Podcasts about modernist

Sadness of Mary? Naming heretic in Mass? Labeled "heretic, excommunicated"? Pope "emeritus"? Orthodox first Protestants? Rising Neo-Nazism? Infinite mercy? Failed crosses? Catholic cowardice? No priest? Dividing prayers? "Wise ignorance" vs. racket of the world! Dem anti-ICE riots: "No one is above the law"? Church in danger: Modernist message in Catholic dressing. Hierarchy of humility: honoring the Sacred Heart! Etsy shop: https://www.etsy.com/shop/WhatCatholi... This episode was recorded on 6/10/2025 Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Send us a textWhat was that? A bat or swallow? Something flitted past, but we can't agree on what we've just seen ... Erica McAlpine reads from Small Pointed Things (just published by Carcanet) that makes that uncertain territory her own,  with meticulously crafted poems that harbour hard questions.And talking of things that flit past your window, Peter gets an early look at White Teeth, Red Blood, selected Vampire Verses published shortly by Pushkin Press. We'll listen to John Keats's 'La Belle Dame Sans Merci', and hear why the knight is alone and palely loitering... Meanwhile Robin discovers Hope Mirrlees, and a long Modernist poem 'Paris' - which predated Old Possum's 'The Waste Land' by two years. Plus we read an affectionate poem by Tim Relf, for Father's Day. Support the showPlanet Poetry is a labour of love!If you enjoy the podcast, please show your support and Buy us a Coffee!

Ben Luke talks to Huma Bhabha about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Bhabha was born in 1962 in Karachi, Pakistan, and has been based in the US since 1981—she now lives in Poughkeepsie, New York state. She has achieved a profoundly individual figurative sculptural language, exploring the rich history of her medium while also looking to the future. Informed by ancient monuments, Modernist sculpture and an array of other artforms, Huma employs various sculptural traditions—from modelling with clay, to carving, to found-object assemblage—to create figures that are monumental yet vulnerable, otherworldly yet rooted in the vicissitudes of contemporary geopolitics. Alongside her sculptures, Huma has made similarly powerful work in two-dimensions, particularly in combinations of drawing and collage. She reflects on the early and ongoing impact of Rembrandt on her work, her fascination with Pablo Picasso and Robert Smithson, the influence of the writing of Amy Goodman and Roberto Bolaño and how she has responded to the films of Jean-Luc Godard and Jean Negulesco. She also gives insight into her life in the studio and answers our usual questions, including: what is art for?Huma Bhabha—Encounters: Giacometti, Barbican, London, until 10 Aug; Huma Bhabha: Distant Star, 13 June-26 July. Hosted on Acast. See acast.com/privacy for more information.

From watches to undersea lodges to 21st century architecture, we'll step outside the box a bit today to talk exquisite timepieces with  Ben Rousseau, underwater house pioneer Ian Koblick, and architect John Jennifer Marx.  

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Orthodox reject "filioque": principle or pride? St. John 16,7: "If I go not, the Paraclete will not come to you." Leo XIV's first sermon: traditional Catholicism or Modernism? The Freemasons' plan: Permanent Instruction of the Alta Vendita. Strange convergences: Dr Kwaszniewski, the Modernists, the Orthodox; Sedeprivationism and the SSPX. Human nature or "human condition"? Isn't Christ's suffering enough? How can a child without good father know true fatherhood? Viewer comments. This episode was recorded on 5/20/2025 Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

From poolside at Modernism Week 2025, we'll talk with Colin Flavin, Halsey Smith, and Tim Techler on the architecture of Walter Gropius in Massachusetts and William Krisel in Palm Springs. Back in the studio, San Diego's top Modernist realtor and ardent preservationist Keith York has a new book on Craig Ellwood -- and Alexandra Bregman hunts for a Philip Johnson house. UPDATE: A previous version of this episode gave the incorrect location for Tim Techler's practice. He is based in Newton MA. 

June Retreats. Online Catechism. New Pope of the New Order, Leo XIV: style or substance? Unity in Modernism? For conservatives: the power of positive thinking vs the danger of wishful thinking. The 4th Industrial Revolution: Leo XIV and the WEF. Modernism is Gnosticism. Does present disarray in Catholic Church validate Orthodoxy? Christ established papacy. Both Modernism and Orthodoxy reject true papacy. Papacy as personality cult. Modernism, Mormonism are Gnosticism. This episode was recorded on 5/13/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Today on the show number 404, architects Celeste Robbins, Grant Kirkpatrick, and Duan Tran, and podcast host Lisa Gralnek. Plus the wit and wisdom of Modernist homeowner, Burt Reynolds!

Join our book club!patreon.com/LifeonBooksJoin the Life on Books mailing list to stay up to date on all of our latest book giveaways, projects, and more!https://linktw.in/BRYAnVhWant to read one book from every country? Check out our resource online:https://linktw.in/ZeoltyWant to know my all time favorite books? Click the link below!https://bookshop.org/shop/lifeonbooksFollow me on Instagram:https://www.instagram.com/alifeonbooks/Follow Andy on Instagramhttps://www.instagram.com/metafictional.meathead/Books mentioned in this episode: Everything is Now by J Hobermanhttps://amzn.to/3H0P17uhttps://bookshop.org/a/103053/9781804290866Nadja by Andre BretonThe Uncollected STories of Mavis Gallanthttps://amzn.to/4diMyl5https://bookshop.org/a/103053/9781681378749The USA Trilogy by Juan Dos Passoshttps://amzn.to/3XX8r34https://bookshop.org/a/103053/9780063351530The War of the End of the World by Mario Vargas Llosahttps://amzn.to/4ka6nxehttps://bookshop.org/a/103053/9780312427986Rock, Paper, Scissors by Naja Marie Aidthttps://amzn.to/44bvAm6https://bookshop.org/a/103053/9781940953168JR by William Gaddishttps://amzn.to/3GhDb8Hhttps://bookshop.org/a/103053/9781681374680Beware of Pity by Stefan Zweighttps://amzn.to/4k3zW3zhttps://bookshop.org/a/103053/9781590172001Darkness at Noon by Arthur Koestlerhttps://amzn.to/3H0QbQohttps://bookshop.org/a/103053/9781501161315Hard Rain Falling by Don Carpenterhttps://amzn.to/3GNhaiphttps://bookshop.org/a/103053/9781590173244I Who Have Never Known Men by Jacqueline Harpmanhttps://amzn.to/3ELSnLchttps://bookshop.org/a/103053/9781945492600Winter in Sokcho by Elisa Dusapinhttps://amzn.to/3EIaXnuhttps://bookshop.org/a/103053/9781948830416Stoner by John Williamshttps://amzn.to/3Z9pT4Ghttps://bookshop.org/a/103053/9781590171998The Year of the French by Thomas Flanniganhttps://amzn.to/438PtIzhttps://bookshop.org/a/103053/9781590171080Memoirs from Beyond the Grave: 1768-1800 by François-René de Chateaubriandhttps://amzn.to/3EYjm6dhttps://bookshop.org/a/103053/9781681379616The True Deceiver by Tove Janssenhttps://amzn.to/4k7zpgKhttps://bookshop.org/a/103053/9781590173299Margery Kempe by Robert Gluckhttps://amzn.to/4jP392thttps://bookshop.org/a/103053/9781681374314Anniversaries by Uwe Johnsonhttps://amzn.to/3GNGUv9The Netenyahus by Joshua Cohenhttps://amzn.to/3GFhJeihttps://bookshop.org/a/103053/9781681376073When we Cease to Understand the World by Benjamin Labatuthttps://amzn.to/43mchplhttps://bookshop.org/a/103053/9781681375663Loved and Missed by Susie Boydhttps://amzn.to/4iT0jIghttps://bookshop.org/a/103053/9781681377810Malina by Ingeborg Bachmannhttps://amzn.to/3YxkWCMhttps://bookshop.org/a/103053/9780811228725The Letters of William Gaddishttps://amzn.to/43uWjZ9The Summer Book by Tove Janssenhttps://amzn.to/4m7G4cFhttps://bookshop.org/a/103053/9781590172681Bomarzo by Manuel Mujica Láinezhttps://amzn.to/44oFKA2https://bookshop.org/a/103053/9781681379425Jack the Modernist by Robert GluckEffingers by Gabriele Tergithttps://amzn.to/3GKtsrMhttps://bookshop.org/a/103053/9781681379791#literature #books #booktube

https://www.gofundme.com/f/new-family-emergency The Meaning of Catholic is a collaborative lay apostolate dedicated to uniting Catholics against the enemies of holy Church through the domestic church, catechetics, and the public promotion of truth and charity. https://meaningofcatholic.com/ -Confession of Faith: https://meaningofcatholic.com/my-confession-of-faith/ -Internet Promise: https://meaningofcatholic.com/my-promise/ Join the Guild to support our work and access the online community, free books, and exclusive content: https://meaningofcatholic.com/register or donate: http://meaningofcatholic.com/donate or if you can't afford to join and would like free membership, contact us: https://meaningofcatholic.com/contact Join our lay sodality which offers up penance for clergy and seminarians: https://meaningofcatholic.com/2022/03/01/fellowship-st-anthony/

"To earlier academics, it seemed like Company Painting was not really to be taken seriously. The Modernists didn't look at it because it's too early and the Court Painting specialists didn't look at it because it was too late. It just sort of fell in the gap. Perhaps people were less inclined to rescue it from that gap because they had difficulty in coming to terms with its hybrid colonial status. You cannot get away from it being a product of Empire. But rather than telling the story of the patrons' perspective, you have to look at how Indian artists respond. This is a historical moment where artists trained in the Indian court ateliers realised that there is this alternative source of patronage with a completely different set of demands. And when they made the transition from Court to Company, they transformed themselves and they transformed Indian art. With artists like Sewak Ram, we've got a wholly new approach. It is exciting to see the artist as much an agent as the patron in creating the hybrid form. The book and the show at DAG attempts to cover the whole spectrum of Company Painting and its trajectory in the very brief period from the 1770s to its fizzling out by 1850" - Giles Tillotson, editor, 'A Treasury of Life; Indian Company Paintings c 1790-1835' talks to Manjula Narayan about  the works of outstanding artists like Mihr Chand, Sita Ram and Ram Das, the depiction of different communities in work by Tanjore artists, Louisa Appleby's album commissioned in the vanished settlement of Maidapur, and his hope that more albums with named artists will soon come to light  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we'll visit with the CEO of the National Trust for Historic Preservation, Carol Quillen; the 2025 President of the AIA, Evelyn Lee; the founder of Tucson Modern, Demion Clinco, and the co-host of HGTV's Who's Afraid of a Cheap Old House, Elizabeth Finkelstein.  

In this episode, Danny Olinger and Camden Bucey explore a pivotal moment in the history of American Presbyterianism: the Special Commission of 1925 and its investigation into the doctrinal unrest within the Presbyterian Church (USA). Appointed to address the growing tension between Modernists and Conservatives, the Commission aimed to preserve the church's “purity, peace, unity, and progress.” However, for J. Gresham Machen, the Commission's recommendations represented a profound failure to uphold biblical orthodoxy. We explore how the Special Commission, composed of fifteen prominent ministers and ruling elders with deep ties to denominational institutions, prioritized unity over doctrinal clarity. Its influential members—such as Robert Speer, Mark Matthews, and Stated Clerk Lewis Mudge—were largely institutional loyalists who sought to preserve the church's structural integrity and foster reconciliation rather than enforcing confessional standards. Despite Machen's compelling plea for doctrinal faithfulness, the Commission framed the controversy as a misunderstanding of tolerance and authority rather than a fundamental theological crisis. We'll examine how Machen's uncompromising opposition to modernism ultimately led to his suspension from the PCUSA and the formation of the Orthodox Presbyterian Church in 1936. Along the way, we'll discuss the broader implications of this controversy for American Presbyterianism, and how the decisions made during this period continue to influence Reformed denominations today. Join us as we unpack the significance of the Special Commission of 1925 and consider what lessons it holds for maintaining orthodoxy in the midst of institutional pressure and theological compromise. Watch on YouTube. Links Report of the Special Commission of 1925 Weston, Presbyterian Pluralism: Competition in a Protestant House Participants: Camden Bucey, Danny Olinger

From poolside at the swanky USModernist compound in Palm Springs during Modernism Week 2025, we'll talk to Liz Waytkus, Executive Director of DOCOMOMO-US and photographer-on-a-quest Andrew Pielage.  Back in the studio, we'll hear from LA's architect to the stars, Paul McClean and musical guest Laura Anglade.  

Today's Topics: 1, 2, 3, 4) Christ's action in the Temple: A warning for today's clergy https://www.knightsrepublic.com/single-post/christ-s-action-in-the-temple-a-warning-for-today-s-clergy

Today's Topics: 1, 2, 3, 4) Christ's action in the Temple: A warning for today's clergy https://www.knightsrepublic.com/single-post/christ-s-action-in-the-temple-a-warning-for-today-s-clergy

Laura revisits a radio episode from the archives about April anniversaries, some good, many disastrous. And there's a little side quest about Bob Dylan and Modernist poetry.One note – I forgot to mention that the performance of “Spring Can Really Hang You Up the Most” is by Betty Carter.Get your Definitely Dylan baseball cap here.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.

Since launching the podcast ten years ago in 2015, hosts George Smart and Tom Guild have had fascinating conversations with over 700 guests, including architects, owners, media, critics, authors, actors, and jazz performers.  USModernist Radio is one of America's top-rated architecture and jazz podcasts, ranked in the past as #1 by Atomic Ranch and #2 by Dwell.  The 400th episode features interviews with actress and Modernist preservationist Kelly Lynch and architecture critic Kate Wagner; the return of comedian Frank King; and special musical guest, Heather Rigdon. It will also include highlights from past episodes, including interviews with Bjarke Ingels; the last living Frank Lloyd Wright client, Roland Reisley; Moshe Safdie, Eric Lloyd Wright, Suzanne Somers, Youtube star Stewart Hicks, Hugh Kaptur; author Chris Rawlins; Daniel Libeskind; Harriet Pattison on Lou Kahn; Harry Bates; Myron Goldfinger; Raleigh's Brian Shawcroft and Lewis Clarke; Mary Schindler; and Modernism opponents David Brussat, Professor J. S. Curl, and classical scholar Catesby Leigh.

Ukrainian modernist literature is one of the golden ages of Ukrainian cultural history. In this episode, we'll explore why that is—and why the questions raised during this period, spanning the late 19th and early 20th centuries, remain deeply relevant today. "Explaining Ukraine" is a podcast by UkraineWorld, a multilingual media outlet focused on Ukraine. Host: Volodymyr Yermolenko, a Ukrainian philosopher, the chief editor of UkraineWorld, and the president of PEN Ukraine. Guest: Rostyslav Semkiv, a Ukrainian literary scholar, associate professor at Kyiv-Mohyla Academy, and director of the publishing house Smoloskyp. Writers mentioned in this podcast: Modernists - Lesya Ukrainka, Mykhailo Kotsiubynsky, Olha Kobylianska, Vasyl Stefanyk. Others: Ivan Franko, Marko Vovchok, Olena Pchilka, Vasyl Stus, Serhiy Zhadan, Kateryna Kalytko and others. UkraineWorld is run by Internews Ukraine, one of Ukraine's largest media NGOs. You can support our work at https://www.patreon.com/c/ukraineworld. Your support is crucial as our media increasingly relies on crowdfunding. You can also support our volunteer trips to the front-line areas, where we provide assistance to both soldiers and civilians - mainly by bringing cars for soldiers and books for civilians. You can support our trips via PayPal at ukraine.resisting@gmail.com. This episode is made in partnership with Kyiv-Mohyla Academy and the Heritage Ukraine project supported by the European Union's Erasmus programme.

From poolside at the swanky USModernist compound in Palm Springs, three stars of the Modernist movement, Alan Hess + Janice Lyle + Sidney Williams, discussing what's become known as the Palm Springs School of Modernism and an accompanying new book.  From the studio, Russell Brown and Tom Lazarus on their recent stage play called LISTING, plus returning musical guest Colleen Duffy of Devil Doll. 

Today in the Catholic Mass Series, we continue with the artistic trend and focus on the church itself by examining the architecture. Some argue that these are just buildings like any other – but we'll see how the design of a church shapes the worship, the experience of the faithful, and even reflects theological principles. At the same time, it is a human achievement, reflecting the values of each age. So what's the history of church buildings? Where did they start? Is one type better than the other? And are all modern churches, well, Modernist? See all the episodes, and download resources: https://sspxpodcast.com/mass We'd love your feedback on this series! podcast@sspx.org – – – – – – View this episode on YouTube: https://www.youtube.com/watch?v=YR1XDFMZZM4  – – – – – – – The Society of Saint Pius X offers this series and all of its content free of charge. If you are able to offer a one time or a small monthly recurring donation, it will assist us greatly in continuing to provide these videos for the good of the Church and Catholic Tradition. Please Support this Apostolate with 1-time or Monthly Donation >> – – – – – – – Explore more: Subscribe to this Podcast to receive this and all our audio episodes Subscribe to the SSPX YouTube channel for video versions of our podcast series and Sermons FSSPX News Website: https://fsspx.news Visit the US District website: https://sspx.org/ – – – – – What is the SSPX Podcast? The SSPX Podcast is produced by Angelus Press, which has as its mission the fortification of traditional Catholics so that they can defend the Faith, and reaching out to those who have not yet found Tradition.  – – – – – – What is the SSPX? The main goal of the Society of Saint Pius X is to preserve the Catholic Faith in its fullness and purity, to teach its truths, and to diffuse its virtues, especially through the Roman Catholic priesthood. Authentic spiritual life, the sacraments, and the traditional liturgy are its primary means of bringing this life of grace to souls. Although the traditional Latin Mass is the most visible and public expression of the work of the Society, we are committed to defending Catholic Tradition in its entirety: all of Catholic doctrine and morals as the Church has always defended them. What people need is the Catholic Faith, without compromise, with all the truth and beauty which accompanies it. https://sspx.org

Today's Topics: 1) Gospel - John 5:1-16 - There was a feast of the Jews, and Jesus went up to Jerusalem. Now there is in Jerusalem at the Sheep Gate a pool called in Hebrew Bethesda, with five porticoes. In these lay a large number of ill, blind, lame, and crippled. One man was there who had been ill for thirty-eight years. When Jesus saw him lying there and knew that he had been ill for a long time, He said to him, "Do you want to be well?" The sick man answered him, "Sir, I have no one to put me into the pool when the water is stirred up; while I am on my way, someone else gets down there before me." Jesus said to him, "Rise, take up your mat, and walk." Immediately the man became well, took up his mat, and walked. Now that day was a sabbath. So the Jews said to the man who was cured, "It is the sabbath, and it is not lawful for you to carry your mat." He answered them, "The Man Who made me well told me, 'Take up your mat and walk.'" They asked him, "Who is the man who told you, 'Take it up and walk'?" The man who was healed did not know Who it was, for Jesus had slipped away, since there was a crowd there. After this Jesus found him in the temple area and said to him, "Look, you are well; do not sin any more, so that nothing worse may happen to you." The man went and told the Jews that Jesus was the one Who had made him well. Therefore, the Jews began to persecute Jesus because He did this on a sabbath. Bishop Sheen quote of the day On April 1st, the Church celebrates the feast day of Saint Mary of Egypt, a woman who lived a life of prostitution before becoming a hermit and a powerful symbol of redemption and forgiveness https://www.catholicnewsagency.com/saint/st-mary-of-egypt-422#:~:text=Mary%20of%20EgyptFeast%20day,the%20life%20of%20a%20hermit 2, 3, 4) The Industrial Hymnal complex https://www.lepantoin.org/wp/the-hymnal-industrial-complex/

Modernist architecture makes special use of light and color, and with us today, architect Wid Chapman, color expert Sara McLean, and musical guest and expert skater, Laura Pursell. 

In this conversation, Dr. Flavia Alaya discusses her journeyto Bridgeton, the founding of Chaba, and the importance of historic preservation. She emphasizes the need for community engagement inpreserving local history and the challenges faced in balancing development with preservation. The discussion also highlights the significance ofBridgeton's historic district and the role of industrial history in shaping the community's identity. Dr. Alaya advocates for a people-centered approach topreservation, aiming to connect the past with the present and future. This conversation explores the importance of communityengagement in historical preservation, particularly in Bridgeton. The speakers discuss the challenges and opportunities inpreserving the architectural diversity of the area, the intersection of academia and activism, and the role of cultural heritage in fostering community bonds. They emphasize the need for a proactive approach to engage with local history and its relevance to present and future community development. takeawaysSupport the Bridgeton Beacon by subscribing to the YouTube channel.Dr. Flavia Alaya founded Chaba to promote historic preservation.Historic preservation is crucial for community identity.Bridgeton has the largest historic district in New Jersey.Community engagement is essential for successful preservation efforts.Forgetting history is easier than remembering it.Local history informs national history.CHABA aims to bridge cultural communities through preservation.Guidelines for homeowners are available in multiple languages.The city government needs to foster better support for preservation initiatives. The district commission should be more proactive in supporting applicants.Historical preservation can drive community development.Bridgeton's architectural range is diverse and significant.Modernist architecture is often undervalued in historical contexts.Community engagement is essential for effective preservation efforts.Cultural heritage connects past, present, and future.Activism and academia can coexist and enhance each other.Local history is integral to understanding national narratives.Collaboration with diverse communities enriches preservation efforts.Preservation is about more than just buildings; it's about stories. Chapters00:00 Introduction to Bridgeton Beacon and Dr. Flavia Alaya02:57 Journey to Bridgeton and Founding of Chaba05:57 Historic Preservation in Bridgeston08:59 The Importance of Community in Preservation12:09 Challenges in Historic Preservation14:58 Bridgeton's Historic District17:56 People-Centered Preservation21:01 The Role of Industrial History23:57 Chaba's Initiatives and Community Engagement27:02 Guidelines for Homeowners and Community Support32:35 Community Engagement and Support35:07 Historical Preservation and Community Development37:11 Bridgeton's Architectural Diversity42:13 The Intersection of Academia and Activism52:00 Cultural Heritage and Community Bonds

Welcome to the Success With Jewelry podcast, hosted by Laryssa Wirstiuk and Liz Kantner, two experts passionate about helping independent jewelry artists thrive. Welcome to Success with Jewelry Episode #123! This week, Laryssa and Liz interview Cindy Liebel, an independent jewelry designer who has been creating jewelry since 2008. Inspired by the clean lines and bold simplicity of Scandinavian, Modernist, and Art Deco architecture, Cindy translates these influences into elegant, wearable jewelry. She's successfully grown her business over the years, and in this episode, she's sharing insights on how she did it—plus valuable advice for emerging jewelry brands looking to find their footing. Here's one piece of advice she'd like you all to know: "Think about what sparked joy in your heart when you decided to start a business making and designing jewelry, and let that be the motivation that continues to inspire you moving forward." Plus, for Insiders only, Cindy will reveal her top tips for emerging designers! ✨Join our Patreon to unlock the extended episode: https://patreon.com/SuccesswithJewelry Where to Find Cindy: Website: https://cindyliebel.com/ Instagram: https://www.instagram.com/cindyliebeljewelry Liz Kantner works with independent jewelry artists to help them find their unique voices and succeed in today's marketplace. With over ten years of experience in jewelry marketing and sales, Liz offers consulting services and digital strategy. She's also the founder of the Stay Gold Collective, a private group providing live training, industry insights, and personalized feedback. Learn more at https://www.lizkantner.com. Laryssa Wirstiuk is the founder and creative director of Joy Joya, a digital marketing agency for the jewelry industry. She's the author of Jewelry Marketing Joy and the creator of JoyDeck, a platform designed to make marketing accessible for jewelry makers and designers. Laryssa brings her extensive marketing expertise to the podcast, helping jewelers grow their businesses. Discover more at https://joyjoya.com. Tune in to hear Liz and Laryssa share valuable insights, tips, and strategies for success in the jewelry industry!  

Today's Topics: 1) Reasons Cardinal McElroy should not be the Cardinal of Washington, D.C. https://www.complicitclergy.com/2018/08/11/bishop-robert-walter-mcelroy/ 2) McElroy's appointment to Washington was a seriously misguided political move https://www.bishop-accountability.org/2025/01/mcelroys-appointment-to-washington-is-a-seriously-misguided-political-move/ 3, 4) Sexual abuse victim writes an open letter to Trump, Vance, and legislators https://www.complicitclergy.com/2025/03/09/sexual-abuse-victims-open-letter-to-trump-vance-and-legislators/

You'll hear from with the principal architects of Architecture Research Office (ARO), Adam Yarinsky, Stephen Cassell, and Kim Yao. We'll explore a 12,000 sf Modernist house in Dallas with architect Kevin Alter, and wrapping up, musical guest Carrie Marshall.

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities. Drawing on dozens of examples mounted in empty shops, workers' canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart. Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The Fundamentalist Modernist Controversial by Taylors FBC

Jean Mills, Associate Professor and chairperson in the English Dept. at John Jay College, and Ria Banerjee, Professor of English and Honors Program Coordinator at Guttman Community College and the Graduate Center, discuss Dr. Banerjee's book Drafty Houses in Forster, Eliot, and Woolf: Spatiality and Cultural Politics and related topics. Visit IndoorVoicesPodcast.com for more.

Today's Topics: 1) Gospel - Mark 10:1-12 - Jesus came into the district of Judea and across the Jordan. Again crowds gathered around Him and, as was His custom, He again taught them. The Pharisees approached Him and asked, ""Is it lawful for a husband to divorce his wife?"" They were testing Him. He said to them in reply, ""What did Moses command you?"" They replied, ""Moses permitted a husband to write a bill of divorce and dismiss her."" But Jesus told them, ""Because of the hardness of your hearts he wrote you this commandment. But from the beginning of creation, God made them male and female. For this reason a man shall leave his father and mother and be joined to his wife, and the two shall become one flesh. So they are no longer two but one flesh. Therefore what God has joined together, no human being must separate."" In the house the disciples again questioned Jesus about this. He said to them, “Whoever divorces his wife and marries another commits adultery against her; and if she divorces her husband and marries another, she commits adultery.” Bishop Sheen quote of the day 2, 3) Cardinals could collude to elect an anti-Trump modernist successor to Pope Francis https://stream.org/cardinals-could-collude-to-elect-an-anti-trump-successor-to-pope-francis/ 3, 4) The coming Trumpian Pope https://crisismagazine.com/opinion/the-coming-trumpian-pope

Today's poem is Chaplinesque by Hart Crane. The Slowdown is your daily poetry ritual. Around what has become known as “awards season,” casual conversations are abuzz with talk of the year's movies. This week's episodes explore how poets take up movies as subjects — how the two art forms intertwine to make us feel more closely this life we share. In this episode, Major writes… “Today's iconic Modernist poem celebrates the artist and movie icon who inspired generations of filmmakers and actors, but even more so, the man who both made us laugh at the folly of progress and urged us to embrace the tenderness of our hearts.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Albert's in Alaska, so Reed and David immediately take the opportunity to discuss Taco Bell. Once that's out of their system, they move on to the new Supreme lookbook, a third round of Tom Sachs Mars Yards, and the weird energy of the Palm Springs Modernism Show.

Mass Housing: Modern Architecture and State Power – a Global History (Bloomsbury, 2021) is a major work that provides the first comprehensive history of one of modernism's most defining and controversial architectural legacies: the 20th-century drive to provide 'homes for the people'. Vast programs of mass housing – high-rise, low-rise, state-funded, and built in the modernist style – became a truly global phenomenon, leaving a legacy which has suffered waves of disillusionment in the West but which is now seeing a dramatic, 21st-century renaissance in the booming, crowded cities of East Asia. Exploring the relationship between built form, ideology, and political intervention, it shows how mass housing not only reflected the transnational ideals of the Modernist project, but also became a central legitimizing pillar of nation-states worldwide. In a compelling narrative which likens the spread of mass housing to a 'Hundred Years War' of successive campaigns and retreats, it traces the history around the globe from Europe via the USA, Soviet Union and a network of international outposts, to its ultimate, optimistic resurgence in China and East Asia. Miles Glendinning is a Professor of Architectural Conservation at the University of Edinburgh and the Director of the Scottish Centre for Conservation Studies. This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mass Housing: Modern Architecture and State Power – a Global History (Bloomsbury, 2021) is a major work that provides the first comprehensive history of one of modernism's most defining and controversial architectural legacies: the 20th-century drive to provide 'homes for the people'. Vast programs of mass housing – high-rise, low-rise, state-funded, and built in the modernist style – became a truly global phenomenon, leaving a legacy which has suffered waves of disillusionment in the West but which is now seeing a dramatic, 21st-century renaissance in the booming, crowded cities of East Asia. Exploring the relationship between built form, ideology, and political intervention, it shows how mass housing not only reflected the transnational ideals of the Modernist project, but also became a central legitimizing pillar of nation-states worldwide. In a compelling narrative which likens the spread of mass housing to a 'Hundred Years War' of successive campaigns and retreats, it traces the history around the globe from Europe via the USA, Soviet Union and a network of international outposts, to its ultimate, optimistic resurgence in China and East Asia. Miles Glendinning is a Professor of Architectural Conservation at the University of Edinburgh and the Director of the Scottish Centre for Conservation Studies. This interview was conducted by Timi Koyejo, a graduate student in urban studies at the University of Vienna. He has worked professionally as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today's Topics: 1) Kennedy Hall on his book: Charismania - The Truth About the Charismatic Renewal https://www.amazon.com/Charismania-Truth-About-Charismatic-Renewal/dp/B0DQ95CVD3

Today's Topics: 1) Kennedy Hall on his book: Charismania - The Truth About the Charismatic Renewal https://www.amazon.com/Charismania-Truth-About-Charismatic-Renewal/dp/B0DQ95CVD3

Fr Malachi Martin's landmark work on demonic possession gives important insight into the degradation of society in the last few decades. Sponsored by Devout Decals https://www.devoutdecals.com/ Sources: https://www.returntotradition.org Contact Me: Email: return2catholictradition@gmail.com Support My Work: Patreon https://www.patreon.com/AnthonyStine SubscribeStar https://www.subscribestar.net/return-to-tradition Buy Me A Coffee https://www.buymeacoffee.com/AnthonyStine Physical Mail: Anthony Stine PO Box 3048 Shawnee, OK 74802 Follow me on the following social media: https://www.facebook.com/ReturnToCatholicTradition/ https://twitter.com/pontificatormax +JMJ+

Cardinal Sarah breaks his silence in the first of several statements given on the authentic Catholic faith. Sources: https://www.returntotradition.org Contact Me: Email: return2catholictradition@gmail.com Support My Work: Patreon https://www.patreon.com/AnthonyStine SubscribeStar https://www.subscribestar.net/return-to-tradition Buy Me A Coffee https://www.buymeacoffee.com/AnthonyStine Physical Mail: Anthony Stine PO Box 3048 Shawnee, OK 74802 Follow me on the following social media: https://www.facebook.com/ReturnToCatholicTradition/ https://twitter.com/pontificatormax +JMJ+

Sponsored by Charity Mobile https://www.charitymobile.com/rtt.php Sources: https://www.returntotradition.org Contact Me: Email: return2catholictradition@gmail.com Support My Work: Patreon https://www.patreon.com/AnthonyStine SubscribeStar https://www.subscribestar.net/return-to-tradition Buy Me A Coffee https://www.buymeacoffee.com/AnthonyStine Physical Mail: Anthony Stine PO Box 3048 Shawnee, OK 74802 Follow me on the following social media: https://www.facebook.com/ReturnToCatholicTradition/ https://twitter.com/pontificatormax +JMJ+

These stories show the direction the apostate Modernists in Rome want to take the Catholic Church in for 2025. Sources: https://www.returntotradition.org Contact Me: Email: return2catholictradition@gmail.com Support My Work: Patreon https://www.patreon.com/AnthonyStine SubscribeStar https://www.subscribestar.net/return-to-tradition Buy Me A Coffee https://www.buymeacoffee.com/AnthonyStine Physical Mail: Anthony Stine PO Box 3048 Shawnee, OK 74802 Follow me on the following social media: https://www.facebook.com/ReturnToCatholicTradition/ https://twitter.com/pontificatormax +JMJ+ --- Support this podcast: https://podcasters.spotify.com/pod/show/anthony-stine/support

Joaquín Torres-García was Uruguayan-born artist who wanted to bring Constructivism and Modernism to Latin America, and worked for much of his life promoting the idea that Latin-American voices should be part of the Modernist art movement. Research: · Bollar, Gorki. “Primitive Paintings: Connections to Realism and Constructivism.” Leonardo, vol. 17, no. 1, 1984, pp. 17–19. JSTOR, https://doi.org/10.2307/1574851 · Britannica, The Editors of Encyclopaedia. "Joaquín Torres-García". Encyclopedia Britannica, 4 Aug. 2024, https://www.britannica.com/biography/Joaquin-Torres-Garcia · Duncan, Barbara. “Exploring New Horizons in Latin American Contemporary Art.” Revista: Harvard Review of Latin America. Dec. 30, 2001. https://revista.drclas.harvard.edu/exploring-new-horizons-in-latin-american-contemporary-art/ · Grimson, Karen. “JOAQUÍN TORRES-GARCÍA’S CREATIVE PARADOX.” INTI, no. 83/84, 2016, pp. 261–65. JSTOR, http://www.jstor.org/stable/26309985 · Jimenez, Maya, Dr. “Joaquin Torres-Garcia, Inverted America.” Smart History. Aug. 9, 2015. https://smarthistory.org/Torres-Garcia-inverted-america/ · “Joaquín Torres-García.” Art Collection. https://artcollection.io/artist/5ce4801004726600179036b4#:~:text=He%20worked%20on%20the%20first,la%20Sagrada%20Familia%20in%20Barcelona. · “Joaquín Torres García.” Centro Cultura Regoleta. http://cvaa.com.ar/04ingles/04biografias_en/torres_garcia_en.php · “Joaquín Torres-García.” Guggenheim. https://www.guggenheim.org/artwork/artist/joaquin-Torres-Garcia · “Joaquin Torres Garcia (1874-1949).” National Museum of Visual Art. https://mnav.gub.uy/cms.php?a=4 · “Joaquín Torres-García.” National Gallery of Art. https://www.nga.gov/collection/artist-info.2518.html · “Joaquín Torres-García.” Hutchinson Modern & Contemporary. https://hutchinsonmodern.com/artists/40-joaquin-Torres-Garcia/biography/Medina, Alvaro. “Torres-García and the Southern School.” ArtNexus. https://www.artnexus.com/en/magazines/article-magazine-artnexus/5ebf04481ae60a0ea57baa18/3/Torres-Garcia-and-the-southern-school · Museo Torres Garcia. “bio.” https://www.torresgarcia.org.uy/bio.php · ROMMENS, AARNOUD. “Latin American Abstraction: Upending Joaquín Torres-García’s Inverted Map.” Mosaic: An Interdisciplinary Critical Journal, vol. 51, no. 2, 2018, pp. 35–58. JSTOR, https://www.jstor.org/stable/90021965 · Torres, Celia de. “Constructing Abstraction with Wood: Joaquín Torres-García.” Literal. Issue 18. April 18, 2012. https://literalmagazine.com/constructing-abstraction-with-wood-joaquin-Torres-Garcia/ See omnystudio.com/listener for privacy information.