Why Theory

Ryan and Todd work to explain Hegel's central idea of Aufhebung (translated as "sublation"). This unique German term, which means to cancel, to preserve, and to lift up, provides the key for understanding the movement of Hegel's philosophy, but it is also the site for misunderstanding Hegel's project, which the show discusses.

Ryan and Todd continue their discussion of the horror film by focusing on the genre since Psycho. They discuss Night of the Living Dead, Carrie, The Shining, The Blair Witch Project, It Follows, and The Substance. Their theorize the modern horror film in relation to the psychoanalytic notion of the death drive.

Ryan and Todd pay tribute to the recently deceased theorist Fredric Jameson. They note his deep and wide-ranging contributions to a variety of fields and his unique ability to find something valuable in the object of his critique.

Ryan and Todd explore the classical horror film in terms of the antagonism between life and the beyond, inclusive of death. They focus on the films The Cabinet of Dr. Caligari, Frankenstein, Invisible Man, Godzilla, and Psycho.

Ryan and Todd develop their theory of the heist film as a genre, which they see as structured through the opposition between desire and its object. They examine closely Rififi, The Killing, Heat, Ocean's 11, and Inside Man, as well as touching on many other key films of the genre. Hugh Manon's film noir podcast: https://open.spotify.com/show/0aQXewYjXrMtTjwpJ18rg6

Ryan and Todd explore the genre of the sports film, focusing on important entries in the genre such as Chariots of Fire, Rocky, and Heaven Can Wait, among others. They define this genre through the category of the impossible and discuss the relationship between possibility and impossibility as it plays out in the sports film.

Ryan and Todd discuss what they see as the important moments from Freud's New Introductory Lectures on Psychoanalysis--both its highlights and its lowlights. They explore the role that Freud's 1920 discovery of the death drive plays--or doesn't play--in this work.

Ryan and Todd outline the arguments of Freud's Introductory Lectures on Psychoanalysis and highlight the key ideas that appear in this work. They also discuss what Freud mentions here that he doesn't address elsewhere.

Ryan and Todd delve into the concept of suture, as first developed by Jacques-Alain Miller. They trace the deformation that it underwent through the history of film studies and examine a few films where we can see the different understandings of suture at work.

Ryan and Todd discuss the Jacques Lacan's neologism "extimacy," which first occurs in Seminar VII and then disappears. But they theorize that this concept offers an excellent starting point for grasping Lacan's entire project, despite his own sparse use of it.

Ryan and Todd explore the prequel as a narrative form. They consider its radical potential and how it might function ideologically. They discuss prequels such as Fire Walk With Me and Better Call Saul.

Ryan and Todd theorize the modernist novel as a specific literary form, defined not by its time period but by its structural exigencies. They relate this form to the importance of the ending that function as a cut in the narrative movement rather than as a summation of all that has happened, which contrasts it with previous iterations of the novel.

Ryan and Todd explore the problem of the ending, focusing on when and why the ending becomes important in film and television. They discuss the relationship between the ending of life and the ending of a work of art, especially in terms of psychoanalytic thinking.

Ryan and Todd analyze Slavoj Zizek's contribution in what may be his magnum opus--The Parallax View. They discuss how he builds on the concept of parallax as originally articulated by Kojin Karatani and its implication for Zizek's understanding of politics.

Ryan and Todd unpack Jacques Lacan's most well-known seminar--Seminar XI: The Four Fundamental Concepts of Psychoanalysis. In doing so, they focus on Lacan's own exclusion as a starting point and then delve into two concepts that Lacan does not list among the fundamental ones--subjectivity and the objet a.

Ryan and Todd analyze the complexity of Jacques Lacan's Seminar VII: The Ethics of Psychoanalysis. They discuss the various notions that appear there--from das Ding to sublimation to death drive to the ethics of desire.

Ryan and Todd continue their exploration of Immanuel Kant's Critique of Pure Reason with the Introduction. They discuss the importance of his critique of dogmatic metaphysics and the incredible discovery of the synthetic a priori judgment. Ryan's sports article: https://link.springer.com/journal/41282/online-first

Ryan and Todd interpret David Lynch's Blue Velvet by paying special attention to the Kantian dimension of the film. They consider the film in terms of the thing-in-itself and the sublime.

Ryan and Todd begin their analysis of Immanuel Kant's Critique of Pure Reason by working through the prefaces to the first and second edition of the work. They focus on the radicality of Kant's breakthrough and the role that the limit plays in his philosophy.

Ryan and Todd consider the concept of symbolic castration as it develops in psychoanalysis and as it bears on both politics and culture. They relate symbolic castration to some of the key concepts in psychoanalytic theory, including fetishistic disavowal and the phallus.

Ryan and Todd explore the working of the dialectical reversal, how weaknesses can turn into strengths, how successes can turn into failures. They look at this through a variety of everyday examples and a few choice filmic ones.

Ryan and Todd think through Ludwig Wittgenstein's Philosophical Investigations, focusing especially on the parallels with psychoanalysis and the work's political significance. They also address the ramifications of the private language argument that Wittgenstein formulates.

Ryan and Todd discuss Ludwig Wittgenstein's project in the Tractatus Logico-Philosophicus. They begin by looking at this project on its own terms and taking stock of its grand ambitions. Then they examine its intersection with the concerns of psychoanalysis and dialectics.

In their annual Christmas episode, Ryan and Todd look at the 1980s Christmas film, focusing on Christmas Story, Trading Places, Scrooged, Christmas Vacation, and Home Alone. They discuss the nostalgia that predominates this period of Christmas films and how this limits the political reach of these works.

Ryan and Todd examine perhaps the founding text of modern Western philosophy--Rene Descartes' Discourse on the Method. They consider how Descartes articulates an egalitarian philosophy through his conception of radical doubt and examine the influence of this text of subsequent thinkers and on theory today.

Ryan and Todd discuss the structure of envy, its relationship to jealousy, and its political implications. They make reference to Othello and Seven as landmark explorations of envy, while also noting its relationship with the other deadly sins.

Ryan and Todd discuss the generic development of science fiction cinema while also addressing its philosophical implications. They include a deeper analysis of Metropolis, The Thing From Another World, Forbidden Planet, and 2001: A Space Odyssey. See: Voyage to the Moon: https://www.youtube.com/watch?v=xLVChRVfZ74 Metropolis: https://www.youtube.com/watch?v=W_4no842TX8 Phantom Empire: https://www.youtube.com/watch?v=7Qbf6KX8O98

Ryan and Todd present the philosophy of Leibniz as articulated in his late work the Monadology. They link this text to the breakthroughs of later thinkers such as Kant and Hegel, as well as discussing how Leibniz anticipates the contemporary situation.

Ryan and Todd analyze Machiavelli's The Prince by tracing its influence on later political thinkers, including Hegel, Gramsci, and Althusser. They discuss Machiavelli's novelty and his limitations as a thinker of the political act.

Ryan and Todd explore the idea of surplus enjoyment as the basis for a theory of capitalism. They consider the psychic hold that capitalism has in terms of the surplus enjoyment that it both promises and provides.

Ryan and Todd unpack Marx's concept of surplus value and explore its fundamental role in the interpretation of capitalist society. They discuss the relationship between surplus value and profit, while considering how we should think about the drive to amass surplus value.

Ryan and Todd offer their interpretation of Christopher Nolan's most recent film Oppenheimer. They focus on the relationship between the form of the film and its content, while considering the political implications of its depiction of the hero. They think about the film in relationship to the rest of Nolan's filmography.

Ryan and Todd interpret the film Barbie while responding to both leftist and rightist critiques of the film. They discuss the film's exploration of fantasy, its highlighting of contradiction, and its emphasis on the role of desire in politics.

Ryan and Todd analyze Freud's essay "Creative Writings and Daydreaming." They look first at the theory of fantasy that Freud develops in this essay and then turn to his conception of what generates the work of art, discussing it in terms of the current strike in Hollywood. In their concluding remarks, they deal with problems that Freud runs into in his theorizing here.

Ryan and Todd analyze Freud's essay "The Uncanny" and the broader implications of this concept. They discuss the importance of the uncanny for understanding the horror film and focus on the difference between a psychoanalytic approach to the concept and the notion of the uncanny valley. Links from the episode: Žižek & So On podcast: https://open.spotify.com/episode/6S0mig3K8TiuJoXHOG5VnT?si=6a55de55c2f24b22 Shibui (minimal groove quartet): https://shibuimusic.bandcamp.com/ Joseph Aisenberg's Brian De Palma's Carrie: Studies in the Horror Film: https://www.amazon.com/Brian-Palmas-Carrie-Studies-Horror/dp/B09NH3BCCP/ref=sr_1_1?crid=3PCVQVVCQ49BW&keywords=joseph+aisenberg&qid=1689001285&sprefix=joseph+aisenber%2Caps%2C205&sr=8-1

Ryan and Todd attempt to show why the term "poststructuralism" is inapt for describing any of the thinkers that it usually is thought to indicate. They go through the major theorists known under this moniker and reveal why poststructuralism doesn't exist.

Ryan and Todd devote this episode to the memory of Mari Ruti, who died on June 8, 2023. They discuss her core theoretical ideas and work through her major works. In addition, they include a few memories of Mari's singular life.

Ryan and Todd analyze the recently concluded television series Succession. They discuss it in terms of capitalist subjectivity, tragedy, the death drive, and the ideology of the family. There are spoilers at every point in this discussion.

Ryan and Todd explore the concept of the bottle episode from the production and analysis of television. They discuss a variety of its manifestations along with its theoretical importance as a form. Ryan's article: https://www.academia.edu/82724525/The_Limitation_of_the_Bottle_Episode_Hegel_in_Community_preprint_

Ryan and Todd explore the important ideas from Friedrich Nietzsche's Beyond Good and Evil, focusing especially on Nietzche's historical critique of morality, his perspectivalism, and his notion of the will to power. They situate Nietzsche's breakthrough in relation to Freud's.

Ryan and Todd discuss Todd's recent book The Racist Fantasy, which explores the psychic structure that underlies racism and that allows it to deliver enjoyment to those invested in it. They cover the role that fantasy plays in social life and the prospects for fighting racism. https://forgeorganizing.org/article/building-resilient-organizations https://www.baylorpress.com/9781602587359/trauma-and-race/ https://www.barnesandnoble.com/w/lacan-noir-david-s-marriott/1139152118 https://www.youtube.com/watch?v=N8-VIi7tb44 https://fielddaylab.wisc.edu/

Ryan and Todd delve into the formal limitations that define the medium of Twitter. They analyze the politics of Twitter and the impact of the takeover by Elon Musk. Ryan's article cited in the episode is available here: https://docs.lib.purdue.edu/clcweb/vol24/iss4/

Ryan and Todd delve into the western in its most radical manifestation, but they use as a starting point, the paradigmatic western Shane. They then examine more contemporary films that turn from the individual hero into a collective one.

In their second episode devoted to the classical Hollywood genres, Ryan and Todd explore the western by focusing on some of the most popular and some of the most theoretically compelling. They discuss directors John Ford, Howard Hawks, and Anthony Mann, as well as devoting time to the western 3:10 to Yuma. Their theorization of the western stresses the way that the genre lays out the social antagonism between law and lawlessness, in which the western hero functions as a vanishing mediator.

Ryan and Todd lay out the key points in Jean-Paul Sartre's vast attempt to marry existentialism and Marxism--The Critique of Dialectical Reason. They discuss the best moments of this work and then attempt to clarify how it goes awry. Its huge unspoken influence on more recent French thought is also a topic.

Ryan and Todd delve into Freud's late essay "Analysis Terminable and Interminable." They focus on the role that the death drive plays in this essay and in Freud's later thought. They view this through the lens of Freud's claim in this essay that psychoanalysis represents one of the three impossible professions.

Ryan and Todd engage with Freud's late essay "Negation" (1923). They look at the radical insights that he comes to as well as address the moments where he leaves various theoretical points undeveloped. They make a claim for the outsized importance of this brief essay.

Ryan and Todd conclude their discussion of Jean-Paul Sartre's Being and Nothingness with a focus on Sartre's conception of freedom. They discuss the strengths and weaknesses that follow from how Sartre theorizes subjectivity in relation to the social order.

Ryan and Todd discuss the first half of Jean-Paul Sartre's magnum opus Being and Nothingness. They cover the difference between the in-itself and the for-itself, bad faith, temporality, the unconscious, and other important concepts. The next episode will cover the second half of the book.

In an annual attempt to theorize the Christmas film, Ryan and Todd examine the concept of the misfit in three famous stop-motion Christmas films from the 1960s and 1970s: Rudolph the Red-Nosed Reindeer, Santa Claus Is Coming To Town, and The Year Without a Santa Claus. They discover the politics of nonbelonging at work in these films as it is figured through the idea of the misfit. Clips: We're a Couple of Misfits (https://www.youtube.com/watch?v=fDHF08vEZTg) The Island of Misfit Toys (https://www.youtube.com/watch?v=Gr6GbKciNCY) Silver and Gold (https://www.youtube.com/watch?v=rY-XDQN6ipE) The First Toymakers to the King (https://www.youtube.com/watch?v=M8NSlCUAI4M) My World is Beginning Today (Jessica's Trippy 2001/ Vertigo song; https://www.youtube.com/watch?v=mSCq34_49Ws) Snow Miser (https://www.youtube.com/watch?v=dPrbccEdI5o) Santa Claus is Comin' to Town (Springsteen; https://www.youtube.com/watch?v=76WFkKp8Tjs) Father Christmas (The Kinks; https://www.youtube.com/watch?v=fPPCPqDINEk)

Ryan and Todd discuss the role that debt plays in the structure of capitalist society and in the psyche necessary for sustaining this society. They explore debt as a subject matter in film and television, as well as debt's relationship to the lacking subject.