Podcasts about matylda krzykowski

Ob auf dem Desktop, als Fest oder im “Total Space”: Die kuratorischen Projekte von Matylda Krzykowski spielen mit der Frage, wie Ausstellungen als prozesshafte Konstellationen und soziale Infrastrukturen erfahren werden können. In Folge 53 des Hurra Hurra Podcast spricht Leoni Fischer deshalb mit ihr über die Zusammenhänge von Choreografie und Gestaltung, die Potentiale von Performance Übungen im Designstudium, strategische Improvisation als kuratorisch-gestalterische Methode und warum sie in der Ausstellung am liebsten die Rolle der Gastgeberin einnimmt.

Matylda Krzykowski ist breit aufgestellt. Sie ist Designerin, Kuratorin, lehrt und schreibt. Immer im Spannungsfeld zwischen Design, Kunst und Architektur. Im form Design Podcast unterhalten wir uns mit ihr über ihr Leben, die Ausstellung als Raum der Vermittlung, exklusive Zugänge und die Webpräsenz der Berliner Bäder, die sie – besonders seit Corona – nicht gut gestaltet findet.

Něco mezi uměleckou instalací, designem, interiérem a architekturou. Tak by se dal popsat charakter výstavy, kterou Matylda Krzykowski připravila ve spolupráci s Museum für Gestaltung v Curychu a jeho interním kurátorem Damianem Foppem. Výstava představuje komplexní prostorové instalace od pěti studií, ve své tvorbě pohybujících se na tenké hranici produktového designu, interiéru a umělecké tvorby.

Něco mezi uměleckou instalací, designem, interiérem a architekturou. Tak by se dal popsat charakter výstavy, kterou Matylda Krzykowski připravila ve spolupráci s Museum für Gestaltung v Curychu a jeho interním kurátorem Damianem Foppem. Výstava představuje komplexní prostorové instalace od pěti studií, ve své tvorbě pohybujících se na tenké hranici produktového designu, interiéru a umělecké tvorby.

DDCAST 17 – Katja Lis „Schöne neue Arbeitswelt?“ Die Kommunikationsdesignerin Katja Lis kommentiert in dieser Folge die Highlights der von ihr moderierten Podiumsdiskussion „Remote Working 2030 – Schöne neue Arbeitswelt?“, ein Hybrid-Event der vom Deutschen Designer Club in Zusammenarbeit mit dem CLUK (Cluster der Kreativwirtschaft, aktuelle Veranstaltungsreihe CREATORS FOR FUTURE) am 29. Oktober im VITRA Workspace in Frankfurt veranstaltet wurde. Wie wird sich unsere Arbeitswelt verändern? Und wie können wir positive Zukunftsbilder für die Arbeit von morgen entwickeln? Katja präsentiert Ausschnitte aus Beiträgen dieser vier starken Stimmen: Pirjo Kiefer, Head of Interior Design, vitra, Matylda Krzykowski, Designerin & Kuratorin, Uli Mayer-Johanssen, Markenexpertin und DDC-Mitglied, Peter Post, Designer, Geschäftsführer Scholz & Volkmer. Katja Lis ist Geschäftsführerin ihrer Agentur DBF Designbüro Frankfurt. Mit ihrer Arbeit setzt sie bewusst auf die Bildung von Netzwerken in der Kreativwirtschaft. Als DDC-Mitglied ist sie Mitgründerin der Plattform „Women of DDC“, welche die Sichtbarkeit, die Vernetzung und das Unternehmertum von Gestalterinnen stärkt.

Achille is watching us is a self-initiated project brought to you by Matylda Krzykowski from the personal design blog Mat&Me and Marco Gabriele Lorusso from creative collective Made in Design Studio. The Achille is watching us exhibition, a presentation of personal objects from various international designers.

Achille is watching us is a self-initiated project brought to you by Matylda Krzykowski from the personal design blog Mat&Me and Marco Gabriele Lorusso from creative collective Made in Design Studio. The Achille is watching us exhibition, a presentation of personal objects from various international designers.

Achille is watching us is a self-initiated project brought to you by Matylda Krzykowski from the personal design blog Mat&Me and Marco Gabriele Lorusso from creative collective Made in Design Studio. The Achille is watching us exhibition, a presentation of personal objects from various international designers.

on our first day at the vienna design week we visited a 'Why Design' talk with Inga Sempé. In 2000 she opened her own design studio in Paris, where she worked with Italian firms like Cappellini and Edra.  After seeing almost all the projects we were interested in the person behind the designs. Matylda Krzykowski did a quick talk with her after the lecture. Credits: www.Viennadesignweek.com www.designguide.tv www.matandme.net www.ingasempe.fr music by www.brokenkites.com

on our first day at the vienna design week we visited a 'Why Design' talk with Inga Sempé. In 2000 she opened her own design studio in Paris, where she worked with Italian firms like Cappellini and Edra.  After seeing almost all the projects we were interested in the person behind the designs. Matylda Krzykowski did a quick talk with her after the lecture. Credits: www.Viennadesignweek.com www.designguide.tv www.matandme.net www.ingasempe.fr music by www.brokenkites.com

on our first day at the vienna design week we visited a 'Why Design' talk with Inga Sempé. In 2000 she opened her own design studio in Paris, where she worked with Italian firms like Cappellini and Edra.  After seeing almost all the projects we were interested in the person behind the designs. Matylda Krzykowski did a quick talk with her after the lecture. Credits: www.Viennadesignweek.com www.designguide.tv www.matandme.net www.ingasempe.fr music by www.brokenkites.com

A while ago we had the chance to meet up with Jerszy in central Berlin and take a tour through his design office. Matylda Krzykowski interviews Jerszy Seymour for this latest episode of designguide.tv. This conversation digs deeper into his working methods and origins as well his very riverlike future plans.  more info on the projects at www.jerszyseymour.com  Music courtesy of Brokenkites

A while ago we had the chance to meet up with Jerszy in central Berlin and take a tour through his design office. Matylda Krzykowski interviews Jerszy Seymour for this latest episode of designguide.tv. This conversation digs deeper into his working methods and origins as well his very riverlike future plans.  more info on the projects at www.jerszyseymour.com  Music courtesy of Brokenkites

A while ago we had the chance to meet up with Jerszy in central Berlin and take a tour through his design office. Matylda Krzykowski interviews Jerszy Seymour for this latest episode of designguide.tv. This conversation digs deeper into his working methods and origins as well his very riverlike future plans.  more info on the projects at www.jerszyseymour.com  Music courtesy of Brokenkites

Simone & Andrea took inspiration in the history of a small city in Sicily, Caltagirone. The little town, famous for its ceramics and local tradition, has over 300 craftsmen working in the city. As an iconic base and as inspiration they used one of the most famous traditional Sicilian artworks "Teste id moro" referring to the vases which show the face of a native African. The once conquering Moors returned several centuries later as immigrants, leaving behind an ever changing mix of traditions and materials to be absorbed as culture. The duo rethought the iconic vase and added their own design touch during their Masters at the Design Academy Eindhoven. The distant worlds of artifacts and illegal immigration began to blur together revealing unusual correlations. This resulted in several objects in the "Moulding Tradition" collection. video by designguide.tv interview by Matylda Krzykowski (matandme.net) more information can be found on www.formafantasma.com

Simone & Andrea took inspiration in the history of a small city in Sicily, Caltagirone. The little town, famous for its ceramics and local tradition, has over 300 craftsmen working in the city. As an iconic base and as inspiration they used one of the most famous traditional Sicilian artworks "Teste id moro" referring to the vases which show the face of a native African. The once conquering Moors returned several centuries later as immigrants, leaving behind an ever changing mix of traditions and materials to be absorbed as culture. The duo rethought the iconic vase and added their own design touch during their Masters at the Design Academy Eindhoven. The distant worlds of artifacts and illegal immigration began to blur together revealing unusual correlations. This resulted in several objects in the "Moulding Tradition" collection. video by designguide.tv interview by Matylda Krzykowski (matandme.net) more information can be found on www.formafantasma.com

Simone & Andrea took inspiration in the history of a small city in Sicily, Caltagirone. The little town, famous for its ceramics and local tradition, has over 300 craftsmen working in the city. As an iconic base and as inspiration they used one of the most famous traditional Sicilian artworks "Teste id moro" referring to the vases which show the face of a native African. The once conquering Moors returned several centuries later as immigrants, leaving behind an ever changing mix of traditions and materials to be absorbed as culture. The duo rethought the iconic vase and added their own design touch during their Masters at the Design Academy Eindhoven. The distant worlds of artifacts and illegal immigration began to blur together revealing unusual correlations. This resulted in several objects in the "Moulding Tradition" collection. video by designguide.tv interview by Matylda Krzykowski (matandme.net) more information can be found on www.formafantasma.com