Podcasts about Gilles Deleuze

durée : 00:59:56 - Toute une vie - par : Virginie Bloch-Lainé, Matthieu Garrigou-Lagrange - "Pour nous, il était l'incarnation de la pensée". Des anciens élèves de Gilles Deleuze, des historiens et un producteur de cinéma brossent un portrait inédit de Gilles Deleuze, de l'homme au philosophe "star". - réalisation : Clotilde Pivin - invités : Robert Maggiori Philosophe, journaliste de "Libération" et co-fondateur et président du Jury des Rencontres philosophiques de Monaco; Pierre Chevalier Producteur de cinéma (1945-2019), directeur de l'Unité Fictions d'Arte pendant douze ans, coordonnateur de l'émission "Sur les docks" de France Culture; François Dosse Historien, spécialiste de l'histoire intellectuelle, professeur à l'Université Paris-Est Créteil et Sciences Po, chercheur à l'IHTP (Institut d'histoire du temps présent); Bruno Tessarech

durée : 00:59:22 - Le Book Club - par : Marie Richeux - Cet automne, le metteur en scène Alain Françon est à la tête deux spectacles. Malgré cette actualité chargée, il a accepté de nous faire découvrir ses rayonnages. S'y côtoient les écrivains Claude Simon et Peter Handke ainsi que les philosophes Simone Weil, Gilles Deleuze ou encore Cynthia Fleury. - réalisation : Colin Gruel - invités : Alain Françon Metteur en scène

Comprendre Gilles Deleuze, c'est plonger au cœur du réacteur nucléaire de la philosophie. Toutes les grandes questions sont dynamitées et réinventées selon une logique totalement neuve. La philosophie devient un art : celui de créer des concepts. Chaque concept créé est une nouvelle façon de voir — et de vivre — le monde. Mais aussi une nouvelle façon de vivre notre rapport à nous-mêmes.➔ Regardez la version vidéo de cet épisode : https://youtu.be/tpT4FJuGBoA➔ Rejoignez-moi sur Patreon : https://www.patreon.com/ParoledephilosopheMembre du Label Tout Savoir. Régies publicitaires : PodK et Ketil Media._____________Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 01:33:17 - Les Nuits de France Culture - par : Mathias Le Gargasson - Ce numéro de "Surpris par la nuit" reprend l'enregistrement du cours donné en 1986 par Gilles Deleuze sur le pli, Leibniz et le baroque. Un assemblage qui semble bien hétéroclite mais qui a été un moment essentiel de la pensée deleuzienne, l'un des apports les plus connus à l'histoire de la pensée. - réalisation : Vincent Abouchar - invités : Gilles Deleuze Philosophe français; Rodolphe Burger Compositeur, guitariste et chanteur français; Georges Didi-Huberman Historien de l'art et philosophe, maître de conférences à l'EHESS; Gibus de Soultrait Directeur de “Surfer's Journal” France

En Pienso, luego estorbo, con Toño Fraguas, descubrimos la figura del gran filósofo francés Gilles Deleuze. Nacido en París en 1925, vivió entre la ciudad y la costa normanda de Deauville, un entorno que marcó su sensibilidad entre lo urbano y lo periférico. Se formó en la Sorbona, influido por pensadores como Merleau-Ponty y Canguilhem, lo que situó su pensamiento entre la fenomenología y la historia de las ciencias.Uno de sus conceptos más influyentes es el de rizoma, una forma de pensar la realidad sin jerarquías ni centros fijos. A diferencia de los árboles, que tienen raíces únicas y estructuras verticales, el rizoma se extiende en múltiples direcciones, como una red subterránea. Para Deleuze, el conocimiento, la cultura y la sociedad funcionan así: conectados por múltiples entradas y salidas, sin un orden único. Es una forma de entender el mundo contemporáneo como complejo, descentralizado y siempre en movimiento.Escuchar audio

In this Halloween episode, Meredith Graves joins Acid Horizon to explore the occulted correspondences between philosophy, ritual, and the practice of magic. Together we trace the tangled histories of witchcraft, labor, and belief—from Aleister Crowley and Sylvia Federici to Gilles Deleuze, GWF Hegel, and the haunted legacies of modern materialism. A conversation on mysticism, matter, and the insurgent imagination, recorded in the spirit of the season.Come see Meredith and Acid Horizon at Durations Festival 2025!Durations: Philosophy and Magic w/ Mitch Horowitz, Phil Ford, and Maeg Keane: https://dice.fm/event/bbyrkv-durations-philosophy-and-magic-w-mitch-horowitz-phil-ford-and-maeg-keane-upstairs-7th-nov-public-records-new-york-ticketsDurations: Five Gates - Disquiet of the Virtual and the Artificial with Jason Bahbak Mohaghegh and Reza Negarestani: https://dice.fm/event/v3oy6l-durations-five-gates-disquiet-of-the-virtual-and-the-artificial-8th-nov-public-records-new-york-tickets?lng=en-USSpeakeasy of the Dead (feat. Meredith): https://www.radiofreegolgotha.com/speakeasyofthedeadSalem Witchcraft and Folklore Festival: salemwitchfest.comHave you got your collector's edition of Acéphalous? https://www.acidhorizonpodcast.com/acephalousSupport the showSupport the podcast:Current classes at Acid Horizon Research Commons (AHRC): https://www.acidhorizonpodcast.com/ahrc-mainWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcast Boycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/ Join The Schizoanalysis Project: https://discord.gg/4WtaXG3QxnSubscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

“Echo Delay Reverb”Art américain, pensées francophonesau Palais de Tokyo, Parisdu 22 octobre 2025 au 15 février 2026Entretien avecAmandine Nana,curatrice au Palais de Tokyo, et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, 21 octobre 2025, durée 16'11,© FranceFineArt.https://francefineart.com/2025/10/24/3659_echo-delay-reverb_palais-de-tokyo/Communiqué de presse Commissariat :Directrice artistique : Naomi BeckwithÉquipe curatoriale : James Horton, Amandine Nana et François Piron, assisté·es de Vincent NeveuxCette saison est une « carte blanche » proposée à la commissaire états-unienne Naomi Beckwith, celle d'imaginer librement un projet pour le Palais de Tokyo qui soit spécifique à cette institution et se déploie dans tous ses espaces. Une paradoxale programmation « internationale en circuit court », c'est-à-dire en fertile interaction avec la réalité locale. Sa réponse spontanée de travailler sur la réception de la pensée française et francophone dans l'art américain de ces dernières décennies m'a immédiatement enthousiasmé. Elle est à la fois passionnante historiquement et extrêmement contemporaine, en lien avec l'actualité de l'art et au-delà.Tout au long du 20e siècle, en France, des philosophes, des poètes, des activistes ont transgressé les disciplines et les genres littéraires et modifié les perspectives sur le monde. Parfois avant même leur reconnaissance en France, leurs idées ont été traduites aux États-Unis et ont servi à fabriquer des outils pour une vision critique de l'art comme de la société. En contestant des normes sociales, esthétiques et linguistiques, ils et elles ont ouvert de nouvelles manières de voir et d'agir. Si la notion de « French Theory » a été établie dans les années 1990 pour évoquer la réception enthousiaste que les États-Unis ont réservé à des auteurs comme Roland Barthes, Michel Foucault, Gilles Deleuze ou Jacques Derrida, d'autres figures, telles que Suzanne et Aimé Césaire, Frantz Fanon, Édouard Glissant ou encore Monique Wittig, ont été déterminantes pour le champ de l'art comme pour les études culturelles, postcoloniales, féministes et de genre.C'est l'histoire de cette circulation des idées, de leur résonance et appropriation par plusieurs générations d'artistes outre-Atlantique que déploie cette exposition foisonnante et généreuse, associant une soixantaine d'artistes majeur·es ou émergent·es, dont le sculpteur Melvin Edwards, à qui est consacrée une riche rétrospective. Dans ce projet conçu par Naomi Beckwith avec l'équipe du Palais de Tokyo, il est beaucoup question de relations. Relations entre art et pensée, entre les États-Unis et la France, entre une personnalité étrangère et une institution française. Relation aussi au sens aussi de relater, partager de nouveaux récits dont nous avons besoin. Plus que le résultat d'une recherche, c'est une aventure artistique, intellectuelle mais aussi curatoriale qui prend le parti d'écrire l'histoire plus que de la décrire.Guillaume Désanges, Président du Palais de Tokyo[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices

French Technological Thought and the Nonhuman Turn  (Edinburgh University Press, 2024) traces a genealogy of thinking and writing about technology, which takes us from the French avant-gardes to the contemporary 'nonhuman turn' in Anglo-American theory via the Surrealists, Gilbert Simondon, and Gilles Deleuze.Tracking the unruly transition from Catholic vocabularies of grace, potentiality, and actuality to the modern and contemporary secular lexicon of agency, virtuality, and affect, this book explores technology as a source of subject matter and conceptual metaphors, but also probes how ideas and words are modes of technicity through which we shape and reshape the world. Fusing literature, philosophy, and theology, it offers readers new contexts - and questions - for the egalitarian ontological commitments of contemporary post- and nonhuman thinking. Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022. Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this episode of the Language on the Move Podcast, Ingrid Piller speaks with Sari Pietikainen about her new book Cold Rush (Palgrave Macmillan, 2024). This book is an original study of “Cold Rush,” an accelerated race for the extraction and protection of Arctic natural resources. The Northernmost reach of the planet is caught up in the double developments of two unfinished forces – rapidly progressing climate change and global economic investment - working simultaneously in tension and synergy. Neither process is linear or complete, but both are contradictory and open-ended. This book traces the multiplicity of Cold Rush in the Finnish Arctic, a high-stakes ecological, economic, and political hotspot. It is a heterogeneous space, understood as indigenous land within local indigenous Sámi people politics, the last frontier from a colonial perspective, and a periphery under the modernist nation-state regime. It is now transforming into an economic hub under global capitalism, intensifying climate change and unforeseen geo-political changes. Based on six years of ethnography, the book shows how people struggle, strategize, and profit from this ongoing, complex, and multidirectional change. The author offers a new theoretical approach called critical assemblage analysis, which provides an alternative way of exploring the dynamics between language and society by examining the interaction between material, discursive, and affective dimensions of Cold Rush. The approach builds on previous work at the intersection of critical discourse analysis, critical sociolinguistics, nexus analysis and ethnography, but expands toward works by philosophers Michel Foucault, Gilles Deleuze, and Felix Guattari. This book will be of interest to researchers on language, discourse, and sociolinguistics interested in engaging with social critique embedded in global capitalism and accelerating climate change; as well as researchers in the social and human sciences and natural sciences, who are increasingly aware of the fact that the theoretical and analytical move beyond the traditional dichotomies like language/society, nature/human and micro/macro is central to understanding today´s complex, intertwined social, political, economic and ecological processes. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of the Language on the Move Podcast, Ingrid Piller speaks with Sari Pietikainen about her new book Cold Rush (Palgrave Macmillan, 2024). This book is an original study of “Cold Rush,” an accelerated race for the extraction and protection of Arctic natural resources. The Northernmost reach of the planet is caught up in the double developments of two unfinished forces – rapidly progressing climate change and global economic investment - working simultaneously in tension and synergy. Neither process is linear or complete, but both are contradictory and open-ended. This book traces the multiplicity of Cold Rush in the Finnish Arctic, a high-stakes ecological, economic, and political hotspot. It is a heterogeneous space, understood as indigenous land within local indigenous Sámi people politics, the last frontier from a colonial perspective, and a periphery under the modernist nation-state regime. It is now transforming into an economic hub under global capitalism, intensifying climate change and unforeseen geo-political changes. Based on six years of ethnography, the book shows how people struggle, strategize, and profit from this ongoing, complex, and multidirectional change. The author offers a new theoretical approach called critical assemblage analysis, which provides an alternative way of exploring the dynamics between language and society by examining the interaction between material, discursive, and affective dimensions of Cold Rush. The approach builds on previous work at the intersection of critical discourse analysis, critical sociolinguistics, nexus analysis and ethnography, but expands toward works by philosophers Michel Foucault, Gilles Deleuze, and Felix Guattari. This book will be of interest to researchers on language, discourse, and sociolinguistics interested in engaging with social critique embedded in global capitalism and accelerating climate change; as well as researchers in the social and human sciences and natural sciences, who are increasingly aware of the fact that the theoretical and analytical move beyond the traditional dichotomies like language/society, nature/human and micro/macro is central to understanding today´s complex, intertwined social, political, economic and ecological processes. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

In this episode of the Language on the Move Podcast, Ingrid Piller speaks with Sari Pietikainen about her new book Cold Rush (Palgrave Macmillan, 2024). This book is an original study of “Cold Rush,” an accelerated race for the extraction and protection of Arctic natural resources. The Northernmost reach of the planet is caught up in the double developments of two unfinished forces – rapidly progressing climate change and global economic investment - working simultaneously in tension and synergy. Neither process is linear or complete, but both are contradictory and open-ended. This book traces the multiplicity of Cold Rush in the Finnish Arctic, a high-stakes ecological, economic, and political hotspot. It is a heterogeneous space, understood as indigenous land within local indigenous Sámi people politics, the last frontier from a colonial perspective, and a periphery under the modernist nation-state regime. It is now transforming into an economic hub under global capitalism, intensifying climate change and unforeseen geo-political changes. Based on six years of ethnography, the book shows how people struggle, strategize, and profit from this ongoing, complex, and multidirectional change. The author offers a new theoretical approach called critical assemblage analysis, which provides an alternative way of exploring the dynamics between language and society by examining the interaction between material, discursive, and affective dimensions of Cold Rush. The approach builds on previous work at the intersection of critical discourse analysis, critical sociolinguistics, nexus analysis and ethnography, but expands toward works by philosophers Michel Foucault, Gilles Deleuze, and Felix Guattari. This book will be of interest to researchers on language, discourse, and sociolinguistics interested in engaging with social critique embedded in global capitalism and accelerating climate change; as well as researchers in the social and human sciences and natural sciences, who are increasingly aware of the fact that the theoretical and analytical move beyond the traditional dichotomies like language/society, nature/human and micro/macro is central to understanding today´s complex, intertwined social, political, economic and ecological processes. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In this episode of the Language on the Move Podcast, Ingrid Piller speaks with Sari Pietikainen about her new book Cold Rush (Palgrave Macmillan, 2024). This book is an original study of “Cold Rush,” an accelerated race for the extraction and protection of Arctic natural resources. The Northernmost reach of the planet is caught up in the double developments of two unfinished forces – rapidly progressing climate change and global economic investment - working simultaneously in tension and synergy. Neither process is linear or complete, but both are contradictory and open-ended. This book traces the multiplicity of Cold Rush in the Finnish Arctic, a high-stakes ecological, economic, and political hotspot. It is a heterogeneous space, understood as indigenous land within local indigenous Sámi people politics, the last frontier from a colonial perspective, and a periphery under the modernist nation-state regime. It is now transforming into an economic hub under global capitalism, intensifying climate change and unforeseen geo-political changes. Based on six years of ethnography, the book shows how people struggle, strategize, and profit from this ongoing, complex, and multidirectional change. The author offers a new theoretical approach called critical assemblage analysis, which provides an alternative way of exploring the dynamics between language and society by examining the interaction between material, discursive, and affective dimensions of Cold Rush. The approach builds on previous work at the intersection of critical discourse analysis, critical sociolinguistics, nexus analysis and ethnography, but expands toward works by philosophers Michel Foucault, Gilles Deleuze, and Felix Guattari. This book will be of interest to researchers on language, discourse, and sociolinguistics interested in engaging with social critique embedded in global capitalism and accelerating climate change; as well as researchers in the social and human sciences and natural sciences, who are increasingly aware of the fact that the theoretical and analytical move beyond the traditional dichotomies like language/society, nature/human and micro/macro is central to understanding today´s complex, intertwined social, political, economic and ecological processes. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Dr. Jerome Corsi uncovers the hidden roots of today's culturally woke identity politics. Drawing from the anti-capitalist book Anti-Oedipus by French philosopher Gilles Deleuze and psychoanalyst Félix Guattari, along with Judith Butler's writings on Gender Theory, Dr. Corsi explains how these radical ideas shaped the Modern Left's obsession with identity politics, false realities, and rejection of objective truth. Highlights include:How Anti-Oedipus provided a blueprint for anti-capitalist cultural movementsThe influence of Judith Butler on gender ideology and the denial of biological realityHow Neo-Marxist ideas evolved into today's Woke groupthink and cultural MaoismWhy these theories fuel opposition to truth, freedom, and traditional values

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com Theorists Marek Poliks & Roberto Alonso Trillo (co-hosts of the Dis.integrator pod) come on New Models to talk us through their highly anticipated new book, Exocapitalism: Economies with Absolutely No Limits, which is out this month from Becoming Press. Through their radical rethinking of capitalism — its indifference to human scale, its endless appetite for complexity, its rapacious transformation of everything into betting surfaces — Marek and Roberto relieve us of old Leftist frameworks, supplying a decoder ring for the growing incoherence of everyday contemporary life. Exocapitalism: Economies With Absolutely No Limits (Becoming Press, 2025) https://becoming.press/exocapitalism-economies-with-absolutely-no-limits-(2025)-by-marek-poliks-roberto-alonso-trillo Authors: Marek Poliks & Roberto Alonso Trillo https://www.marekpoliks.com/ https://robertoalonsotrillo.com/ https://open.spotify.com/show/4AcGAXHIdRu1toaZYnK3kB Foreward: Charles Mudede Afterward: Alex Quicho Art & Design: Palais Sinclaire Illustrations: Avocado Ibuprofen Names cited: AMD, Amazon/AWS, Amanda Askell, American Express, BlackRock, Bogna Konior, Charles Mudede, ChatGPT, Citadel, Cortical Labs, Daniel Felstead & Jenn Leung, David Graeber, DraftKings, Dunkin', SNAP (US food stamps), Elena Esposito, Gilles Deleuze & Felix Guattari, GUS (Global University Systems), Helen Hester & Nick Srnicek, Hilton Worldwide, Jürgen Habermas, K Allado-McDowell, Karl Marx, Kraft Singles, Luciana Parisi, Luigi Mangione, Nick Land, Nvidia, OpenAI, Ray Brassier, René Benko, Robinhood, Salesforce, Silvia Federici, SpaceX, Starbucks, TSMC

Neste episódio Marcos Carvalho Lopes fala sobre os Engenheiros do Hawaii, destacando sua relação com a arquitetura e o debate modernismo/pós-modernismo, o existencialismo de Jean Paul-Sartre e Albert Camus; e a imagem do surfista da imanência de Gilles Deleuze. Leia mais → O post 232.Engenheiros do Hawaii, com Marcos Carvalho Lopes apareceu primeiro em filosofia pop.

What happens when the painter's hand breaks free from the eye, and chaos reorganizes the entire field of vision? In this episode of Acid Horizon, we join Charles Stivale, translator of On Painting and The Logic of Sense, to explore Gilles Deleuze's rare 1981 seminar on painting. Together we trace how concepts like catastrophe, diagram, and modulation emerge from Deleuze's live philosophical “laboratory” and feed into his landmark work Francis Bacon: The Logic of Sensation. Along the way, we uncover the historical, conceptual, and translational stakes of bringing this dynamic moment in Deleuze's thought into English for the first time.Buy the Book: https://www.upress.umn.edu/9781517918408/on-painting/Review of 'On Painting': https://www.artnews.com/art-in-america/aia-reviews/deleuze-seminars-painting-1234749008/Link to the seminar: Painting and the Question of Concepts, https://deleuze.cla.purdue.edu/seminar/painting-and-question-concepts/Support the showSupport the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcast Boycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/ Join The Schizoanalysis Project: https://discord.gg/4WtaXG3QxnSubscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

Tom Burtonwood: Art, Philosophy, Community and Pragstraction

durée : 00:23:17 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Dans les cours qu'il dispense à l'Université Paris-Vincennes dans les années 1970-1980, Gilles Deleuze rappelle ce que dit l'architecte et philosophe Paul Virilio : “L'Etat fasciste est un état suicidaire”. Il s'y réfère pour interroger progressivement le fonctionnement de la machine de guerre. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:18:26 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Nous avons la possibilité intérieure de penser mais qu'est-ce qui nous donne à penser ? En mobilisant Heidegger, Antonin Artaud, Maurice Blanchot et Michel Foucault, le philosophe Gilles Deleuze questionne le pouvoir et l'impouvoir de la pensée. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:25:17 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - En 1987, le philosophe Gilles Deleuze, qui enseigne à l'Université Paris-VIII depuis 1971, donne sa dernière année de séminaire en philosophie. Ses derniers cours avant sa retraite sont consacrés au développement de notions telles que l'immortalité de l'âme et la joie de devenir soi. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:22:07 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - “Le temps ne cesse de bifurquer” disait Deleuze. En prenant appui sur l'œuvre cinématographique du réalisateur américain Joseph L. Mankiewicz, Gilles Deleuze revient sur cette notion du temps qui bifurque – contrairement à l'espace qui, lui, ne bifurque pas. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:21:46 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Pour le philosophe Gilles Deleuze, le cinéma américain, nourri du mythe de l'"American dream", avait participé de la naissance même de la nation américaine. Un rêve pourtant plein de fêlures... - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:23:04 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Professeur à l'Université Paris-Vincennes dans les années 1970-1980, Gilles Deleuze dédie ses dernières années d'enseignement au cinéma, un art qui, pour le philosophe, fait notamment office de mémoire du monde. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:20:39 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Pour le philosophe Gilles Deleuze, la dépréciation du capital et la création d'un nouveau capital font intrinsèquement partie du processus capitaliste. Cette double face du capitalisme est révélatrice de son impuissance politique et économique à revenir en arrière, ainsi que de ses limites. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:13:00 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Pendant plus de quinze ans, Gilles Deleuze a donné des cours à l'Université Paris 8 – des cours enregistrés avec de simples magnétophones par les étudiants, à partir de 1979. À la mort de Michel Foucault en 1984, Deleuze rend hommage au philosophe et à son travail pendant une année universitaire. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:30:49 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - À partir de la rentrée universitaire de 1981, et pendant les quatre années qui suivent, Gilles Deleuze consacre ses cours à un domaine encore peu exploré par la philosophie : le cinéma. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:22:50 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Souveraineté, discipline et contrôle forment les grands axes de la pensée du philosophe Michel Foucault. À la mort de celui-ci en 1984, Gilles Deleuze décide de revenir, dans le cadre de ses cours à Paris 8, sur les travaux du grand théoricien français des institutions disciplinaires. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:21:06 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Dans ses cours donnés à l'université Paris-Vincennes dans les années 1970-1980, Gilles Deleuze amorce la notion de “processus” en la reliant à celle du désir et de l'inconscient. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:21:18 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Qu'est-ce que la philosophie ? Génératrice de concepts, la discipline incite Gilles Deleuze à plonger dans la pensée de Leibniz. Deleuze va alors dédier plusieurs de ses cours donnés à l'Université Paris-Vincennes au philosophe allemand. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:23:17 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Dans les cours dispensés par Gilles Deleuze à l'Université Paris 8 pendant plus de quinze ans, il est largement question de la capacité philosophique à élaborer des concepts, mais aussi de la dimension nécessaire de la discipline. Pour lui, celle-ci s'apparente en effet à un cri de la pensée. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

durée : 00:20:30 - Deleuze retrouvé : 16 leçons de philosophie - par : David Lapoujade - Parmi les concepts emblématiques de la pensée de Gilles Deleuze, celui de rhizome, élaboré avec le philosophe et psychanalyste Félix Guattari. Un concept clef qui remet en question le principe de hiérarchie. - réalisation : Thomas Jost - invités : David Lapoujade professeur à l'université Paris-I Panthéon-Sorbonne

Welcome back! You're listening to the "Breaking Social Norms" podcast with the Weishaupts! Today we're breaking down MORE symbolism from the 2021 Travis Scott Astroworld concert tragedy- we'll be talking about a recent photo shoot with Michele Lamy & Rick Owens which ties into Dark Enlightenment philosopher Gilles Deleuze and Marina Abramovic, some SHOCKING findings on the new Netflix documentary "Trainwreck: The Astroworld Tragedy", a 4.5M dollar contract Travis Scott had with Apple to finish the concert, symbolism from the concert that connects to Kanye West's DONDA concert and the red pill daddy himself James Shelby Downard's King Kill 33 reveals the meaning behind the mass casualty event.Get the FULL SHOW AD-FREE with early access on Patreon.com/BreakingSocialNorms and Apple Podcast Premium!LINKS to Isaac's podcast series on Travis Scott: Part 1: Astroworld Concert- Blood Sacrifice Conspiracy Theory & Travis Scott: https://illuminatiwatcher.com/astroworld-concert-blood-sacrifice-conspiracy-theory-travis-scott/Part 2: Astroworld Pt 2- Hell on Earth, Illuminati Black Magick & Travis Scott's Demons: https://illuminatiwatcher.com/astroworld-pt-2-hell-on-earth-illuminati-black-magick-travis-scotts-demons/Part 3: AstroWorld Pt 3: My Apology to Travis Scott, Concert Symbolism, Luciferianism, CERN & Pearl Jam: https://illuminatiwatcher.com/astroworld-pt-3-my-apology-to-travis-scott-concert-symbolism-luciferianism-cern-pearl-jam/Astroworld Pt 4- Travis Scott's Apology with Charlamagne and 2019 Netflix Documentary https://illuminatiwatcher.com/astroworld-pt-4-travis-scotts-apology-with-charlamagne-and-2019-netflix-documentary/Travis Scott UTOPIA: Occult Symbolism of Alchemy, Astroworld, Egyptian Gods & Magick! https://illuminatiwatcher.com/travis-scott-utopia-occult-symbolism-of-alchemy-astroworld-egyptian-gods-magick/You can now sign up for our commercial-free version of the show with a Patreon exclusive bonus show called “Morning Coffee w/ the Weishaupts” at Patreon.com/BreakingSocialNorms  OR subscribe on the Apple Podcasts app to get all the same bonus “Morning Coffee” episodes AD-FREE with early access! (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/r34zj)Want more?…Index of all previous episodes on free feed: https://breakingsocialnorms.com/2021/03/22/index-of-archived-episodes/Leave a review or rating wherever you listen and we'll see what you've got to say!Follow us on the socials:instagram.com/theweishaupts2/Amazon Affiliate shop (*still under construction) with our favorite hair, skin care and horny books: https://breakingsocialnorms.com/2024/08/24/amazon-shopping-list-josie-and-isaacs-list/Check out Isaac's conspiracy podcasts, merch, etc:AllMyLinks.com/IsaacWOccult Symbolism and Pop Culture (on all podcast platforms or IlluminatiWatcher.com)Isaac Weishaupt's book are all on Amazon and Audible; *author narrated audiobooks*STATEMENT: This show is full of Isaac's and Josie's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

Part 1 Anti-Oedipus by Gilles Deleuze Summary"Anti-Oedipus: Capitalism and Schizophrenia" is a foundational text in post-structuralist thought, co-authored by French philosophers Gilles Deleuze and Félix Guattari, published in 1972. The work critiques traditional Freudian psychoanalysis and incorporates concepts from Marxism, anthropology, and philosophy. Here's a summary of its main ideas:Rejection of Oedipus ComplexDeleuze and Guattari challenge the centrality of the Oedipus complex in understanding human psychology and social dynamics. They argue that this Freudian concept narrows the complexity of desire and reduces it to familial and sexual determinants.Desire as ProductiveThe authors propose that desire should be seen as a productive force rather than simply a lack or deficit. They coined the term "desiring-production" to describe the way desires create social and economic realities. Instead of repressing desires, societies channel and structure them through various institutions (family, state, capital).Capitalism and SchizophreniaThe title itself suggests a link between capitalism and schizophrenia as systems that disrupt conventional forms of organization. They argue that capitalism liberates desire by breaking down traditional social bonds but simultaneously re-imposes new forms of control. This paradox creates a schizophrenic state where individuals oscillate between freedom and constraint.Assemblages and MultiplicityDeleuze and Guattari introduce the concept of "assemblages"—a collection of heterogeneous elements that come together to form a whole. They emphasize a multiplicity of identities and desires that exist outside rigid categorizations, arguing against essentialist views of human nature.Anti-AuthoritarianismThroughout the text, there's an anti-authoritarian sentiment. They encourage a radical rethinking of societal structures and promote the idea of reforming anything that confines desire—ranging from family units to the state and capitalist economies.SchizoanalysisInstead of psychoanalysis, they propose "schizoanalysis" as a method for understanding desire and social relationships. Schizoanalysis aims to liberate desire from societal constraints and explore how it interacts with broader social and economic forces. Conclusion"Anti-Oedipus" serves as a manifesto for rethinking desire, identity, and power in contemporary societies. It challenges readers to consider how psychoanalysis can be expanded beyond family dynamics to encompass a broader understanding of desire's role in shaping both individual subjectivity and societal structure. This work laid the foundation for further exploration of these themes in their subsequent collaboration, "A Thousand Plateaus." Overall, "Anti-Oedipus" invites a radical rethinking of how desire functions within capitalism and opens the door to new ways of conceptualizing human interaction and social organization.Part 2 Anti-Oedipus AuthorGilles Deleuze was a French philosopher born on January 18, 1925, and he passed away on November 4, 1995. He is widely known for his work in philosophy, particularly his contribution to postmodernism and post-structuralism. Deleuze's collaborative work with psychoanalyst Félix Guattari significantly influenced various fields, including philosophy, literature, film, and cultural studies. Anti-OedipusRelease Date: "Anti-Oedipus: Capitalism and Schizophrenia," co-authored with Félix Guattari, was first published in French in 1972.This book is a foundational text of their two-volume series titled "Capitalism and Schizophrenia" and is often regarded as a seminal work in the fields of philosophy, psychoanalysis, and social theory. Other Notable WorksGilles Deleuze wrote several influential books, some of which include:Difference and Repetition (1968) This book offers a...

durée : 00:31:52 - La Terre au carré - par : Mathieu Vidard - Son roman "Les Racines du ciel", prix Goncourt en 1956, est souvent considéré comme "le premier roman écologique". En avance sur son temps, Romain Gary questionne le rapport de l'humain à la nature et anticipe les controverses qui lient l'écologie à la société et à la politique. - invités : Igor Krtolica - Igor Krtolica : Maître de conférences en philosophie, spécialiste de Deleuze et auteur de "Gilles Deleuze", collection Que sais-je ? - réalisé par : Jérôme BOULET Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:58:27 - Avec philosophie - par : Géraldine Mosna-Savoye, Nassim El Kabli - Qu'est-ce que la ritournelle, au sens où l'introduisent Gilles Deleuze et Félix Guattari dans leur livre "Mille Plateaux" ? En quoi est-elle davantage qu'une simple rengaine ? - réalisation : Nicolas Berger - invités : Pascale Criton Compositrice française et musicologue

What connects Adonis resident Grace Sands, the free party explosion of summer '91, Deleuzian dancefloor philosophy, and the annual Gloucestershire cheese-rolling competition?It's this episode of No Tags, obviously, but the connecting tissue goes much deeper, we promise. The last third of the show contains our recent conversation with Grace Sands – house DJ, free party originator, icon of London's queer underground – live in Sheffield on 9th May. In a compact Q&A before a screening of Free Party: A Folk History hosted by No Tags and local heroes Gut Level, she set out some of the early ideals of a scene which changed the course of British dance music.We talk about our own reactions to the film, a superb documentary charting the UK's free party movement in the late ‘80s and early ‘90s, featuring members of UK soundsystems like Spiral Tribe, Bedlam and Grace's alma mater DiY.Before all that, for the first hour of the show we respond to some excellent listener feedback on recent pod topics, including who exactly goes to see Keinemusik and what makes the perfect night out. Inspired by one Taganista in particular, Chal expands her recent theory of rave with an important third axis from wiggy theorist Gilles Deleuze. Show us another podcast whose listeners write in about Plato and Love Island!As ever, if you want to support what we're doing on No Tags, please do drop us a like and follow on Apple Podcasts, Spotify and Substack. You can also subscribe to our paid tier, which costs £5 per month. Planning, recording, editing and transcribing these regular podcasts is a pleasure but it's also a lot of work, and your support truly does make a difference. Get full access to No Tags at notagspodcast.substack.com/subscribe

Best known as the wife and partner of Timothy Leary, Rosemary Woodruff was in fact a central figure in the psychedelic movement in her own right—a political radical, underground fugitive, and neglected architect of the counterculture. In this episode, Phil and JF speak with journalist and author Susannah Cahalan about Woodruff Leary's life and legacy. Cahalan's new book, The Acid Queen: The Psychedelic Life and Counterculture Rebellion of Rosemary Woodruff Leary, brings its subject into focus as a complex and courageous individual whose story has been overshadowed for too long. The conversation follows the threads of the biography while branching into the weirdness of biographical writing, the ongoing relevance of the 1960s counterculture, the troubling figure of Timothy Leary, and the enduring promise—and peril—of psychedelics. Susannah Cahalan is the New York Times bestselling author of Brain on Fire, a memoir about her experience with autoimmune encephalitis. Her second book, The Great Pretender, which investigated a seminal study in the history of mental health care and diagnosis, was shortlisted for the the Royal Society's 2020 Science Book Prize. She lives in New Jersey with her family. Photo from the Los Angeles Times Photographic Collection at UCLA, via Wikimedia Commons. REFERENCES Susannah Cahalan, The Acid Queen Weird Studies, Episode 189 with Jacob Foster Marion Woodman, Canadian feminist author Peter Braunstein and Michael William Doyle, Imagine Nation: The American Counterculture of the 1960s & '70s Fred Turner, From Counterculture to Cyberculture Eric Davis, TechGnosis Lutz Dammbeck, The Net: The Unabomber, LSD, and the Internet Robert Greenfield, Timothy Leary: A Biography Anthony Storr, Feet of Clay Blanche Hoschedé Monet, French painter Gilles Deleuze and Felix Guattari, A Thousand Plateaus Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:58:11 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - L'écrivain et traducteur Claro évoque un livre-événement, écrit comme la suite de Mai 68, dans la même euphorie, avec ses flux et ses coupures, ses images et ses courts-circuits, avec ses corps sans organes et ses machines désirantes : "L'Anti-Œdipe" de Gilles Deleuze et Félix Guattari. - réalisation : Nicolas Berger - invités : Christophe Claro Ecrivain et traducteur

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices