Podcasts about Production designer

The sets for the film "Hamnet" included a recreation of the Globe theater and period-accurate homes from 16th century England. Production designer Fiona Crombie discusses her work on the film, which earned her an Oscar nomination. This interview is part of our ongoing Oscar series "The Big Picture." Image courtesy of Focus Features

SEASON 2 - EPISODE 181 - Jack Fisk - Production Designer In this extended episode of the Team Deakins Podcast, we speak with production designer Jack Fisk (MARTY SUPREME, THERE WILL BE BLOOD, MULHOLLAND DRIVE). Spanning the worlds' jungles, mountains, and open plains, Jack's work as a designer brings the real world to the audience on the big screen. Throughout our conversation, Jack discusses his views on designing, and he recalls numerous stories detailing the exhaustive work behind his contributions to films such as DAYS OF HEAVEN, THE THIN RED LINE, and THE REVENANT. Later, Jack reveals how he resurrected post-war New York City in the Lower East Side in MARTY SUPREME, and we discuss how he collaborated with cinematographer Darius Khondji (Season 1, Episode 135) on the film and strove for originality in its design. Jack also reflects on the evolution of his lifelong friendship with David Lynch from high school up until his death in 2025, and he shares how he overcame a number of obstacles while designing MULHOLLAND DRIVE. Plus, Jack recalls how he survived the "highway of death" in Costa Rica. Listen to Ruth De Jong's episode (Season 2, Episode 49) to learn even more about Jack. - Recommended Viewing: MULHOLLAND DRIVE, DAYS OF HEAVEN - This episode is sponsored by Aputure & Picture Shop 

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Dancing with the Stars has to deliver a brand-new world every week — live — with choreography, cameras, lighting, and set changes happening at full speed. In this episode of Decorating Pages, Emmy-winning set decorator and host Kim Wannop talks with Production Designer James Yarnell, a 20-year DWTS veteran and ADG-nominated for the show's “Wicked” episode.James breaks down how the DWTS ballroom is designed around the true priority: the dance floor — including how camera movement is choreographed alongside the dancers, how theme weeks are executed on a brutal weekly timeline, and how scenic builds, props, screens, and projection all have to work together without slowing down a live broadcast.Plus: the iconic detail you didn't know you needed — James literally designed the Mirrorball trophy, and later redesigned it into the Len Goodman Trophy.If you love production design, set decoration, live television, and behind-the-scenes craft stories, this one's a must.

Some of her early roles include: Production Designer for Stephen Cone's film The Wise Kids and Art Director for Greg Araki's White Bird In A Blizzard. Caity's Production Design work for television includes: Comedy Bang Bang, Documentary Now, Joe Pera Talks With You, and Caleb Hearon: Model Comedian. Her feature film work includes: Becoming Bond, Stay Awake, The Adults, and Omni Loop. More recently, Caity designed the feature film Sorry, Baby, written and directed by and starring Eva Victor. Some of Caity's upcoming projects include: The Dink, Via Negativa, and Never Change.

This one's for all the marbles. Your bosses were twiddling their thumbs waiting for lil Jimmy Dycker and now he's only gone and OD'd. So it's up to you Miss Golightly, time to show that you're the smartest in the room. The thing is nothing… Now go prove it! Bankole & Eyo are joined by Ebube for this all-about-SternTao episode of HBO's ‘Industry'. They discuss the role of humanity in this industry, Eric & Harper being honest and of course, Sweetpea and Kwabena on tour. Later, Bankole is joined by ‘Industry' Production Designer, Simon Rogers, to break down the thought that goes into creating the show, Harper & Sweetpea's flats and building Accra in Wales!William Goodman's interview with Sagar Radia here(05:10) - Rishi Fallout(14:25) - Listener Questions & Comments(19:05) - Episode 5 Discussion & Analysis(1:01:18) - Sweetpea in Accra(1:29:35) - Simon Rogers InterviewYou can support us here.Also Available on YouTube.Host: Bankole Imoukhuede Guests: Ebube Ubochi, Eyo Ndem and Simon RogersProduction by: Bankole Imoukhuede

Pluribus on Apple TV+ is a masterclass in modern TV world-building — from massive exterior construction to meticulous interiors where every detail supports character and story. In this episode of Decorating Pages, Emmy-winning set decorator and host Kim Wannop interviews Production Designer Denise Pizzini and Set Decorator Ashley Michelle Marsh (previously featured on the podcast for Better Call Saul) about designing and building the visual world of Pluribus.Denise and Ashley are Art Directors Guild (ADG) nominated, and this conversation gets into the real craft: detailed prep using outlines, approvals that lock the design, and the scale of builds including a fully constructed cul-de-sac neighborhood, an ice hotel environment with sculpted elements, Air Force One build challenges, and complex location/redress work.If you love production design, set decoration, behind-the-scenes craft, and the reality of making film-level work on a TV schedule — this episode is for you.#Pluribus #AppleTV #ProductionDesign #SetDecoration #ArtDepartment #DecoratingPagesPodcast #BetterCallSaul

Academy Award–nominated production designer Tamara Deverell joins the podcast following her Oscar-nominated work on Frankenstein, a visually operatic reimagining that stands as one of the most ambitious production design achievements in recent cinema. With a career spanning decades and long-standing collaborations with Guillermo del Toro, Tamara has helped shape richly textured worlds across film and television. In this conversation, she strips back the job title and explains what a production designer truly does, how the art department is structured, and why research, collaboration, and logistics are just as critical as imagination. The episode dives deep into the making of Frankenstein. Tamara breaks down the design philosophy behind the film, from constructing a full-scale Arctic ship and monumental laboratory towers to grounding fantastical elements in historical reality. She discusses colour motifs, architectural influences, practical builds versus VFX, and the constant dialogue between production design, camera, lighting, and special effects that allows a world like Frankenstein to feel both mythic and real. Powered by Sony Technology. Produced by Deb Van Dieren. Hosted and edited by Lucas Tomoana SOC.

Ian's earlier Art Director work includes the films: Rest Stop, Twilight, and A Single Man. Ian's Production Design work in film includes: Celeste and Jesse Forever, 13 Minutes, and A Very Jonas Christmas Movie. His television Production Design work includes: Parks and Recreation, Love, The Good Place, and A Man on the Inside. 

John's feature film work as Production Designer includes: Your Sister's Sister, Touchy Feely, Lucky Them, Laggies, Sword of Trust, and Outside In. His television design work includes: Three Busy Debras, The Viking Returns, and Penelope. John's more recent Art Director work includes: Train Dreams and The Rivals of Amziah King.

In this episode of Pop Culture Confidential, Christina sits down with prize-winning production designer Fiona Crombie, whose work has shaped some of the most visually striking films of recent years. They talk in depth about Crombie's breathtaking production design for Chloé Zhao's Hamnet, starring Paul Mescal  and Jessie Buckley as William and Agnes Shakespeare. From intimate domestic spaces to the recreation of the legendary Globe Theatre, Crombie reveals how she brought emotion and lived-in detail into the spaces she designed Fiona Crombie was Oscar-nominated for her production design on Lanthimos The Favourite and has also collaborated with Bong Joon-ho (Mickey 17), Ari Aster (Beau Is Afraid), and many other acclaimed filmmakers. This conversation was recorded just after Jessie Buckley's Best Actress win at the Critics' Choice Awards and the Golden Globes, and as Hamnet itself took home Best Picture Drama. Learn more about your ad choices. Visit megaphone.fm/adchoices

SEASON 2 - EPISODE 176 - Chris Lowe - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Chris Lowe (BOB MARLEY: ONE LOVE, THE LAST JEDI, IN BRUGES). We worked with Chris on SKYFALL, and we had a great time catching up with him. In addition to production design, Chris has had a long career as an art director, and he helps us understand how the two positions work together on any given project and what each one's responsibilities are. Throughout the episode, Chris also shares his strategies for communicating with directors and producers, creatively adapting to shifting budgets, and delegating duties to members of the art department. We also reflect on why and how the Shanghai skyscraper scene in SKYFALL pivoted from a location to a set, and Chris shares an episode of creative problem solving from THE LAST JEDI involving the Millennium Flacon, Yoda, and a tree. Plus, Chris reveals how he built Bangkok in Prague during the COVID-19 pandemic for THE GRAY MAN. - This episode is sponsored by Aputure

Production Designer Darren Gilford joins Decorating Pages to break down the production design of TRON: Ares — from building a bold new Dillinger red world to honoring the franchise's visual DNA.Darren shares the real craft behind the look: materials testing (including a candy-apple red technique on stainless panels), how CNC-cut surfaces and grain direction affect highlights on camera, the engineering behind LED-lit floors, and why the Grid demands a totally different approach than “real world” sets. Plus, we talk Flynn's world as a love letter to Sid Mead, Easter eggs pulled from the original archive, and the art department problem-solving it takes to make TRON feel iconic again.TRON Ares, Darren Gilford, production designer, production design, set design, sci-fi film, art department, set decoration, visual effects, concept art, Sid Mead, light cycles, filmmaking podcast.

Quiet on set! Clarence Major returns to chat with Josh and share more about his experiences as a Production Designer, including the time he cut a plane in half for a commercial!

Production Designer Alexandra Schaller joins me to talk about crafting the haunting world of TRAIN DREAMS, the Netflix adaptation of Denis Johnson's novella.We unpack how the cabin became a full character, why the fire tower and logging camp were such ambitious builds, and how shooting almost entirely with natural light and candles shaped every design choice. Alexandra shares how she worked with the director, DP, set decorator, props, greens, and scenic teams to make Washington's landscape feel intimate, mythic, and deeply emotional. Topics include:Turning landscape into storyBuilding and rebuilding the cabin across timeDesigning the fire tower and logging environmentsColor as emotion, especially Gladys's yellowPlanes, trains, and giant trees on an indie budgetThe reality of remote locations, weather, and limited resourcesListen if you love production design, set decoration, indie films, Netflix originals, and craft-forward conversationswith the people who build the worlds on screen.

Veteran concept designer and Production Designer Kasra Farahani joins us in this episode to share with us his approach to working with Artists, what he looks for and how he went about crafting the look for one of this year's standout blockbusters - Disney/Marvel Studios' Fantastic Four.https://zafron.comhttps://www.instagram.com/kasfarahani/- - - - - - - - - - - - - - - - - - - - - - - - - - MENTORSHIPS NOW AVAILABLE!When the work is slow and jobs are few it's the best time to improve your skills. Learn something new and push yourself out of your comfort zone. Get ready for when the jobs come back!https://www.hendrix-design.com/mentorship- - - - - - - - - - - - - - - - - - - - - - - - - - ADP on social media:https://www.youtube.com/@artdepartmentpodcasthttps://www.instagram.com/artdepartmentpodcast/https://twitter.com/artdepartmentp1https://www.instagram.com/janurschel/https://www.instagram.com/emanshiu/- - - - - - - - - - - - - - - - - - - - - - - - - - Requests and Enquiries:artdepartmentpodcast@gmail.com

Tamara has devoted her talents as a Production Designer and Art Director to a wide range of projects spanning multiple genres, periods, and visual styles. As Art Director, Tamara worked on Crash and eXistenZ for David Cronenberg, Guillermo del Toro's Mimic, and X-Men with Oscar–winning designer John Myhre.  Tamara's feature film work as Production Designer includes: Still Mine, Priscilla, Nightmare Alley, and Frankenstein. Tamara's television credits include: Suits, The Strain, Incorporated, Star Trek: Discovery, and Guillermo del Toro's Cabinet of Curiosities.

Whether you realise it or not, you know Mick Strawn's work. He's the man behind the famous Blood Rave in "Blade", worked on "Texas Chainsaw Massacre III: Leatherface" "Nightmare on Elm Street" 3 and 4, "Buffy The Vampire Slayer" (movie, not tv show) and even "Candyman". Production Designer, Art Director, Special Effects Technician; he is the man who literally crafted our horror nightmare. And he has a new movie out that he co-directed and co-wrote. Welcome to our Nightmares, Mick Strawn!

Tell us what you though of the episode

One of the many special things in Train Dreams, directed by Clint Bentley, is the production design. Nearly every element of each setting feels like it was just sitting there, waiting to be captured. Of course, this is not the case. It was meticulously, carefully planned and built. The Film Stage's Dan Mecca was lucky and honored to speak with Alexandra Schaller, the film's production designer, about the agonies and ecstasies of bringing Train Dreams to life, as well as some earlier, accomplished work in her career. Additional thanks to Schaller, who provided The Film Stage access to mood boards and behind-the-scenes photos from the project. Explore here: https://thefilmstage.com/train-dreams-production-designer-alexandra-schaller-on-finding-beauty-in-the-land-and-making-small-films-feel-big/

David Crank is a Richmond-based film Production Designer. He was Oscar-nominated for “News of the World” in 2021 (there's a link to that podcast below). His latest project was for “The Lost Bus (Apple TV),” which stars Matthew McConaughey as the bus driver who got a bus full of school children thru the horrific Camp Fire in 2018. We discuss: – The origins of his last name – Re-creating the interiors & exteriors – Using 7 busses for the shoot – Safety precautions for kids – Working with McConaughey – The real people who lived thru the fire – Meeting Bad Bunny LINKS David's website Link to “The Lost Bus” on Apple TV Our first podcast interview from 2022 Anthony's doc on Paul Pope My review of “The Lost Bus”

Jeffrey and I sit down and talk about how cool the Baltimore film community is, Starting out with John Waters and his crew, The Wire, Serial Mom, and much much more. Jeffrey's IMDB To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on our website and on instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert      

Ben Procter is an incredible human being and artist, and it was an absolute delight to have a wide-ranging, candid, hype-overload generating conversation with him. Here's to many more!Irayo to @navibyheart and @avatarcelebration event-long host @jentccyt for their phenomenal co-hosting!•Avatar is a multimedia universe centred on the first peoples of the distant moon of Pandora, a reality-based paracosm created by filmmaker, engineer and eco-activist James Cameron. Taking inspiration from, and ultimately acting as a paean to, our own Earth and its many first peoples, Avatar promotes ‘artivism' — activism through art — to inspire change in how we treat ourselves, each other, and the planet. It is one of the most successful media properties ever, and comprises films, interactive experiences, books, music, attractions, and more.•The Avatar Network is a community-run production of @thequantumyth and not affiliated with Lightstorm, Disney or 20th Century Studios.•avatar.com✨

Dylan Cole, co-production designer for Avatar: Fire and Ash, discusses his new Avatar-filled book Creating Worlds, the upcoming DisneyLand attractions based on A2 an A3, and much more! Irayo to my phenomenal co-hosts  @becomingnavi  and Arnaud Claudet from Avatar: Frontiers of Pandora

On this special interview episode, Erin sits down with Costume Designer Kristen Kopp and Production Designer Christian W. Snell to discuss their work on the new thriller, "Violent Ends." The film is an atmospheric period revenge thriller set in rural Arkansas. It recently received the Panavision New Filmmaker Grant through the Arkansas Cinema Society, is built on tight-knit creative collaboration and deeply rooted in Southern visual and cultural texture. Consider supporting us on Patreon: ⁠https://www.patreon.com/itsafandomthingpod⁠. For links to our social media, visit our website: ⁠https://itsafandomthingpod.com/⁠ Discord: ⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/7aTTCAWZRx⁠⁠⁠⁠⁠⁠⁠⁠ You can follow Fergie on TikTok: ⁠https://www.tiktok.com/@schroederandfergs⁠ Cover art by Carla Temis. Podcast logo by Erin Amos. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this special interview episode, Erin sits down with Costume Designer Kristen Kopp and Production Designer Christian W. Snell to discuss their work on the new thriller, "Violent Ends." The film is an atmospheric period revenge thriller set in rural Arkansas. It recently received the Panavision New Filmmaker Grant through the Arkansas Cinema Society, is built on tight-knit creative collaboration and deeply rooted in Southern visual and cultural texture. Consider supporting us on Patreon: ⁠https://www.patreon.com/itsafandomthingpod⁠. For links to our social media, visit our website: ⁠https://itsafandomthingpod.com/⁠ Discord: ⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/7aTTCAWZRx⁠⁠⁠⁠⁠⁠⁠⁠ You can follow Fergie on TikTok: ⁠https://www.tiktok.com/@schroederandfergs⁠ Cover art by Carla Temis. Podcast logo by Erin Amos. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Cinemapodgrapher, one of our new hosts, Hannah, sits down with acclaimed production designer Sue Chan, whose work spans Shang-Chi and the Legend of the Ten Rings, Where the Crawdads Sing, Colossal, and now the highly anticipated series Murderbot. Together they explore Sue's approach to world-building, the design of the AI-driven character at the heart of Murderbot, and how her background in architecture, theatre and art direction shaped her storytelling eye. Sue opens up about balancing practical and visual effects, creating entire alien languages, and grounding futuristic sci-fi worlds in human emotion and design history. A thoughtful, inspiring conversation about collaboration, imagination and the craft of building worlds we can believe in. This podcast is proudly brought to you by our technology partners Sony Produced by Deb Van Dieren Hosted and edited by Hannah Ariotti

Another week, another legend. This time we're welcoming veteran concept artist, matter painter and production designer Dylan Cole to the podcast!https://dylancolestudio.comhttps://www.instagram.com/dylancoleart/You can catch Dylan in person on November 15th from 6-9pm for his book release party at the Gnomon school campus in LA!Make sure to pre-order his upcoming book 'Creating Worlds' here:https://www.amazon.com/Creating-Worlds-Century-Studios-Cinematic/dp/B0F5NZ47QT- - - - - - - - - - - - - - - - - - - - - - - - - - MENTORSHIPS NOW AVAILABLE!When the work is slow and jobs are few it's the best time to improve your skills. Learn something new and push yourself out of your comfort zone. Get ready for when the jobs come back!https://www.hendrix-design.com/mentorship- - - - - - - - - - - - - - - - - - - - - - - - - - ADP on social media:https://www.youtube.com/@artdepartmentpodcasthttps://www.instagram.com/artdepartmentpodcast/https://twitter.com/artdepartmentp1https://www.instagram.com/janurschel/https://www.instagram.com/emanshiu/- - - - - - - - - - - - - - - - - - - - - - - - - - Requests and Enquiries:artdepartmentpodcast@gmail.com#ADP #artdepartmentpodcast

Welcome back to the 256th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 256th episode we have a new artist interview. This particular conversation is between our Co-Artistic Producer Mackenzie Horner and the Director, Costume and Production Designer of the production Romeo Pimp which we recently covered and the Artistic Director of The King Black Box Sophie Ann Rooney. Together they unpack Sophie's creative process — from conceptualizing and designing a piece to bringing Romeo Pimp to life. The conversation dives behind the scenes into rehearsal-room stories, explores the layers of symbolism Sophie wove into the production, and delves into her reflections on what happens when some audience members miss the subtle details embedded in her work.CONTENT WARNING: This conversion about the play Romeo Pimp contains depictions, references, or implications of sexual exploitation & trafficking, grooming & psychological abuse, mental health & dissociation, substance use, violence, threats & intimidation, verbal & sexualized language themes of consent, power, and identity. If you are a victim or survivor of human trafficking, or think someone might be, please contact the Canadian Human Trafficking Hotline to be connected with support services or law enforcement in your community. The Canadian Human Trafficking Hotline can be reached 24/7 by phone at 1-833-900-1010 or online at www.canadianhumantraffickinghotline.ca.Follow Sophie Ann Rooney – Instagram: @shotbylofaFollow The King Black Box – Instagram: @thekingblackboxFollow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com

In this episode of Psycho-Cinematic, Vic is joined by Production Designer Matt Likely to discuss his work designing the sets on "The Institute".Follow me on IG: https://www.instagram.com/bigvicmedia?igsh=MWVvd3c5c2dyODN1ag%3D%3D&utm_source=qrFollow me on TikTok: https://www.tiktok.com/@bigvicmedia?_t=8nLBsEUZy0c&_r=1Psycho-Cinematic Merch: https://www.bigvicmedia.com/store/short-sleeve-t-shirtListen to Psycho-Cinematic on Spotify: https://open.spotify.com/show/6jeNRygaQjsC8eCJBIr2IdGuest: Matt LikelyFollow Matt on IG: https://www.instagram.com/mlikely/?hl=enWatch Matt's Behind the scenes videos: https://www.youtube.com/watch?v=vxBxXQouKN8

Next week , we're heading back to dreamland with Nightmare on Elm Street 3: Dream Warriors — but this week, we're talking with the legendary production designer and art director Mick Strawn.If you love ‘80s horror, practical effects, or behind-the-scenes movie chaos, this one's for you. Mick's been part of so many cult classics, from Runaway Train and Blade to his unforgettable work on A Nightmare on Elm Street 3 & 4.We cover it all, including:

This week, we're logging back into the Grid for Tron: Legacy — Disney's big-budget sequel that's equal parts visual feast and plot puzzle. With a soundtrack by Daft Punk, digital Jeff Bridges, and light cycles that make zero sense, this movie is definitely something to behold.We cover it all, including:

We bring you an exclusive interview with Production Designer Ben Procter who is working on the upcoming Avatar: Fire and Ash. We talk about his career, working with James Cameron, pitfalls and insecurities regardless of age etc.

Director and writer Jasmine Osean Thomas and production designer Kyle Marchiafava talk about Kandie (2025), and how various influences come together to make this unsettling horror movie. Notably, Jasmine and her team use visuals to provide backstory, with a variety of graphic, photographic, typographic, and artistic elements revealing a character's interests and passions, as well as inner demons.-Kandie (short, 2025)https://www.imdb.com/title/tt29232698/Beyond Fest 9/23-10/8Downtown Film Festival 10/15 Brooklyn Horror Film Festival 10/19-Director, Jasmine Osean Thomashttps://www.instagram.com/jasmineethomass/ -Production Designer, Kyle Marchiafavahttps://www.instagram.com/not_for_nothin_papi/ -Art Director, Elena Chudoba https://www.instagram.com/elenachudoba -Graphic Designer, Brooke Bamford https://www.instagram.com/good1bb -Other movies and shows discussed, alphabetical listAlien (1979)All the President's Men (1976)House of 1000 Corpses (2003)

Madison Braun joins me to share some insight and cool stories from behind the scenes as a Production Designer for music videos and movies. From horror movies to award winning music videos, she has carved out an incredible career and it sounds like she is just getting started. So hang out with us and have some fun and maybe learn some stuff courtesy of the super talented Madison Braun. Madison Braun www.MadisonBraun.comHer Leather Jacket - Madness In My Mind (Official Video) https://youtu.be/sy4D6VFj9fg?si=xhXvsvvFYkurG124The Midweek Howl Disclaimer: We break up the week on Wednesdays with an episode we call “The Midweek Howl" that brings a little midweek humor or guests from different walks of life to discuss various topics. Just a little midweek episode brighten your day. Enjoy!From The Shadows Podcast is a program where we seriously discuss the supernatural, the paranormal, cryptozoology as well as ufology. Anything that cannot be rationally explained has a platform for discussion here on the From The Shadows Podcast.https://www.fromtheshadowspodcast.comhttps://www.facebook.com/fromtheshadowspodcasthttps://www.instagram.com/shanegroveauthorhttps://www.instagram.com/fromtheshadowspodcast #Bigfoot #music #movies #Nashville #musicvideos #productiondesign #filmproduction

This week Tema Staig joins us to share her experience as a Production Designer, Executive Producer and founder of Women In Media   @WomenNMediaInc  |  www.womenNmedia.com

“When my father passed, I wanted nothing more than my mother's happiness. For what kind of man would I be if I did not help my mother?”Production designer Andrew McAlpine joins hosts Andy Nelson and Pete Wright to discuss Jane Campion's The Power of the Dog. Drawing from his extensive career including work on The Piano with Campion herself, McAlpine offers unique insights into the film's exploration of isolation, masculinity, and the psychological complexity of its characters. His perspective as both a fellow New Zealander and previous Campion collaborator brings fresh depth to this haunting Western drama.McAlpine's journey from aspiring surgeon to art school graduate led him through theater, holography, and eventually to production design. His work spans diverse projects including Sid and Nancy, Clockers, The Beach, and Aeon Flux. McAlpine approaches each film with an emphasis on authentic period detail while avoiding heavy-handed historical recreation, allowing the environment to serve the emotional truth of the story rather than mere accuracy.The conversation explores how The Power of the Dog examines masculine isolation through Phil's character, drawing parallels to McAlpine's work on The Piano. He highlights the film's masterful use of landscape and architecture to amplify psychological tension, particularly through the imposing ranch house. The discussion delves into Peter's character complexity and the film's careful build toward its devastating conclusion. McAlpine offers fascinating insights into how Campion's direction creates space for both brutality and vulnerability in her characters.

SEASON 2 - EPISODE 160 - Mark Friedberg - Production Designer In this extended (and funny) episode of the Team Deakins Podcast, we speak with production designer Mark Friedberg (CAUGHT STEALING, JOKER, THE UNDERGROUND RAILROAD). A native New Yorker, it wasn't until returning to the city after Jack Kerouac-ing around the country that Mark (and his dog) first found work in the film industry as a driver for the Woody Allen production team. Mark was eventually let out of the van, and, throughout our conversation, he reveals how he thought through many of the challenges in his long and impressive career as a designer. Mark is also a staple in Barry Jenkins' (Season 2, Episode 156) stable of collaborators, and we learn how Mark's daughter convinced her father to break his own rules to initially meet with the director. We also discuss technology's place in Mark's design process, and he shares why he rehired the millennial gamers who built MUFASA's Africa to digitally visualize the sets of JOKER: FOLIE À DEUX before physically constructing them.  - Recommended Viewing: THE ICE STORM - This episode is sponsored by Sandstorm & Aputure

How do you design a world that honors Hawaiian history while telling a story on a global stage? For Production Designer Jean-François Campeau, the answer was equal parts creativity, cultural respect, and collaboration. This week on Below the Line, Skid is joined by Jean-François “JF” Campeau, Production Designer of Chief of War, the Apple TV+ historical drama starring Jason Momoa. Two special guests from the Smithsonian Institution add their perspectives: Kalewa Correa, Curator of Hawaiʻi and the Pacific at the Smithsonian Asian Pacific American Center, and Halena Kapuni-Reynolds, Associate Curator of Native Hawaiian History and Culture at the National Museum of the American Indian. We cover: JF's first reaction to the project — both inspired and intimidated by the cultural weight of the story Research at the Bishop Museum and working closely with Hawaiian and Māori cultural advisors to ground the sets in authenticity Constructing major builds like temples, strongholds, and the bone tower — with blessings and protocols woven into the process Carving sacred objects from authentic materials, including shipping an ʻōhiʻa tree from Hawai‘i to New Zealand for sculpting Collaborating with Pacific artisans on woven mats, sails, and canoes that carried both cultural and cinematic weight Blending Hawaiian and New Zealand landscapes, balancing cultural similarities with visual continuity challenges Jason Momoa's insistence on filming battle sequences on real Hawaiian lava fields — including a shoot delayed by Mauna Loa's eruption Capturing the gravity of historically significant moments, like the Olowalu massacre carried out under Captain Simon Metcalfe, with sensitivity to sacred ground JF's personal reflections on how the project changed him, and the values he carried forward from working alongside Native Hawaiian and Māori communities The conversation also touches on recommended resources for further learning, including Ke Kumu Aupuni: The Foundation of Hawaiian Nationhood by Samuel Kamaka and Fragments of Hawaiian History by John Papa Iʻi, suggested by our Smithsonian co-hosts. What emerges is a portrait of a production designer whose work went beyond craft to embrace cultural exchange — designing a world that feels both epic and deeply rooted in respect.

We're diving into world building for Animation with Production Designer and Artist Jason Scheier.

In the latest episode of Sausage On A Fork, we're joined by Richard Drew - the Art Director on Series 15 of Grange Hill and the first crew member to appear on Sausage On A Fork. Richard tells us about his route into becoming an Art Director and Production Designer on television; how really small details in set design that might only be on screen for a few seconds are vitally important for a scene and that he is the previous owner of a vehicle that appeared in all three series of one of Britain's favourite sitcoms from the last 20 years!

Jeannine's film work includes: Tender Mercies, Maria's Lovers, The Bridges Of Madison County, L.A. Confidential, Pleasantville, Snow Falling On Cedars, Seabiscuit, and The Good Shepherd. Jeannine has been nominated for four Oscars and five Art Directors Guild Awards and has won two ADG Awards including a Lifetime Achievement Award. Jeannine is an active member of the Production Designers Collective (PDC).

Brandon's film work includes: The Bad Batch, The Big Sick, Brigsby Bear, Mona Lisa and The Blood Moon, The Exorcist: Believer, and I Saw The TV Glow. Brandon's television work includes: the acclaimed series Reservation Dogs and more recently The Lowdown. Brandon is also an active member of the Production Designers Collective (PDC). 

Production Designer Beth Mickle joins Kim Wannop on Decorating Pages to reveal the artistry behind James Gunn's Superman. From constructing 200+ glowing Fortress of Solitude crystals, to designing the Daily Planet with bold orange tones, to uncovering the Hall of Justice location—Beth gives an insider's look at the craftsmanship, nostalgia, and innovation that shaped this iconic reboot.Listeners will hear about Easter eggs hidden throughout Metropolis, the collaboration with Set Decorator Rosemary Brandenburg, and how design choices gave the film its timeless, emotional feel.Perfect for fans of film design, Superman lore, and anyone who loves learning how production design brings stories to life.

Estefania's film work includes: No, The Club, Neruda, Ema, Nobody Knows I'm Here, A Fantastic Woman, In The Summers, Blanquita, Chile 76, and The Wave. Estefania's television series work includes: Midnight Family and No One Saw Us Leave. Estefania is an active member of the Production Designers Collective (PDC).

Explore the dark and fascinating world of Gotham City in this personal chat with Kalina Ivanov, Production Designer of The Penguin. Kalina shares how she designed authentic, gritty spaces that elevate Colin Farrell's iconic villain portrayal. Hear insider details about Gotham's streets, villainous lairs, and Kalina's creative storytelling techniques. We also talk about the Production Design Collective which she cofounded and the  International Production Design Week, scheduled for October 17th - 26th, 2025. Essential listening for fans of production design, film sets, and immersive storytelling. Subscribe now for more inspiring episodes of Decorating Pages!

Sabine's feature film work includes: When Animals Dream, Shelley, The Charmer, The Day Will Come, Wild Witch, Charter, Another Round, The Penultimate, The Shadow In My Eye, Speak No Evil, The Quiet Ones, and The Ugly Stepsister. Her television work includes: Families Like Ours and Generations.

Today I'm joined by Julie Berghoff. Julie is a Production Designer who won the Emmy and the Art Directors Guild award for The Handmaid's Tale. She was also nominated for excellence in production design on Electric Dreams based on the short stories of Philip K. Dick. Her first feature film was Saw, directed by James Wan which earned over 103M. In 2005, she segued into comedy, designing the Oscar and Golden Globe Nominated Film, The Kids Are Alright and in 2015 Emmy Winner, Olive Kitteridge both directed by Lisa Cholodenko. I had her on the show today to discuss her Emmy-nominated work on Apple TV+ The Studio.

Nathan D. Myers is an award-winning filmmaker, actor, and designer known for his work on major faith- based projects, including serving as Lead Designer for Capernaum Studios featured in The Chosen (Seasons 1–3) and Production Designer for Matter of Time starring Sean Astin. He's the Director of the ICVM Gold Crown Award-winning musical comedy Aria Appleton Shines, and has created screenplays and also music alongside his brothers. Nathan is the Founder of Grafted Studios, Co-Founder of Fort Worth Actors Studio, and will serve as Film Camp Director at the 2025 Chosen CHFA Film Camp. A passionate storyteller and homeschool dad, he speaks from experience on faith, creativity, and reclaiming culture through media. He and his wife D'Lytha live and create together between Texas & Tennessee.

SEASON 2 - EPISODE 138 - Suzie Davies - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Suzie Davies (CONCLAVE, SALTBURN, MR. TURNER). Suzie once thought she'd be a sheep farmer, but after working for model-makers on commercials, she found herself drawn to the art department and filmmaking. A frequent collaborator with director Mike Leigh (Season 1, Episode 76), Suzie reveals how they first met and how she works with him within his unique process. We also learn how the boundaries of production inform Suzie's general approach to design, and she shares how she tries to help directors realize their creative visions within these limits. Later, Suzie reflects on the challenge of finding period locations in the modern world, and we discuss how she augments locations to suit the film's reality. Suzie also shares what made the estate in SALTBURN so unique as a location, and we learn how she balanced the production of that film with weekend location scouts in Rome for CONCLAVE. Throughout the episode, Suzie reflects on how she made the most of the opportunities presented to her throughout her career, and we discuss the enduring appeal of being just a sheep farmer. - This episode is sponsored by Aputure