Podcasts about Dolby Laboratories

Immersive audio is the next generation of communication in consumer, enterprise and industrial applications. In the latest episode of the Network Effect, Stefan Bruhn, Director, Audio, Strategy and Standards at Dolby Laboratories demos the technology and discusses its transformational abilities.

Golnaz Abdollahian is currently the senior director of big idea innovation at Dolby Laboratories. She has a lot of experience developing and shaping technological products around augmented and virtual reality, smart homes, and generative AI. Before joining Dolby, she had experience working at Microsoft, Apple, and Sony. She also holds PhD in electrical engineering from Purdue University. Time stamps of the conversation 00:00 Highlights 01:08 Introduction 01:52 Entry point in AI 03:00 Leading Big Idea Innovation at Dolby 06:55 Generative AI, Entertainment and Dolby 08:45 How do content creators feel about AI? 10:30 From a Researcher to a Product person 14:27 Traditional Tech products versus AI products 17:52 From concept to product 20:35 Lesson in Product design from - Apple, Microsoft, Song & Dolby 25:34 Interpreting trends in AI 29:25 Good versus Bad Product 31:25 Advice to people interested in productization More about Golnaz: https://www.linkedin.com/in/golnaz-abdollahian-93938a5/ About the Host: Jay is a PhD student at Arizona State University working on improving AI for medical diagnosis and prognosis. Linkedin: https://www.linkedin.com/in/shahjay22/ Twitter: https://twitter.com/jaygshah22 Homepage: https://www.public.asu.edu/~jgshah1/ for any queries. Stay tuned for upcoming webinars! ***Disclaimer: The information in this video represents the views and opinions of the speaker and does not necessarily represent the views or opinions of any institution. It does not constitute an endorsement by any Institution or its affiliates of such video content.***

US futures are indicating a higher open today. European equity markets have opened strong, following advancing Asian markets. More Fed officials signaling openness to near-term easing with Powell expected to reinforce expectations of September cut. Market also weighing prospects for rate path beyond next month as hard-landing fears ebb. Economists now expect three 25bp rate cuts at three final meetings of 2024.Companies Mentioned: Apple, Boeing, Airbus, GE Licensing, Dolby Laboratories

This week, Norma, Rich & Jeff host spatial audio expert Erik Foreman. Erik is a 3x Emmy-winning sound designer, mixer, and producer with an impressive career at Skywalker Sound and Dolby Laboratories.  Erik shares how he cleverly landed a role at George Lucas' legendary Skywalker Sound, where he worked with renowned artists and used state-of-the-art equipment to create exceptional soundtracks. His experiences range from ADR work with Robin Williams, Ang Lee, and Ronnie James Dio to sound design and mixing projects with Genndy Tartakovsky, Ryan Coogler, and Robert Rodriguez.During his time at Dolby, Erik was responsible for showcasing the awesomeness of Dolby Atmos. Utilizing the science of sound and its engineering, he became an expert in Dolby Atmos, educating audiences worldwide. He collaborated closely with high-profile artists like Hank Shocklee & Perry Farrell. Join us audiophiles as Erik discusses the significance of immersive audio on this week's episode of MOVIES WITH...Send us a Text Message.Thank you for listening! Please visit our website at www.nrjmediagroup.com to learn more.

During an investor conference call held on Friday February 2nd 2024, Dolby Laboratories, Inc. released their latest earnings report. CEO Kevin Yeaman discussed the company's present financial standing and forecast for the future. Addressing the future of foundational licensing revenue, he provided assurance to investors: "We aren't seeing anything that would cause us to change our FY '24 guidance for mid-single-digit declines." From the earnings call, it is understood that Dolby Laboratories perceives Dolby Atmos and Dolby Vision as key growth drivers. These technologies, catering to various entertainment sectors, enhance the consumer's audio and visual experiences. Concurrently, the company is leveraging Dolby.io, a platform providing real-time, personalized experiences to foster additional growth. Yeaman stated on the earnings call that these technologies have the potential to reach mainstream consumers, indicating the company's forward-thinking approach. In the call, Dolby Laboratories acknowledged the implications consumer electronic expenditures can have on their foundational offerings. The company recognizes the uncertainty inherent in consumer trends, yet remains committed to the pursuit of innovation and growth. As an area of strategic investment, Dolby.io demonstrates the firm's future-oriented vision. Healthy cash generation and a strong margin profile support these growth initiatives, as acknowledged on the earnings call. Based on the information available from Dolby Laboratories, the company meets financial benchmarks consistently and surpasses earnings expectations. Its emphasis on innovative technologies like Dolby Atmos, Dolby Vision, and Dolby.io, positions it competitively in the entertainment industry. Dolby appears determined to drive growth and invest in technologies that could shape the future of digital experiences; however, it's important to recognize that future success is dependent on many variable factors, including the ever-changing dynamics of the market and consumer behaviors. DLB Company info: https://finance.yahoo.com/quote/DLB/profile For more PSFK research : www.psfk.com  This email has been published and shared for the purpose of business research and is not intended as investment advice.

Cutting edge technology vs technically cutting edges... Nick and J talked about mixing and mastering vinyl records, Atmos vs Sony 260AR, how to listen to immersive audio, mixing for Halloween, old school vs modern low-end, and how to rescue a snare. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guests today are Nick Townsend and J Clark joining us from Infrasonic West in Los Angeles.  Nick Townsend's musical prowess is rooted in the punk rock scene. He began drumming for punk bands at the age of 16, and has been playing professionally ever since. His trained ears, and passion for music production, is owed to recording bands in his grandmother's garage. He attended the Audio Engineering School at Citrus College in Glendora, CA. He then landed his first audio job with Infrasonic Mastering in 2012 where he assisted Pete Lyman, while simultaneously learning the craft of vinyl mastering and lacquer cutting. Soon thereafter, he started his own Townsend Mastering until 2021 when he rejoined Infrasonic Los Angeles. Nick has mastered records for The Egyptian Lover, Militarie Gun, No Pressure, Fleshwater, Spanish Love Songs and many more, and specializes in vinyl mastering and lacquer cutting of over 2,000 vinyl records including artists such as Cheap Trick, Paramore, Weezer, Iron Maiden, Bad Religion, Garbage, Dr. Dre, 2pac, Grimes and more. His work can be identified by the hand scribed “NT” found on the lock groove of each vinyl. J Clark is an engineer, mixer, composer, and multi-instrumentalist based in Los Angeles, CA. He spent the majority of the late 90's and 2000's playing and touring in the bands Pretty Girls Make Graves, Killsadie, Jaguar Love, and Sharks Keep Moving. After moving to Los Angeles in 2010, he began composing music for ads and movies before expanding into post production; Re-Recording mixing, Sound Design, and Dialogue editing for film and television. In late 2020 he began mixing and mastering music in Dolby Atmos and Sony 360RA. His spatial credits include artists such as Jennifer Lopez, MK, The Hold Steady, Nelly, Nicky Jam, Marc Anthony, and many others. J's studio was designed and built in collaboration with PMC Loudspeakers, Dolby Laboratories, and Sony Home Entertainment and boasts an impressive 24 speakers! It's built to handle the present and future of multichannel sound for music, picture and gaming offering an 11.1.6 ATMOS and a 13.1 Sony360 array for the most precise playback and detail of your immersive projects. Thanks to Raelynn Janicke for setting this interview up! THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com use code ROCK10 to get 10% off any individual plugin! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to these guests' discography on Spotify: Nick Townsend: https://open.spotify.com/playlist/3D9JMrWjXz6DqbFm4gye44?si=5743505ecee14f2b J Clark: https://open.spotify.com/playlist/5LVwyfmZsaoQZOcPX3DW5G?si=1fefc4e4813c44c2 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/428

The latest earnings report from Dolby Laboratories, Inc. was openly discussed during the company's earnings call, led by CEO Kevin J. Yeaman. Yeaman candidly addressed the influence of the contemporary economic conditions on Dolby's operations, acknowledging the consequential recalibration of priorities by many of the company's partners and customers. Such adjustments have reportedly led to delays in forming newer partnerships and achieving design wins. Nonetheless, the earnings call illuminated beneficial aspects of Dolby's business performance, potential areas for improvement, and financial milestones, providing insights into Dolby's offerings and strategic planning. Dolby's performance for the fiscal year outpaced projections. The company reported earnings per share (EPS) at $0.65, a noteworthy increase from the estimated figure of $0.52. Encouragingly, the Q4 revenue surpassed the previous year's figure by 4%, amounting to $291 million, solidifying a substantial year-on-year growth trend. All in all, Dolby has realized an admirable 4% growth throughout 2023, reaching a total net income of $1.3 billion. In terms of revenue growth, leading performers were the Dolby Atmos, Dolby Vision, and imaging patents divisions. That said, certain markets presented challenges to Dolby with broadcast, consumer electronics, and mobile industries reporting declines due to reduced device shipments. Despite encountering headwinds, Dolby reiterates its unwavering commitment to the evolution and spread of Dolby Atmos and Dolby Vision technologies. Efforts are ongoing to motivate creators, distributors, and device manufacturers to bolster the availability and adoption of Dolby-supported content. Strategic alliances with automotive OEMs, TV manufacturers, audio equipment companies, mobile phone makers, and social media platforms play a key role in promoting Dolby's solutions. Sustained growth over the long term is a goal that Dolby is striving to ensure by capitalizing on the vitality of its encompassing ecosystem. Thanks to a broad network of creators, distributors, and manufacturers, Dolby is confident about innovating to widen the global Dolby experience reach. Even with the underlying economic uncertainties, the company is steadfast in its optimism regarding its long-term prospects, opting to focus on enhancing profit margins over sales growth, and streamlining organizational operations to hone in on high-impact activities. It's fair to say that though facing momentary slowdowns in establishing new partnerships and scoring design wins, the recent earnings report is a testament to Dolby's enduring performance, financial robustness, and robust strategic planning. By adeptly adapting to the prevailing economic environment, Dolby Laboratories intends to firmly uphold its advantageous market position as a top-tier provider of audio and imaging technologies. DLB Company info: https://finance.yahoo.com/quote/DLB/profile For more PSFK research : www.psfk.com  This email has been published and shared for the purpose of business research and is not intended as investment advice.

If you have not been to the movies of late, this conversation is probably a hint for you to do so.  But if you've been to the cinemas of late, chances are you might have watched the Barbie Movie, Oppenheimer or the latest instalment of the Mission:Impossible franchise, the Dead Reckoning Part 1.  Speaking of which, beyond the cast and directors, have you ever wondered what made the movies come to life? What about the visual system that makes the iconic pink colour pop in the Barbie Movie. Or the immersive sound system that makes you feel the blast in Oppenheimer or that car chase in Mission Impossible?  Our guest for today is Dolby Laboratories. The firm works with artists, storytellers and businesses to revolutionise entertainment and communications with its visual and audio systems such as the Dolby Atmos, Dolby Vision and Dolby Cinema.  But how does this work exactly, and are these players considered at Dolby Laboratories, customers or partners? Also, what are some of the products in its pipeline for this year and the next? On Under the Radar, The Evening Runway's finance presenter Chua Tian Tian posed these questions to Ashim Mathur, Vice President, APAC, Dolby Laboratories.See omnystudio.com/listener for privacy information.

On this week's show we take a look at the history of a company that is synonymous with home theater, Dolby Laboratories. We also read your emails and take a look at the week's news. News: LG Outlines Plans to Become a Media and Entertainment Platform | TV Tech Watch out Amazon and Roku, Vizio's new 4K TVs are vying to be the best budget TVs Comcast's Xumo-Branded Smart TVs Are Getting Good Reviews But Are Already Deeply Discounted LG Stops Integrating ATSC 3.0 Tuners Into Smart TVs After Losing Patent Dispute, Samsung and Sony Could Follow | Next TV Other: Hisense Smart Short Projector Renewed The Dolby Laboratories History Story in Chronological Order 1965 - Dolby Laboratories is a longtime innovator of developing electronic devices and systems to improve recorded sound. Founded by Ray Dolby in 1965, the company's first development was Dolby A-type noise reduction. It was basically a specially designed electronic circuit contained in a compact metal case. It was not a recording machine, but it could be attached to a recorder to improve its sound. 1966 - Dolby creates first product to reduce noise in music recordings. 1968 - Ray Dolby next developed a consumer version of the Dolby A system at the urging of Henry Kloss, an American audio pioneer and president of KLH Research and Development Corporation. The result was the 1968 introduction of Dolby B-type noise reduction, intended for home tape recorders. Following a relocation of the company from London to San Francisco, Dolby B was released into the world. Designed primarily for cassettes, it went on to completely alter the way music was both recorded and received world-over. It was simple and cheap, and by the mid-70s it was the standard for all cassette tapes – and is the type of noise reduction and is still used to this very day. Yes – people still like their cassette tapes! 1971 - The first film with Dolby sound was A Clockwork Orange (1971), which used Dolby noise reduction on all pre-mixes and masters, but a conventional optical sound track on release prints. 1974 - Callan was the first film with a Dolby-encoded optical soundtrack. 1975 - Dolby Laboratories introduced Dolby Stereo, a product aimed at motion picture producers and theaters. Dolby Stereo was used with existing 35-mm optical soundtracks, but with important changes. At the studio, stereo soundtracks were recorded using Dolby equipment. At the theaters, a Dolby unit and new loudspeakers were added to the existing projection equipment. The result was much higher sound quality.  1976 - The first true LCRS (Left-Center-Right-Surround) soundtrack was encoded on the movie A Star Is Born in 1976. In less than ten years, 6,000 cinemas worldwide were equipped to use Dolby Stereo sound. Dolby reworked the system slightly for home use and introduced Dolby Surround, which only extracted a surround channel, and the more impressive Dolby Pro Logic, which was the domestic equivalent of the theatrical Dolby Stereo. 1977 -  Star Wars opens with Dolby Stereo®. 1982 -  the company was receiving $6 million annually in licensing fees from approximately 125 audio equipment manufacturers. With circuits in about 70 million different consumer products, Dolby had a monopoly in the consumer noise reduction field. In the 1980s, virtually all pre recorded cassettes used Dolby B.  The first major threat to Dolby's positioning began quietly in 1980, when dbx--a Newton, Massachusetts company--sold its system to several audio manufacturers, including the major Japanese company Matsushita Electric. In April 1982, the competition began to look more serious. Dbx pulled ahead of Dolby, developing the first miniature noise-reduction circuit for Walkmen, which at this time represented the fastest-growing consumer audio segment. Dbx, which had been developed in 1971, was a serious threat to Dolby because it reduced background noise by 40 decibels, a considerable improvement over Dolby's 10.  Initially, high prices had made dbx unfamiliar to consumers, but the system was favored by recording professionals. By 1982, dbx had already far overtaken Dolby and held 70 percent of the commercial recording equipment market. In response to the threat posed by dbx's competition, Dolby introduced an upgraded version of its system, Dolby C, as well as a portable product. 1986 - Dolby Spectral Recording (or SR) worked on magnetic soundtracks for film as well as music cassettes, producing digital clarity from an analog sound system. Dolby SR used the same basic principle as Dolby's original circuit, monitoring the sound signal and adjusting frequency boost to suit the loudness level, with different signal levels boosted at different amounts. The result was a system that was dynamic and almost infinitely flexible. The system was used by many professional studios instead of digital recording, and in 1988 Dolby SR was in use at movie theaters showing the films Robocop and Space. 1992 - Dolby achieved $40 million in revenues, with a third from royalty payments that headed straight to the bottom line. Dolby sound reduction was now featured on approximately 380 million tape players, boom boxes, headphones, and car stereos, as well as a few billion audio-cassette packages.  Dolby developed a digital surround sound compression scheme for the cinema. Dolby Stereo Digital (now simply called Dolby Digital) was first featured on the 1992 film Batman Returns. Introduced to the home theater market as Dolby AC-3 with the 1995 laserdisc release of Clear and Present Danger.  The format did not become widespread in the consumer market, partly because of extra hardware that was necessary to make use of it  until it was adopted as part of the DVD specification. Dolby Digital is now found in the HDTV (ATSC) standard of the United States, DVD players, and many satellite-TV and cable-TV receivers. Dolby developed a digital surround sound compression scheme for the TV series The Simpsons. 1998 - First live HDTV broadcast with 5.1-channel Dolby Digital audio. 1999 - Star Wars: Episode I—The Phantom Menace debuts in Dolby Surround EX. 2007 - Dolby announced the arrival of Dolby Volume at the International Consumer Electronics Show. 2010 - Dolby introduced Dolby Surround 7.1, and set up theaters worldwide with 7.1 surround speaker setups to deliver theatrical 7.1 surround sound. The first film to be released with this format was Pixar's Toy Story 3 which was later followed by 50 releases using the format. About eighty percent of films released are mixed in Dolby Surround 7.1 by default. 2014 - Dolby introduced its Dolby Atmos, a new cinematic technology adding overhead sound, first applied in Pixar's motion picture Brave. In July 2014, Dolby Laboratories announced plans to bring Atmos to home theater. The first television show to use the technology on disc was Game of Thrones. Dolby launches Dolby Vision™. 2019 - Dolby adds Atmos to hundreds of newer songs in the music industry.

On this episode of YourTechReport, host Marc Aflalo welcomes special guest Georgia Knox from Audible to discuss an exciting advancement in audio storytelling. They dive deep into the recent collaboration between Dolby Laboratories and Audible, which has led to the launch of Dolby Atmos on Audible, a collection of immersive, cinematic listening experiences that push the boundaries of traditional audio narratives. Marc and Georgia explore how Dolby Atmos enhances the auditory experience by placing sounds in a multidimensional space, creating a deeper, richer, and more lifelike audio experience for listeners. They also touch on Audible's commitment to providing the best experiences to their customers, as well as empowering creators with innovative tools to create extraordinary audio content. The conversation highlights the launch collection, featuring more than 40 of Audible's most popular Originals, now available in spatial audio with Dolby Atmos. They delve into new titles like "The Little Mermaid," narrated by Leigh-Anne Pinnock, which promises a magical retelling of the classic fairy tale in immersive sound. Tune in for a stimulating discussion on how Dolby Atmos is set to revolutionize the world of audio storytelling on Audible, and what this means for creators, listeners, and the future of the audio entertainment industry. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is Matt Reustle and today we are breaking down Dolby Labs. Our favorite Breakdowns are those businesses, which are widely known but barely understood. Dolby fits the bill. You see the logo everywhere but what does Dolby technology do and how does the business work? To answer those questions and break down Dolby, I was joined by Paul Vincent and William Nott from investment manager, Ninety One. We cover the backstory of Ray Dolby, what Dolby's actually building and selling, and how the business model works. Please enjoy this breakdown of Dolby. For the full show notes, transcript, and links to the best content to learn more, check out the episode page here. (for me - https://joincolossus.com/episodes/69279744/vincent-dolby-the-sound-standard)  ----- This episode is brought to you by Tegus. Tegus is the modern research platform for leading investors. I'm a longtime user and advocate of Tegus, a company that I've been so consistently impressed with that last fall my firm, Positive Sum, invested $20M to support Tegus' mission to expand its product ecosystem. Whether it's quantitative analysis, company disclosures, management presentations, earnings calls - Tegus has tools for every step of your investment research. They even have over 4000 fully driveable financial models. Tegus' maniacal focus on quality, as well as its depth, breadth and recency of content makes it the one-stop, end-to-end research platform for investors. Move faster, gather deep research to build conviction and surface high-quality, alpha-driving insights to find your differentiated edge with Tegus. As a listener, you can take the Tegus platform for a free test drive by visiting tegus.co/patrick. ----- Business Breakdowns is a property of Colossus, LLC. For more episodes of Business Breakdowns, visit joincolossus.com/episodes. Stay up to date on all our podcasts by signing up to Colossus Weekly, our quick dive every Sunday highlighting the top business and investing concepts from our podcasts and the best of what we read that week. Sign up here. Follow us on Twitter: @JoinColossus | @patrick_oshag | @jspujji | @zbfuss | @ReustleMatt | @domcooke Show Notes (00:02:50) - (First question) - The problem that Dolby initially set out to solve (00:05:02) - Some of the well-known products Dolby offers today  (00:08:41) - The path from noise reduction to enhancing the listener experience  (00:13:23) - Invisalign: Patents, Patients, Profits; How their codec technology is actually implemented  (00:16:40) - Whether or not how we record and what we record on can inhibit our ability to use Dolby's products (00:18:32) - What the end markets for Dolby look like today   (00:21:04) - Whether or not they can offset against the consolidation of consumer technology  (00:22:54) - Targeting manufacturers as customers (00:26:55) - The trouble in defining Dolby's total addressable market  (00:28:15) - Metrics used for measuring the size and relevance of the business  (00:31:23) - Outlining their royalty pricing model, its evolution, and the model's dynamics   (00:34:54) - Whether or not the decline of movie theaters will impact their growth  (00:38:01) - Thoughts about Dolby's cyclicality and potential trend impacts   (00:42:38) - The margin profile and how capital intensive the business is  (00:46:03) - His views on the potential risks to Dolby's future  (00:50:30) - What stops Amazon or Apple from producing Dolby adjacent products in house (00:53:18) - How risky it is for Dolby to start pushing into the visual side of entertainment  (01:00:53) - Lessons for investors and builders when studying Dolby's story 

Having a great finance and accounting department in your business is the difference between having a good company and a great one. Sean came into the studio and did a deep dive with Brandon on what exactly it means to lead a great finance and accounting department. You'll leave with tips you can use to improve your business.About Sean LambSean Lamb is Chief Financial Officer of Willow Innovations, the inventors and leading technology in wearable breast pumps for mom.  Sean comes to Willow from Ruggable, a direct-to-consumer retailer of made-to-order rugs, furniture and other home goods.  As CFO at Ruggable, Sean was focused on getting the Finance and Accounting organizations ready for a future IPO while assisting other parts of the organization on what processes need to be in place to succeed as a publicly traded entity.  Prior to Ruggable, Sean spent 14 years at Dolby Laboratories, a multi-billion dollar publicly traded IP Licensing and Technology company.  At Dolby, Sean was Vice President of Finance, leading Investor Relations, Corporate Finance and Business Support for the entire company.  During his time at Dolby, Sean worked on acquisitions, operationalizing new initiatives, enhancing reporting and visibility into the business, and he also managed the company's international Accounting and Finance shared service centers.   Sean is a California CPA (Inactive) and received his MBA from Stanford University Graduate School of Business.  Sean attended Princeton University where he received a BA in Economics.EPISODE LINKSSean Lamb on LinkedInhttps://www.linkedin.com/in/sean-lamb-712875/ CONNECT WITH US Claim Your Weekly EDGE Newsletter. It's FREE.Written by Brandon with insights giving you an edge to win in your business and your life. Over 24,200 listeners and counting!-> https://edge.ck.page/bea5b3fda6 OTHER GREAT PODCASTS ON THE THE BEST PODCASTS NETWORK Danielle & Brandon Show All about owning a businesshttps://OnBusinessPodcast.com MARKETING PodcastMarketing science revealing successful marketing. https://PodcastOnMarketing.com 401k Plans PodcastSet up and run your company's 401k retirement savings plans correctly.https://401kplanspodcast.com Car Accident Lawyer PodcastBest lawyer advice.https://caraccidentlawyerpodcast.com PRODUCTIVITYTips.https://productivitypodcast.buzzsprout.com podcast for entrepreneurs...

The director, producer and editor always had a love for film and pursued his dreams at a film school in Chicago. But defaulting loans due to the recession in 2008 forced him to leave Columbia College Chicago, and he and his family moved from his hometown on the outskirts of Detroit to Shreveport, La. Far away from his comfort zone, Calvin forged a unique way into the post-production industry. Taking advantage of Louisiana's tax credit, Calvin would have an opportunity to cut his teeth on multiple independent films and participate in an assistant editing class that would shift his trajectory and put him on the path to joining the team who edited the Academy Award-winning animated short, The Fantastic Flying Books of Morris Lessmore. Since then, he has edited several Emmy Award-winning branded content pieces such as Chipotle's The Scarecrow, and Dolby Laboratories' Silent & Radio Flyer's Taking Flight. Most recently, Calvin's ability to pivot and consistency in the following up moved him west to Los Angeles, where he would serve as the Editor for Disney+'s critically acclaimed reboot of The Proud Family: Louder and Prouder. (Oh yeah and we are DEFINITELY gonna talk about that Juneteenth episode!) Host: David Hunter Jr. | Executive Producers: Daniel K. Hunter, David Hunter Jr, Tatiana M. Johnson | Producers: Eric Johnson, Aurelia Belfield | Editor: Landon T. Bost | Audio Post/Re-recording Mixer: Ryan Virgin | Special Guest: Calvin O'Neal Jr. | Theme Song: "Sanctuary" by Chvrles | BTS Photography: J Nyce | Produced by Made for More Entertainment in association with Trailblazer Studios and Landon Bost Media Stay tuned for more episodes of Post In Black's third season as we continue to amplify the stories and experiences of Black professionals working in post-production. Look out for new episodes every second and fourth Wednesday. RELATED VIDEOS Post in Black – Season 4: https://youtube.com/playlist?list=PLm2w_b9TK6WAYLhXPNkA52FWM49JEbMwY Post in Black – Season 3: https://youtube.com/playlist?list=PLm2w_b9TK6WDVPHsYggzwBdwOTsJvt5pb Post In Black – Season 2: https://youtube.com/playlist?list=PLm2w_b9TK6WCA1y1AEh-lSn9ga9yZv5sq Post In Black – Season 1: https://youtube.com/playlist?list=PLm2w_b9TK6WBUJGPdXlHNIn8nuQBxri4U CONNECT WITH POST IN BLACK & MADE FOR MORE ENTERTAINMENT https://www.madeformoreent.com/ IG: @PostInBlack & @MadeForMoreEnt Twitter: @PostInBlack & @MadeForMoreEnt FB: @PostInBlack & @MadeForMoreEntertainment CONNECT WITH Calvin O'Neal Jr. https://calvinonealjr.com/ IG: @calvins.cuts, @calvin_oneal_jr SUBSCRIBE TO OUR YOUTUBE CHANNEL https://www.youtube.com/@madeformoreentertainment LISTEN TO THE PODCAST https://anchor.fm/postinblack --- Support this podcast: https://podcasters.spotify.com/pod/show/postinblack/support

  In this episode, Dr. Poppy Crum, Chief Scientist at Dolby Laboratories, previews her upcoming session topic at AIHce EXP 2023. Dr. Crum envisions a future where human capacity and performance is enhanced through technology, without replacing human interaction and experiences. Her opening keynote on May 22 is sponsored by SGS Galson. Discuss this episode and more in both the Catalyst and Healthy Indoors communities.

This week look at the new Sony Bravia line for 2023 and discuss why watching movies at home is better than in the cinema. We also read your emails and take a look at the week's news. News: YouTube TV's CEO Confirms New Features Coming This Fall With NFL Sunday Ticket TiVo: Viewing Time Stagnates But Number of Video Services Used Jumps Cord Cutting Accelerates as Pay TV Loses Nearly 5.9M Subscribers in 2022 Your Ring camera features are about to change, and not in a good way LG Announces Pricing And Availability Of 2023 OLED TVs Other: HT Guys Music Testing Playlist Sony 2023 Bravia TV Sony Electronics Inc. announced its 2023 BRAVIA XR™ TV Lineup, with Cognitive Processor XR™, for the ultimate home entertainment experience. There are five new models in the BRAVIA XR line: X95L and X93L Mini LED, X90L Full Array LED, A95L QD-OLED and A80L OLED. All models are equipped with features to provide consumers with an immersive experience for watching movies, streaming apps, gaming and more. Full Press release… 2023 BRAVIA XR TVs have the updated Cognitive Processor XR, featuring the all new XR Clear Image on select models, which improves noise reduction and clarity with motion, reducing blur and creating scenes bursting with action. The Cognitive Processor XR enables better backlight control for increased local dimming zones, increased brightness and decreased blooming. Additionally, each model offers Acoustic Center Sync, which synchronizes the TV's audio system with the center channel of a compatible Sony soundbar turning it into the center speaker for the ultimate, immersive at-home experience. For consumers looking for an even more immersive sound experience, each model also works with Sony soundbars to offer 360 Spatial Sound Mapping which generates phantom speakers and sound field optimization. New this year, the X95L features Acoustic Multi-Audio+™, using frame tweeters to elevate the sound in a way that matches the image on screen. The A95L and A80L models feature Acoustic Surface Audio+™ with actuators that vibrate to produce sound from the entire screen, perfectly matching with what's playing on screen. The 2023 BRAVIA XR lineup also allows gamers to take their PlayStation® 5 gaming to the next level with exclusive features, including Auto HDR Tone Mapping and Auto Genre Picture Mode, for optimized picture quality while gaming and streaming Key BRAVIA XR lineup features: Cognitive Processor XR with XR Clear Image: The Cognitive Processor XR replicates content the way people see and hear for an incredibly lifelike experience. The latest iteration of the Cognitive Processor XR for 2023 enters a new chapter in its development with advanced XR Clear Image. This technology further reduces noise and reduces blur in motion, creating scenes that burst with life. Elevate the experience with Sony's sound products: Sony's new BRAVIA XR TVs are an excellent match for an array of Sony sound products, such as the HT-A9 Home Theater System or the HT-A7000, HT-A5000 and HT-A3000 soundbars. 360 Spatial Sound Mapping, a new frontier of spatial sound technology, is the latest addition to models HT-A7000 and HT-A5000. By calibrating sound to the chosen viewing room, the technology creates multiple optimally arranged phantom speakers for a wider and more immersive cinematic sound field.  Acoustic Center Sync: Pairs perfectly with Sony soundbars – Acoustic Center Sync synchronizes the TV speakers with select Sony soundbars and AV receivers to reinforce the center speaker channel for clearer, fuller dialogue and more immersive sound. When paired with Sony Home Audio products, consumers can expect a truly exceptional at-home movie viewing experience. XR Backlight Master Drive and Mini LED: Powered by Cognitive Processor XR™, the XR Backlight Master Drive uses a Sony-developed local dimming algorithm to control thousands of tiny, ultra-dense Mini LEDs with absolute precision and independence, delivering extraordinary brightness, impressive dynamic range, deep blacks and beautifully natural colors. Perfect for PlayStation® 5 and new Gaming functions: Gamers can take their PlayStation® 5 gaming to the next level with exclusive features Auto HDR Tone Mapping and Auto Genre Picture Mode that optimize picture quality while gaming and streaming. With the newly added Game Menu, it has never been easier to fine-tune gaming settings and assist functions. All the essentials are at the gamer's fingertips for on the fly adjustments. Additionally, the BRAVIA XR A95L features Multi View, making it easier than ever to watch walkthroughs side-by-side while the gamer plays their favorite titles. BRAVIA CORE: The BRAVIA CORE app is a pre-loaded movie service that comes with five, 10 or 15 movie credits to watch the latest releases and popular classics and additional movies up to 24 months of unlimited streaming, with the purchase of a BRAVIA XR TV. With BRAVIA XR technology, Pure Stream™ and IMAX® Enhanced, content is delivered with stunning visuals and expressive sound quality. Featuring BRAVIA CORE Calibrated Mode, movies will automatically adjust to the optimal picture settings including IMAX® Enhanced mode to create a truly exceptional at-home movie viewing experience. Over time, the app experience will be enriched with new features. Crunchyroll® remote button: The Crunchyroll remote button gives BRAVIA users one-touch access to one of the world's largest anime libraries, a collection of more than 18,000 hours of anime, comprising more than 44,000 episodes and feature films, translated in multiple languages. Simulcasting is also accessible, so Japanese titles can be watched from abroad following broadcast in Japan. BRAVIA CAM: BRAVIA CAM can detect the viewer's position to optimize the picture and sound according to room environment and viewing distance. Google TV: See 700,000+ movies and TV episodes, plus live TV, all in one place. Google TV brings everyone's favorite content from across apps and subscriptions and organizes them. Searching is easy- just ask Google. Try saying, "Hey Google, find action movies" to search across apps. Built with sustainability in mind: During manufacturing, Sony is reducing overall plastic usage by approximately 60%, and is cutting emissions by approximately 15% by using smaller and lighter packaging during transportation. All Eco settings in one place: The Eco dashboard keeps all user settings in one place, making it easier to change them individually or in one go. With the Easy Setup option, users can optimize settings for their viewing environment. Pricing and Availability Suggested retail price and retail availability will be announced in spring 2023. For more information on new Sony television models, please watch Sony's BRAVIA XR announcement video here or visit the BRAVIA XR website: https://electronics.sony.com/bravia-xr-TV. To learn more about each US model, please visit the links below: X95L: http://electronics.sony.com/x95l X93L: http://electronics.sony.com/x93l X90L: http://electronics.sony.com/x90l A95L: http://electronics.sony.com/a95l A80L: http://electronics.sony.com/a80l Bad Projection Is Ruining the Movie Theater Experience Michelle Pfeiffer and Jonathan Majors look like crap. Usually, they're two of the most radiant, dermatologically exceptional people in the world. But right now, they're decrepit husks of themselves, their faces so drained of color that they could pass for cadavers. Full Article Here… For quite some time we have been making the case that we prefer to watch movies at home. We have modest home theaters, nothing like the ones we show on our YouTube channel. However, in our modest theaters we have very large screens, Braden has an 86” Sony UHD and Ara has a 100” Optoma UST Projection system. We also have good speakers and sound systems to match. But come on, you seriously aren't saying your audio and video quality are better than the cinema.  Getting back to the article, Jack Theakston, a projection specialist who works as a contractor at Dolby Laboratories and the article author visit flagship theaters and critique the experience. Jack immediately diagnoses the washed out issue: This is a 2-D showing of Ant-Man, but some neglectful employee has forgotten to remove the 3-D filter from the projector. You can tell when it's happening because if you look at the port-window glass, instead of a single image, you'll see two, with one stacked on top of the other.” He points up to the booth behind us, and sure enough, there are two stacked beams. So imagine you pay your hard earned money only to find that the movie looks like crap. Are you going to complain and see if someone can diagnose the issue? Would you ask for your money back?  The two go into another theater and find trailers that are playing on screen that's creased and sagging. Almost as bad: The picture is trapezoidal instead of rectangular, a phenomenon known as keystoning, which happens when a projector is not set up perpendicular to the screen. It's fixable with software, if one bothers to do it. The two spending the day finding plenty of other issues; A torn masking curtain Out of calibration projectors Noisy dine in service Variable seat pricing However, the Dolby consultant can look the other way on most issues with the exception of bad projection. “If a movie theater can't perform its most basic function and deliver a sharp, well-lit image with the right colors and contrast, then we might as well knock it down and put up a bank.” The pandemic hurt theaters but the problem started well before. Back in 2009 when theaters went digital. Chains and studios loved this because there were no more film that had to be shipped and threaded into projectors. Everything was beamed into the cinema and then to the projector. One projectionist could cover an entire cinema.  The new projectionist was more like an IT guy instead of a skilled technician who could maintain and troubleshoot issues like the washed out faces we discussed at the top of this feature. One of the most common issues today are dim images. That's because many of these projectors need new lamps that cost about $1500. Since cinemas are essentially broke they ride the old gear as long as they can, creating a situation where people can actually have a better experience at home. Obviously this is not every theater, but enough to where people decide to stay home and stream. This starts the vicious cycle of cinemas not spending the money they need to in order to put out a quality product.  AMC announced that it will install laser projectors made by  Barco in 3,500 of its U.S. theaters by 2026. These machines offer better brightness, colors, and contrast than standard digital projectors. They're also bulb free and can run for 20,000 hours before needing a replacement. But by 2026 will it even matter?  So why doesn't Hollywood do something about it. Jack argues that when there is a major hollywood premier the theater is gone through with a fine tooth comb to assure every aspect of the presentation is perfect. So our recommendation is, if you want to see a movie the way it was meant to be, go to a theater in Hollywood or New York. Otherwise get yourself a large OLED and have it professionally calibrated.  

John Donnelly has 32 years of experience in the cinema industry. He launched the first UCI Cinemas multiplexes in Ireland in the 1990s before moving to Poland to establish multiplexes under the Multikino brand as Managing Director. In 2004, he became Managing Director of UCI Kinowelt in Germany heading up the turnaround of the company's operations in Germany. Following the acquisition of UCI/Odeon by Terra Firma, John moved to Spain as Operations Director for the group responsible for the expansion of the company in Spain, Italy, Portugal, Austria, and Germany, opening and acquiring 54 cinemas. In 2014, he was promoted to Strategic Programmes Director for Odeon and was part of the executive team that completed the sale of the Odeon Group to AMC. John joined Dolby Laboratories in 2018 as Business development of EMEA and was also on the board of Usheru, a company specializing in movie marketing. Currently, John is Group General manager for Light House Group, an independent chain of cinemas in Ireland. He is also on the board of governors for Rathdown school and is involved in music having just released an album with his band Dark Isle.

In this episode of Product Marketing Insider, Lawrence Chapman is joined by Selin Tyler, Senior Director & Head of Product Marketing at Dolby Laboratories.During this discussion, the pair discuss how product marketers can build and scale their teams, with Selin sharing her insights on a range of topics, including: How the product marketing team is structured at Dolby Laboratories. Essential hard and soft skills to look out for when recruiting new additions. Identifying when the time's right to scale your team. The signs your team is scaling too quickly - and the risks this can pose. What're the toughest lessons you've learned when building and scaling your teams? Essential ingredients for a successful team. Her favored approach when leading teams. Which product marketing leaders do you admire? Have you applied any of their traits in your own practice?

Angelic Vendette is the VP, and Global Head of Marketing at Alo Yoga, a luxury performance clothing and lifestyle brand among supermodels, influencers, TikTok icons, etc. Under her leadership, the company launched collaborations with Saint Laurent, partnerships with fashion icons like Irina Shayk, celebrities like Diplo, TV stars from The Bachelor, accepting crypto payment and employee salary in crypto, and Alo's metaverse experiences. Before that, Angelic was the Global Head of Social & Influencer Marketing at Stitch Fix and head of Consumer Marketing at Dolby Laboratories, where she collaborated with supermodel influencers like Bella Hadid and brands like Michael Kors. She was named as one of the 2022 most entrepreneurial CMO by Forbes and Business insider's CMO to watch. You can learn more about: 1. How can brands create an authentic experience in Web3?  2. How to build partnerships with influencers? 3. Career development in marketing Check out our brand new YouTube Video Podcast!  https://www.SmartVenturePod.com IG/Twitter/FB @GraceGongGG LinkedIn:@GraceGong YouTube: https://bit.ly/gracegongyoutube Join the SVP fam with your host Grace Gong. In each episode, we are going to have conversations with some of the top investors, super star founders, as well as well known tech executives in the silicon valley. We will have a coffee chat with them to learn their ways of thinking and actionable tips on how to build or invest in a successful company. ===================== Brought to you by: https://link.blockfolio.com/9dzp/stwlap68 Use code: smartventure

On this week's episode of Product Marketing Life, host Mark Assini is joined by Selin Tyler, Senior Director, Head of Product Marketing at Dolby Laboratories.The pair discuss how to set boundaries at work, whether that's boundaries between work and home, between teams, or between saying yes and no. Even non-PMMs will find helpful insights and tips that can help to maintain your sanity and health at work.

On this week's Contingent Workforce Radio podcast episode, Erika Novak and Alan Kumar, Elastic Talent Program Manager at Dolby Laboratories, discuss how to effectively manage distributed teams, continuity planning, and advice for their successful management. ----- Connect with Erika on LinkedIn Find us on LinkedIn and read our latest blogs!

Marie Ablaza (AKA "Fairy Job Mother") is a Talent Recruiter at Netflix Games Studio. She was previously a recruiter at Ubisoft, Lucasfilm, and Dolby Laboratories, and has worked in industries such as tech, entertainment, media, and video games. She was also recognized for the 2021 San Francisco Top Recruiter of the Year Award. Trust me, “You are going to BINGE this episode like you binge Netflix shows.” --- Here are some questions we will be answering: - Deep dive into Netflix Games Studio? - New Netflix Series on biggest candidate mistakes? - Favorite Netflix shows? - What do people NOT know about working in tech, media, entertainment, and video gaming? - Should you document your life/career? - Best practices for transferring from a community college? - Is success a group effort? - Why is staying involved important if your "cup" is already full? --- *Download Hirect App for Free: https://bit.ly/HirectApp Connect with Marie: www.linkedin.com/in/mariebenigno/ Marie's Personal Website: www.marieablaza.me/ Follow our Host on LinkedIn: www.linkedin.com/in/aaron-aj-eckstein/ --- Disclaimer: The opinions and views expressed in this podcast are of the host and guest and not of their employers.

[PLATEAU D'EXPERTS] Quelles se nomment Netflix, Disney+, CANAL+ Group +, Amazon Prime Video, Apple TV+, OCS ou encore SALTO, les nouvelles plateformes de vidéo à la demande (SVOD) ont modifié le cahier des charges en matière de postproduction son. Sécurisation des accès et des données, Dolby Atmos, nouvelles normes, nouvelles exigences, comment les structures françaises se sont adaptées à cette nouvelle donne ? Quel bilan tirer ?Modérateur : Benoît Stefani - Ingénieur du SonIntervenants : Miguel Adelise - Directeur Technique chez TITRAFILM, Charles Bussienne - Responsable technique Département Son chez POLYSON PostProduction, Anaïs Libolt - Responsable Home Entertainment chez Dolby Laboratories et Jérôme Malaize - Directeur Technique chez DUBBING BROTHERS Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

18 Tháng 1 Là Ngày Gì? Hôm Nay Là Ngày Sinh Của Châu Kiệt Luân (Jay Chou) SỰ KIỆN 2005 – Máy bay thương mại lớn nhất thế giới Airbus A380 được công bố trong một buổi lễ tại Toulouse, Pháp. 1919 – Hãng ô tô Bentley của Anh Quốc được thành lập. 1778 – Thuyền trưởng James Cook trở thành người châu Âu đầu tiên khám phá ra Hawaii, ông đặt tên nơi này là ""Quần đảo Sandwich"". 1535 – Nhà chinh phục người Tây Ban Nha Francisco Pizarro thành lập thành phố Ciudad de los Reyes để làm thủ phủ của mình, nay là thủ đô Lima của Peru. 1910 – Vua Duy Tân cho phép khắc in bộ sách dư địa chí Đại Nam nhất thống chí Sinh 1933 – Ray Dolby, kỹ sư và doanh nhân người Mỹ, thành lập Dolby Laboratories (d. 2013) 1979 – Châu Kiệt Luân, ca sĩ, diễn viên nhà sản xuất âm nhạc người Đài Loan 1868 – Hoắc Nguyên Giáp, là một danh gia võ thuật Trung Quốc. Ông là người đã sáng lập ra Tinh Võ Thể dục Hội, một tổ chức võ thuật nhằm hệ thống hóa và phổ biến rộng rãi võ thuật truyền thống Trung Quốc. 1955 – Kevin Costner, là một diễn viên điện ảnh, nhà sản xuất phim, đạo diễn Hoa Kỳ và đã giành Giải Oscar. Ông từng được đề cử 3 giải BAFTA, hai giải Oscar và một Giải Quả Cầu Vàng. Mất 1982 – Kha Vạng Cân, nguyên là Đô trưởng Sài Gòn-Chợ Lớn của Chính phủ Trần Trọng Kim và Bộ trưởng Công nghiệp nhẹ Việt Nam Dân chủ Cộng hòa. Ông là một nhân sĩ trí thức nổi tiếng của Nam Bộ, hoạt động cách mạng từ trước năm 1945, tham gia kháng chiến chống Pháp. 1677 - Jan van Riebeeck , chính trị gia người Hà Lan, thành lập Cape Town (sinh năm 1619) 1996 – Vũ Đình Liên, là một trong những nhà thơ lớp đầu tiên của phong trào Thơ mới, nhà giáo nhân dân Việt Nam. Thơ ông thường mang nặng lòng thương người và niềm hoài cổ. Bài thơ Ông Đồ của ông được xem là một trong mười bài thơ tiêu biểu cho phong trào Thơ Mới. Chương trình "Hôm nay ngày gì" hiện đã có mặt trên Youtube, Facebook và Spotify: Facebook: https://www.facebook.com/aweektv - Youtube: https://www.youtube.com/c/AWeekTV - Spotify: https://open.spotify.com/show/6rC4CgZNV6tJpX2RIcbK0J - Apple Podcast: https://podcasts.apple.com/.../h%C3%B4m-nay.../id1586073418 #aweektv #18thang1 #RayDolby #KevinCostner #Bentley Các video đều thuộc quyền sở hữu của Adwell jsc (adwell.vn), mọi hành động sử dụng lại nội dung của chúng tôi đều không được phép. --- Send in a voice message: https://anchor.fm/aweek-tv/message

Tessa Finlev is Dolby Laboratories' first-ever internal Foresight Strategist. Her primary focus is on designing collaborative processes for uncovering emerging futures and connecting the dots to strategy, innovation, and company culture. In her decade-plus in the foresight field, Tessa has traveled the world teaching, presenting, and researching possible futures for a wide range of audiences. https://www.linkedin.com/in/tessafinlev --- Send in a voice message: https://anchor.fm/thinkfuture/message Support this podcast: https://anchor.fm/thinkfuture/support

On this episode, Vineet talks to Ashim Mathur from Dolby about the audio pioneer's efforts to bring an enhanced sound experience to entertainment. Conversation ranges from talking about Dolby's multi-platform, mulit-device offerings, the complexities of upgrading entertainment infrastructure, and what lies ahead for the company.Follow Ashim Mathur on Twitter: @AshimMathur https://twitter.com/ashimmathur?lang=enFollow Dolby on Twitter: @DolbyIn https://twitter.com/DolbyIn?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorFollow Vineet on Twitter & Instagram: @ashcharyafuckithttps://twitter.com/ashcharyafuckit and https://instagram.com/ashcharyafuckitYou can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can also check out our website at http://www.ivmpodcasts.com/

Hosts Brandon, Kara and Scott welcome Michael Archer, VP of Worldwide Cinema Sales at Dolby Laboratories, to the show to discuss their goals of continuing to improve and innovate the technology that delivers an incredible moviegoing experience; how they curate titles to remaster and bring back to the big screen like the recent anniversary of Scott Pilgrim Vs. The World; what movies we'd choose to have Dolby remaster for theaters; and a brief story about waterbeds.

Paul Hill grew up in Arlington, Virginia. He is the youngest of three children and attended catholic school in his youth. He earned a degree in english from the University of Virginia with an emphasis in creative writing. After college he went to work for the US government helping coordinate resettlement of Vietnamese refugees from South Vietnam to the United States. Paul moved to San Francisco and got a job working for Dolby Laboratories as their Creative Director. From there he did a stint at Skywalker Sound and eventually landed at ILM where he would work for the next 16 years. Since ILM, he’s worked on multiple projects including several feature films, commercials, Audi’s website portal, and numerous other projects. Paul’s documentary film “Alaska Far Away”, and the new documentary on PepsiMan are available online. Paul Hill is a wonderful human being. Its 100% true that he is the kind of person you always dream of working with. His work ethic, kindness, empathy, and good humor are unparalleled in the business. It was a great pleasure to reconnect with Paul and hear his story. He once even won 25K on Jeopardy! 

A number of different types of initiatives have been sponsored by different CEOs.  For instance, Ray Dolby of Dolby Laboratories has a culture that flourishes on the energy created by the company's fixation on audio sound system perfection.  That environment creates its own sources of energy.  Herb Kelleher of Southwest Airlines creates energy initiatives with his Wing Ding flings.  He gets employees excited to deliver their services to their customers.  The CEOs job is to find that New Energy Initiative.  In fact, we believe that this is one of the CEO's job responsibilities as defined in the Quantum Leap Company.In this chapter, we also see 2 separate discussion sessions between Dr. Elbie and Mr. Grimes on the subject of the War on Waste Paradox.  Mr. Grimes is starting to see the presence of the paradox corollaries but he is getting impatient to get to the answer.We'll make some progress in the next chapter.

Stephane Giraudie, a mobile/SaaS entrepreneur, is an expert in developing forward-thinking solutions. He currently heads up Cloud Communications at Dolby, which acquired his company, Voxeet, in 2019. As founder and CEO at Voxeet, Stephane pioneered in-flow communications, enabling leading apps in telemedicine, e-learning, and collaboration to significantly improve their users’ experience while creating new revenue streams. Previously, Stephane was one of the patented early innovators of digital photography and built corporate sustainability and philanthropic fundraising solutions. Stephane joins me in a discussion about the future of how we Meet and Connect. We discuss the future of employee and customer engagement depend on interactive, audiovisual experiences. We also talk about how the increase in consumer listening and user-generated content has created a boom for audio-first businesses.

Mi-mars, le constructeur automobile Lucid Motors annonçait un partenariat d'envergure avec Dolby Laboratories, notamment à l'origine de la technologie Dolby Atmos. Avec à ce partenariat, la marque compte intégrer un système Surreal Sound composé de 21 haut-parleurs au sein la Lucid Air, la future rivale de la Tesla Model S. Objectif : proposer une expérience musicale de très haut niveau, mais aussi donner un gros coup de pouce à la conduite assistée. See acast.com/privacy for privacy and opt-out information.

This podcast episode is part of our Impact Series, featuring Elevate customers implementing transformative change. Kunoor Chopra, Vice President of Legal Services at Elevate, and Tashmin Ali, a Senior Commercial Attorney with Elevate's Contract Services Business, talk with Elizabeth Miller, Head of Legal Operations at Dolby Laboratories.[01:00] With inconsistent coordination and communication between stakeholders – Dolby needed to implement change.[03:39] Giving the stakeholders a voice in the process.[05:55] Outcomes, value, and results[08:23] A dedicated team, teamwork, and collaboration lead to widespread adoption.[12:56] The process continues to be enhanced.[14:50] The expected long-term impact of change – scalability, improved coordination, and knowledge management.[17:06] Stakeholders involved from the beginning have a sense of ownership.[18:05] A focus on engagement can go a long way.

In episode #42, Darren Murph shares how remote work empowers people at work, and also in their everyday lives. Darren Murph is the Head of Remote at Gitlab - a company that is famously known for being one of the largest all-remote companies in the world. Prior to Gitlab, Darren was the Managing Editor at Engadget and the Director of Global Communications at Dolby Laboratories. He also holds a Guinness World Record as the planet's most prolific professional blogger! In today’s episode, Darren offers an inside look at life at Gitlab, their core values, and what it means to be transparent by default. We also talk about the concept of hiring to fill your weak spots and how, as leaders, we can unblock our direct reports and empower them to do great things. Tune in to hear how you can improve your craft as a manager and take remote learning to a whole new level.

Cos’è Dolby Vision?Riporto fichipedia:È uno standard sviluppato dalla Dolby Laboratories, che come l' HDR10 fa uso dello spazio dei colori BT.2020, ma usa una codifica dei colori a 12 bit (anche se non esistono ancora pannelli a 12 bit) e di metadati sia statici sia dinamici, cioè metadati la cui curva di luminosità può variare anche scena per scena e persino fotogramma per fotogramma. Per poter essere integrato negli apparecchi (lettori Ultra HD Blu-ray, televisori, monitor e videoproiettori 4K) è sufficiente un aggiornamento firmware, ma trattandosi di uno standard proprietario, i produttori devono pagare una licenza a Dolby per ogni apparecchio. Per questo standard è stato creato un logo di riconoscimento.Va bene così o devo farne una puntata?TechnoPillzFlusso di coscienza digitale.Vieni a chiacchierare sul riot: https://t.me/TechnoPillzRiotContribuisci alla Causa andando su: http://runtimeradio.it/ancheio/

And we are back with Season 2 of How They Dit It! With over two decades of experience in the media industry, Pankaj Kedia. MD, Emerging Markets at Dolby Laboratories, has prolific tenure filled with media technology innovations, business growth and development and more. He talks to us about, a cinematic experience that blew his mind, while at Dolby Laboratries, his day one at the sound and visual technology giant, the trends he has seen in and out of the storytelling narrative in India and more! Host: Priyanka Ganwani Producer: Priyanka Ganwani Editor: Dhiresh Thakur Creative Lead: Siddharth Alambayan Catch Season 01 of How They Did It if you haven't already here - https://in.mashable.com/podcast/

Host Jeana Goosmann is joined by guest Carol Tran, head of growth at Dolby Laboratories, and Tom Dorwart, Omaha attorney at Goosmann Law Firm. The three discuss growth hacking, entrepreneurship, and how to grow your business. In this episode you will learn:What Growth Hacking means How Growth Hacking ties in to the legal field How start-up businesses get on their feet and become successful Become a flock fan and subscribe to our Podcast for weekly episodes! Learn more at www.goosmannlaw.com.DISCLAIMER: The information in this podcast episode “episode” is provided for general informational purposes only and may not reflect the current law in your jurisdiction. By listening to our episode, you understand that there is no attorney client relationship between you and the Goosmann Law Firm “GLF” attorneys and podcast publisher. No information contained in this episode should be construed as legal advice from GLF or the individual author, hosts, or guests, nor is it intended to be a substitute for legal counsel on any subject matter. Please read our full Podcast Disclaimer.

En NotiPod Hoy SiriusXM quienes son los propietarios de Pandora, de la plataforma de monetización de anuncios AdsWizz e inversionistas en Soundcloud han adquirido a Simplecast, una empresa de alojamiento de pódcast. Según Voicebot, Spotify ha comenzado a publicar anuncios activados por voz en el Reino Unido para la firma de cosméticos Nars. Los anuncios terminan con la sugerencia de que el oyente le pida a Alexa o al Asistente de Google una muestra gratuita de rubor, lápiz labial o rímel entregados en su hogar. Según Adweek, el más reciente pronóstico de Magna, indica que habrá una caída de $ 11 mil millones en ingresos publicitarios para propietarios de medios en 2020 y se espera que recupere en 2021. Google ha anunciado que la función ‘Voice Match’, que permite a los usuarios enseñar a Google Assistant a reconocer su voz para recibir resultados personalizados, será compatible con todos los dispositivos que tengan Google Assistant. ART19 ha lanzado un servicio de gestión de inventario y pronóstico para ventas dinámicas de podcasts. Según publica Forbes, Olympus está ofreciendo  el kit de podcasting ‘Olympus LS-4’ que incluye, entre otras cosas, una grabadora estética de entrega para micrófonos USB y lavalier. Pocket Casts lanza la versión 7.9 con una app completa para Apple Watch y varias opciones para personalizar el diseño de la app. La famosa empresa Dolby Laboratories lanzó hace unos meses una innovadora aplicación para grabar audio, en IOS y Androide que está llamando la atención. ‘Dolby On’, permite capturar sonidos, reducir los ruidos y tiene funciones para mejorar el audio, guardarlo o retransmitirlo perfectamente calibrado y ecualizado. ‘Dolby On’ es gratuita. Pódcast recomendado ¿Leemos? Es un pódcast que se define como un punto de encuentro literario para compartir las últimas novedades en este sector y comentar las grandes novelas y autores del momento. Es un programa de Planeta de Libros y en él recomiendan libros para todos los gustos.

In this episode of Fundraising Radio Vivek Kumar, Director at Dolby Laboratories explains how startup founders should work on the technical side of the project - when to switch from contractors to full-time developers, how to outsource your development and who should consider doing this. And of course we talked about fundraising process and specifically angel investing. Dolby Laboratories: https://www.dolby.com/us/en/index.html Invest in your host through an IPO: https://humanipo.app/id/konstantin.dubovitskiy

SQ1 2019 SPECIAL: Our next guest is Sam Carr, an Industrial Designer from Raleigh, NC living in San Francisco, CA. Most of his creative energy comes from an internal gnawing for learning and discovery, and usually manifests itself in the form of obsessive internet searches, sketching, 3D modeling, and weekend trips into the mountains and along the coast. When he’s not working on design projects or doing any of the above, you can typically find Sam putting up shots at the nearest basketball court, reading in a coffee shop, or playing pool with a shitty beer in hand. During our conversation, we talked about Sam’s undergraduate journey at North Carolina State University, and the things he learned that got him prepared for real industry projects. Sam has been an Industrial Designer at Dolby Laboratories since 2016, and he discusses what it’s like being part of a small team in a large corporation, and how that hinders collaboration. We talk about how our well being is more important than your design work, and how not to underestimate your mental health, because we are human first. Thank you @sahmcarr for being amazing and inspiring so many! Thanks for tuning in, be on the lookout for our next podcast! Send us a DM or email at hello@advdes.org to provide us with your thoughts and comments on our dialogue with designers!

A non-disclosure agreement (NDA), In Britain, in addition to use to protect trade secrets, NDAs are often used as a condition of a financial settlement in an attempt to silence whistleblowing employees from making public the misdeeds of their former employers. There is law allowing protected disclosure despite an NDA, although employers sometimes intimidate the former employee into silence despite this.[3][9] also known as a #confidentialityagreement (CA), confidential disclosure agreement (CDA), proprietary information agreement (PIA) or secrecy agreement (SA), is a legal contract between at least two parties that outlines confidential material, knowledge, or information that the parties wish to share with one another for certain purposes, but wish to restrict access to. Doctor–patient confidentiality (physician–patient privilege), attorney–client privilege, priest–penitent privilege, bank–client confidentiality, and Kickback agreements are examples, often not enshrined in a written contract between the parties. #nondisclosureagreement It is a contract through which the parties agree not to disclose information covered by the agreement. An NDA creates a confidential relationship between the parties, typically to protect any type of confidential and proprietary information or trade secrets. As such, an NDA protects non-public business information. Like all contracts, they cannot be enforced if the contracted activities are felonies. #NDAs are commonly signed when two companies, individuals, or other entities (such as partnerships, societies, etc.) are considering doing business and need to understand the processes used in each other's business for the purpose of evaluating the potential business relationship. NDAs can be "mutual", meaning both parties are restricted in their use of the materials provided, or they can restrict the use of material by a single party. An employee can be required to sign an NDA or NDA-like agreement with an employer, protecting trade secrets. In fact, some employment agreements include a clause restricting employees' use and dissemination of company-owned confidential information. In legal disputes resolved by settlement, the parties often sign a confidentiality agreement relating to the terms of the settlement.[1][2] Examples of this agreement are The Dolby Trademark Agreement with Dolby Laboratories, the Windows Insider Agreement, and the Halo CFP (Community Feedback Program) with Microsoft. In some cases, employees who are dismissed following their complaints about unacceptable practices (whistleblowers), or discrimination against and harassment of themselves, may be paid compensation subject to an #NDA forbidding them from disclosing the events complained about. Such conditions in an NDA may not be enforceable in law, although they may intimidate the former employee into silence.[3] weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

Brett Crockett, Vice President of ATG Sound Technology R&D at Dolby Laboratories, talks to Paul Capon of The Innovation Community about being at an organization that inspires future leaders and an environment where innovation can thrive.

On the show today Dan Hughley is joined by Dave Rieley, national sales manager for Focusrite Pro, and David Henszey, owner of Henszey sound. They'll discuss Getting certified for Dolby Atmos, Mixing EDM, Jazz and Feature films in Atmos, analog vs. digital and a whole lot more.

It's a thought-leadership master class on content from Mark Borden, a seasoned creative force and founder of EgoSpeed who applies journalistic and creative strategy to narrative alignment, editorial guidance, video production and creative direction. His clients include: Dolby Laboratories, Droga5, House Industries, The New York Times, Pandora,Peloton, Spotify, Toyota and William Morris Endeavor.

Listen to research about companies that trade on the stock market as an audio recording!

Helge Seetzen is an award-winning technologist, entrepreneur, and a recognized global authority on technology transfer and display technologies. As General Partner of TandemLaunch Accelerator in Montreal, Helge works with inventors and entrepreneurs to build high growth technology companies. His past successes include the transformation of raw university IP into fully commercialized LED TV technology, including selling his last company BrightSide Technologies to Dolby Laboratories after sealing partnerships with several of the largest consumer electronics companies in the world. In this episode we focus on Helge's work at TandemLaunch where they've created over 20 technologies companies, accounting for hundreds of jobs and more than $500M in market value, and commercialized technologies from over 50 international universities.

Cortex VIP Cinemas exclusively sells and is a worldwide distributor of Dolby Laboratories’ professional cinema products for home use. In this episode, Co-Founders Steve Evanitsky and John Russel share what that means and how the company will demonstrate the revolutionary Dolby CP850-C Audio Processor as part of a Sound Room experience utilizing Pro Audio Technology speakers and components during CEDIA Expo 2019. Designed by the engineers at Dolby Laboratories, the CP850-C Audio Processor embodies the same hardware and software components utilized by commercial theaters across the globe and SR-6 is the only place on the CEDIA Expo show floor to experience it. Download, tune-in, and enjoy! #avtweeps #cediaexpo #kmbpodcasts @CortexVIP @CEDIA @CEDIAExpo

Belong's Chief Evangelist Aadil Bandukwala chats with Ashim Mathur, Senior Director Marketing, Emerging Markets at Dolby Laboratories on Transforming the Science of Sight and Sound into Spectacular Experiences on Belong Accelerate.

Ever wondered what it would be like to live in a world where computers know exactly what we're feeling? It may sound far-off but advances in sensor technology and A.I. are making us easier to read than ever. For some, this conjures fears of a Minority Report future. For others, it means revolutions in medicine and end-of-life care. We speak with leading experts in the field of empathetic technology to understand the risks and rewards of giving up our privacy. When our technology can adapt to us, how should we respond?    In this episode: Poppy Crum of Dolby Laboratories, Jaron Lanier of Microsoft, Kai-Fu Lee of Sinovation Ventures, and Lisa Talia Moretti of Methods. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Happy San Francisco Film Festival, y'all! Erin headed to the world premiere screening at the beautiful Dolby Laboratories in downtown San Francisco to see the Seer and the Unseen. The film, directed by Sara Dosa, delves in to the Icelandic economy after hit took a huge hit in 2008 and their belief system in the Unseen - elves, dwarves, and more. The Seer and the Unseen will be at The Theater at Children's Creative Museum Friday, April 19. Visit our website! www.bitchtalkpodcast.com Follow us on Instagram, Facebook, and Twitter.   

Shane Mario Ruggieri is the in house colorist at Dolby Laboratories in California. He's one of the world's most knowledgable people on the subject of High Dynamic Range. Shane speaks passionately about the technology and its creative potential.

Summary slide / text available at: http://www.gregoryschmidt.ca/writing/exponential-medicine-day-2-2018 Exponential Medicine, Day 2 - Cool Stuff Summary (Nov 5 2018) ------------- Sessions / Speakers Session 6: On the Frontier of Biotech 6.1 Moira Gunn PhD Host, NPR's Biotech Nation and Technation Health 6.2 Andrew Hessel CEO, Humane Genomics and Nanotechnology/Biotechnology Faculty, Singularity University 6.3 Jamie Metzl JD PhD Author of Hacking Darwin: Genetic Engineering and the Future of Humanity and Senior Fellow, Atlantic Council Session 7: Digitizing Data, Health & Life 7.1 Ran Balicer MD MPH Director, Clalit Research Institute 7.2 Lonnie Rae Kurlander Founder & CEO, Medal 7.3 Poppy Crum PhD Chief Scientist, Dolby Laboratories. 7.4 David Karow MD PhD CEO, Human Longevity, Inc. Session 8: AI for Good: Clinical Acceleration 8.1 Rachel Thomas PhD Founder & Researcher, Fast.Ai 8.2 Alan Karthikesalingam MD PhD Google Deep Mind 8.3 Johann Fernando, PhD Chief Operating Officer, FujiFilm Healthcare 8.4 Rajeev Ronanki SVP & Chief Digital Officer, Anthem Session 9: Reimagining Regulation & Clinical Trials 9.1 Asif Dhar Principal, Deloitte Consulting LLP 9.2 Ashish Atreja MD MPH Chief Technology Innovation and Engagement Officer, Icahn School of Medicine at Mount Sinai 9.3 Hansa Bhargava MD Senior Medical Director, WebMD and Host of Medscape's Uncharted Medicine Session 10: Smart & Healthy Communities 10.1 Lucien Engelen Founding Director of REshape Center, Radboud University Medical Center / SUNL 10.2 Erik Gerritsen Secretary General, Ministry of Health, Welfare and Sport of Netherlands 10.3 Elizabeth Canis VP Strategic Initiatives, Anthem Session 11: Digital Surgery 11.1 Shafi Ahmed Professor of Surgery and Associate Dean, Barts Medical School 11.2 Carla Pugh MD PhD Professor of Surgery Stanford 11.3 Jean Nehme MD CEO and Co-Founder, Touch Surgery 11.4 Stefano Bini MD Professor of Orthopedics, UCSF Session 12: It's All About Timing: Health, Aging and Interfaces 12.1 Leerom Segal Co-Founder and CEO, Klick Health 12.2 John Brownstein PhD Chief Innovation Officer, Boston Children’s Hospital Professor, Harvard Medical School 12.3 Satchidananda Panda PhD Professor, Salk Institute for Biological Studies 12.4 Jeffery Bleich Founder and CEO Pulson 12.5 Julia Vishnepolsky MA LMHC R-DMT Expressive Arts and Dance Movement Therapist, Adult Day Health Care Session 13: Curing the Incurable Jack Kreindler MD Founder & Director, The Centre for Health and Human Performance Parker Moss Health Technology Entrepreneur in Residence, F-Prime and Eight Roads Session 14: Connecting the Dots: Solutions at Scale Rasu Shrestha MD MBA Chief Innovation Officer, UPMC Executive Vice President, UPMC Enterprises

Jeanne Alford -- author, speaker and communications expert -- directed PR and communications programs for such brands as Dolby Laboratories, Philips Electronics, Visa and Sony. She focused on media perception, crisis communications and international issues. As an executive coach, today, she specializes in communications and media training including speaking, presenting and writing to guide business leaders to tell their most compelling stories in their own words. Resources Jeanne Alford on LinkedIn Jeanne Alford on Alignable (business card) Jeanne Alford on Clarity (coaching session) Jeanne Alford on Medium (blog) Jeanne Alford on Twitter

On this week’s show, we spoke with Helge Seetzen, CEO @ TandemLaunch. Helge is an award-winning technologist, entrepreneur, and recognized global authority on technology transfer and display technologies. As General Partner of TandemLaunch, he works with inventors and entrepreneurs to build high growth technology companies. His past successes include the transformation of raw university IP into fully commercialized LED TV technology, including selling his last company – Brightside Technologies – to Dolby Laboratories after sealing partnerships with several of the largest consumer electronics companies in the world. Helge holds over 60 patents in the fields of display, camera and video technology.   On the show, we spoke about: How he launched his first companies Falling in love with building new technology The opportunity he saw in academic research and tech startups The importance of a feedback loop for a management team Making decisions with a dynamic range Which technologies he’s keeping his eye on   Helge is truly building companies that are shaping the future. I was humbled and fascinated by Helge’s background and startup incubator. I hope that you enjoy the conversation!   Let us know what you think. What types of guests would like to see on the show? What topics interest you the most? Send me your thoughts at nectar@thepnr.com   Subscribe | iTunes | Google Play |Spotify | YouTube | Stitcher

Panel: Charles Max Wood Guest: Fred Zirdung This week on My JavaScript Story, Charles speaks with Fred Zirdung. Fred is currently the head of curriculum at Hack Reactor, where he essentially builds all of the tools and learning materials for the students there. He is also an instructor and has been there for five years. Prior to that, he worked for multiple companies such as Walmart Labs as well as many small startups. He first got into programming with the Logo programming language in the 6th grade and he had always been interested in working with computers since a young age. They talk about what got him into web programming, what enthralled him about JavaScript and Ruby on Rails, and what he is proud of contributing to the JavaScript community. In particular, we dive pretty deep on: JavaScript Jabber Episode 76 Fred intro How did you first get into programming? Coding professionally for 20+ years Coding prior to college graduation Logo programming language QNX operating system Were you always interested in programming? Always interested in computers Commodore 64 Basic programming in high school Programming didn’t click for him until high school In college when the web became popular Computer engineering degree in college What was it that appealed to you about software over hardware? Software vs hardware Embedded systems software How did you get into web programming? Dolby Laboratories What technologies got you excited? JavaScript, Perl, and Ruby on Rails Loved the flexibility of JS and Rails Found something he could be productive with What are you proud of contributing to the JavaScript community? What are you working on now? And much, much more! Links: JavaScript Jabber Episode 76 Hack Reactor Walmart Labs Dolby Laboratories JavaScript Perl Ruby on Rails @fredzirdung Fred’s GitHub Fred’s Medium Picks Charles React Developer Tools plugin PluralSight React Round Up and Views on Vue Framework Summit Fred Navalia Koa Vue

Panel: Charles Max Wood Guest: Fred Zirdung This week on My JavaScript Story, Charles speaks with Fred Zirdung. Fred is currently the head of curriculum at Hack Reactor, where he essentially builds all of the tools and learning materials for the students there. He is also an instructor and has been there for five years. Prior to that, he worked for multiple companies such as Walmart Labs as well as many small startups. He first got into programming with the Logo programming language in the 6th grade and he had always been interested in working with computers since a young age. They talk about what got him into web programming, what enthralled him about JavaScript and Ruby on Rails, and what he is proud of contributing to the JavaScript community. In particular, we dive pretty deep on: JavaScript Jabber Episode 76 Fred intro How did you first get into programming? Coding professionally for 20+ years Coding prior to college graduation Logo programming language QNX operating system Were you always interested in programming? Always interested in computers Commodore 64 Basic programming in high school Programming didn’t click for him until high school In college when the web became popular Computer engineering degree in college What was it that appealed to you about software over hardware? Software vs hardware Embedded systems software How did you get into web programming? Dolby Laboratories What technologies got you excited? JavaScript, Perl, and Ruby on Rails Loved the flexibility of JS and Rails Found something he could be productive with What are you proud of contributing to the JavaScript community? What are you working on now? And much, much more! Links: JavaScript Jabber Episode 76 Hack Reactor Walmart Labs Dolby Laboratories JavaScript Perl Ruby on Rails @fredzirdung Fred’s GitHub Fred’s Medium Picks Charles React Developer Tools plugin PluralSight React Round Up and Views on Vue Framework Summit Fred Navalia Koa Vue

Panel: Charles Max Wood Guest: Fred Zirdung This week on My JavaScript Story, Charles speaks with Fred Zirdung. Fred is currently the head of curriculum at Hack Reactor, where he essentially builds all of the tools and learning materials for the students there. He is also an instructor and has been there for five years. Prior to that, he worked for multiple companies such as Walmart Labs as well as many small startups. He first got into programming with the Logo programming language in the 6th grade and he had always been interested in working with computers since a young age. They talk about what got him into web programming, what enthralled him about JavaScript and Ruby on Rails, and what he is proud of contributing to the JavaScript community. In particular, we dive pretty deep on: JavaScript Jabber Episode 76 Fred intro How did you first get into programming? Coding professionally for 20+ years Coding prior to college graduation Logo programming language QNX operating system Were you always interested in programming? Always interested in computers Commodore 64 Basic programming in high school Programming didn’t click for him until high school In college when the web became popular Computer engineering degree in college What was it that appealed to you about software over hardware? Software vs hardware Embedded systems software How did you get into web programming? Dolby Laboratories What technologies got you excited? JavaScript, Perl, and Ruby on Rails Loved the flexibility of JS and Rails Found something he could be productive with What are you proud of contributing to the JavaScript community? What are you working on now? And much, much more! Links: JavaScript Jabber Episode 76 Hack Reactor Walmart Labs Dolby Laboratories JavaScript Perl Ruby on Rails @fredzirdung Fred’s GitHub Fred’s Medium Picks Charles React Developer Tools plugin PluralSight React Round Up and Views on Vue Framework Summit Fred Navalia Koa Vue

Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Immersive sound experiences are breaking traditional barriers and reaching consumers in more ways than ever before, and with platforms such as Dolby Atmos, DTS:X and Auro3D, content creators are engaging their audiences with the help of superior audio. But how does it all come together, on time and under budget? Learn how content creators are expanding and streamlining their workflows to meet the demands of multiple content delivery formats. Moderator: Jonathan Deans, CTO, Westlake Pro Bill Johnston, VP of Engineering, Formosa Group Brian Riordan, Re-recording Mixer and President, Levels Audio Kurt Howell, National Manager for Focusrite Marti Humphrey, Re-recording Mixer and President of The Dub Stage Jeremy Davis, Re-recording mix Technician, Sony Dan Sperry, Senior Manager, Content Services Group at Dolby Laboratories

Episode 16 of the International Women in Film podcast stars Dawn Higginbotham, Writer, Director and Producer Dawn Higginbotham, Morning Person Pictures, is an award winning Writer/Director/Producer who has also worked on Titanic and Star Wars I,II, and III shares her stories and her films from yesterday and today and tomorrow! Dawn is a member of the Producers Guild of America, SAG/AFTRA, #WeAreWITI and The New Hollywood. She is an Award Winning Writer / Director / Producer. Her directorial debut,“The Usual,”was an Official Selection at Festival de Cannes American Pavilion Emerging Filmmakers and screened at Shorts Corner at the Cannes Market, as well as many others (with Producers Sharen Davis, Renee O’Connor and Kumari Bakhru). Currently she is in development on the feature films “Passing Through”(for Cordova Pictures with Co-Owner / Producer Brooke P. Anderson), “Shanghai Nirvana” and “Sleepers” (with Sharen Davis, Bill Killgore and Richard Lu), and is in the midst of packaging “Fatherhood,” working with the same team, she is producing the project, and is set to direct. Originally from Memphis, TN, Dawn moved to New York to study music, theater and film at AMDA. She got her career start as a musical theater performer in several Off-Broadway shows and a National Tour. She soon shifted her sights to film where she worked in production on numerous feature films including “Die Hard W/ A Vengeance” (John McTiernan), Jim Cameron’s “Titanic”, “The Thin Red Line” (Terrence Malick), and “Fear and Loathing In Las Vegas” (Terry Gilliam). Dawn’s background also includes VFX on the films “Godzilla”and “Armageddon,”and post production, as a manager for Dolby Laboratories (working with various filmmakers and studios), and as a post production supervisor for Lucasfilm/THX, she worked along side various labs in L.A., Canada, UK, Italy and Australia overseeing film print quality on “Star Wars:Episode I, II, and III” (George Lucas), she also worked on a variety of other projects for major studios (DreamWorks, Fox, Paramount, Disney…). Dawn has written several screenplays, including “Off The Ledge” (starring Brooke P. Anderson (The Perfect Host, Lost) and Andrew Pinon (Singled Out), who co-wrote the film; Zosia Mamet (HBO’s Girls), Jenny Mollen, Nectar Rose, and Anne Ramsay (League of Their Own); “Diamonds & Gun”(starring Renee O’Connor and and Ted Raimi); and the upcoming “Passing Through” (Cordova Pictures). She has produced several distributed feature films and projects including; “Diamonds & Guns”, Off The Ledge”, “Night of the Templar”, ‘You are a Star”, “Outside My Window”, Randy Crowder’s “Infinity”, “Words Unspoken” …and is in development on the upcoming “Road to Nowhere”, “Single Not Desperate” etc. (with writer/creator Julian Moses and Midnitemove Productions). She also went on to direct “Last Chance” (starring & executive produced with Renee O’Connor, and executive produced by Sharen Davis) and “The Hub” (starring Brandon Gibson, Paul McKinney, Derrex Brady, Raymond O’ Connor, and with executive producer Sharen Davis), “DreamWorks 3D Animation” with Valerie Lettera Spletzer, and is currently in editing on her latest documentary series, “#WEfilmLA,” about women filmmakers in all fields, from all walks of life, diverse and passionate about their craft, working in Los Angeles. For more details please see: https://www.youtube.com/watch?v=H9rEqM6JlS0 http://www.morningpersonpictures.comhttp://www.imdb.com/name/nm0383307/?ref_=fn_al_nm_1https://www.facebook.com/theUsual2014/https://twitter.com/TheUsual2014http://www.offtheledgemovie.comThe Usual (distribution information coming soon) Follow on Facebook at http://www.facebook.com/theUsual2014/ Films: Diamonds and Guns Off The Ledge  www.offtheledgemovie.com www.cordovapictures.com Night of the Templar available at: ITunes, Walmart and Target http://www.nightofthetemplar.com DreamWorks 3D Animation with Valerie Lettera Spletzer   __ International Women in Film Podcast http://InternationalWomenInFilm.com/ To join the International Women in Film Podcast Community https://michelethetrainer.leadpages.co/podcast-iwif-1/  

Why hello you festively wrapped piece of listener you, it's time for this week's episode of the Big Red barrel UK Podcast. Coleman & Tim are down a Dan once again, but they've broken the emergency glass to call upon Geek Speak's Alex to help out this week. Those are your hosts and these are the topics up for discussion on the show: Nintendo Switch updates. Xbox One gets faster download speeds and Dolby Laboratories. Yooka-Laylee gets a revised release date, axes Wii U port. Valkyria Revolution gets western release and new name. Horizon: Zero Dawn release date moved forward in the UK. Rime no longer a PlayStation exclusive title. Tim dabbles in Call of Duty: Infinite: Warfare. Alex explains Overwatch's holiday update. Coleman reviews The Little Acre, finishes Batman: The Telltale Series and tries Pokémon Sun.

360BayArea asked Joan Scott of Dolby Laboratories and Ray Seriguchi, Jr. of Urban Ed Academy for tips on how to spread corporate resources to those in need.

Moderated by Jacqueline Bosnjak, CEO & Partner, Q Department | Mach1 and featuring Martin Walsh, Vice President, R&D, DTS, Inc., Nicolas Tsingos, Director of E-media Technology, Dolby Laboratories, Jean-Pascal Beaudoin, President and Lead Creative Sound Director, Headspace Studio, Jyri Huopaniemi, Head of Formats and Platforms, Digital Media Business Unit, Nokia Technology and Tim Gedemer, President, CEO of Source Sound, Inc. We can only see what is in front of us, but we hear and can identify sounds from every direction. Audio is a key component of the emerging language of VR, with unique challenges impacting capture, production, and end-user experience. This panel will focus on this extremely important yet rarely covered topic.

Wikibooks for free books, adjusting fonts in iOS7, avoiding webcam hijacking, putting file name in Word footer, Profiles in IT (Ray Milton Dolby, founder Dolby Laboratories), NSA workers spy on lovers and exes, FISA court orders declassification of data requests, Windows XP nears end of life (installing Windows 7 is best option, increase RAM to at least 4GB), Obaamacare tech problems on launch (back-end data synchronization not working properly, beta test one day before launch, poor software management), webcam hijacker arrested (conrolled more than 50 computers, blackmailed girls with nude photos), hacker sentenced to 3 years (member of Anonymous, took down police servers to protest anti-piracy legislation), Google makes search mobile friendly (voice activated search designed to compete with Siri), artificial neural networks used for deep learning (Google, Microsoft, and Facebook all datamine, better ad targeting), and iOS 7 includes multi-path TCP (seamless transfer from one connection type to another). This show originally aired on Saturday, September 28, 2013, at 9:00 AM EST on WFED (1500 AM).

Wikibooks for free books, adjusting fonts in iOS7, avoiding webcam hijacking, putting file name in Word footer, Profiles in IT (Ray Milton Dolby, founder Dolby Laboratories), NSA workers spy on lovers and exes, FISA court orders declassification of data requests, Windows XP nears end of life (installing Windows 7 is best option, increase RAM to at least 4GB), Obaamacare tech problems on launch (back-end data synchronization not working properly, beta test one day before launch, poor software management), webcam hijacker arrested (conrolled more than 50 computers, blackmailed girls with nude photos), hacker sentenced to 3 years (member of Anonymous, took down police servers to protest anti-piracy legislation), Google makes search mobile friendly (voice activated search designed to compete with Siri), artificial neural networks used for deep learning (Google, Microsoft, and Facebook all datamine, better ad targeting), and iOS 7 includes multi-path TCP (seamless transfer from one connection type to another). This show originally aired on Saturday, September 28, 2013, at 9:00 AM EST on WFED (1500 AM).

The Value Guys! Stock Clip: $DLB

Violinist turned neuroscientist, Poppy Crum leads a staff of scientists at Dolby that helps to create the surround sound systems that enhance our theatre going experience.

Film editing, sound design, cinema, acting, The English Patient, Apocalypse Now, The Godfather. Walter Murch won his first Academy Award nomination for The Conversation in 1974 for which he was also picture editor, won his first Oscar for Apocalypse Now in 1979, and won unprecedented double Oscars for sound mixing and picture editing for his work on The English Patient in 1996. While working on Apocalypse Now, Mr. Murch coined the term Sound Designer, and along with colleagues at San Francisco's Dolby Laboratories originated the current standard film-sound format, the 5.1 channel array, helping to elevate the art and impact of film sound to a new level. Mr. Murch was, along with George Lucas and Francis Ford Coppola, a founding member of northern California cinema.