Podcasts about Paul Robeson

We talk to John Potash about the MLK Assassination, Black Panthers and Malcom X in the first hour. We're joinned by Cisco Streetlove and continue the discussion.Drugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a "war on drugs" that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Before he became a musician, Merle Haggard lived the kind of life that's often mythologized in song: Hopping freights and doing prison time. When he became a star, he acquired his own observation car. Now that coach is part of the Virginia Scenic Railway. Terry Gross spoke with Haggard in 1995. Classical music critic Lloyd Schwartz reviews two albums: one's a collection of recordings by Paul Robeson, and the other features the music of Paul Robeson, performed by singer Davóne Tines. Finally, Justin Chang reviews David Cronenberg's new thriller, The Shrouds.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Before he became a musician, Merle Haggard lived the kind of life that's often mythologized in song: Hopping freights and doing prison time. When he became a star, he acquired his own observation car. Now that coach is part of the Virginia Scenic Railway. Terry Gross spoke with Haggard in 1995. Classical music critic Lloyd Schwartz reviews two albums: one's a collection of recordings by Paul Robeson, and the other features the music of Paul Robeson, performed by singer Davóne Tines. Finally, Justin Chang reviews David Cronenberg's new thriller, The Shrouds.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On today's show: we hear from a filmmaker who made a documentary about living with dwarfism, then musicians and poets will celebrate the late Paul Robeson, and a film questions if technology and money should outweigh the arts and people.

Feliks Banel's guests on this episode of CASCADE OF HISTORY include Jean Sherrard on his NOW & THEN column in this coming weekend's Seattle Times about the Cadillac Hotel/Klondike Gold Rush National Historic Park; plus archival feature with the late Edward Saylor of Enumclaw, member of the famous Doolittle Raid of April 18, 1942; and a conversation with Dr. Lindsey Swindall of the Stevens Institute of Technology on the May 18, 1952 concert by Paul Robeson at Peace Arch Park. This LIVE broadcast of CASCADE OF HISTORY was originally presented at 4pm Pacific Standard Time on Thursday, April 17, 2025 via SPACE 101.1 FM and gallantly streaming live via space101fm.org at historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms.

A half century after the United States won its independence from Britain, Canada was rocked by two armed uprising known as the Rebellions of 1837-38.The revolts failed, resulting in many rebels being deported to Australia and Tasmania as political prisoners facing hard labor or hanging. Others escaped such reprisals by going into exile in the US. Sympathy for these disenfranchised French Canadian patriots was the subject of a song written four years later by a young college student named Antoine Gérin-Lajoie.How the Song Came to BeYears later in his memoir Souvenirs de collège, Gérin-Lajoie told how he adapted his lyrics to the deeply expressive French-Canadian folk tune "J'ai fait une maîtresse" (of which "Si tu te mets anguille" is also a variation). “I wrote that song in 1842 when I was in Rhetoric Class in Nicolet, Quebec. I wrote it one night in bed at the request of my friend Cyp Pinard.”Gérin-Lajoie's verses to “Un Canadien Errant” were published in 1844 in the Charivari canadien, and soon the song was being sung by French Canadians across the country — from Acadia on the east coast to the distant reaches of the northwest territories — stirred by how the lyrics captured the deep sadness of exile. Un Canadien errant, A wandering Canadian, Banni de ses foyers, Banished from his homeland, Parcourait en pleurant Traveled, weeping, Des pays étrangers. Through foreign lands. "Si tu vois mon pays, "If you should see my home, Mon pays malheureux, My sad unhappy land, Va dis à mes amis Go say to all my friends Que je me souviens d'eux.” That I remember them.”The Acadian ConnectionLater Acadians also adopted the song as their own — changing its first line to “Un Acadien Errant” — in the context of the Acadian deportation. Between 1749 and 1755, many Acadians who had refused to swear allegiance to the British Crown emigrated to Lower Acadia or Cape Breton. Then, fearing that they might join the French during the coming Seven Years' War, Nova Scotia Governor Charles Lawrence deported the Acadians to New England and the Atlantic Coast. Cajuns of the Louisiana bayou country also trace their own ancestry to these same exiles.Twentieth Century PerformancesBack to song, Paul Robeson recorded a bilingual version in 1950 under the title "Le Canadien Errant.” However, most Americans learned the tune a decade after that with a French-language performance by Ian & Sylvia, who included it on their debut 1962 album for Vanguard Records. The duo gave the song further prominence at the Newport Folk Festival as recorded on the 1996 album Ian & Sylvia Live at Newport. In the 1969 film My Side of the Mountain, folk singer/musicologist Theodore Bikel sang the first part of "Un Canadien Errant" and then played a bit of it on a "homemade" reed flute. The melody refrained throughout the film. Leonard Cohen recorded "Un Canadien Errant" as "The Lost Canadian" on his 1979 Recent Songs album, and his own song "The Faith," on his 2004 album Dear Heather, is based on the same melody. Our Take on the TuneThirty years ago, when The Flood first started doing this song, the band was back to being a trio of the original guys — Dave Peyton, Joe Dobbs and Charlie Bowen — and often on rehearsal night, the only listener in the room would be Dave's beautiful wife, Susan. At the end of the evening, when the guys asked Susie what last song of the evening she'd like to hear, it was almost always this sweet, sad tune that she remembered hearing 20 years earlier down in Louisiana when she and David and young Davy spent an autumn and winter in Cajun country. We lost Susan three years ago this summer. This one's for you, dear heart. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

The Context of White Supremacy welcomes Racist Suspect Joel Whitney. Classified as a White Man, Whitney is a Brooklyn, NY writer whose work has been featured in The New York Times, The Daily Beast, The Baffler, The Wall Street Journal, Newsweek, and Boston Review to name a few. He's "a former features editor at Al Jazeera America and a founder and former editor-in-chief at Guernica." Gus originally hoped to speak with Whitney about his 2016 publication, Finks: How the CIA Tricked the World's Best Writers. I'm not quite sure what my original motivation was for exploring this text - could have been Rev. Jim Jones and the Peoples Temple or Soundtrack to a Coup d'État. Anyway, by the time we got our calendars synchronized, Mr. Whitney had written another book, Flights: Radicals on the Run. Most of the featured subjects who had to flee oppression are Victims of White Supremacy like: Minister Malcolm X, Paul Robeson, Dr. Angela Davis, and Leonard Peltier - who recently benefited from a commuted sentence from departing President Biden. During the broadcast, Mr. Whitney repeated the tacky refrain that White people are also "held back" by Racism. He could only list two trifling ways that the System of White Supremacy holds him down. Whitney also engaged in another suspicious and common practice amongst Racist Suspects: Citing the work of Ibram X. Kendi, a Victim of White Supremacy, to confuse non-white people about what it means to be classified as White. #LorraineHansberry #FarceOnWashington #TheCOWS16Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#

Muhammad Ali risked his career and even his freedom to take a stand against the Vietnam War. He followed in the footsteps of men like baseball great Jackie Robinson and singer Paul Robeson, who started out playing football. These Black athletes are all part of a heritage of working for social justice, according to journalist Howard Bryant. Today, Bryant joins Lindsay to talk about his book The Heritage: Black Athletes, A Divided America, and the Politics of Patriotism. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to American Scandal on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting wondery.com/links/american-scandal/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul Robeson, an enduring and multitalented figure, broke color barriers in sports, music, film and theater. He was an internationally famous singer and actor yet in the U.S. he was persecuted and blacklisted for his political beliefs. He died impoverished and in obscurity. His singular life is a model of courage and steadfastness in the face of racial and political prejudice. He said, “The artist must fight for freedom or for slavery. I have made my choice. I had no alternative.” This program includes Paul Robeson singing in his magnificent bass-baritone voice "Joe Hill" and "Ol' Man River." Recorded at Columbia Law School.

Paul Robeson: Football legend, lawyer, classical singer, actor, social activist. Paul Robeson was ALL of those things. When the US banned him from leaving the country for 9 years, he took action and spoke up for inequality. He fought for the inequality throughout the nation, making huge personal sacrifices in doing so. A true hero.Episode Sources: A book titled The Undiscovered Paul Robeson: An Artist's Journey by Paul Robeson, Jr.; a documentary titled Paul Robeson: Tribute to an Artist, narrated by Sidney Portier; an article from PBS from August 26, 2006; goldenglobes.com; picturingblackhistory.org; IMDBImage Source: Paul Robeson House & Museum; blackpast.org; Britannica PATREON: https://patreon.com/StarsoftheGoldenAgePodcastBUY ME A COFFEE: buymeacoffee.com/GoldenAge

Paul Robeson was a star of stage and screen, but his passion was sharing spirituals. His goal was to elevate them to the same level as other musical forms. Find out more in the ‘Rhapsody in Black' podcast.

"THE NICHOLAS BROTHERS: CLASSIC CINEMA STARS OF THE MONTH" The Nicholas Brothers, FAYARD and HAROLD, are arguably two of the greatest dancer to ever hit Hollywood. Born to musician parents, they learned their craft working the vaudeville scene and appearing at the famous Cotten Club during the Harlem Renaissance before landing in Hollywood. In Tinseltown, they made movie magic dancing in some of Hollywood's biggest musicals. The brothers mixed tap-dancing with acrobatics to perfect thrilling routines that we're still win awe of today. They also had to endure the limits put upon them by the racism of the day. Join us this week, as we celebrate these icons of dance who are our Stars of the Month.  SHOW NOTES:  Sources: Brotherhood in Rhythm: The Tap Dancing of the Nicholas Brothers (2002), by Constance Valis Hill; Dorothy Dandridge: An Intimate Biography (1970), by Earl Mills; “The Nicholas Brothers, Fayard and Harold: Tap Dance Legends,” February 17, 2024, Dance Mogul magazine; “The Incredible Nicholas Brothers: A Classic Hollywood Black Dance Duo Everyone Should Be Obsessed With,” October 30, 2022, by Maureen Lee Lenker, Entertainment Weekly; “The Nicholas Brothers: Every Generations Dance Heroes,” February 17, 2020, by Najja Parker, The Atlanta Journal-Constitution; “Celebrating The Nicholas Brothers,” September 16, 2011, by Daniel Eagan, Smithsonian magazine; www.nicholasbrothers.com TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; AcademyMuseum.com Movies Mentioned:  Pie Pie Blackbird  (1932) - starring Nina Mae McKinney & The Nicholas Brothers; Stoopnocracy (1933), starring Budd Hulick & Harold Nicholas; The Emperor Jones (1933), starring Paul Robeson & Harold Nicholas; Kid Millions (1934), starring Eddie Cantor, Ann Sothern, & Ethel Merman; Jealousy (1934), starring Nancy Kelly & George Murphy; The Big Broadcast of 1936 (1935), starring Jack Oakie, George Burns, Gracie Allen, Bing Crosby, & Ethel Merman; Coronado (1935), starring Johnny Downs; My American Wife (1936), starring Francis Lederer & Ann Sothern; Don't Gamble with Love (1936) starring Ann Sothern; Babes in Arms (1937), starring Mickey Rooney & Judy Garland; Down Argentine Way (1940), starring Betty Grable, Don Ameche, Carmen Miranda, & Charlotte, Greenwood; Tin Pan Alley (1940), starring Betty Grable, Alice Faye, Jack Oakie, & John Payne; The Great American Broadcast (1941), starring Alice Faye & John Payne; Sun Valley Serenade (1941), starring Sonja Henie & John Payne; Orchestra Wives (1942), starring George Montgomery & Ann Rutherford; Stormy Weather (1943), starring Lena Horne; Reckless Age (1944), starring Gloria Jean & Harold Nicholas; Carolina Blues (1944), starring Kay Kyser & Ann Miller; The Pirate (1948), starring Judy Garland & Gene Kelly; Botta e Riposta (1950); El Mensaje le la Muerte (1953); Musik I'm Blut (1955); L'Empire de la Nuit (1964); The Liberation of L.B. Jones (1970), starring Lee J. Cobb, Roscoe Lee Brown, & Fayard Nicholas; Uptown Saturday Night (1974), starring Sidney Poitier, Bill Cosby, Richard Pryor, Flip Wilson, Harry Belafonte, & Harold Nicholas That's Entertainment! (1974); That's Dancing (1985); Tap (1989); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feliks Banel's guests on this live broadcast of CASCADE OF HISTORY include roving correspondent Ken Zick LIVE from the historic Rancho Super Car Wash (aka "Elephant Car Wash") in Rancho Mirage, California; railfan Dan Bolyard of Coulee City, Washington on tracking down a trackside photo of his younger self from more than 40 years ago; Cindy Staats, VP of Marketing for Shakey's USA on the history of that pizza chain (whose Renton, WA location closed last week); and King County Executive Dow Constantine's remembrance of filmmaker/Twin Peaks co-creator David Lynch. We also listened to Paul Robeson's 1952 Peace Arch concert recording of "Joe Hill." This LIVE broadcast of CASCADE OF HISTORY was originally presented at 8pm Pacific Standard Time on Sunday, January 26, 2025 via SPACE 101.1 FM and streaming live via space101fm.org at historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle.

Today, Martin Luther King Day and the day before the reinauguration of King Ubu of the Divided States of America, is an appropriate time to revisit the life and legacy of the great Paul Robeson. Both great Americans, King and Robeson, were met with great resistance, incomprehension, and opposition in their day. While Dr. King is now justly celebrated with a national holiday, his legacy is often watered down by those, even right-wing extremists, that seek to attach their own agenda to his progressive legacy. Paul Robeson returned to his native country during the dark days of World War II. Shortly after the war ended, Robeson was also subject to incomprehension and oppression related to his embrace of Communism, which led to him being blacklisted and his passport being rescinded. Finally in 1958, after eight years of being hounded by the FBI, Paul Robeson finally regained the right to travel abroad. During the years of his blacklisting, he had effectively been unable to support himself. In thanks to his supporters following his emancipation, Robeson gave a celebratory concert on June 1, 1958 at his home church, Zion African Methodist Episcopal Church in Harlem. Shortly thereafter, he departed on years' long sojourn abroad. His first stop was the Royal Albert Hall in London, where he performed on August 10, 1958, the beginning of a nationwide tour across the UK. Thereafter he visited other countries as well, including East Germany, where he was particularly celebrated and revered and where, in 1959 in an East Berlin recording studio, he made a new recording of old and new favorites with his frequent collaborator Earl Robinson. Rare selections from each of these events are featured on this episode, which is enhanced with excerpts from, and commentary by, Paul Robeson on his greatest stage success, the title role in Shakespeare's Othello, a work which is distressingly relevant as the United States faces its greatest challenge in recent history. This episode is both a celebration of one of the greatest patriots our country has known as well as a warning of the pitfalls that await a nation that chooses to ignore or misrepresent those great Americans in lieu of hate-filled opportunists. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Edna Lewis was a legendary American chef, a pioneer of Southern cooking and the author of four books, including The Taste of Country Cooking, her memoir cookbook about growing up in Freetown, Virginia, a small farming community of formerly enslaved people and their descendants established in 1866. Before she began writing books, Edna had been a celebrated chef at Cafe Nicholson in New York City in the 1950s where Eleanor Roosevelt, Paul Robeson, Marlon Brando, Tennessee Williams, Truman Capote and Marlene Dietrich all came for her Southern food and legendary chocolate soufflé.The Taste of Country Cooking chronicled the traditions and recipes of the community where she grew up — a rural settlement that celebrated the events and traditions of daily life across each year with special suppers and ritual meals — Emancipation Day Dinner, Early Spring Dinner after Sheep Shearing, Morning After Hog Butchering Breakfast, Christmas Eve Supper and Christmas Dinner to name but a few of the dishes and stories that fill this book.In 1983 The Kitchen Sisters went to talk to Ms. Lewis about her life and the Christmas traditions in the tight-knit Virginia farming community where she came of age.For Christmas, The Kitchen Sisters Present... Edna Lewis: Christmas in Freetown

Sadly, it's time to say goodbye to another acteur after an all-too-short time. For our final Paul Robeson episode, we watched Julien Duvivier's Tales of Manhattan (1942), which notoriously brought an end to Robeson's career as a film actor, and two extraordinary socialist documentaries to which he contributed his voice, Leo Hurwitz's Native Land (1942) and Joris Ivens' The Song of the Rivers (1954). (Note that Robeson's contribution to Song of the Rivers was less than we supposed going in: an introductory song only. But we thought it paired well with Native Land anyway.) We make an argument for the subversive use of tropes in the Robeson Tales of Manhattan segment before moving on to discuss Robeson's involvement in the kind of cinema he wanted to make: independent, socialist, artistically ambitious. And finally, we of course Rank the Robesons, giving our 10 favourite Robeson films in order and summarizing the experience of building a comprehensive picture of this under-theorized body of work.  Time Codes: 0h 00m 25s:    TALES OF MANHATTAN (1942) [dir. Julien Duvivier] 0h 21m 54s:    NATIVE LAND (1942) [dirs. Leo Hurwitz & Paul Strand] 0h 53m 33s:    SONG OF THE RIVERS (1954) [dir. Joris Ivens] 1h 04m 48s:    Ranking the Robesons 1h 13m 58s:    Listener mail from Andy   Episode specific reading: ·       Musser, Charles. Paul Robeson and the End of His ‘Movie' Career. Cinémas, Volume 19, (Number 1), Fall 2008, 147-179. ·       Klein, Jill and Michael. Native Land: An Interview with Leo Hurwitz. Cinéaste vol 6 (number 3), 1974.   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

The Men of Micheaux (and the audience) weigh in on The Wayans Family, the most distinctive voices of Hip-Hop, Paul Robeson, The Wizard of Oz, and Wicked. The review of Blazing Saddles is damn near a bonus for episode. Rate & Review The Mission on Apple Email  micheauxmission@gmail.com Follow The Mission on Instagram Subscribe to the Mission on YouTube  Get your Micheaux Mission SWAG from TeePublic We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices

In de podcast Wat Blijft hoor je de 12-delige serie Grote Geesten over indrukwekkende denkers uit de Humanistische Canon. Van Socrates tot Hannah Arendt en van Simone De Beauvoir tot James Baldwin. Wat hebben zij betekend? Wat kunnen we leren van hun leven en denken? En hoe leven zij voort? In de negende aflevering volgt Nathan de Vries het spoor terug van schrijver, activist en verzetsstrijder Anton de Kom. Anton de Kom werd in 1898 geboren in Paramaribo, Suriname en vertrok op zijn 21ste naar Nederland waar hij zich naast zijn werk in de koffie, thee en tabak ontwikkelde tot activistisch strijder. Hier begon hij aan zijn eerste boek ‘Wij slaven van Suriname' dat later, in 1934 zou verschijnen. In 1932 vertrok hij met zijn gezin naar Suriname waar hij streed voor de rechten van boerenarbeiders en om die reden werd vastgezet in Fort Zeelandia. In 1933 werd hij verbannen uit Suriname vanwege zijn zogenaamde ‘anti-koloniaal en communistisch verzet'. Terug in Nederland vond hij geen werk, maar zette zich voortdurend in voor het communistisch verzet. Toen de oorlog in 1940 uitbrak, sloot De Kom zich aan bij het Nederlands verzet. Hij bezweek uiteindelijk aan tuberculose in kamp Sandborstel, het buitenkamp van Neuengamme. Hij werd begraven in een massagraf en pas in 1961 werd de familie officieel geïnformeerd over zijn dood. In 2023 kreeg Anton de Kom officieel eerherstel; de Nederlandse regering bood bij monde van Wopke Hoekstra excuses aan. Ook werd aan de Vrije Universiteit de Anton de Kom-leerstoel ingesteld. Een jaar eerder was er al een gedenksteen voor Anton de Kom onthuld in de Nieuwe Kerk in Amsterdam. Hij is de eerste Surinamer die een plek kreeg in de Canon van Nederland. Nathan de Vries praat met zijn achterkleinzoon Vincent de Kom, filmmaker Ida Does, schrijver Raoul de Jong, actrice GerdaLentenHavertong en professor Guno Jones die aan de VU de Anton de Kom-leerstoel bekleedt.  In deze aflevering hoor je o.a. muziek van zanger, atleet en politiek activist Paul Robeson die ‘Amazing Grace' zingt. Dit was muziek waar Anton de Kom zelf ook graag naar luisterde. 

For our penultimate Paul Robeson Acteurist Oeuvre-view episode we watched Thornton Freeland's Jericho (1937), in which Robeson plays a court-martialed WWI officer who takes up a new life as the leader of a group of Saharan herders and traders, and Pen Tennyson's The Proud Valley (1940), often cited as the film Robeson was proudest of, about the struggles of a community of Welsh miners. As in our last Robeson episode, he really makes his auteur presence felt in these films, although in almost opposite ways, taking centre stage in Jericho and acting as the presiding genius of The Proud Valley, which we discuss as both Robeson's vision of socialism and a mining horror movie.  Time Codes: 0h 00m 25s:      JERICHO (1937) [dir. Thornton Freeland] 0h 28m 48s:      THE PROUD VALLEY (1940) [dir. Pen Tennyson] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

For Day 2 of Black History Bootcamp, we're honoring Paul Robeson—a man who stood at the crossroads of “radical or responsible” and chose a path that changed history. His life was a series of powerful choices shaped by loss and love, from the early death of his mother to the unwavering support of his wife, who fueled his fight for justice and equality. Paul didn't shy away from taking bold, unapologetic stands for his people, even when it cost him greatly. He taught us that there is courage in being both radical and responsible, living with purpose and conviction.

Things are looking up in this week's Paul Robeson Acteurist Oeuvre-view episode, for which we watched Big Fella (directed by J. Elder Willis), in which Robeson is a dockworker who becomes involved in the search for a kidnapped rich kid, and King Solomon's Mines (directed by Robert Stevenson), the first film adaptation of the H. Rider Haggard colonial adventure epic. We make our arguments for Big Fella as an anti-Shirley Temple movie that both accomplishes and subverts its genre goals and for King Solomon's Mines' Verhoevening of its reactionary source material.  Time Codes: 0h 00m 25s:      BIG FELLA (1937) [dir. J. Elder Willis] 0h 28m 30s:      KING SOLOMON'S MINES [dir. Robert Stevenson] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

The Pittsburgh Labor Choir's Tom Hoffman and Kira Yeversky lead a master class in the history of labor songs in their inspirational session at this year's Reuther-Pollack Labor History Symposium, recorded with a live – and enthusiastically singing – audience. On this week's Labor History in Two:  The year was 1945; that was the day that Paul Robeson received the Spingarn Medal from the NAACP.  Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. @PghLaborChoir #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

On the October 14 edition of the Music History Today podcast, Pearl Jam breaks a record, JoJo finally gets to release a record, & Pulp Fiction breathes life into older music. Also, happy birthday to Usher. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: * In 1906, legendary entertainer and civil rights activist Paul Robeson was not allowed to play for the Rutgers University football team because their opponents that day, Washington and Lee University, refused to play against a team that had a black person on it. * In 1939, music company BMI started operations. * In 1954, the musical movie White Christmas premiered. * In 1964, Charlie Watts of the Rolling Stones married his wife Shirley Shepherd. * In 1966, Grace Slick first appeared with Jefferson Airplane. * In 1968, the Beatles finished work on the White Album. * In 1971, John Lennon & Yoko Ono appeared on the Dick Cavett Show. * In 1994, the movie Pulp Fiction premiered. From a musical standpoint, the movie helped revive interest in Dick Dale's music (he did the song Misirlou: the song with the crazy surf guitar & the screaming in the beginning of it). It also sparked interest in the early Kool & the Gang funk classic Jungle Boogie & Link Wray's classic Rumble. * In 2000, Pearl Jam broke a record on Billboard's albums chart when 5 of their released live albums from their European tour hit the chart in the same week. * In 2006, Rascal Flatts' opening act Eric Church was kicked off the tour after he repeatedly played over his allotted opening slot time. Apparently, that was the last straw with Rascal Flatts. Eric's replacement was a hotshot country newcomer at the time: Taylor Swift. * In 2006, singer Melina Leon married her husband Ruy Fernando Delgado. * In 2014, singer Kesha started her lawsuit against producer Dr. Luke in order to be released from her contract with him. * In 2017, country singer Kacey Musgraves married singer-songwriter Ruston Kelly. * In 2018, Steppenwolf performed in Baxter Springs, Kansas, which was their final show. * In 2023, Madonna started her Celebration tour, after having to delay it to deal with a bacterial infection which sent her to the hospital. In the world of classical music: * In 1924, the opera Die Gluckliche Hand premiered. * In 1956, the overture Robert Browning by Charles Ives premiered. In the world of theater: * In 1930, the Gershwin musical Girl Crazy premiered on Broadway & made stars out of Ginger Rogers & especially Ethel Merman. * In 1961, the Frank Loesser musical How to Succeed in Business Without Really Trying premiered on Broadway. In award ceremonies that were held on this date: * In 1970, Merle Haggard won at the Country Music Association awards. * In 1974, Charlie Rich won at the Country Music Association awards. * In 1985, Ricky Skaggs won at the Country Music Association awards. In 2009, opera superstar Placido Domingo received the first Birgit Nilsson million dollar prize. In 2020, Post Malone & Billie Eilish were the big winners at the Billboard Music Awards. In 2022, Jefferson Airplane received a star on the Hollywood Walk of Fame. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

In this episode of our Paul Robeson Acteurist Oeuvre-view series, we consider the ways in which Robeson, as acteur, inscribes himself on James Whale's Show Boat (1936) and J. Elder Wills' Song of Freedom (1936). First, we consider the racial themes of Show Boat, and how both the writing of Robeson's character, and Robeson's playing of him, undermines the stereotype ostensibly being presented; and then we look at the way Song of Freedom struggles to present a progressivism alternative to the racial politics of The Emperor Jones, while we attempt to reconstruct the motivations behind its political confusions.  Time Codes: 0h 00m 25s:      SHOW BOAT (1936) [dir. James Whale] 0h 31m 35s:      SONG OF FREEDOM (1936) [dir. J. Elder Willis] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Send us a textWhat's good all you culinary capybaras & sparkle-necked starlings!  Crouched in the home studio saddle delivering some thoughts. topics include Saturday being named after a maniacal offspring-munching Roman deity, cultivating one's mental health, waging cage fights with depression, coping strategies for 2024, how wretched and self-defeating misogyny is, institutional religions being infested with demonic impulses, and more! Support links below, appreciate all the Day Ones & welcome all the new listeners!un amor,lr kerkawwwTRACKLIST FOR THIS EPISPODE Afro Lofi - GROWN FOLKS - soul lofi music to chill toExcerpt from Sex At Dawn by Cacilda Jetha & Chris Ryan(Chapter: In Search of Primate Continuity)Paul Robeson - Ol Man River (1938) From the film Showboat (FAIR USE SLOWED N VERBED)Paul Robeson was a Genuine American Hero. This cruel empire not only failed to appreciate his spectacular & multifoliate talents: singer, orator, civil rights activist, debater, stud in American football, and lawyer- but also the Agent Smiths of the empire relentlessly hounded the man his whole life. All he did was be a boss and take names and speak truth. Lord forbid!! Agent Smith hounded and hounded Robeson, eventually cornering him in a spiritually wretched London hospital and administering him unfair doses of the MKULTRA brainwashing drug BZ. According to Robeson's son Paul Jr., this horrific act of nonconsensual behavior modification "broke" Robeson, who shied away from public spaces until the end of his days. Goddess & God Bless you Paul Robeson. You continue to be an inspiration and source of strength and light to this day, in this wretched year of Another Dude who was hounded to death by imperial storm troopers for the simple act of speaking some sense, 2024. EMPIRES ARE THE PRIMARY PROBLEM. we're at the crossroads friends: liberate ourselves from the clutches of demonic imperial filth, or mad max it after a fiery poop storm. * ...tick tick tick... * we ain't gonna vote ourselves out of this horrid ditch we've built up. gonna take good honest community building and hard work.Support the showSupport My Sponsor:Magic Mind Adaptogenic & Nootropic Elixir 20% off at Checkout! Support Link here | Use Code: BARBARIANNOETICS20Tip me in Solana (crypto):Address: 9XPHpqH7GawTGtPgZAzfXFU6oPWTpSua1QXwRYAWVh9y If you dig the pod, check out the adjacent video & livestream show Barbarian Yak Fest on Rokfin: https://rokfin.com/BarbarianYakFestFind me on IG: barbarian_noetics Become a Patron: patreon.com/noetics (unlock bonus content plus win a Dream Interpretation)Direct Donate on PayPal @barbarian.noetics@proton.me Cash App@ $BarbarianRavenbuymeacoffee.com/noetics.Spread the word and tell a friend. Remember to set the BNP on Auto Download after you subscribe. I appreciate you all. Section 107 of the Copyright Act of 1976 allows for “fair use” for purposes such as criticism, comment, news reporting, teaching, education and rese...

For our second Paul Robeson Acteurist Oeuvre-view episode, we watched The Emperor Jones (1933), a film by Dudley Murphy loosely based on the Eugene O'Neill play, and the Kordas' Sanders of the River (1935), an experience that proved crucial in Robeson's own political education. We discuss the Modernist appropriation of African culture and the figure of the African American, methods of rationalizing British colonialism, and the kinds of protagonist roles available for a Black actor of Paul Robeson's popularity with white audiences in the first half of the 20th century.  Time Codes: 0h 00m 25s:      THE EMPEROR JONES (1933) [dir. Dudley Murphy] 0h 23m 45s:      SANDERS OF THE RIVER (1935) [dir. Zoltan Korda] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In this explosive episode of "Connecting the Dots," I sit down with Professor Dan Kovalik to expose the harsh reality of free speech under attack in America. Dan shares his chilling story of being detained for hours at Miami Airport, interrogated simply for telling the truth on RT and other alternative news outlets. He's part of a disturbing trend—journalists in the U.S. being raided, arrested, and harassed for daring to speak out. Is free speech in America on life support? We dive into Noam Chomsky's theory of controlled debate, where public opinion is tightly managed, and how today's media manipulates what we're allowed to hear. From the prosecution of dissent to the silencing of pro-Palestine voices on college campuses, this conversation reveals the frightening erosion of our First Amendment rights. Don't miss this urgent wake-up call—are we witnessing the death of free speech in the land of the free?     Find me and the show on social media. Click the following links or search @DrWilmerLeon on X/Twitter, Instagram, Facebook, Patreon and YouTube!   Hey everyone, Dr. Wilmer here! If you've been enjoying my deep dives into the real stories behind the headlines and appreciate the balanced perspective I bring, I'd love your support on my Patreon channel. Your contribution helps me keep "Connecting the Dots" alive, revealing the truth behind the news. Join our community, and together, let's keep uncovering the hidden truths and making sense of the world. Thank you for being a part of this journey!   Wilmer Leon (00:00): The linguist, Noam Chomsky tells us the smart way to keep people passive and obedient is to strictly limit the spectrum of acceptable opinion, but allow very lively debate within that spectrum. Even encourage the more critical and dissident views that gives people the sense that there's free thinking going on. While all the time the presuppositions of the system are being reinforced by the limits put on the range of debate. That's Noam Chomsky. Let's talk about it. Stay tuned. Announcer (00:43): Connecting the dots with Dr. Wilmer Leon, where the analysis of politics, culture, and history converge. Wilmer Leon (00:51): Welcome to the Connecting the Dots podcast with Dr. Wilmer Leon, and I am Wilmer Leon is this what American mainstream media and those in Western established press are engaging in actually the violation of the First Amendment? Let's discuss this. Here's the point. We have a tendency to view current events as though they occur in a vacuum, failing to understand the broader historic context in which these events occur. During each episode of this podcast, my guests and I, we have probing, provocative, and in-depth discussions that connect the dots between these events and the broader historic context in which they occur. This enables you to better understand and analyze the events that impact the global village in which we live. On today's episode, the issue of force is very simple. The first amendment, freedom of speech, and the US government's attack on this inalienable right, and my guest is a US labor and human rights lawyer, writer, author, and activist. His latest book is entitled The Case for Palestine, why It Matters and Why You Should Care. He has been a peace activist throughout his life. He has been deeply involved in the movement for peace and social justice in Columbia, Venezuela, Nicaragua, and other countries in the global south. He's also taught international human rights law at the University of Pittsburgh School of Law since 2012. He is Professor Dan lik. Dan, welcome. Dan Kovalik (02:26): Thank you. Thanks for having me. Always a pleasure. Wilmer. Wilmer Leon (02:30): So there are a number of events. We're going to connect a number of dots here, but let's start with the First Amendment and it reads as follows, Congress shall make no law respecting an establishment of religion or prohibiting the free exercise thereof or abridging the freedom of speech or of the press or the right of people to peaceably, to assemble and to petition the government for a redress of grievances. Dan, we take this as Americans, we take this for granted, but as the first amendment of the first 10, this one was very important and made number one for a reason why? Dan Kovalik (03:18): Well, because the founding fathers having come from England, where there was a king who was able to prescribe speech arbitrarily, wanted to protect the right of free spree speech, the right of religion. Of course, England had a state religion, the Anglican Church, and they wanted to make sure that Americans had the right to such things as speech and religion and freedom of the press. In England. Those things were not protected even to this day. By the way, great Britain does not have a written constitution and does not protect those types of rights in the way that the United States does. Wilmer Leon (04:05): And again, we've taken this right for granted for so many years, but we have found history shows us, particularly during times of war, when the United States feels that it is being threatened, the screws tighten on free speech, hence people get charged with sedition and other types of violations. When the government feels it's being threatened, when there is a perceived threat from outside the country, then the government will tend to tighten the screws restrict speech, and then once that threat is vanquished, then the prohibitions relax. Have you found history to prove that to be true? Dan Kovalik (04:57): Yes. I mean, one of the most famous examples, of course is during World War I, people like Eugene v Debs, great socialist from Terre Haute, Indiana. He was put in jail for publicly opposing World War I and famously his persecution and those of others like him was approved by the Supreme Court in a famous case by Oliver Wendell Holmes is one of the most celebrated jurors, and he created the clear and present danger rule. And what that says is that the First Amendment is not, as they often say, the US Constitution is not a suicide pact. He said that in cases of a clear and present danger, Congress in fact could (05:59): Limit speech. He gave the example famous example of you're not allowed to yell fire in a crowded theater, for example. And he compared incredibly advocating for peace during a time of war as tantamount to claiming there's a fire in a crowded theater. And that remains the law of the day. And so that law or that decision, which is now almost a hundred years old, I think sets the precedent that advocating for peace in the United States is somehow a clear and present danger. And so when we look to how speech is being regulated and limited today, what we often see it being regulated when people are clamoring for peace. Wilmer Leon (06:58): There's an interesting piece in consortium news entitled Free Speech in the Department of Political Justice, and it's written by former judge Andrew Napolitano, who was a superior court judge in New Jersey. And he writes in this piece, I don't want to spend a lot of time getting into the weeds of the First Amendment, but I think this is very germane to what we find ourselves dealing with. He writes, the framers of the Constitution, were debating this idea of free speech, and they concluded that expressive rights are natural to all persons no matter where they are born. And natural rights are, as Jefferson had written in the Declaration of Independence inalienable. That's why I refer to them as inalienable rights in the open stated differently. He writes, Madison and his colleagues gave us a constitution and a bill of rights that on their face recognized the prepo political existence of the freedom of speech and of the press in all persons and guaranteed that in Congress, by which they meant the government could not and would not abridge them until now. And he, in his piece, he's referencing some charges that the United States government has imposed against some Americans and some Russians, and it's not even a matter of challenging war as much as it is challenging the established government narrative. Your thoughts? Dan Kovalik (08:35): Yes. So again, this is very similar to laws and regulations that have come down before during World War I and also around the same time you had the pomades against socialists and union leaders. Of course you had the McCarthy period, which also really represented an abridgement of peace of speech and of course very, I think relevant to today because of course the McCarthy period, at least ostensibly involved the persecution of communists. Though of course a lot of people persecuted were not communists, though a lot of the people who were persecuted were communists. Most notably in my mind, the great Paul Robeson who went, he and I went to the same law school. By the way, it's a big reason I went to Columbia Law School is because Paul Robeson went there, one of my heroes. Wilmer Leon (09:31): He was a few years ahead of you though. Dan Kovalik (09:33): A few years, yeah, yeah. I know I look old, but I'm not quite old enough to cross paths with Mr. Robeson. But why is that important? Because of course that involved claims that the communists were somehow how stooges of the Soviet Union. And now of course you have people making allegations that those opposing US foreign policy are pawns of Russia and Vladimir Putin. Right. So it's the same old trope that we've been hearing for years and years, and we see this manifested in the last two weeks with the Justice Department announcing indictments against people associated with rt, formerly known as Russia Today News based in Moscow. You had Anthony Blinken statements over the weekend that RT should be considered an espionage organization that means a spy organization. And of course the implication being that those Americans that work with it are spies. And then you had Hillary Clinton chiming in, I believe yesterday, saying that people spreading propaganda, Russian propaganda should be civilly if not criminally prosecuted. And so again, welcome to McCarthyism 2.0. It's a very scary time for people who, I'll just say like me, I'll only speak for myself who want to advocate for peace, but also specifically advocate for peace with Russia who say Russia's not our enemy who go to Russia. I've been to Russia five times in the last two years. (11:26): I've been to the Donbas three times to Crimea once to the Kherson region of what was Ukraine once. And I have worked with RT proudly so, but I and others like me are now in the crosshairs of the US government. And they're not even hiding it. They're being very clear that we are enemy number one at this point. Wilmer Leon (11:51): And this is important for people to understand because as you just mentioned, they've indicted two Americans living in Russia who are Russian citizens. They work for rt. The Feds are accusing them of spreading propaganda. And what they are basically doing is they're challenging the narrative of the Biden administration. And unlike what transpired during World War I, as you talked about Eugene Debs, and also what happened during World War ii, right now, last I checked, the United States has not declared war on Russia. So we are not in a war footing or on a war footing right now. These are individuals that, and I am one who is challenging the narrative of the Biden administration as it relates to what's going on in Ukraine as it relates to what's going on with China over Taiwan, what's going on in Venezuela, what's going on in the Middle East. There are a number of areas where I believe, and I think I have historic and current evidence to support the position that the established stated narrative of the administration is flat out wrong. Dan Kovalik (13:18): Yes, absolutely. And again, Anthony Blinken was very specific about that. He said that rt, that its alleged propaganda has undermined the cause of the war in Ukraine. But as you say, while the US is defacto at war with Russia, it is not officially at war with Russia. It is not declared war on Russia. And as you know, the US rarely declares war anymore. Only Congress can declare war. And rarely does it do that. We usually go to war again, not officially unofficially with countries without declaring war. So we are not officially at war with Russia, which means that those who work with Russia or Russia related entities are not engaged in sedition of any kind. (14:12): But that is what is being claimed. Now, I mean, that is being specifically claimed that we are in fact involved in sedition. And by the way, I know people, Wilmer friends of mine that are fleeing the country. Oh, really? Oh yeah. A number of people and some to Russia, but some to other places, Canada, other places for fear, they're going to be prosecuted because of their work with rt. And no, it's very serious. I know several people, I won't name them. I think I can name one because he's already done it. So he is safe there. And that's Jackson Henkel. Wilmer Leon (14:55): Oh, okay. Dan Kovalik (14:57): But there's others in the process of doing that. Some people have urged me to do that. So we have a very serious situation, and I understand why people would make that choice, because really the government is signaling that they may go after us. So it makes some sense, Wilmer Leon (15:21): And we're going to get to that with you in just a few moments because there, there's another, there are a number of facets of this that if you look at these things individually, people may have a tendency to think, oh, well, this is just a one-off here, or a one-off there. But when you start connecting these dots, what you find out is the government is engaged in incredibly fascist behavior, and they are establishing policies. When Hillary Clinton, former Secretary of State, former First Lady comes on television and starts talking about people who are spewing propaganda need to be considered for facing criminal charges. What's the difference between her saying that here in the United States and some of the incredibly repressive policies that have been and are in place by some people that she and other members of the current administration label as dictators label as strong men label as fascists? Dan Kovalik (16:37): No, I mean, of course there's no difference. I mean, and think about it. The US has voice of America, which again, openly broadcast US viewpoints around the world and in particular in countries that the US is hostile towards. Radio Liberty is a similar one in Europe, but frankly, you don't even have to point to those because now frankly, most of the US media operates like those. They're nothing but mouthpieces For the US government, I would put NPR in that category, C-N-N, M-S-N-B-C, and of course the iron. And if those stations or those broadcasting systems are jammed in other countries or people associated with those entities are arrested or persecuted, of course the US is the first one to claim foul. Right? But of course, the other irony here is that M-S-NBC, which is the station that Hillary Clinton made her statements on, and Rachel Maddow, they have been propagandists themselves in terms of pushing these lies about Russian interference. They've been pushing these lies for eight years now. And Hillary Clinton herself was one of the main origins of that lie, which has been debunked, (18:02): Almost entirely and right. So they are pushing propaganda and they're pushing war propaganda again, specifically against Russia. They themselves are guilty of war propaganda, which is by the way, a war crime under international law. But so talk about calling the kettle black, or in fact, they're calling the China, the China plates black when they're the ones that are engaged in propaganda. Wilmer Leon (18:32): In fact, there's a, I'm trying to pull it up right now. There's an NBC story from a while ago from 2022 where they admitted to using propaganda to fool American people. And in fact, the author of the story is a journalist, Ken Delan, who by the way I believe had been dismissed from the LA Times because he was clearing stories through the CIA before the stories were being submitted to his editors at the LA Times. That's history. But there was a story back from 2022 where NBC admitted that they're involved in his propaganda war with Russia and that they will lie to the American people in order to get out in front of a story before the Russians can tell the story or to mislead the Russians. And so the United States government em, it does it to the American people itself Dan Kovalik (19:41): All the time. We know this happens all the time. Another classic case was Judith Miller at the New York Times, who was doing nothing but writing CIA propaganda at the behest of the CIA, which led it helped lead us to the war in Iraq. And in fact, the CIA credited her reporting for helping pave the way to the war with Iraq. And of course one of the big lies of the war, the weapons of mass destruction was a lie that she promoted and incredibly, she's landed on her feet. She was let go or forced to resign for the New York Times because that came out. But now she works for CNN. I mean these folks, it's really not a negative mark on their career if they do this sort of thing. John Stockwell just mentioned John Stockwell, I don't know if you remember him well, I do. But he was a CIA Bureau chief at Angola. He talked about how the CIA would write stories that they would've published in the press, and he gave one example. He said, we once wrote a story about Cuban troops who were fighting US backed forces in Angola, and who by the way helped liberate Southern Africa and South Africa, as you know, Wilmer. (21:06): He said they would claim Cuban troops had raped these women in Angola. Then they'd write a story saying the Cuban troops were killed. And then he said, incredibly, they'd write another story about the same Cuban troop unit somehow revived from the dead doing something else. And yet the press printed it without question. And this happens, and Hollywood's the same way. Hollywood is very much under the sway of the ca. If I can just give one example of that famous interesting example, if you've ever seen the movie, which I like quite a bit, meet the Parents, pretty funny movie. There's a scene in which Ben Stiller, the main character, goes into Robert De Niro's layer for the first time and discovers he's with the ccia. Originally, the script had it that he found he was with the CIA because there was a CIA torture manual de Niro's desk. Well, the CIA who reviewed the script and reviews many scripts in Hollywood, you can't do that. So they ended up just having photos of De Niro with Bin Laden and Clinton and different things. So a lot of what we watch on TV in the movies and reading the newspaper, a lot of that is clear through the ccia, if not utterly based on CIA misinformation that they feed to the press. Wilmer Leon (22:42): And let me connect these dots. I found the story and here's the headline. This is from NBC News in a Break with the Past. Now that's a lie. Us is using intel to fight an info war with Russia, even when the intel isn't rock solid. It doesn't have to be solid intelligence. One US official said it's more important to get out ahead of them, the Russians Putin specifically before they do something. So this is NBC admitting that they're using less than accurate intel in stories that they're telling to the American public. They're basically lying in order to further a narrative. And we can take this back to the Iraq War with the Office of Special Plans, which was set up in the Pentagon to take intel that hadn't been vetted and spin it into stories that would support the US narrative about why the United States needed the whole idea of weapons of mass destruction. And Dick Cheney's letter about yellow cake uranium coming from Niger, okay, why are we getting into these weeds? Because the United States government is attacking American citizens, independent journalists for telling the truth about stories that are challenging the standard narrative when the United States government admits itself, it's lying to you. And this is in violation of the First Amendment, professor Dan Kalik. Is that a good summation of the issue? Dan Kovalik (24:38): It's a very good summation. You often hear, for example, someone like myself will say, oh, there's neo-Nazis in Ukraine. Which by the way, before 2022, even a lot of the mainstream press reported on that, right? Wilmer Leon (24:55): I won't say even Barack Obama said, one of the reasons we don't want to send weapons to Ukraine is because we don't want to give weapons to the Nazis. Dan Kovalik (25:01): Yeah. Not only did Barack Obama talk about it, there was a law passed by Congress that I think Obama signed saying that the US could not fund neo-Nazis in Ukraine. Well, I don't think they passed the law just because theoretically there might be because they knew there were Nazis in Ukraine, and then in fact, that law was repealed because they later decided, oh, well, we need to support Nazis in Ukraine. Okay, so everyone admitted there's Nazis in Ukraine. Then once the special military operations of Russia began in February of 2022, all of the press all of a sudden pretended, oh, there's no Nazis there. Okay? So now after that, if someone like me who's actually been to the Don Bass, which was part of Ukraine, says, oh yeah, there's neo-Nazis in Ukraine. They're like, well, that's a Putin talking point. Well, the fact it's a Putin talking point doesn't mean it's untrue. If Putin says the world is round, it doesn't mean the world is flat. (26:00): But that's what's happening. That is really the claim leveled against people who are trying to give a more balanced picture of what's happening in Ukraine as they're being portrayed as somehow being controlled by the Kremlin, when in fact they're just saying what the truth is. Even though, yeah, it may happen to correspond with what the Kremlin is saying, which I will say, I find the Kremlin a lot more credible on many of these issues than the White House, but other people have to judge that. But again, the fact that my views may overlap with those of the Kremlin at times doesn't mean I'm under their sway. Wilmer Leon (26:47): And let me give the reference those who want to look this up for themselves. Again, the headline of the story is in a Break with the Past US, is using intel to fight an in full war with Russia, even when the intel isn't rock solid. And the story is from April 6th and 2022 written by Ken Delan and others. And again, it's important to remember that again, Ken Delan was dismissed from the LA Times for writing stories, for sending stories to the CIA, having the CIA edit the stories, not telling the editors at the LA times that this was being done. So again, this shows you the kind of work and the kind of propaganda that is being sold to you as news. Now, there's another element to this because as we talked about before, there are a number of facets of this, and that is, again, in Consortium News, pro-Palestine students and faculty Sue UC, Santa Cruz, the lawsuit seeks to vindicate the fundamental democratic and constitutional rights to free speech, free assembly and due process against overreach by university authorities. So basically what has happened, and this story came was last week, September 11th, 2024. So if you all remember back in the spring, there were a number of protests across college campuses all over this country in support of the Palestinian efforts, and they were protesting against the genocidal action of Israel against Palestinians at the United States is supporting. And a number of students were arrested, and some students that were arrested at UC, what did I say, UC, Santa Barbara or UC, Santa Cruz (28:52): In the spring have now still been put off campus in violation of campus regulation. So they are suing the University of Santa Cruz to have that overturned. And just Tuesday, the University of Maryland now finds that care, the Council of American Islamic Relations, Palestine Legal, they are suing University of Maryland for canceling. And this is who would ever think to do something this horrific Jewish and Palestinian student groups holding an interfaith vigil? Dan Valick, the country is going to hell in a hand basket. Dan Kovalik (29:44): Yeah, absolutely. It's outrageous. I mean, what we see is violations of the First Amendment in many different ways. Not only the violation of free speech, of freedom of assembly, but of course freedom of religion because of course, the interfaith vigil would be an expression of religion. I don't see how these actions by Santa Cruz, which by the way, is part of the University of California system, that's a public school system. It means they are subject to the First Amendment. I don't see how those actions can stand if they do stand, if the courts allow them to stand, then we have entered a brave new world, my friend. I mean a very dangerous world by any precedent of the court, at least recent precedent, they should be permitted to have these types of protest in vigils. And I hope they win in the courts. They should win. Wilmer Leon (30:42): In fact, I remember saying after September 11th, as we looked at the crackdown that the United States government was imposing upon American citizens, that when a country violates its own constitution in reaction to action taken by terrorists, the terrorists have won. Dan Kovalik (31:06): Yeah, well, that's absolutely true. And of course, what we saw after nine 11 was an abomination in terms of the rights, not just of US citizens, but of others that were curtailed. The people put in Guantanamo Bay without charge. It turned out most of them had done nothing. Some died in jail, some died of torture. (31:34): It was a huge mark on American democracy. I believe there's still people there. It has not been there. I think there's a couple survivors still hanging on. It's an amazing thing. And of course then you had Barack Obama who decided he could murder American citizens with drones abroad on his own authority. And he killed one man who was claimed to have been a terrorist again, that had never been proven, that he had not been, that had not proven in a court of law. And then incredibly, they murdered his son, his 16-year-old son. And in defense, one of the White House spokespeople said, well, he chose the wrong father. Wilmer Leon (32:25): Eric Holder came out and said when he was the Attorney General, that an American president can execute American citizens anywhere in the world without judicial review. Dan Kovalik (32:37): Yeah, incredible. An incredible thing. And it's bad enough, frankly, Wilmer, that the government has done these sorts of things. But the sad part also is there's been so little resistance to this, so little criticism. And that's what allows these things to continue and not only continue, but to escalate Wilmer Leon (32:59): Quickly going back to the campus issue. So we're told that there has to be this prohibition against protesting in support of the Palestinians because we have to be mindful of the sensitivities of Jewish students, and we can't have these Jewish American students feeling threatened and feeling unsafe on the college campuses amidst these peaceful protests, ignoring the fact that a lot of the protestors are the very Jewish students who the authorities claim their rights are being protected. I believe I submit to you attorney Kovalik, that that is merely a cover or a pretext for the protection of these interests of these students is a pretext, is a cover that is being used by the government to violate our First Amendment rights the same way the Israeli government claims it has to engage in genocide of Palestinians as it attacks Hamas. Dan Kovalik (34:22): No, exactly right. Because the other issue, I mean, of course you're right that many Jews are protesting for Palestinians, but also what about the Palestinians rights? There's Palestinian students on campus, there's Arab students. What about their rights? Right? Wilmer Leon (34:37): What about my rights? I'm neither Palestinian nor Jewish, and I have this problem, and I know I'm nuts, Dan. I got a problem with genocide. I admit it. I admit America. I admit it to the world. I got a problem with genocide. Dan Kovalik (34:52): It's an incredible thing. Wilmer, what we've all been taught since World War II is that the worst crime in the world is genocide, right? It is the high crime. It is the most abominable crime. And even one of the worst things you could say about someone is they're a genocide denier, right? Wilmer Leon (35:15): Oh, yeah. Heaven forbid. Dan Kovalik (35:16): And now all of a sudden when people are protesting against genocide, they're the bad guys. And yet it's an incredible thing that is happening. It's an amazing Rubicon we've crossed, and no one can really defend it. That's the problem. And that is why there's repression. The universities, including some of the best in the world like Columbia University, which may be the main offender on this, they can't defend their actions. They can't defend the genocide. They can't defend against those saying it's a genocide. So they've decided we just have to shut the speech down because we as an institution, we have no argument. We can't ideologically defend this. We can't ideologically defend the United States. And so we're just going to say, students, you can't talk, which goes against every notion that anyone has about what the university is supposed to be, a space of free speech and free debate. And Zionists should have a right to their views. They should have a right to peacefully protest. And those are against Zionism. And the genocide should also have that right. And that is so obvious and so clear, and the fact that the universities have decided to go the other way and only repress one kind of speech, and that is pro-Palestinian and not pro-Israel. It's abominable. It just shows the corruption of our institutions from the universities all the way to the White House. Wilmer Leon (36:55): And it also, I believe, shows the power of the military industrial complex, or what Ray McGovern called the Mickey Mat, in that once you start challenging the narrative via free speech, you now threaten the defense budget. You now start threatening the billions of dollars in weapons that are being wasted in Ukraine, that are being wasted in Gaza, that are being wasted as the United States is trying to foment a Middle East war. And heaven forbid those billion dollar contracts that are going to Lockheed Martin, that are going to Boeing, that are going to ge, Raytheon, heaven forbid, people start asking questions about why is so much money being wasted on genocide? Dan Kovalik (37:53): Yeah, no, exactly. That's correct. When we look around our cities, we look around this country, we see so many problems that need fixing, and people are saying, Hey, why aren't you fixing our problems instead of sending money abroad to these wars in Ukraine and Gaza? Those are very inconvenient people to the powers that be, and not just to the military industrial complex, but apparently we know that in the case of Columbia University, that they responded to calls by millionaires in New York City who asked them to repress the protest. So we know the ruling class is very much in the tank for Israel, very much in the tank for the genocide in Gaza, and that they are influencing these universities and how they respond to this. Wilmer Leon (38:45): And let's connect another dot. And that is the trial in Tampa, Florida that just wrapped up last week in the Uru, the African People Socialist Party, also known as the Uhuru movement or the Uhuru three. There was an incredibly confusing verdict that came down in that trial. It was alleged that the defendants were doing the bidding of the Russian government by sowing discord in America's political process by promoting political views that were contrary to those of the United States government and favorable to those of the Russian government. Now, I got to reiterate, they're not talking about overthrowing the government. They're not talking about attacking the government sowing discord, their own words in America's political process by promoting political views, not military political views that are contrary to those of the United States government. So well, go ahead, Dan. You want to say something? Dan Kovalik (40:00): Yeah. Well, that's exactly what the First Amendment is supposed to protect, are controversial views that go against the government. I mean, right? You don't need the First Amendment to protect speech that is pro-government, right? I mean, that's kind of obvious. If the First Amendment only protected pro-government speech, it wouldn't be much of a protection at all. As people say, you have to protect inconvenience speech and dissident speech. And so it's amazing that this prosecution went forward. Apparently, I guess they were convicted of conspiracy, but not some of the other charges. And by the way, let's say a couple things about it. First of all, I'm not sure they influenced anyone. I never heard of this organization to be totally honest, until this, right, until this indictment came down. And so number one, so they don't have much influence at all. Number two, I think this was over like 500 bucks in a donation they got for some Russian 500 bucks. Meanwhile, APAC is giving over a hundred million dollars in this election cycle to people's election campaigns. APAC owned Wilmer Leon (41:15): And Corey Bush Co Bush lost because of those efforts. And Jamal Bowman in New York lost because of those efforts. So not only is APAC donating and it's a hundred million by their admission in the New York Times, they were successful in their efforts. Dan Kovalik (41:36): They claim they were successful in every effort, every person, they backed one. And this has been true for years, of course, this type of influence. In fact, John F. Kennedy tried to make APAC liable under the Foreign Agent Registration Act, which is the act that the Arru group was prosecuted. And of course, Kennedy was not able to do so, and he was actually killed shortly after. You can draw your own conclusions. APAC has been this huge elephant in the living room, a huge influencer of American politics for many, many years. And yet, who's getting prosecuted for that? No one. No one. They go after these small fish Wilmer Leon (42:28): To make a big point. Dan Kovalik (42:29): Yeah, Wilmer Leon (42:30): Small fish to make a big point. And so this was an incredibly bizarre verdict because they weren't, as you mentioned, they weren't found guilty of failing to register as agents of the Russian government. They were convicted of conspiring to fail to register as agents of the government. Dan Kovalik (42:54): Incredible. It's absolutely incredible. Wilmer Leon (42:57): So the jury said that Chairman Omali Yeshitela and the other two defendants agreed to become unregistered agents of the Russian government, but didn't actually become agents of the Russian government. Dan Kovalik (43:15): They wanted to be agents, but Russian didn't care. They didn't want them to be agents, whatever. It's absolutely bizarre. And that we could talk about this all day. I mean, again, I'm a lawyer. I study criminal law, and that sort of, to get someone on that, that becomes just a thought crime. They literally did nothing they made, Wilmer Leon (43:35): Which by the way, isn't a crime, Dan Kovalik (43:36): Right? No, you're right. I mean, again, because that would be a First Amendment violation. We were not supposed to prosecute thoughts. And the idea is, oh, I wanted to do something. Well, that's not enough to convict someone. I mean, it's completely outrageous. And I think their case is on appeal, if I'm not mistaken. If it is, I really hope they win. I mean, God bless 'em. They really are the test case here for the rest of us. I mean, I think the government went after this small group that no one heard of because they figured no one would support them. They go after them first, make some bad precedent for the rest of us, then start going after the rest of us, which means it's a very important case. Wilmer Leon (44:22): And the prosecution, the government was unable to present hardly any witnesses. They had hardly any evidence because this was 95% fiction. It was just flat fiction. And I think what also the government didn't expect was the attention that this was going to bring. The courtroom was full of supporters for the Uhuru. They've been around since about 1972, and they've done incredible work in the communities that they work in. And so now final data point, as I understand it, you Dan Kalik we're coming back into this country last week. Dan Kovalik (45:14): Yeah, Friday. Last Friday, yeah. Wilmer Leon (45:16): I'll let you tell the story. Dan Kovalik (45:19): Yeah. So I was coming back from the anti-fascist Congress in Venezuela. Wilmer Leon (45:26): Yeah, Dan Kovalik (45:27): I believe, Wilmer Leon (45:28): Oh, wait a minute. See, I knew when I saw that white jacket, when I saw that white jacket Dan Kovalik (45:32): Knew something was bad. Yeah, they used to say they were premature. I guess that's what I'm, but anyway, I came back through Bolivia. And to be, make a long story short, I was held for four hours. I was interrogated where, what airport in Miami, which is not the airport, you really do want to come back through. But I was asked about my travels, about who I meet with, about my connections, my political beliefs. They Wilmer Leon (46:07): Asked you about your political beliefs. Dan Kovalik (46:09): Oh, yeah. Well, I mean, it was all about what countries do you like? What countries do you not like and do you feel most comfortable? What countries are you most afraid of? I said, honestly, the one I'm in right now because I get treated like this. And then Wilmer Leon (46:27): What was their reaction to that answer? Dan Kovalik (46:29): Well, they were a little defensive, but tried to continue with the conversation and then, well, even before, so before they got deeply into the questioning, they searched all my bags and took my cell phone and my computer. By the end of the evening, I did get my computer back, but my phone, I did not get back. And I just got it back this morning. So that would've been about three or four days they had it. And we know, I mean, you can Google this. There's a lot of stories about it. They have the right outside New York City. We can get into the exception outside of JFK and LaGuardia. They have the right everywhere else to take your phone and copy the whole thing, copy your computer, which I imagine they've done, which is an incredible privacy violation. As you can imagine. Most people have a heart attack if that happened to 'em. And it was clear, it was motivated by my trips to Russia, Venezuela, other countries. And in fact, I've been subject to secondary interrogation, which is what it's called at the border in the airports a number of times since I first started going to Russia about two years ago, I've been stopped. That was probably my fourth or fifth time being stopped. (48:02): I was told in Chicago when I was stopped some months ago, that I have a case number with the State Department that marked me for this type of interrogation. And other people like Danny Shaw, who's a friend of mine, a colleague of mine, he also was stopped Wilmer Leon (48:21): Friend of ours. Yeah, Dan Kovalik (48:23): Stopped for three hours. His phone was taken. I mean, he's Scott Ritter. Wilmer Leon (48:27): That was in Chicago. Dan Kovalik (48:28): Danny was stopped Wilmer Leon (48:29): In Chicago. Dan Kovalik (48:29): Chicago. Scott Ritter's house in New York was raided by the FBI. They took his phone and computer. So look, the hunt is on. There's no question about that. I do want to give one caveat, I mentioned this exception in New York City. There is a judge in New York, the federal court in New York who held in her court district, in her court jurisdiction, which covers JFK and LaGuardia. They cannot take your computer and phone without a search warrant. So people out there, Wilmer, if you're doing international travel, try to come back through JFK because Wilmer Leon (49:13): Thank you. I was just going to ask you about the warrant because this seems to be another violation. You're supposed to be secure in your person and your papers. Last I checked, and I'm not a lawyer. I did go to law school and I did stay at Holiday Inn Express. So there seemed to be a number of violations beyond the First Amendment when they start to detain you and they start to seize your property without warrants. Dan Kovalik (49:50): Yes. Well, the problem we have, Wilmer is outside the jurisdiction in New York, the courts have held that customs has the right to hold you even up to 72 hours, Wilmer without a lawyer interrogate you and to take your phone computer and copy it. They have held that until you get through the customs and immigration, Wilmer Leon (50:20): You're not officially in the country. Dan Kovalik (50:22): You're not in the United States of America. The Constitution does not apply to you. That's an incredible, incredible thing. Most Americans have no idea of it, and most Americans won't experience the repercussions of that. (50:36): But what that means, until you go through passport control and get your bag and go through those double doors and push on those double doors and go into the main terminal, they really have the power of God over you. And again, most people have no idea about that. And so what the government's decided to do is, okay, we're not going to even worry about getting a warrant. We won't even send the FBI to Dan Aleks home. We don't have to do that. We wait until he leaves the country. He comes back because he travels all the time, and we'll do things to him and take things from him. We could never do without a warrant and without an attorney being present if he's interrogated, et cetera. It's an incredible violation of our rights, as you say, Wilmer. But it is totally sanctioned, at least at this moment by the courts, except for that court in New York City. Wilmer Leon (51:33): So and where did they approach you? You're coming through the jet way. You're coming off, you're deplaning, you're coming through the jet way. So when you come out of the jet way to the terminal, what happened? Dan Kovalik (51:51): Well, so just as almost every time, so only one time this happened to me in Chicago recently. They were waiting for me off the plane. Right outside the plane. In theJet. (52:05): Yeah. The only time that happened, in fact, as we were descending, they announced in the plane is we were descending. Please have your passports ready when you exit the plane. They checked everyone's passports. When they got to me, they stopped checking because they had their guy and they took me to be interrogated. Now, there was only time that happened every other time, including this time in Miami. I get off the plane, I walk all that way. Usually it's a long walk all the way to passport control. I get in the line, I get up to the passport agent, she checks my passport, had a few questions, and I'm thinking maybe I'm going to be okay this time. And then she said, please stand over there. And I knew what that meant. Wilmer Leon (53:00): Did you say, go stand in the corner Dan Kovalik (53:02): And face the wall, basically. And she put a little orange slip over my passport and another guy comes out, he takes my passport and says, come with me. And I'm brought into another room with a bunch of other people, and I sat there for probably an hour. Other people were getting processed very quickly. After an hour, a customs officer came and said, please come with me with your baggage. And she said, now she begins, I'm sorry, Wilmer. She lied. Okay. She begins to make up this story. She says, you're subject to a random drug search from Bolivia because a lot of people are bringing in drugs. So we're going to check your bags and then I'm going to ask you a few questions. We'll let you go. And this is just a random, but she checks all my bags that she does, but she doesn't have a sniffer dog and she doesn't check my prescription pill bottles, which could have drugs in them. She didn't check my coffee I brought in, which could have drugs in them. Clearly this is theater. (54:08): And she says, as part of our search, we can take your phone and your computer. We're going to do that, but we're only going to search for issues related to drugs. Whether you told someone you have drugs or you swallow drugs. But then when she takes me to another room for interrogation, there's no questions about drugs. It's all about what countries do you visit? Do you meet with government officials? Do you know government officials? Do you know presidents of other countries? Again, what countries you feel comfortable in? What countries do you not feel comfortable in? (54:45): That sort of thing, which indicates that was the real reason for me being pulled over was my travels and political beliefs, not the drug stuff. That was just a lie, I think, to get me feeling comfortable enough to talk to them. So there you go. That's what happened. Again, it took me days to get my phone back again. You can read about it. The customs now copies thousands of phones a year. They put 'em on a database. All of that information is on the database for 15 years, and all 3000 customs officials have access to it. So some guy in whatever Oklahoma's board during his lunch can go eat his sandwich and look at my data. I mean, it's an amazing thing. Wilmer again, most Americans have no idea this is happening. Wilmer Leon (55:48): Wow. The land of the free and the home of the brave. So it's also important for people to understand this is happening during a democratic administration. Dan Kovalik (56:00): Yes. And especially because it's democratic. We know from the New York Times, an article about three weeks ago, talked about the FBI, investigating people for connections with Russia and rt, and they said specifically that this was ordered by President Joe Biden. So this is not an accident. This isn't just the bureaucracy doing what they do or the deep state. This has been ordered by a democratic president to happen. Wilmer Leon (56:30): And we also know that more whistleblowers were prosecuted during the Obama administration than any other administration in history. Dan Kovalik (56:40): Indeed, indeed. Wilmer Leon (56:44): Dan Kovalik, professor Dan Kovalik. Man, thank you so much for your time. I truly, truly appreciate. First of all, I'm very sorry that you as an American went through this. I'm even more aggrieved that you as a friend went through this. Thank you. But thank you for joining me today, Dan Kovalik (57:04): Wilmer. It's always a pleasure and you are a friend, and I admire you a lot, and I look forward to the next time we talk. Wilmer Leon (57:11): Well, man, appreciate it. And folks, thank you all so much for listening to the Connecting to Dots podcast with me, Dr. Wiler Leon. Stay tuned for new episodes every week. Also, please follow and subscribe. Leave a review, share the show, follow us on social media. You can see all the links below in the show description. And remember, this is where the analysis of politics, culture, and history converge, talk without analysis is just chatter. And we don't chatter here on connecting the dots. See you again next time. Until then, I'm Dr. Wilmer Leon. Have a great one. Peace. I'm out Announcer (57:51): Connecting the dots with Dr. Wilmer Leon, where the analysis of politics, culture, and history converge.    

Another edition of Hitting Left Music feathering Nina Simone, Bob Dylan, Paul Robeson, 10,000 Maniacs, Tom Morello, Mavis Staples, and more.

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage examines Robeson's voice as it exists in two broad and intersecting domains: as sound object and sounding gesture, specifically how it was fashioned in the contexts of singing practices, in recital, concert, and recorded performance, and as subject of identification. Olwage asks: how does the voice encapsulate modes of subjectivity, of being? Combining deep archival research with musicological theory, this book is a study of voice as central to Robeson's sense of self and his politics. Paul Robeson's Voices charts the dialectal process of Robeson's vocal and self-discovery, documenting some of the ways Robeson's practice revised the traditions of concert singing in the first half of the twentieth century and how his voice manifested as resistance.” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Witnessing someone achieve greatness in multiple areas of life is pretty rare. Paul Robeson's a rare type of man. Almost like Beyonce, he's a Renaissance man. There isn't a color line he can't cross and excellence is his middle name. By the 1930's, Paul's graduated college as valedictorian, played professional football, and become the first Black actor to play Othello (don't worry this gets addressed in the episode). But even with all the achievements, Paul's still looked at as a nobody because he's Black; and his outspoken nature leads to national condemnation.Listen to Black History, For Real on the Wondery App or wherever you get your podcasts. You can listen early and ad-free on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial by visiting wondery.com/links/black-history-for-real/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The first episode of our Paul Robeson Acteurist Oeuvre-view series has a high context-to-text ratio, as we introduce one of the most important figures in entertainment and political activism of the 20th century. The two movies we look at, Oscar Micheaux's Body and Soul (1925) and Kenneth Macpherson's Borderline (1930), by auteurs from radically different backgrounds with radically different aims, provide a fascinating glimpse of the spectrum of possibilities for independent cinema in the late silent era.  Time Codes: 0h 00m 30s:      Brief Introduction to Paul Robeson 0h 08m 53s:      BODY & SOUL (1925) [dir. Oscar Micheaux] 0h 34m 03s:      BORDERLINE (1930) [dir. Kenneth Macpherson] References: Paul Robeson: The Artist as Revolutionary by Gerald Horne “The Homesteader” article in The Believer by Will Sloan +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

There has been a decline in union representation over the decades across the U.S. Recently labor movements have regained some ground and are in the news nationally once again. This makes Labor Day more important than ever as we celebrate leaders who helped organize and provide for a better standard of living for American workers. We'll hear music used over the years that's often been intertwined with the labor movement. Listen for Paul Robeson, Hazel Dickens, the Seattle Labor Chorus, Florence Reese, Joe Glazer and others. Solidarity forever … this week on The Sing Out! Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysJoel Mabus / “Speed the Plow” / Golden Willow Tree / FossilJames Carter & the Prisoners / “Po' Lazarus” / Oh Brother / Lost HighwaySeattle Labor Chorus / “There is Power in the Union” / Songs of Working People / Self-producedPaul Robeson / “Joe Hill” / Classic Labor Songs” / Smithsonian FolkwaysJohn McCutcheon / “Joe Hill's Last Will” / Joe Hill's Last Will / AppalseedPete Sutherland / “When My Grandmother Worked at the Mill” / A Clayfoot's Tale / EpactJohn O'Connor / “The Triangle Fire” / We Ain't Gonna Give it Back / Self-producedThe Byrds / “Deportee” / Ballad of Easy Rider / ColumbiaHazel Dickens / “Coal Tatoo” / Coal Mining Women / RounderJoel Mabus / “The Last of June” / Golden Willow Tree / FossilFlorence Reece-The Almanac Singers / “Which Side Are You On?” / Classic Labor Songs / Smithsonian FolkwaysVivian Nesbit & John Dillon / “Stitch and Sew” / Mother Jones in Heaven / Self-producedLinda Allen / “The Glass Ceiling” / Singing the News / October RosePeggy Seeger / “I Want to be an Engineer” / Period Pieces / TraditionNew Lost City Ramblers / “Join the CIO” / Songs frm the Depression / FolkwaysJoe Glaser / “Solidarity Forever” / Classic Labor Songs / Smithsonian FolkwaysPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

This Encore episode of the podcast - first released as Episode 35 in our Season One - goes on a journey to the Paul Robeson House and Museum in Philadelphia.Included is an interview with Janice Sykes-Ross of the West Philadelphia Cultural Alliance, and a recording of a live tour of the Paul Robeson House with docent Terry Fimiano Guerin.For a blog post on our website with additional information, images, and links, go to:https://www.aithpodcast.com/blog/the-house-i-live-in/The website for the Paul Robeson House and Museum, where you can learn more about its history and the story of Paul Robeson, and how to arrange your own tour, is here.A beautiful video on YouTube, that we mention in the episode, tells the story of Paul Robeson, the West Philadelphia Cultural Alliance and its founder Frances P. Aulston, and the house where he spent the last 10 years of his life. It was created in conjunction with Scribe Video Center's "Precious Places Community History Project" in Philadelphia.https://www.youtube.com/watch?v=V9TDPvXHeeYThe WCPA is a 501c3 non-profit organization, information about how to make donations to their important work can be found here.If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.comOr, follow on Facebook: https://www.facebook.com/AITHpodcastSend us a Text Message.Support the Show.© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.

The Messy Table - Paul Robeson by Oasis Church Waterloo

Any threat to the status quo within the American empire has led to the censorship, jailing and escape of the dissidents brave enough to stand against it. One may think of Edward Snowden’s asylum in Russia or Julian Assange’s refuge in the Ecuadorian embassy in London as recent examples. However, the history of dissidents fleeing American persecution runs deep. Joining host Robert Scheer on this episode of the Scheer Intelligence podcast to discuss his new book, “Flights: Radicals on the Run,” is author and journalist Joel Whitney. The book exemplifies this missing history of dissent in America through accounts of people such as Angela Davis, Paul Robeson, Graham Greene and Malcolm X. Also included are the accounts of Lorraine Hansberry and her mentor, W.E.B. Du Bois. Whitney refers to De Bois’ time starting an anti-nuclear peace movement and subsequently being persecuted by the U.S. government. “[Du Bois’] reputation took severe damage, so when Hansberry knew him, he could barely afford to buy groceries,” Whitney told Scheer. “Flights” examines the stories of historic struggle of progressive thinkers and political activists who faced the onslaught of Cold War propaganda and McCarthyism, becoming refugees as a result of their political work. The book chronicles a counter-narrative of American history, where the bravest and most outspoken figures criticizing the system are crushed by it and their lives ruined. The book title, according to Whitney, refers to “flights that are political persecution in some form or another. In a way, you could think of it as 50 or 60 years of counter revolution, massive amounts of funding to chase people … across borders, out of print and, in some cases, unfortunately, into an early grave.” In the case of people like Graham Greene and his famous novel, “The Quiet American,” the blacklisting of himself and others for their exposure of American activities during the Vietnam War led to Americans “hav[ing] to wait about a decade or a little bit more to actually understand what carnage, what incredible, cynical violence the anti-communist Americans are overseeing in Vietnam as they're taking it over from the French.”

Ten days ago I reposted an episode celebrating the life and career of Paul Robeson, legendary for many reasons, but particularly remembered for his iconic and powerful performances of “Ol' Man River.” It is often assumed that Robeson also created the role of Joe in Show Boat, but in fact that distinction went to his near-contemporary Jules Bledsoe (1897-1943), today virtually forgotten, and unjustly so. In his time, he was also celebrated for his memorable concerts, which took place both here and in Europe, and for his operatic portrayals, most significantly, the title role in Louis Gruenberg's opera The Emperor Jones, based on the play by Eugene O'Neill, which he portrayed both in the United States and in Europe. Barred from singing at the Met because of his race, Bledsoe took his portrayal of Brutus Jones on the road, performing it in a triumphant European tour, but also subsequently in New York in 1934 under the aegis of the short-lived Aeolian Opera Company, which was intended to provide performing opportunities for Black opera singers, but which folded almost immediately. Jules Bledsoe was also a composer who wrote many songs and arrangements of spirituals, as well as a version of Uncle Tom's Cabin entitled Bondage, as well as his own operatic setting of O'Neill's Emperor Jones, which may or may not have been performed at the time. Even less well-known and acknowledged (and often intentionally obscured by historians) is the fact that Jules Bledsoe was a gay man in a relationship with a Dutch white man named Freddy Huygens who at the time of Bledsoe's premature death was referred to as either his “manager” or his “closest friend.” In this episode we hear examples of all the extant recorded material I could find by Jules Bledsoe, alongside recorded examples of work by his collaborators Abbie Mitchell, Irene Dunne, Anne Roselle, Marie Powers, Todd Duncan as well as excerpts from the work of composers W. Franke Harling, Shirley Graham Du Bois, and Louis Gruenberg performed by Jeanette MacDonald, Valaida Snow, Nicola Rossi-Lemeni, and Lawrence Tibbett. Billie Holiday even puts in a special appearance! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes and videos available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Send us a Text Message.Today, we'll wrap up our Jonsonian mini-series by looking at some his lyrics, including poems from the 1616 Works and songs from his plays.  If you'd like to read along, just ask Uncle Google to serve up these titles:"On Something, that Walks Somewhere""On My First Daughter""On My First Son""Song: To Celia""Still to be Neat"Additional music from Internet Archive:"Drink to Me Only With Thine Eyes" perf. Paul Robeson, 1938. "In Town Tonight" by Eric Coates, perf. Reginald Dixon. What It's Like To Be...What's it like to be a Cattle Rancher? FBI Special Agent? Professional Santa? Find out!Listen on: Apple Podcasts SpotifySupport the Show.Please like, subscribe, and rate the podcast on Apple, Spotify, Google, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.orgMy thanks and appreciation to all the generous providers!

I am here visiting my family in Milwaukee this week, a time which has proven to be a landmark in the downward spiral of our country into fascism. And all right here in our own backyard! It all struck way too close to home for me when the minister at my mother's church delivered the benediction at the opening ceremonies of the RNC on Monday and suddenly became a darling of the nutcases. I don't have a huge platform: all I have is my podcast, devoted first and foremost to great singers. There is little that I can do to counteract the evil, hatred, and heinousness that spewed forth from the city of my birth this week. But I have occasionally let my progressive flag fly here, never moreso than when, in the second season of the podcast, I posted an episode in honor of Paul Robeson on the 45th anniversary of his death. To this day Robeson remains one of the most celebrated, and controversial, of all artists. A man of fierce intelligence and convictions, he exhibited prodigious natural gifts as a sportsman, singer, actor, linguist, and, perhaps most importantly, as an activist. This episode focuses of course on his accomplishments as a singer, but especially within the context of his political activism and activities on behalf of oppressed people the world over. He was vilified and hunted down by some factions as much (if not more) as he was revered and venerated by others. In this episode I highlight some of his most famous performances, focusing on his live and studio performances of African American spirituals and protest songs, folk songs from around the world (including Russia and China), and works that celebrated the brand of left-wing populism that was in vogue in the 1930s and 1940s, in particular his recording of the hybrid work, Ballad for Americans, by composer Earl Robinson and lyricist John LaTouche. Robeson is a man who lost everything for the principals he believed in and who had more integrity and conviction and right-mindedness in his thumbnail than the entire conference of right-wing wackos who descended on Milwaukee this week combined. Let his example be a wakeup call for those of us who do not want to witness the death of our country as a democracy, however flawed it is and has been over the course of its history. There is no better figure to light the way for us in this struggle than Paul Robeson. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Happy Monday! Let's get this holiday week started. The largest urban equestrian center in the nation is coming right here to the city of Detroit, and we're going to talk about it. Jer sits down with David Silver, founder and executive director of Detroit Horsepower, a nonprofit that teaches Detroit students to ride and care for horses. This new facility aims to develop critical skills in students, setting them up for academic, career, and life success. They discuss the transformational impact of working with horses, the five core social-emotional skills the program focuses on, and the journey to building this massive project on the former Paul Robeson school site at Linwood and Fenkell in the city. David shares the planning and community engagement that has gone into making this dream a reality, including the $11.4 million project budget, the $6.6 million already committed, and the targeted groundbreaking in fall 2024. They also touch on the importance of new market tax credits and the various funding sources that have been pivotal in reaching this stage.  Don't forget: Our annual listener survey: https://forms.gle/kzWXWh4NLkZPbyo79 Our Happy Hour on July 11 at The Royce Detroit: Feedback as always - dailydetroit - at - gmail - dot - com or 313-789-3211 Follow us on Apple Podcasts: https://lnk.to/dailydetroitonapple Or Spotify: https://lnk.to/dailydetroitonspotify Thanks to our members: http://www.patreon.com/dailydetroit

Please join me today for this overview of the roller coaster career of Alberta Hunter (01 April 1895 – 17 October 1984), a jazz legend whose surprising and extraordinary life was shaped by a voice that simply personified the Blues. Early in her life, around the time she was 15, she fled her native Memphis for Chicago, where, with tenacity, grit, and ambition, she became the darling of the night club circuit, performing sometimes under tommy-gun-adjacent circumstances. She soon made her way to Broadway and, following the lead of her compatriots, Joséphine Baker, Adelaide Hall, Florence Mills, and Elisabeth Welch, to Paris and London, where she was the toast of the town and appeared as Queenie opposite Paul Robeson in the original London production of Show Boat. Later during and after World War II she became a fixture of the USO circuit. Following the death of her mother, she abandoned her performing career and took up nursing in her sixties. After her enforced retirement twenty years later, through a set of freaky coincidences, she made a miraculous return to live performing at the age of 82 and became an overnight sensation, the toast of three continents. She always returned to her ongoing residency at a club in the Village called The Cookery, the venue where the final chapter of her career began. She continued to perform and record until shortly before her death just before her 90th birthday. Though she lived her life discreetly and never came out overtly, she nevertheless was involved with women throughout her life and formed her strongest emotional and romantic bonds with them. Sassy, raunchy, and gritty on the surface, Hunter possessed a voice and ingratiating style of such honesty, humor, and character, that masked a modesty hidden beneath that brash exterior, and a musical sensibility that dazzles with its ease, subtlety, and complexity. Featured musical excerpts, both studio and live, extend over more than 60 years and include collaborations with such jazz giants as Eubie Blake, Fats Waller, Lovie Austin, Charlie Shavers, and producer John Hammond and includes a clip from her appearance in the British film Radio Parade of 1935. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

Rick Howard, N2K CyberWire's Chief Analyst, CSO, and Senior Fellow, commemorates Memorial Day. References: Abraham Lincoln, 1863. The Gettysburg Address [Speech]. Abraham Lincoln Online. Amanda Onion, Original 2009, Updated 2023. Memorial Day 2022: Facts, Meaning & Traditions [Essay]. HISTORY. Brent Hugh, 2021. A Brief History of “John Brown's Body” [Essay]. Digital History. Bob Zeller, 2022. How Many Died in the American Civil War? [Essay]. HISTORY. General George Marshall, 2014. President Lincoln's Letter to Mrs Bixby [Movie Clip - Saving Private Ryan]. YouTube. JOHN LOGAN, 1868. Logan's Order Mandating Memorial Day [Order]. John A. Logan College. John Williams, Chicago Symphony Orchestra, 2012. The People's House: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music. John Williams, Chicago Symphony Orchestra, 2012. The Blue and the Grey: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music - Web Playe. Livia Albeck-Ripka, 2023. A Brief History of Memorial Day [Essay]. The New York Times. Paul Robeson, 2021. John Brown's Body [Song]. YouTube. Robert Rodat (Writer), Steven Spielberg (Director), Harve Presnell (Actor), 1998. Saving Private Ryan [Movie]. IMDb. Staff, 2020. A Brief Biography of General John A. Logan [Biography]. John A. Logan College. Staff, 2024. Civil War Timeline [WWW Document], American Battlefield Trust. Thomas Jefferson, 1776. Declaration of Independence: [Transcription]. National Archives. Winston Churchil, 1940. Never was so much owed by so many to so few - Winston Churchill Speeches [Speech]. YouTube.

Rick Howard, N2K CyberWire's Chief Analyst, CSO, and Senior Fellow, commemorates Memorial Day. References: Abraham Lincoln, 1863. The Gettysburg Address [Speech]. Abraham Lincoln Online. Amanda Onion, Original 2009, Updated 2023. Memorial Day 2022: Facts, Meaning & Traditions [Essay]. HISTORY. Brent Hugh, 2021. A Brief History of “John Brown's Body” [Essay]. Digital History. Bob Zeller, 2022. How Many Died in the American Civil War? [Essay]. HISTORY. General George Marshall, 2014. President Lincoln's Letter to Mrs Bixby [Movie Clip - Saving Private Ryan]. YouTube. JOHN LOGAN, 1868. Logan's Order Mandating Memorial Day [Order]. John A. Logan College. John Williams, Chicago Symphony Orchestra, 2012. The People's House: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music. John Williams, Chicago Symphony Orchestra, 2012. The Blue and the Grey: Lincoln (Original Motion Picture Soundtrack) [Song]. Apple Music - Web Playe. Livia Albeck-Ripka, 2023. A Brief History of Memorial Day [Essay]. The New York Times. Paul Robeson, 2021. John Brown's Body [Song]. YouTube. Robert Rodat (Writer), Steven Spielberg (Director), Harve Presnell (Actor), 1998. Saving Private Ryan [Movie]. IMDb. Staff, 2020. A Brief Biography of General John A. Logan [Biography]. John A. Logan College. Staff, 2024. Civil War Timeline [WWW Document], American Battlefield Trust. Thomas Jefferson, 1776. Declaration of Independence: [Transcription]. National Archives. Winston Churchil, 1940. Never was so much owed by so many to so few - Winston Churchill Speeches [Speech]. YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

May Day is the title of Jackie Kay's new collection. The former Makar of Scotland explores a history of political protest, and the cultural influencers of the past, from Rabbie Burns to the poet Audre Lorde and Paul Robeson. She also celebrates the lives and activism of her parents, and grieves for their loss. The Green MP Caroline Lucas wants to reclaim and rewrite England's national story in her book, Another England. By exploring its radical tradition through its literary heritage she seeks to foreground the diverse writers and poets who spoke of a shared sense of identity and purpose, and a deep-rooted commitment to the natural world. The journalist and writer Simon Heffer looks back a century to the interwar period, a time of radical transformation of British society post the Great War, as many of the old attitudes started to be swept away. In his history, Sing As We Go, he shows how the culture of the time both shaped and reflected these changes.Producer: Katy Hickman

On this episode of The CAMedia Podcast, clyde dives into some of his memories at Paul Robeson, ahead of his reunion tonight at The Ivory in Brooklyn. --- Send in a voice message: https://podcasters.spotify.com/pod/show/camedia/message