Podcast appearances and mentions of Franz Schubert

durée : 00:21:30 - Le Disque classique du jour du vendredi 06 mars 2026 - Le pianiste Christian Blackshaw présente une exploration intime des chefs-d'œuvre tardifs de Franz Schubert. L'album met à l'honneur les Quatre Impromptus D. 899, composés en 1827. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:30 - Le Disque classique du jour du vendredi 06 mars 2026 - Le pianiste Christian Blackshaw présente une exploration intime des chefs-d'œuvre tardifs de Franz Schubert. L'album met à l'honneur les Quatre Impromptus D. 899, composés en 1827. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ammiel Bushakevitz is a celebrated pianist and chamber musician whose journey through classical music has taken him across six continents, performing in prestigious venues such as Carnegie Hall, the Concertgebouw, Wigmore Hall, among many more. Born in Jerusalem and raised in South Africa, he discovered his passion for music early on, later studying in Leipzig and Paris under renowned teachers. Ammiel has a particular affinity for the art song, collaborating with leading vocalists and releasing multiple award-winning recordings, including the ambitious project to record all of Schubert's piano works by 2028.In this engaging conversation with Tony, Ammiel reflects on his deep connection to Schubert's music, exploring themes of joy and melancholy that resonate in the composer's works. He shares personal anecdotes about his musical journey, the evolution of his interpretations, and the importance of musical spontaneity in live performances. With insights into the nuances of piano playing and his collaborative experiences with singers, Ammiel's reflections reveal the profound impact of music on both his life and artistry.

Franz Schubert compôs sua Sinfonia nº 9 em Dó maior, conhecida como “A Grande” (Grosse C-Dur), entre 1825 e 1826, durante uma fase de relativa prosperidade. Ele viajava pela Áustria acompanhado do barítono Michael Vogl, intérprete de seus lieder, e finalmente começava a conquistar reconhecimento e estabilidade financeira.O apelido “A Grande” surgiu para distingui-la da Sinfonia nº 6 em Dó maior, chamada de “Pequena” (Kleine C-Dur). Mas o título também reflete sua escala monumental: a obra dura cerca de uma hora, rivalizando em extensão com a Nona de Beethoven, que Schubert havia assistido em 1824 e que o inspirou profundamente.Apesar de concluída em 1826, a sinfonia não foi executada em vida do compositor. O manuscrito permaneceu guardado até ser descoberto em 1838 por Robert Schumann, que o encontrou entre os papéis de Ferdinand, irmão de Schubert. Schumann ficou impressionado e levou a partitura a Leipzig, onde Felix Mendelssohn estreou a obra em 1839. Porém, preocupado com a resistência do público, Mendelssohn apresentou apenas parte da sinfonia. A execução integral só se consolidaria décadas depois, quando os músicos já estavam preparados para enfrentar sua extensão e complexidade.Apresentado por Aarão Barreto (em sua estreia) com Aroldo Glomb na bancada Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.

Esta noche, el Teatro Thuillier acoge un concierto excepcional centrado en la obra integral de Franz Schubert, contando con la participación del Ignis Stream Quartet —integrado por Clara Toro, Juan de Dios Ruiz, Manuel Martí y Mijael Forst— y el reconocido maestro Marek Jerie. El programa destaca por la interpretación del Quinteto para dos violonchelos, considerada una de las piezas cumbres de la historia de la música por su profunda carga emocional, al haber sido escrita poco antes del fallecimiento del compositor. Además de la calidad artística de los músicos, los asistentes tendrán la oportunidad única de escuchar un violonchelo Guarneri de valor incalculable tocado por el maestro Jerie, lo que promete una experiencia sonora de una calidez y profundidad excepcionales.

Das 1823 erfundene Instrument "Arpeggione"wäre wahrscheinlich längst vergessen, hätte nicht Franz Schubert eine Sonate dafür komponiert. BR-KLASSIK hat mit dem Bratscher Antoine Tamestit über das Werk gesprochen.

Das 1823 erfundene Instrument "Arpeggione"wäre wahrscheinlich längst vergessen, hätte nicht Franz Schubert eine Sonate dafür komponiert. BR-KLASSIK hat mit dem Bratscher Antoine Tamestit über das Werk gesprochen.

Vandaag een aflevering in de serie "In Stukken". Het Strijkkwintet van Franz Schubert (https://www.npoklassiek.nl/componisten/12cc9a33-5e9a-4bd1-9a47-ba0c5acba381/schubert-franz) wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: cellist Quirine Viersen en altviolist Ward Koopmans.

durée : 01:00:23 - Laurent Mauvignier, écrivain - par : Priscille Lafitte - "La Maison vide" de Laurent Mauvignier est peuplée d'un piano et de souvenirs musicaux liés au fantôme d'une arrière-grand-mère pianiste, Marie-Ernestine. Ce roman, qui a valu à l'auteur le prix Goncourt, est-il né en musique ? Portrait de Laurent Mauvignier entre Franz Schubert et John Cage. - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

"Eine Stunde Klassik" - so hieß es zwei Jahre lang bei Radio München, wenn diese Musik erklang. Der Pianist Jürgen Plich sendete klassische Musikwerke und erklärte, verdeutlichte, durchdrang sie mit sprachlichen Mitteln und brachte sie jedermann nahe. Diese Klaviermusik, die Jürgen Plichs Sendung wöchentlich einläutete, ist der Beginn einer Bagatelle von Ludwig van Beethoven, von denen der Komponist im Laufe seines Lebens vierundzwanzig Stück komponierte. 24 Miniaturen, musikalische Aphorismen, die das gesamte Spektrum menschlicher Gefühle wiederspiegeln, "vom erhabensten Tiefsinn bis zum verwegensten Humor". Diese Formulierung des Pianisten Hans von Bülow war zwar auf ein anderes Beethoven-Werk gemünzt, passt aber zu hundert Prozent auf die Bagatellen. Am Freitag dem 27. Februar um 19 Uhr, spielt Jürgen Plich diese 24 Stücke live in München und kombiniert sie mit einer Sonate von Franz Schubert. Mit seinen unterhaltsamen wie tiefgreifenden Moderationen wird Jürgen Plich natürlich auch seinen Live-Auftritt bereichern - man erlebt also sozusagen "Eine Stunde Klassik live". Das Konzert findet im Movimento München in der Neuhauser Straße 15 statt. Anmeldungen bzw. Reservierungen beim Künstler selbst unter 01577 3809829 oder info@juergenplich.de

Franz Schubert - Impromptu No. 3, D 899Balasz Szokolay, pianoMore info about today's track: Naxos 8.554579Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Sunday Worship for February 8, 2026, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Guest Pastor Erik Wilson-Weiberg; Cantor Kyle Haugen. Prelude (Omitted) • Introit—Psalm 95:6, 7a, 1 • Gathering Hymn— Gather Us In, (ELW 532) • First Reading— Isaiah 58:1-12 • Psalm 112:1-9 • Second Reading— 1 Corinthians 2:1-12 • Gospel—Matthew 5:13-20 • Sermon—Rev. Erik Wilson-Weiberg • Hymn of the Day—Lord of Light  (ELW 688) • Distribution Hymn—This Little Light of Mine (ELW 677) • Sending Hymn —Rise, Shine, You People (ELW 665) • Postlude—Sonata in A Minor “Arpeggione”  II. Adagio; Franz Schubert (1797–1828) • Leslie Johnson, viola⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

Spätwerk mit 31 Jahren: Wenige Monate vor seinem Tod komponierte Franz Schubert eines seiner bedeutendsten Kammermusikwerke, sein Streichquintett in C-Dur. Obwohl Schubert damals schon sehr krank war, dazu arm und unbekannt, schuf er ein Werk von entrückter Klangschönheit. Schubert war damals noch immer tief betroffen vom Tod seines Vorbilds Beethoven. Und doch ging er in seinem Streichquintett weit über die Musik seines Meisters hinaus: Innerhalb der sinfonischen Form konnte er die Melodien so weit aufspannen, dass man beim Hören jedes Zeitgefühl verlieren kann. Jenny Berg diskutiert fünf Aufnahmen dieses Meisterwerks, gemeinsam mit der Musikjournalistin Julia Kaiser und dem Geiger Markus Fleck.

Baptiste Lagrave puise ses influences contrastées auprès d'artistes allant de Franz Schubert, Boards of Canada, Jon Hopkins ou François de Roubaix.Parallèlement, il compose des bandes originales pour le cinéma et des spectacles de danse contemporaine et se retrouve derrière les platines de Tsugi Radio. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Baptiste Lagrave puise ses influences contrastées auprès d'artistes allant de Franz Schubert, Boards of Canada, Jon Hopkins ou François de Roubaix. Parallèlement, il compose des bandes originales pour le cinéma et des spectacles de danse contemporaine et se retrouve derrière les platines de Tsugi Radio.

El 31 de enero de 1797 nació Franz Schubert,  compositor austríaco de los principios del Romanticismo musical y, a la vez, continuador de la sonata clásica siguiendo el modelo de Ludwig van Beethoven.

Franz Schubert (1797–1828) fue un compositor austriaco fundamental que actuó como puente entre el Clasicismo y el Romanticismo... escucha aquí más sobre él.

The Unfinished Symphony #RTTBROS #Nightlight"Being confident of this very thing, that he which hath begun a good work in you will perform it until the day of Jesus Christ." — Philippians 1:6You know, I came across a story the other day that just wouldn't leave me alone. It's about Franz Schubert, one of the greatest composers who ever lived. In 1822, Schubert started working on a symphony and completed two magnificent movements. But then he just stopped. He never finished it. For years, music scholars debated why. Some said he got distracted by other projects. Others thought he lost inspiration. But here's the beautiful part, the part that got me thinking: that "unfinished" symphony wasn't really unfinished at all. Those two movements were so complete, so perfect, so breathtakingly beautiful that they stand as one of the most beloved pieces of classical music ever written.And isn't that just like us? We look at our lives, all the rough edges and unfinished places, and we think, "Lord, I'm not done yet. I'm still a mess." And you know what? You're absolutely right. But here's the thing, God isn't finished with you either.Paul writes to the Philippians with such confidence: "Being confident of this very thing, that he which hath begun a good work in you will perform it until the day of Jesus Christ." God is the one who began the work, and God is the one who will complete it.We're all walking around like Schubert's unfinished symphony. We've got movements that are complete and beautiful, and we've got sections that are still being written. But God doesn't see a mistake or a failure. He sees a masterpiece in progress.I'm too soon old and too late smart about this, but I've learned that God isn't in a hurry with us. He's patient. He's thorough. He's committed to the work He started in you the day you came to Him.Maybe you're feeling incomplete today. Friend, don't lose heart. God's not done composing your symphony. The Master Composer is still at work, and what He's creating in you is going to be beautiful.Let's pray: Father, thank You that You don't give up on us. Thank You that You're still working, still creating something beautiful out of our lives. Help us trust Your timing and Your process. In Jesus' name, Amen.#Faith #SpiritualGrowth #ChristianLiving #DailyDevotion #TrustGod #GodsWork #BiblicalWisdom #RTTBROS #NightlightBe sure to Like, Share, Follow and subscribe it helps get the word out.https://linktr.ee/rttbros

Das Tor zur Romantik hat Schubert mit dieser Sinfonie weit aufgestoßen. Den Orchestermusikern geht bei so viel musikalischem Fortschritt jedoch die Puste aus: Sie führen nur zwei Sätze, also die Hälfte, vor Publikum auf … Von Christoph Vratz.

On the latest episode of ‘New Classical Tracks,' French pianist Bertrand Chamayou and Norwegian pianist Leif Ove Andsnes collaborate on an album featuring four-hand piano music from the final year of Franz Schubert's life. Listen now with host Julie Amacher!

Da sich schon früh in ihrem Leben abzeichnete, dass Tina Teubner nicht anders konnte, als im Drama die Komik und in der Komik das Abgründige zu entdecken, war klar, dass ihre künstlerische Heimat das Kabarett ist. Tina Teubner bereist seit vielen Jahren den gesamten deutschen Sprachraum, fest entschlossen, ihr Publikum mit Liedern, Kabarett und Unfug zu beglücken und wachzurütteln. Sie liebt Franz Schubert, Thomas Bernhard, das Meer, ihre Kinder, Pina Bausch, Pullover, die nicht kratzen, «La Strada» von Fellini und ihren Mann (meistens jedenfalls). Multitalent Tina Teubner, Jahrgang 1966, beherrscht Film, Wort, Musik und ist regelmässiger Gast in allen einschlägigen Hörfunksendungen sowie im Fernsehen. Sie schreibt Kolumnen für das Radio, sie singt im Radio und begeistert ihre Bühnen-Fans in Deutschland, Österreich und der Schweiz. Sie ist rastlos interessiert an allem, was den Menschen zum Menschen macht und neugierig auf den Blick ins Innerste. Eine Aufzeichnung aus dem Stadttheater Olten, 4. Mai 2024 ____________________ Mit: Tina Teubner ____________________ Redaktion: Lukas Holliger ____________________ Produktion: SRF 2024 ____________________ Dauer: ca. 50'

DescriptionThe Art Song: When Poetry Met Music in 60 Seconds. Take a minute to get the scoop!Fun FactSchubert wrote over 600 art songs, many for informal gatherings with friends called Schubertiades. Performers often sang straight from handwritten manuscripts while the composer turned pages. Some of the most treasured songs in Western music began as living-room experiments rather than formal commissions.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

Son inépuisable capacité de consolation, sa mélancolie attendrie et sa main tendue vers l'auditeur, jamais directive, toujours accueillante, sont la marque de cet incomparable génie mort à 31 ans.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:04:16 - Les airs néobaroques de François de Roubaix - par : Max Dozolme - Séquence nostalgie ! Max Dozolme nous plonge dans la musique des épisodes de Chapi Chapo, une musique enfantine et pourtant très savante signée François de Roubaix et que n'aurait pas renié... Franz Schubert ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Is the role of AI technology in music moving too fast….ignoring tradition, hard-won human wisdom, and tried-and-true methods of mastery? Emmy Award...Is the role of AI technology in music moving too fast….ignoring tradition, hard-won human wisdom, and tried-and-true methods of mastery?Emmy Award-winning composer and producer, Lucas Cantor Santiago, was commissioned by Huawei, one of the largest technology companies in the world, to experiment by collaborating with artificial intelligence and finish Franz Schubert's Unfinished Symphony.  Creating music in collaboration with a machine attracted international attention…and led Lucas to question his long-standing assumptions about what music is, what technology does, and how the two have evolved together over the course of human history, from the first bone flute to today's landscape of constant innovation and change.Unfinished tells the story of how music and technology have co-evolved over the past 60,000 years.  Technology and music are not opposing forces but are inextricably linked together.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In this episode of The Piano Pod, host Yukimi Song sits down with concert pianist and recording artist Ammiel Bushakevitz for a wide-ranging conversation on Franz Schubert, the German Lied tradition, and what makes 19th-century music speak powerfully to 21st-century audiences.Ammiel shares insights from his major long-term projects, including Schubert 200 — a multi-album Lied collaboration building toward Schubert's bicentennial in 2028 — and his ongoing recording of Schubert's complete solo piano works. We explore intimacy versus scale, collaboration between singer and pianist, audience-building for a new generation, and why Schubert's music remains profoundly human and relevant today.

All at once, it seems as if AI and Music are intertwined: It's being used for everything from restoring old recordings, to generating entire songs from prompts. For musicians, is AI a tool or a rival? Emmy Award-winning composer and producer, Lucas Cantor Santiago was commissioned by one of the largest technology companies in the world, to collaborate with artificial intelligence in an experiment to finish Franz Schubert's Unfinished Symphony. The project led him to question his long-standing assumptions about music, technology, and how both evolved together through history. Lucas Cantor Santiago's book is UNFINISHED: The Role of the Artist in the Age of Artificial Intelligence.

Franz Schubert - Mass No. 4: BenedictusClaudia Reinhard, sopranoImmortal Bach Ensemble Leipzig Chamber Orchestra Morten Schuldt-Jensen, conductorMore info about today's track: Naxos 8.570764Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Un jour de tempête, un petit oiseau blessé cherche un abri, mais aucun arbre ne veut l'accueillir. Sauf un… Un conte de Noël généreux sublimé par la musique de Franz Schubert.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Today, December 19, would have been my late mother's 90th birthday. These past three months since her death have been so emotionally draining for me, and would have been even without the shitshow that the world has become in that time. On the other hand, I have been able to appreciate more fully the complicated bond that she and I shared. At the time of her death, I did two memorial tributes to “Jane's Divas” and today, in honor of her birthday, I present a singer that we both adored, the Dutch doyenne of art song, Elly Ameling. And because I've offered so many Elly Ameling episodes already on Countermelody, I thought it completely fitting to celebrate our beloved Elly in the repertoire in which she had virtually no peer: the Lieder of Franz Schubert. I've chosen a setlist of some of my favorite Schubert songs, in performances ranging over nearly 30 years of Ameling's career. And leave it to me, there are more than a few surprises to be encountered herein! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Eine seiner eigenen Lied-Melodien fantasierte der Komponist zu einem der schönsten aber auch schwierigsten Stücke des Geigenrepertoires aus. «Sei mir gegrüsst» ist die musikalische Keimzelle dieser knapp halbstündigen Fantasie, die über zarten Klaviertremoli und mit einer geradezu himmlischen Geigenmelodie anhebt. Die unheimlichen Herausforderungen des Geigenparts wie auch des Klavierparts gilt es möglichst mit Leichtigkeit zu bewältigen, vom virtuosen Variationensatz bis zum ungestümen Finale. Komponiert hat es Schubert 1827, ein Jahr vor seinem Tod, für den böhmischen Geigenvirtuosen Josef Slavík, den nicht nur Frédéric Chopin als den «zweiten Paganini» bezeichnete. Vorerst war dem «himmlischen» Werk kaum Erfolg beschieden, ein Kritiker verliess sogar den Saal, bevor es zu Ende war. Nun hat es sich aber längst als Juwel in Konzert und Diskografie etabliert. Gäste von Moritz Weber sind die Musikwissenschaftlerin Sibylle Ehrismann und die Geigerin Gwendolyn Masin.

Franz Schubert - Symphony No. 9 “Great”: 3rd movementBudapest Failoni Chamber OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.572939Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Die Arpeggione-Sonate von Franz Schubert ist ein Werk voller Virtuosität und Emotionen. Die Cellistin Anastasia Kobekina debütiert mit ihr bei den Münchner Philharmonikern.

Der Norweger Leif Ove Andsnes und der Franzose Bertrand Chamayou haben vierhändige Werke von Franz Schubert eingespielt. Ein Album, das Wärme an kalten Wintertagen spendet!

durée : 01:28:49 - Relax ! du mardi 11 novembre 2025 - par : Lionel Esparza - Les feuilles se font rares, les jours raccourcissent, l'air se rafraîchit... En ce mois de novembre annonciateur, avançons jusque dans les tréfonds de l'hiver, un thème particulièrement porteur chez les compositeurs comme Franz Schubert, Henry Purcell et bien sûr Antonio Vivaldi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:09 - Une heure et plus, un compositeur : Franz Schubert - par : Aurélie Moreau - Franz Schubert occupe une place singulière dans l'histoire de la musique, à la croisée des mondes classique et romantique. Sa vie s'achève à 31 ans, en 1828, dernière année durant laquelle il compose une succession de chefs-d'œuvre. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Swiss tenor Eric Tappy (19 May 1931 – 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a light lyric tenor, but gradually he came to sing heavier roles such as Idomeneo and Tito. The episode considers his biography and the trajectory of that career, touching upon his opera and concert work which ranged from early Baroque through contemporary. For the first ten years of his adult life, he worked as a teacher, gradually gaining enough exposure that he was able to fully devote himself to his singing career after he won several international singing competitions. Tappy is heard in the episode in concert work of Bach, Berlioz, Haydn, and contemporary Dutch composer Rudolf Escher; art songs by both Franz Schubert and Lili Boulanger; and operas by Monteverdi, Gounod, Mozart, and Debussy (his Pelléas was as legendary as his Monteverdi and Mozart impersonations). In addition, Tappy is heard in live and radio recordings of work by his fellow Swiss compatriots Arthur Honegger, Frank Martin, Constantin Régamey, and Hermann Suter. Guest singers include Countermelody favorites Ileana Cotrubaș, Rachel Yakar, Hugues Cuénod, Edda Moser, and Gino Quilico; musical collaborators include Ernest Ansermet, Michel Corboz, Nino Sanzogno, John Pritchard, Armin Jordan, Hans Münch (brother of Charles), Colin Davis, Hans Vonk, and Jean Françaix, among others. Prepare to be surprised and delighted by this great singer, who ended his active singing career at the age of only 50 but who continued as a formative and beloved teacher well into his old age. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:26 - Le Disque classique du jour du lundi 20 octobre 2025 - La mezzo-soprano norvégienne Marianne Beate Kielland et le pianiste Nils Anders Mortensen dévoilent leur dernière collaboration : un album consacré aux lieder qui allient la poésie intemporelle de Goethe au génie musical de Schubert. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Franz Schubert - Mass No. 4: GloriaClaudia Reinhard, soprano Christine Wehler, alto Raiumund Minarschik, tenor Tobias Berndt, bass Immortal Bach Ensemble Leipzig Chamber Orchestra Morten Schuldt-Jensen, conductorMore info about today's track: Naxos 8.570764Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Franz Schubert - Symphony No. 9 “Great”: 3rd movementBudapest Failoni Chamber OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.572939Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Son inépuisable capacité de consolation, sa mélancolie attendrie et sa main tendue vers l'auditeur, jamais directive, toujours accueillante, sont la marque de cet incomparable génie mort à 31 ans.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Franz Schubert - Schwanengesang: The Fisher MaidenJari Tarjasalo, guitarMore info about today's track: Naxos 8.572012Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.