Podcasts about Paul Robeson

Keller, Johanna www.deutschlandfunkkultur.de, Fazit

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

On this week's Labor History Today: Justice Denied: David Gariff on “Ben Shahn and the Case of Sacco and Vanzetti.” Saul Schniderman remembers musician activist Elaine Purkey. From the Tales from the Reuther Library podcast, “When It Happened Here: Michigan and the Transnational Development of American Fascism.” And, on Labor History in 2: Paul Robeson, “The Voice of an Era.” Originally aired October 18, 2020; produced and edited by Chris Garlock and Evan Papp. To contribute a labor history item, email laborhistorytoday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor at Georgetown University. We're a proud founding member of the Labor Radio Podcast Network; #LaborRadioPod

Paul Robeson’s stances on political and civil rights issues and his communist affiliations catalyzed protests that were fueled with an undercurrent of racism and antisemitism.See omnystudio.com/listener for privacy information.

When this playwright's grandfather faced a tough decision, “He sought the advice of Paul Robeson.” Of course he did. Who wouldn't? And it all worked out fine. Fine-ish. A writer, his family, his community. Presented with the Classical Theatre of Harlem. Music: Emery Mason, Melissa Mosley.

“Schools are the very center of communities—close a school and in three years you'll see what happens to the neighborhood.” From the first laugh about “getting lost in my own neighborhood” to hard truths about policy, Arlyssa Heard of 482Forward sits with Khary Frazier and maps a Detroit story stretching from Delray pulpits to Dexter & Fenkell porches and into Lansing's halls of power. She honors Southern roots (“Atlanta was becoming the Black mecca before our eyes”), a preacher father (“I'm a daddy's girl”), and a childhood of full blocks where “every house was occupied,” then names the turn: vacancies, blight, and the weaponization of policy—Milliken v. Bradley, white flight, and emergency management that left her son with “an entire year without an English teacher.” Heard walks us through the rise of African-centered schooling—Paul Robeson, Malcolm X, Aisha Shule—and the organizing lineage of Helen Moore, Dr. Jawanza Kunjufu, and Queen Mother JoAnn Watson, reminding us that “Detroit families have always exercised choice,” but too often against rigged funding: “If you can't shut something down, starve it—don't fund it.” She distinguishes being anti–starvation from anti–charter, exposes post–Count Day push-outs, and puts receipts on how 482Forward helped “get DPSCD its board back” while blocking a New Orleans–style takeover. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

Hammer has had a ridiculously long list of the finest talents the world has to offer (and Michael Medwin), and one that could literally tower above most of them is Paul Robeson. Here's Adam taking a look at one of early Hollywood's most beloved icons.“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells All the links you think you'll need & more! https://linktr.ee/househammerpod

Jeff Maulhardt, Founder and Director of the Oxnard Historic Farm Park & MuseumStogie Kenyatta, Playwright and Star of "The World Is My Home: The Life of Paul Robeson" is featured in the All Things 805 Artist spotlight.

Feliks Banel's guests on this SUMMER ENCORE EPISODE of CASCADE OF HISTORY include roving correspondent Ken Zick LIVE from the historic Rancho Super Car Wash (aka "Elephant Car Wash") in Rancho Mirage, California; railfan Dan Bolyard of Coulee City, Washington on tracking down a trackside photo of his younger self from more than 40 years ago; Cindy Staats, VP of Marketing for Shakey's USA on the history of that pizza chain (whose Renton, WA location closed in January 2025); and now former King County Executive Dow Constantine with his remembrance of filmmaker/”Twin Peaks” co-creator David Lynch. We also listened to Paul Robeson's 1952 Peace Arch concert recording of “Joe Hill.” This encore broadcast of CASCADE OF HISTORY was presented at 8pm Pacific Time on Sunday, August 24, 2025 via SPACE 101.1 FM and streaming live via www.space101fm.org at historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. The original live broadcast was presented on January 26, 2025. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

"Paul Robeson was once the most famous African American in the world."Historian and author Ann Curthoys has written a book "The Last Tour" about the 1960 tour of Australia by singer Paul Robeson and his wife Eslande. Many Australians know about Robeson's performance of "Ol' Man River" on the construction site of the Sydney Opera House but his other activities during that tour are worthy of being remembered, although they may be less well known.In this episode of Rights, Rorts and Rants, Ann Curthoys talks to Nick Franklin and Deb Smith about Robeson's Australian tour.CONTENT WARNING - Discussion of attempted suicide. You can talk to Lifeline 131114 or TEXT 0477 131114 for help.The show was first broadcast on Radio Blue Mountains 89.1 FM on 8th August 2025 by Blue Mountains Unions & Community.If you'd like to add to the discussion, you can ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠leave an audio comment about our show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, which may be added to one of our podcasts.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apply to be a guest on our radio show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Rights, Rorts and Rants on Radio Blue Mountains 89.1FM, Fridays from 4pm to 6pm or livestreamed via ⁠⁠⁠⁠⁠⁠rbm.org.au.⁠⁠⁠⁠⁠⁠Join a union - 1300 486 466 or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠join online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Join ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BMUC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Blue Mountains Unions & Community pays its respect to and acknowledges, the Darug and Gundungurra First Peoples of the Blue Mountains area and acknowledges this is Aboriginal Land that was never ceded.Disclaimer: Rights, Rorts and Rants explores a range of issues from different perspectives. The views expressed on the show and podcast are not necessarily endorsed by Blue Mountains & Community. 

Drugs as Weapons Against Us: The CIA's Murderous Targeting of SDS, Panthers, Hendrix, Lennon, Cobain, Tupac, and Other LeftistsDrugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a “war on drugs” that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.https://amzn.to/4fH3ZNDBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In this episode from the vault, LA Opera Connects' Dr. Andréa Fuentes sits down with Colombia University's Dr. Shana Redmond to talk about why La Bohème so deeply resonates with us. They discuss the friendships, the economic struggle, the resilience, and the gender paradigms that populate this timeless opera, and what gives it its enduring charm. They also travel trains of thought-- from RENT to Paul Robeson to grand visions for the future of the art form. Get your tickets to La Bohème now at LAOpera.org and don't forget to leave a comment, rating, or review on this episode.

Explore why acclaimed African American singer, actor, and activist Paul Robeson became embroiled in controversy and denied a passport.

In this episode, we present a crossover of Guerrilla History and the Adnan Husain Show.  Here, Dr. Gerald Horne joins Adnan and Henry to discuss his recent book, Armed Struggle?: Panthers and Communists, black Nationalists and Liberals in Southern California, Through the Sixties and Seventies. As ever, Professor Horne connects the histories of organizing and resistance against racial capitalism to the contemporary situation, including the LA uprisings against ICE raids and developments against neocolonialism and imperialism in West Asia. A wide-ranging conversation with the inimitable Dr. Horne ranged across the histories of class politics, struggles against racism, and geopolitics to consider the prospects for resistance locally and internationally in contemporary movements for justice. Gerald Horne is the John J. and Rebecca Moores Chair of History and African American Studies at the University of Houston.  His research interests are unbelievably varied, encompassing biographies of W.E.B. Du Bois and Paul Robeson, to The Haitian Revolution, to Hollywood in the '30s-'50s, to Jazz and Justice.  Be sure to check out his bibliography, you're certain to find something that interests you! Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory  We also have a (free!) newsletter you can sign up for, and please note that Guerrilla History now is uploading on YouTube as well, so do us a favor, subscribe to the show and share some links from there so we can get helped out in the algorithms!! *As mentioned, you will be able to find Tsars and Commissars: From Rus to Modern Russia soon on YouTube.

Langston Hughes, the great African American poet, said decades ago, “Fascism is a new name for that kind of terror the Negro has always faced in America.” Fascism can and has led to genocide. Progressive African American intellectuals, writers, poets, and musicians have had a long tradition and history of solidarity and resisting fascism and genocide, from Frederick Douglass to Gil Scott-Heron, from Sojourner Truth to Angela Davis, from W.E.B. Du Bois to John Lewis, from Paul Robeson to Amiri Baraka, from Ida B. Wells to Malcolm X, from Ella Baker to Dr. King, from Harry Belafonte to Sonny Rollins, from James Baldwin to Cornel West and up to the present moment where Robin D. G. Kelley warns “We're witnessing the consolidation of a fascist police state.” Recorded at the University of Massachusetts.

He was Martin Luther King, Muhammed Ali, Harry Bellafonte, and Malcolm X rolled into one. Paul Robeson was an extraordinary American singer, actor, and civil rights activist. The son of a slave, Robeson was Born in Princeton, New Jersey, and excelled academically. He became a star athlete earning a scholarship to Rutgers University, and a law degree from Columbia University. Robeson became a global sensation, using his recordings, films, and live performances, to fight racism in America and around the world. However, the more popular Robeson became, the more the U.S. government tried to silence him, with harassment, surveillance, congressional investigations, and finally confiscating his passport so he couldn't travel. But in 1957, Robeson used new technology to appear at a rally and concert supporting union coal miners in the U.K., without leaving New York City. We'll learn how Paul Robeson did it, from the BBC World Service program "Witness History", followed by this amazing rally in its entirety.More at http://krobcollection.com

Five years ago, I awoke to the horrifying news of the murder of George Floyd by a member of the Minneapolis Police Department. I had been working on cobbling together an episode on French Glamour, which quickly gave way instead to an impromptu episode of protest music through the ages which remains one of the Countermelody episodes of which I am most proud. Yesterday was the five-year commemoration of that horrific event, which sparked worldwide protests and which, for a while, seemed as if it might lead to systemic change. Five years later, we find ourselves in a true global nightmare. Almost everything that has changed has been for the worse, but my feelings about the system that has produced such calamity remains exactly the same as it has always been. For that reason, I am republishing that episode from five long years ago, in which I sought to “defer to those on the front lines to speak of their own experience and truth” in a program of protest music from the early twentieth century to the recent past. Nina Simone's song of rage “Mississippi Goddam” was a guiding force as I put the episode together, but we hear from a wide range of singers, from Donny Hathaway, Micki Grant, Pete Seeger, Mahalia Jackson, Odetta, Billie Holiday, Aretha Franklin, to Joan Baez, Cher, Barbra Streisand, Paul Robeson, and Marlene Dietrich. If you don't want to hear a political program, for goddess's sake, keep away, but if you do want to be infuriated, engaged, and ultimately uplifted, please listen in. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

We talk to John Potash about the MLK Assassination, Black Panthers and Malcom X in the first hour. We're joinned by Cisco Streetlove and continue the discussion.Drugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a "war on drugs" that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

McCarthyism, Whitaker Chambers, Alger Hiss, Julius and Ethel Rosenberg, Paul Robeson, House Un-American Activities Committee, the Smith Act, the Hollywood 10, the Joint Anti-Fascist Committee, the Truman Loyalty Program, the Blacklist, book burning, and communism – all subjects of controversy during the 1930s, 40s, and 50s here in the United States. Clay Risen, a reporter and editor at the New York Times, has a fresh look at all this in his book, "Red Scare." Mr. Risen writes in his preface that his grandfather was a career FBI agent who joined the Bureau during World War II, and he recounted stories of implementing loyalty tests for the federal government in the late 1940s. Learn more about your ad choices. Visit megaphone.fm/adchoices

McCarthyism, Whitaker Chambers, Alger Hiss, Julius and Ethel Rosenberg, Paul Robeson, House Un-American Activities Committee, the Smith Act, the Hollywood 10, the Joint Anti-Fascist Committee, the Truman Loyalty Program, the Blacklist, book burning, and communism – all subjects of controversy during the 1930s, 40s, and 50s here in the United States. Clay Risen, a reporter and editor at the New York Times, has a fresh look at all this in his book, "Red Scare." Mr. Risen writes in his preface that his grandfather was a career FBI agent who joined the Bureau during World War II, and he recounted stories of implementing loyalty tests for the federal government in the late 1940s. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before he became a musician, Merle Haggard lived the kind of life that's often mythologized in song: Hopping freights and doing prison time. When he became a star, he acquired his own observation car. Now that coach is part of the Virginia Scenic Railway. Terry Gross spoke with Haggard in 1995. Classical music critic Lloyd Schwartz reviews two albums: one's a collection of recordings by Paul Robeson, and the other features the music of Paul Robeson, performed by singer Davóne Tines. Finally, Justin Chang reviews David Cronenberg's new thriller, The Shrouds.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Before he became a musician, Merle Haggard lived the kind of life that's often mythologized in song: Hopping freights and doing prison time. When he became a star, he acquired his own observation car. Now that coach is part of the Virginia Scenic Railway. Terry Gross spoke with Haggard in 1995. Classical music critic Lloyd Schwartz reviews two albums: one's a collection of recordings by Paul Robeson, and the other features the music of Paul Robeson, performed by singer Davóne Tines. Finally, Justin Chang reviews David Cronenberg's new thriller, The Shrouds.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On today's show: we hear from a filmmaker who made a documentary about living with dwarfism, then musicians and poets will celebrate the late Paul Robeson, and a film questions if technology and money should outweigh the arts and people.

Feliks Banel's guests on this episode of CASCADE OF HISTORY include Jean Sherrard on his NOW & THEN column in this coming weekend's Seattle Times about the Cadillac Hotel/Klondike Gold Rush National Historic Park; plus archival feature with the late Edward Saylor of Enumclaw, member of the famous Doolittle Raid of April 18, 1942; and a conversation with Dr. Lindsey Swindall of the Stevens Institute of Technology on the May 18, 1952 concert by Paul Robeson at Peace Arch Park. This LIVE broadcast of CASCADE OF HISTORY was originally presented at 4pm Pacific Standard Time on Thursday, April 17, 2025 via SPACE 101.1 FM and gallantly streaming live via space101fm.org at historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms.

The Context of White Supremacy welcomes Racist Suspect Joel Whitney. Classified as a White Man, Whitney is a Brooklyn, NY writer whose work has been featured in The New York Times, The Daily Beast, The Baffler, The Wall Street Journal, Newsweek, and Boston Review to name a few. He's "a former features editor at Al Jazeera America and a founder and former editor-in-chief at Guernica." Gus originally hoped to speak with Whitney about his 2016 publication, Finks: How the CIA Tricked the World's Best Writers. I'm not quite sure what my original motivation was for exploring this text - could have been Rev. Jim Jones and the Peoples Temple or Soundtrack to a Coup d'État. Anyway, by the time we got our calendars synchronized, Mr. Whitney had written another book, Flights: Radicals on the Run. Most of the featured subjects who had to flee oppression are Victims of White Supremacy like: Minister Malcolm X, Paul Robeson, Dr. Angela Davis, and Leonard Peltier - who recently benefited from a commuted sentence from departing President Biden. During the broadcast, Mr. Whitney repeated the tacky refrain that White people are also "held back" by Racism. He could only list two trifling ways that the System of White Supremacy holds him down. Whitney also engaged in another suspicious and common practice amongst Racist Suspects: Citing the work of Ibram X. Kendi, a Victim of White Supremacy, to confuse non-white people about what it means to be classified as White. #LorraineHansberry #FarceOnWashington #TheCOWS16Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#

Muhammad Ali risked his career and even his freedom to take a stand against the Vietnam War. He followed in the footsteps of men like baseball great Jackie Robinson and singer Paul Robeson, who started out playing football. These Black athletes are all part of a heritage of working for social justice, according to journalist Howard Bryant. Today, Bryant joins Lindsay to talk about his book The Heritage: Black Athletes, A Divided America, and the Politics of Patriotism. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to American Scandal on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting wondery.com/links/american-scandal/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul Robeson, an enduring and multitalented figure, broke color barriers in sports, music, film and theater. He was an internationally famous singer and actor yet in the U.S. he was persecuted and blacklisted for his political beliefs. He died impoverished and in obscurity. His singular life is a model of courage and steadfastness in the face of racial and political prejudice. He said, “The artist must fight for freedom or for slavery. I have made my choice. I had no alternative.” This program includes Paul Robeson singing in his magnificent bass-baritone voice "Joe Hill" and "Ol' Man River." Recorded at Columbia Law School.

Paul Robeson: Football legend, lawyer, classical singer, actor, social activist. Paul Robeson was ALL of those things. When the US banned him from leaving the country for 9 years, he took action and spoke up for inequality. He fought for the inequality throughout the nation, making huge personal sacrifices in doing so. A true hero.Episode Sources: A book titled The Undiscovered Paul Robeson: An Artist's Journey by Paul Robeson, Jr.; a documentary titled Paul Robeson: Tribute to an Artist, narrated by Sidney Portier; an article from PBS from August 26, 2006; goldenglobes.com; picturingblackhistory.org; IMDBImage Source: Paul Robeson House & Museum; blackpast.org; Britannica PATREON: https://patreon.com/StarsoftheGoldenAgePodcastBUY ME A COFFEE: buymeacoffee.com/GoldenAge

Paul Robeson was a star of stage and screen, but his passion was sharing spirituals. His goal was to elevate them to the same level as other musical forms. Find out more in the ‘Rhapsody in Black' podcast.

"THE NICHOLAS BROTHERS: CLASSIC CINEMA STARS OF THE MONTH" The Nicholas Brothers, FAYARD and HAROLD, are arguably two of the greatest dancer to ever hit Hollywood. Born to musician parents, they learned their craft working the vaudeville scene and appearing at the famous Cotten Club during the Harlem Renaissance before landing in Hollywood. In Tinseltown, they made movie magic dancing in some of Hollywood's biggest musicals. The brothers mixed tap-dancing with acrobatics to perfect thrilling routines that we're still win awe of today. They also had to endure the limits put upon them by the racism of the day. Join us this week, as we celebrate these icons of dance who are our Stars of the Month.  SHOW NOTES:  Sources: Brotherhood in Rhythm: The Tap Dancing of the Nicholas Brothers (2002), by Constance Valis Hill; Dorothy Dandridge: An Intimate Biography (1970), by Earl Mills; “The Nicholas Brothers, Fayard and Harold: Tap Dance Legends,” February 17, 2024, Dance Mogul magazine; “The Incredible Nicholas Brothers: A Classic Hollywood Black Dance Duo Everyone Should Be Obsessed With,” October 30, 2022, by Maureen Lee Lenker, Entertainment Weekly; “The Nicholas Brothers: Every Generations Dance Heroes,” February 17, 2020, by Najja Parker, The Atlanta Journal-Constitution; “Celebrating The Nicholas Brothers,” September 16, 2011, by Daniel Eagan, Smithsonian magazine; www.nicholasbrothers.com TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; AcademyMuseum.com Movies Mentioned:  Pie Pie Blackbird  (1932) - starring Nina Mae McKinney & The Nicholas Brothers; Stoopnocracy (1933), starring Budd Hulick & Harold Nicholas; The Emperor Jones (1933), starring Paul Robeson & Harold Nicholas; Kid Millions (1934), starring Eddie Cantor, Ann Sothern, & Ethel Merman; Jealousy (1934), starring Nancy Kelly & George Murphy; The Big Broadcast of 1936 (1935), starring Jack Oakie, George Burns, Gracie Allen, Bing Crosby, & Ethel Merman; Coronado (1935), starring Johnny Downs; My American Wife (1936), starring Francis Lederer & Ann Sothern; Don't Gamble with Love (1936) starring Ann Sothern; Babes in Arms (1937), starring Mickey Rooney & Judy Garland; Down Argentine Way (1940), starring Betty Grable, Don Ameche, Carmen Miranda, & Charlotte, Greenwood; Tin Pan Alley (1940), starring Betty Grable, Alice Faye, Jack Oakie, & John Payne; The Great American Broadcast (1941), starring Alice Faye & John Payne; Sun Valley Serenade (1941), starring Sonja Henie & John Payne; Orchestra Wives (1942), starring George Montgomery & Ann Rutherford; Stormy Weather (1943), starring Lena Horne; Reckless Age (1944), starring Gloria Jean & Harold Nicholas; Carolina Blues (1944), starring Kay Kyser & Ann Miller; The Pirate (1948), starring Judy Garland & Gene Kelly; Botta e Riposta (1950); El Mensaje le la Muerte (1953); Musik I'm Blut (1955); L'Empire de la Nuit (1964); The Liberation of L.B. Jones (1970), starring Lee J. Cobb, Roscoe Lee Brown, & Fayard Nicholas; Uptown Saturday Night (1974), starring Sidney Poitier, Bill Cosby, Richard Pryor, Flip Wilson, Harry Belafonte, & Harold Nicholas That's Entertainment! (1974); That's Dancing (1985); Tap (1989); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feliks Banel's guests on this live broadcast of CASCADE OF HISTORY include roving correspondent Ken Zick LIVE from the historic Rancho Super Car Wash (aka "Elephant Car Wash") in Rancho Mirage, California; railfan Dan Bolyard of Coulee City, Washington on tracking down a trackside photo of his younger self from more than 40 years ago; Cindy Staats, VP of Marketing for Shakey's USA on the history of that pizza chain (whose Renton, WA location closed last week); and King County Executive Dow Constantine's remembrance of filmmaker/Twin Peaks co-creator David Lynch. We also listened to Paul Robeson's 1952 Peace Arch concert recording of "Joe Hill." This LIVE broadcast of CASCADE OF HISTORY was originally presented at 8pm Pacific Standard Time on Sunday, January 26, 2025 via SPACE 101.1 FM and streaming live via space101fm.org at historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle.

Today, Martin Luther King Day and the day before the reinauguration of King Ubu of the Divided States of America, is an appropriate time to revisit the life and legacy of the great Paul Robeson. Both great Americans, King and Robeson, were met with great resistance, incomprehension, and opposition in their day. While Dr. King is now justly celebrated with a national holiday, his legacy is often watered down by those, even right-wing extremists, that seek to attach their own agenda to his progressive legacy. Paul Robeson returned to his native country during the dark days of World War II. Shortly after the war ended, Robeson was also subject to incomprehension and oppression related to his embrace of Communism, which led to him being blacklisted and his passport being rescinded. Finally in 1958, after eight years of being hounded by the FBI, Paul Robeson finally regained the right to travel abroad. During the years of his blacklisting, he had effectively been unable to support himself. In thanks to his supporters following his emancipation, Robeson gave a celebratory concert on June 1, 1958 at his home church, Zion African Methodist Episcopal Church in Harlem. Shortly thereafter, he departed on years' long sojourn abroad. His first stop was the Royal Albert Hall in London, where he performed on August 10, 1958, the beginning of a nationwide tour across the UK. Thereafter he visited other countries as well, including East Germany, where he was particularly celebrated and revered and where, in 1959 in an East Berlin recording studio, he made a new recording of old and new favorites with his frequent collaborator Earl Robinson. Rare selections from each of these events are featured on this episode, which is enhanced with excerpts from, and commentary by, Paul Robeson on his greatest stage success, the title role in Shakespeare's Othello, a work which is distressingly relevant as the United States faces its greatest challenge in recent history. This episode is both a celebration of one of the greatest patriots our country has known as well as a warning of the pitfalls that await a nation that chooses to ignore or misrepresent those great Americans in lieu of hate-filled opportunists. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Edna Lewis was a legendary American chef, a pioneer of Southern cooking and the author of four books, including The Taste of Country Cooking, her memoir cookbook about growing up in Freetown, Virginia, a small farming community of formerly enslaved people and their descendants established in 1866. Before she began writing books, Edna had been a celebrated chef at Cafe Nicholson in New York City in the 1950s where Eleanor Roosevelt, Paul Robeson, Marlon Brando, Tennessee Williams, Truman Capote and Marlene Dietrich all came for her Southern food and legendary chocolate soufflé.The Taste of Country Cooking chronicled the traditions and recipes of the community where she grew up — a rural settlement that celebrated the events and traditions of daily life across each year with special suppers and ritual meals — Emancipation Day Dinner, Early Spring Dinner after Sheep Shearing, Morning After Hog Butchering Breakfast, Christmas Eve Supper and Christmas Dinner to name but a few of the dishes and stories that fill this book.In 1983 The Kitchen Sisters went to talk to Ms. Lewis about her life and the Christmas traditions in the tight-knit Virginia farming community where she came of age.For Christmas, The Kitchen Sisters Present... Edna Lewis: Christmas in Freetown

Sadly, it's time to say goodbye to another acteur after an all-too-short time. For our final Paul Robeson episode, we watched Julien Duvivier's Tales of Manhattan (1942), which notoriously brought an end to Robeson's career as a film actor, and two extraordinary socialist documentaries to which he contributed his voice, Leo Hurwitz's Native Land (1942) and Joris Ivens' The Song of the Rivers (1954). (Note that Robeson's contribution to Song of the Rivers was less than we supposed going in: an introductory song only. But we thought it paired well with Native Land anyway.) We make an argument for the subversive use of tropes in the Robeson Tales of Manhattan segment before moving on to discuss Robeson's involvement in the kind of cinema he wanted to make: independent, socialist, artistically ambitious. And finally, we of course Rank the Robesons, giving our 10 favourite Robeson films in order and summarizing the experience of building a comprehensive picture of this under-theorized body of work.  Time Codes: 0h 00m 25s:    TALES OF MANHATTAN (1942) [dir. Julien Duvivier] 0h 21m 54s:    NATIVE LAND (1942) [dirs. Leo Hurwitz & Paul Strand] 0h 53m 33s:    SONG OF THE RIVERS (1954) [dir. Joris Ivens] 1h 04m 48s:    Ranking the Robesons 1h 13m 58s:    Listener mail from Andy   Episode specific reading: ·       Musser, Charles. Paul Robeson and the End of His ‘Movie' Career. Cinémas, Volume 19, (Number 1), Fall 2008, 147-179. ·       Klein, Jill and Michael. Native Land: An Interview with Leo Hurwitz. Cinéaste vol 6 (number 3), 1974.   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

The Men of Micheaux (and the audience) weigh in on The Wayans Family, the most distinctive voices of Hip-Hop, Paul Robeson, The Wizard of Oz, and Wicked. The review of Blazing Saddles is damn near a bonus for episode. Rate & Review The Mission on Apple Email  micheauxmission@gmail.com Follow The Mission on Instagram Subscribe to the Mission on YouTube  Get your Micheaux Mission SWAG from TeePublic We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

For our penultimate Paul Robeson Acteurist Oeuvre-view episode we watched Thornton Freeland's Jericho (1937), in which Robeson plays a court-martialed WWI officer who takes up a new life as the leader of a group of Saharan herders and traders, and Pen Tennyson's The Proud Valley (1940), often cited as the film Robeson was proudest of, about the struggles of a community of Welsh miners. As in our last Robeson episode, he really makes his auteur presence felt in these films, although in almost opposite ways, taking centre stage in Jericho and acting as the presiding genius of The Proud Valley, which we discuss as both Robeson's vision of socialism and a mining horror movie.  Time Codes: 0h 00m 25s:      JERICHO (1937) [dir. Thornton Freeland] 0h 28m 48s:      THE PROUD VALLEY (1940) [dir. Pen Tennyson] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

For Day 2 of Black History Bootcamp, we're honoring Paul Robeson—a man who stood at the crossroads of “radical or responsible” and chose a path that changed history. His life was a series of powerful choices shaped by loss and love, from the early death of his mother to the unwavering support of his wife, who fueled his fight for justice and equality. Paul didn't shy away from taking bold, unapologetic stands for his people, even when it cost him greatly. He taught us that there is courage in being both radical and responsible, living with purpose and conviction.

The Pittsburgh Labor Choir's Tom Hoffman and Kira Yeversky lead a master class in the history of labor songs in their inspirational session at this year's Reuther-Pollack Labor History Symposium, recorded with a live – and enthusiastically singing – audience. On this week's Labor History in Two:  The year was 1945; that was the day that Paul Robeson received the Spingarn Medal from the NAACP.  Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. @PghLaborChoir #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

Send us a textWhat's good all you culinary capybaras & sparkle-necked starlings!  Crouched in the home studio saddle delivering some thoughts. topics include Saturday being named after a maniacal offspring-munching Roman deity, cultivating one's mental health, waging cage fights with depression, coping strategies for 2024, how wretched and self-defeating misogyny is, institutional religions being infested with demonic impulses, and more! Support links below, appreciate all the Day Ones & welcome all the new listeners!un amor,lr kerkawwwTRACKLIST FOR THIS EPISPODE Afro Lofi - GROWN FOLKS - soul lofi music to chill toExcerpt from Sex At Dawn by Cacilda Jetha & Chris Ryan(Chapter: In Search of Primate Continuity)Paul Robeson - Ol Man River (1938) From the film Showboat (FAIR USE SLOWED N VERBED)Paul Robeson was a Genuine American Hero. This cruel empire not only failed to appreciate his spectacular & multifoliate talents: singer, orator, civil rights activist, debater, stud in American football, and lawyer- but also the Agent Smiths of the empire relentlessly hounded the man his whole life. All he did was be a boss and take names and speak truth. Lord forbid!! Agent Smith hounded and hounded Robeson, eventually cornering him in a spiritually wretched London hospital and administering him unfair doses of the MKULTRA brainwashing drug BZ. According to Robeson's son Paul Jr., this horrific act of nonconsensual behavior modification "broke" Robeson, who shied away from public spaces until the end of his days. Goddess & God Bless you Paul Robeson. You continue to be an inspiration and source of strength and light to this day, in this wretched year of Another Dude who was hounded to death by imperial storm troopers for the simple act of speaking some sense, 2024. EMPIRES ARE THE PRIMARY PROBLEM. we're at the crossroads friends: liberate ourselves from the clutches of demonic imperial filth, or mad max it after a fiery poop storm. * ...tick tick tick... * we ain't gonna vote ourselves out of this horrid ditch we've built up. gonna take good honest community building and hard work.Support the showSupport My Sponsor:Magic Mind Adaptogenic & Nootropic Elixir 20% off at Checkout! Support Link here | Use Code: BARBARIANNOETICS20Tip me in Solana (crypto):Address: 9XPHpqH7GawTGtPgZAzfXFU6oPWTpSua1QXwRYAWVh9y If you dig the pod, check out the adjacent video & livestream show Barbarian Yak Fest on Rokfin: https://rokfin.com/BarbarianYakFestFind me on IG: barbarian_noetics Become a Patron: patreon.com/noetics (unlock bonus content plus win a Dream Interpretation)Direct Donate on PayPal @barbarian.noetics@proton.me Cash App@ $BarbarianRavenbuymeacoffee.com/noetics.Spread the word and tell a friend. Remember to set the BNP on Auto Download after you subscribe. I appreciate you all. Section 107 of the Copyright Act of 1976 allows for “fair use” for purposes such as criticism, comment, news reporting, teaching, education and rese...

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Any threat to the status quo within the American empire has led to the censorship, jailing and escape of the dissidents brave enough to stand against it. One may think of Edward Snowden’s asylum in Russia or Julian Assange’s refuge in the Ecuadorian embassy in London as recent examples. However, the history of dissidents fleeing American persecution runs deep. Joining host Robert Scheer on this episode of the Scheer Intelligence podcast to discuss his new book, “Flights: Radicals on the Run,” is author and journalist Joel Whitney. The book exemplifies this missing history of dissent in America through accounts of people such as Angela Davis, Paul Robeson, Graham Greene and Malcolm X. Also included are the accounts of Lorraine Hansberry and her mentor, W.E.B. Du Bois. Whitney refers to De Bois’ time starting an anti-nuclear peace movement and subsequently being persecuted by the U.S. government. “[Du Bois’] reputation took severe damage, so when Hansberry knew him, he could barely afford to buy groceries,” Whitney told Scheer. “Flights” examines the stories of historic struggle of progressive thinkers and political activists who faced the onslaught of Cold War propaganda and McCarthyism, becoming refugees as a result of their political work. The book chronicles a counter-narrative of American history, where the bravest and most outspoken figures criticizing the system are crushed by it and their lives ruined. The book title, according to Whitney, refers to “flights that are political persecution in some form or another. In a way, you could think of it as 50 or 60 years of counter revolution, massive amounts of funding to chase people … across borders, out of print and, in some cases, unfortunately, into an early grave.” In the case of people like Graham Greene and his famous novel, “The Quiet American,” the blacklisting of himself and others for their exposure of American activities during the Vietnam War led to Americans “hav[ing] to wait about a decade or a little bit more to actually understand what carnage, what incredible, cynical violence the anti-communist Americans are overseeing in Vietnam as they're taking it over from the French.”

Happy Monday! Let's get this holiday week started. The largest urban equestrian center in the nation is coming right here to the city of Detroit, and we're going to talk about it. Jer sits down with David Silver, founder and executive director of Detroit Horsepower, a nonprofit that teaches Detroit students to ride and care for horses. This new facility aims to develop critical skills in students, setting them up for academic, career, and life success. They discuss the transformational impact of working with horses, the five core social-emotional skills the program focuses on, and the journey to building this massive project on the former Paul Robeson school site at Linwood and Fenkell in the city. David shares the planning and community engagement that has gone into making this dream a reality, including the $11.4 million project budget, the $6.6 million already committed, and the targeted groundbreaking in fall 2024. They also touch on the importance of new market tax credits and the various funding sources that have been pivotal in reaching this stage.  Don't forget: Our annual listener survey: https://forms.gle/kzWXWh4NLkZPbyo79 Our Happy Hour on July 11 at The Royce Detroit: Feedback as always - dailydetroit - at - gmail - dot - com or 313-789-3211 Follow us on Apple Podcasts: https://lnk.to/dailydetroitonapple Or Spotify: https://lnk.to/dailydetroitonspotify Thanks to our members: http://www.patreon.com/dailydetroit

Rick Howard, N2K CyberWire's Chief Analyst, CSO, and Senior Fellow, commemorates Memorial Day. References: Abraham Lincoln, 1863. The Gettysburg Address [Speech]. Abraham Lincoln Online. Amanda Onion, Original 2009, Updated 2023. Memorial Day 2022: Facts, Meaning & Traditions [Essay]. HISTORY. Brent Hugh, 2021. A Brief History of “John Brown's Body” [Essay]. Digital History. Bob Zeller, 2022. How Many Died in the American Civil War? [Essay]. HISTORY. General George Marshall, 2014. President Lincoln's Letter to Mrs Bixby [Movie Clip - Saving Private Ryan]. YouTube. JOHN LOGAN, 1868. Logan's Order Mandating Memorial Day [Order]. John A. Logan College. John Williams, Chicago Symphony Orchestra, 2012. The People's House: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music. John Williams, Chicago Symphony Orchestra, 2012. The Blue and the Grey: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music - Web Playe. Livia Albeck-Ripka, 2023. A Brief History of Memorial Day [Essay]. The New York Times. Paul Robeson, 2021. John Brown's Body [Song]. YouTube. Robert Rodat (Writer), Steven Spielberg (Director), Harve Presnell (Actor), 1998. Saving Private Ryan [Movie]. IMDb. Staff, 2020. A Brief Biography of General John A. Logan [Biography]. John A. Logan College. Staff, 2024. Civil War Timeline [WWW Document], American Battlefield Trust. Thomas Jefferson, 1776. Declaration of Independence: [Transcription]. National Archives. Winston Churchil, 1940. Never was so much owed by so many to so few - Winston Churchill Speeches [Speech]. YouTube.