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In this week's episode, Magnus and Hayes are discussing:Do you use a rounded pick or one with more of a point?What are the top 3 qualities of your favorite musician?Do you record yourself practicing or playing? What gear and/or software do you use?Gear, software and musicians mentioned in the show:- Olympus LS-14 hand recorder- Jacob Jolliff Band - Outbound Plane Here are weblinks mentioned in the show:Sign up for LIVE stream notifications:https://mandolinsecrets.com/podcast
Możliwości tego rejestratora oraz kolekcję próbek nagranych z jego użyciem prezentuje Kamil Kaczyński.
En NotiPod Hoy SiriusXM quienes son los propietarios de Pandora, de la plataforma de monetización de anuncios AdsWizz e inversionistas en Soundcloud han adquirido a Simplecast, una empresa de alojamiento de pódcast. Según Voicebot, Spotify ha comenzado a publicar anuncios activados por voz en el Reino Unido para la firma de cosméticos Nars. Los anuncios terminan con la sugerencia de que el oyente le pida a Alexa o al Asistente de Google una muestra gratuita de rubor, lápiz labial o rímel entregados en su hogar. Según Adweek, el más reciente pronóstico de Magna, indica que habrá una caída de $ 11 mil millones en ingresos publicitarios para propietarios de medios en 2020 y se espera que recupere en 2021. Google ha anunciado que la función ‘Voice Match’, que permite a los usuarios enseñar a Google Assistant a reconocer su voz para recibir resultados personalizados, será compatible con todos los dispositivos que tengan Google Assistant. ART19 ha lanzado un servicio de gestión de inventario y pronóstico para ventas dinámicas de podcasts. Según publica Forbes, Olympus está ofreciendo el kit de podcasting ‘Olympus LS-4’ que incluye, entre otras cosas, una grabadora estética de entrega para micrófonos USB y lavalier. Pocket Casts lanza la versión 7.9 con una app completa para Apple Watch y varias opciones para personalizar el diseño de la app. La famosa empresa Dolby Laboratories lanzó hace unos meses una innovadora aplicación para grabar audio, en IOS y Androide que está llamando la atención. ‘Dolby On’, permite capturar sonidos, reducir los ruidos y tiene funciones para mejorar el audio, guardarlo o retransmitirlo perfectamente calibrado y ecualizado. ‘Dolby On’ es gratuita. Pódcast recomendado ¿Leemos? Es un pódcast que se define como un punto de encuentro literario para compartir las últimas novedades en este sector y comentar las grandes novelas y autores del momento. Es un programa de Planeta de Libros y en él recomiendan libros para todos los gustos.
Onkel Sebastian und Onkel Alex nähern sich bei einem spontan induzierten Mikrofontest dem neuen Podcast-Format „Teezeremonie“. Drüber g’schwätzt: Olympus LS-100 Recorder Shure SM7B Bu Ji Chun Olong https://de.wikipedia.org/wiki/Oolong
Show Description On this episode John Moore makes a guest appearance and discusses the Olympus LS-P4 digital Recorder. Thank you John for your contribution. Providing Feedback We love hearing from you, so feel free to send an email to feedback@iaccessibility.net. You can follow us on Facebook, and Twitter. You can also find us on Reddit, and all around the web. Also, don't forget to check out our YouTube page, and for all things iACast, check out our iACast page. If you'd like to help support us, you can do so via our Paypal and Patreon pages. If you wish to interact with us during our podcasts live then please do join us on our Slack channel.
Show Description On this episode John Moore makes a guest appearance and discusses the Olympus LS-P4 digital Recorder. Thank you John for your contribution. Providing Feedback We love hearing from you, so feel free to send an email to feedback@iaccessibility.net. You can follow us on Facebook, and Twitter. You can also find us on Reddit, and all around the web. Also, don't forget to check out our YouTube page, and for all things iACast, check out our iACast page. If you'd like to help support us, you can do so via our Paypal and Patreon pages. If you wish to interact with us during our podcasts live then please do join us on our Slack channel.
Porównania tych dwóch urządzeń dla TyfloPodcastu dokonuje Adrian Potrzebowski.
Die beiden Audiorekorder in der Mittelklasse sind sich preislich zwar recht nahe, unterscheiden sich aber in vielen Punkten. Der Zoom H1n überzeugt durch ein einfaches Bedienkonzept und macht ihn mit seinen Testtönen auch für Videofilmer interessant, der Olympus LS-P4 mit Metallgehäuse und Sprachausgabe knüpft an seinen erfolgreichen Vorgänger an. Vorweg sei verraten, dass beide Geräte überzeugen können.
Följ med ut på skogsäventyr! Maria Brandt, naturvägledare på Biotopia, har aldrig varit på tjäderspel. Emil V. Nilsson, producent på Naturpodden, har försökt placera gömslen rätt sedan 2011 på ett tjäderspel inte så långt från Uppsala. Naturfotografen Mats Wilhelm har varit på samma tjäderspel redan för trettio år sedan, men sedan dess har spelcentrum flyttat sig långt in i skogen. Hör Maria och Mats berätta om sina upplevelser direkt från gömslet och hör tjäderspelets alla märkliga ljud, inspelade med Telingas SSM-mikrofon och deras pro-X parabolmikrofon. Du får också höra Daniel Schrire och Emil när de sätter ut gömslet, en månad innan spelet sätter igång. I avsnittet hör du låten "Americana Falls" av Kirk Pearson and BIT (CC BY) nedladdad från freemusicarchive.org. Ljuden är inspelade med Telingas SSM-mikrofon och en Olympus LS-14 samt PRO-8 MK2 parabolmikrofon och en Zoom H4.
Det här är ett specialavsnitt av Naturpodden med nästan enbart naturljud. Här kan du få höra Dalbyvikens ljudlandskap från eftermiddagen den 12 maj, du hör mänskliga röster, klockan i Dalby kyrka som ringer, men sedan tar naturens ljud över allt mer. Sävsångare och sävsparv sjunger envist, några skäggmesar flyger förbi, en vattenrall grymtar missnöjt när några grågäss flyger över under vilt kacklande. Längre fram på kvällen hör du vassångarens smattrande ljudmatta och den småfläckiga sumphönans monotona vissling. Och basen då? Jo, du får höra hur rördrommen låter på riktigt nära håll som med pumpande bastoner fyller viken med ljud. Ljuden är inspelade med Telingas SSM-mikrofon och en Olympus LS-14 samt PRO-8 MK2 parabolmikrofon och en Zoom H4.
Der neue Audiorecorder Olympus LS-P2 macht einiges anders als seine Vorgänger. David Georgi von audiotranskription.de stellt mir das Gerät vor und klärt auf, ob sich die Anschaffung lohnt.
Demonstration des Kameramikrofons Takstar SGC-698 an einem Olympus LS-3. HTML5 audio not supported. Download
Der Voice Dream Reader kann Texte vorlesen und gezipte Audio- und Daisy-Hörbücher abspielen und ist mit Voiceover perfekt nutzbar. Die APP ist im Apple Appstore für 8,99 Euro erhältlich, zum testen gibt es eine kostenlose Liteversion. Diese Podcastepisode wurde wie ab nun jede weitere mit dem Olympus LS-14 aufgenommen. So ist als Nebeneffekt eine weitere Hörprobe des Gerätes verfügbar. Rückmeldungen bitte direkt in das Forum oder an info@bltech.de.
After being captured upon trying (again) to gain access at Atlantis' main sea port facility, Sabus (Druas Marine) and Tarkus Zull (Atlantean Alchemist) have to make a decision. Should they wait for the legal authorities to dole out their fate? Or should they make a jail break? If they attempt an escape, where do they go? While all this is happening, an ominous atmospheric phenomenon occurs, underscoring the crisis that Atlantis is experiencing. This session is mainly narrative driven. Audio quality improves greatly starting with this episode, courtesy of the Olympus LS-100.DIRECT DOWNLOADRPG / RULESET: Atlantis: The Second Age 1e / Omni SystemSUPPLEMENTS: Atlantis: The Second Age / The Omni System (Morrigan Press, 2005), Atlantis: The Second Age (Khepera Publishing, 2014), GURPS Atlantis (Steve Jackson Games, 2001), Twilight of Atlantis (Avalanche Press, 2001), Parsantium: City at the Crossroads (Ondine Publishing, 2014), The Paladium RPG - Book II: Old Ones (Palladium Books Incorporated, 1993).MUSIC: INTRO Snake Shake (Escape from New York soundtrack) / OUTRO Red Dwarf theme (by Howard Goodall).Deck layout plan of the vessel "Lady Mestea".
In dieser Podcastepisode stelle ich das obig genannte Gerät vor, nebst einiger Probeaufnahmen. Diese können jedoch wegen der Kodierung der MP3-Datei von 128KBPS teilweise etwas schlechter als normal klingen. Weitere Probeaufnahmen außerhalb dieses Podcastes könnt ihr hier finden. Noch ein kleiner Hinweis: Das Gerät ist relativ windempfindlich, daher sollte für außenaufnahmen ein Windschutz verwendet werden, am besten der Olympus WJ-4. Das Gerät und der Windschutz sind bei Amazon.de erhältlich.
Je tente dans ce speak-nick de répondre a vos question.
Je tente dans ce speak-nick de répondre a vos question.
A WAV recorded using 'Smart Record' with the recorder stood 18 inches away on the desk in front of me. Here is the recorder on amazon: http://j.mp/12wZR96
O kolejnym dostępnym dla niewidomych urządzeniu nagrywającym ze stajni firmy Olympus w rozmowie z Robertem Łabędzkim opowiadają Tomasz Bilecki i Przemysław Rogalski.
In this episode we tune in on the Olympus LS-14 recorder and touch on the accessibility of the DM-620 and the LS-100. Musicians, meet your new best friend. Unparalleled recording quality captured by the new Tresmic three microphone system along with enhanced music functions make the LS-14 the perfect companion for any musician.
In this episode we tune in on the Olympus LS-14 recorder and touch on the accessibility of the DM-620 and the LS-100. Musicians, meet your new best friend. Unparalleled recording quality captured by the new Tresmic three microphone system along with enhanced music functions make the LS-14 the perfect companion for any musician.
Binaurales Silvestergeböller mit Ohrwurm II und Olympus LS-3 und leider etwas Wind um die Ohren. HTML5 audio not supported. Download
“Forgiveness” on PRX About Forgiveness I stumbled upon this story on a long distance bike trip, while I was doing a radio project on veterans’ experiences at war. As you can see, this story has nothing to do with veterans or war. It just goes to show that sometimes you just need an excuse to be out there looking for stories and something wonderful will eventually pop up. We were staying the night at a gay and queer commune in rural Tennessee when someone pointed out Hector to me. They explained that Hector had forgiven the man who murdered his daughter. As a radio producer armed with that enormous factoid, I wasn’t sure how to proceed. I’ve been living in civil society long enough to know it isn’t acceptable to approach a stranger and blurt out “Hey, I heard you forgave the man who murdered your daughter can I interview you about that?” I ended up chatting with Hector and asking him if he had a couple of hours to sit down and tell me all about his life. He was also a veteran, so I could interview him for my project as well. He’s told his story of forgiveness many times, so we transitioned into it easily. I liked Hector’s narrative because it subtly challenged my beliefs and raised larger questions on forgiveness. I knew forgiveness was a good thing, but how far could you really take it? Weren’t some things just unforgiveable? And of course, I wondered if I would be able to do the same thing if I were in his shoes. I also love the moments in the piece when you can hear him continuing to wrestle with these questions, even after so much time has passed. I was inspired by his refusal to accept stagnancy even in old age. Gear I’ll blame it on my young age and the bicycle I was living on, but this story wasn’t recorded as well as I wish it had been. First of all, there were hardly any quiet indoor places on the commune I could go into, so we had to do the interview outside. This meant that while Hector was contemplating the meaning of forgiveness people were talking in the background, birds were squawking, and a guy pushing a lawn mower was circling us. Because of these horrible background noises I put noise reduction on the audio while editing, a questionable decision that I’m still considering reversing in the future. Lastly, my most embarrassing tech mistake is that the audio was recorded in mp3, because the trip was long and SD card space was limited. For this interview I used an Olympus LS-10 recorder with a built in microphone. Again, I wish it had been recorded with an external mic, though at the time I probably wasn’t even aware that I should own one. Sonic IDs Editor’s Note: Bianca interned with us at Atlantic Public Media this summer and she produced a whole bunch of sonic IDs. Turns out she has a knack for it. We thought we’d share a few of her sonics here.
“Forgiveness” on PRX About Forgiveness I stumbled upon this story on a long distance bike trip, while I was doing a radio project on veterans’ experiences at war. As you can see, this story has nothing to do with veterans or war. It just goes to show that sometimes you just need an excuse to be out there looking for stories and something wonderful will eventually pop up. We were staying the night at a gay and queer commune in rural Tennessee when someone pointed out Hector to me. They explained that Hector had forgiven the man who murdered his daughter. As a radio producer armed with that enormous factoid, I wasn’t sure how to proceed. I’ve been living in civil society long enough to know it isn’t acceptable to approach a stranger and blurt out “Hey, I heard you forgave the man who murdered your daughter can I interview you about that?” I ended up chatting with Hector and asking him if he had a couple of hours to sit down and tell me all about his life. He was also a veteran, so I could interview him for my project as well. He’s told his story of forgiveness many times, so we transitioned into it easily. I liked Hector’s narrative because it subtly challenged my beliefs and raised larger questions on forgiveness. I knew forgiveness was a good thing, but how far could you really take it? Weren’t some things just unforgiveable? And of course, I wondered if I would be able to do the same thing if I were in his shoes. I also love the moments in the piece when you can hear him continuing to wrestle with these questions, even after so much time has passed. I was inspired by his refusal to accept stagnancy even in old age. Gear I’ll blame it on my young age and the bicycle I was living on, but this story wasn’t recorded as well as I wish it had been. First of all, there were hardly any quiet indoor places on the commune I could go into, so we had to do the interview outside. This meant that while Hector was contemplating the meaning of forgiveness people were talking in the background, birds were squawking, and a guy pushing a lawn mower was circling us. Because of these horrible background noises I put noise reduction on the audio while editing, a questionable decision that I’m still considering reversing in the future. Lastly, my most embarrassing tech mistake is that the audio was recorded in mp3, because the trip was long and SD card space was limited. For this interview I used an Olympus LS-10 recorder with a built in microphone. Again, I wish it had been recorded with an external mic, though at the time I probably wasn’t even aware that I should own one. Sonic IDs Editor’s Note: Bianca interned with us at Atlantic Public Media this summer and she produced a whole bunch of sonic IDs. Turns out she has a knack for it. We thought we’d share a few of her sonics here.
Stephans Welt Nr. 27: DAISY-Spieler Victor Reader Stratus, High Resolution Player Colorfly Pocket HiFi C4 Pro von Colorful Technologies, die Sprachausgabe Vocalizer für NVDA, Olympus LS-100 Audiorekorder und ich gehe der Frage nach, ob ein Tablet mit Android 4 und TalkBack wirklich für vollblinde Nutzer geeignet ist.
LS-100 to najnowszy, a przy tym częściowo udźwiękowiony rejestrator firmy Olympus. Urządzenie dla TyfloPodcastu testuje Robert Hetzyg.
Tomek Bilecki opowiada o tych rejestratorach, demonstrując próbki mikrofonów w różnych konfiguracjach i z różnymi parametrami. Dodatkowo, w materiale prezentujemy dla porównania próbki z mikrofonu rejestratora Roland R05.
Stephans Welt Nr. 20: Das Olympus LS-3 ist ein spannender Audiorecorder zu einem sehr attraktiven Preis. Ich habe das Gerät auf Herz und Nieren geprüft, denn eine Besonderheit ist auch die integrierte Sprachausgabe.
LS-7 to pierwszy rejestrator (nie dyktafon) Olympusa, posiadający przewodnik głosowy. Urządzenie w akcji demonstruje Paweł Loba.
A look at the Olympus LS-10 and LS-11 audio recorders. Pete and Carl get hands on with these broadcast-quality recorders, and go on location to put it through its paces. More details, unedited, uncompressed sound clips from the LS-11, plus photos at https://www.frequencycast.co.uk/olympus