Podcasts about donizetti

If you're in the mood for romance, comedy, and music that'll be stuck in your head for days, this one's for you.Toledo Opera is bringing the feel-good favorite The Elixir of Love to the Valentine Theatre on February 13 and 15, 2026, and it's packed with charm, heart, and plenty of laughs.This classic comedy by Gaetano Donizetti follows a lovable underdog who's convinced the only way to win true love is with the help of a not-so-mystical “love potion.” Spoiler alert: things don't go exactly as planned , and that's where the fun really starts.Conducted by J. Ernest Green, this production blends gorgeous music with playful storytelling, making it a perfect pick whether you're an opera regular or just opera-curious.Grab a date, grab a friend, or just grab a seat — this is one night at the theater guaranteed to leave you smiling. Tickets: https://tolo-internet.choicecrm.net/dist/#/events

Après l'Elixir d'amour de Donizetti, c'est Roméo et Juliette de Gounod qui fait l'objet de la nouvelle production participative du Théâtre des Champs-Elysées, destinée au public familial. Une version raccourcie et allégée de ce chef d'œuvre de l'opéra romantique français, portée par de jeunes chanteurs ainsi que deux comédiens, avec l'orchestre Victor Hugo dans la fosse. Dans ce spectacle d'une grande fantaisie et empreint de poésie, les enfants sont invités à prendre part en intervenant, à quelques moments clés, dans les parties du chœur.Le chef Jean-François Verdier et la metteuse en scène Johanna Boyé à qui cette production a été confiée, nous raconteront ce soir leur démarche, tandis que Baptiste Charroing, le directeur du Théâtre des Champs-Elysées nous éclairera sur sa programmation destinée au jeune public.Ce Roméo et Juliette est à découvrir en famille les weekends des 7 et 8 février ainsi que 14 et 15 février. Un kit de préparation pour les chants est disponible sur le site du théâtre et une mise en voix avec un chef de chant précède chacune des représentations.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:05:08 - Classic & Co - par : Anna Sigalevitch - Au programme ce matin, Lucia di Lammermoor » de Donizetti, dans une nouvelle production dirigée par Jakob Lehman et mise en scène par Simon Delétang, ce sera du 7 au 14 février à l'Opera de Rennes puis à Lorient, Angers, Nantes et Compiègne. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Enigmas de la Música nos invita a adentrarnos en una de las arias más conmovedoras y enigmáticas de la historia de la ópera: “Una Furtiva Lágrima”, la joya inmortal de Gaetano Donizetti, incluida en su célebre obra El elixir de amor. Pero… ¿y si esta melodía escondiera algo más que una simple historia de amor? En este episodio exploramos los misterios, simbolismos y secretos que rodean a esta aria legendaria: desde su carga emocional casi hipnótica hasta las curiosas circunstancias de su creación, pasando por interpretaciones que han llevado a cantantes y oyentes al límite de la emoción… y algo más. ¿Por qué “Una Furtiva Lágrima” sigue provocando lágrimas reales siglos después? ¿Qué tiene esta música que parece tocar algo profundo, casi invisible, en quien la escucha? ¿Casualidad… o magia musical? Prepárate para escuchar como nunca antes, para descubrir lo que se oculta entre las notas y para dejarte llevar por uno de los grandes enigmas de la música clásica. 🎼✨ Dale al play y déjate atrapar por el misterio. #UnaFurtivaLágrima #Donizetti #Opera #ClassicalMusic #EnigmasDeLaMusica #ItalianOpera #musicmystery https://www.edednex.es

Desfilan ante nuestros oídos 13 cabaletas cantadas por algunas de las mejores sopranos de la segunda mitad del siglo XX. Las óperas a las que pertenecen y sus intérpretes son: Aroldo (con la voz de Montserrat Caballé), Trovador (Maria Callas), Vísperas sicilianas (Anita Cerquetti), Attila (Maria Chiara) y Traviata (Magda Olivero), Ernani (Leontyne Price), I due Foscari (Katia Ricciarelli) y Nabucco (Elena Suliotis), todas ellas de Verdi; Anna Bolena (Gilda Cruz Romo) y La hija del regimiento (Lily Pons) de Donizetti; Armida (Cristina Deutekom) de Rossini; Puritanos (Mirella Freni) y Norma (Zinka Milanov) de Bellini.Escuchar audio

A cura di Paolo PellegriniGaetano Donizetti, L'elisir d'amoreAdina, Alda NoniNemorino, Cesare VallettiBelcore, Afro PoliDulcamara, Sesto BruscantiniGiannetta, Bruna RizzoliCoro e Orchestra Sinfonica della RAI di RomaGianandrea Gavazzeni, direttore

Ese pájaro cantor, al que escuchamos junto a Tito Schipa desde hace 28 años al comenzar cada programa de Ars canendi es, en efecto, Toti dal Monte. En este programa le rendimos pleitesía y la escuchamos en una serie de arias, algunas muy difíciles, y de dúos que ponen a prueba su calidad técnica y la esbeltez y pureza de su voz de soprano de lírico-ligera, más esto que aquello. Se emiten por este orden: Tu, tu, piccolo Iddio de Madama Butterfly de Puccini, Regnaba nel silencio y Quando rapito in estasi de Lucia di Lammrmoor, O luce di quest’anima de Linda de Chamounix y Tornami a dir che m’ami de Don Pasquale (dúo con Schipa), todas ellas de Donizetti; Prendi, l’anel ti dono (dúo con el mismo tenor, nuestra tradicional careta) y el aria Ah non credea mirarti, ambas de La sonnambula de Bellini; aria de Nannetta de Falstaff de Verdi, aria de Leila de Los pescadores de perlas de Bizet; el dúo Dunque io son de El barbero de Sevilla de Rossini, junto al barítono Luigi Montesanto, y el dúo La ci darem la mano de Don Giovanni de Mozart en compañía del barítono Augusto Beuf (un gran desconocido).Escuchar audio

Stürz, Franziska www.deutschlandfunkkultur.de, Fazit

Especialitzat en el repertori de basso buffo de compositors com Mozart, Donizetti o Rossini, Sesto Bruscantini va ser mestre de mestres. Ocasionalment, va abordar tamb

El programa de esta noche viene ocupado por una animada conversación con el director de Radio Nacional, Roberto Santamaría. Escuchamos y comentamos las siguientes músicas:Verdi: Rigoletto: Bella figlia dell'amore (cuarteto)Verdi: Don Carlo: Dio, che nell'alma infondere (dúo)Donizetti: Lucia di Lammermoor: Chi mi frena in tal momento (sexteto)Wagner: Tannhäuser (final del primer acto)Rossini: La gazza ladra (obertura)Rossini: La cenerentola: Dolce speranzaEscuchar audio

A cura di Paolo PellegriniGaetano Donizetti, Lucrezia BorgiaLucrezia, Montserrat CaballéGennaro, Alain VanzoOrsini, Jane BerbieAlfonso, Kostas PaskalisLiverotto, Jerold SienaGazella, Vern ShinallPetrucci, William WiederandersVitellozzo, L. D. ClementsGubetta, Adib FazahRustighello, Mauro LampiAstolfo, Arnold OketaitisAmerican Opera Society Orchestra and ChorusDirettore Jonel Perlea

El timbre fosc de Renato Bruson l'ha fet l'int

Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

durée : 00:21:46 - Disques de légende du lundi 10 novembre 2025 - Pas le plus connu des chefs d'orchestres de son temps, Mario Rossi a pourtant marqué par ses interprétations du répertoire d'opéra italien, bien accompagné de son Orchestre symphonique de la RAI de Turin qu'il a dirigé de 1946 à 1969. Le voici dans l'un des chefs-d'œuvre de Donizetti, Don Pasquale. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:46 - Disques de légende du lundi 10 novembre 2025 - Pas le plus connu des chefs d'orchestres de son temps, Mario Rossi a pourtant marqué par ses interprétations du répertoire d'opéra italien, bien accompagné de son Orchestre symphonique de la RAI de Turin qu'il a dirigé de 1946 à 1969. Le voici dans l'un des chefs-d'œuvre de Donizetti, Don Pasquale. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A cura di Paolo PellegriniCorilla (La Prima Donna), Elizabeth Norberg-Schulz, sopranoMamm'Agata (Madre di Luigia), Bruno Praticò,baritono/basso buffoProcolo (Marito di Corilla), Carlo Lepore, bassoLuigia (La Seconda Donna), Stefania Donzelli, sopranoBiscroma Strappaviscere (Il Compositore), Bruno De Simone, baritonoGuglielmo (Il Tenore Tedesco), Sergio Bertocchi, tenoreCoro e Orchestra del Teatro San Carlo di NapoliPeter Maag,direttore

Send us a textSeveral friends and neighbors have moved out of the United States over the past year, and many more Alaskans are talking about it. Today's guest is an opera historian who has been living in Berlin, Germany, for the past 13 years. Daniel Gundlach is a former professional classical singer and accompanist who today hosts a podcast called Countermelody. The Countermelody Podcast is focused primarily on opera singers of the past century that may not have received the attention they deserved. Daniel is a countertenor which is a type of classical male singing voice equivalent to that of a female contralto or mezzo-soprano voice type. Today we talk about his life and career, but we will also discuss the trials and tribulations of being an American emigrant in Germany. Musical Excerpts:Leontyne Price, "O patria mia," from Verdi's AidaJoan Sutherland, "Eccola," from Donizetti's Lucia di LammermoorAnna Moffo, "Sempre Libera," from Verdi's La TraviataGilda Cruz-Romo, "O mio babbino caro," from Puccini's Gianni SchicchiDaniel Gundlach, "O Lord, whose mercies numberless," from Handel's SaulDaniel Gundlach, "O fatal day," from Handel's SaulDaniel Gundlach, "On a dit sur Venise tant et tant de choses," from Gualtiero Dazzi's Le Luthier de VeniseDaniel Gundlach, "Danny Boy," Irish Folk Song

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts monthly music segment called VIVA! Opera for SBS Japanese. For this episode, Ms Ohtake picked 'Spargi d'amaro' from 'Lucia di Lammermoor' composed by G.Donizetti. - 前回の放送に引き続き、「ランメルモールのルチア」より、正気を失ったヒロイン、ルチアの精神錯乱状態を描く”狂乱の場”を２回に分けて取り上げた後編です。オペラの一番の見せどころとも言えますが、今回は最後の部分を取り上げ、極限まで張り詰めたヒロイン、ルチアの精神状態が、どのように芸術として描かれているのか聞いてみましょう。

Seguimos escuchando a Cortis. En esta ocasión lo tenemos en arias de Faust (Salve dimora casta e pura) de Gounod, Tosca (Recondita armonía, E lucevan le stelle), Turandot (Nessun dorma) y La boheme (Che gélida manina) de Puccini, La favorita (Una vergine) de Donizetti, Andrea Chénier (Dúo final junto a Zita Funagalli-Riva) y La cena delle beffe (Ah! Che tormento!) de Giordano. Y tres páginas de nuestra zarzuela: Doña Francisquita (Por el humo se sabe donde está el fuego) de Vives, La alegría del batallón (Canción del soldado) de Serrano y Una vieja (Un español que viene) de Gaztambide.Escuchar audio

A cura di Paolo PellegriniGaetano Donizetti – FaustaFausta, Raina KabaivanskaCostantino il Grande, Renato BrusonCrispo, Giuseppe GiacominiMassimiano, Luigi RoniLicinia, Ambra VespasianiAlbino, Tullio PanCoro e Orchestra del Teatro dell'Opera di Roma Daniel Oren, direttore

Het Zondagochtend Concert is een serie concerten met toegankelijke muziek, op zondag om 11:02 uur, rechtstreeks vanuit het Concertgebouw in Amsterdam. Antwerp Symphony Orchestra Marcus Merkel,dirigent Jinxu Xiohu, tenor Aria's en ouvertures van Rossini, Donizetti en Verdi

A cura di Paolo PellegriniGaetano Donizetti Don Pasquale    Libretto: Giovanni Ruffini   Don Pasquale – Italo Tajo Dottor Malatesta – Sesto Bruscantini Ernesto – Cesare Valletti Norina – Alda Noni Un Notaro – Renato Ercolani Direttore: Alberto Erede    Orchestra della RAI Radiotelevisione Italiana   Coro della RAI Radiotelevisione Italiano 

durée : 00:24:47 - Disques de légende du lundi 08 septembre 2025 - Parue en 2002 chez Virgin Classics, cette version française de "Lucie de Lammermoor" réunit Natalie Dessay dans le rôle-titre, Roberto Alagna, Ludovic Tézier et l'Orchestre de l'Opéra de Lyon sous la direction d'Evelino Pido. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Adina: Nadine Sierra Giannetta: Hannah-Theres Weigl Nemorino: Xabier Anduaga Belcore: Davide Luciano Dulcamara: Bryn Terfel Conductor: Francesco Ivan Ciampa Vienna Staatsoper 17 May 2025 In-house recording

Wie der Mann aus Neapel zur Ikone der Salzburger Festspiele und zum prägenden Dirigenten der Wiener Philharmoniker wurde. Im Musiksalon verfolgen wir die erstaunliche Repertoire-Bandbreite des Dirigenten anhand von Aufnahmen aus Wien, Berlin, Mailand, Philadelphia und Chicago.

Auf ihre große Liebe verzichten – das verlangt die Familie. Aus politischem Kalkül soll Lucia einen Fremden heiraten. In Donizettis Oper endet das in einer blutigen Katastrophe in der Hochzeitsnacht ... Von Michael Lohse.

Schmitz, Christoph www.deutschlandfunk.de, Kultur heute

So many great singing artists lost to the world of late! Almost a month ago now, the great Welsh tenor Stuart Burrows (07 February 1933 - 29 June 2025) left this mortal coil at the age of 92. Burrows was an artist of extraordinary technique, elegance, and sincerity and it has been an honor and a delight to put together this episode which celebrates his career. Because he was a favorite partner of so many exceptional divas, I decided to focus this episode on Burrows singing duets with some of the most important divas of his era. Included in the episode are Beverly Sills, Gundula Janowitz, Joan Sutherland, Renata Scotto, Leontyne Price, Nelly Miricioiu, Gwendolyn Killebrew, Margaret Price, and Reri Grist, singing Mozart, Massenet, Offenbach, Gounod, Berlioz, Donizetti, Bellini, Verdi, and even some Puccini. “The boys” are represented by José van Dam and Countermelody favorite Donald Gramm. In the late 1970s and 1980s, Burrows was a popular television star in the UK, starring in the eponymous BBC2 series, Stuart Burrows Sings. The episode also features two snippets from that show, one a duet with the beautiful lyric mezzo Diana Montague (whose husband tenor David Rendall died earlier this week). The episode begins with a tribute to the beloved Welsh pop contralto Iris Williams, who died on July 11 at the age of 79. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Janet Street-Porter is a writer, broadcaster and a former newspaper editor. Before starting her journalistic career, she originally studied architecture. Janet would later move on to presenting television and radio programmes but her roots in design remain when she became an honorary fellow of the Royal Institute of British Architects. These are her Inheritance Tracks.Inherited: The mad scene from Donizetti's Lucia di Lammermoor sung by Joan Sutherland. Pass On: Enjoy Yourself by Buster Prince.Producer: Anna Bailey

This past April, my former voice teacher and treasured friend Joan Caplan died at the age of 92. A few weeks ago, family and friends organized a memorial gathering for which I produced a short audio tribute, which is heard at the beginning of this episode. Before the event, we heard a number of recordings of Joan in her prime that absolutely knocked me on my ear. I was kindly given copies of these recordings from which I have fashioned an expanded episode in her honor. Most of these recordings have simply never been heard before, but I know that Joan was very proud of the work that she did during her active singing career, before she dedicated herself wholeheartedly to her teaching. Her rare live recordings of arias by Handel, Verdi, Donizetti, Purcell, and Hasse display her magnificent technique, while excerpts from her song recitals, including music by Brahms, Mahler, Montsalvatge, and Glanville-Hicks, display her versatility as well as her interpretive insight. I also share personal insights and reminiscences of Joan which will, I hope, reveal the special relationship that I shared with her, which many of her students, friends, and chosen family also experienced. When I last visited Joan, I promised her that I would do what I could to ensure that she would be properly remembered. With this episode, I do my part, to the best of my ability, to keep that promise. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:04:50 - Classic & Co - par : Anna Sigalevitch - "Un élixir d'amour" d'après Donizetti, c'est l'opéra participatif jeune public dont nous parle Anna Sigalevitch ce matin. Il se joue jusqu'au 25 juin au Théâtre des Champs Elysées à Paris.

In his later years, Liszt increasingly pursued his favoured causes by using piano transcriptions of other composers' works; and his own symphonic poems appeared as transcriptions from the 1850s. In 1865 Liszt famously complained to Hans von Bülow that “I have better things to do with my time than transcribe, paraphrase, and illustrate, and from now on I will be more discriminating in this recreation.” This declaration, however, was not rigorously pursued, and the lucrative activity continued to support Liszt and his causes all his life. Raymond Bisha introduces a new album of Mozart and Donizetti opera transcriptions by Liszt, performed by Swiss-Russian pianist Konstantin Scherbakov, one of today's most versatile and accomplished artists.

A cura di Paolo PellegriniGaetano Donizetti, Caterina CornaroCaterina Cornaro,Montserrat CaballeAndrea Cornaro, Claude MeloniGerardo, Jaume AragallLusignano, Ryan EdwardsMocenigo,Gwynne HowellStrozzi/Cavaliere, Gerard FriedmanMatilde, Odile Pieti Coro e Orchestra Lirique de l'ORTFGianfranco Masini, direttore

Roger Parker chooses his favourite recording of Donizetti's Lucia di Lammermoor.

I have been reminded over and over again in recent weeks of the preciousness of life as numerous dear friends and family members face loss of loved ones and their own life-altering health crises. This got me to thinking about how much my mentors have shaped my life. So with this latest episode I inaugurate a new Countermelody series entitled “Honor Your Mentors.” I have already posted numerous times on the podcast about my beloved teacher John Wustman. This coming July my friend and colleague Chanda VanderHart's monumental book Accompaniment in America: Contextualizing Collaborative Piano, co-authored with Kathleen Kelly and Elvia Puccinelli, will be published by Routledge. Chanda has put together an astonishing digital archive featuring a wealth of material related to the book: https://accompanimentinamerica.website/index.html Included in this material is an interview I did with Chanda about Mr. Wustman. Chanda has given me permission to include that interview on my podcast. This is supplemented by a sampling of (mostly) studio recordings of John featuring, among others, Régine Crespin, Carlo Bergonzi, Brigitte Fassbaender, Luciano Pavarotti, and Irina Arkhipova: truly an astonishing feast for the ears! Additionally, I was enormously saddened last week to read of the death of Joan Caplan, my first serious voice teacher in New York, and a phenomenal singer in her own right. Joan also remained a close friend through the years. In recent years she had been living at the Actors Fund Home in Englewood, New Jersey. I was able to visit her there last summer and had intended to go see her again later this month. Alas, that can no longer happen, but I will also be featuring Joan in an upcoming episode in the “Honor Your Mentors” series. In her memory today, I present her in a scintillating recording of Orsini's Brindisi from Donizetti's Lucrezia Borgia. Finally, though I'm sure no one needs to be reminded of this, please, my dears, tell all those you love how much they mean to you; don't wait until their funerals to give them their flowers! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Segurament, el tenor m

Norina: Sara Blanch Don Pasquale: Carlos Chausson Ernesto: Xabier Anduaga Malatesta: Andrzej Filonczyk Notario: David Cervera Conductor: Josep Pons Gran Teatre del Liceu 1 October 2022 Broadcast

Norina: Lisette Oropesa Don Pasquale: Kevin Glavin Ernesto: Javier Abreu Malatesta: Joshua Hopkins Notario: Tyler Zimmerman Conductor: Gary Thor Wedow Pittsburgh Opera April/May 2019 Broadcast

Norina: Ruth Welting Don Pasquale: Giuseppe Taddei Ernesto: Dalmacio Gonzales Malatesta: Angelo Romero Notario: Didac Monjo Conductor: Roberto Abbado Gran Teatre del Liceu, Barcelona 3 May 1986 Broadcast

A cura di Paolo PellegriniGaetano Donizetti, Anna BolenaAnna Bolena, Maria CallasGiovanna Seymour, Giulietta SimionatoEnrico VIII, Nicola Rossi LemeniLord Percy, Gianni RaimondiLord Rochefort, Plinio ClabassiSmeton, Gabriella CarturanSmeton, Luigi RumboCoro e Orchestra del Teatro alla ScalaGianandrea Gavazzeni, direttore

Va ser reina indiscutible al Liceu, reina donizettiana, Reina de la Nit de "La flauta m

Adelia: Mariella Devia Odetta: Valerie Bernhardt Olivier: Warren Mok Arnoldo: Paul Plishka Carlo: Stephan Pyatnichko Comino: Justin Vickers Uno scudiero: Martin Dillon Conductor: Eve Queler Opera Orchestra of New York at Carnegie Hall 11 November 1999 In-house recording

Anna Bolena: Carol Vaness Giovanna Seymour: Gloria Scalchi Smeton: Melanie Sonnenberg Percy: Fernando de la Mora Enrico VIII: Paul Plishka Rochefort: Philip Cokorinos Sir Hervy: Christopher Jux Conductor: Eve Queler Opera Orchestra of New York at Carnegie Hall – 7 April 1993 In-house recording

Over the weekend, Louisiana voters rejected all four constitutional amendments backed by Gov. Jeff Landry. Turnout for the election was almost twice as high as anticipated, and the governor is blaming liberal donors. Louisiana Illuminator senior reporter Julie O'Donoghue tells us why the proposals failed and what it reveals about voters' views on the governor. The New Orleans Opera's reimagined presentation of Donizetti's “The Elixir of Love,” brings cowboy culture to the stage. The performance reimagines the classic comedy opera with an Old West theme.New Orleans-born soprano Lindsey Reynolds tells us more about this production, and taking on the role of the leading lady.This weekend, the city archives and special collections at the New Orleans Public Library present the second annual GenFest. This event brings together genealogical, historical, and cultural preservationists from across southeastern Louisiana.Christina Bryant, director of the City Archives & Special Collections, and Amanda Fallis, archivist at the New Orleans Public Library, tell us more about the event and how you can get involved.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

durée : 01:28:05 - En pistes ! du jeudi 13 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, des disques marquants : le dernier album de Cédric Tiberghien et Alina Ibragimova autour de Schumann, mais aussi de grands airs baroques interprétés par la soprano Sophie Junker. Et également Mahler, Donizetti ou Bach !

durée : 01:28:05 - En pistes ! du jeudi 13 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, des disques marquants : le dernier album de Cédric Tiberghien et Alina Ibragimova autour de Schumann, mais aussi de grands airs baroques interprétés par la soprano Sophie Junker. Et également Mahler, Donizetti ou Bach !

Nuestra miss de hoy se llama Miren Odriozola y es una de las 22 bilbaínas de entre 58 y 80 años que han participado como figurantes en 'La Favorita" de Donizetti, que hasta anoche se representó en el Palacio Euskalduna.

We would love to hear from you, wherever you are!Apologies for erroneously attributing 'Barber of Seville' to Donizetti - can't think what came over me! BoS belongs, of course, to Rossini.https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Le nom de Donizetti n'arrive qu'après celui de Rossini et Bellini pour illustrer le bel canto romantique ; il a été pourtant le plus prolifique des trois, puisqu'on lui doit pas moins de 70 opéras.  Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Today on Countermelody is the first of two memorial episodes paying tribute to singers that we've lost just in the past few months. Applying the completely arbitrary rubric of gender, today I am focusing on sopranos (with two mezzo-soprano interlopers); my next episode will carry the memorial torch for all the male singers who've recently died. Today's subjects ranged in age from only 35 to nearly 102 at the time of their deaths, and from Broadway star to early music singer: Jodie Devos, April Cantelo, Lucine Amara, Celestina Casapietra, Christine Weidinger, Elena Mauti Nunziata, Deborah Roberts, and Sanda Şandru; lower-voiced interlopers include Janis Paige, Margaret Cable, and Ruth Hesse. If you know some of these names, you know that you will be some mellifluous serenading; if you don't, prepare yourself for a wide range of music from Renaissance polyphony to American pop standards, with operatic selections ranging from Donizetti to Falla. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.