Podcasts about cosi fan tutte

HAPPINESS. El ocaso americano. Como si de una viñeta de cómic underground se tratara, nos movemos de escena en escena siguiendo el ocaso de unos personajes en busca de la felicidad. Todd Solondz nos hace partícipes de una sátira sutil y mordaz sobre la descomposición de la clase media americana, fagocitada por sus propias ansias de aparentar unos estándares sociales que no le corresponden. Atrévete a seguirnos en este periplo de la mano de un invitado muy especial David Guerra, rapero, cantante, locutor de radio, comiquero, dibujante, especialista en cultura pop y actualmente miembro del pódcast "Pasen al fondo". Pasen al Fondo: https://go.ivoox.com/sq/412968 Equipo Maniático: Albert San (Mr. Maniático), Naila Knight, Miguel y Montse Vela. Saludos Maniáticos!!!!!! Intro Musical SINOIA CAVES “1983 Main Titles” Album Beyond the Black Rainbow (2014) Happines score by Music by Robbie Kondor Happiness (1998) - Soundtrack Soave sia il vento from Cosi Fan Tutte by Wolfgang Amadeus Mozart Concerto for Guitar in D Major by Antonio Vivaldi Happiness Performed by Jane Adams Requiem by Wolfgang Amadeus Mozart Piano Concerto by Samuel Barber Mandy by Barry Manilow You Light Up My Life by Anatoly Aleshin You Light Up My Life by Mantovani All Out of Love by Air Supply Eternal Lighthouse by Vladimir Mozenkov Happiness Performed by Michael Stipe with Rain Phoenix Written by Eytan Mirsky

Welcome to Season 04 Episode 06 - the "Barren Trees" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Prof. Don Marrazzo, Hillman Opera producer; Mr. Garnet Rogers, singer-songwriter and author. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps (Approximate) 02:27 - Prof. Don Marrazzo/Cosi Fan Tutte 19:54 - Mr. Garnet Rogers (Part 1) 36:00 - Arts Calendar 39:30 - Mr. Garnet Rogers (Part 2) Media "Autumn Leaves", music by Joseph Kosma, lyrics by Jaques Prevért ("Les Feullies Mortes"); English lyrics by Johnny Mercer, 1945; performed by Eva Cassidy, recorded live at the Blues Alley jazz supper club, Washington DC, Jan. 3, 1996. "Prenderò quel brunettino" ("I'll take the brunette one"), from Cosi Fan Tutte, W.A. Mozart, composer (1790); Glyndebourne Opera House, 2006. "Summer Lightning", written and performed by Garnet Rogers, from the album Summer Lightning, Snow Goose Records, 1996 Overture from Cosi Fan Tutte, W.A. Mozart, composer; performed by Sinfonia Rotterdam, Conrad van Alphen, conductor, Sept. 26, 2015 Next Turn of the Wheel, written and performed by Garnet Rogers, from the album Sparrow's Wing, Snowgoose Records, 1999 Artist Links Prof. Don Marrazzo Mr. Garnet Rogers Box Office at SUNY Fredonia BECOME AN OPERA HOUSE MEMBER!      

This evening at the Olympics, Algerian boxer Imane Khelif will fight for a gold medal in the women's welterweight event. Tomorrow, Taiwan's Lin Yu-ting will compete for gold in the final of the women's featherweight boxing. Both boxers have faced serious controversy over their eligibility to compete. To take us through what's going on, Anita Rani speaks to the BBC's Sport Editor, Dan Roan.Lottie Tomlinson rose to fame as the younger sister of One Direction's Louis Tomlinson. At 16, she went on tour with the band as a make-up artist and a decade on, has become an entrepreneur. But Lottie's mother and sister died within a few years of each other, when she was just 20-years-old. She joins Anita to talk about her experience of grief, which she's written about her new memoir, Lucky Girl.When writer and counsellor Lucy Cavendish split up from her partner it took her a while to realise that the friends she had believed she shared with him were now his and his alone. She joins Anita, along with Rosie Wilby, comedian and author of the book The Breakup Monologues, to discuss why friendships can fracture in a break-up and the politics of who gets to keep the friends.The South African soprano Golda Schultz is one of the opera world's most versatile and in-demand performers. After a music-filled childhood, she started training as a journalist but made the leap to become a professional singer and overcame severe stage fright. She talks to Anita about her appearance at this year's Edinburgh International Festival in Mozart's Cosi Fan Tutte.Presenter: Anita Rani Producer: Maryam Maruf Editor: Olivia Bolton Studio Manager: Duncan Hannant

L'opéra Cosi fan tutte, créé en 1790 par Wolfgang Amadeus Mozart juste un an avant sa mort, est présenté en ce moment à l'Opéra Garnier dans une version très particulière. Anne Teresa de Keersmaeker, la chorégraphe belge flamande, signe la mise en scène. Elle double chaque chanteur ou chanteuse par un danseur ou une danseuse. Une dualité au cœur du livret, entre réalité et illusion, où des personnages se travestissent au nom de l'amour. Deux hommes décident d'éprouver la fidélité de leurs fiancées. Les jeunes officiers annoncent à leurs bien-aimées qu'ils doivent obéir à un ordre de mobilisation puis reviennent déguisés en voyageurs albanais décidés à les séduire. Cosi fan tutte de Mozart est un opéra bouffe, une œuvre légère en apparence, mais pleine de désillusion. Il incarne toute la profondeur de Mozart. Anne Teresa de Keersmaeker s'en empare avec délicatesse.Dans un décor d'une blancheur éclatante comme dans un musée, elle fait évoluer chanteurs et danseurs comme un seul corps qui tangue, s'incline et soudain se brise. Ainsi, chaque chanteur soliste est doublé par un danseur. Julien Monty, danseur, double le personnage de Ferrando, l'un des deux officiers. Vannina Santoni, chanteuse, interprète la jeune fiancée Fiordiligi, avec son double, la danseuse Cynthia Loemij.Ainsi, les sentiments exprimés à travers le chant et la musique sont décuplés par la danse. Une œuvre, une musique pleine d'allégresse, mais aussi de souffrance. Du Mozart dans toute sa puissance et une mise en scène d'Anne Teresa de Keersmaeker d'une beauté éblouissante.

L'opéra Cosi fan tutte, créé en 1790 par Wolfgang Amadeus Mozart juste un an avant sa mort, est présenté en ce moment à l'Opéra Garnier dans une version très particulière. Anne Teresa de Keersmaeker, la chorégraphe belge flamande, signe la mise en scène. Elle double chaque chanteur ou chanteuse par un danseur ou une danseuse. Une dualité au cœur du livret, entre réalité et illusion, où des personnages se travestissent au nom de l'amour. Deux hommes décident d'éprouver la fidélité de leurs fiancées. Les jeunes officiers annoncent à leurs bien-aimées qu'ils doivent obéir à un ordre de mobilisation puis reviennent déguisés en voyageurs albanais décidés à les séduire. Cosi fan tutte de Mozart est un opéra bouffe, une œuvre légère en apparence, mais pleine de désillusion. Il incarne toute la profondeur de Mozart. Anne Teresa de Keersmaeker s'en empare avec délicatesse.Dans un décor d'une blancheur éclatante comme dans un musée, elle fait évoluer chanteurs et danseurs comme un seul corps qui tangue, s'incline et soudain se brise. Ainsi, chaque chanteur soliste est doublé par un danseur. Julien Monty, danseur, double le personnage de Ferrando, l'un des deux officiers. Vannina Santoni, chanteuse, interprète la jeune fiancée Fiordiligi, avec son double, la danseuse Cynthia Loemij.Ainsi, les sentiments exprimés à travers le chant et la musique sont décuplés par la danse. Une œuvre, une musique pleine d'allégresse, mais aussi de souffrance. Du Mozart dans toute sa puissance et une mise en scène d'Anne Teresa de Keersmaeker d'une beauté éblouissante.

Opera Saratoga's season begins Friday with Mozart's “Cosi Fan Tutte,” followed the next night by “Guys and Dolls” and on Sunday, June 30, with the world premiere of “Mad Scramble for Crumbs.”Opera Saratoga's Artistic and General Director Mary Birnbaum joins us for a preview of the performances that run through July 7 at the Universal Preservation Hall in Saratoga.

durée : 00:25:14 - Mozart La trilogie Da Ponte : 3. Cosi fan tutte - par : Anne-Charlotte Rémond - Jamais 2 sans 3 ! Dans Cosi fan tutte, Da Ponte tire les ficelles et manipule ses personnages, mais la musique de Mozart en fait évidemment beaucoup plus que des marionnettes. Un opéra jugé immoral mais qui demeure populaire par sa musique, c'est dans Musicopolis, avec Anne-Charlotte Rémond ! - réalisé par : Philippe Petit

Edson Melendez talks about Brew City Opera's production of Mozart's COSI FAN TUTTE which opens Thursday evening and runs this weekend only.

Ocenjujemo 4. premiero letošnje sezone v Slovenskem narodnem gledališču opera in balet Ljubljana, kjer je bila na sporedu Mozartova opera Cosi fan tutte in zagrebško uprizoritev Puccinijeve La Boheme. Pod drobnogledom je tudi nedeljski 6. koncert letošnje sezone Pretežno vokalnega cikla Slovenske filharmonije, na katerem je Zbor Slovenske filharmonije pod vodstvom Urše Lah uzvočil spored sodobnejših uglasbitev duhovnih besedil. V nadaljevanju se odpravljamo v Maribor, kjer se je prejšnjo sredo v Kazinski dvorani SNG Maribor s 6. koncertom sezone sklenila letošnja edicija cikla Carpe artem, in v Celje – tam se je v četrtek s koncertom Pod Celjskim stropom v Stari grofiji Pokrajinskega muzeja Celje končal letošnji glasbeni abonma Sidrišča zavoda Hiše kulture Celje. Predstavili bomo še nekaj vtisov s predstave Ena pesem sodobne vizualne umetnice Miet Warlop in skupen projekt Akademije za glasbo, Programa Ars in ZKP RTV Slovenija z imenom Prepletanja. Gre za štiri nove glasbene albume zborov Akademije za glasbo Univerze v Ljubljani, v katerih se glasbena dediščina prepleta s sodobnostjo. Prav ob koncu bomo napovedali tudi prihajajoči 8. festival Prisluhi v Mestnem gozdu, ki se bo začel v nedeljo in bo trajal vse do konca junija.

蹦藝術EP155 莫札特歌劇《女人皆如此》～第二幕音樂精選與介紹 用耳朵閱讀古典音樂 - 蹦藝術 | BONART

Komedia o damsko-męskich relacjach "Cosi fan tutte" już w czasach Mozarta wywołała kontrowersje i oburzenie. Była nawet oskarżana o pornografię. W najbliższy piątek 15 marca Teatr Wielki Opera Narodowa w Warszawie pokaże na Dużej Scenie premierę w reżyserii Wojciecha Farugi. Spotkała się z nim nasza dziennikarka Katarzyna Sobiechowska-Szuchta. Reżyser postanowił przenieść akcję do Stanów Zjednoczonych, do roku 1969, w czasy rewolucji seksualnej.

durée : 00:04:43 - Classic & Co - par : Anna Sigalevitch - C'est un des grands chefs d'œuvre de Mozart, l'opéra "Cosi fan tutte" qui se joue jusqu'au 22 février au Théâtre du Chatelet, dans la mise en scène de Dmitri Tcherniakov.

Entretien téléphonique avec Souad NATECH  et Faustine PICCO réalisé par Eliane Pérus. Le Festival Opéra au Sommet a été créé en 2017 par Patrice VUILLAUME, maire d'Esquièze-Sère avec Victor DAHHANI, jeune ténor, originaire des Hautes- Pyrénées et la Compagnie "Opéra Ex Nihilo" . Il se déroulera du 28 au 30 juillet 2023 à Luz St Sauveur et à Sère. Souad NATECH, soprano colorature,  docteur en sciences de l'art et d'esthétique et artiste peintre a choisi après avoir enseigné en université de privilégier sa carrière d'artiste lyrique. Elle a chanté sur de grandes scènes internationales et françaises. Elle a fondé   la Compagnie Opéra Ex Nihilo dont l'objectif est de rendre l'opéra accessible à tous. Faustine PICCO, soprano , lauréate de D.E.M. de Versailles nous parle de la Compagnie PiccolOpéra, compagnie invitée dans ce festival et du spectacle" Cosi Fan Tutte" de Mozart qui sera joué le 28 juillet à 20 h 30 à la Maison de la Vallée à Luz St Sauveur en version comédie musicale.....A écouter Souad NATECH  interprétera le rôle de Violetta dans "La Traviata" de Verdi le 29 juillet à 20 h 30 à la Maison de la Vallée à Luz St Sauveur. Elle nous donne des précisions sur le spectacle, l'académie de choristes mise en place etc...A écouter Elle nous parle du dernier concert, le concert de clôture qui aura lieu le 30 juillet à 20 h 30 à l'église de Sère qui sera suivi de dégustation de produits locaux en présence des artistes. Les extraits musicaux que vous entendrez durant ce podcast : 1/ “La reine de la nuit” extrait de la Flûte enchantée de Mozart - par Souad Natech 2/ extrait du teaser de "PiccolOpéra“ - ”Cosi fan tutte" de Mozart 3/ extrait de “Luccia di Lammermoor” de Donizetti – par Souad Natech FESTIVAL "OPÉRA AU SOMMET" du 28 au 30 juillet 2023 à Luz St Sauveur et à Sère.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. In Napels speelt zich het verhaal af van de opera ‘Cosi fan tutte' van Wolfgang Amadeus Mozart. Daarin wordt, als deel van een weddenschap, de liefde en trouw van een tweetal vrouwen op de proef gesteld door hun eigen verloofden. Dat gegeven zorgt natuurlijk voor heel veel verwikkelingen, met een ‘eind goed al goed' - aan het slot. En dat allemaal op de prachtige muziek van Mozart 'Soave Sia Il Vento' dat 'Moge de wind in de zeilen jullie gunstig gezind zijn' betekent.

A cura di Paolo PellegriniW.A.Mozart “Così fan tutte”Fiordiligi, Dorothea RoschmannDorabella, Katherina KammerloherDespina, Daniela BrueraFerrando, Werner GuraGuglielmo, Hanno Muller-BrachmannDon Alfonso, Roman TrekelOrchestra e Coro Deutsche Oper BerlinDaniel Barenboim, direttore

durée : 00:25:14 - Mozart La trilogie Da Ponte : 3. Cosi fan tutte - par : Anne-Charlotte Rémond - Jamais 2 sans 3 ! Dans Cosi fan tutte, Da Ponte tire les ficelles et manipule ses personnages, mais la musique de Mozart en fait évidemment beaucoup plus que des marionnettes. Un opéra jugé immoral mais qui demeure populaire par sa musique, c'est dans Musicopolis, avec Anne-Charlotte Rémond ! - réalisé par : Philippe Petit

Majella Cullagh and Elmarie had a chat about how Mozart portrayed 2 unfaithful women in Cosi Fan Tutte which runs at Cork Opera House this week with Irish National Opera. Hosted on Acast. See acast.com/privacy for more information.

Marty chats to director of Irish National Opera's 'Cosi fan tutte' Polly Graham and mezzo-soprano Sharon Carty about their upcoming tour of Mozart's iconic opera.

Wolfgang Amadeus Mozart - Cosi fan tutte: Overture Capella Istropolitana Johannes Wildner, conductor More info about today's track: Naxos 8.553172 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

In this episode, John Savournin gives us a glimpse of what the rehearsal process for Ariadne auf Naxos has been like and reflects on his career so far, combining singing, directing and writing.Musical excerpt: Finale Act 1 from Cosi Fan Tutte by Mozart

It's Opera Week on the Culture Crawl, as we talk to the casts of two different Cedar Rapids Opera productions happening in the coming days. First up, the MainStage production of Mozart's “Cosi Fan Tutte,” a famous comedy of love and mistaken identity, but this show has a twist – it takes place on the … Continue reading The post Culture Crawl 782 “Shoulder Pads – How Big?” appeared first on Jazz 88.3 KCCK.

We're back! Join us for this week's podcast episode where we're joined by Opera in the Ozarks' costume designer, Kim Welborn. We chatted with Kim about her work on Opera in the Ozarks' recent re-envisioned production of The Magic Flute. What makes it re-envisioned? Its eco-conscious spin to the storyline and costumes constructed one hundred percent using trash and recycled materials!Go to https://www.usitt.org/news/technically-speaking-kim-welborn-talks-turning-trash-opera to learn more about Opera in the Ozarks' production of The Magic Flute and see visuals of the costumes discussed during today's episode.Get to know our guest: Kim Welborn is a freelance costume designer and resident designer for Opera in the Ozarks' summer program. Her costume career spans the gamut from historically accurate productions, including clothing for Florida's Quincentennial and the world premiere of My Dearest Friend for the National Park Service Centennial, to a production of The Magic Flute, re-envisioned as an environmental fable and built entirely from trash and recyclables. Recent projects include a 1960's Best Christmas Pageant Ever and All is Calm, the story of the World War 1 Christmas Eve truce. She has designed more than 30 musicals and plays; favorites include A Little Night Music; Hello, Dolly; Evita; The Producers; Paint Your Wagon; South Pacific; Spamalot; the Diary of Anne Frank and Blithe Spirit. Her past several years have focused largely on opera, including Marriage of Figaro, All is Calm, Tales of Hoffman, Don Pasquale, La Boheme, Amahl & the Night Visitors, Hansel & Gretel, and youth company productions for Opera Orlando; Cosi Fan Tutte, Cendrilllon, Lucia de Lammermoor and Little Women (Opera in the Ozarks); Pagliacci and The Birthday Clown (Savannah Opera Company); Pirates of Penzance (International Opera Center) and Dido and Aeneas (University of Northern Iowa). Kim is a world native who divides her time between New York, Maryland, and Florida. Learn more about today's advertiser, Stage Creatives Network:www.rachelannestiles.comwww.stagecreativesnetwork.com

Opera director Adele Thomas joins Ciaran on this week's episode of 'In Lockdown With...' Adele studied at Cambridge University before embarking on a career in directing. She was a participant on the National Theatre's Young Directors Scheme, before moving into directing opera. Adele has directed Handel's Bernice and Il Trovatore by Verdi for the Royal Opera House and Mozart's Cosi Fan Tutte for Northern Ireland Opera. Adele is also a founder member of Freelancers Make Theatre Work, a pressure group formed during the pandemic. Here Adele talks about her career. Recorded at the Wales Millennium Centre  

Beautiful Fans and Followers, I love a good meditation as it helps me be centered and calm - something we all need prior to a pageant, an interview, or LIFE! Join me today for an amazing gratitude meditation with Megan Gillespie. About Megan:Megan has two degrees from Manhattan School of Music, a Bachelor of Music and a Masters in Opera Performance. Megan's opera career has taken her to the Royal Opera House of Oman, the Palacio de la Opera de La Coruna in Spain, the Castleton Opera Festival, Central City Opera, Carnegie Hall, the Beverly Hills Sundays at Two Recital Series, One World Symphony, and to venues in Greve, Italy, and Salzburg, Austria.Her roles include: Maddalena in Rigoletto, Petra in A Little Night Music, Amelia in Ottelo, Wowkle in La fanciulla del West, Hyppolita in A Midsummer Night's Dream, Lyubasha in The Tsar's Bride, Barbara in One Penny Opera, Annina in La Traviata, Carmen in Carmen, Dorabella in Cosi Fan Tutte, to name a few. Some Oratorios she has performed are Rossinis' Stabat Matter, The Bach Christmas Oratorio, Alexander's Feast, and each year she performs Messiah with St. Cross Episcopal Church in Hermosa Beach.Megan has been a Young Artist at programs such as Central City Opera in Colorado and The Castelton Festival in Virginia under the baton of Lorin Maazel.She directed over 30 youth musicals, also performing as the music director. Most recently, she directed The Tsar's Bride for The Independent Opera Company.During the pandemic she has sung session work and voice overs from her home studio including commercials, podcasts, operas, and stories.Some of the awards Megan has won include: Regional MET National Council Auditions, Fe Bland Vocal Competition, Beverly Hills Music at the Mansion, LACMA Sundays Live, Opera Florham, AMTL Recitals in Carnegie Hall, Birgit Nilsson Scholarship, YoungArts Finalist, and the Palm Springs Opera Guild, Classical Singer CompetitionHow to connect with Megan:www.MeganGillespieMezzo.comTikTok: @Megnificent_LessonsIG: @Megnificent_LessonsFB: @MeganGillespiesStudioSupport the show

In this episode, we look at the soundtrack of the 2020 movie of Jane Austen's Emma written by Isobel Waller-Bridge and David Schweitzer. We look at how each of the main characters are given both a theme and instrument and how these themes interweave with each other. We also explore the choreography of the music to match the comedy shown, as well as how the folk and classical music help tell the story through emotions, lyrics, as well as reflecting location and class. Music included in podcast: "Peter and the Wolf, Op 67, No. 3, The Duck" - Prokofiev: Peter and the Wolf - Saint-Saens: Carnival of the Animals, music by Sergei Prokofiev, performed by Czechoslovak Radio Symphony Orchestra & Ondrej Lenard, 1990 "Cosi Fan Tutte, K. 588: "Sento, Oh Dio, Che Questo Piede" - Mozart: Cosi Fan Tutte, music by Wolfgang Amadeus Mozart, performed by Frank Lopardo, Sir Georg Solti, Chamber Orchestra of Europe, Olaf Bar, Michele Pertusi, Renee Fleming, Anne Sofia von Otter & David Syrus, 1996 "Emma Woodhouse" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Emma and Mr. Knightley (A Kiss Before They Wed)" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley Chases after Emma" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mr. Knightley is Destroyed" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Badly Done, Emma" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Concerto No. 4 in G Major for Piano and Orchestra, Op. 58, II. Andante con moto" - Beethoven: Piano Concerto No. 4 in G major, Op. 58, music by Ludwig van Beethoven, performed by Glenn Gould, Leonard Bernstein & New York Philharmonic, 1961 "The Proposal (Under the Horse Chestnut Tree)" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "A Chill Draft about the Knees" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Harriet Smith" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Harriet Smith and Robert Martin Meet on the Road" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Walk to Mrs. Goddard's School" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Piano Trio No. 1 in B-flat major, Op. 99 D. 898, II. Andante un poco mosso" - Schubert: Piano Trios, music by Franz Schubert, performed by Frank Braley, Gautier Capucon & Renaud Capucon, 2007 "Harriet Smith and Robert Martin Meet in the Rain" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Frank Churchill Arrives at Hartfield" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Danse Macabre: Op. 40" - Saint-Saens: Danse Macabre, music by Camille Saint-Saens, performed by Philharmonia Orchestra & Charles Dutoit, 1981 "Christmas Dinner at the Westons" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Poor Miss Taylor" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "We Shall Have our Ball" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Emma is Bored" - Emma (Original Motion Picture Soundtrack), music by Isobel Waller-Bridge & David Schweitzer, 2020 "Mrs. Elton Arrives at Hartfield" - Emma (Original Motion Picture Soundtrack), music by

20 hits from Rondo Veneziano, selected and mixed by DJ Lindsay. 1. Rondo Veneziano, 2. Love story, 3. Murano, 4. Odissea Veneziana, 5. Andante Veneziano, 6. Händel/Bach, 7. Don Giovanni, 8. Adagio, 9. Romanza, 10. Cosi Fan Tutte, 11. Badinerie, 12. Festa Celtica, 13. Arabesque, 14. La Serenissima, 15. Casanova, 16. Le mariage de Figaro, 17. Magica melodia, 18. Giochi d'acqua, 19. Arlecchino, 20. Colombina.

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durée : 00:05:39 - Classic & Co - par : Anna Sigalevitch - "Les noces de Figaro", "Don Giovanni" et "Cosi Fan Tutte", les trois opéras de Mozart composés avec le librettiste Lorenzo da Ponte se jouent en ce moment et jusqu'au 6 juin à l'Opera de Bordeaux dans une mise en scène d'Ivan Alexandre et sous la direction de Marc Minkowski.

Pleins feux ce dimanche sur le Studio lyrique du Palais des Beaux-Arts de Charleroi. Une initiative de l'institution carolorégienne qui a pour ambition d'aider de jeunes artistes lyriques diplômés, belges, ou ayant étudié en Belgique. Sélectionnés sur audition chaque saison, ces derniers reçoivent des conseils sur tous les aspects de l'Art lyrique : la dimension vocale, certes, mais aussi la dimension scénique, le jeu d'acteur... Une expertise et des conseils dispensés par le baryton Marcel Vanaud, et Cécile Bolle, directeurs artistiques de ce studio lyrique du Palais des Beaux-Arts de Charleroi et la metteuse en scène Karine Van Hercke, . A la clé pour ces jeunes chanteuses et chanteurs, la possibilité de se produire en public dans les plus grands opéras du répertoire, avec un orchestre professionnel, en l'occurrence " La Chapelle Musicale de Tournai ". Un Orchestre fondé il y a près de 30 ans par le pianiste Philippe Gérard, qui le dirige depuis sa création, et qui a fait de cet Orchestre, le partenaire musical de ce studio lyrique. A noter que Philippe Gérard est également Directeur musical de ce studio lyrique du Palais des Beaux-Arts de Charleroi. Ce 2 mai dernier, ce sont cinq chanteurs de ce studio lyrique qui se produisaient en l'église St jacques de Tournai. Au programme, une version de concert de "Cosi fan Tutte" de Mozart, accompagnée par la Chapelle musicale de Tournai, conduite par Philippe Gérard, qui dirigeait également les six chanteurs de ce célèbre opéra, au livret subtil de Da Ponte. De jeunes artistes que nous avons rencontrés après leur prestation, de même que le chef et Directeur musical, Philippe Gérard. Ils nous raconteront de l'intérieur comment ils ont vécu cette expérience, sans public, pour les raisons que l'on sait. Maintes fois reporté pour cause de pandémie, c'est le baryton Eric Dujardin, un chanteur professionnel chevronné qui avait dû remplacer au pied levé, le jeune Nicolas Roy, souffrant, dans le rôle de Gugliemo. Les cinq autres chanteuses et chanteurs font eux, bel et bien partie de ce studio lyrique du PBA de Charleroi : Tiffany Delguste (soprano): Fiordiligi Marie-Juliette Ghazarian (mezzo-soprano) : Dorabella Blandine Coulon (soprano) : Despina Kenny Ferreira (ténor) : Ferrando Halidou Nombre (baryton) : Don Alfonso Réalisation et présentation : Laurent GRAULUS Prise de son musicale RTBF Musiq3 : Francis WILLEMS et Manu WAUTIER

Chaque matin à 7h30, Pascal Goffaux et François Caudron font le tour de la scène culturelle, agrémenté de reportages et de rencontres.

Our Brainy Lecture peers into black holes and encounters Spaghettification, but no fear, as with any pasta based cosmological encounter we have a bonus sauce for the occasion. In our songs under the microscope we probably read way more into Rupert Holmes's lyrics than is probably sensible, but it does seem that Mozart ripped off the song for his own Cosi Fan Tutti. In A Sauce, A sauce, my kingdom for a sauce we make the simple yet stunning Red Pepper Sabayon and we uncover a medical theory to Explain Tintin's perpetual youth and lack of interest with women.

A detailed explanation of Mozart's Cosi Fan Tutte Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1229/Mozart%27s_Cosi_Fan_Tutte_Explained.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

My guest this week is Mr. George Shirley. He is a Grammy-winning opera singer(Ferrando in Mozart's Cosi Fan Tutte the role of Ferrando ). One of the first African-American, leading role tenors to sing at the Metropolitan Opera in New York City. He stayed for 11 seasons and gave 251 performances. Throughout his career, Shirley has sung more than 80 roles in opera houses around the world. In 2014, President Barack Obama awarded Shirley the National Medal of Arts, the highest honor for American artists. Today, Shirley maintains his commitment to teaching young singers and is the Joseph Edgar Maddy Distinguished Emeritus Professor of Voice at the University of Michigan.This podcast is sponsored byMichigan ArtShareJazz Alliance of Mid-Michigan J.A.M.M.Shambones MusicTo become a sponsor for this podcast, go to the Patreon link below.https://www.patreon.com/TiaTime1Produced by Green Bow Music

Please enjoy this 2020 Inwood Art Works On Air Live N' Local Sampler, featuring selections from the Live N' episodes of our first season of Inwood Art Works On Air!Selections: In the Heights Medley. Arranged by Dan Pardo and performed by Calliope Brass. Recorded September 13, 2020, at the 809 Restaurant and Lounge, 112 Dyckman St., New York City. Amour, viens aider ma faiblesse from Samson et Dalila. By Camille Saint-Saëns. Performed by Laura Virella, mezzo soprano. Recorded November 7, 2020, at Our Savior’s Atonement Lutheran Church, 112 Bennett Ave., New York City. Intracopas. Written and performed by Miguel Tejada. Recorded September 13, 2020, at the 809 Restaurant and Lounge, 112 Dyckman St., New York City. Two Phony Sick Days. Written and performed by Kevin Delaney. Recorded February 22, 2020, at the Theater at St. Peter’s Church, 619 Lexington Ave., New York City. Ebben? Ne andrò lontana from La Wally by Catalani. Performed by Kirstin Chambers, soprano and Keith Chambers, conductor/pianist. Recorded June 28, 2020, at 97 Park Terrace West, New York City. J Brahms Scherzo from "FAE" Sonata. Performed by Alighieri Duo. Recorded November 7, 2020, at Our Savior’s Atonement Lutheran Church, 112 Bennett Ave., New York City. Show Me Your Facebook. Written and performed by Samantha Echo. Recorded February 22, 2020, at the Theater at St. Peter’s Church, 619 Lexington Ave., New York City. Molly on the Shore. Written by P. Grainger; Arranged for woodwinds by Gil DeJean performed by Double Entendre Music Ensemble. Recorded February 22, 2020, at the Theater at St. Peter’s Church, 619 Lexington Ave., New York City. Prenderó quel brunettino from Cosi Fan Tutte by Mozart. Performed by Lori Phillips, soprano, and Mary Phillips, mezzo soprano. Recorded September 13, 2020, at the 809 Restaurant and Lounge, 112 Dyckman St., New York City. The Wild Rover. Performed by Jamie Ignao. Recorded September 13, 2020, at the 809 Restaurant and Lounge, 112 Dyckman St., New York City. Miel Coeur. Written and performed by Jamie Reynolds. Recorded February 22, 2020, at the Theater at St. Peter’s Church, 619 Lexington Ave., New York City. Little Heart. Written and performed by Hot Glue & The Gun. Recorded September 13, 2020, at the 809 Restaurant and Lounge, 112 Dyckman St., New York City.

durée : 00:22:53 - Disques de légende du vendredi 27 novembre 2020 - "Un enregistrement qui n'a pas pris une ride, à écouter jusqu'à l'ivresse !" écrit Philippe Cassard dans La Discothèque idéale. Pour cette version mythique de "Cosi fan tutte" de Mozart, Herbert von Karajan avait réunit une brillante équipe de six chanteurs, dont la célèbre Elisabeth Schwarzkopf...

Benjamin Fifita Makisi was born in Wellington, NZ and is of Tongan and Samoan descent. He began singing at a young age with the Tongan Wesley Methodist church choir in Wellington. He graduated with a Master of Performance (Opera) with High Distinction from the University of Sydney Conservatorium of Music and a Bachelor of Music (Performance) from Victoria University Wellington. He had also received his tutoring in New York, London and in Italy.   He was a semi-finalist at the Vinãs Concourso Internationale in Barcelona, Spain 2005. He was the winner of the prestigious Sydney McDonalds Eisteddfod Aria in 2002. He was winner of the NZ Aria (Rotorua) in 2001. He was awarded creative arts NZ Iosefa Enari Memorial Award in 2002.   His concert performances include performances with Operatunity ‘Viva Italia’ NZ Tour and Operatif in Brisbane, Australia; Government House Dominion Post Summer Pops 2012; Government House Gardens Auckland 2011; The Tenor Soloist in BRITTENS Les Illuminations for Wellington Vector Orchestra 2009; the Third Jew in Salome by STRAUSS with the Auckland Philharmonia 2008; Christchurch Symphony Orchestra Opera Gala in 2007.   He has performed for TVNZ Media Awards, Westfield Style Pasifika, NZ Pacific Island Sports Award, NZ Samoan Sports Awards and has sung the National Anthem for the All Blacks.   He has performed alongside Dame Kiri Te Kanawa and has performed with Dame Malvina Major, Sir Donald McIntyre and the Late Sir Howard Morrison. He had also sung for the State funeral of Sir Edmund Hillary broadcasted all around the world.   Benjamin has also travelled extensively and performed in concerts in New York, London, Tuscany, Barcelona, London, Hong Kong, Sydney, Melbourne, Brisbane and the Pacific Islands.   He recently performed the role of Abdallo in Nabucco by VERDI for Auckland Philharmonia Ochestra – Opera in Concert and Leicester in Maria Stuarda by DONIZETTI for Days Bay Opera, Wellington; the Narrator in Berlioz L'enfance du Christe for Bach Musica Viva in Auckland; St Nicholas by BRITTEN for Nota Bene in Wellington; the Tenor Soloist in Carmina Burana by ORFF for Auckland Philharmonia Orchestra and Conte Libenskof in The Journey to Rheims by ROSSINI for Days Bay Opera 2010; Edgardo in Lucia di Lammermoor by DONIZETTI for Opera Australia 2008; Pang in Turandot by PUCCINI and Arturo in Lucia di Lammermoor by DONIZETTI for NBR NZ Opera 2007; Ferrando in Cosi Fan Tutte by MOZART 2004 and Count Almaviva in Barber of Seville by ROSSINI 2003 for NBR NZ Opera Tour. He also performed the role of Prisoner/Muleteer/Turkish Moor alongside Anthony Warlow and Caroline O'Connor in the musical Man of La Mancha by WASSERMAN 2002   INTERNATIONAL COMPETITIONS & AWARDS   2005                Semi Finalist      Francesco Viñas Int’l Concourso           Barcelona, Spain                         Recipient           Willi Fels Memorial Award                    New Zealand See omnystudio.com/listener for privacy information.

March is packed with competitions; music, lacrosse, even walking is about winning. The St Helen's netball team have reached the National Finals but Penny’s ankle is still dodgy after falling down the stairs drunk on New Year's Eve. Will this stand in their way of national domination? Rehearsals have begun for ‘Trial by Jury’; Penny is appalled to find that her costume shows too much decolletage and decides that she pop wants to be a pop singer NOT an opera singer! Recorded in the dressing room at His Majesty’s theatre, Perth, with fellow Cosi Fan Tutte cast members, soprano Prudence Sanders and mezzo-soprano Ashlyn Tymms.

Conductor Jeremy Silver who is also head of the UCT Opera School. See omnystudio.com/listener for privacy information.

Two officers are engaged to two sisters. The boys take a bet that their fiancées will remain faithful. They pretend to leave on assignment, assume disguises and pay court to each other's intended. Will the girls give in? Performed in English, you maybe surprised and even disturbed by the outcome, but Mozart's music is hard to resist

Two officers are engaged to two sisters. The boys take a bet that their fiancées will remain faithful. They pretend to leave on assignment, assume disguises and pay court to each other's intended. Will the girls give in? Performed in English, you maybe surprised and even disturbed by the outcome, but Mozart's music is hard to resist

This extra-special, bonus episode of Opera Central is a real, uncut conversation between Music Director John Baril, Orchestra Personnel Manager and Violist Brian Cook, Mezzo-Soprano Megan Marino and Baritone Michael Mayes over a couple of beers. The two couples chatted about life and art during the time of COVID outside of the historic Penrose House Complex in Central City after Meg and Mike performed in the Garden for the CCO Al Fresco series. Covering topics like how their lives have changed since the pandemic, how watering flowers and maintaining historic properties have inspired John and Brian to live in the moment, and the ways Meg and Mike envision American opera changing for the better, you'll feel like you're right there among the elements with these four friends. Since the interview had to be recorded outside for safety purposes, you'll hear wind, motor noise, bird calls, the occasional dog barking, and even the famous Central City Wild West Shootout in the background. That's summer life outside in Central City! You'll hear Mike speak first, then John, Brian, and finally Meg. Enjoy! Megan and Michael's "opera meets bluegrass" #CCOAlFresco concert is available online starting August 26 at centralcityopera.org/ccoalfresco.  Along with being Central City Opera's Orchestra Personnel Manager, Brian Cook is a music educator, chef, massage therapist and more! Learn more about him at cookwithcook.com.  John and Brian reference "working for (Director of Historic Properties) Eric Chinn" throughout the episode. If you'd like to volunteer to help maintain Central City Opera's historic properties and garden, email us at marketing@centralcityopera.org. Megan and Michael talk about connecting more deeply with their neighbors and making music on their front porches during this prolonged period at home during the pandemic. Jason Hicks, their neighbor/the front man of the acclaimed Blue Canyon Boys, even joined them as a featured artist on our #CCOAlFresco concert series! Read more about Jason and the Blue Canyon Boys at bluecayonboys.com.  **Easter egg alert!** Check out a secret performance of Megan Marino's French opera/"Pure Imagination" mashup referenced in the interview here. All four of these guests have appeared on the podcast in the past. Check out John's episodes (Season 4, Episode 3 - BILLY BUDD; Season 3, Episode 5 - IL TROVATORE; Season 2, Episode 8 - COSI FAN TUTTE; and Season 1, Episode 2 - TOSCA). Find Brian's past episode here (Season 1, Episode 19), Megan's past episode here (Season 2, Episode 13 - COSI FAN TUTTE) and Michael's past episodes here (Season 2, Episode 12 - CARMEN and Season 1, Episode 7 - TOSCA).

durée : 00:59:08 - Musique matin du mardi 18 août 2020 - par : Gabrielle Oliveira-Guyon - La mezzo-soprano Marianne Crebassa est à l'affiche du Cosi fan tutte, tant attendu au Festival de Salzbourg dans une version réduite et épurée, aux côtés des françaises Elsa Dreisig et Léa Desandre. Le timbre de la chanteuse brille et sublime la musique de Mozart pour cette 100e édition. - réalisé par : Laurence Malonda

French soprano Elsa Dreisig today is a beneficiary of the Liz Mohn Culture and Music Foundation at the Staatsoper Berlin’s International Opera Studio and a member of the Opéra-Théâtre de Clermont-Ferrand. In 2015 she won second prize in the Queen Sonja international music competition in Norway and since then singer can often be found performing at song recitals and concerts. Her Fiordiligi debut in Berlin was abruptly canceled due to the pandemic restrictions this spring. Eager to get back to work, Elsa Dreisig is offered to bring this role on stage in the 100th Salzburg festival this summer. W. A. Mozart‘s Cosi Fan Tutte staged by Christof Loy was an unexpected new project, uniting such singers as Marianne Crebassa, Andre Schuen, Bogdan Volkov, Lea Desandre and Johannes Martin Kränzle. In the interview soprano Elsa Dreising elaborates on the rehearsing process of Cosi Fan Tutte during the times of pandemic, her approach to Fiordiligi, and her take on opera singer‘s life today.

Vocalist, Thought Leader, Songwriter, Theatre/Film Producer, and Innovator in Music Education. Alena Bernardi grew up in the suburbs of Detroit, Michigan in a grey brick house that stood on a dirt road with 3 acres of land. In the evenings, as a child, Alena would listen to her mother stumble through and eventually master traditional piano classics from Beethoven to Debussy, while her father would read science fiction novels to her and her brother in the bedroom across the house. At seven, Alena finally had begged her mom and dad enough for lessons that they signed her up. It was around then that the Phantom of the Opera was in the midst of touring around the states, and, at a request to her mother to accompany her in the 2nd grade talent show singing Andrew Lloyd Webber’s classic, Angel of Music, Alena was off to developing an addiction to the style that perfectly blends musical theatre and classical music. Alena co-founded Unicorn Music Academy in January 2020 to open up the young people’s hearts and minds to the music around them and give them the tools they ned to organize their ideas and create freely. Credits include: Fiordiligi in Cosi Fan Tutte, Musetta in La Boheme, Barbarina in The Marriage of Figaro, Lily Garland in On The Twentieth Century, and Rapunzel in Into the Woods.

Episode # 078 Original Airdate: April 16 2020 Produced by: Doug Krisch Length: 25 minutes Samples: "Running Away," Bob Marley and the Wailers (1978) Mozart's Cosi Fan Tutte (1790).  Met Opera Production, Mar 31, 2018 "The Wasteland," T.S. Eliot (1922)  

Auch die Neuinszenierung von „Cosi fan tutte“ muss nun an der Staatsoper Unter den Linden ausfallen. Anstelle dieser Premiere bespricht unser Opernkritiker Kai Luehrs-Kaiser die Vorgänger-Produktion der Mozartoper, die auf DVD erschienen ist. Die Filmemacherin Doris Dörrie hat die Geschichte auf die Bühne der Staatsoper gebracht.

Both the Coalition and Labor have the same new home buyers policy, so just how much should the rest of us be panicking? (1:31-15:16) The Israel Folau saga has shown the rise of ‘woke capitalism' in Australia, why and how should this be combated? (15:16-33:31) US unemployment is now at record lows, so is Donald Trump's economic agenda working? (33:31-44:46) Scott Hargreaves and Dr Chris Berg are joined by Daniel Wild and Dr Bella d'Abrera to discuss these issues and share what they've been reading, watching and listening to this week, including Wandering Earth, Cosi Fan Tutte,  The Captured Economy and Goethe: Life as a Work of Art (44:46-59:27) Show notes Latest First Home Buyers Policy Is Shortsighted And Likely To Create A Bubble, Daniel Wild https://ipa.org.au/publications-ipa/latest-first-home-buyers-policy-is-shortsighted-and-likely-to-create-a-bubble The Rise of Woke Capital, Ross Douthat https://www.nytimes.com/2018/02/28/opinion/corporate-america-activism.html The Wandering Earth, Liu Cixin https://www.amazon.com.au/Wandering-Earth-Classic-Science-Collection-ebook/dp/B00CXUKNA2  Cosi Fan Tutte, Mozart https://opera.org.au/home/productions/cosi-fan-tutte/cheat-sheet The Captured Economy, Brink Lindsey & Steven M. Teles https://www.amazon.com/Captured-Economy-Powerful-Themselves-Inequality/dp/019062776X Goethe: Life as a Work of Art, Rüdiger Safranski https://www.amazon.com/Goethe-Life-as-Work-Art/dp/0871404907

We speak to the Bloomsbury Opera cast and crew, who are putting on a spectacular version of the famous Cosi Fan Tutte which will be on show on the 12th and 14th February in the Great Hall here at Goodenough. Take a listen to hear all of the ins and outs of the upcoming show! Only good things to come!

Sue Lawley's castaway this week is the chief executive of BP, John Browne. His father had also worked for the company and through visits to Iran as a boy, he witnessed spectacular oil-well blow-outs which gave him a fascination for the business. He joined BP after leaving university, starting at the sharp end as a petroleum engineer in Alaska in the 1970s. For 20 years, he travelled the world, working his way up the ladder before permanently settling in London. Almost 10 years ago, he said that oil companies must take seriously the threat of global warming and take measures to tackle the issue. He was knighted in 1998, and created a life peer in 2001 as Lord Browne of Madingley.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: An extract from the end of Act 1 of Cosi Fan Tutte by Wolfgang Amadeus Mozart Book: Other Men's Flowers: An Anthology of Poetry by Lord Wavell Luxury: A lifetime's supply of great cigars