Podcast appearances and mentions of Franz Schubert

Every time the ensemble known as Viridian Strings performs in northern Michigan, they have a slightly different configuration. Violinist Nathan Meltzer, double bassist Nina Bernat and pianist Umi Garrett are joining Viridian Strings founders Joe Skerik (viola) and Kyle Stachnik (cello) for a series of recitals in northern Michigan this week. The musicians visited IPR's Studio A to perform movements from quintets by Franz Schubert and Ralph Vaughan Williams.

A few weeks ago, we talked to two sonic branding experts who compose music for household appliances. And we played for them a song “sung” by a washing machine that they didn't really appreciate. But many of our listeners immediately identified the tune, a famous melody by 19th-century composer Franz Schubert. And, as our guest tells us, it's not just any tune—it's one of Schubert's most beloved compositions, “The Trout,” which he returned to several times during his short but prolific career. L. Michael Griffel, a Schubert expert and former head of the music history department at The Julliard School, joins us for our mea culpa to “Die Forelle.” A transcript for this episode will be added to the original segment page: Who's composing music for my washing machine? Subscribe to this podcast. Follow our show on Instagram, TikTok, Facebook, and Bluesky @scifri and sign up for our newsletters. Got a science question that's keeping you up at night? Call us: 877-472-4374 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Un recorrido por la extensa y fascinante producción de lieder de los grandes compositores de la música clásica. Una selección de Carolina Valdés. Cada miércoles a las 12:00 horas, por Radio Universidad de Concepción, 95.1 FM y en radioudec.cl.

"Hochkultur" liegt ihnen im Blut, denn das zehnköpfige Ensemble Franui hat sich nach einer Osttiroler Almwiese benannt. Dort sind die meisten Mitglieder der Musicbanda aufgewachsen. Von der Alm auf die Bühne der Salzburger Festspiele oder der Elbphilharmonie. Das Ensemble selbst bezeichnet sich als "Umspannwerk". Denn sie transformieren klassisches Repertoire und verorten es neu zwischen Klassik, Volksmusik, Jazz und zeitgenössischer Kammermusik. Längst gilt Franui als kulturelle Instanz. Ausgezeichnet als "Österreicher des Jahres" in der Kategorie Kulturerbe. Ein Kulturerbe, das sich weigert, stillzustehen.

durée : 00:17:27 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le pianiste virtuose Arcadi Volodos propose ici un récital d'exception, consacré à deux figures majeures du romantisme allemand : Franz Schubert et Robert Schumann. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:17:27 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Le pianiste virtuose Arcadi Volodos propose ici un récital d'exception, consacré à deux figures majeures du romantisme allemand : Franz Schubert et Robert Schumann. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Rabbi Josh turns to an unlikely teacher, the 19th-century composer Franz Schubert, to close out the five-part series on uncertainty and anxiety. Paired with Rabbi Tarfon's ancient insight , it is not your job to finish the work , the episode invites listeners to release their grip on perfection. Listen for a guided mindfulness practice helps listeners sit with what's unfinished. Be in touch at josh@unpacked.media. This episode is sponsored by Jonathan and Kori Kalafer and the Somerset Patriots: The Bridgewater, NJ-based AA Affiliate of the New York Yankees. --------------- This podcast is brought to you by Unpacked, an OpenDor Media Brand.For other podcasts from Unpacked, check out:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stars of David with Elon Gold⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Unpacking Israeli History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wondering Jews⁠⁠

Anton Diabelli war Komponist und einer der bedeutendsten Musikverleger Wiens. Gerade als Verleger prägte er die Musikgeschichte nachhaltig – und das dank einer ebenso einfachen wie genialen Idee: Im Jahr 1819 verschickte Diabelli einen von ihm komponierten Walzer an zahlreiche Komponisten des österreichischen Kaiserreichs mit der Bitte, jeweils eine einzige Variation darüber zu schreiben. Geplant war eine Sammelpublikation für das klavierspielende Publikum – ein musikalisches Gemeinschaftsprojekt voller kurzer, leicht spielbarer Charakterstücke. Die Resonanz war überwältigend. Rund fünfzig Komponisten beteiligten sich an dem Vorhaben, darunter Franz Schubert, Franz Liszt, Johann Nepomuk Hummel, Carl Czerny und Franz Xaver Mozart. Auch Ludwig van Beethoven wurde angefragt. Doch anstatt nur eine einzelne Variation beizusteuern, entwickelte er aus Diabellis schlichtem Walzer einen monumentalen Klavierzyklus: die 33 Diabelli-Variationen – ein Werk von schier unerschöpflichem Ideenreichtum und heute ein Höhepunkt der Klavierliteratur. Diabellis Einfall wirkte weit über seine Zeit hinaus. Bis heute inspiriert der unscheinbare Walzer Komponistinnen und Komponisten zu immer neuen Variationen und musikalischen Deutungen. Genau diesem faszinierenden Kosmos widmet sich die aktuelle «Diskothek». Im Zentrum stehen verschiedene Interpretationen von Beethovens Diabelli-Variationen, aber auch den Variationen von Franz Schubert, Franz Liszt und Johann Nepomuk Hummel, die aus demselben Thema ganz eigene Klangwelten erschaffen haben. Zudem schlagen wir den Bogen bis in die Gegenwart mit einer zeitgenössischen Variation von Jörg Widmann. Was macht eigentlich eine gelungene Variation aus? Wie verwandelt man ein einfaches musikalisches Thema in ein eigenständiges Kunstwerk? Gäste bei Eva Oertle sind der Pianist Oliver Schnyder sowie der Organist, Dirigent und Komponist Rudolf Lutz. Für die Diskothek hat Rudolf Lutz eigens zwei neue Variationen komponiert, die er gemeinsam mit Oliver Schnyder live in der Sendung aufführen wird.

In a recent class with three intermediate students (8th-11th grade), we compared the music of Franz Schubert and Max Richter. Schubert was a prolific Austrian composer, writing at the end of the Classical period and the beginning of the Romantic period. During his brief life, he wrote over 1,500 works. He was known for his storytelling abilities: long, singing lines, dramatic mood swings, an improvisatory style that seems to wander at times, and emotional intensity.Max Richter is a contemporary German-born pianist and composer known for blending classical techniques with electronic, ambient, and minimalist styles. He names J.S. Bach as a key influence, and has championed the works of minimalists such as Arvo Pärt and John Cage. He drew inspiration from Schubert's Winterreise when creating his 2010 album Infra.In this episode, I'm taking you behind the scenes of this studio class, sharing the repertoire I introduced to my students, the discussion questions that guided our conversation, and a composition activity that students didn't want to end.For show notes + a full transcript, click here.Resources Mentioned*Disclosure: Some of the links in this episode are affiliate links, which means if you decide to purchase through any of them, I will earn a small commission. This helps support the podcast and allows me to continue creating free content. Thank you for your support!Ep. 083 - Bernstein & Bill Evans: Inside My Recent Intermediate Studio ClassEp. 077 - A New Approach to Teaching Group ClassesSchubert Piano Sonata No. 20 in A Major, D. 959: II. Andantino (Mitsuko Uchida)Richter “Andante” from In a Landscape (Max Richter)Schubert Impromptu No. 3 and Richter Infra 3 (Coversart)Songs Without Words(Felix Mendelssohn)Schubert Moments Musicaux No. 6 in A-flat Major (Alfred Brendel)Vladimir's Blues (Max Richter)Max Richter Piano Works(Max Richter)If you enjoyed this episode, please leave a review in Apple Podcasts >>Find me on Instagram: @ashleydanyewWhenever you're ready, here are three ways we can work together:1️⃣ Need fresh teaching ideas? In this quick 25-min. call, you'll get focused answers, creative ideas, and personalized advice for one teaching or business topic of your choice. Bring your questions for an ask-me-anything style session, and let's brainstorm strategies together.2️⃣ Have questions about teaching, running your studio, or managing your music career? In this 60-min call, you'll get personalized advice, creative ideas, and step-by-step strategies on up to 3-4 teaching/business topics of your choice. This session gives you the space to talk through your goals, ask questions, and get expert guidance.3️⃣ Develop the skills and strategies you need to plan the year, refine your teaching methods, and manage your time more effectively with a suite of online courses for music educators.

durée : 00:15:24 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pour ce troisième volume de leur série “Schubert 200”, Samuel Hasselhorn et Ammiel Bushakevitz célèbrent l'élan vital retrouvé du compositeur. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:15:24 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pour ce troisième volume de leur série “Schubert 200”, Samuel Hasselhorn et Ammiel Bushakevitz célèbrent l'élan vital retrouvé du compositeur. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Seit sieben Jahren hat der Pianist Arcadi Volodos auf dem Plattenmarkt nichts mehr von sich hören lassen. Jetzt aber hat der gebürtige Russe ein neues Album vorgelegt: mit Robert Schumanns allbekannten „Kinderszenen“ und der „Gasteiner Sonate“ von Franz Schubert. Dass es von diesen Werken schon viele Aufnahmen gibt, räumt Volodos im Booklet der CD selbst ein. „Bevor man eine neue Version hinzufügt“, erklärt er da, „sollte man sicher sein, dass man etwas Eigenes zu sagen hat.“ Susanne Stähr hat sich die Live-Mitschnitte aus dem Jahr 2022 angehört. Und spürt dem „Eigenen“ von Volodos nach.

There was only one way to follow up my interview with the iconic, the unique Steven Blier published earlier this week, and that is with an episode dedicated to his dazzling at the keyboard and his accomplishments as the co-founder and artistic director of NYFOS, the New York Festival of Song, which is just concluding its 38th season. Going all the way back to Steve's first recordings in the late 1980s, I have compiled a setlist that is a testament to his love of song, and his ever-expanding interests in that field. Performances both live and studio, many of them straight from Steve's own archives, feature composers ranging from Franz Schubert to Leonard Bernstein, Eubie Blake to Albert Roussel, Eduard Toldrà to Marc Blitzstein, and Billy Strayhorn to Kurt Weill , including work commissioned specifically by and for Blier and NYFOS. And that's just the tip of the iceberg. These are performed by vocal colleagues of Steven's past and present, including William Sharp, Lorraine Hunt Lieberson, Darius de Haas, Stephanie Blythe, Christopher Trakas, Corinne Winters, Kurt Ollmann, Lisa Vroman, Federico De Michelis, Joshua Blue, Sasha Cooke, Brett Polegato, and many, many others. Kudos to this magnificent artist who has enriched all of our lives! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:19:50 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pour leur premier enregistrement en trio, David, Edgar et Jérémie Moreau ont choisi de revenir à une « source essentielle » : les deux trios avec piano de Franz Schubert. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:19:50 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pour leur premier enregistrement en trio, David, Edgar et Jérémie Moreau ont choisi de revenir à une « source essentielle » : les deux trios avec piano de Franz Schubert. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Der russische Pianist Arcadi Volodos lässt den Flügel erzählen. Nach vielen Jahren erscheint sein neues Album "Schubert & Schumann".

Lentas, solemnes, llenas de unción religiosa, se elevaron las bellas notas del Avemaría. La inmortal melodía de Franz Schubert, bien cantada, brotaba de los labios de Robert Solimine, joven de diecisiete años de edad. Con los ojos cerrados, aquel joven elevaba su alma a Dios cuando, de repente, la melodía se interrumpió. Una cuerda delgada pero fuerte detuvo el canto. Con esa cuerda James Wanger, otro joven de diecinueve años de edad, estranguló a Robert, extinguiendo su voz junto con el Avemaría. Y sólo porque no podía soportar la oración de Solimine. He aquí un caso extraño. Robert Solimine, la víctima, era una persona de profunda convicción religiosa. Trataba de hacer ver a sus amigos los resultados destructivos de una vida de drogas y de licor. Un día se le ocurrió cantarles el Avemaría. El resultado fue ira, amenaza y estrangulación. El juez le dijo a James Wanger, el asesino: «No puedo ver lo que hay dentro de ti; pero sí veo que no hay ni arrepentimiento ni remordimiento.» Y lo condenó a cadena perpetua, con la posibilidad de solicitar la libertad condicional cuando cumpliera cincuenta y siete años. Es difícil comprender cómo puede haber personas que en esas circunstancias no manifiestan, según lo expresó aquel juez, ni arrepentimiento ni remordimiento. Tienen la conciencia encallecida, los sentimientos muertos y un corazón de piedra, tan endurecido que no sienten nada. Respiran, viven y actúan, pero no saben lo que es sentir culpa ni pedir perdón. Si bien el juez no podía ver el interior de James Wanger, Dios sí podía verlo. Porque Dios ve el corazón, la conciencia y los pensamientos de todos los seres humanos. Él nos ve al trasluz porque es Dios y sabe todo lo que estamos imaginando. El apóstol Juan, viendo cómo las multitudes se acercaban a Jesucristo debido a sus milagros, escribe: «Jesús no les creía porque los conocía a todos; no necesitaba que nadie le informara nada acerca de los demás, pues él conocía el interior del ser humano» (Juan 2:24,25). Cristo sabe lo que hay dentro de nosotros. Él sabe todo lo que pensamos y sentimos, y hasta sabe si nuestros pecados nos duelen. Sin embargo, si nos arrepentimos de todo corazón, Él corresponderá a ese arrepentimiento sincero. Es más, antes que lo expresemos con los labios, Él ya nos estará perdonando. Pero conste que tiene que ser un arrepentimiento genuino. Que la emoción del Cristo crucificado invada nuestro ser, de modo que podamos decir sinceramente: «¡Perdóname, Señor, todos mis pecados!» Hermano PabloUn Mensaje a la Concienciawww.conciencia.net

This edition of Inheritance Tracks come from an actress with a strong claim for national treasure status – Lesley Joseph.With a career spanning over sixty years, she has entertained us as on the small screen in the likes of Birds of a Feather and on stage as Mother Superior in the Sister Act musical.Inherited: Marche Militaire composed by Franz Schubert and performed by the Philharmonic Wind Orchestra Passing on: What About Us by P!nkProducers: Lowri Morgan and Ben Mitchell

There was only one way to follow up my interview with the iconic, the unique Steven Blier published earlier this week: with an episode dedicated to recordings of his exceptional pianism, necessarily highlighting his accomplishments as the co-founder and artistic director of NYFOS, the New York Festival of Song, which is just concluding its 38th season. Going all the way back to Steve's first recordings in the late 1980s, I have compiled a setlist that is a testament to his love of song and his ever-expanding interests in that field. Performances both live and studio, many of them straight from Steve's own archives, feature composers ranging from Franz Schubert to Eubie Blake, including work commissioned specifically by and for Blier and NYFOS. These are performed by vocal colleagues of Steven's past and present, including William Sharp, Lorraine Hunt Lieberson, Darius de Haas, Stephanie Blythe, Christopher Trakas, Corinne Winters, Kurt Ollman, Lisa Vroman, Federico De Michelis, Joshua Blue, Sasha Cooke, Brett Polegato, and many, many others. Kudos to this magnificent artist who has enriched all of our lives! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Franz Schubert: String Quartet No. 14 “Death and the Maiden”: PrestoLGT Young SoloistsMore info about today's track: Naxos 8.579165Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:28:25 - Relax ! du vendredi 20 mars 2026 - par : Lionel Esparza - Le baryton Matthias Goerne et le pianiste Daniil Trifonov s'associent pour trois concerts exceptionnels autour de Franz Schubert à la Philharmonie de Paris la semaine prochaine. Portrait croisé de deux artistes au sommet de leur art, dont la complicité s'est forgée depuis plus de dix ans. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Franz Schubert - Twelve EcossaisesDidier Castell-Jacomin, pianoMore info about today's track: Naxos 8.574165Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Was ist besser: das Original oder das Remake? Meistens natürlich das Original. Aber in diesem Fall ist Schuberts Remake von Beethovens Septett alles andere als eine uninspirierte Kopie – es ist furios. Von Ben Süverkrüp.

durée : 00:21:30 - Le Disque classique du jour du vendredi 06 mars 2026 - Le pianiste Christian Blackshaw présente une exploration intime des chefs-d'œuvre tardifs de Franz Schubert. L'album met à l'honneur les Quatre Impromptus D. 899, composés en 1827. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:30 - Le Disque classique du jour du vendredi 06 mars 2026 - Le pianiste Christian Blackshaw présente une exploration intime des chefs-d'œuvre tardifs de Franz Schubert. L'album met à l'honneur les Quatre Impromptus D. 899, composés en 1827. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ammiel Bushakevitz is a celebrated pianist and chamber musician whose journey through classical music has taken him across six continents, performing in prestigious venues such as Carnegie Hall, the Concertgebouw, Wigmore Hall, among many more. Born in Jerusalem and raised in South Africa, he discovered his passion for music early on, later studying in Leipzig and Paris under renowned teachers. Ammiel has a particular affinity for the art song, collaborating with leading vocalists and releasing multiple award-winning recordings, including the ambitious project to record all of Schubert's piano works by 2028.In this engaging conversation with Tony, Ammiel reflects on his deep connection to Schubert's music, exploring themes of joy and melancholy that resonate in the composer's works. He shares personal anecdotes about his musical journey, the evolution of his interpretations, and the importance of musical spontaneity in live performances. With insights into the nuances of piano playing and his collaborative experiences with singers, Ammiel's reflections reveal the profound impact of music on both his life and artistry.

Das 1823 erfundene Instrument "Arpeggione"wäre wahrscheinlich längst vergessen, hätte nicht Franz Schubert eine Sonate dafür komponiert. BR-KLASSIK hat mit dem Bratscher Antoine Tamestit über das Werk gesprochen.

Das 1823 erfundene Instrument "Arpeggione"wäre wahrscheinlich längst vergessen, hätte nicht Franz Schubert eine Sonate dafür komponiert. BR-KLASSIK hat mit dem Bratscher Antoine Tamestit über das Werk gesprochen.

Vandaag een aflevering in de serie "In Stukken". Het Strijkkwintet van Franz Schubert (https://www.npoklassiek.nl/componisten/12cc9a33-5e9a-4bd1-9a47-ba0c5acba381/schubert-franz) wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: cellist Quirine Viersen en altviolist Ward Koopmans.

durée : 01:00:23 - Laurent Mauvignier, écrivain - par : Priscille Lafitte - "La Maison vide" de Laurent Mauvignier est peuplée d'un piano et de souvenirs musicaux liés au fantôme d'une arrière-grand-mère pianiste, Marie-Ernestine. Ce roman, qui a valu à l'auteur le prix Goncourt, est-il né en musique ? Portrait de Laurent Mauvignier entre Franz Schubert et John Cage. - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Franz Schubert - Impromptu No. 3, D 899Balasz Szokolay, pianoMore info about today's track: Naxos 8.554579Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Sunday Worship for February 8, 2026, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Guest Pastor Erik Wilson-Weiberg; Cantor Kyle Haugen. Prelude (Omitted) • Introit—Psalm 95:6, 7a, 1 • Gathering Hymn— Gather Us In, (ELW 532) • First Reading— Isaiah 58:1-12 • Psalm 112:1-9 • Second Reading— 1 Corinthians 2:1-12 • Gospel—Matthew 5:13-20 • Sermon—Rev. Erik Wilson-Weiberg • Hymn of the Day—Lord of Light  (ELW 688) • Distribution Hymn—This Little Light of Mine (ELW 677) • Sending Hymn —Rise, Shine, You People (ELW 665) • Postlude—Sonata in A Minor “Arpeggione”  II. Adagio; Franz Schubert (1797–1828) • Leslie Johnson, viola⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

The Unfinished Symphony #RTTBROS #Nightlight"Being confident of this very thing, that he which hath begun a good work in you will perform it until the day of Jesus Christ." — Philippians 1:6You know, I came across a story the other day that just wouldn't leave me alone. It's about Franz Schubert, one of the greatest composers who ever lived. In 1822, Schubert started working on a symphony and completed two magnificent movements. But then he just stopped. He never finished it. For years, music scholars debated why. Some said he got distracted by other projects. Others thought he lost inspiration. But here's the beautiful part, the part that got me thinking: that "unfinished" symphony wasn't really unfinished at all. Those two movements were so complete, so perfect, so breathtakingly beautiful that they stand as one of the most beloved pieces of classical music ever written.And isn't that just like us? We look at our lives, all the rough edges and unfinished places, and we think, "Lord, I'm not done yet. I'm still a mess." And you know what? You're absolutely right. But here's the thing, God isn't finished with you either.Paul writes to the Philippians with such confidence: "Being confident of this very thing, that he which hath begun a good work in you will perform it until the day of Jesus Christ." God is the one who began the work, and God is the one who will complete it.We're all walking around like Schubert's unfinished symphony. We've got movements that are complete and beautiful, and we've got sections that are still being written. But God doesn't see a mistake or a failure. He sees a masterpiece in progress.I'm too soon old and too late smart about this, but I've learned that God isn't in a hurry with us. He's patient. He's thorough. He's committed to the work He started in you the day you came to Him.Maybe you're feeling incomplete today. Friend, don't lose heart. God's not done composing your symphony. The Master Composer is still at work, and what He's creating in you is going to be beautiful.Let's pray: Father, thank You that You don't give up on us. Thank You that You're still working, still creating something beautiful out of our lives. Help us trust Your timing and Your process. In Jesus' name, Amen.#Faith #SpiritualGrowth #ChristianLiving #DailyDevotion #TrustGod #GodsWork #BiblicalWisdom #RTTBROS #NightlightBe sure to Like, Share, Follow and subscribe it helps get the word out.https://linktr.ee/rttbros

Das Tor zur Romantik hat Schubert mit dieser Sinfonie weit aufgestoßen. Den Orchestermusikern geht bei so viel musikalischem Fortschritt jedoch die Puste aus: Sie führen nur zwei Sätze, also die Hälfte, vor Publikum auf … Von Christoph Vratz.

On the latest episode of ‘New Classical Tracks,' French pianist Bertrand Chamayou and Norwegian pianist Leif Ove Andsnes collaborate on an album featuring four-hand piano music from the final year of Franz Schubert's life. Listen now with host Julie Amacher!

DescriptionThe Art Song: When Poetry Met Music in 60 Seconds. Take a minute to get the scoop!Fun FactSchubert wrote over 600 art songs, many for informal gatherings with friends called Schubertiades. Performers often sang straight from handwritten manuscripts while the composer turned pages. Some of the most treasured songs in Western music began as living-room experiments rather than formal commissions.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

Son inépuisable capacité de consolation, sa mélancolie attendrie et sa main tendue vers l'auditeur, jamais directive, toujours accueillante, sont la marque de cet incomparable génie mort à 31 ans.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of The Piano Pod, host Yukimi Song sits down with concert pianist and recording artist Ammiel Bushakevitz for a wide-ranging conversation on Franz Schubert, the German Lied tradition, and what makes 19th-century music speak powerfully to 21st-century audiences.Ammiel shares insights from his major long-term projects, including Schubert 200 — a multi-album Lied collaboration building toward Schubert's bicentennial in 2028 — and his ongoing recording of Schubert's complete solo piano works. We explore intimacy versus scale, collaboration between singer and pianist, audience-building for a new generation, and why Schubert's music remains profoundly human and relevant today.

Franz Schubert - Mass No. 4: BenedictusClaudia Reinhard, sopranoImmortal Bach Ensemble Leipzig Chamber Orchestra Morten Schuldt-Jensen, conductorMore info about today's track: Naxos 8.570764Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Today, December 19, would have been my late mother's 90th birthday. These past three months since her death have been so emotionally draining for me, and would have been even without the shitshow that the world has become in that time. On the other hand, I have been able to appreciate more fully the complicated bond that she and I shared. At the time of her death, I did two memorial tributes to “Jane's Divas” and today, in honor of her birthday, I present a singer that we both adored, the Dutch doyenne of art song, Elly Ameling. And because I've offered so many Elly Ameling episodes already on Countermelody, I thought it completely fitting to celebrate our beloved Elly in the repertoire in which she had virtually no peer: the Lieder of Franz Schubert. I've chosen a setlist of some of my favorite Schubert songs, in performances ranging over nearly 30 years of Ameling's career. And leave it to me, there are more than a few surprises to be encountered herein! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Franz Schubert - Symphony No. 9 “Great”: 3rd movementBudapest Failoni Chamber OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.572939Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon