Podcasts about korngold

Das neue Album des Jewish Chamber Orchestra Munich führt ins Wien der Jahrhundertwende und zeigt die Musikszene rund um Gustav Mahler als vielschichtiges Beziehungs-Netzwerk. Mit dabei sind Zemlinsky und Korngold, aber auch heute Vergessene wie Josefine Winter und Alfred Grünfeld. Susanne Benda ist mit dem Orchester auf Entdeckungsreise gegangen.

durée : 00:17:24 - Le Disque classique du jour du vendredi 30 mai 2025 - La violoniste coréenne Bomsori sort son deuxième album solo sous le label Deutsche Grammophon. Il est consacré à deux chefs-d'œuvre du répertoire pour violon : les concertos pour violon de Bruch et de Korngold.

durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...

durée : 00:17:24 - Le Disque classique du jour du vendredi 30 mai 2025 - La violoniste coréenne Bomsori sort son deuxième album solo sous le label Deutsche Grammophon. Il est consacré à deux chefs-d'œuvre du répertoire pour violon : les concertos pour violon de Bruch et de Korngold.

durée : 01:28:47 - En pistes ! du vendredi 30 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme, de grands concertos : au piano avec Ravel ou au violon avec Bruch et Korngold. Nous partirons aussi à la découverte de Brahms et ses contemporains en compagnie de l'ensemble Kaléidoscope Collective, l'occasion d'entendre notamment la musique de Louise Héritte-Viardot...

Ob Mendelssohn, Hensel, Zemlinsky oder Korngold - die Sopranistin Chen Reiss widmet sich gerne der Musik jüdischer Komponistinnen und Komponisten. Mit ihrem neuen Album "Jewish Vienna" wirft sie zusammen mit dem Jewish Chamber Orchestra Munich einen Blick in das Wien um 1900 - und findet wahre Schätze.

In this episode, we discuss recordings of “J. S. Bach: Mass in B Minor, Bwv 232” (Harmonia Mundi) by Pygmalion / Raphaël Pichon, “Jewish Vienna: Zemlinsky, Korngold, Mahler, Winter, Grünfeld” (Onyx) by Chen Reiss & The Jewish Chamber Orchestra Munich / Daniel Grossmann, “Concertos: Pécou, Lazkano, Nante” (Erato) by Alexandre Tharaud, “Steep Steps” (Hobby Horse Records) by Carl Winther, Richard Andersson & Jeff “Tain” Watts, “Hammonday” (A.MA. Records) by DIL Trio, and “Root Area: In Pursuit of Happiness” (Lamento Records) by Christoph Grab, Nicole Johänntgen, Marcel Thomi & Elmar Frey.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 212 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “J. S. Bach: Mass in B Minor, Bwv 232” (Harmonia Mundi) Pygmalion / Raphaël Pichon https://open.spotify.com/album/36I1sHlTYnsyrTDGVdI4uY https://music.apple.com/us/album/j-s-bach-mass-in-b-minor-bwv-232/1794898888 https://music.amazon.com/albums/B0DWBGMX7L   “Jewish Vienna: Zemlinsky, Korngold, Mahler, Winter, Grünfeld” (Onyx) Chen Reiss, Jewish Chamber Orchestra Munich / Daniel Grossmann https://open.spotify.com/album/2gcbAXgG84vg4fgXnLElHL https://music.apple.com/us/album/jewish-vienna/1802585691 https://music.amazon.com/albums/B0F1N83SCC   “Concertos: Pécou, Lazkano, Nante” (Erato) Alexandre Tharaud https://open.spotify.com/album/6bI8HUotFbewV3WMYX0OV0 https://music.apple.com/us/album/pécou-lazkano-nante-piano-concertos/1806217843 https://music.amazon.com/albums/B0F3FG9KJ7   “Steep Steps” (Hobby Horse Records) Carl Winther, Richard Andersson, Jeff “Tain” Watts https://open.spotify.com/album/6mSi775nA3yYvU9Njpd7LV https://music.apple.com/us/album/steep-steps/1796891336 https://music.amazon.com/albums/B0DXFZPK8X   “Hammonday” (A.MA. Records)  DIL Trio https://open.spotify.com/album/5hgXg12oSQYvrBCfpRdC7r No Apple Music https://music.amazon.com/albums/B0F59SG2PC   “Root Area: In Pursuit of Happiness” (Lamento Records)  Christoph Grab, Nicole Johänntgen, Marcel Thomi, Elmar Frey https://open.spotify.com/album/1CiVCYyDAhm0Dz28swzDE9 https://music.apple.com/us/album/root-area-in-pursuit-of-happiness-with-nicole/1798552432 https://music.amazon.com/albums/B0DYF66DVS  

Fuchs, Jörn Florian www.deutschlandfunk.de, Kultur heute

On the latest episode of ‘New Classical Tracks,' countertenor Aryeh Nussbaum Cohen and pianist John Churchwell present music by Korngold, Brahms, and Clara and Robert Schumann, as heard on their most recent recording. Listen now with host Julie Amacher!

Imagine if we could hear, decades after a composer has passed, a note-for-note set of instructions of what how they intended their music to be heard? It's rarer than you might think. Recently, All Classical Radio's program director John Pitman had a conversation with the grandson of the Austrian born composer Erich Wolfgang Korngold – Leslie or “Les” Korngold – and John Mauceri, a conductor who has devoted his career to elevating the importance of music by Korngold. Keep reading on the All Classical Arts Blog: https://www.allclassical.org/pitman-reviews-les-korngold/

durée : 01:27:59 - Laurent Korcia, fougue et sensibilité - par : Aurélie Moreau - 1er Prix du Concours Francescatti, Grands Prix des concours Paganini et Jacques Thibaud, Laurent Korcia est un violoniste célébré pour son jeu plein d'imagination et son tempérament audacieux. Aujourd'hui : Korngold, Bartók, Fauré, Kreisler, Ysaÿe…

Née en 1990 à Sofia en Bulgarie, Liya Petrova a défié l'interdit parental pour devenir violoniste. Son cinquième album, met en parallèle la Sonate pour piano et violon de Richard Strauss et le Concerto pour violon d'Erich Wolfgang Korngold, deux compositeurs marqués par les guerres mondiales et le bouleversement musical du début du XXᵉ siècle.

durée : 01:28:53 - Le Quatuor de Jérusalem, la tradition de l'excellence - par : Aurélie Moreau - 2025 marque les 30 ans du Quatuor de Jérusalem qui a très vite acquis une renommée mondiale, jouant avec passion, précision et chaleur un large répertoire. Aujourd'hui : Chostakovitch, Brahms, Haydn, Dvořák, Schubert, Debussy, Schumann et Korngold.

Supertrain Records has released Erich Wolfgang Korngold's Symphony in F# in an archival piano recording by the composer himself and in a 1997 live concert performance by the Italian Swiss Radio Orchestra and Conductor John Mauceri. Maestro Mauceri and Leslie Korngold, the composer's grandson, join Mary Claire Murphy for the backstory in this Classical Conversation.

35 Jahre alt ist die in Sofia geborene Geigerin Liya Petrova. Auf den internationalen Podien ist sie unterwegs, seit sie 2016 in Dänemark den ersten Preis beim renommierten Carl Nielsen-Wettbewerb gewann. Violinkonzerte von Nielsen, Beethoven oder Prokofjew hat Petrova eingespielt. Für ihr jüngstes Album wählte sie das Konzert von Erich Wolfgang Korngold und die Violinsonate von Richard Strauss.

durée : 01:28:28 - Angelika Kirchschlager, naturel et raffinement - par : Aurélie Moreau - Angelika Kirchschlager, mezzo-soprano à la voix rayonnante, a reçu le Prix Européen de la Culture pour sa contribution exceptionnelle à l'art lyrique. Son enseignement est très recherché. Aujourd'hui : Bach, Korngold, Lehár, Mendelssohn, Berlioz…

Lauren Korngold is a dedicated and passionate investigator at the helm of the Paranormal Research Investigative Society of Miami (PRISM). With an unwavering fascination for the unexplained and supernatural phenomena, Lauren has established PRISM as a reputable and pioneering organization in the field of paranormal research. Under her leadership, PRISM has conducted numerous investigations into purported haunted locations, UFO sightings, and other mysterious occurrences across the Miami area. Lauren's commitment to scientific rigor and her open-minded approach to exploring the unknown have earned her and her team a respected reputation among fellow paranormal enthusiasts and skeptics alike. Through their diligent work, PRISM continues to shed light on the mysteries that surround us and push the boundaries of our understanding of the paranormal.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.

Today I present to you the extraordinarily versatile, even chameleon-like singer and actor Marni Nixon (22 February 1930 – 24 July 2016), who is no doubt best-known today as the so-called “Ghostess with the Mostest.” Born into a musical family in California, she became involved from an early age with the movies, and by a marvelous set of circumstances became The Voice for a number of Hollywood actresses not known for their singing voices. Her skill in matching the vocal and speech characteristics of each of these performers is exceptional, but she was so much more than that. She pioneered the work of many 20th century giants, including Igor Stravinsky, Arnold Schoenberg, Charles Ives, and Anton Webern. She hosted a local Seattle children's television program called Boomerang that netted her four Emmy Awards. She performed on opera stages and concert platforms around the world. She recorded widely, everything from Mary Poppins to Pierrot Lunaire, and in the mid-1970s was the first singer to perform and record Schoenberg's cabaret songs, his so-called Brettl-Lieder, works that are now standard repertoire. Reminiscences of Marni are provided by my good friend Thomas Bagwell, currently a coach and conductor at The Royal Danish Opera in Copenhagen, who was a colleague and good friend of Marni Nixon's for the last 25 years of her life. This episode features a cross-section of this stunning artist's extensive recorded output, recorded over six decades, including repertoire from Webern to Rodgers and Hammerstein. In between we have examples of Nixon's performances of songs by Schoenberg, Stravinsky, Debussy, Ives, Fauré and her former husband Ernest Gold; concert and song repertoire by Villa-Lobos, Boulez, Castelnuovo-Tedesco, Copland, and Gershwin; plus a few outliers, from a live performance of Korngold's Mariettas Lied to the jazzed-up exotica of Buddy Collette's Polynesia to Mr. Magoo's Mother Goose Suite, not to mention a spoonful of Mary Poppins. Overall, “It's a Jolly ‘Oliday with Marni!” Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Den Ulass ass de sougenannten Holocaust Remembrance Day. Fir dem 80. Gebuertsdag vun der Befreiung vun Auschwitz zegedenke spillt d'Militärmusek dee Concert ënner dem Jean-Claude Braun. Um Programm stinn ënner anerem Wierker vum E.W. Korngold an John Williams, esou wéi och vun de lëtzebuerger Komponiste Marco Pütz a Georges Sadeler. D'Marie Trussart huet mam Dirigent doriwwer geschwat, wat d'Roll vun der Militärmusek wärend dem Zweete Weltkrich war a firwat et haut nach wichteg ass sech aktiv un den Holocaust ze erënneren.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 16th January 2025 Artist - Track - Album - Year Towner Galaher Organ Group    Hit It and Quit It    Brothers    2025 Marina Albero    19 y 42    A Nomad of Sound    2024 Renee Rosnes    Amor Até o Fim    Crossing Paths    2024 Groovology    Brisa Tropical    Almost Home    2024 Brent Laidler    Haba Verde    Hidden Gems    2024 Muneer Nasser Quintet    Cancel Culture    Blue House Session    2024 Carl Allen    James    Tippin'    2025 Ryan Middagh Jazz Orchestra    Wired    Tenor Madness    2024 Joe Syrian Motor City Jazz Octet    This Masquerade    Secret Message    2024 Brad Goode Polytonal Big Band    Goose Chase    The Snake Charmer    2025 David Caffey Jazz Orchestra    Direct Current    At the Edge of Spring    2024 Frank Vardaros Jazz Orchestra    The Hat    My Standards    2024 Oz Noy    Fun One    Fun One    2024 Francis Jacob    Lorraine    Three Blind Mice    2024 Dave Stryker with Strings, orch. Cond Brent Wallarab    In Your Eyes    Goes to the Movies    2025 Jessica Jones Quartet    Manhattan    Edible Flowers    2025 Scott Hamilton    Beyond the Bluebird    Looking Back    2024 Peter Erskine & The Jam Music Lab All-Stars    Concerto Miniature    Vienna to Hollywood: Impressions of E.W. Korngold & Max Steiner    2025 Peter Erskine & The Jam Music Lab All-Stars    Romance    Vienna to Hollywood: Impressions of E.W. Korngold & Max Steiner    2025 Erik Jekabson    Into the Jungle, Part 1    Breakthrough    2025 Erik Jekabson    Into the Jungle, Part 2    Breakthrough    2025 Erik Jekabson    Into the Jungle, Part 3    Breakthrough    2025 Erik Jekabson    Sunset on the Keys    Breakthrough    2025 Jeong Lim Yang    Stimmung    Synchronicity    2025 The post The Creative Source (#CreativeSource) – 16th January 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

Embark on a seafaring journey as Tchaikovsky summons Shakespeare's magical island and storm-tossed seas in The Tempest. Korngold evokes the swashbuckling sailors of the 1940 Hollywood epic The Sea Hawk, and Britten portrays the coastal village of his opera Peter Grimes. The voyage concludes as Konstantin Krimmel presents Mahler's song cycle about a traveling journeyman. Learn more: cso.org/performances/24-25/cso-classical/the-tempest-and-the-sea-hawk

durée : 01:28:10 - Severin von Eckardstein, virtuosité puissante et interprétations contrastées - par : Aurélie Moreau - Pianiste possédant une maîtrise exceptionnelle du clavier et l'art de faire jaillir la lumière de son jeu, Severin von Eckardstein donnera un récital à Paris mardi 17 décembre. Au programme aujourd'hui : Ravel, Scriabine, Korngold, Wagner, Schumann…

Gepresenteerd door: Leonard Evers Radio Filharmonisch Orkest Stanislav Kochanovsky, dirigent Simone Lamsma, viool Maurice Ravel - La valse Erich Wolfgang Korngold - Vioolconcert op.35 in D Nicolaj Tsjerepnin - La princesse Iointaine op.4 Richard Strauss - Suite uit Der Rosenkavalier

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastspreker: Hans van den Boom Radio Filharmonisch Orkest  Stanislav Kochanovsky, dirigent Simone Lamsma, viool Ravel La valse Korngold Vioolconcert N. Tsjerepnin La princesse lointaine Strauss Suite uit Der Rosenkavalier Meer info & kaarten (https://www.npoklassiek.nl/concerten/49e3e294-304b-4762-93cc-7d59497f4999/simone-lamsma-speelt-korngold) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.nporadio4.nl/programmas/avrotros-vrijdagconcert) Prelude-Spotifylijst 'Leonards luistertips' (https://open.spotify.com/playlist/0HnaH8gzitGVB6zboIzgbu)

Avui sentirem: Serenata simf

Avui sentirem: Quartet de corda n

Avui sentirem: "Sea Hawk", BSO (selecci

Avui sentirem: "Les aventures de Robin Hood", BSO (selecci

Avui sentirem: "Baby serenade" op. 24; "Captain Blood", BSO (selecci

Winner of the Royal Philharmonic Society's Singer Award, Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She has enjoyed close collaborations with both the Bayerische Staatsoper, where she has sung over 80 performances as a guest artist and with whom she won Recording of the Year at the Gramophone Awards for Korngold's Die Tote Stadt, and the Royal Liverpool Philharmonic Orchestra, for whom she was their Artist-In-Residence for two seasons. Facetune_10-01-2024-19-09-31_edited_edited.jpg Her operatic roles have included Brigitta in Korngold's Die Tote Stadt (Petrenko/Bayerische Staatstoper, Gramophone's Recording of the Year), Mrs Sedley in Britten's Peter Grimes (Gardiner/Bayerische Staatsoper), Hedwige in Rossini's Guillaume Tell (Ettinger/Bayerische Staatsoper), Second Norn in Wagner's Götterdämmerung (Petrenko/Bayerische Staatsoper), Mrs Grose in Britten's The Turn of the Screw (Eschenbach/La Scala), Juno in Handel's Semele (Luks/Glyndebourne Festival), Lady de Hautdesert in Birtwistle's Gawain (Metzmacher/Salzburg Festival), Jocasta in Stravinsky's Oedipus Rex (Gardiner/Berlin Philharmonic & London Symphony Orchestras and on disc), Judith in Bartok's Bluebeard's Castle (Yankovskaya/English National Opera, Mäkelä/Oslo Filharmonien), Dido in Purcell's Dido & Aeneas (Weiss/Festival d'Aix-en-Provence), Waltraute in Wagner's Die Walküre (Rattle/Bayerische Rundfunks Symphony Orchestra on disc), and Pasqualita in Adams' Doctor Atomic (Adams/BBC Symphony Orchestra and on disc). The works of Mahler lie at the heart of her repertoire, particularly his Second Symphony (Rouvali/Philharmonia Orchestra on disc, Zinman/Vienna Symphony Orchestra), Third Symphony (Vänskä/Minnesota Orchestra, Mäkelä/Royal Concertgebouw Orchestra, Welser-Möst/Cleveland Orchestra), Eighth Symphony (Bychkov/NDR Elbphilharmonie Orchestra, Welser-Möst/Vienna Philharmonic Orchestra, Petrenko/Bayerisches Staatsorchester), Rückert Lieder (Zinman/Vienna Symphony Orchestra), Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), and Lieder Eines Fahrenden Gesellen (V.Petrenko/Royal Liverpool Philharmonic Orchestra), In huge demand on the concert platform, she has collaborated with many of the world's leading orchestras and conductors, particularly Beethoven's Missa Solemnis (Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven's Ninth Symphony (Welser-Möst/Cleveland & Royal Concertgebouw Orchestras), Wagner's Wesendonck Lieder (Madaras/Halle Orchestra), Elgar's Sea Pictures (Slatkin/Irish National Symphony Orchestra), Elgar's The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra), Verdi's Requiem (Oramo/BBC Symphony Orchestra at the First Night of the Proms, Slatkin/Orchestra National de Lyon), Schumann's Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann's Faustszenen (Harding/Gewandhausorchester), Ravel's Schéhérezade (Oramo / BBC Symphony Orchestra), Adès's Totentanz (Adès/Royal Concertgebouw Orchestra) ,Janacek's Glagolitic Mass (Kanellakis/BBC Symphony Orchestra at the First Night of the Proms), Britten's Phaedra (Brabbins/Royal Liverpool Philharmonic Orchestra), Chausson's Poeme de l'Amour et de la Mer (De Billy/London Philharmonic Orchestra), and Respighi's Il Tramonto (Petrenko/Royal Liverpool Philharmonic Orchestra).

La "Sinfonietta" de Korngold ho

Dr. Ethan Korngold is the chief medical officer and divisional vice president of medical affairs at Abbott's vascular business, which has developed a dissolvable stent technology to treat peripheral artery disease. PAD disproportionately affects Black and Hispanic communities and is often overlooked because early symptoms can be mistaken for other conditions. The Esprit BTK stent can help open up the smaller arteries below the knee and improve blood flow to the legs and feet to treat PAD and prevent severe complications and amputations. Ethan explains, "So peripheral artery disease refers to blockages in the arteries to the legs. When those blockages build up, it's because of cholesterol typically that builds up in the walls of the artery and causes limited blood flow. Initially, people can have cramping or soreness in their legs when they walk. That gets better with rest. As the blockages get worse, people can develop infections, ulcers, or non-healing wounds of their legs with what we call chronic limb-threatening ischemia. And ultimately, that can put people at risk for amputation." "A lot of people aren't aware of how common it is, and a lot of people aren't attuned to the symptoms of it. People just sort of slow down. They do less and less, and they wind up being limited in their activities, and that really affects their health and their life, and ultimately, that can threaten their limbs. One of the things that Abbott is emphatic about is spreading awareness of the disease, trying to educate patients, trying to educate families, and trying to educate physicians so that people are more on guard for looking out for the signs and symptoms of the disease." "We have been working at Abbott for many years on techniques to help open up these blockages in the arteries of the legs. They start at about the belly button and go all the way down to the toes. At the belly button, the iliac arteries are quite large. They are about a half an inch in diameter. And then, as they go down all the way to the toes, they get narrower and narrower so that they're about a quarter of an inch to an eighth of an inch in diameter. There are a variety of different techniques to get through those blockages, such as using catheters, and wires balloons, and stents and scaffolds to help open up those arteries and change people's lives. One of the biggest challenges in this space has been those smaller arteries below the knee." #Abbott #AbbottVascular #PeripheralArteryDisease #PAD #DissolvableStentTechnology abbott.com PAD-info.com Download the transcript here

Dr. Ethan Korngold is the chief medical officer and divisional vice president of medical affairs at Abbott's vascular business, which has developed a dissolvable stent technology to treat peripheral artery disease. PAD disproportionately affects Black and Hispanic communities and is often overlooked because early symptoms can be mistaken for other conditions. The Esprit BTK stent can help open up the smaller arteries below the knee and improve blood flow to the legs and feet to treat PAD and prevent severe complications and amputations. Ethan explains, "So peripheral artery disease refers to blockages in the arteries to the legs. When those blockages build up, it's because of cholesterol typically that builds up in the walls of the artery and causes limited blood flow. Initially, people can have cramping or soreness in their legs when they walk. That gets better with rest. As the blockages get worse, people can develop infections, ulcers, or non-healing wounds of their legs with what we call chronic limb-threatening ischemia. And ultimately, that can put people at risk for amputation." "A lot of people aren't aware of how common it is, and a lot of people aren't attuned to the symptoms of it. People just sort of slow down. They do less and less, and they wind up being limited in their activities, and that really affects their health and their life, and ultimately, that can threaten their limbs. One of the things that Abbott is emphatic about is spreading awareness of the disease, trying to educate patients, trying to educate families, and trying to educate physicians so that people are more on guard for looking out for the signs and symptoms of the disease." "We have been working at Abbott for many years on techniques to help open up these blockages in the arteries of the legs. They start at about the belly button and go all the way down to the toes. At the belly button, the iliac arteries are quite large. They are about a half an inch in diameter. And then, as they go down all the way to the toes, they get narrower and narrower so that they're about a quarter of an inch to an eighth of an inch in diameter. There are a variety of different techniques to get through those blockages, such as using catheters, and wires balloons, and stents and scaffolds to help open up those arteries and change people's lives. One of the biggest challenges in this space has been those smaller arteries below the knee." #Abbott #AbbottVascular #PeripheralArteryDisease #PAD #DissolvableStentTechnology abbott.com PAD-info.com Listen to the podcast here

durée : 00:19:31 - Disques de légende du mardi 29 octobre 2024 - 1971 est une grande année : elle a en effet donné deux violonistes d'exception : Vadim Repin côté russe, et Gil Shaham côté américain.

durée : 01:27:48 - En pistes ! du mardi 15 octobre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le violoniste Ray Chen joue Korngold et le pianiste Alexandre Tharaud arrange Bach. Leurs nouveaux disques sont à retrouver aujourd'hui dans votre émission d'actualité.

durée : 01:27:48 - En pistes ! du mardi 15 octobre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le violoniste Ray Chen joue Korngold et le pianiste Alexandre Tharaud arrange Bach. Leurs nouveaux disques sont à retrouver aujourd'hui dans votre émission d'actualité.

William Mival chooses his favourite recording of Korngold's Violin Concerto.

DOWNLOAD YOUR COPY OF THE BITCOIN-FOR-BUSINESS QUICK START GUIDE This free, 27-page resource includes:Six ways ANY business can benefit from BitcoinSome of the best Bitcoin-only businesses to partner withKey Bitcoin concepts for people getting startedDor Korngold is the owner of Mod Bikes, an Austin, TX-based electric bike shop that offers customized features to consumers. CONNECT WITH DORDor's Facebook group Dor's Facebook page @modbikes.official on Instagram @modbikesatx on Twitter Dor on YouTube Dor's Website CONNECT WITH JOSH@joshuafriedeman on Twitter @joshuafriedeman on LinkedIn @joshuafriedeman on VIDA @joshuafriedeman on Youtube COMMUNITY Find a local Bitcoin Meetup near you with Oshi! SHOW PARTNERSMentioned in this episode:Velas Commerce: Biz Tech Meets BitcoinLyncster: Secure Your Future with BitcoinDOWNLOAD YOUR COPY OF THE BITCOIN-FOR-BUSINESS QUICK START GUIDEFountain App | Earn bitcoin for listening to podcasts

Seattle Opera concludes its 24/25 season in May 2025 with TOSCA, Puccini's beloved thriller. Jonathan Dean introduces the charismatic characters, cinematic music, and wild story that have made TOSCA one of the world's favorite operas. Musical examples from Seattle Opera archival recordings of Tosca made in 2001 (Antonello Allemandi conducts Carol Vaness), 2007 (Vjekoslav Sutej conducts Lisa Daltirus, Frank Porretta, Jr., and Greer Grimsley) and 2015 (Julian Kovatchev conducts Ausrine Stundyte, Mary Elizabeth Williams, Marcy Stonikas, Stefano Secco, and Greer Grimsley. Special example featuring Korngold's score to CAPTAIN BLOOD.  

Philippe Quint, violinist, was born in Leningrad (St. Petersburg today) and trained in the United States at the The Juilliard School, earning both a Bachelor's and Master's degree.  He made his solo debut at age nine while studying at Moscow's Special Music school for the Gifted.  He earned top prizes in music competitions around the world, and his recording of Korngold's Violin Concerto ranked in the top 20 on Billboard's Classical Chart in its first week of sales. He benefited from coaching sessions over time by the famed violin teacher, Dorothy Delay and Itzhak Perlman.  His recordings range from the works of Charlie Chaplan to Felix Mendelssohn.  

Asmik Grigorian | Cristina Damian | Klaus Florian Vogt | Markus Werba Alan Gilbert | La Scala | 28 May 2019 | Broadcast

I have been juggling a number of brand new episode ideas for the coming weeks, but when I discovered that Sunday April 7 was the birthday of Marvis Martin, one of my favorite sopranos, I put all those ideas on the back burner and eagerly put together this birthday tribute to a singer who not only is celebrated as possessing one of the most beautiful voices of her generation, but who has also had a long, successful, and unconventional career. For whatever arbitrary reason, Marvis Martin made only a handful of major label recording releases, but, for us lucky persons who live in the age of YouTube, there are a growing number of gorgeous live recordings available that feature this artist in her prime. In some ways she reminds me of Veronica Tyler, whose career I charted in a popular episode of the podcast a few months ago. In the case of the highly respected and frankly marvelous Marvis Martin, we are able to personally present her with the flowers that she so richly deserves. I have curated a wonderful setlist today of mostly live material that includes representative selections from each of the platforms on which her career was focused: opera, concert, and recital, everything from Mozart and Handel to Copland, Rorem, and Barber; from selections from Porgy and spirituals, to Tchaikovsky, Strauss, and Korngold. My dear friend Jerry Hadley appears as a duet partner in a rare live Idomeneo performance and conductors Georg Solti, Henry Lewis, Vladimir Ashkenazy, James Levine, Charles Mackerras, Eve Queler, and Libor Pešek, among others, support this magnificent singer from the podium. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

(English interview). Three members of Gilad Korngold's family were murdered by Hamas on 7th of October, and nine were kidnapped to Gaza, including his son Tal, daughter in law Adi, and young grandchildren Naveh and Yahel. By now most family members have been released except for his son Tal who's still a hostage in Gaza.

The unbelievable story of Gilad Korngold. Three members of Gilad's family were murdered on 7th of October, and nine(!) were kidnapped to Gaza, including his son Tal, daughter in law Adi, and young grandchildren Naveh and Yahel. By now most family members have been released except for his son Tal who's still a hostage in Gaza.

The sounds of Hollywood are found throughout this enduring concerto. John Banther and Evan Keely show you moments in the music to listen for, how Korngold does things differently, which movies ended up in this concerto, and discuss why this concerto has remained so popular!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Jess Gillam meets jazz singer Cécile McLorin Salvant to swap some of their favourite music. Cécile is a 3 time Grammy Award-winning jazz singer and her music shows off her passion for storytelling and finding the connections between vaudeville, blues, jazz, baroque and folkloric music. She spoke to Jess ahead of her show at London Jazz Festival 2023 and picked some of her favourite voices from Maria Callas singing Puccini to flamenco star Camarón de la Isla and an air de cour by Gabriel Bataille.Jess brought along a string quartet by Caroline Shaw, a Hollywood inflected Concerto by Korngold and the most beautiful of songs by Aretha FranklinPLAYLIST:GABRIEL BATAILLE: Sortés soupirs témoins de mon mártire [Les Musiciens de Saint-Julien, Annie Dufresne (soprano)] CAROLINE SHAW: Plan & Elevation – v. The Beech Tree [Attacca Quartet] WANDA JACKSON: Funnel of Love KORNGOLD: Violin Concerto, op.35 – 1st mvt [James Ehnes (violin), Vancouver Symphony Orchestra, Bramwell Tovey (cond)] ARETHA FRANKLIN: Ain't No Way PUCCINI: La bohème, Act 4 “Sono andati” [Maria Callas (soprano), Giuseppe di Stefano (tenor), La Scala Milan Chorus & Orchestra, Antonino Votto (cond)] POULENC: Stabat Mater – i. Stabat Mater dolorosa [Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National SO, Daniel Reuss (cond)] CAMARON DE LA ISLA: Yo vivo enamorao (Tangos) [Camaron De La Isla (singer), Paco De Lucía (guitar)]

Efrem Korngold, OMD, L.A.c joins Neka with 50 years of experience as an educator, author and acupuncturist, and co-author of "Between Heaven and Earth: A Guide to Chinese Medicine."

In this conversation, our guest Efrem Korngold said, “the definition of a good paradigm is that you can apply it effectively to new problems.”You know how sometimes you hear something and it stops you dead in your tracks, it rings true in a way that you can feel in your bones, muscles and blood. I heard this and felt the truth of it. What's more was his further comment that Chinese medicine; it's good paradigm.Listen into this conversation on the early days of Chinese medicine emerging into the mainstream in California, the way fearlessness helps to develop you as an acupuncturist and why imagination is so vitally important to the craftsperson.

Interested in hosting a Precision Camp, Workshop, or Clinic at your gym? Fill out the 2024 Precision Events Bid Form HERESee the full VIDEOS WE DISCUSS ON THE SHOW  (Don't forget to subscribe!): https://www.youtube.com/whatmakesyouthinkpodcastBook a Cornerstone Traveling Convention by emailing: cornerstoneconventionsgym@gmail.comLearn more about Nicole or register for an event at: www.precisionchoreo.com/registrationFacebook & Instagram: @nicolelangevinconsultantTwitter: @youthinkpodSponsors: Creatively Disruptive, Precision Choreo & Camps, My Gym Judge,  Tumbltrak,Nicole Owns  Precision Choreography LLC (DBA Precision Choreo & Camps) and My Gym Judge and Co-Owns Like a Champ! Representation with Alicia SacramoneMusic by: Darek Leiner @rhythmkpr

The center of Western Classical Music, ever since the time of Bach, has been modern-day Germany and Austria.  You can trace a line from Bach, to Haydn to Mozart to Beethoven to Schubert to Schumann, Brahms, and Wagner, and finally to Mahler. But why does that line stop in 1911, the year of Mahler's death? Part of the answer is the increasing influence of composers from outside the Austro-German canon, something that has enriched Western Classical music to this day. There was also World War I getting in the way.  But after the war, one could have expected that this line would continue again.  The 1920's in Germany and the rest of Europe were a time of radical experimentation, a flowering of ideas, a sort of wild ecstasy of innovation across all the arts. So why don't we hear of these Austro-German experimenters and innovators anymore?  Because of Adolf Hitler, Joseph Goebbels, and their Entartete, or Degenerate music.  Hitler's worst crime was by no means his suppression of dozens of German, Austrian, and Eastern European composers, but it is a fact all the same that from the end of World War I until 1933, classical music in Germany and Eastern Europe(especially Czechoslovakia), was flourishing, with composers such as Zemlinsky, Krenek, Korngold, Schreker, Schulhoff, Haas, Krasa, and Ullmann taking up the mantle of the giants of the past and hoisting it upon themselves to carry it forward.     The Nazis silenced, exiled, or  killed off many of these musicians during the twelve years of 1933-1945, and those voices are forever lost, but the music they wrote before, during the War and the Holocaust, and after it, some of it masterpieces quite on the level of their predecessors, has been preserved.  So why then are these composers not better known? I've chosen 12 composers, all of whom were writing music at the highest level.  Some of them may be familiar to you, but many probably won't be.  And through all of their trials and tribulations, one of the things I want to emphasize throughout these stories, even the bleakest ones, is that so many of them found the will to be able to compose this heart-rending, beautiful, and often optimistic music all as they witnessed unimaginable horrors. It may seem empty when the end for many of these artists was so horrific, but these compositions and the men and women who were behind them are a true testament to the resilience of the human spirit.  These artists created a life for their friends, neighbors, and fellow inmates in concentration camps.  They wrote music they knew would almost certainly not be heard in their lifetimes, from an urge that could not be destroyed, even by gas chambers. Join us to learn about them this week.