American poet, essayist and feminist
POPULARITY
12 episodes with Adrienne Rich
4 episodes with Adrienne Rich
6 episodes with Adrienne Rich
5 episodes with Adrienne Rich
4 episodes with Adrienne Rich
7 episodes with Adrienne Rich
3 episodes with Adrienne Rich
2 episodes with Adrienne Rich
2 episodes with Adrienne Rich
Le consentement aujourd'hui Cinq ans après la sortie du livre « Le consentement » de Vanessa Springora, huit ans après Me Too, la notion de consentement est abordée beaucoup plus souvent dans nos discussions, nos débats, et dans les médias. Mais qu'en est-il concrètement, dans nos vies quotidiennes, nos interactions sexuelles et amoureuses. Nos interactions sociales, tout court ? Alors que l'Assemblée nationale a récemment adopté un projet de loi introduction la notion de non-consentement dans la définition du viol, et que le Sénat s'apprête à l'étudier, cet épisode d'Un podcast à soi donne la parole à des femmes, des hommes et des enfants, sur ce que cela signifie, pour elleux, le consentement.Avec :– Les élèves de primaire à Bordeaux, accompagné par l'association Projet Luna (Instagram) ;– Les groupes de parole organisés par Marie Charlie Pignon ;– Les élèves d'Anaïs ;– Alexia Boucherie, sociologue ;– Lydia Fenner, sociologue– Rebecca Lévy Guillain, Sociologue et thérapeute – Des hommes accompagnés en groupe de parole par le collectif "Nous sommes"Textes et bibliographie :– Rêves de feu, Françoise D'Eaubonne ;– Le rêve d'un langage commun, Adrienne Rich ;– Insolations, Meryem AlqamarPour aller plus loin :– Troubles dans le consentement, Alexia Boucherie– Thèse de Lydia Fenner – Les pièges du consentement, Catherine Le Magueresse– La sexualité qui vient, Marie Bergström– L'association Sexe & Consentement– La Licornerie– Blog de Frédérique Pollet-RouyerRemerciements :Merci à Mathilde Yansa et Frédérique Pollet-Rouyer. Enregistrements mai 2025 Prise de son, montage Charlotte Bienaimé Textes et voix Charlotte Bienaimé Réalisation Annabelle Brouard Lectures Laure Giappiconi Accompagnement éditorial Sarah Bénichou Community manager Marie Wrobel Illustration Anna Wanda Gogusey
I was hungry for language. And stories. And how to tell our stories. That's what this book gave me. But let's not make a Bible out of it.Today we meet Kris Kleindienst and we're talking about the queer book that saved her life: Diving Into The Wreck by Adrienne Rich.Kris is a 72-year old queer lesbian writer, bookseller, and activist. She owns Left Bank Books, a 56-year old progressive bookstore in St. Louis, Missouri. Kris edited a collection of activist essays titled This Is What Lesbian Looks Like: Dyke Activists Take on The 21st Century, published by Firebrand Press and winner of a Lambda Literary Award. She was a gold medal winning and 4-time participant in The Gay Games (also the co-founder of Team St. Louis). She has won multiple awards locally, regionally and nationally for my work with Left Bank Books. She is at work on a memoir about growing up in the 50s-60s with a Lesbian mother. Fun fact: She once got high with Armistead Maupin.Diving into the Wreck: Poems 1971–1972 was Adrienne Rich's seventh book of poetry, an anthology of poems described as provocative and which co-won the 1974 National Book Award for Poetry with Allen Ginsberg's The Fall of America. Adrienne Rich (1929-2012) was an award-winning poet and essayist.Special Limited SeriesThis episode is part of a special limited series of episodes featuring only guests who are owners or staff at LGBTQ bookstores. Airing April-June 2025, these episodes will feature six bookstores across the United States and United Kingdom.Today's guest owns Left Bank Books. Opened in 1969 by a group of graduate students at Washington University who wanted to create a place where one could find all kinds of literature, Left Bank Books is the oldest and largest independently-owned full-line bookstore in St. Louis, Missouri. Open seven days a week, Left Bank Books offers a full-line of new and used books, gifts, cards, toys and services. Learn more and get shopping: left-bank.comConnect with Kriswebsite: left-bank.comfacebook: facebook.com/kleindienstBecome an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: John Parker (learn more about my name change)Executive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Jonathan Fried, Paul Kaefer, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Join us in helping Lambda Literary raise $20k for The Writers Retreat for Emerging LGBTQ Voices to ensure all writers can attend. Donate here: http://bit.ly/3RjW51aSupport the show
Rencontre avec Charlotte Blanchard, Shira Abramovich et Lénaïg Cariou, à l'occasion de la parution de la traduction du recueil, Le Rêve d'un langage commun (The Dream of a Common Language) d'Adrienne Rich, dans la collection Des écrits pour la parole, de L'Arche éditrice. Ces poèmes d'Adrienne Rich sont un hommage aux femmes, à la prise de conscience et à la lutte pour l'existence – de l'intime politique. Dans Le Rêve d'un langage commun, la chercheuse Marie Curie, l'artiste Paula Becker et l'alpiniste pionnière Elvira Shataeva forment une constellation de guides dans une histoire empêchée, où la poésie devient lieu de mémoire et de transmission. Dans ce recueil phare de la poétesse, exploration intime de sa vie à 45 ans, se mêlent souvenirs amoureux, histoire et lutte sociale : disant pour la première fois ses amours avec une femme, elle marque durablement l'histoire littéraire.Édition bilingue en anglais et en français, traduction de Shira Abramovich et Lénaïg Cariou.Charlotte Blanchard a écrit la thèse Réception et traduction de la poésie d'Adrienne Rich en France. Université Michel de Montaigne- Bordeaux III, 2019.Pour continuer l'exploration du travail d'Adrienne Rich, nous vous conseillons les nouvelles publications suivantes : Plonger dans l'épave, Poèmes 1971-1972, traduction de Chantal Ringuet, aux Éditions du Noroît. Le sens de notre amour pour les femmes, Deux discours pionniers sur l'articulation nécessaire entre lesbiennes et féministes, traduction Marie Chuvin, Perspective Émilie Notéris & Florence Andoka, Affiche Audrey Voydeville, dans la collection Au cœur des éditions Les Prouesses. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
On this week's show, Steve, Dana, and Julia gab about Another Simple Favor, the sequel to Paul Fieg's 2018 A Simple Favor, which again pits Blake Lively and Anna Kendrick in a twisty, noir comedy. Next, they discuss Amy Sherman Paladino's new Franco-American ballet TV confection Étoile. Finally, they confer on the shocking conclave pick of an American pope with New York Times journalist and Vatican-watcher Ruth Graham. In the exclusive Slate Plus Bonus Episode, the panel spoils the heck out of all the many wild plot turns of Another Simple Favor. Endorsements: Dana: The new film April by up-and-coming Georgian filmmaker Déa Kulumbegashvili. Julia: An essay by Keith Phipps's about six crucial seconds in The French Connection and the experience of seeing this William Friedken film classic at a repertory cinema near you. Steve: The enduringly nourishing poem “Peeling Onions” by Adrienne Rich. Podcast production by Jessamine Molli. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's show, Steve, Dana, and Julia gab about Another Simple Favor, the sequel to Paul Fieg's 2018 A Simple Favor, which again pits Blake Lively and Anna Kendrick in a twisty, noir comedy. Next, they discuss Amy Sherman Paladino's new Franco-American ballet TV confection Étoile. Finally, they confer on the shocking conclave pick of an American pope with New York Times journalist and Vatican-watcher Ruth Graham. In the exclusive Slate Plus Bonus Episode, the panel spoils the heck out of all the many wild plot turns of Another Simple Favor. Endorsements: Dana: The new film April by up-and-coming Georgian filmmaker Déa Kulumbegashvili. Julia: An essay by Keith Phipps's about six crucial seconds in The French Connection and the experience of seeing this William Friedken film classic at a repertory cinema near you. Steve: The enduringly nourishing poem “Peeling Onions” by Adrienne Rich. Podcast production by Jessamine Molli. Learn more about your ad choices. Visit megaphone.fm/adchoices
Classic appearances by two giants in the world of poetry regardless of gender or orientation, reading from their work and responding to their audience, brought together by the magic of recording tape (!) and the courtesy of the Pacifica Radio Archives (produced by Brian DeShazor). And in NewsWrap: transgender former High Court judge Dr. Victoria McCloud will take the U.K. Supreme Court definition of the word “woman” to the European Court of Human Rights, the sports world in the U.K. feels the Supreme Court's trans-exclusive definition of “woman” and “sex,” a phalanx of congressional Democrats introduce a new version of the Equality Act to add sexual orientation and gender identity to U.S. civil rights law, a case that could determine whether private businesses must offer coverage for PrEP in their employee insurance policies gets a hearing before the U.S. Supreme Court, the U.S. Health and Human Services Department releases a 400-page report on pediatric gender dysphoria that recommends conversion therapy under a different name, Poland says goodbye to its last remaining “LGBT Free Zone” when local authorities in the small town of Łańcut vote for repeal, a group of Maryland parents take their demand to opt their children out of LGBT-themed lessons to the U.S. Supreme Court, Jill “I Kissed a Girl” Sobule goes out with a vice presidential satirical song, and more international LGBTQ+ news reported this week by Michael LeBeau and Melanie Keller (produced by Brian DeShazor). All this on the May 5, 2025 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/
Baltimore and Adrienne Rich
Why are women punished for being honest about motherhood?When Chappell Roan said her friends with kids are “in hell,” the backlash wasn't about the words but about breaking the performance. In this episode of Scenic Route, sociologist and coach Jennifer Walter unpacks the emotional labour, mental load, and societal expectations that define modern motherhood.Why do we praise men like Seth Rogen for opting out of parenthood while vilifying women who name the cost of caregiving? Why do tradwife aesthetics trend while actual support for mothers disappears?This episode explores:The mental load and invisible labour that mothers carryWhy motherhood is a performance, not just an experienceThe backlash against Chappell Roan and what it revealsAdrienne Rich on motherhood as institution vs. experienceErving Goffman's theory of social roles and the "good mother" maskThe rise of the trad wife movement and its political implicationsWhy unpaid care work is central to the global economy—and still invisibleThe cost of honesty in a culture built on maternal silence
Het moederschap is een instituut gecontroleerd door mannen. Dat hoeft het niet te zijn. Die boodschap verkondigde de Amerikaanse dichter, essayist en activist Adrienne Rich in haar baanbrekende werk Uit vrouwen geboren. Wat is de nalatenschap van deze feministische klassieker en haar poëzie? Met Hedy d'Ancona, Niña Weijers, Dieuwertje Mertens en Margriet van Heesch.Adrienne Rich (1929-2012) was een van de invloedrijkste stemmen van de tweede feministische golf. Als dichter en essayist verkende zij thema's zoals vrouwelijkheid en het patriarchaat even nietsontziend als empathisch. In Uit vrouwen geboren (1976) contrasteerde Rich de persoonlijke, potentieel bevrijdende, ervaring van het moederschap met de verstikkende maatschappelijke mal waarin vrouwen als moeders worden gegoten.Bijna vijftig jaar na publicatie en twee feministische golven verder, onderzoeken we de relevantie van Uit vrouwen geboren (waarvan in februari een heruitgave verschijnt) in de huidige tijd waarin feministische verworvenheden weer onder druk staan. Ook bespreken we de invloed van Richs poëzie.Programmamaker: Larissa BiemondModerator: Ianthe MosselmanIn samenwerking met De Groene Amsterdammer, Vfonds en Nijgh en Van DitmarZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Au menu du débat livres. Par Sarah Clément et Salomé Kiner. Neige Sinno, La Realidad, P.O.L Joël Dicker, La très catastrophique visite du zoo, Rosie & Wolfe Sixtine Dano, Sibylline, chroniques d'une escort girl, Glénat. Coups de cœur: Adrienne Rich, Le Rêve d'un langage commun, L'Arche (SK) Keum Suk Gendry-Kim, Mon ami Kim Jong-Un, Futuropolis (SC)
In The Wedding Planner, Steve and Mary never technically cross a physical line—but does that mean nothing shady is going on? If you're emotionally invested in someone outside your relationship, is that cheating? This week, DB brings in feminist relationship theory from bell hooks, Esther Perel, and Adrienne Rich to unpack emotional infidelity—what it is, why it happens, and how relationship norms shape who gets away with it. Plus: why women are expected to tolerate emotional neglect, how to set boundaries without controlling your partner, and why emotional closeness doesn't have to be a threat to commitment. Mentioned in this episode: "The Wedding Planner": Girlbossing, Gaslighting, and Groom-Stealing" (Rom-Com Vom) CONNECT WITH US Instagram: @sexedwithdbpodcast TikTok: @sexedwithdbTwitter: @sexedwithdb Threads: @sexedwithdbpodcast YouTube: Sex Ed with DB ROM-COM VOM SEASON 11 SPONSORS: Lion's Den, Uberlube, Magic Wand, & Arya. Get discounts on all of DB's favorite things here! GET IN TOUCH Email: sexedwithdb@gmail.comSubscribe to our newsletter for behind-the-scenes content and answers to your sexual health questions! FOR SEXUAL HEALTH PROFESSIONALS Check out DB's workshop: "Building A Profitable Online Sexual Health Brand" ABOUT THE SHOW Sex Ed with DB is your go-to podcast for smart, science-backed sex education—delivering trusted insights from top experts on sex, sexuality, and pleasure. Empowering, inclusive, and grounded in real science, it's the sex ed you've always wanted. SEASON 11 TEAM Creator, Host & Executive Producer: Danielle Bezalel (DB) Producer: Sadie Lidji Communications Lead: Cathren Cohen Logo Design: Evie Plumb (@cliterallythebest)
Dziś kolejna rozmowa o przekładach, tym razem tych najtrudniejszych, bo poetyckich. Podczas ostatniego Festiwalu Poezji Silesius prezentowana była seria „Wygłosy” Wydawnictwa Ossolineum, w której ukazują się przekłady wybranych tomów z różnych języków i tradycji. I tak oto Jerzy Jarniewicz opowiadał o Zejściu do wraku słynnej amerykańskiej poetki i eseistki Adrienne Rich, z kolei Justyna Czechowska - o Osebolu Marit Kapli, ośmiusetstronnicowym tomie złożonym wyłącznie z wypowiedzi mieszkańców pewnej szwedzkiej wsi. O książki i pracę nad nimi tłumaczy pytała poetka Agata Puwalska. Zapraszamy do słuchania i zachęcamy też do odwiedzania innych bliskich nam miejsc w przestrzeni internetowej:➡️ kanał YT Dom Literatury: https://www.youtube.com/@wroclawskidomliteratury ➡️ FB Radio Proza: https://www.facebook.com/radioproza ➡️ Ig Radio Proza: https://www.instagram.com/radio_proza/
What do you know about matrescence? Most people will agree that everything changes with parenthood, and that's what this term covers: the process of becoming a mother. Yet, despite shared private understanding and a large body of recent research on all the physiological and mental effects, many policies and medical processes continue to ignore what mothers have always known.Lucy Jones is a journalist and the author of Matrescene: On The Metamorphosis of Pregnancy, Childbirth, and Motherhood. In this episode, we delve into what's lacking in support for matrescence and why, and how ongoing research, policy changes, and sharing information through resources like Lucy's book can help change the conversation. Whether you're already a mother, are considering becoming one, or support one in any way, Lucy's insights will be enlightening and empowering.Discover the details of matrescence and why we need to talk more about it:The origins and importance of having a word for this universal, natural experience;The impact of not having enough information in the early months and years of parenthood;The permanent changes the brain goes through during this period;The social disconnect between the expectation to give birth and the lack of support.Related Links:Matrescence: On Pregnancy, Childbirth, and Motherhood by Lucy Jones - https://bookshop.org/p/books/matrescence-on-the-mind-body-spirit-transformations-of-pregnancy-childbirth-and-motherhood-lucy-jones/20398692Lucy's website - https://lucyfjones.com/Discover all of Lucy's books: https://lucyfjones.com/books/Lucy on Instagram - https://www.instagram.com/lucyfjones/Episode 333, An Honest Look Into Motherhood and Health - https://www.bossedup.org/podcast/episode333Episode 488, Talking Menopause at Work - https://www.bossedup.org/podcast/episode488Pregnancy leads to long-lasting changes in human brain structure, Nature Neuroscience - https://www.nature.com/articles/nn.4458The Birth Of A Mother by Alexandra Sacks - https://www.nytimes.com/2017/05/08/well/family/the-birth-of-a-mother.htmlOf Woman Born: Motherhood as Experience and Institution by Adrienne Rich - https://bookshop.org/p/books/of-woman-born-motherhood-as-experience-and-institution-adrienne-rich/8794956?ean=9780393541427LEVEL UP: a Leadership Accelerator for Women on the Rise - https://www.bossedup.org/levelupBossed Up Courage Community - https://www.facebook.com/groups/927776673968737/Bossed Up LinkedIn Group - https://www.linkedin.com/groups/7071888/
Adrienne Rich, ahots ez-konbentzionala...
"The beauty of darkness is how it lets you see." - Stine vertelt over deze zin van de Amerikaanse dichter Adrienne Rich.
“What are you going through?” This was one of the central animating questions in Simone Weil's thought that pushed her beyond philosophy into action. Weil believed that genuinely asking this question of the other, particularly the afflicted other, then truly listening and prayerfully attending, would move us toward an enactment of justice and love.Simone Weil believed that any suffering that can be ameliorated, should be.In this episode, Part 2 of our short series on How to Read Simone Weil, Cynthia Wallace (Associate Professor of English at St. Thomas More College at the University of Saskatchewan), and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of Religion and Evan Rosa discuss the risky self-giving way of Simone Weil; her incredible literary influence, particularly on late 20th century feminist writers; the possibility of redemptive suffering; the morally complicated territory of self-sacrificial care and the way that has traditionally fallen to women and minorities; what it means to make room and practicing hospitality for the afflicted other; hunger; the beauty of vulnerability; and that grounding question for Simone Weil political ethics, “What are you going through?”We're in our second episode of a short series exploring How to Read Simone Weil. She's the author of Gravity and Grace, The Need for Roots, and Waiting for God—among many other essays, letters, and notes—and a deep and lasting influence that continues today.In this series, we're exploring Simone Weil the Mystic, Simone Weil the Activist, Simone Weil the Existentialist. And what we'll see is that so much of her spiritual, political, and philosophical life, are deeply unified in her way of being and living and dying.And on that note, before we go any further, I need to issue a correction from our previous episode in which I erroneously stated that Weil died in France. And I want to thank subscriber and listener Michael for writing and correcting me.Actually she died in England in 1943, having ambivalently fled France in 1942 when it was already under Nazi occupation—first to New York, then to London to work with the Free French movement and be closer to her home.And as I went back to fix my research, I began to realize just how important her place of death was. She died in a nursing home outside London. In Kent, Ashford to be precise. She had become very sick, and in August 1943 was moved to the Grosvenor Sanitorium.The manner and location of her death matter because it's arguable that her death by heart failure was not a self-starving suicide (as the coroner reported), but rather, her inability to eat was a complication rising from tuberculosis, combined with her practice of eating no more than the meager rations her fellow Frenchmen lived on under Nazi occupation.Her biographer Richard Rees wrote: "As for her death, whatever explanation one may give of it will amount in the end to saying that she died of love.In going back over the details of her death, I found a 1977 New York Times article by Elizabeth Hardwick, and I'll quote at length, as it offers a very fitting entry into this week's episode on her life of action, solidarity, and identification with and attention to the affliction of others.“Simone Weil, one of the most brilliant, and original minds of 20th century France, died at the age of 34 in a nursing home near London. The coroner issued a verdict of suicide, due to voluntary starvation—an action undertaken at least in part out of wish not to eat more than the rations given her compatriots in France under the German occupation. The year of her death was 1943.“The willed deprivation of her last period was not new; indeed refusal seems to have been a part of her character since infancy. What sets her apart from our current ascetics with their practice of transcendental meditation, diet, vegetarianism, ashram simplicities, yoga is that with them the deprivations and rigors‐are undergone for the pay‐off—for tranquility, for thinness, for the hope of a long life—or frequently, it seems, to fill the hole of emptiness so painful to the narcissist. With Simone Well it was entirely the opposite.“It was her wish, or her need, to undergo misery, affliction and deprivation because such had been the lot of mankind throughout history. Her wish was not to feel better, but to honor the sufferings of the lowest. Thus around 1935, when she was 25 years old, this woman of transcendent intellectual gifts and the widest learning, already very frail and suffering from severe headaches, was determined to undertake a year of work in a factory. The factories, the assembly lines, were then the modem equivalent of “slavery,” and she survived in her own words as “forever a slave.” What she went through at the factory “marked me in so lasting a manner that still today when any human being, whoever he may be and in whatever circumstances, speaks to me without brutality, I cannot help having the impression teat there must be a mistake....”[Her contemporary] “Simone de Beauvoir tells of meeting her when they were preparing for examinations to enter a prestigious private school. ‘She intrigued me because of her great reputation for intelligence and her bizarre outfits. ... A great famine had broken out in China, and I was told that when she heard the news she had wept. . . . I envied her for having a heart that could beat round the world.'“In London her health vanished, even though the great amount of writing she did right up to the time she went to the hospital must have come from those energies of the dying we do not understand—the energies of certain chosen dying ones, that is. Her behavior in the hospital, her refusal and by now her Inability to eat, vexed and bewildered the staff. Her sense of personal accountability to the world's suffering had reached farther than sense could follow.”Last week, we heard from Eric Springsted, one of the co-founders of the American Weil Society and author of Simone Weil for the Twenty-First Century.Next week, we'll explore Simone Weil the Existentialist—with philosopher Deborah Casewell, author of Monotheism & Existentialism and Co-Director of the Simone Weil Research Network in the UK.But this week we're looking at Simone Weil the Activist—her perspectives on redemptive suffering, her longing for justice, and her lasting influence on feminist writers. With me is Cynthia Wallace, associate professor of English at St. Thomas More College at the University of Saskatchewan, and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of Religion.This is unique because it's learning how to read Simone Weil from some of her closest readers and those she influenced, including poets and writers such as Adrienne Rich, Denise Levertov, and Annie Dillard.About Cynthia WallaceCynthia Wallace is Associate Professor of English at St. Thomas More College at the University of Saskatchewan, and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of Religion, as well as **Of Women Borne: A Literary Ethics of Suffering.About Simone WeilSimone Weil (1909–1943) was a French philosopher, mystic, and political activist. She's the author of Gravity and Grace, The Need for Roots, and Waiting for God—among many other essays, letters, and notes.Show NotesCynthia Wallace (Associate Professor of English at St. Thomas More College at the University of Saskatchewan), and author of The Literary Afterlives of Simone Weil: Feminism, Justice, and the Challenge of ReligionElizabeth Hardwick, “A woman of transcendent intellect who assumed the sufferings of humanity” (New York Times, Jan 23, 1977)Of Women Borne: A Literary Ethics of SufferingThe hard work of productive tensionSimone Weil on homework: “Reflections on the Right Use of School Studies with a View to the Love of God”Open, patient, receptive waiting in school studies — same skill as prayer“What are you going through?” Then you listen.Union organizerWaiting for God and Gravity & GraceVulnerability and tendernessJustice and Feminism, and “making room for the other”Denise Levertov's ”Mass for the Day of St. Thomas Didymus”“Levertov wrote herself into Catholic conversion”“after pages and pages of struggle, she finally says: “So be it. Come rag of pungent quiverings, dim star, let's try if something human still can shield you, spark of remote light.”“And so she argues that God isn't particularly active in the world that we have, except for when we open ourselves to these chances of divine encounter.”“ Her imagination of God is different from how I think a lot of contemporary Western people think about an all powerful, all knowing God. Vae thinks about God as having done exactly what she's asking us to do, which is to make room for the other to exist in a way that requires us to give up power.”Exploiting self-emptying, particularly of women“Exposing the degree to which women have been disproportionately expected to sacrifice themselves.”Disproportionate self-sacrifice of women and in particular women of colorAdrienne Rich, Of Woman Borne: ethics that care for the otherThe distinction between suffering and afflictionAdrienne Rich's poem, “Hunger”Embodiment“ You have to follow both sides to the kind of limit of their capacity for thought, and then see what you find in that untidy both-and-ness.”Annie Dillard's expansive attentivenessPilgrim at Tinker Creek and attending to the world: “ to bear witness to the world in a way that tells the truth about what is brutal in the world, while also telling the truth about what is glorious in the world.”“She's suspicious of our imaginations because she doesn't want us to distract ourselves from contemplating the void.”Dillard, For the Time Being (1999) on natural evil and injusticeGoing from attention to creation“Reading writers writing about writing”Joan Didion: “I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means, what I want and what I fear.”Writing as both creation and discoveryFriendship and “ we let the other person be who they are instead of trying to make them who we want them to be.”The joy of creativity—pleasure and desire“ Simone Weil argues that suffering that can be ameliorated should be.”“ What is possible through shared practices of attention?”The beauty of vulnerability and the blossoms of fruit trees“What it takes for us to be fed”Need for ourselves, each other, and the divineProduction NotesThis podcast featured Cynthia WallaceEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Emily Brookfield, Liz Vukovic, and Kacie BarrettA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
Subscriber-only episodeSend us a textBooks are a time-tested cure-all, so in this week's bonus episode Amy weighs a few of the titles that have helped her forget life's latest troubles and doubts … (sort of). She leaves no stone unturned in her quest for distraction, from Proust's meandering sentences to a behind-the-scenes memoir about a beloved '80s film and a charming, century-old suffrage novel that captures our current political zeitgeist. Rounding out the episode is a sneak peak at “lost ladies” we'll be featuring in the coming year and Amy's recitation of a poem by Adrienne Rich that's perfectly suited to these strange times.Mentioned in this episodeWhichbook.netThe Sturdy OakMeditations by Marcus AureliusWhen Things Fall Apart by Pema Chodron.Remembrance of Things Past by Marcel ProustSwann's Way by Marcel ProustLost Ladies of Lit Episode No. 116 on Dorothy RichardsonLost Ladies of Lit Episode No. 9 on Dorothy Canfield FisherLost Ladies of Lit Episode No. 98 on HeterodoxyPilgrimage by Dorothy RichardsonInconceivable Tales from the Making of the Princess Bride by Cary ElwesTurning to Stone: DiscoveringFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast
Planet Poet-Words in Space – NEW PODCAST! LISTEN to my WIOX show (originally aired October 22nd, 2024) featuring award-winning poet Janet Kaplan who will explore the theme of “Chaos and Creativity” in her poetry. Her work has earned praise from poets and critics including Dan Beachy Quick and Adrienne Rich. Visit: Sharonisraelpoet.com. Visit: Janet Kaplan Ecotones. Janet Kaplan's full-length poetry books are Ecotones (2022; shortlisted for the Sexton Prize and published by The Black Spring Press Group Ltd., London), Dreamlife of a Philanthropist (2011 Sandeen Prizewinner from the University of Notre Dame Press), The Glazier's Country (2003 Poets Out Loud Prizewinner from Fordham University Press), and The Groundnote (1998, Alice James Books). Her collection & then is forthcoming from PB&J Books. Her honors include grants from the New York Foundation for the Arts and the Bronx Council on the Arts, fellowships and residencies from the VCCA, Yaddo, Ucross, and the Vermont Studio Center. Her work has appeared in many literary journals and anthologies, (An Introduction to the Prose Poem, Firewheel Editions, 2007; Lit from Inside: 40 Years of Poetry from Alice James, Alice James Books, 2012; and Like Light: 25 Years of Poetry & Prose by Bright Hill Poets & Writers, 2017). She has served as Poet in Residence at Fordham University and as a member of the undergraduate and graduate creative writing faculty at Hofstra University, where she edited the digital literary magazine AMP. Praise for Ecotones:"The personal. The citational. The chronicle. All the “conquistadorial spillage….” In Ecotones, Janet Kaplan pieces these verging environs. The writing is transitional; contemplative. We are reminded everywhere of how edges touch, how language is code. The poet has flipped the surface of the page to better show us a map of our disconsolate displacements. “Motion is the translation of a body from the place it occupies to another place,” writes Euler; Janet Kaplan: “and I, bit player, confessor-chronicler, / will write it.” "- Edric Mesmer, author of Fawning and series editor of Among the NeighborsPraise for Dreamlife of a Philanthropist“…The poems here hover above their own titles, this dreamlife of the poem more important than the poem itself, a place in which thinking is not yet thought, intent not yet conclusive, not language even as a form of life, but language in the process of making that life possible. It isn't a mental life; it's too real for that easy confine. Let's just call it the necessary life – a life of serious play.” - Dan Beachy-Quick
In this episode, I explain Adrienne Rich's notion of "compulsory heterosexuality." Please consider donating to one of the following organizations: Palestinian Children's Relief Fund: https://pcrf1.app.neoncrm.com/forms/general United Nations Relief and Works Agency: https://donate.unrwa.org/gaza/~my-donation Middle East Children's Alliance: https://secure.everyaction.com/1_w5egiGB0u0BAfbJMsEfw2 Twitter: @DavidGuignion IG: @theory_and_philosophy
In this episode, we're joined by Amanda Montei, the author of "TOUCHED OUT: Motherhood, Misogyny, Consent, & Control." Amanda's work, which spans from The New York Times to ELLE, brings a critical eye to the experiences of motherhood under the weight of societal expectations. We talk about the line between the institution of motherhood and our experience of mothering, referencing back to Adrienne Rich's work and trace some of Amanda's experience of mothering as transformational, creative, and even radicalizing. Amanda's work explores the body and consent, and the ways in which parenting is not just an arena where we may pass on beliefs about our bodies, but also for learning about them. Motherhood as an area for self-inquiry and discovery, as well as social and political activism and exploration, is something we discuss - moving between both the broader social and cultural institution and intimate lived experience. Amanda shares her insights on boundaries, good girl conditioning, consent, maternal ambivalence and maternal identity, and motherhood as a source of both constraint and power. Tune in to explore how motherhood can serve as both a refuge and a form of rebellion, reshaping identity and challenging societal norms. Follow Amanda's ongoing exploration of motherhood on Instagram: https://www.instagram.com/amontei/ or read a copy of her book https://www.amandamontei.com/
On this edition of Madison BookBeat, host Sara Batkie speaks with author Jennifer Kabat about her memoir The Eighth Moon from Milkweed Editions, ahead of Kabat's appearance at A Room of One's Own on Tuesday, September 10th.A rebellion, guns, and murder. When Jennifer Kabat moves to the Catskills, she has no idea it was the site of the Anti-Rent War, an early episode of American rural populism. As she forges friendships with her new neighbors and explores the countryside on logging roads and rutted lanes—finding meadows dotted with milkweed in bloom, saffron salamanders, a blood moon rising over Munsee, Oneida, and Mohawk land—she slowly learns of the 1840s uprising, when poor tenant farmers fought to redistribute their landlords' vast estates. In the farmers' socialist dreams, she discovers connections to her parents' collectivist values, as well as to our current moment. Threaded with historical documents, the natural world, and the work of writers like Adrienne Rich and Elizabeth Hardwick, Kabat weaves a capacious memoir, where the past comes alive in the present.Jennifer Kabat's diptych The Eighth Moon and Nightshining are being published by Milkweed Editions in 2024 and 2025. She's been awarded a Warhol Foundation Arts Writers Grant for her criticism, and the books were supported by grants from the Silvers Foundation and NYFA. Her essays and criticism have appeared in 4 Columns, Frieze, Granta, The White Review, BOMB, Harper's, The Believer, and McSweeney's as well as Best American Essays. She lives in rural New York, serves in her local fire department and teaches in the Design Research MA program at SVA.
Radical Feminist Retrospective revisits earlier episodes of Radical Feminist Perspectives now available on Spotify for the first time. Episode 55 - 'Of Woman Born' by Adrienne Rich, discussed by Ana Julia Di Lisio and Sheila Jeffreys. First broadcast 7th May 2023. Part of our webinar series Radical Feminist Perspectives, offering a chance to hear leading feminists discuss radical feminist theory and politics. Register at https://bit.ly/registerRFP.
Celebrating the art of the poetic punch & helping Form Breakers everywhere say "f*ck you" to their nemesissies. If you'd like to support Breaking Form:Review the show on Apple Podcasts here.Buy our books: Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTESListen to Taylor Swift sing a mash-up of "thanK you aIMee" (about Kim Kardashian) and "Mean" on the Eras tour in London here. Read John Dryden's "MacFlecknoe"Visit Lisa Glatt online. Read "Wanda in Worryland" by Wanda Coleman (scroll down). Aaron reads her poem "What it Means to Be Dark." Read this consideration of Coleman's work by Dan Chiasson in The New Yorker.You can read Catallus's fuck you poem (#33 translated by AZ Foreman) here. The link here has a recording of the poem recited in Latin too.Adrienne Rich's poem "Song" is the 9th poem in Diving Into the Wreck. The first poem is "Trying to Talk With a Man." And you can read "The Phenomenology of Anger" here. The receipt about Rich driving Bishop is here.Read Jayne Cortez's "There it Is." There It Is is also the title of the album released in 1982 by Jayne Cortez and the Firespitters, which contains Cortez's poem as the lead track. Listen to the poem set to music here. And you can watch Cortez perform here.
Today we're diving into the profound biological, psychological and social shifts experienced when becoming a mother - a process known as "matrescence.” Jen sits down with science journalist, Lucy Jones, who experienced a seismic identity shift that arose after the birth of her first child. Lucy and Jen unpack groundbreaking neuroscience research and they expose the deep-rooted myths and unrealistic expectations surrounding modern motherhood. From the minimizing of postpartum struggles to the pressure of "natural birthing" ideals, Lucy reveals how these systemic fictions can breed shame, isolation and maternal mental health crises. Jen and Lucy discuss: The concept of "matrescence" - the biological, psychological and social transition to becoming a mother that renders profound identity changes How modern cultural myths and idealized notions of motherhood as blissful and "natural" can be deeply alienating and contribute to maternal mental health issues The systemic lack of scientific research and societal rituals to prepare and support women through the seismic transformation of matrescence The need to construct new narratives, share vulnerable experiences, and build community care around the modern realities of the matrescence * * * Thought-Provoking Quotes: “[Matrescence] is a very simple concept that means the process of becoming a mother. The word is a little bit like 'adolescence'. It was coined by the late American anthropologist Dana Rafael in the 70's. She also coined the word 'doula'. She first wrote about it in an essay collection published in 1974 where she talks about how, in most societies and cultures across the world, people have always had a sense that a mother is born when a baby is born. But she also describes your identity, your social relationships, your roles, your everyday life, your mind, your psychology, and your emotions." - Lucy Jones Resources Mentioned in This Episode: Matrescence by Lucy Jones - https://bit.ly/4dDYI83 Foxes Unearthed by Lucy Jones - https://bit.ly/44E9Uxp Losing Eden by Lucy Jones - https://bit.ly/4byVO2k Dana Rafael (an American Anthropologist) - https://en.wikipedia.org/wiki/Dana_Raphael “The Birth of a Mother” (A New York Times Article by Alexandra Sacks) - https://bit.ly/4bow0WK 2017 NIH Article on Pregnancy Leading to Changes in the Brain - https://bit.ly/3UAGiMK Of Woman Born by Adrienne Rich - https://wwnorton.com/books/Of-Woman-Born/ Andrea O'Reilly - https://en.wikipedia.org/wiki/Andrea_O'Reilly Guest's Links: Lucy's Website: https://lucyfjones.com/ Lucy's Twitter: https://twitter.com/lucyjones Lucy's Instagram: https://www.instagram.com/lucyfjones/ Lucy's Facebook: https://www.facebook.com/lucyjonesbooks/ Connect with Jen! Jen's website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmaker Jen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmaker Jen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is a production of Four Eyes Media, presented by Audacy. Four Eyes Media: https://www.iiiimedia.com/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Amanda Holmes reads Adrienne Rich's “Planetarium.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman.This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.
Shahzia Sikander talks to Ben Luke about her influences—from writers to musicians and, of course, other artists—and the cultural experiences that have shaped her life and work. Sikander, born in 1969 in Lahore, Pakistan, trained in the tradition of Indo-Persian manuscript painting and has used its forms, techniques and language as a launchpad for a wide-ranging engagement with colonial and postcolonial histories, with feminism, gender and sexuality, and with cultural identity and narratives around race. Working in drawing, painting, animation, video, mosaic and most recently sculpture, she has created a body of work in which existing and invented images and forms are juxtaposed to vivid and poetic effect. Technically exquisite and conceptually profound, her works have an instant impact but reward slow looking with layered narratives, references and histories. She discusses her early discovery of Michelangelo in Lahore, explains how she has channelled the “soulfulness” Eva Hesse found in minimalism in her response to historic manuscript painting, reflects on the importance of her teenage experience of Mogadishu, Somalia, and speaks about the enormous importance of poetry to her work, including the US writer Adrienne Rich's translations of the Indian poet Mirza Ghalib. Plus, she gives insight into her life in the studio, and answers our usual questions, including which artwork, if she could only have one, she would most like to live with.Shahzia Sikander: Collective Behavior, Palazzo SoranzoVan Axel, Venice, Italy, 20 April-20 October; Cincinnati Art Museum, Ohio, US, 14 February-4 May 2025; Cleveland Museum of Art, 14 February-8 June 2025. Shahzia Sikander: Havah…to breathe, air, life, University of Houston, Texas, US, until 31 October; Entangled Pasts, 1768–now: Art, Colonialism and Change, Royal Academy of Arts, London, until 28 April 2024. Hosted on Acast. See acast.com/privacy for more information.
In every symptom is a seed of power, ladies! Diane Seuss joins to talk Adrienne Rich and Gwendolyn Brooks.Support Breaking Form!Review the show on Apple Podcasts here.Buy our books: Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books. Diane's MODERN POETRY is available March 5, 2024 from Graywolf Press.Read Adrienne Rich's poem about Marie Curie: "Power." You can hear Cheryl Strayed read the poem and discuss it here. Or listen to Adrienne Rich read the poem here. Read Gwendolyn Brooks's "the mother." You can hear Brooks read "the mother" here.Women in Therapy is Harriet G. Lerner's book published by Harper and Row.We reference Plath's poem "Edge" from our recent Galentine's episode (listen here!)Watch this 1986 interview with Gwendolyn Brooks conducted by Alan Jabbour, director of the Library of Congress' American Folklore division, and E. Ethelbert Miller, poet and director of the African American Resource Center at Howard University (~30min).
I'm excited to be on today with two longtime friends. They met in medical school in Beirut and have been together for 18 years. I jokingly call their story the worst one night stand ever– because 18 years, two countries, several cities, and two children later, they're still going strong. Their story is beautiful, and it has it all – from years of one having no idea that the other was pursuing them, to long distance before they could be together, making hard decisions about love and career, navigating family and the world, and finally where they are now, bringing up their two little boys, starting with an adoption call that changed their lives forever. I was 35 when I met a long-term gay woman couple for the first time, in which the women were significantly older than me. It brought to mind an Adrienne Rich quote about the consequences of invisibility and lack of modeling. It goes: “When those who have the power to name and to socially construct reality choose not to see you or hear you...when someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked in the mirror and saw nothing. It takes some strength of soul--and not just individual strength, but collective understanding--to resist this void, this non-being, into which you are thrust, and to stand up, demanding to be seen and heard.”As those who've been listening to the podcast know, part of this project is to offer our stories to people like us and to the world. We are here. And it is my pleasure and privilege to be able to share about who we are. Find us !Instagram: @queereverythingpodcastWebsite: http://www.queereverything.comYouTube: Queer Everything
Dorianne Laux is the author of several collections of poetry, including What We Carry (1994), a finalist for the National Book Critics Circle Award; Smoke (2000); Facts about the Moon (2005), chosen by the poet Ai as winner of the Oregon Book Award and also a finalist for the Lenore Marshall Poetry Prize; The Book of Men (2011), which was awarded the Paterson Prize; and Only As the Day is Long: New and Selected (2019). She has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and has been a Pushcart Prize winner. Laux's free-verse poems are sensual and grounded, and they reveal the poet as a compassionate witness to the everyday. She observed in an interview for the website Readwritepoem, “Poems keep us conscious of the importance of our individual lives ... personal witness of a singular life, seen cleanly and with the concomitant well-chosen particulars, is one of the most powerful ways to do this.” Speaking of the qualities she admires most in poetry, Laux added, “Craft is important, a skill to be learned, but it's not the beginning and end of the story. I want the muddled middle to be filled with the gristle of the living.” She was first inspired to write after hearing a poem by Pablo Neruda. Other influences include Sharon Olds, Lucille Clifton, Anne Sexton, and Adrienne Rich.Laux has taught creative writing at the University of Oregon, Pacific University, and North Carolina State University; she has also led summer workshops at Esalen in Big Sur. She is the co-author, with Kim Addonizio, of The Poet's Companion: A Guide to the Pleasures of Writing Poetry (1997). She lives in Raleigh, North Carolina, with her husband, poet Joseph Millar.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
In this episode of High Theory, Margaret Galvan talks about the queer politics of Visibility. In her work the activist practices of representation take concrete form in comic books, photographs, and even drawings on lecture slides! In the episode, she discusses the photography of Nan Goldin and queer comic books in the 1980s. She quotes Adrienne Rich's 1980 essay “Compulsory Heterosexuality and Lesbian Existence.” She also references This Bridge Called My Back: Writings By Radical Women of Color, and Gloria Anzaldúa's Borderlands/La Frontera. At the end of the episode she references the Lesbian Avengers, who have amazing images. Margaret Galvan is an assistant professor of English at the University of Florida. Her research examines how visual culture operates within the print media of feminist and queer social movements of the 1970s-1990s. Her brand new book In Visible Archives: Queer and Feminist Visual Culture in the 1980s, is out this fall from University of Minnesota Press‘s Manifold Scholarship Series. You should go check it out! Because the amazing images Margaret talks about were drawn recently, they're still in copyright. Our image this week is from Gladys Parker's comic Mopsy which ran from 1937 to 1966. Parker was a successful female artist in a world of mainstream US comic books dominated by men. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Moving from the aftermath of Reconstruction through the AIDS crisis, a new cultural history of the United States shows how artists, intellectuals, and activists turned political disappointment--the unfulfilled desire for change--into a basis for solidarity. Sara Marcus argues that the defining texts in twentieth-century American cultural history are records of political disappointment. Through insightful and often surprising readings of literature and sound, Marcus offers a new cultural history of the last century, in which creative minds observed the passing of moments of possibility, took stock of the losses sustained, and fostered intellectual revolutions and unexpected solidarities. Political Disappointment: A Cultural History from Reconstruction to the AIDS Crisis (Harvard UP, 2023) shows how, by confronting disappointment directly, writers and artists helped to produce new political meanings and possibilities. Marcus first analyzes works by W. E. B. Du Bois, Charles Chesnutt, Pauline Hopkins, and the Fisk Jubilee Singers that expressed the anguish of the early Jim Crow era, during which white supremacy thwarted the rebuilding of the country as a multiracial democracy. In the ensuing decades, the Popular Front work songs and stories of Lead Belly and Tillie Olsen, the soundscapes of the civil rights and Black Power movements, the feminist poetry of Audre Lorde and Adrienne Rich, and the queer art of Marlon Riggs and David Wojnarowicz continued building the century-long archive of disappointment. Marcus shows how defeat time and again gave rise to novel modes of protest and new forms of collective practice, keeping alive the dream of a better world. Disappointment has proved to be a durable, perhaps even inevitable, feature of the democratic project, yet so too has the resistance it precipitates. Marcus's unique history of the twentieth century reclaims the unrealized desire for liberation as a productive force in American literature and life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Episode 95: Barbie's Accumulating Emergencies borrows a phrase from Adrienne Rich, invites a Barbie Manifesto, discusses creativity in the young and rhapsodizes on the importance of creativity and nurturing the fragile growing mind. Yes, we did all that in 30 minutes. Listen and find out.
This week, Cindy Juyoung Ok talks with torrin a. greathouse, a transgender cripple-punk poet and essayist who is the author of the forthcoming DEED (Wesleyan University Press), as well as Wound from the Mouth of a Wound (Milkweed Editions, 2020). Ok and greathouse get into poetic forms—which they liken to open-source software—particularly the beloved “burning haibun” form that greathouse created and that she wrote about for Poetry's “Not Too Hard to Master” series. The essay appears in the July/August issue of Poetry alongside their Springsteen-inspired burning haibun, “Dancing in the Dark,” which greathouse reads on the podcast. They also interrogate the anti-trans rhetoric and language of radical white feminist poets, and greathouse reads “There's No Trace of the Word ‘Transgender' in Adrienne Rich's Biography,” which previously appeared in Poetry.
This week, Cindy Juyoung Ok talks with torrin a. greathouse, a transgender cripple-punk poet and essayist who is the author of DEED, which is forthcoming from Wesleyan University Press, and Wound from the Mouth of a Wound (Milkweed Editions, 2020). Ok and greathouse discuss the ways in which poetic forms can function as open-source software, and they dive into the beloved burning haibun form greathouse created. She wrote about the form for Poetry's new series, “Not Too Hard to Master,” which you can find alongside her Springsteen-inspired burning haibun, “Dancing in the Dark,” in the July/August issue of Poetry. They also interrogate the anti-trans rhetoric and language of radical white feminist poets, and greathouse reads “There's No Trace of the Word ‘Transgender' in Adrienne Rich's Biography,” which previously appeared in Poetry.
In this episode, Matt and Sam join Moira Donegan and Adrian Daub — co-hosts of the new podcast “In Bed With The Right" — for an in-depth look at the life, times, and work of the late Midge Decter, who died in 2022. Decter was inspired by a distinctly conservative, mid-century American reading of Freudian psychology, mobilized in defense of traditional family hierarchies, which made her an important link between neoconservatives and the religious right — unsurprisingly, she helped found or served on the boards of numerous conservative organizations, including the Heritage Foundation, Committee for the Free World, and the Independent Women's Forum, among others. Her essays, books, and memoirs represent an anguished counter-revolt against the sexual liberation movements of the 1960s, 70s, and 80s, and her trajectory from (ostensible) New Deal liberal to anti-feminist Cold Warrior proves a perfect subject for Know Your Enemy. Decter also was married to Norman Podhoretz (another subject of KYE lore) and the mother of John Podhoretz, current editor of Commentary magazine. A quarrelsome, Jewish conservative with a lively writing style and a fascinating, emblematic life story: what could be better?Further Reading:Midge Decter, An Old Wife's Tale: My Seven Decades in Love and War (2002) —The New Chastity and Other Arguments Against Women's Liberation (1972)— Always Right: Selected Writings of Midge Decter (2002)— Liberal Parents, Radical Children (1975)— Rumsfeld: A Personal Portrait (2003)— “The Boys on the Beach,” Commentary, Sept 1980.— “Socialism & Its Irresponsibilities: The Case of Irving Howe,” Commentary, Dec 1982.— “Documentation: Sex Education on Trial—What They're Teaching Our Children,” Crisis Magazine, Dec 1, 1998.John Podhoretz, A Son's Eulogy for Midge Decter (1927-2022), Commentary, May 12, 2022.R. R. Reno, “My Memories of Midge Decter,” First Things, May 11, 2022.Jeet Heer, “Farewell to Midge Decter, the Bigot on the Beach,” The Nation, May 13, 2022.Ronnie Grinberg, “An overlooked conservative writer helps explain Trump's enduring appeal,” Washington Post, May 20, 2022.Douglas Martin, “Midge Decter, an Architect of Neoconservatism, Dies at 94,” NYTimes, May 9, 2022.Adrienne Rich, “The Anti-Feminist Woman,” NYRB, Nov 30, 1972. ...and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!
Maggie Millner reads a poem by Adrienne Rich and Section 2.9 from Millner's new book Couplets. Queer Poem-a-Day Lineage Edition is our new format for year three! Featuring contemporary LGBTQIA+ poets reading a poem by an LGBTQIA+ writer of the past, followed by an original poem of their own. Maggie Millner is the author of Couplets (FSG, 2023). Her poems have appeared in The New Yorker, The Paris Review, The Nation, BOMB, Kenyon Review, Poetry, and elsewhere. She is currently a senior editor at The Yale Review and a lecturer in writing at Yale. Text of today's original poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Find books from participating poets in our library's catalog. Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this third year of our series is AIDS Ward Scherzo by Robert Savage, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.
Today we're reclaiming our erotic power and studying a holy trinity of queer feminist writers: Adrienne Rich, Audre Lorde, and Gloria Anzaldúa. Join our free & public community discussion here. To support the pod and join our thriving ask a sub community of kinky pocket friends, Join Patreon starting at $5/month! Read The Bisexual Ghost. Get instructions for submitting YOUR STORY to our community-sourced May Deep Dive here. Submit questions for this podcast as voice memos to podcast@askasub.com Go here for information on how to record a voice memo Subscribe to the subby substack here. Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad
On the latest episode I'm joined by Glenys Livingstone, a pioneering researcher and thought leader who's been walking the Goddess path since 1979. Glenys is the author of "PaGaian Cosmology: Re-inventing Earth-based Goddess Religion, which fuses the indigenous traditions of Old Europe with scientific theory, feminism, and a poetic relationship with place." This book was an outcome of her doctoral work in Social Ecology. Her newest book is "A Poiesis of the Creative Cosmos: Celebrating Her within PaGaian Sacred Ceremony," which synthesizes much of her work over the years.On today's episode we discuss:* Glenys' spiritual background, including her conversion to Catholicism in her teens, as well as her growing disillusionment with Christianity* The "a-ha" moment that occurred when she realized, pregnant and unmarried, that knowing a female deity would allow her to view her situation without shame* What "PaGaian cosmology" means, including how it combines pagan spirituality with scientific theory to give us a new way to recognize and honor Her (the Goddess) as creative life force* Why it's important that we recognize the inherent power in language and the naming of things and life experiences * How honoring the equinoxes, solstice and cross-quarter days found on the pagan Wheel of the Year can bring us closer to the Sacred Feminine and provides an opportunity to consciously participate in the creative dance of the cosmosShow Notes If you'd like to know whose ancestral tribal lands you currently reside on, you can look up your address here: https://native-land.ca/My book, “Home to Her: Walking the Transformative Path of the Sacred Feminine,” is now available Womancraft Publishing! To learn more, read endorsements and purchase, please visit https://womancraftpublishing.com/product/home-to-her/. It is also available for sale via Amazon, Bookshop.org, and you can order it from your favorite local bookstore, too.Please – if you love this podcast and/or have read my book, please consider leaving me a review! For the podcast, reviews on iTunes are extremely helpful, and for the book, reviews on Amazon and Goodreads are equally helpful. Thank you for supporting my work!You can watch this and other podcast episodes at the Home to Her YouTube Channel: https://www.youtube.com/@hometoherYou can learn more about Glenys and her work at http://pagaian.org. You can also find her on Facebook at https://www.facebook.com/PagaianCosmology, and join her PaGaian Cosmology Facebook group: https://www.facebook.com/groups/257877322873Glenys referenced so many excellent resources during our conversation! I've done my best to capture them all for you below: Helen Reddy's ("I Am Woman" singer) Grammy acceptance speech, in which she referred to God as "she": https://youtu.be/HWkk9rKZyZUThe work of feminist theologians Rosemary Radford Ruether and Mary DalyStarhawk, whose book "The Spiral Dance," was instrumental in launching the modern witchcraft movementWorks/groups that influenced her early on included Lux Madriana; "Children of the Dream;" and "Immaculate Deception," by Suzanne ArmsThe works of Sonia Johnson and Miriam Robbins DexterMonique Wittig's "Les Guerilles"Caitlin Matthews is an expert in Celtic lore; Glenys referenced her work while we were discussing the triskele, or Triple Spiral seen at the entrance of Newgrange in Ireland. the work of feminist Charlene SpretnakGaia Theory, developed by James Lovelock and Lynn Margulis Brian Swimme, who together with Thomas Berry, wrote "The Universe Story," which Glenys references in her most recent bookMiriam Robbins Dexter and her book, "Whence the Goddesses: A Source Book"The wonderful poet/writer Adrienne Rich, and her book "Of Woman Born: Motherhood as Experience and Institution" Similar/relevant Home to Her episodes include: I referenced my discussion with poet Joy Ladin during this conversation. You can listen here: https://hometoher.simplecast.com/episodes/shekhinah-speaks-with-joy-ladinReclaiming Women's Histories with Max Dashu: https://hometoher.simplecast.com/episodes/reclaiming-womens-histories-with-max-dashuThe Legacy of Marija Gimbutas with Joan Marler: https://hometoher.simplecast.com/episodes/the-legacy-of-marija-gimbutas-with-joan-marler-v2vWO3gAMaking Matriarchy Great Again with Vicki Noble and Dawn Alden: https://hometoher.simplecast.com/episodes/making-matriarchy-great-again-with-dawn-alden-and-vicki-noble Telling the Stories of the Sacred Feminine with Trista Hendren: https://hometoher.simplecast.com/episodes/telling-the-stories-of-the-sacred-feminine-with-trista-hendren
The queens discuss how poetry uses us as they highlight the work of Ruth Stone and Hayden Carruth. Support Breaking Form and buy James's and Aaron's new books:Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books.Please consider supporting the poets we mention in today's show! If you need a good indie bookstore, we recommend Loyalty Bookstores, a DC-area Black-owned bookshop.Read Ruth Stone's obit in the NY Times. Phoebe Stone gave a recorded talk about her mother Ruth Stone. It's an audio recording but has a ton of photographs and drafts of Stone's work. It's a personal glimpse into Ruth Stone's life and work. Catch it here (15 min).Watch the trailer for Ruth Stone's Vast Library of the Female Mind, Nora Jacobson's documentary on the poet, here. (~3 min).And you can stream the entire documentary now here (76 min). It includes interviews with family members and friends as well as poets Sharon Olds and Toi Derricotte.Hayden Carruth's last public poetry reading was at Marlboro College in Vermont in 2009 (~60 min). (Marlboro College is the alma mater of poet Cate Marvin; it closed in 2020.)Read a reminiscence of Carruth here (where he's late for lunch with Adrienne Rich).You can read Carruth's poem "Graves" (from Scrambled Eggs and Whiskey) here.
Are you tired of "being straight"? Do you FEEL THE GAYNESS IN UR BONES?? DO YOU FEEL LIKE SOCIETY HAS MADE YOU ADOPT COMPULSORY HETERONORMATIVITY (...and what is that giant word anyway?) ?! Then we've got the pod episode for you! Marlee Liss (sensuality and somatic coach, friend of the pod) and Eva Bloom (Queer-Inclusive Sex-Ed coach) are 2 besties and fellow queers who both came out and RE-came out during the pandemic. After their new arrivals into the queer space, they wanted to know WHAT WHO WHEN WHERE AND WHYYYYY compulsory heteronormativity exists and how they could help others undo what the patriarchy has done...and drumroll...Marlee & Eva created and now run the F*ck Comp Het Support club: https://www.patreon.com/FckComphetSupportClub !!!! And this episode, they're here to tell us all about it!WHAT IS COMP HET? It's the theory that heterosexuality is assumed and enforced upon women & non-binary folk by a patriarchal and cisheteronormative society. The term was popularized by Adrienne Rich in her 1980 essay titled "Compulsory Heterosexuality and Lesbian Existence".FOLLOW MARLEE & EVAhttps://www.marleeliss.com/https://www.evabloom.ca/BUY KELSEY'S BOOK! AND SENSITIVE MERCH! OUT NOW!BOOK:https://shopc.at/dfpMERCH:https://shopcatalog.com/shop/tag/kelsey-darragh-collection/Follow Kelsey & Keep Up with her life!https://linktr.ee/kelseydarraghSign up for Kelsey's new company at swapskis.coSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
© 2020-2025 Ivy Podcast Discovery LLC
