Podcast appearances and mentions of david adam moore

Seattle Opera Dramaturg Jonathan Dean introduces the baritone voice, a sound which celebrates the beauty and power of masculinity. In opera, baritones play clowns and kings, urban sophisticates and unlettered innocents; good, bad, and every shade of grey. They win our hearts, melt our hearts, and break our hearts. Featuring musical examples with sweet lyric baritones, proud heroic baritones, snarly dramatic baritones, and many other varieties, including Seattle Opera favorites John Moore, Dale Duesing, Alfonso Antoniozzi, Mariusz Kwiecien, Gordon Hawkins, Richard Stilwell, Will Liverman, David Adam Moore, Vladimir Chernov, Morgan Smith, Christopher Maltman, Julian Patrick, Malcolm Rivers, Andrew Garland, Richard Paul Fink, and Brett Polegato.

Tzykun designed the set for Cincinnati Opera’s world premiere of Fellow Travelers by Gregory Spears in 2016. That production was directed by Kevin Newberry.Dramaturgy is the research involved to better understand a theatrical work before it is produced. While dramaturgy may be practiced by a professional dramaturg, often directors, designers, and performers participate in their own research to better inform their artistic decisions.Tzykun designed a production of Franz Schubert’s Winterreise (Winter Journey, 1828), a set of German art songs for voice and piano. The singer in this production was baritone David Adam Moore, Tzykun’s partner. The two are set to record a film version of this production at Austin Opera in the coming weeks.Before the COVID-19 pandemic, Tzykun had designed the world premiere production of Edward Tulane at Minnesota Opera. Moore was performing in Jake Heggie’s Dead Man Walking at the Hungarian State Opera at this time. However, like many live performing arts, these productions were cancelled in order to promote social distancing and reduce the spread of the COVID-19 virus.Tzykun and Moore founded an New York City-based art collective called GLMMR.Tzykun will design the set for Cincinnati Opera’s 2021 premiere of Castor and Patience.Tzykun often reads Israeli author and “macro-historian” Yuval Noah Harari who wrote Sapiens, Homo Deus, and 21 Lessons for the 21st Century.Recently, Tzykun has watched the television miniseries Unorthodox on Netflix which revolves around a Hasidic Jewish community in New York City. She listens to the podcast Artificial Intelligence by Lex Fridman about the connections between technology and humanity.Tzykun notes that the following non-Classical artists are influential to her: film composer Nina Rota, Brazilian folk artist Cesária Évora, American singer-songwriter Erykah Badu, American hip-hop artist Lauryn Hill, Swedish electronic group iamamiwhoami, Canadian pop artist Grimes, Icelandic art pop artist Björk, and Early Music composers Claudio Monteverdi, Hildegard von Bingen, and Johannes Ockeghem.

Seattle Opera Dramaturg Jonathan Dean introduces the baritone voice, a sound which celebrates the beauty and power of masculinity. In opera, baritones play clowns and kings, urban sophisticates and unlettered innocents; good, bad, and every shade of grey. They win our hearts, melt our hearts, and break our hearts. Featuring musical examples with sweet lyric baritones, proud heroic baritones, snarly dramatic baritones, and many other varieties, including Seattle Opera favorites John Moore, Dale Duesing, Alfonso Antoniozzi, Mariusz Kwiecien, Gordon Hawkins, Richard Stilwell, Will Liverman, David Adam Moore, Vladimir Chernov, Morgan Smith, Christopher Maltman, Julian Patrick, Malcolm Rivers, Andrew Garland, Richard Paul Fink, and Brett Polegato.

Today we had the pleasure of talking to David Adam Moore. Cindy worked with David at Portland Opera where David was the Video Designer for "Faust". Though the first time she met him, he was doing a slightly different role. He was rehearsing the part of The Count for the "Marriage of Figaro" at Palm Beach Opera. David grew up in South East Texas and is a 6th generation musician. His father was a back up singer and bass player for County singer Tracy Byrd and David still considers his father a superior musician. David has come a long way from performing in his church easter service. You can see him perform on the Metropolitan Opera stage or catch his amazing production and video design through his company, GLMMR with is partner Vita Tzykun. www.glmmr.orgwww.davidadammoore.com Attribution:   ----more---- Logo:Theater Masks by Nikita Kozin / Licence: CC BY 3.0thenounproject.com/term/theater-masks/516808/ Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.html Music and Soundcello_tuning by flcellogrl / Licence: CC BY 3.0freesound.org/people/flcellogrl/sounds/195138/ Flute Play C - 08 by cms4f / Licence: CC0 1.0freesound.org/people/cms4f/sounds/159123/ "Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0 LicensesCC BY 3.0 - creativecommons.org/licenses/by/3.0/CC0 1.0 - creativecommons.org/publicdomain/zero/1.0/  

  Today we have the amazing Vita Tzkun who Cindy met during Faust at Portland Opera. Vita was the set and costume designer for the stunning opera. She finds that often she is mistaken for the costume designer simply because of her gender. As well as finds herself in rooms with nothing but men on a regular basis. She does not let that slow her down at all! She and David Adam Moore started an NYC-based multimedia art collective called Glmmr. Its body of work includes design for opera, dance and theater, concert visuals, film, commercial design, and gallery installations. You can learn more about Glmmr at https://www.glmmr.org/aboutVita's web site is https://www.vitavision.net/aboutEnjoy the show!Attribution:Logo:Theater Masks by Nikita Kozin / Licence: CC BY 3.0thenounproject.com/term/theater-masks/516808/Ritzy Remix font by Nick Curtis - www.nicksfonts.com/index.htmlMusic and Soundcello_tuning by flcellogrl / Licence: CC BY 3.0freesound.org/people/flcellogrl/sounds/195138/Flute Play C - 08 by cms4f / Licence: CC0 1.0freesound.org/people/cms4f/sounds/159123/"Danse Macabre - Violin Hook" Kevin MacLeod (incompetech.com) / Licence: CC BY 3.0LicensesCC BY 3.0 - creativecommons.org/licenses/by/3.0/CC0 1.0 - creativecommons.org/publicdomain/zero/1.0/  

Hi Friend, welcome to the blog and show notes for Episode 41 of Sally’s Performing Arts Lab Podcast. On Episode 41, my awesome guest is Stage Manager Cynthia Hennon Marino.  Her work with the ground-breaking immersive-devised opera, The Wreck, is just one of the things we discuss.   I’m your SallyPAL podcast host, Sally Adams. And every week I talk to people about creating original work for a live audience. Send an email anytime to Sally@sallypal.com. Because your ideas keep great conversations coming every week.   Check out sallypal.com/join for a cool free theatre resource called the Creator’s Notebook. You can also be a Sally ‘pal’ just by joining. There are other good reasons to join. Members get theatre cartoons, inside scoop on fresh productions, and entry into a larger creator community.   Stage Manager Cynthia Hennon Marino hit the ground running after getting an MFA in Stage Management from the College-Conservatory of Music. She went to New York and got hired almost immediately. She became a production assistant on the Broadway production of Equus starring Richard Griffiths and Daniel Radcliffe in 2008.   Cindy's journey started when she and her identical twin, Stacy Hennon Stone, did props for the musical Anything Goes their freshmen year of high school. The two now host a podcast called Twins Talk Theatre. The show is a series of great convos about working backstage.   Sister Stacy is a professional technical director in Long Beach, California. But neither twin planned on becoming a theatre professional. Cindy started by pursuing a degree in math. Stacy started in the business school. But theatre has powerful magnetic pull.   Each Hennon sister graduated from a different college with a theatre degree. Cindy’s sister headed to Southern California. Cindy followed when she found work with Palos Verdes Performing Arts.   Cindy and I talk about Long Beach Opera, the opera, Nixon in China, the LA opera, Hopscotch, and Portland Opera. She currently stage manages the opera, Faust, with the Oregon company. This latest venture features 3-D projections based on the work of sculptor John Frame.   The projections and projection mapping are a collaboration among designers Frame, Vita Tzykun, David Adam Moore, and Duane Schuler. It’s received a lot of attention from a previous reveal with Lyric opera in Chicago. Opera Wire called this production “a visual feast for the ages.”   But Portland’s production isn’t the most progressive thing Cindy’s done this year. In March, she and a small contingent with Opera Omaha embarked on a rare journey. The work they created is unique.   The Wreck is an immersive devised opera created in only 10 days. The Wreck borrows music and other bits from Slavik mythology and mermaid folklore. It features the writings of Anne Sexton, Alice Walker, and Adrienne Rich. It also floats on the music of Donizetti, Schubert, and Von Bingen. Ukrainian composer Mariana Sadovska adds new music creating an eclectic, otherwordly piece set in Omaha… sort of.   I know you’re going to enjoy what Cynthia has to say about stage managing and opera. There’s plenty of fresh ideas in the world of live opera performance. I can’t wait to see what she does next. Be sure and listen until the end of the interview for Concise Advice from the Interview, and Words of Wisdom from George.   Concise Advice from the Interview 7) Stage manage a show as opposed to a genre of theatre 6) Help the designers make a safe working environment for the performers 5) Focus on the show and focus on the people and everything else will fall into place 4) Go see opera! 3) Use physical cues to show you are open to a conversation 2) Experiment and have fun! 1) Think outside of the box   Thank you for following, sharing, subscribing, reviewing and joining. And thank you for listening. Download the SallyPAL podcast and listen on your drive to work. Or fall asleep to my recitatives like my sister does. Just be sure to let me know you’re out there.   Storytelling through plays, dances, opera, and other types of performances is the most important thing we do as a culture. That’s why I encourage you to share your stories. You’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers.   I want to help you tell your stories. All the stories ever expressed once lived only in someone’s imagination. Now… Think outside the box!

On this episode of the podcast, meet baritone David Adam Moore who is performing the role of Guglielmo in COSI FAN TUTTE this season. David shares why he loves stepping into the shoes of this “bull in a china shop” –type character, and reflects on how much he learned from his Studio Artist days at Central City two decades ago. He also is one of the founders of GLMMR, an art/design collection which recently created a unique performance of Schubert’s song cycle “Winterreise.” An avid performer and creator of new music, David tells us about his journey with GLMMR and the exciting projects in store for them. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at CentralCityOpera.org.

Travis DiNicola spoke with Steven Stolen, who is the Sr. Director of External Relations for the Julian Center, about the center's upcoming Julian Jam at the SkyFarm on top of Eskenazi Hospital. Indianapolis composer and "Enter Love" creator Lynn Lupold, director and book co-writer Kenny Shepard, and actor Clay Mabbit "landed" in the studio with Sharon Gamble to talk about Theatre on the Square's season opener. Travis DiNicola spoke with the Indianapolis Opera's General Director Kevin Patterson, as well as stage directors Vita Tzykun and David Adam Moore of the New York based art collective GLMMR about the unlikely inspiration for an opera that is, Oliver Sacks book, "The Man Who Mistook His Wife For A Hat"

Enjoy this interview with David Adam Moore who will sing the role of Silvio in San Diego Opera's production of Pagliacci opening January 25th. David's musical activities include an upcoming performance of the Schubert song cycle Die Winterreise (Winter's Journey) in Anchorage, in an unusual production including video projections and a set. Nicolas Reveles talks to him about the role, his operatic career and his creative work that keeps this singer on the cutting edge of artistic innovation.