Podcast appearances and mentions of jessica benjamin

What do we mean when we speak of "the other" and of "othering?" This first part of our two-part series on "otherness" looks at the question of the "other" and at the problem of "othering" through the multiple lenses of psychoanalysis, philosophy and child development. To tell the story, we have drawn from original interviews with psychoanalysts Jessica Benjamin, Cynthia Chalker, George Makari, Donna Orange, John Riker and Robert Stolorow, as well as from interviews with the philosopher Shaun Gallagher, and the child psychologist and psychobiologist Colwyn Trevarthen.The second part of this two-part episode will be available shortly and will  focus on how structures of power shape and constrain our concept of the other. This upcoming episode will feature original material from all the thinkers featured in the current episode  as well as additional material culled form interviews with Eyal Rozmarin, Koichi Togashi and L.M. Sacasas.

#SmartPeopleTravelWise: To Do or Not to Do on a Caribbean Vacation.Tennie Sumague catches up with travel advisor Jessica Benjamin and they break down the essentials of going on a Caribbean Vacation. Also available on the PHLV radio podcast series on Spotify, iHeartRadio, Apple and Google Podcasts.

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his new book Fantasy, Online Misogyny and the Manosphere: Male Bodies of Dis/Inhibition (Routledge, 2021), Jacob Johanssen takes us on a journey into the dark masculinist recesses of the internet. He analyses original data from online communities of Involuntary Celibate (Incel) men, women-denigrating “Men Going Their Own Way”, anti-porn crusading NoFap users and the manifestos of mass shooters. By making use of the work of Willhelm Reich, Elisabeth Young-Bruehl and Klaus Theweleit, he is able to construct a convincing and sinister portrait of this dis/inhibited online culture, in which intermingling fantasies of victimhood and destructive annihilation of the feminine Other create a seething mélange of hatred and misogyny. It is testament to the power of the psychoanalytically informed approach of gathering “identificatory knowledge” that Johanssen does not stop at painting a damning picture of these men, but tries to grasp the psychodynamics at play in their polarized and fragmented world views and identities. As unlikely as it seems, there is even a glimmer of hope at the end of the book. Johanssen applies Jessica Benjamin's concept of recognition to the men discussed - a possible way out of the dead end of the obsessively intensified hate of the manosphere? We discuss this question and many more in the interview. Sebastian Thrul is a psychiatrist and psychoanalyst in training in Germany and Switzerland. He can be reached at sebastian.thrul@gmx.de. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

In this episode, we talk with Jessica Benjamin, founder of First Bite: Boulder Restaurant Week and Dakota Soifer, chef and owner of Cafe Aion. The two discuss the foodie event happening October 8-17, 2021, but also the state of the restaurant world in Colorado and the difficult role restaurateurs have to play during the pandemic.

When Minds Meet: The Work of Lewis Aron (Routledge, 2020) offers a sampling of Lewis Aron's most important contributions to relational psychoanalysis. One of the founders of relational thinking, Aron was an internationally recognized psychoanalyst, sought after teacher, lecturer, and the Director of the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis. His pioneering work introduced and revolutionized the concepts of mutuality, the analyst's subjectivity, and the paradigm of mutual vulnerability in the analytic setting. During the last few years of his life, Aron was exploring the ethical considerations of writing psychoanalytic case histories and the importance of self-reflection and skepticism not only for analysts with their patients, but also as a stance towards the field of psychoanalysis itself. Aron is known for his singular, highly compelling teaching and writing style and for an unparalleled ability to convey complex, often comparative theoretical concepts in a uniquely inviting and approachable way. The reader will encounter both seminal papers on the vision and method of contemporary clinical practice, as well as cutting edge newer writing from the years just before his death. Edited and with a foreword by Galit Atlas, each chapter is preceded by a new introduction by some of the most important thinkers in our field: Jessica Benjamin, Michael Eigen, Jay Greenberg, Adrienne Harris, Stephen Hartman, Steven Kuchuck, Thomas Ogden, Joyce Slochower, Donnel Stern, Merav Roth, Chana Ullman, and Aron himself. This book will make an important addition to the libraries of experienced clinicians and psychoanalytic scholars already familiar with Aron's work, as well as students, newer professionals or anyone seeking an introduction to relational psychoanalysis and one of its most stunning, vibrant voices. Roy Barsness is a Clinical Psychoanalytic Psychologist, Founder and Executive Director of the Post-Graduate Program in Relationally-Focused Psychodynamic Therapy; Professor at the Seattle School of Theology and Psychology and have been in clinical practice for 30+ years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

When Minds Meet: The Work of Lewis Aron (Routledge, 2020) offers a sampling of Lewis Aron's most important contributions to relational psychoanalysis. One of the founders of relational thinking, Aron was an internationally recognized psychoanalyst, sought after teacher, lecturer, and the Director of the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis. His pioneering work introduced and revolutionized the concepts of mutuality, the analyst's subjectivity, and the paradigm of mutual vulnerability in the analytic setting. During the last few years of his life, Aron was exploring the ethical considerations of writing psychoanalytic case histories and the importance of self-reflection and skepticism not only for analysts with their patients, but also as a stance towards the field of psychoanalysis itself. Aron is known for his singular, highly compelling teaching and writing style and for an unparalleled ability to convey complex, often comparative theoretical concepts in a uniquely inviting and approachable way. The reader will encounter both seminal papers on the vision and method of contemporary clinical practice, as well as cutting edge newer writing from the years just before his death. Edited and with a foreword by Galit Atlas, each chapter is preceded by a new introduction by some of the most important thinkers in our field: Jessica Benjamin, Michael Eigen, Jay Greenberg, Adrienne Harris, Stephen Hartman, Steven Kuchuck, Thomas Ogden, Joyce Slochower, Donnel Stern, Merav Roth, Chana Ullman, and Aron himself. This book will make an important addition to the libraries of experienced clinicians and psychoanalytic scholars already familiar with Aron's work, as well as students, newer professionals or anyone seeking an introduction to relational psychoanalysis and one of its most stunning, vibrant voices. Roy Barsness is a Clinical Psychoanalytic Psychologist, Founder and Executive Director of the Post-Graduate Program in Relationally-Focused Psychodynamic Therapy; Professor at the Seattle School of Theology and Psychology and have been in clinical practice for 30+ years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Minds Meet: The Work of Lewis Aron (Routledge, 2020) offers a sampling of Lewis Aron's most important contributions to relational psychoanalysis. One of the founders of relational thinking, Aron was an internationally recognized psychoanalyst, sought after teacher, lecturer, and the Director of the New York University Postdoctoral Program in Psychotherapy and Psychoanalysis. His pioneering work introduced and revolutionized the concepts of mutuality, the analyst's subjectivity, and the paradigm of mutual vulnerability in the analytic setting. During the last few years of his life, Aron was exploring the ethical considerations of writing psychoanalytic case histories and the importance of self-reflection and skepticism not only for analysts with their patients, but also as a stance towards the field of psychoanalysis itself. Aron is known for his singular, highly compelling teaching and writing style and for an unparalleled ability to convey complex, often comparative theoretical concepts in a uniquely inviting and approachable way. The reader will encounter both seminal papers on the vision and method of contemporary clinical practice, as well as cutting edge newer writing from the years just before his death. Edited and with a foreword by Galit Atlas, each chapter is preceded by a new introduction by some of the most important thinkers in our field: Jessica Benjamin, Michael Eigen, Jay Greenberg, Adrienne Harris, Stephen Hartman, Steven Kuchuck, Thomas Ogden, Joyce Slochower, Donnel Stern, Merav Roth, Chana Ullman, and Aron himself. This book will make an important addition to the libraries of experienced clinicians and psychoanalytic scholars already familiar with Aron's work, as well as students, newer professionals or anyone seeking an introduction to relational psychoanalysis and one of its most stunning, vibrant voices. Roy Barsness is a Clinical Psychoanalytic Psychologist, Founder and Executive Director of the Post-Graduate Program in Relationally-Focused Psychodynamic Therapy; Professor at the Seattle School of Theology and Psychology and have been in clinical practice for 30+ years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Jessica Benjamin of First Bite: Boulder Restaurant Week joins us in a conversation about using food to deepen the connection within our community, and how her cookbook "A Bite of Boulder" is bringing the flavors, stories, and love of our local eateries into our hearts and homes during a pandemic. www.Firstbiteboulder.com 50% of book sale proceeds go towards these featured Boulder restaurants: Black Cat, Bohemian Biergarten, Boulder Teahouse, Centro Mexican Kitchen, Chimera, Corrida, Japango, Jax Fish House & Oyster Bar, Leaf Vegetarian Restaurant, OAK at fourteenth, The Post Brewing Co., River and Woods - Colorado Comfort Cuisine, SALT - Boulder, SteakHOUSE No.316, The West End Tavern and West Flanders Brewing Co --- Support this podcast: https://anchor.fm/the-boulderista/support

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken). This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal? It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken). This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal? It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken). This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal? It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken). This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal? It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken). This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal? It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the underlining ideology of the the movie Joker, and what's its stance regarding the ability of different populations to work together for the common good? In our first podcast review of Todd Phillips' Joker, starring Joaquin Pheonix, therapist Noga Ariel Galor joins Gil Kidron on the podcast to psychoanalyze the way the movie portrays the masses and their relationship with the 1%, through Sigmund Freud, Georg Wilhelm Friedrich Hegel, Donald Winnicott and Jessica Benjamin. Support us on Patreon: https://www.patreon.com/gotacademy Got Academy on social media: ▸ YouTube https://www.youtube.com/channel/UCqBYWvKcQCk5JbRQbO05X0w ▸ Twitter https://twitter.com/GOT_Academy ▸ Facebook https://www.facebook.com/gotacademy/

Composer, philosopher, scientist, psychoanalyst-Emmanuel ("Manny") Ghent was all of these and more. In this comprehensive interview with the editors, Adrienne Harris and Victoria Demos of the new book Heart Melts Forward: The Collected Writings of Emmanuel Ghent (Routledge, 2018) we discuss the seminal theoretical ideas Manny was passionate about and their impact on relational thinking. Manny Ghent has a firm place in the relational/psychoanalytic lineage. He was an analysand of Clara Thompson, who one of the founding members of the interpersonal school, and herself an analysand of Sandor Ferenczi. Manny Ghent had a profound effect on the first generation of interpersonal relational writers including Stephen Mitchell, Muriel Dimen, and Jessica Benjamin. Heart Melts Forward is essential reading for anyone interested in the history of the relational school of thought. In addition to being a psychoanalyst, Manny Ghent was a well-regarded composer and pioneer in electronic music. Here is a link to one of his better known works, Phosphones: https://vimeo.com/113807053 You can reach Christopher Bandini at @cebandini. Learn more about your ad choices. Visit megaphone.fm/adchoices

Composer, philosopher, scientist, psychoanalyst-Emmanuel ("Manny") Ghent was all of these and more. In this comprehensive interview with the editors, Adrienne Harris and Victoria Demos of the new book Heart Melts Forward: The Collected Writings of Emmanuel Ghent (Routledge, 2018) we discuss the seminal theoretical ideas Manny was passionate about and their impact on relational thinking. Manny Ghent has a firm place in the relational/psychoanalytic lineage. He was an analysand of Clara Thompson, who one of the founding members of the interpersonal school, and herself an analysand of Sandor Ferenczi. Manny Ghent had a profound effect on the first generation of interpersonal relational writers including Stephen Mitchell, Muriel Dimen, and Jessica Benjamin. Heart Melts Forward is essential reading for anyone interested in the history of the relational school of thought. In addition to being a psychoanalyst, Manny Ghent was a well-regarded composer and pioneer in electronic music. Here is a link to one of his better known works, Phosphones: https://vimeo.com/113807053 You can reach Christopher Bandini at @cebandini. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

The British romantic poet William Wordsworth is best known for his moving evocations of nature, his celebration of childhood, and his quest to find a shared humanity in his poetry. He’s also widely considered the first modern poet because he turns his experiences, memories, and the workings of his mind (earlier "spots of time") into the main subject of his accessible poetry. That hadn’t happened before, and all of us, who today are either committed to rational thought, sober analysis and reflection or are deep in our feelings, are ultimately Wordsworthians. But what Wordsworth may really be about, I discussed with the brilliant poet and critic Maureen McLane, is whether with knowledge truly comes wisdom, and whether we trade in the ecstasies of youthful exuberance and immediate experience for a more measured but diminished way of living life. Is there really "abundant recompense," as Wordsworth wrote, in recalling earlier "fits of passion" that roiled our lives? Are "our minds [...] nourished and invisibly repaired" when we look back upon earlier experiences of joy and suffering? "What I'm looking for is a golden bowl, carefully repaired," writes McLane in one of her poems in This Blue - but can we trust that things will be repaired after having been lost to the passage of time? (Incidentally, I talked with Jessica Benjamin in another podcast about the human capacity for "repair," and whether we can trust that things can be restored once broken).  This question is also at the heart of the Enlightenment itself: whether knowledge frees us from superstition but at the cost of sacrificing the immediacy of experience. Can we turn fights, arguments and turmoil into something larger by placing them into a wider context: do we have the "power to make/our noisy years seem moments in the being/of the eternal Silence"? Or are some things broken by humans never fully recovered, and we are left with grief, and loss, and silence, but nothing eternal?  It's an urgent question for our age, when reason, argument and truth themselves seem so easily upstaged by spectacle and the fire and fury of immediate action.  

In several pathbreaking books, Jessica Benjamin provides a major corrective to the modern Western conception of subjectivity. Rather than privileging the development of autonomy and independence, Benjamin asks whether there’s a part of humanity that is deeply relational but gets buried in the stories and practices we impose on ourselves to grow up. This one-sided explanation of who we are as human beings fails both boys & girls, and women & men because it slots us into categories and behaviors that ultimately deny all of us a vital part of our humanity. I spoke with Benjamin, who is a psychoanalyst, author, and teacher, about a different way of orienting our life stories, and a different way of organizing the disciplines of psychology, sociology, and politics -- and why a deep belief in the repairability of the world is so essential for our survival.    

I bookended the show with Jasmine Jewel, where we talked about this past year's Oscar nominated "Live Action" short films(Jessica Benjamin in the outro). Then smushed a group show in-between that featured Annie Pozzella, Sean Robbins, JT Unverzagt, and Sean Murphy. 

How do we move past a political discourse of blame and shame to acknowledge real harm done and get to a vision of repair? In this episode, Dr. Jessica Benjamin applies her theory of 'doer and done to' the political context. We discuss the inevitable struggle against the defenders of authority, power and predation by those who seek to redress injustice and uphold a lawful order based on the common good.© Copyright Original Music "Royal Flush Gang" by Composer Joel Goodman; Published by Oovra Music See acast.com/privacy for privacy and opt-out information.

Today on No Limits, we'll discuss the #Me Too movement as more women speak out about sexual harassment and unwanted advancements. We'll touch on the idea of moving from tolerance to respect, appropriate touch and how the movement impacts different communities. We're joined by Dr. Felicity Kelcourse from the Christian Theological Seminary Counseling Center and Lisa Meece a professional cuddler from Indy will be in studio. We're also joined via phone by Jessica Benjamin, NY author and psychologist who will be in town tomorrow to give a speech on this topic.

Why would Bert Williams, famous African-American vaudeville performer of the early twentieth century, feel it necessary to apply burnt cork blackface make-up to his already dark skin, in order to emphasize “blackness”? According to Michelle Ann Stephens, this was one question about the space between realness, race, and performance that led her to write Skin Acts: Race, Psychoanalysis and the Black Male Performer (Duke University Press, 2014). Stephens investigates the history of the concept of the skin, especially in relation to the notion of the flesh, and how they are both re-written by colonialization, and the idea of racial difference. Stephens turns to the work of four iconic black male stars whose careers span the twentieth century–including Bert Williams, Paul Robeson, Harry Belafonte  and Bob Marley–and explores the dynamic between the gaze, representation and technology, and how these performers challenged notions of race, sexuality, and skin/flesh in the act of performing. Stephens uses psychoanalytic theory to understand the role of the viewer and the viewed and how the gaze operates as a racial and racializing object. Calling on the work of cultural theorists, Merleau-Ponty, Fanon, Lacan, Jessica Benjamin, and Sylvia Winter among so many others, Stephens takes the reader along on a bold new attempt to relate psychoanalysis, race, and gender identity in fresh, optimistic, and clinically promising ways. Michelle Stephens teaches in the Departments of English and Latino and Hispanic Caribbean Studies at Rutgers University, New Brunswick. Originally from Jamaica, West Indies, she graduated from Yale University with a Ph.D. in American Studies and teaches courses in African American, American, Caribbean and Black Diaspora Literature and Culture. She is the author of Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914 to 1962 (Duke University Press, 2005).She is currently in training at the The William Alanson White Institute of Psychiatry, Psychoanalysis and Psychology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Why would Bert Williams, famous African-American vaudeville performer of the early twentieth century, feel it necessary to apply burnt cork blackface make-up to his already dark skin, in order to emphasize “blackness”? According to Michelle Ann Stephens, this was one question about the space between realness, race, and performance that led her to write Skin Acts: Race, Psychoanalysis and the Black Male Performer (Duke University Press, 2014). Stephens investigates the history of the concept of the skin, especially in relation to the notion of the flesh, and how they are both re-written by colonialization, and the idea of racial difference. Stephens turns to the work of four iconic black male stars whose careers span the twentieth century–including Bert Williams, Paul Robeson, Harry Belafonte  and Bob Marley–and explores the dynamic between the gaze, representation and technology, and how these performers challenged notions of race, sexuality, and skin/flesh in the act of performing. Stephens uses psychoanalytic theory to understand the role of the viewer and the viewed and how the gaze operates as a racial and racializing object. Calling on the work of cultural theorists, Merleau-Ponty, Fanon, Lacan, Jessica Benjamin, and Sylvia Winter among so many others, Stephens takes the reader along on a bold new attempt to relate psychoanalysis, race, and gender identity in fresh, optimistic, and clinically promising ways. Michelle Stephens teaches in the Departments of English and Latino and Hispanic Caribbean Studies at Rutgers University, New Brunswick. Originally from Jamaica, West Indies, she graduated from Yale University with a Ph.D. in American Studies and teaches courses in African American, American, Caribbean and Black Diaspora Literature and Culture. She is the author of Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914 to 1962 (Duke University Press, 2005).She is currently in training at the The William Alanson White Institute of Psychiatry, Psychoanalysis and Psychology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Why would Bert Williams, famous African-American vaudeville performer of the early twentieth century, feel it necessary to apply burnt cork blackface make-up to his already dark skin, in order to emphasize “blackness”? According to Michelle Ann Stephens, this was one question about the space between realness, race, and performance that led her to write Skin Acts: Race, Psychoanalysis and the Black Male Performer (Duke University Press, 2014). Stephens investigates the history of the concept of the skin, especially in relation to the notion of the flesh, and how they are both re-written by colonialization, and the idea of racial difference. Stephens turns to the work of four iconic black male stars whose careers span the twentieth century–including Bert Williams, Paul Robeson, Harry Belafonte  and Bob Marley–and explores the dynamic between the gaze, representation and technology, and how these performers challenged notions of race, sexuality, and skin/flesh in the act of performing. Stephens uses psychoanalytic theory to understand the role of the viewer and the viewed and how the gaze operates as a racial and racializing object. Calling on the work of cultural theorists, Merleau-Ponty, Fanon, Lacan, Jessica Benjamin, and Sylvia Winter among so many others, Stephens takes the reader along on a bold new attempt to relate psychoanalysis, race, and gender identity in fresh, optimistic, and clinically promising ways. Michelle Stephens teaches in the Departments of English and Latino and Hispanic Caribbean Studies at Rutgers University, New Brunswick. Originally from Jamaica, West Indies, she graduated from Yale University with a Ph.D. in American Studies and teaches courses in African American, American, Caribbean and Black Diaspora Literature and Culture. She is the author of Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914 to 1962 (Duke University Press, 2005).She is currently in training at the The William Alanson White Institute of Psychiatry, Psychoanalysis and Psychology. Learn more about your ad choices. Visit megaphone.fm/adchoices