Podcasts about modernist

In celebration of Women's History Month, this week's episode of The Learning Curve, co-hosts U-Ark Prof. Albert Cheng and MassPotential's Mary Tamer speak with Roxana Robinson to honor the extraordinary life and legacy of Georgia O'Keeffe, the pioneering artist often called the “Mother of American Modernism.” Drawing from Robinson's 1989 biography Georgia O'Keeffe: A Life, […]

In celebration of Women's History Month, this week's episode of The Learning Curve, co-hosts U-Ark Prof. Albert Cheng and MassPotential's Mary Tamer speak with Roxana Robinson to honor the extraordinary life and legacy of Georgia O'Keeffe, the pioneering artist often called the “Mother of American Modernism.” Drawing from Robinson's 1989 biography Georgia O'Keeffe: A Life, she traces O'Keeffe's life from the farmlands of Sun Prairie, Wisconsin to the bustling cultural landscape of early 20th-century New York City and to North Central New Mexico. The artist's reverence for natural landscapes, color, and light was shaped by her rural Midwestern upbringing and formal artistic training in Virginia. Robinson explains how O'Keeffe's stark transition to city life is reflected in her artwork, which often explores the line between modernism and traditional landscape painting. O'Keeffe's personal and professional relationship with celebrated photographer and art dealer Alfred Stieglitz marked another major turning point in her life and career. While Stieglitz championed her artistic talent, O'Keeffe also became the subject of more than 350 of his photographic portraits—some sparking public acclaim and controversy, while also helping shape her carefully constructed public image. Ms. Robinson further explores O'Keeffe's most famous works including Cow's Skull: Red, White, and Blue and Ram's Head, White Hollyhock – Hills, as well as her large-scale, magnified floral paintings, Jimson Weed/White Flower No. 1 and Red Canna. From O'Keeffe's early abstract experiments to her late-life desert visions, Robinson shares how the artist's expansive body of work reshaped American art and left a legacy that continues to inspire artists, scholars, and students in the 21st century. She closes with a reading from her book Georgia O'Keeffe: A Life.

Today, Gavi FINALLY gets to talk about his favorite topic, Jean Beaudrillard's "Simulacra and Simulation," which explains Hyperreality. "The Matrix" film is allegorical to the postmodern condition of Hyperreality. We discuss examples of simulacra, Hyperreality, and the history of how we (in the western canon) came to view the world this way. We discuss simulated reality as it relates to christian fundamentalism and the US.If you have any thoughts, opinions, or questions about this topic (or corrections) please let us know either by comment or by emailing us at LeavingEdenPod@gmail.com! We would love to do a listener responses episdoe!02:00 - Intro02:20 - Black Mirror San Junipero03:15 - The Matrix03:30 - Elon Musk03:48 - Mark Zuckerberg and the Metaverse04:10 - Please subscribe to our Patreon!04:40 - Media Theory and Philosophy05:17 - I'm sorry for mixing up SimulaCRA and SimulaCRUM05:47 - Jean Baudrillard's "Hyperreality"06:04 - Simulacra and Simulation07:10 - First Order Simulacrum07:40 - Second Order Simulacrum07:55 - Third Order Simulacrum, Hyperreality08:29 - Fourth Order Simulacrum, or Pure Simulation08:50 - Alexander Hamilton to Scamilton is Hyperreality11:07 - Christian Nationalism and Hyperreality12:54 - Hyperreality and Pure Simulation are curated reality13:30 - Did Sadie grow up in a simulation?13:50 - Kim Kardashian's butt broke the internet14:54 - The 6 7 meme is proof that we are living in a simulation15:30 - Doot Doot 6 7 by Skrilla15:50 - Lamello Ball16:00 - The 6 7 kid is Hyperreality and the meme is pure simulation17:19 - Brainrot is hyperreality18:50 - Thank you to our patrons!20:17 - The Civil War and the birth of Modernism21:50 - Modernist themes, truth comes from struggle and effort22:17 - Upton Sinclair, The Jungle22:30 - John Steinbeck, The Grapes of Wrath22:50 - Gone With the Wind24:00 - Little Women24:34 - The Civil War, Transcendentalism, Naturalism25:05 - The birth of postmodernism25:15 - Dada art movement (dadaism)25:26 - Anything can be a source of truth25:30 - The gifts of postmodernism, Civil rights, LGBT rights, Women's Lib movement25:55 - World War 2 and the nuclear age27:10 - Love is Blind, Kobe Bryant, Fresh off the Boat, Scottish Independence referendum28:45 - Absurdism, Memes, and Breadtube Spongebob29:04 - The drawbacks of postmodernism30:00 - Hyperreality, 9/1131:22 - Loss of sense of self32:04 - Michael Jackson, Prince, Robin Williams, George Carlin, Jesus, AI Deepfakes32:35 - Leonard Cohen32:50 - Bag Culture, Taylor Swift, Travis Kelce, Jason Kelce, Commercials34:35 - Prince Harry and Meghan Markle36:28 - Please email us!37:01 - Our current state of Hyperreality37:31 - Doctors vs. Anti-Vaxxers and influencers37:41 - Teachers vs. Homeschoolers38:07 - Doomerism38:17 - It's going to be OK?38:38 - The early church38:50 - Jesus was a guy (probably?)39:11 - The Disciples (first order Simulacrum)39:22 - The Council of Nicaea (Second order Simulacrum)39:40 - Church Tradition (Third Order Simulacra, or Hyperreality)40:10 - Culture War/Kid Rock Turning Point USA halftime show40:45 - Growing up in a cult vs. growing up in a simulation41:04 - Destruction of the 2nd Temple happened, Revelation is a first order simulacrum41:35 - Millerism, Adventism, Premillennial Pretribulationism are second order simulacra41:45 - Protocols of the elders of Zion, A Thief in the Night, and Left Behind are all third order simulacra or Hyperreality42:12 - The Holocaust, McCarthyism and the Red Scare, Satanic Panic, Q Anon, January 6, 2025 Rapture Hoax, are mass delusion brought on by pure simulation44:20 - Hyperreality peaked in 202044:45 - The end of COVID-19 and the rise of AI45:04 - What is coming next?45:45 - AI CEOs are grifters46:32 - Minor League Baseball47:10 - 2020, Social Unrest, George Floyd protests, Anti-Mask/Vaxx48:14 - Transcendentalism, Naturalism, humanity's relationship with nature, Oliver Wendel Holmes, Henry David Thoreau, Walt Whitman50:29 - The next movementSubscribe to Leaving Eden Podcast on YouTube!https://www.youtube.com/channel/UCJ4q94gAnsoW2jME4SvVrrQJoin our Patreon for extended, uncensored, and ad-free versions of most of our episodes, as well as other patron perks and bonus content!https://www.patreon.com/LeavingEdenPodcastJoin our Facebook group to join in the discussion with other fans!https://www.facebook.com/groups/edenexodusJoin our subreddit! Reddit.com/r/EdenExodusBluesky:@leavingedenpodcast.bsky.social@hellyeahsadie.bsky.social@gavihacohen.bsky.socialInstagram:https://www.instagram.com/leavingedenpodcast/https://www.instagram.com/sadiecarpentermusic/https://www.instagram.com/gavrielhacohen/ Hosted on Acast. See acast.com/privacy for more information.

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Nothing is sacred to the Modernists. Sponsored by Pray Latinhttps://praylatin.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donateAt the BayKatherine Mansfield (1888 - 1923)Katherine Mansfield was prominent Modernist writer of short fiction. This a ninety minute story from her collection of The Garden Party.Read by:Lucy Burgoyne (1950-2014)Genre(s): Short StoriesLanguage: EnglishKeyword(s): literature , short fiction , mansfield , at the bay , garden party Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donate

Alexei Korolyov visits a key work of Viennese modernism by Austrian design icon Josef Frank, which has been reopened after a five-year restoration.See omnystudio.com/listener for privacy information.

There were issues between Streamyard and YouTube but the audio seems passable. Sorry about the loss. 

SSPX Bishop Fellay justifies consecrations: never says "modernism,," does not judge "failing" authority. Viganò, Strickland, others remark. SSPX begs co-existence with Modernism? The very idea of the Catholic papacy is in question. "Church unity is worth a Latin Mass?" Modernists poison Church; solution is more Modernism. Similar: government control poisons society; solution is more government control: socialism! Pope Leo XIII condemns socialism. The truth and power of the traditional Catholic Faith! This episode was recorded on 2/10/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Louis Fratino talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Fratino was born in 1993 in Annapolis, Maryland, US, and lives in New York. His paintings reflect on memory and the intimate details of daily life to transmit a deeply felt response to his immediate circumstances and the world beyond. His vision is channelled through an abiding passion for art history, and particularly Modernist painters in Europe and the US. Louis's subjects are the people and places around him, beginning with himself and extending to family, friends, partners and lovers, who he pictures in interior spaces from kitchens to bathrooms and bedrooms, as well as in the city and in nature. Crucial to his art is an exploration of queer life, from touching scenes of companionship to images of sex and desire more broadly. Louis's painting possesses an everyday poetry yet dwells on the big questions of life. It is a singular and deeply personal practice as well as a major contribution to the expression of queer identity and sexuality in a painterly field that has until recent decades been dominated by heteronormative perspectives. If there is a philosophy in his painting, he says, it is “about living very intensely” and being “very open to experiences”. He reflects on the balance between reality and fantasy in his painting, on how memory is the principal subject of his work, and how he enjoys the “feeling of play in painting”. He discusses artists from Henri Matisse, with whom he has a show at the Baltimore Museum of Art between March and September, to Bhupen Khakhar and Winifred Nicholson, the photographer George Platt Lynes, the poet Sandro Penna and the film-maker Dag Johan Haugerud. Plus, he gives insight into life in his studio and answers our usual questions, including the ultimate: what is art for? Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, US, 11 March-6 September. Hosted on Acast. See acast.com/privacy for more information.

Is Modernism "dumb" - or am I stupid? Synodality in five minutes? Leo tells Anglicans we are all one in faith. Modernist lies, Cardinal Roche and the Traditional Latin Mass. Modernism and Marxism: blood brothers. Mamdani's "child care." Venezuela's Maduro, Noriega, Bay of Pigs. DC National March for Life: Nellie Gray and the Paramount Life Principles. This episode was recorded on 1/27/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

We've dug into the podcast vault to one of our favorite shows:  the story of the awesome Modernist house in the 2006 movie, The Lake House, starring Keanu Reaves and Sandra Bullock.  The house stole the show, and we'll talk to the architect Nathan Crowley and the engineer, Troy Hengge.

Ida Friederieke Görres is little-known to English-speaking Catholics (except perhaps for her biography of St. Therese of Lisieux), but she was a major voice of the orthodox Catholic laity in mid-20th-century Germany, with Joseph Ratzinger giving her eulogy. Jennifer Bryson has translated Görres's 1970 essay collection, Bread Grows in Winter, which is a response to the crisis in the Church immediately following Vatican II. Görres's beautiful and profound writing gives a sense of what it was like to live in those troubling times, and how we (perhaps especially the laity) should respond to the troubles of our own times. Links "Trusting the Church" on Catholic Culture Audiobooks https://www.catholicculture.org/commentary/ida-friederike-grres-trusting-church/  Ida Friederieke Görres, Bread Grows in Winter, trans. Jennifer S. Bryson https://ignatius.com/bread-grows-in-winter-bgwp/  Görres, The Hidden Face: A Study of St. Therese of Lisieux https://ignatius.com/the-hidden-face-hfsstp/ DONATE to make this show possible! http://catholicculture.org/donate/audio SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters

One True Podcast is back with a look at another Hemingway short story, an under-discussed gem from Winner Take Nothing. One of the weirdest works in his career, “Homage to Switzerland” is a Modernist experiment that tells a similar story three times, each one set in a different Swiss train station. To walk us through this bizarre tale, we call on excellent Hemingway scholar and actual citizen of Switzerland, Boris Vejdovksy, professor at the University of Lausanne. Vejdovksy explains the story's structure, its setting, its Modernist qualities, the way the iceberg principle functions in the story, and even its “Swiss-ness.”Join us as we explore this fascinating triptych!

We're back for a new year with a new series! It's been a while, and the time felt right. This episode, we talk about: Serieson 6 New Year New Chat Emotional Neutrality The 4 Emotions The Perils Of Cold Ones And Tooze TRIZ Systems For Creativity Applets A bookcase of laptops Caducity Stakhanovite oxygen Grounding in material reality Gawfolk Cable management Don't forget to review and subscribe and follow us on Twitter and Mastodon (and Bluesky I guess)! Also, read Adam's blog and Josef's blog.

Palm Springs modernist design tourist voiceover whisper

Day 1,399. Today, President Zelensky has revealed details of the proposed peace plan worked out between US and Ukraine delegations last weekend in Miami, that is due to be put to Russia later today. Plus, since it's Christmas Eve, something a little different: a special look at the Ukrainian art scene, past and present.We begin with the generation of Ukrainian artists at the dawn of the 20th century who helped drive the Modernist movement, breaking with centuries of figurative tradition and pushing art decisively into modernity. We examine how artists are later reclaimed by national narratives – and why – as well as how the full-scale invasion has reshaped the global art market. We then turn to Ukraine's contemporary art scene, focusing on one young, emerging artist and exploring how their generation, and their creativity, is being transformed by the war.CONTENT REFERENCED:In the Eye of the Storm, Modernism in Ukraine, 1900–1930s, Royal Academy of Arts: https://www.royalacademy.org.uk/exhibition/eye-of-the-stormJames Butterwick. Ukrainian and Russian Art Expert: https://www.jamesbutterwick.com/PinchukArtCentre Prize 2025: https://prize.pinchukartcentre.org/enSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

We continue with part 2, chapter 1 from the first volume of The Whole Truth About Fatima.Please support the Our Lady of Fatima Podcast:http://buymeacoffee.com/TerenceMStantonLike and subscribe on YouTube:https://m.youtube.com/@OurLadyOfFatimaPodcastFollow us on X:@FatimaPodcastSubscribe to our Substack:https://terencemstanton.substack.comThank you!

Today we welcome podcast host Evan Troxel of Archispeak; developer Ken Reiter, who answers the question, what do you do with a old Modernist school?  Jason Langkammerer, founder of AT6 Architecture, on renovating his own house; and returning podcast guest, the enhanting Julianna Raye, singer-songwriter and CEO of Unified Mindfulness, blending soulful music with meditation practice.

Cormac Murray is the author of a new study of the US Embassy in Ballsbridge. A visual feast, it explores one of Dublin's most unusual buildings in its architectural, social, cultural and political contexts. The work of John M. Johansen,described as "a Neoclassical Modernist", the building was something of a never-ending saga. In an edition of just 400, the study is available from Phibsboro Press You can support Three Castles Burning at Patreon.

Today’s Topics: 1) Kennedy Hall on his book: Charismania – The Truth About the Charismatic Renewal https://www.amazon.com/Charismania-Truth-About-Charismatic-Renewal/dp/B0DQ95CVD3

Today’s Topics: 1) Kennedy Hall on his book: Charismania – The Truth About the Charismatic Renewal https://www.amazon.com/Charismania-Truth-About-Charismatic-Renewal/dp/B0DQ95CVD3

Sponsored by Charity Mobilehttps://www.charitymobile.com/rtt.phpSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Sponsored by Charity Mobilehttps://www.charitymobile.com/rtt.phpSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

In part three of our discussion of 'Space, Time and Architecture', we finally got to the Spacetime and the architecture. We examined Giedion's thinking about many canonical works of the late-19th and 20th century, including the Chicago School, Louis Sullivan and Frank Lloyd Wright; the emergence of ferro-concrete in France with Perret and the bridges of Swiss engineer Robert Maillart and definitionally Modernist works by Walter Gropius, Le Corbusier, Mies van der Rohe and Alvar Aalto. To follow along with the images as we discuss them, you can find this episode on our YouTube channel: This podcast is powered by Pinecast.

AD DIEM ILLUM LAETISSIMUM: ENCYCLICAL OF POPE PIUS X ON THE IMMACULATE CONCEPTION. https://www.vatican.va/content/pius-x/en/encyclicals/documents/hf_p-x_enc_02021904_ad-diem-illum-laetissimum.html This episode was recorded on 11/11/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Saving American Liberty, Session 4 What does "Woke" mean? James Lindsay, founder of New Discourses, says it is an awakening to a "sociognostic" belief structure. What is that, and how does it manifest in different contexts? In this third talk from the Saving American Liberty learning seminar in Dallas, Texas, hosted by New Discourses on August 22-23, 2025, Lindsay explains the concept in considerable detail. He also applies it to the "20th century" (or, Modernist) mode of thinking to reveal that two forms of Woke sociognosticism appear in that context: Communism on the Woke Left and Fascism as a form of Reaction on the Woke Right. Further, he provides contemporary examples of how this strain of thought is making an unwanted comeback, both Left and Right, throughout the West today. Join him for this important lecture explaining the model and modes of "Woke" thinking in a historical context we already understand. The other lectures in this series can be found here: Session 1: https://youtu.be/4u2ak-DmKD4 Session 2: https://youtu.be/gUiLUmZWsc4 Session 3: https://youtu.be/WRheQNDTSOQ Latest from New Discourses Press! The Queering of the American Child: https://queeringbook.com/ Support New Discourses: https://newdiscourses.com/support Follow New Discourses on other platforms: https://newdiscourses.com/subscribe Follow James Lindsay: https://linktr.ee/conceptualjames © 2025 New Discourses. All rights reserved. #NewDiscourses #JamesLindsay #Woke

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

We've dug into the podcast vault to bring back a show from the first year of USModernist Radio.  One of the best 80s films is Ferris Bueller's Day Off. Here's the plot: near the end of the school year, high school senior Ferris Bueller (played by Matthew Broderick) fakes being sick to stay home. His parents believe him, though his sister Jeanie (played by Jennifer Grey, the baby you don't back into a corner) is not convinced. Ferris persuades his best friend Cameron (Alan Ruck) to help lure Ferris' girlfriend (Mia Sara) out of school and let them use his father's prized 1961 Ferrari. Spoiler:  that Ferrari tumbles out of a really cool Modernist house, much to the chagrin of Cameron and his dad. Our pal Bob Langford, who pretty much knows every line in the movie, drops by to help us examine this cultural icon with guest Meghann Salamasick, who with her husband Chris are the owners of the that famous Modernist house. Later in the show, with apologies to Wayne Newton, it's George and Bob and Tom serenading Meghann.

Tom Kundig of Seattle's Olson Kundig is a superstar in residential architecture, and he's got a new book, Complete Houses.  But you can't have a world-class architect without a world-class builder, and we'll talk with Kundig's close friend and frequent collaborator, Jim Dow of Dowbuilt. Later, you'll hear Veronneau, a husband-and-wife duo whose tunes go around the world.

Back on the show is one of our favorite guests, YouTube architecture star Professor Stewart Hicks; Brian Horowitz revives the joy and nostalgia of pinball, that midcentury pastime that was going to rot our midcentury minds; and author Hillary Carlip shares the wonderful world of Willis Wonderland, a new popup book for all ages.

We've got author and architect Peter Forguson celebrating Michigan's extraordinary collection of bold, Modernist houses with the new book Contemporary Michigan, from the UK, Michael Diamant rants against Modernism, and later on, musical guest Brent Jensen serves classic tunes made famous by Paul Desmond.  

Every rule was made to be broken, except in architecture, where even the act of breaking rules seems to come with its own set of rules. Modernism promised liberation from the past, but it quickly wrote its own commandments into the story—flat roofs, open plans, white walls, and exposed structure became the expected vocabulary. A movement that arrived as rebellion soon carried the weight of convention, and those conventions still shape how we design and judge buildings today. This week, Andrew and I are taking a closer look at the commandments of Modernism—where they came from, why they matter, and what they mean for the way we practice now. Welcome to Episode 186: The Rules of Modernism.  [Note: If you are reading this via email, click here to access the on-site audio player]  If you are interested in seeing just a few of the houses I mentioned on the podcast, you can see them listed on the Realtor.com (here and here are just a few of them) The Roots of Modernism jump to 6:30 Modern architecture did not emerge in a vacuum. It was a response to seismic shifts in society, technology, and culture that took place in the late nineteenth and early twentieth centuries. Industrialization had transformed the way people lived, cities were expanding at unprecedented rates, and new materials like steel, reinforced concrete, and large sheets of plate glass were suddenly available to architects. These inventions were not simply practical tools, they were symbols of a new age. Architects began to ask why they should keep designing buildings that looked like medieval castles or classical temples when the world around them had become faster, lighter, and more efficient. The very idea of progress seemed incompatible with copying the past, and so Modernism positioned itself as the architecture of a new century - an architecture that would represent industry, rationality, and optimism for the future. This rejection of the past was more than an aesthetic preference, it was a manifesto. Ornament was not just unnecessary, it was cast as dishonest and wasteful. Historical references were treated as evidence of cultural stagnation. In their place, Modernists put forward ideas of functional clarity, open planning, and structural honesty. The promise was bold: architecture would no longer serve as a backdrop for tradition, it would become a tool for shaping a better society. Housing would be healthier, cities would be more efficient, and design would finally align with the realities of modern life. It was not only about how buildings looked, but about how they could transform the way people lived … and that is why the roots of Modernism matter to this conversation. The movement began as a radical break from the architectural traditions that came before it, yet it also established a new set of values that quickly hardened into conventions of their own. Before we can explore the “rules” of Modern design, we need to understand the cultural and historical conditions that gave rise to them. Only then can we appreciate the irony that a movement born from revolution became one of the most codified design languages of the twentieth century. By the time Modernism had established itself internationally, the movement that began as rebellion had already created its own set of unwritten rules. Architects may not have published them in a single manifesto, but they were understood all the same. You could look at a building and know whether it was ‘Modern' or not, based on a handful of essential qualities. These rules were never carved into stone, yet they became the code that defined the movement for decades. To understand Modern design, and to really grasp how it operates, we need to lay out those unspoken commandments - the ideas that quietly dictate what belongs inside the Modernist tradition and what falls outside of it. The Ten Commandments of Modernism jump to 13:42 Modernism never published a rulebook,

Kata Walters went from the catwalk to the construction site, changing from an international career in modeling to building Modernist houses.  Allison Meier shares her map of New York, uncovering hidden histories in architecture and culture from cemeteries to the streets. Kyle Bergman of the New York Architecture and Design Film Festival shares this year's highlights, and from Sweden, musical guest Klas Lindquist.  

We're back with one of our most popular segments, Children of Genius. Them apples don't fall too far from the tree, and today we'll hear from two that dropped nearby, Toby Rapson and Ron Kappe. They grew up immersed in Modernist design with some of the most influential architecture of the 20th century, thanks to their fathers Ralph Rapson and Ray Kappe, tradition they continue today. Later, Modernist homeowner and musical guest Holly Cole.  

We're back with another episode of Graphic Support Group and we're filled with joy to share this one. Our guest Nontsikelelo Mutiti “is a Zimbabwean born designer, visual artist, and educator whose conceptual approach to design spans the mediums of print, moving-image, web design, fine art, and community engagement.” That introduction doesn't even begin to capture the breadth of wisdom that Nontsi shared with us. As the spring semester came to an end this past May (she is the current Chair of Director of Graduate Studies in Graphic Design at Yale University) the multidisciplinary designer spent a gracious couple of hours with us. Her words moved us through the many worlds and spaces she occupies in her life. The conversation helped Drew and I to re-think some ideas about Modernism, community and representation that admittedly had us in knots over the years. Sometimes the complexity of the world has a simpler, more honest solution. We're so happy to share this generous episode and hope it'll bring some joy to the beginning of the fall. We hope you all will find some joy in the episode and maybe consider becoming a dragon slayer.We R Here 4 U. Get full access to Graphic Support Group Podcast at graphicsupportgroup.substack.com/subscribe

Who's the author of that architecture book on your coffee table?  It's probably written by one of our guests, Dominic Bradbury and Adam Stech.  Later on, jazz with returning musical guest Elijah Rock. 

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Diana Souhami talks about her new book No Modernism Without Lesbians, out 2020 with Head of Zeus books. A Sunday Times Book of the Year 2020. This is the extraordinary story of how a singular group of women in a pivotal time and place – Paris, between the wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves together their stories to create a vivid moving tapestry of life among the Modernists in pre-war Paris. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Do you like architecture?  Do you like Jeopardy?  Recent Jeopardy contestant Jade Snelling is an archivist at Virginia Tech working at the International Archive of Women in Architecture, preserving the history of women architects around the world. Next we've got Catherine Croft, the Director of the Twentieth Century Society dedicated to protecting Britain's most significant 20th-century buildings. Then special musical guest, Thomas Lauderdale and Pink Martini.

“This is a sea that will take your life,” says Matthew Hollis in this week's episode of The World in Time. “This is the cruel sea. This is the hard sea. And it takes extraordinary skill and good luck to survive it. But we come quickly to realize in this poem that actually there is a different kind of allegorical turmoil within as well. It's one of the things that makes this poem so compelling, it seems to me, because it does have ideas about moral choices, and it does have ideas about belonging that seem as important today as they were then. One of the great things that strikes me with the great parts of the Anglo-Saxon opus is how modern it feels—or rather, to put it a different way, how timeless the cares and concerns and worries of human beings can be. Some of the fears about loneliness, some of the fears about pain, some of the worries about doubt, about making a good life or the life of right choosing, are issues that trouble us in exactly the same way, or challenge us in exactly the same way, as they did this sailor.” This week on the podcast, Donovan Hohn speaks with poet Matthew Hollis about his new translation of The Seafarer, about the world from which this mysterious tenth-century Anglo-Saxon poem emerged, about the history of the poem's improbable survival, and about its rediscovery by the Romantics and the Modernists. Into the conversation the episode weaves audio samples from different translations and different recordings, including one made by Lewis Lapham, another by Ezra Pound, and a third by Matthew Hollis himself.

Every serious Modernist fan knows about the Case Study Houses, the legendary program started by John Entenza of Arts and Architecture Magazine in the 1950's, attracting top and emerging architects to create affordable houses for Los Angeles.  We'll talk with Dustin Bramell, who's working to create a new series of Case Study Houses; Cary O'Dell on the great Bucky Fuller;  mother-daughter duo Sarah and Debbie Dykstra share the story of their Frank Lloyd Wright house, and music by Lenore Raphael. 

Full Title Name: Was Jesus Christ really Jewish? Mortification vs self-harm? Catholic "sacrifice"? How to study encyclicals. Sede-doubtist? How can Modernists be saints? Saint Philomena! Cremationism? Evidence for human soul: "The Immortal Mind"! ChatGPT: instant sermon - in Latin. Can Trump do what WEF couldn't? Cincinnati beat down? Overcoming "spiritual autism": pray! This episode was recorded on 08/12/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Our last set of poolside interviews from Modernism Week 2025 features three fun and exciting author pairs: Corey and Margeret Bienert on midcentury motels, Jonathan Schroeder and Janet Borgerson on instructional records, and Adriene Biondo and Chris Nichols on the sporting craze of the 1950's - bowling!

Welcome to USModernist Radio, where we talk and laugh with people who enjoy, own, create, dream about, preserve, love, and hate Modernist architecture, the most exciting and controversial buildings in the world. It's Monday, August 4, and we've got prolific architecture author Sam Lubell, Colorado architects Rowland and Broughton, and musical guest Taurey Butler.  Plus, a new addition for the USModernist Archives - we're taking on architecture podcasts that stopped producing new episodes - and preservation websites that have vanished.