Podcasts about Equus

Anna Camp (Pitch Perfect, True Blood) comes by to help us wrap up our YOU extravaganza. She talks severe childhood bullying and a sweet adult comeuppance, slinging drugs in jorts for the school play… as a six year old, and the moment while fully naked and exposed in Equus that almost made her break. We get into all things YOU as she unpacks her show-stealing performance as Reagan AND Maddie Lockwood. Massive thank you to DNS Productions Inc for shooting & editing this!Director / Supervising Producer: Daria ScoccimarroCo-Producer / Line Producer: Madia Hill ScottPost Producer / Lead Editor: Owen DonovanAssociate Producer / Assistant Editor: Jesse WilliamsDirector of Photography: Charlee HarrisonCamera Operator: Dylan EndikeCamera Operator: Stacy MizeGaffer: Graeme DempseyKey Grip: Chris AngaroneProduction Designer: Denise PascalSound Mixer: Sergio Reyes-SheehanSound Mixer Assistant: Chris BaroneSound Mixer Assistant: Dylan Andrew LappinProduction Assistant - Set PA: Madison CollinsProduction Assistant - Set PA: Jay HernandezAnd preorder our new book, Crushmore, here: https://www.simonandschuster.com/books/Crushmore/Nava-Kavelin/9781668077993 Want more from Podcrushed? Follow our social channels here: Insta: https://bit.ly/PodcrushedInsta TikTok: https://bit.ly/PodcrushedTikTok X: https://bit.ly/PodcrushedTwitter You can follow Penn, Sophie and Nava here: Insta: https://www.instagram.com/pennbadgley/ https://www.instagram.com/scribbledbysophie/ https://www.instagram.com/nnnava/ Tik Tok: https://www.tiktok.com/@iampennbadgley https://www.tiktok.com/@scribbledbysophie https://www.tiktok.com/@nkavelinSee omnystudio.com/listener for privacy information.

In this podcast episode, Sue Willoughby, founder of Will and Be Coaching, delves into Equus coaching, a unique method that uses horses to foster leadership, self-awareness, and personal growth. She shares her lifelong connection with horses, explaining how they provided emotional solace and eventually led her to develop a coaching practice. Sue highlights how horses, as highly attuned prey animals, offer immediate, non-verbal feedback that helps clients recognize their emotional states and behavioral patterns. She discusses the power of presence, non-verbal communication, and body awareness in Equus coaching, drawing parallels to breathwork and other mindfulness practices. The conversation also explores the applications of Equus coaching in therapy, team-building, and workplace wellness, demonstrating its transformative potential for individuals seeking breakthroughs in personal and professional settings. Sue emphasizes trust, intention-setting, and self-awareness as key to the coaching process, concluding with insights into her personal growth philosophy and the legacy she hopes to leave behind.In this informative conversation we discussed:✅ Sue Willoughby's Journey with Horses✅ Understanding Equus Coaching Sessions✅ The Power of Non-Verbal Communication and Self-Awareness✅ Applications and Benefits of Equus Coaching✅ Science and Research Behind Equus Coaching✅ Future of Equus Coaching and Its Broader Impact✅ Common Intention and Client Stories ✅ And so much more. 

V sobotnem popoldnevu je bil naš gost gledališki režiser Tomi Janežič. Diplomiral in magistriral je na AGRFT iz gledališke režije ter zaključil večletno mednarodno psihodramsko edukacijo. Prvo profesionalno predstavo Equus je na oder postavil leta 1996, od takrat pa je nanizal vrsto uspehov s predstavami, kot so Človek (po knjigi Viktorja Frankla Kljub vsemu reči življenju Da, Kralj Lear, Potujoče gledališče Šopalović, Sedem vprašanj o sreči, še ni naslova in druge. Je tudi prejemnik nagrade Prešernovega sklada, ki pa je le ena v vrsti številnih nagrad za njegovo delo.Njegove predstave so gostovale na pomembnih festivalih, kot so Kunstenfestivaldesarts v Belgiji, Bitef v Srbiji in Wiener Festwochen v Avstriji. Kot redni profesor na AGRFT je svoje bogate izkušnje predajal novim generacijam gledaliških ustvarjalcev, predaval pa je tudi v tujini, med drugim v Oslu, Arezzu, Beogradu, Novem Sadu, Lizboni in drugod. Kot gledališki režiser v zadnjih letih v Sloveniji deluje le izjemoma, več režira v tujini, zato ne zamudite priložnosti, da ga pobliže spoznate.

Join Authentically Us, a community and support space for late blooming lesbians! Find us at https://www.annemariezanzal.com Lotus Community Coaching is a 6-month program for women who are reevaluating their sexual identity, coming out as LGBTQIA+, and transitioning from a straight, married life to an independent life. If you're struggling and need help during this challenging time, learn what Lotus Community Coaching can offer you: https://annemariezanzal.com/lotus-community-coaching/This week on the podcast host Anne-Marie Zanzal chats with Sue Willoughby, a "No BS" life coach and Equus coach, who shares her journey of self-discovery, coming out, and the transformative power of equine-assisted coaching. Sue discusses her unique approach to helping women reconnect with themselves through the wisdom of horses, while also reflecting on her own experiences with family dynamics, relationships, and identity. Anne-Marie and Sue delve into the therapeutic benefits of horses and how they can facilitate personal growth and healing. Sue shares how horses can serve as mirrors to our emotions and personal challenges❓ What to Expect in This Episode:

In this week's tribute episode, Janet, John, (and Pen) explore the life of one of Britain's most acclaimed stage and screen stars. The second of only four actresses to have won two Golden Globes in the same year and made a Dame by Queen Elizabeth II in 2004… it's Joan Plowright. With a career spanning over six decades, she received accolades including an Olivier Award, a Tony Award and nominations for an Academy Award, two BAFTA Awards, and Emmy. You may know her from films like Moby Dick (1956), The Entertainer (1960), Uncle Vanya (1963), Three Sisters (1970), Equus (1977), Avalon (1990), Dennis the Menace (1993), Enchanted April (1991), 101 Dalmatians (1996),  Jane Eyre (1996), and more. To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

This week Démar and Adriel discuss Men I Trust's latest studio album “Equus Asinus” how the band's production has shifted in this latest release and how you can get drop a Men I Trust lyric in your relationship to sound poetic.P.S. Where's the Clairo feature??Démar's rating: 8 / 10Adriel's rating: 8 / 10The Love List: I Come With Mud, Bethlehem, Paul's Theme, Frost Bite, Girl (2025) Timecodes:5:11 - Soft enough for the bedroom but not so we are going to sleep9:06 - could be on Zach Bryan's album13:43 - There is a country element16:33 - Paul's theme sample19:13 - The production on here is not homogenous24:35 - The way the songs have been sung has not changed29:23 - Songs with an immersive cinematic feel33:57 - Let yourself feel37:31 - Going to the lyrics help you like the song more39:48 - What it means for their career49:16 - The scoreFollow us:YOUTUBE:https://www.youtube.com/@AlbumModeTikTok:Album Mode: https://www.tiktok.com/@albummodepod Adriel: https://www.tiktok.com/@adrielsmileydotcom Démar: https://www.tiktok.com/@godkingdemi Instagram:Album Mode: https://www.instagram.com/albummodepod/ Adriel: https://www.instagram.com/adrielsmileydotcom/ Démar: https://www.instagram.com/demarjgrant/ Twitter:Album Mode: https://twitter.com/AlbumModepod Adriel: https://twitter.com/AdrielSmiley_ Démar: https://twitter.com/DemarJGrantMen I Trust - Equus Asinus / 2025 / indie rock, bedroom pop, indie

Andrew Cohn is the founder and principal of Lighthouse Consulting, LLC. For over 20 years he has worked globally as a counselor, facilitator, and executive coach for businesses and individuals. Andrew's work improves his clients' business results and culture and enhances individual performance and satisfaction. Andrew has coached and trained on a variety of issues including empowering teams, culture change, interpersonal effectiveness, diversity & inclusion, mindsets, purpose/legacy, strategic thinking, cross-cultural leadership, managing conflict, and work/life balance. He designs and facilitates trainings and team meetings globally to optimize achievement and engagement in alignment with organizational and individual values. Andrew helps focus leaders at all levels on what matters most—both professionally and personally-- and how to effectively act on it.Andrew has also taught leadership, ethics, mindfulness, and conflict management (including the application of Aikido principles) at the MBA and undergraduate levels. And he coaches MBA students at the Wharton School of Business. In 2023, Andrew launched the podcast Spirituality in Leadership. He also provides his clients with impactful experiential learning opportunities, including equine-assisted learning in beautiful Santa Fe, New Mexico in conjunction with Equus. Andrew practiced law for seven years prior to founding his own consulting firm. He earned his Juris Doctorate at Loyola Law School in Los Angeles, an MA in Applied/Spiritual Psychology from the University of Santa Monica, and a BA in International Relations (with emphasis on international business and economics) from Boston University.Support the showCan't get enough of the Journey On Podcast & it's guests? Here are two more ways to engage with them. Find exclusive educational content from previous podcast guests which include webinars, course and more: https://courses.warwickschillercom If you want to meet your favorite podcast guest in person, you can attend our annual Journey On Podcast Summit either in person or via live stream: https://summit.warwickschiller.com Become a Patreon Member today! Get access to podcast bonus segments, ask questions to podcast guests, and even suggest future podcast guests while supporting Warwick: https://www.patreon.com/journeyonpodcastWarwick has over 900 Online Training Videos that are designed to create a relaxed, connected, and skilled equine partner. Start your horse training journey today!https://videos.warwickschiller.com/Check us out on Facebook: https://www.facebook.com/WarwickschillerfanpageWatch hundreds of free Youtube Videos: https://www.youtube.com/warwickschillerFollow us on Instagram: @warwickschiller

In celebration of Women's History Month, this week on the Access Hour, we are sharing two book launch events by amazing female historians that were held recently at the Filson Historical Society in Old Louisville! First up, we'll take you back to February 25, 2025, when the Filson hosted the book launch for Jessica K. Whitehead's insightful new text, "Driftwood: The Life of Harlan Hubbard." Jessica offers remarks on her comprehensive biography of the writer, artist, and sustainability pioneer Harlan Hubbard (1900-1988) and the deep impact Harlan and his wife, Anna, have had on Kentucky's culture. Whitehead's book delves into Hubbard's family background, education, and relationships, and into his theories on art, writing, music, and philosophy. Using journals, letters, paintings, manuscripts, and sketches, Whitehead pieces together the distinct phases of Hubbard's life, providing new insights into his character and legacy. Following the remarks, members of the NouLou Chamber Players, Heather Thomas (violin) and Cecilia Huerta-Lauf (cello), join with pianist Sebastian Chang in the world premiere of composer Daniel Gilliam's “Piano Trio No. 2: Payne Hollow.” This exciting new piece of music, written by Gilliam in conjunction with the book launch celebrates the Hubbards' vision of living and working on their own terms. The trio also honors the Harlan and Anna Hubbards' deep love of classical music performance—showcasing the instruments they once played: piano, cello, and violin. Jessica K. Whitehead, writer and curator of collections at the Kentucky Derby Museum in Louisville, is author of "The History of the Kentucky Derby in 75 Objects" and a contributor to "The Watercolors of Harlan Hubbard: From the Collection of Bill and Flo Caddell." Daniel Gilliam is a composer from Louisville, KY. He is also the program director, and an announcer, on 90.5 WUOL Classical Louisville. Watch a recording of the evening and see the musical performance and images referenced at https://www.youtube.com/watch?v=BucL0S6vD94. Following that, we'll hear from another amazing historian, Eliza McGraw, who spoke at the Filson Historical Society on March 6, 2025 about her brand new book, "Astride: Horses, Women, and a Partnership That Shaped America." In the book, Eliza weaves together stories of women who pioneered in worlds such as Thoroughbred breeding, the circus, and horse rescue at a time when American women in general internalized the lessons of horsewomen: take chances, take up more space, and learn to get back on. From tamers to caretakers and performers to teachers, all worked with horses to buck the status quo. Expressing the idea of femininity with athleticism and authority, these trailblazers changed the way America understood women. Richly illustrated with period photographs, Astride demonstrates that even small changes can advance the fight for progress. Eliza McGraw is the Dr. Tony Ryan Book Award–winning author of "Here Comes Exterminator! The Longshot Horse, the Great War, and the Making of an American Hero" and a contributing writer for EQUUS magazine. Watch a full recording and see the slides at https://www.youtube.com/watch?v=S1HKDSSs3-4 The Access Hour airs on Forward Radio, 106.5fm, WFMP-LP Louisville, every Wednesday at 2pm and repeats Thursdays at 11am and Fridays at 1pm. Find us at https:/forwardradio.org If you've got something you'd like to share on community radio through the Access Hour, whether it's a recording you made or a show you'd like to do on a particular topic, community, artistic creation, or program that is under-represented in Louisville's media landscape, just go to https:/forwardradio.org, click on Participate and pitch us your idea. The Access Hour is your opportunity to take over the air waves to share your passion.

What happens when a woman in midlife stands before a 1,200-pound mirror that can sense her true feelings? According to Sue Willoughby, founder of Willoughby Coaching, magic unfolds as women finally confront what's been holding them back.Sue reveals how working with horses helps women over 40 cut through their own BS and reclaim their authentic selves through the powerful mirror of equine feedback.• Horses provide intuitive feedback during coaching sessions by reacting to clients' true emotions and energy• Equus coaching involves no riding - clients interact with horses at liberty while Sue observes their interactions• Horses don't lie or judge, serving as "1200-pound mirrors" that reflect what's really happening inside us• Midlife brings identity challenges as women's roles shift with empty nests, career changes, and physical transformations• Our bodies hold all our experiences - horses help women reconnect with somatic awareness beyond intellectual processing• The pandemic amplified midlife challenges, creating isolation and anxiety on top of identity and hormonal shifts• Working with horses builds self-awareness, groundedness, and clearer non-verbal communication skills• Many women experience powerful emotional releases when they feel truly "seen" by horses• Sue offers both in-person sessions in Washington State and virtual coaching that incorporates equine wisdom• Equine coaching helps women recognize their patterns, identify bodily sensations tied to emotions, and communicate more authenticallySue's Bio Meet Sue Willoughby, the no-nonsense founder of Willoughby Coaching. Sue's all about helping women over 40 cut through their own BS and reclaim their lives through the raw, honest power of Equus Coaching. Imagine getting deep insights about who you are and how you show up—all through connecting with a horse.Sue's journey hasn't been a walk in the park. She was raised by a single alcoholic parent, came out at 17, and hit rock bottom more than once. But she turned it around, moved cross-country, and built a kickass life and career.A lifelong lover of horses, Sue turned that passion into a coaching business that helps women ditch their fears and step into their authentic power. From being a DJ and standup comic to a private pilot and Roller Derby ref, Sue doesn't just talk about living boldly—she lives it. Now settled outside Seattle with her horse Moose, two Dachshunds, and a VW Bus named Arlo, Sue's ready to shake things up and inspire you to get out of your own way and live fully, right now.Social Media and Website Website ⁠Instagram ⁠⁠FacebookLinked In StanStoreWe hope you have enjoyed this episode. Please like, comment, subscribe, and share the podcast.To find out more about Lynnis and what is going on in the V.I.B.E. Living World please go to https://link.tr.ee/LynnisJoin the V.I.B.E. Wellness Woman Network, where active participation fuels the collective journey toward health and vitality. Subscribe, engage, and embark on this adventure toward proactive well-being together. Go to https://www.vibewellnesswomannetwork.com to join. We have wonderful events, courses, challenges, guides, blogs and more all designed for the midlife woman who wants to keep her V.I.B.E. and remain Vibrant, Intuitive, Beautiful, and Empowered after 40+. Interested in an AI platform that meets all your needs? Click here

Today's tip is an excerpt from the Ask Monty segment on Horsemanship Radio. This time, we learn about Join Up and the language of Equus.Host: Coach JennTodays contributor: Horsemanship Radio podcast, Monty Roberts, Ask MontySupport for this episode provided by USRiderListen to more podcasts for horse people at Horse Radio NetworkMentioned in this episode:New Purina Systemiq SupplementNot all probiotics are created equal. New Purina Systemiq Supplement remains live & active after the pelleting process and throughout the digestive system making it all the way to the hind gut. Systemiq was designed to support normal recovery after exercise and occasional gastrointestinal stress. Whether you're using a probiotic now or not, it's time to use a live and active supplement from a name you trust. Visit mq.purinamills.com to try Purina Systemiq probiotic supplement today.

Today's tip is an excerpt from the Ask Monty segment on Horsemanship Radio. This time, we learn about Join Up and the language of Equus.Host: Coach JennTodays contributor: Horsemanship Radio podcast, Monty Roberts, Ask MontySupport for this episode provided by USRiderListen to more podcasts for horse people at Horse Radio NetworkMentioned in this episode:New Purina Systemiq SupplementNot all probiotics are created equal. New Purina Systemiq Supplement remains live & active after the pelleting process and throughout the digestive system making it all the way to the hind gut. Systemiq was designed to support normal recovery after exercise and occasional gastrointestinal stress. Whether you're using a probiotic now or not, it's time to use a live and active supplement from a name you trust. Visit mq.purinamills.com to try Purina Systemiq probiotic supplement today.

Esta semana toca hablar de lo que vimos y de las noticias de la quincenaReseñamos Waitress, Mil veces no, Baño de uñas y Los FridosAdemás hablamos un poco de Los Óscares, el nuevo elenco de 7 Veces Adiós, los próximos estrenos de Bodas de Sangre y Manual básico de lengua de señas para romper corazones, las audiciones de Equus y el score de Un tranvía llamado deseo.

A 1000 mile ride through Argentina, 2 horses, one dog and a love for the history of the Criollo horse and the resilient explorers, Stevie Anna shares her latest adventure on horseback. And Jamie Jennings, co-host of the Horses in the Morning Radio Show, tells us about the transformative effect of learning the language of horses, Equus and becoming a better trainer. Jamie passed the Advanced Exams of Monty Roberts Certification Program and looks forward to sharing the concepts as an Instructor. Listen in…Show Host: Debbie LoucksTitle Sponsor: HandsOn Gloves, All-In-One Shedding/Bathing/GroomingGlovesGuest: Stevie Anna, PatagoneGuest: Jamie JenningsSupport for this episode also provided by Monty Roberts EQUUS Online UniversityMonty's CalendarGet more Training Tips from Ask MontyPlease follow Monty Roberts on FacebookFollow Monty Roberts on Twitter or on InstagramSee more at: MontyRoberts.comHear all the shows on the Horse Radio Network

Esta semana les hablamos de:"Papi piernas largas"Los proyectos del primer semestre de la Compañía Nacional de TeatroSe estrena Casas Vacías (y Prima Facie)El Helénico anuncia su programación de cursos y talleres 2025Ícaro Teatro anuncia los 3 proyectos de este año en co-producción: Dentro del bosque (Into the woods), Equus y El Crisol: La historia de las brujas de Salem.Dei Saldaña convoca a atuantes para un proyecto secreto.

Send us a textSinger, songwriter and guitarist Jess Sylvester (Marinero) joins Al and introduces him to Blonde Redhead's 2004 album Misery Is a Butterfly. Jess talks about why he chose this album for the episode and how he was first exposed to it. Among many aspects of the album he focuses on, Jess observes how Blonde Redhead integrates their classical influences with different musical styles and how they convey the album's lyrical themes across its 11 tracks. Jess also talks about his brand-new Marinero album, La La La, and the process of recording it in Los Angeles.As Jess mentioned on the show, the best place to keep up with him and his work is on Instagram. He is @marin_guero.You can find Jess' music on his Marinero Bandcamp page: https://maringuero.bandcamp.com/.Al is on Bluesky at @almelchior.bsky.social. This show has an account on Instagram at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.Have a comment, question or suggestion about the show? Contact Al by clicking on the “Send us a text” link just above.1:27 Jess joins the show1:50 Jess explains why he chose Misery Is a Butterfly—and not The Beach Boys' Smile Sessions4:13 Al was especially happy to do a Blonde Redhead episode5:28 Jess talks about the mixtape that introduced him to Blonde Redhead7:39 Jess recalls his first impressions of Misery Is a Butterfly11:55 Jess has nostalgic feelings about the album14:41 Al had a memorable experience when listening to Misery Is a Butterfly for the first time15:46 Jess talks about Blonde Redhead's influences17:51 Jess provides some specific examples of how Blonde Redhead integrate their different influences20:52 Jess and Al talk about the tracks that act as palate cleansers for them24:25 Al was impressed by the album's sequencing and how its themes were developed27:33 The album takes a surprising turn with “Equus”31:10 Jess explains what makes Misery Is a Butterfly a standout in Blonde Redhead's discography33:29 Misery Is a Butterfly launched Jess into a new level of Blonde Redhead fandom35:16 Jess observes how the album hits him now after he hadn't listened to it much in recent years38:00 Jess talks about what he enjoys from other Blonde Redhead albums41:08 Jess picks out his favorite moment from Misery Is a Butterfly43:13 Blonde Redhead ties opposing themes together throughout the album45:51 Jess hears “Magic Mountain” as a unique song on the album47:29 Jess appreciates Simone Pace's drumming49:53 Jess hears Misery Is a Butterfly as a reflection of Blonde Redhead being composers, not jammers52:27 Jess talks about recording his new Marinero album La La La54:50 Jess consciously pushed himself to incorporate many different styles on La La La58:43 Jess reveals his plans for the coming monthsOutro music is from “The Mystery of Miss Mari Jane” by Marinero.Support the show

In this very special donkumentary, we're headed to the Mojave Desert — to Death Valley, in particular — where we find one animal at the centre of a heated debate in land management: the hardy wild burro (AKA donkey, ass, or Equus asinus).These feral burros, beloved by some and reviled by others, are an introduced species in the desert southwest, but are uniquely entangled in its human history. Since before the establishment of Death Valley as a national monument, they have been widely regarded as overpopulated on the Mojave landscape. In recent years, rising costs, public controversy, and some conflicting legislation have brought the sustainability of conventional burro management into crisis.But not everyone is convinced that they're harmful. Could this crisis be avoided altogether if we looked at burros under a different light?Are they crowding out the native and endangered fauna? Or are they filling an ancient ecosystem niche? Join us as we meet the land managers, ecologists, and donkey racers all trying to do right by the desert.Find photos, credits, a transcript, and citations at futureecologies.net/listen/fe-6-3-get-yer-ass-outta-here— — —We rely on listener support to stay independent, ad free, and making the best podcast we can make.Help us keep the lights on at patreon.com/futureecologies — and get perks like early episode releases, bonus audio content, stickers, patches, a cozy hat, access to our community discord server, and your name on our websiteGet new episodes in your email: join our mailing listYou can also find us on Bluesky, Instagram, Mastodon, & iNaturalist

In her book, The Tao of Equus, author Linda Kohanov shares her personal journey, revealing that it wasn't until she fully embraced the wisdom of the horse that she finally felt comfortable being human. With this revelation as a springboard, Episode 22 weaves together, strand by strand, a beautiful story of what it means to be human.As humans, each of us has the innate capacity to sense truth. In the absence of conflict or resistance, the doorway to wisdom, clarity, and the next possibility opens, and an ancient, lost language re-awakens within us. But somewhere along the line, we forgot.Hundreds, perhaps thousands, of years ago, our ancestors began building societies. Alongside these advancements came rules and structures that gradually confined humans within societal "boxes," dictating what is considered “right” and “normal.” And eventually, we also began creating our own individual boxes, layering them one within another and burying our true selves beneath countless layers of confinement. Horses, on the other hand, do not recognize boxes. They see straight through the layers of “stuff” we have accumulated and reveal to us the truth: there are no boxes. They guide us into awareness of how deeply we have sheltered ourselves from ourselves. We are then left with the work of shedding the layers and uncovering our authenticity, as well as supporting others on their own journeys of self-reclamation. Horses have generously agreed to be our guides on this journey, to walk us home, if we let them.Podcast Participants:Will Brown - https://palmandlotus.com/ Jillian Kreinbring - www.jilliankreinbringinspired.comGray Kyle Graves - www.wholehearthorsemanship.comLeanne Haight - www.facebook.com/leanne.haightChris Adderson - www.forthehorse.comKerri Lake - www.generationofharmony.com

Kot del uradnega programa Evropske prestolnice kulture Nova Gorica-Gorica 2025 se že odvija gledališki omnibus Tomija Janežiča z naslovom Dodekalogija 1972-1983. V nizu dvanajstih predstav, naslovljenih po izbranih letih, sledimo lokalnim in globalnim dogodkom, raznim referencam iz tistega časa, hkrati pa osebnim in družinskim zgodbam. Mreža relacij, ki nastaja iz teh resničnosti in fikcij, je podnaslovljena s sintagmo »transgeneracijska dokumentarna fikcija«. Janežič se z omnibusom ozira v preteklost, po njegovem zgodnjem režijskem delu pa se razgledujemo v tokratnem Odru. Sidrišče njegove uprizoritvene misli proti koncu devetdesetih let nam bo približal pogovor, h kateremu je režiserja takrat povabila Barbara Orel. Za orientacijo, za Janežičevo prvo profesionalno predstavo velja Equus, ki ga je postavil na oder Mestnega gledališča ljubljanskega leta 1996, dve leti pred pričujočim intervjujem.

Childhood, and specifically adolescence, is a period of life that can be pretty tough and at times traumatic. It's very fertile ground for literature but it's not easy to get right.  In this episode, I'm joined by Michael Amherst, the author of the upcoming novel The Boyhood of Cain which deals with the period of adolescence, and themes of moral & sexual turmoil. The book feels timeless, with an eeriness that mirrors the protagonist's growing confusion about himself and the world around him.  Michael and I sat down for our chat in-person today, in a recording studio in West London. It was a pleasure to speak with him, and The Boyhood of Cain is a great read, which I can't recommend strongly enough. It's not out yet, but it's slated to hit the shelves on February 13th. So, keep your eyes peeled for the upcoming release or pre-order it through any self-respecting bookstore. Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at @litwithcharles. Let's get more people listening – and reading! Michael Amherst's four books were: Peter Shaffer, Equus (1973) John Steinbeck, East of Eden (1952) Damon Galgut, In a Strange Room (2010) John Cheever, Collected Stories (but particularly ‘Goodbye, My Brother') (1978)

This podcast for On the Brink with Andi Simon is about how Sue Willoughby helps women over 40 transform their lives using her approach, Equus Coaching.Sue Willoughby is on a mission to help women over 40 tackle their challenges and build better lives. Through her business, Willoughby Coaching, she uses a unique method called Equus Coaching, where clients work with horses to learn more about themselves. These sessions focus on non-verbal communication, leadership, and personal growth, helping women make big changes in their lives. Sue Willoughby's Journey to Equus Coaching has not been Easy Sue's journey hasn't been easy. She grew up with a single parent who struggled with alcoholism. This taught her to be strong and face tough situations, even when she didn't feel confident. Coming out as gay at 17 was another challenge, and by 19, she faced such deep struggles that she attempted suicide. For a while, her life felt like it was spinning out of control. Things turned around in the 1990s when Sue met her partner. They moved across the country, and Sue started to rebuild her life. She went back to school, found a new career, bought a home, and became a real estate investor. During this time, she reconnected with her love for horses, which had always been a source of comfort during tough times. Her Goal is to Guide Other Women Today, Sue uses what she's learned to guide others. Through Equus Coaching, she helps women understand themselves better and overcome what's holding them back. Horses, she says, are amazing teachers because they respond to how we act and feel, even when we don't say a word. Sue also practices what she teaches. She's done all kinds of exciting things, like being a DJ, stand-up comedian, actor, pilot, and Roller Derby referee. These experiences help her connect with her clients, showing them how stepping out of their comfort zones can lead to amazing growth. Now living near Seattle, Sue shares her life with a horse named Moose, two Dachshunds named Benny and Buddy, and a VW Bus she calls Arlo. Her story is proof that it's never too late to make a change and live the life you want. If you prefer to watch our podcast, click here Other Podcasts you will enjoy include: 411: TaRita Johnson Tackling the Challenges of DEI and Belonging 406: The Greatest Journey of a Woman Entrepreneur in Mental Health: Dr. Barbara Brown's Story 414: Ilene Rosenthal: Inspiring a Revolution in Children's Education Additional resources for you My two award-winning books: Rethink: Smashing The Myths of Women in Business and On the Brink: A Fresh Lens to Take Your Business to New Heights Our latest book, Women Mean Business: Over 500 Insights from Extraordinary Leaders to Spark Your Success, coauthored with Edie Fraser and Robyn Freedman Spizman Our website: Simon Associates Management Consultants Reach out and contact us if you want to become a woman entrepreneur with a business that has both great profits and significance.  Let's Talk! From Observation to Innovation, Andi Simon, PhD CEO | Corporate Anthropologist | Author Simonassociates.net Info@simonassociates.net @simonandi LinkedIn  

If you've been feeling this pressure as you age to stay the same, if you've been feeling stuck, like "this is it," today's episode will help you start to see beyond what you think is possible in a way that could change how you spend your life on a daily basis. I know that sounds grandiose. But what if we could take that step by step and actually cause it to happen? Today's guest, Sue Willoughby, does that as she works with Equus Coaching. She brings horses into the coaching process because horses have a profound ability to help people heal. They do that because they know the truth, they sense it, they feel it, and they know when a human being is not actually saying what's happening on the inside. Sue Willoughby is the founder of Willoughby Coaching, where women over 40 confront obstacles and change their lives' trajectories through Equus Coaching. "I've always been in sort of a leadership role and a mentor role," says Sue. "That background combined with the horses just really resonated with me. Horses are so intuitive. They've helped me so much in my life. I want to bring that to other people." Finding the window or door outside of a person's comfort zone so they can step out of a place of fear—be it fear of success or failure or even just knowing where to begin—can be broken down into small steps. If you have a dream or desire that feels too big, the usual objections might sound like you can't afford it. I'm too old. No one's going to buy anything from me. Sue says whether it's a financial situation or maybe leaving a toxic relationship, a lot of coaching involves asking people to question themselves so that they can understand what's really going on behind the story. Where did that story you're telling yourself come from, and is it the truth? The magic of horses can help people she coaches be more vulnerable. As prey animals, horses are always alert and awake, even when calmly grazing in a field. They have amazing intuition and survival skills. "So being in their presence really brings people out of their head and back into their bodies," says Sue. "I can see the emotion. Can you sit with that and tell me where it's coming from? Where did it originate? And horses, you know, they feel they're very comforting, and they will mirror what they're getting from you." Horses respond to the truth within, not the truth coming out of your mouth. Horses can sense when you're not being congruent. "So it really puts people in a big place of vulnerability to be with a horse," says Sue, who also offers retreats. Sue believes midlife is one of the best times to make big changes. Whether you've had some longevity in your career or raised a family, it's that natural point in our lives where, after taking care of others for so long, the question becomes, what do you want for the next 10 years of your life? There are so many resources available now to women. Options and opportunities exist for anyone who might have felt stuck in a situation. In Sue's case, she's able to collaborate and offer retreats with any horse—not just her own. She clarified that no horse is riding while she is coaching, so no experience is necessary. Mentioned in this episode: The Go-Giver Series: https://amzn.to/4elOx8k Free 30-day workbook/blueprint on how to embrace discomfort and step out of your comfort zone: https://willoughby-coaching.myflodesk.com/podcastgift Connect with Sue Willoughby: https://www.willoughbycoaching.com/ Other GoG episodes you might want to check out: Ready to Reinvent Yourself? https://sarahwalton.com/reinvent-yourself/ The 5 Stages of Healing https://sarahwalton.com/stages-of-healing/ You can check out our podcast interviews on YouTube, too! http://bit.ly/YouTubeSWalton Thank you so much for listening. I'm so honored that you're here and would be so grateful if you could leave a quick review on Apple Podcasts by clicking here, scrolling to the bottom, and clicking “Write a review.” Then we'll get to inspire even more people! (If you're not sure how to leave a review, you can watch this quick tutorial.) #EquineTherapy #HorseTherapy #EquusCoach #HealingWithHorses #AskExpert #BusinessCoach #IntuitiveCoach #WomenInBusiness 

D.C. Anderson is a film/tv and theater actor raised in Elyria, Ohio and based in New York. Film/tv roles include Mariama Diallo's MASTER, Judy Sam Roman's RICH BOY RICH GIRL, Joseph Cedar's NORMAN, Nathan Adloff's MILES, Kevin Arbouet and Judy San Roman's FAIR MARKET VALUE and television's BILLIONS, EXTRAPOLATIONS, THE ENEMY WITHIN, THE BLACKLIST, LADY BLUE and THE MYSTERIES OF LAURA. Theatre credits include Broadway's THE PHANTOM OF THE OPERA and Off Broadways QUEEN OF THE MIST and STORYVILLE. National tours of THE PHANTOM OF THE OPERA, MARTIN GUERRE, THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY. Regional acting work with the Guthrie, Steppenwolf, Goodspeed, Great Lakes Shakespeare Festival, Ogunquit Playhouse, Florida Studio Theatre, Northlight, Skid Road Theater, Conservatory Theater, Apollo Theater and Wellfleet Harbor Actor's Theater companies, Penobscot. Developmental projects at Rep Theater of St Louis and Asolo Rep. Projects include FOUNTAIN, THE DISAPPEARING MAN, THE ASTONISHING TIMES OF TIMOTHY CRATCHIT and DUST AND SHADOW. His first theatrical performance was as Gideon's young son, Jether, in GIDEON by Paddy Chayefsky at the Black River Playhouse. High school theater followed: 'Sancho' in MAN OF LA MANCHA, 'Tevye' in FIDDLER ON THE ROOF. Then came college at Baldwin Wallace College (now Baldwin Wallace University) : 'John' in THE LION IN WINTER, 'Tom' in THE GLASS MENAGERIE, 'Curly' in OKLAHOMA, 'El Gallo' in THE FANTASTICKS, 'Pavlo' in THE BASIC TRAINING OF PAVLO HUMMEL. Graduate School: 'Frank Strang' in EQUUS, 'Proteus' in TWO GENTLEMEN OF VERONA. D.C. has 13 full length albums of original songs and covers available for listening and purchase on internet music services including FOOL MOON, TIME WAS, YOU WERE THERE, THE BOX UNDER THE BED, ALL IS CALM ALL IS BRIGHT, I AM STILL, BALLAD, OUR STORY, BLUE SUMMER DAY, CLOSE COMPANIONS, COLLECTED, SARASOTA and HOUSE CONCERT (2022). In 2023 he will release I ONCE WAS CLAY. He was also the man behind the very first Broadway Cares/Equity Fights AIDS benefit Christmas recording - 1993's CABARET NOEL. His next benefit recording project was for the National Multiple Sclerosis Society in 2010 - it's called 'IN MY ROOM'. Click for CD info, including tracks, artists' bios, etc. Listen on Spotify, Apple and YouTube

Where are your delicate and vulnerable spots that, when touched, cause a defensive reaction? In this thought-provoking episode, Ali explores the concept of fragility with Kelly Wendorf, founder of Equus and author of "Flying Lead Change." Kelly, a horse-wise woman and insightful author, unpacks how our most vulnerable spots trigger defensive reactions in both personal and professional settings. She illuminates the origins of our fragile responses, examining how shame triggers can impact our leadership and decision-making, and contrasts fragility's "power-over" mindset with the transformative potential of robustness. The dialogue moves beyond identifying fragile behaviors to examine practical approaches for cultivating robustness. Kelly shares insights on developing a more open, accountable, and genuinely connected way of being in the world. Drawing from her extensive experience with equine wisdom, she offers unique perspectives on authenticity and wholeness, challenging conventional notions of power and control in both personal growth and leadership contexts. Leave us a review on Apple Podcasts! Follow our step by step guides: - How To: Leave a Review on Your Computer: - How To: Leave a Review on Your iPhone:  Never miss an episode! Sign up for our newsletter to stay up to date on all our episode releases. Fragility Feedback Conflict  Radical Self-inquiry

Pasterns often become crusty and scabby when “mud season” turns paddocks into soupy messes. But left untreated, a simple case can escalate into a painful, chronic condition.To read this article, visit: https://equusmagazine.com/horse-care/quick-easy-scratches-relief-55228Mentioned in this episode:Equus on Audio Bumper V2HROD Ride TV 30 SecondsSponsor: RideTV at www.ridetvgo.tv

Send us a textWhat if the key to overcoming life's struggles was found in the intuitive connection with horses? Join us as Nancy McKay, a Certified Equus Coach, explains how she uses this unique approach to guide women through their recovery process. Nancy shares how horses help uncover hidden emotions and empower clients to find new paths forward. Discover how this powerful method is changing lives, one session at a time.She Recovers: Website Support the show

Ready for a dose of inspiration that will challenge and uplift you? Dive into our latest episode featuring Sue Willoughby, the powerhouse behind Willoughby Coaching! Sue's journey from overcoming immense personal struggles to becoming a trailblazer in Equus Coaching is extraordinary.Sue's life story is a rollercoaster of resilience and transformation. Raised by a single alcoholic parent and battling low self-esteem, Sue faced immense challenges early on. From coming out at 17 and grappling with her identity, to surviving a suicide attempt and living a hard-edged life, her path was anything but easy. But her transformative move across the country in the early '90s set the stage for a remarkable turnaround. With new education, career, and real estate opportunities, Sue's life took a dramatic and positive shift.What sets Sue apart today is her unique approach to coaching, combining her lifelong love of horses with the powerful principles of Equus Coaching. By engaging with horses, clients uncover deep insights into their leadership and communication styles, harnessing the profound impact of non-verbal communication and self-awareness.But Sue's story doesn't stop at coaching. Her adventurous spirit has led her to roles as a Nightclub DJ, standup comic, actor, private pilot, and even a Roller Derby referee! Living just outside Seattle with her horse Moose, two adorable Dachshunds, and a VW Bus named Arlo, Sue embodies living life on her terms.Sue gives us some great advice; "Your life is your story, and your story is your power. Embrace it fully, and let it transform you, not define you."Tune in to hear Sue share her incredible journey, the transformative power of Equus Coaching, and how she continues to push boundaries and inspire others. This episode is a must-listen for anyone looking to break through their obstacles and redefine their path in life.Midlife Makeover Challenge (5 days free): https://willoughby-coaching.myflodesk.com/midlife-makeoverSign up for Sue's retreat:https://www.willoughbycoaching.com/events/p/autumn-renewal-transform-empower-and-embrace-your-freedomConnect and Learn More with Sue:Podcast: https://podcasts.apple.com/us/podcast/a-life-worth-being/id1753943662Website: http://www.willoughbycoaching.com/Facebook: https://www.facebook.com/willoughbycoachingLinkedIn: https://www.linkedin.com/in/suewilloughby/Instagram: http://www.instagram.com/sue_willoughbyConnect and Learn More with Sarah: The SandBoxx offers Nonprofit business consulting and coaching for leaders. (sarahboxx.com)#EquusCoaching #PersonalDevelopment #LifeTransformation #NLNL #ALifeWorthBeing Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Being open-minded to trying out new skills, Austrian Denise Lang met Monty Roberts on tour when she was 16 at Vienna's 400 year old Spanish Riding School. She set her sights on coming to his school in California but first completed her education in Horse Management & Economics. Denise wrote her final thesis to become skilled in horse management on the subject of “Movement through Feel' and Monty Roberts' horse training book was one of the main resources. Listen in…Show Host: Debbie LoucksTitle Sponsor: HandsOn Gloves, All In One Shedding, Bathing, Grooming GlovesGuest: Denise LangFor tips on Good Horsemanship: Ask MontyLearn more about Good Horsemanship at Monty Roberts EQUUS Online UniversityMonty's CalendarSubscribe to Monty Roberts YouTube ChannelFollow Monty Roberts on Twitteror on Instagram or on FacebookSee more at: MontyRoberts.comHear all the shows on the Horse Radio Network

Being open-minded to trying out new skills, Austrian Denise Lang met Monty Roberts on tour when she was 16 at Vienna's 400 year old Spanish Riding School. She set her sights on coming to his school in California but first completed her education in Horse Management & Economics. Denise wrote her final thesis to become skilled in horse management on the subject of “Movement through Feel' and Monty Roberts' horse training book was one of the main resources. Listen in…Show Host: Debbie LoucksTitle Sponsor: HandsOn Gloves, All In One Shedding, Bathing, Grooming GlovesGuest: Denise LangFor tips on Good Horsemanship: Ask MontyLearn more about Good Horsemanship at Monty Roberts EQUUS Online UniversityMonty's CalendarSubscribe to Monty Roberts YouTube ChannelFollow Monty Roberts on Twitteror on Instagram or on FacebookSee more at: MontyRoberts.comHear all the shows on the Horse Radio Network

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

We interview Jane Strong, Co-Founder and Lead Facilitator, of The Equus Effect. We discuss how this program works by using horses to assist Veterans and First Responders who may be having issues with day to day life and relationships. The... Read More ›

We interview Jane Strong, Co-Founder and Lead Facilitator, of The Equus Effect. We discuss how this program works by using horses to assist Veterans and First Responders who may be having issues with day to day life and relationships. The... Read More ›

Watch my full clinic recording with the Hatha Equus Girls here: https://www.emotionalhorsemanship.com/full-clinic-recordingDiscover more about Elizabeth and Giorgia below: https://hathaequusinternational.com/https://www.instagram.com/hathaequushttps://www.facebook.com/hathaequusofficialFor more information check out www.emotionalhorsemanship.com!

In this Reboot Extras episode, Ali sits down with Liz Stewart and Kelly Wendorf to talk about Reboot's upcoming Coach Retreat, the value of coach supervision, and how working with horses can support coaches in their growth towards maturity and mastery. Liz is a coach supervisor, and Kelly is the founder of EQUUS - an equine facilitated learning campus situated in Santa Fe, New Mexico. Leave us a review on Apple Podcasts! Follow our step by step guides: - How To: Leave a Review on Your Computer: - How To: Leave a Review on Your iPhone: Never miss an episode! Sign up for our newsletter to stay up to date on all our episode releases.

Tonya Johnston, Mental Skills Coach speaks with Lindsay Archer about her new non-profit group, Equestrian Foundation for Mental Health Awareness (EMHA). Licensed therapist & Equus coach, Kathy Rausin joins to talk about her involvement with EMHA. Hunter/jumper professional Carol Wright also joins to talk about her career and how she stays so consistent. Brought to you by Taylor, Harris Insurance Services.   Host: Tonya Johnston, Visit her Website, Facebook and buy her book Inside Your Ride Guest: Lindsay Archer grew up in Northern California on the farm where she and her husband Matt run their business, Shady Lane Farm. They started Shady Lane in 2003 and in 2015, they teamed up with Catherine Harvey of Rhys Farms. After struggling with her own mental health, Lindsay's experience in a group therapy session during the Cavalleria Toscana Clinic in early 2024 opened her eyes to an entirely different way to process what she was going through. From that experience, she vowed to find a way to bring group therapy to the equestrian community on the West Coast, so she started the Equestrian Foundation for Mental Health Awareness (EMHA). EMHA is a 501(c)(3) tax deductible, non-profit organization.Guest: Kathy Rausin is a Licensed Marriage & Family Therapist and Equus coach. Kathy offers individual coaching, leadership development and team building opportunities for both private and corporate clients. She has worked with mental health groups, veterans, families, corporate training groups, and more.Guest: Carol Wright started riding and showing Morgan horses at the age of two at her parent's breeding farm, Melodic Morgans. At age 10, she was Reserve Champion in the AHSA 3'6" Morgan Jr. Medal finals. By age 11, she won her first Junior Hunter Championship. Throughout her junior riding career, Carol competed in the hunters, equitation and jumpers. She made her first appearance in the Grand Prix ring at age 19. In 1991, she won her first World Cup Qualifier, a $50,000 class in Los Angeles. Carol has won numerous grand prix and hunter derbies- sometimes in the same week. She focuses on creating strong partnerships between horse and rider while keeping fun in the equation.Title Sponsor: Taylor, Harris Insurance ServicesSubscribe To: The Plaid Horse MagazineSponsors: American Stalls, Purina Animal Nutrition, World Equestrian Center, America Cryo, BoneKare, Show Strides Book Series, With Purpose: The Balmoral Standard, Good Boy, Eddie, HITS Horse Shows, Sentinel Horse Nutrition, Laurel Springs School, Great American Insurance Group and LAURACEA

Season 2- Episode 57 On this episode, Nature Speaks' Founder, Rachel shares her love for raising and nurturing horses, how important it is to learn self-sustainability, the benefits of horse manure, the healing capabilities that horses possess, the many programs they offer homeschoolers, and she gives us a tour of the farm. https://www.nature-speaks.com/our-story.html Rachel Ibarra2:14 PM (8 minutes ago)to meNature Speaks was created from a very personal tragedy that changed who I am. While riding my leased horse Jazz, in the woods of Palm Beach Gardens, the horse collapsed underneath me  and I slid on my face in the sand where I landed superman style. When the horse stood back up she stepped on the back of my hand breaking my pinky finger in half. Three days later, while I was in and out of plastic surgery  to put my face back on in the hospital, Jazz was hit by lightning in her pasture and killed. I was devastated. Now in addition to my body being broken, my spirit was too! I cried for days.​At the time I owned a public relations firm called NozNewz Communications, Inc. I represented businesses, non profit organizations and government entities in Palm Beach County for almost 20 years. During my recovery I read voraciously! The book that changed my life is called the Tao of Equus by therapist and horsewoman Linda Kohanov.  She writes about her experiences living with her herd of horses and using those experiences to help others through the practice of  equine therapy. I studied her model of equine therapy and  those of other practitioners but I felt a little empty. Equine therapy is ground work with the horse only. It does not include riding. But to me and the kids I wanted to work with, riding the horse is an important component to empowerment. So I created a life skills program called "Who's in Your Herd?" which teaches about making good decisions in life in a very simple way. Decisions which will affect the future path of a youngster and we use the horses as our facilitators/teachers assistants. As horses live in herds, so do people but our herds change throughout the day and throughout our lives. We use the  philosophy of taking care of the horses as a metaphor for taking care of oneself. So my future path became more clear and I took a risk by taking an equity loan out on my home and started Nature Speaks with the money. I knew that horses helped me in my recovery and I was desperate to share that with others who needed personal growth.  Rachel Ibarra is an approved contractor for all Florida public schools and was a member of the Palm Beach County Sheriff's Office COP Mounted Unit for five years. Nature Speaks offers western riding lessons, homeschool programs and field trips, Equine Assisted Learning workshops and summer and winter break activities.  Homeschool Yo Kids Podcast shares organic conversations that promote confidence, a growth mindset, and are filled with inspiration and good energy. Sharing stories from the classroom, their home learning journey, and other reflections and life experiences, come grow and learn with Jae. Homeschool Yo Kids Organization is a 501c3 nonprofit that provides families with tools to aid unconventional learning experiences, helping to create a positive home learning environment. In addition to this, we are missioned to help families in traditional schools build a healthy collaborative relationship between the school and home. Visit our website!! https://www.homeschoolyokidsexpo.com/ Follow us on IG:@homeschoolyokids @homeschoolyokidspodcast Join our FB Group: Homeschool Yo Kids Jae is a former public-school teacher, now homeschooling her 2 little people. She is the founder of the 501c3 nonprofit Homeschool Yo Kids Organization. Join Jae as she chats with homeschool families, homeschool resource providers, and others that support the homeschool community on this journey of 'reimagining what learning looks like'. --- Support this podcast: https://podcasters.spotify.com/pod/show/homeschoolyokids/support

In this episode of Reiki from the Farm™, we celebrate the life and wisdom of Breaker-Dawn, our beloved horse who recently crossed the Rainbow Bridge. Through her story, we explore the profound lessons she taught us about self-acceptance, adaptability, and the deep connection we share with our animal companions. Join us as we delve into compassionate euthanasia, the power of animal communication, and the healing energies of Reiki. We'll also guide you through a special Reiki meditation to honour Breaker-Dawn's spirit and integrate her wisdom into our daily lives.---------------Pam Allen-LeBlanc is a scientist, businesswoman, and Licensed Reiki Master Teacher (LRMT) with the International Center for Reiki Training.Get in Touch with Pam:Email: pam@reikifromthefarm.comSign up for the Reiki from the Farm Newsletter & learn about upcoming Reiki Shares: http://eepurl.com/dFm-19  A special thanks goes out to Music from Pixabay for the intro music and to Nate Miller for the meditation music.Register for our newsletter! Instagram Facebook Youtube pam@reikifromthefarm.com

Kelly Wendorf, an accomplished executive coach, celebrated author, spiritual mentor, and entrepreneur, has dedicated her life to unlocking the potential within individuals and organizations using a wisdom-informed and holistic approach. Raised in harmony with nature and the ancient world, Wendorf cultivated a sensitivity to the interconnectedness of people, nature, and their inherent moments. With vast experience living globally and studying with spiritual and Indigenous leaders from India, Africa, Indonesia, and Australia, she has a unique multicultural perspective. Her passion is establishing a novel narrative in the human condition, empowering top-performing individuals and institutions to bring about meaningful changes in their families, communities, and the world. Wendorf has worked with a wide range of clients, including tech giants Amazon and Microsoft, as well as underserved communities, earning her the nicknames 'corporate shaman' and 'CEO whisperer'. Her published work includes the book Flying Lead Change and the anthology Stories of Belonging. As the founder of EQUUS, she helps awaken robust leadership qualities among the empathetic, conscientious, and generous. Instagram: @EQUUSinspired LinkedIn @ Kelly Wendorf or @EQUUS Facebook: @EQUUSinspired PODCAST50 for 50% off my book https://www.equusinspired.com/shop1 Welcome to the Buddhist Biohacker Podcast, where passion meets purpose and conscious content thrives. Join us on a transformative journey led by Lisa Gunshore, an empowerment coach whose expertise spans trans-dimensional mediumship, Ayurveda, and Tibetan shamanism. With over 15 years of experience touching lives across the globe, Lisa is a natural mystic, fostering deep connections to the spiritual realm since her childhood. At the heart of our podcast lies the Buddhist Biohacker YouTube channel, an embodiment of Lisa's unwavering dedication to empowering individuals and fostering healing. Tune in to the Buddhist Biohacker Podcast and embark on a profound journey of self-discovery and transformation. As we tread the path of conscious content creation, we invite you to join us in the pursuit of empowerment, healing, and a deeper connection to your true self.

Once upon a time a young woman, her horse and her dog journeyed across the country without even a cell phone or a GPS to guide them. What they experienced was truly inspiring and sure to resonate with anyone who's spent time in the saddle. Listen to part of their amazing story, excerpted from a book called “Distant Skies: An American Journey on Horseback,” by Melissa Chapman. This episode is brought to you my My New Horse, your trusted companion in horse ownership.

How can non-verbal communication with a horse help you develop self-awareness on your path to personal growth?In today's episode, Sue Willoughby, founder of Willoughby Coaching, and I dive deep into how our relationship with horses can help us become more aware of the non-verbal communication between two beings. Sue specializes in Equus coaching, a method that involves working with horses to enhance self-awareness and learn leadership skills. This episode is packed with insights and practical advice for anyone looking to step out of their comfort zone for personal development.Here's what you'll learn in this episode:How Equus coaching can help you become more aware of how you show up and help you develop deeper self-awareness.How mindfulness practices and somatic experiencing can help you stay present and in tune with your body.How coaching with horses can improve your leadership qualities and skills so you can take the steps to create the life you desire. How embracing discomfort has helped Sue achieve personal growth and it can help you too!The difference between a growth mindset vs a fixed mindset and how it helped her become the person she is today. Actionable steps you can incorporate into your daily routine to foster mindfulness.Join us for our in-depth conversation that will leave you feeling inspired and empowered to take charge of your life. Stay free and fabulous,LaurieThese guides will help you take the next step in life and check out my upcoming retreat. Click here to learn about my Women's Mammoth Retreat. Click here for my “Somatic Healing for Beginners Guide”Click here for my “Girlfriends Guide to Online Dating”Click here for my “Girlfriends Guide to Dating Differently”Click here to purchase my book: Sandwiched: A Memoir of Holding On and Letting GoSign up for my newsletter here to stay current on my upcoming offerings and podcast interviews!WebsiteConnect with Sue:IG: @sue_willoughby Website: https://www.willoughbycoaching.com/Free 30-day Workbook - Level-up Your Life!Send us a Text Message.***************************************************************************************DISCLAIMER: THE COMMENTARY AND OPINIONS AVAILABLE ON THIS PODCAST ARE FOR INFORMATIONAL AND ENTERTAINMENT PURPOSES ONLY AND NOT FOR THE PURPOSE OF PROVIDING LEGAL, MEDICAL OR PROFESSIONAL ADVICE. YOU SHOULD CONTACT A LICENSED THERAPIST IF YOU ARE EXPERIENCING SUICIDAL THOUGHTS. YOU SHOULD CONTACT AN ATTORNEY IN YOUR STATE TO OBTAIN LEGAL ADVICE. YOU SHOULD CONTACT A LICENSED MEDICAL PROFESSIONAL WITH RESPECT TO ANY MEDICAL ISSUE OR PROBLEM.

Have you ever had an "interim" horse? They're the ones we know for only a few days but that end up playing pivotal roles in our lives. In this episode of "Barn Stories," we remember these horses with fondness. This episode is brough to you by My New Horse, your trusted companion in horse ownership.

In today's episode, I am thrilled to bring you an enlightening conversation with Sue Willoughby, a remarkable Equus coach whose unique approach will surely ignite your spark. Sue dives deep into the fascinating world of equus coaching, demonstrating how she guides individuals in the round pen with horses, allowing them to freely interact through their energy and intention. She shares an exercise called "arm in arm," designed to help people understand the energy they transmit to the horse and gain insight into their intentions. Throughout our chat, Sue emphasizes the profound emotional connection between humans and horses, revealing how these majestic creatures can sense and mirror a person's emotions.Sue also opens up about her personal journey and how it has shaped her passion for helping others. From a challenging upbringing with an alcoholic mother to an eclectic career that includes bartending, DJing, and a 30-year stint in corporate training, Sue's diverse experiences fuel her ability to guide women out of their comfort zones. She shares how horses have consistently been a source of solace and happiness in her life. We also discuss the broader benefits of connecting with nature and animals for emotional growth and development. Sue's work extends beyond her local facilities, with custom group events, retreats, and upcoming online programs designed to incorporate the wisdom of horses. You won't want to miss this inspiring episode filled with insights on stepping outside of comfort zones and igniting your inner spark - through connecting with the spirit of Horses.SUE:https://www.willoughbycoaching.com/I am thrilled to announce that my online course has launched."How to Ignite Your Spark for Women in Midlife and Beyond"If you are a woman, or know one, who is dissatisfied with life, think you are too old, lacking in joy and purpose, I invite you to see if this class resonates with you or a friend.Created with love from decades of life experience and learning how to constantly re-ignite my own spark, this offering is made for those wanting more in life.Check it out here and see if it resonates. Feel free to reach out with any questionskimduffselby@gmail.comhttps://howtoigniteyoursparkinmidlife.kimduffselby.com/p/how-to-ignite-your-spark-for-women-in-midlife-and-beyond1 Thank you for tuning in, sharing the episodes and shining your light. Rating, subscribing and commenting on this podcast will help reach more people as the world needs our LIGHT now more than ever.Cheers,Kim

Tom and Julie try to escape from the Planet of the Vapes and they prank phone call Hollywood Toy and Costume and learn about whips. Plus hot dog eating contests by the beach, the Planet of the Apes endings, Stonehenge, The Fall Guy, Mrs. Bean, Harley Davidson and the Marlboro Man, Barbara Streisand's cloned dogs, the Stinkers Bad Movie Awards, Tom Sizemore, Equus 2, Weird Al on Broadway, Bruce Springsteen EGOT, Billy Joel and Bruce Springsteen as The Odd Couple, Corn Pop, Man on the Woods, Jessica Albatross, Rusty Drippings, excuses for not having sex, Nick Adams, how did Bam Bam get so strong, Aaron Bonk, and more! SUPPORT DOUBLE THREAT ON PATREON  Weekly Bonus Episodes, Monthly Livestreams, Video Episodes, and More! https://www.patreon.com/DoubleThreatPod   WATCH VIDEO CLIPS OF DOUBLE THREAT  https://www.youtube.com/@doublethreatpod   JOIN THE DOUBLE THREAT FAN GROUPS  *Discord https://discord.com/invite/PrcwsbuaJx  *Reddit https://www.reddit.com/r/doublethreatfriends  *Facebook https://www.facebook.com/groups/doublethreatfriends   DOUBLE THREAT MERCH https://www.teepublic.com/stores/double-threat   TOTALLY EFFED UP T-SHIRTS  https://www.teepublic.com/user/dttfu   SEND SUBMISSIONS TO  DoubleThreatPod@gmail.com   FOLLOW DOUBLE THREAT  https://twitter.com/doublethreatpod  https://www.instagram.com/doublethreatpod   DOUBLE THREAT IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/double-threat   Theme song by Mike Krol  Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices

What's stopping you from returning to the truest version of yourself?On today's episode of Potent, Steven is joined by Kelly Wendorf, founder and CEO of EQUUS, as they talk about rewilding, authenticity, and integrating nature-based experiences for personal and professional development, along with the challenges of finding belonging beyond societal labels, specifically presence, and self-awareness. Throughout the episode, the two also discuss embracing wisdom traditions, opening up to new perspectives, and optimizing personal growth through connection with oneself and nature.About Today's GuestKelly Wendorf, Founding CEO of EQUUS, a leadership development firm, is an author, a socially responsible entrepreneur, disruptor, and expert in the art form of taking people through transformative change and onto meaningful levels of success, purpose, and profound fulfillment. She has been assisting her clients to navigate transformation for over 30 years, and in so doing has extensively researched this question: what conditions need to be created to allow people to live a life of deep authenticity, freedom, and joy? Having also experienced numerous tectonic shifts in her own life, she intimately knows the landscape of metamorphosis and transformative change. She has been called a corporate shaman and a CEO whisperer. Her work has been featured in Forbes, VOGUE, Huffington Post, and The New York Times. Her latest book Flying Lead Change – 56 Million Years of Wisdom for Leading and Living published by Sounds True, invites us to look to the evolutionary intelligence of nature, and nature-based wisdom to meet the challenges we face today. She works inside a spectrum of clientele – from Amazon to Microsoft to some of the most underserved communities. She serves her clients from all over the world remotely and also in person, alongside her talented co-facilitators––a herd of eight equines––on her small ranch just outside Santa Fe, New Mexico. ***Save 50% off Kelly's book "Flying Lead Change" by entering MONKMANUAL50 at checkout. https://kellywendorf.com/https://www.equusinspired.com/Instagram: @EQUUSinspiredLinkedIn @ Kelly Wendorf or @EQUUSFacebook: @EQUUSinspiredShow Notes00:00 Intro02:52 What is Rewilding?11:28 From Corporate to Coaching with Horses27:28 Navigating Spirituality and Business38:12 The Essence of Presence and Overcoming Categorization44:00 The Power of Presence54:43 The Essence of Presence in Equine Principles01:06:21 Practical Tips for Cultivating Presence01:09:22 Rapid Fire Questions: Insights and Advice_The Potent Podcast is produced and edited by Justin Sinclair, who also composed the theme music. Additional editing support and mixing by Aaron Feeney.This podcast is brought to you by the Monk Manual. The monk manual is dedicated to providing best-in-class tools for helping you build a more potent life, and experience peaceful being and purposeful doing on a daily basis. If you'd like to be more intentional with your time and energy - please visit monkmanual.com.

What breathtaking sight can absolutely terrify horses? Tune in to find out!This episode of "Barn Stories" is brought to you by My New Horse, your guide to becoming a horse owner.

TroupEnigma, in collaboration with Performing Arts of Woodstock is proud to present Peter Shaffer's award-winning play Equus, directed by Michael Juzwak.

In this thought-provoking episode of Inscape Quest, host Trudi Howley invites Ali Schultz, the founding partner of Reboot.io, for a profound discussion that expertly weaves the worlds of equine and leadership principles, and human social behavior. The seasoned executive coach, certified Equus facilitator, and ardent horsewoman, Schultz, offers invaluable insights into horse herd dynamics and their striking parallels with human societal behavior. Unravel the intertwined facets of equine and human dynamics and significant principles of congruency and safety in effective leadership. Schultz illuminates how drawing parallels between equine-human interactions and our professional and personal realms can serve as incredibly valuable tools. Featuring riveting discussions of true partnership, workplace relationship dynamics, non-verbal communication, and the role of the nervous system in varied settings, this episode offers a fresh lens on leadership, dynamics, relationships, and personal development. Discover how understanding and internalizing equine behavior can vastly improve our interactions in everyday life and yield insights into building a more mindful, empathetic world. From the exploration of the intriguing 'parasympathetic reset' in horses to the impact of group culture and boundaries in coaching and psychotherapy, this episode is a treasure trove of wisdom. Learn the importance of presence, attunement, and shared experiences in fostering meaningful relationships, and the need for unity in energy to facilitate a genuine connect among team members for enhanced organizational harmony and productivity. Reboot.io   Disclaimer

PREVIEW: EQUUS: Excerpt from a conversation with Professor Peter Frankopan re his new work, THE EARTH TRANSFORMED, re the profound signifigance of the horse and of horse training for conquest, especially of the Americas.  More of this later today. The Earth Transformed: An Untold History by  Peter Frankopan  (Author) https://www.amazon.com/Earth-Transformed-Untold-History/dp/0525659161/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= The Studio

Kelly Wendorf is a mother, International Coach Federation Master Certified Coach (MCC) specializing in transformative change,  author, spiritual mentor, and  socially responsible entrepreneur. She is the Founding Partner of EQUUS, an innovative leadership development organization she runs with her partner J. Scott Strachan. EQUUS uniquely combines neuroscience, systems theory, contemplative wisdom, attachment theory, somatic processes, indigenous knowledge, and nature-based intelligence in its coaching and experiential leadership development approach. Kelly's work has been featured in such publications as Forbes, the Wall Street Journal Magazine, Vogue, and the Huffington Post and has been the inspiration for several award-winning documentaries. She lives in Santa Fe, New Mexico, with Scott, Molly the dog, two barn cats, and seven equines. Equus Wesbite: equusinspired.com Kelly's Website: kellywendorf.com.Become a Patreon Member today! Get access to podcast bonus segments, ask questions to podcast guests, and even suggest future podcast guests while supporting Warwick: https://www.patreon.com/journeyonpodcastWarwick has over 650 Online Training Videos that are designed to create a relaxed, connected, and skilled equine partner. Start your horse training journey today!https://videos.warwickschiller.com/Check us out on Facebook: https://www.facebook.com/WarwickschillerfanpageWatch hundreds of free Youtube Videos: https://www.youtube.com/warwickschillerFollow us on Instagram: @warwickschiller

The Delta Flyers is a weekly podcast hosted by Garrett Wang, Robert Duncan McNeill, Terry Farrell & Armin Shimerman. In each podcast release they will recap and discuss an episode of Star Trek: Deep Space Nine. This week's episode is Emissary.Emissary: When the troubled Commander Sisko takes command of a surrendered space station, he learns that it borders a unique stable wormhole.We want to thank everyone who makes this podcast possible, starting with our Production Managers Megan Elise & Rebecca McNeillAdditionally we could not make this podcast available without our Executive ProducersStephanie Baker, Jason M Okun, Marie Burgoyne, Kris Hansen, Janet K Harlow, Brian Barrow, Heidi Mclellan, Rich Gross, Mike Gu, Tara Polen, Vikki Williams, AJC, Nicholaus Russell, Lisa Robinson, Alex Mednis, James H. Morrow, Roxane Ray, Andrew Duncan, David Buck, Feroza Mehta, Jonathan Brooks, Gemma Laidler, Matt Norris, & Izzy JafferOur amazing Co-Executive Producers:Liz Scott, Eve England, Sab Ewell, Sarah A Gubbins, Luz R., Chris Knapp, Dannielle Kaminski, Utopia Science Fiction Magazine, Matthew Gravens, Captain Jeremiah Brown, Mary Jac Greer, E & John, Deike Hoffmann, Anna Post, Shannyn Bourke, Jenna Appleton, Lee Lisle, Sarah Thompson, Holly Smith, Amy Tudor, Mark G Hamilton, KMB, Dominic Burgess, Mary Burch, Sandra Stengel, Normandy Madden, Joseph Michael Kuhlman, Darryl Cheng, Elizabeth Stanton, Kayla Knilans, Tim Beach, Victor Ling, Shambhavi Kadam, Holly Schmitt, Christopher Arzeberger, Tae Phoenix, Donna Runyon, Nicholas Albano, Daniel O'Brien, Danie Crofoot, Ian Ramsey, Steven Lugo, Rob Traverse, Penny Liu, Mars DeVore, Stephanie Lee, & David SmithAnd our amazing Producers:Philipp Havrilla, James Amey, Patrick Carlin, Richard Banaski, Ann Harding, Equus ferus - Wild Horse Photography, Trip Lives, Ann Marie Segal, Samantha Weddle, Chloe E, Paul Johnston, Carole Patterson, Warren Stine, Carl Murphy, Jocelyn Pina, Mike Fillmon, Chad Awkerman, Mike Schaible, AJ Provance, Captain Nancy Stout, Claire Deans, Maxine Soloway, Barbara Beck, Species 2571, Mary O'Neal, Dat Cao, Stephen Riegner, Debra Defelice, Cindy Ring, Alicia Kulp, Kelly Brown, Jason Wang, Gabriel Dominic Girgis, Samantha Hunter, Jamason Isenburg, Ashley Stokey, Rob Johnson, Maria Rosell, Heather Choe, Michael Bucklin, Lisa Klink, Dominique Weidle, Jennifer Jelf, Louise Storer, Justin Weir, Mike Chow, Kevin Hooker, Aaron Ogitis, Ryan Benoit, Rachel Shapiro, Clark Ochikubo, David J Manske, Amy Rambacher, Jessica B, E.G. Galano, Tim Neumark, Will Forg, Charlie Faulkner, Estelle Keller, Russell Nemhauser, Lawrence Green, Greg Kenzo Wickstrom, Lisa Gunn, Lauren Rivers, Shane Pike, Jennifer B, Dean Chew, Akash Patel, Linda Daireaux, Jennifer Vaughn, Cameron Wilkins, Ken McCleskey, Walkerius Logos, PJ Pick, Preston Meyer, Lisa Hill, Benjamin Bulfer, Stacy Davis, Ryan Mahieu, Andrew Cook-Feltz, Karen Galleski, Pamela Miller, & Rik MoranThank you for your support!“Our creations are protected by copyright, trademark and trade secret laws. Some examples of our creations are the text we use, artwork we create, audio, and video we produce and post. You may not use, reproduce, distribute our creations unless we give you permission. If you have any questions, you can email us at thedeltaflyers@gmail.com.”

The Delta Flyers is a weekly podcast hosted by Garrett Wang & Robert Duncan McNeill. This week's episode is an interview with John Billingsley.For more information, or to donate to the Hollywood Food Coalition organization, visit https://hofoco.org/We want to thank everyone who makes this podcast possible, starting with our Executive producers Megan Elise & Rebecca McNeillAnd a special thanks to our Ambassadors, the guests who keep coming back, giving their time and energy into making this podcast better and better with their thoughts, input, and inside knowledge: Lisa Klink, Martha Hackett, Robert Picardo, Ethan Phillips, Robert Beltran, Tim Russ, Roxann Dawson, Kate Mulgrew, Brannon Braga, Bryan Fuller, John Espinosa, & Ariana DelbarAdditionally we could not make this podcast available without our Executive ProducersStephanie Baker, Jason M Okun, Marie Burgoyne, Kris Hansen, Janet K Harlow, Brian Barrow, Heidi Mclellan, Rich Gross, Mike Gu, Tara Polen, Vikki Williams, Holly Smith, AJC, Nicholaus Russell, Lisa Robinson, Alex Mednis, James H. Morrow, Roxane Ray, Andrew Duncan, David Buck, Feroza Mehta, Jonathan Brooks, Gemma Laidler, Matt Norris, & Izzy JafferAs well as our phenomenal Executive Producers: Stephanie Baker, Jason M Okun, Marie Burgoyne, Kris Hansen, Janet K Harlow, Brian Barrow, Heidi McLellan, Rich Gross, Mike Gu, Tara Polen, Vikki Williams, Holly Smith, AJC, Nicholaus Russell, Lisa Robinson, Alex Mednis, James H Morrow, Roxane Ray, Andrew Duncan, David Buck, Feroza Mehta, Jonathan Brooks, Gemma Laidler, & Matt NorrisOur amazing Co-Executive Producers:Liz Scott, Eve England, Sab Ewell, Sarah A Gubbins, Luz R., Chris Knapp, Dannielle Kaminski, Utopia Science Fiction Magazine, Matthew Gravens, Captain Jeremiah Brown, Mary Jac Greer, John Espinosa, E, Deike Hoffmann, Anna Post, Shannyn Bourke, Jenna Appleton, Lee Lisle, Sarah Thompson, Samantha Hunter, Amy Tudor, Mark G Hamilton, KMB, Dominic Burgess, Lori Tharpe, Mary Burch, Sandra Stengel, Normandy Madden, Joseph Michael Kuhlman, Darryl Cheng, Elizabeth Stanton, Kayla Knilans, Tim Beach, Victor Lling, Shambhavi Kadam, Holly Schmitt, Christopher Arzeberger, Tae Phoenix, Donna Runyon, Nicholas Albano, Daniel O'Brien, Bronwen Duffield, Danie Crofoot, Ian Ramsey, Steven Lugo, Rob Traverse, Penny Liu, Mars DeVore, Stephanie Lee, David Smith, Matt BurchAnd our amazing Producers:Philipp Havrilla, James Amey, Patrick Carlin, Richard Banaski, Ann Harding, Equus ferus - Wild Horse Photography, Trip Lives, Ann Marie Segal, Samantha Weddle, Chloe E, Paul Johnston, Carole Patterson, Warren Stine, Carl Murphy, Jocelyn Pina, Mike Fillmon, Chad Awkerman, Mike Schaible, AJ Provance, Captain Nancy Stout, Claire Deans, Maxine Soloway, Barbara Beck, Species 2571, Mary O'Neal, Dat Cao, Scott Lakes, Stephen Riegner, Debra Defelice, Cindy Ring, Alicia Kulp, Kelly Brown, Jason Wang, Gabriel Dominic Girgis, Jamason Isenburg, Mark G Hamilton, Ashley Stokey, Rob Johnson, Maria Rosell, Heather Choe, Michael Bucklin, Lisa Klink, Dominique Weidle, Jennifer Jelf, Louise Storer, Justin Weir, Mike Chow, Kevin Hooker, Aaron Ogitis, Ryan Benoit, Megan Chowning, Rachel Shapiro, Eric McConnell, Captain Kak Greymoon, Clark Ochikubo, David J Manske, Amy Rambacher, E.G. Galano, Will Forg, Charlie Faulkner, Estelle Keller, Russell Nemhauser, Lawrence Green, Greg Kenzo Wickstrom, Christian Koch, Lisa Gunn, Lauren Rivers, Shane Pike, Jennifer B, Dean Chew, Akash Patel, Jennifer Vaughn, Cameron Wilkins, Michael Butler, Ken McCleskey, Walkerius Logos, Abby Chavez, Preston Meyer, Lisa Hill, Benjamin Bulfer, Stacy Davis, Mary Jenkins, Ryan Mahieu, Andrew Cook-Feltz, & Karen GalleskiThank you for your support!“Our creations