatha eventually settled into an entertaining and compelling narrative. The […] The post ‘Agatha All Along' Production Designer John Collins Marches Down, Down, Down His Brilliantly Designed Road [Podcast] appeared first on The Contending.

In this chat with Kevin Jenkins, we dive into our shared love for movies and what first sparked that passion. We swap stories about our childhood movie experiences and the films that got under our skin—like Jaws, Star Wars, and Close Encounters of the Third Kind. We talk about how these films not only shaped our tastes but ignited a passion for storytelling and artistry that's stuck with us.Kevin and I get into the risks filmmakers took back then, and how that raw authenticity contrasts with what we see in today's industry. We touch on the balance between practical effects and digital tech, and why having a passionate, collaborative team is crucial to making something memorable. There's a bit on the commercialization of genres and how fandom sometimes gets too caught up in nostalgia, missing out on new, original stories.We also cover how filmmaking has evolved with technology, especially for artists like Kevin, who transitioned from traditional illustration to digital tools. Kevin shares insights on how tech influences collaboration and creativity on set. He walks me through the role of a concept artist, the problem-solving and idea generation that goes into projects like World War Z and Edge of Tomorrow—highlighting the creative process behind creature designs and visual effects.When we discuss his work on Edge of Tomorrow, Star Wars, and Jurassic World, Kevin opens up about the challenge of finding the right design and the nuances of working within big franchises. He talks about the essential collaboration between art and costume departments to build a cohesive visual world. Finally, Kevin shares his ambition to work on a historical epic and emphasizes how flexibility and creativity are key in the art department.All the links

This next guest has been one of the unsung heroes of the Terrifier Franchise. She got her start studying as the a Wardrobe Technician. However, she has been a Fashion Stylist, Costume Designer & Imagination Pimp who was involved with Terrifier 2 & Terrifier 3 and she'll be going into many different projects, so sit tight to see the creative side run wild. This Guest: Olga Turka   Olga Turka IG: https://www.instagram.com/olgaturka/ Crazy Train Radio Facebook: facebook.com/realctradio IG: @crazytrainradio X/Twitter: @realctradio Website: crazytrainradio.us YouTube: youtube.com/crazytrainradio --- Support this podcast: https://podcasters.spotify.com/pod/show/crazytrainradio/support

This is Play That Rock n' Roll's interview with Mick Strawn, author of "BEHIND THE SCREAMS: The Dream Masters Revealed"! In this conversation, Mick's work as a Production Designer on films like A Nightmare on Elm Street 3: Dream Warriors, A Nightmare on Elm Street 4: The Dream Master, Breakin' 2: Electric Boogaloo, and Blade! He also talks about working on the music videos for Dokken's "Dream Warriors" and "Are You Ready For Freddy" by the Fat Boys. Plus stories about Steven Seagal, Mark Mothersbaugh (from Devo), and Kris Kristofferson! Check out Mick's podcast at ‪@dreamwarriorreview7655‬ Mick on Instagram: https://www.instagram.com/mqmiq3/?hl=en Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textHow can vintage and antique touches transform your kome? Join me as I talk with Caity about creating a cozy space filled with character.In this episode, you'll learn:How to mix different textures and styles to make your space feel personal and unique.Why it's important to take your time and find pieces that truly fit your home.Easy tips for decorating on a budget, like DIY projects and finding great deals online.If you liked today's episode, please leave me a rating and review in Apple podcasts. Check out the The Design Doctor Website.Follow us on Facebook Check us out on Instagram!

Could the bowls, vases and statues reveal proof of advanced technology? Why are the older artifacts more technologically advanced? We talk it out with Author, Writer, Production Designer, Art Director Priscilla Elliot. Check out her latest movie she Production Designed "Strange Darling".  You can find her book "Tips for the Dark Art of Manipulation" everywhere you get books. In the MORE episode we get into some BTS secrets of Star Wars - The Last Jedi. We stream live video every sunday at 4 pm pacific only at www.SchrabHomeVideo.com visit RealLifeSciFi.show Support us and get more content at Patreon.com/reallifescifi we exist because of you. hit us up at WadeandWilly@gmail.com Thank you for listening Thank you for having friends with different beliefs than you.

In this episode, I'm absolutely thrilled to welcome back the brilliant production designer Mark Scruton. We dive deep into his phenomenal work on "Beetlejuice Beetlejuice," as Mark gives us an exclusive behind-the-scenes look at how he brought Tim Burton's whimsical yet eerie world to life. From rebuilding the iconic Maitlands' house to the outlandish and vibrant atmosphere of the Neitherworld, Mark shares the challenges, inspirations, and design philosophies that I'm sure will turn this turned "Beetlejuice" sequel into a timeless classic. He has fascinating insights into his designs for memorable sets like the Lost and Found, Dry Cleaners, Beetlejuice's office, and the soul train. It's always a delight chatting with Mark. You can see all his sketches, renderings and final set pictures that show his complete design process on the youtube video I posted. Plus, get excited to see his magic again in the upcoming second season of “Wednesday” on Netflix. Are you passionate about TV and film production? Fascinated by the behind-the-scenes magic that brings your favorite shows and movies to life? Look no further than the Decorating Pages podcast! Join Emmy-winning set decorator Kim Wannop as she guides you through the world of visual storytelling in each episode. With exclusive interviews featuring top industry professionals—from production designers and set decorators to prop masters—you'll gain unparalleled insights and appreciation for the craft. Whether you're a film enthusiast, a design lover, or simply curious about the creative process, Decorating Pages podcast is your essential guide to the art of TV and film production. Don't miss out—subscribe today and embark on a captivating journey behind the scenes! #DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNow Subscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio, and iHeartRadio. Follow us: Instagram: @decoratingpages YouTube: Decorating Pages Podcast TikTok: @decoratingpagespodcast Reach out to Kim Wannop at kimwannop@decoratingpagespodcast.com and visit www.decoratingpagespodcast.com for more information.

One of the great things about being a dad is getting to watch your favorite movies again with your kids and experience them through a new point of view, and also to watch new films together and see how things like animation evolve and create new ways of telling stories.  One of the best examples of this from the past decade is Spider-Man: Into The Spider-Verse, which used innovative techniques to pay tribute to the comic-book origins of the stories but add new depth and excitement without feeling forced. Aarron and I both loved watching the original—and the sequel— with our kids. Visit our Substack for bonus content, transcripts, and more: https://designbetterpodcast.com/p/yashar-kassai So you can imagine how excited we were to chat with Yashar Kassai, Production Designer of Teenage Mutant Ninja Turtles: Mutant Mayhem, and artist on The Mitchells vs. The Machines, Spider-Man: Into The Spider-Verse and more. We learned about the tools he uses, how he thinks about developing a fresh look for a familiar franchise, and what the future of visual storytelling might look like. Bio Yashar Kassai is a production designer and artist, who has worked on animated films like Teenage Mutant Ninja Turtles: Mutant Mayhem, The Mitchells vs. The Machines, Spider-Man: Into The Spider-Verse, Angry Birds, Book of Life, and more. You can find his work on Artstation, Instagram, and on his personal website. *** Premium Episodes on Design Better This is a premium episode on Design Better. We release two premium episodes per month, along with two free episodes for everyone. Premium subscribers also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, access to our (small but growing!) library of books and participation in book giveaways, and our new enhanced newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show.  Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Incogni: Every year, both the number and scope of data breaches worldwide are rising. According to the 2022 Annual Data Breach Report by the Identity Theft Resource Center, the number of victims has gone up nearly 41.5% from 2021. Incogni reaches out to data brokers on your behalf, requests your personal data removal, and deals with any objections from their side. Use promo code DESIGNBETTER at https://incogni.com/designbetter to get 60% off an annual plan. On Set With: The HGTV and Max On Set With podcast explores the sets and world building of beloved films and TV shows produced by Warner Bros. Discovery through conversations with art directors and set designers. Each episode highlights a different iconic set from film or television. Through a constellation of voices (set decorators, production designers, directors, and showrunners) our audience gets a first-hand account of the creation of the environments that became a part of our collective, global iconography — and actionable tips to bring the power of scenic design into our listeners' own spaces. Listen to On Set With on Spotify Listen to On Set With on Apple Podcasts LinkedIn: Design Better is supported by our pals at LinkedIn—our favorite social network. It's hard to get your B2B marketing to land with the right audience. Let's face it, the web can be a very noisy place! If your message isn't targeted to the right audience—it just disappears into the noise.  With LinkedIn Ads, you can precisely reach the professionals who are more likely to find your ad relevant. With LinkedIn's targeting capabilities, you can reach people by job title, industry, company, and more. Start converting your B2B audience into high quality leads today. To get a $100 credit on your next campaign go to LinkedIn/designbetter to claim your credit. Learn more about your ad choices. Visit megaphone.fm/adchoices

SEASON 2 - EPISODE 95 - RICK CARTER - PRODUCTION DESIGNER Production designer Rick Carter (THE FABELMANS, AVATAR, MUNICH) joins us on this episode of the Team Deakins Podcast. Despite growing up around Hollywood, Rick was a rebel, and it wasn't until after dropping out of college and traveling the world as a hippy that Rick finally found his way into filmmaking. Rick shares why he fell into the art department and, throughout the episode, reflects on how he conceptualizes spaces with his fellow filmmakers before bringing them into our reality. Rick also reflects on the podcast itself—it being an archive of filmmakers of a certain epoch of filmmaking—and eagerly adds his own voice to its chorus. We also focus on Rick's experiences working on director Steven Spielberg's MUNICH and on the decision-making that went into finding the location for the staircase scene set in Athens. - Recommended Viewing: MUNICH - This episode is sponsored by Aputure