Podcasts about Gilles Deleuze

Best known as the wife and partner of Timothy Leary, Rosemary Woodruff was in fact a central figure in the psychedelic movement in her own right—a political radical, underground fugitive, and neglected architect of the counterculture. In this episode, Phil and JF speak with journalist and author Susannah Cahalan about Woodruff Leary's life and legacy. Cahalan's new book, The Acid Queen: The Psychedelic Life and Counterculture Rebellion of Rosemary Woodruff Leary, brings its subject into focus as a complex and courageous individual whose story has been overshadowed for too long. The conversation follows the threads of the biography while branching into the weirdness of biographical writing, the ongoing relevance of the 1960s counterculture, the troubling figure of Timothy Leary, and the enduring promise—and peril—of psychedelics. Susannah Cahalan is the New York Times bestselling author of Brain on Fire, a memoir about her experience with autoimmune encephalitis. Her second book, The Great Pretender, which investigated a seminal study in the history of mental health care and diagnosis, was shortlisted for the the Royal Society's 2020 Science Book Prize. She lives in New Jersey with her family. Photo from the Los Angeles Times Photographic Collection at UCLA, via Wikimedia Commons. REFERENCES Susannah Cahalan, The Acid Queen Weird Studies, Episode 189 with Jacob Foster Marion Woodman, Canadian feminist author Peter Braunstein and Michael William Doyle, Imagine Nation: The American Counterculture of the 1960s & '70s Fred Turner, From Counterculture to Cyberculture Eric Davis, TechGnosis Lutz Dammbeck, The Net: The Unabomber, LSD, and the Internet Robert Greenfield, Timothy Leary: A Biography Anthony Storr, Feet of Clay Blanche Hoschedé Monet, French painter Gilles Deleuze and Felix Guattari, A Thousand Plateaus Learn more about your ad choices. Visit podcastchoices.com/adchoices

A cento anni dalla nascita e a quarant'anni dalla morte di Gilles Deleuze, Moby Dick dedica una puntata al filosofo francese che ha rivoluzionato il modo di pensare la differenza, il desiderio e la creatività.Nell'ora centrale della trasmissione – condotta da Lina Simoneschi Finocchiaro- vi proponiamo un approccio al tema che accompagnerà le ascoltatrici e gli ascoltatori in un viaggio nel pensiero di Deleuze, tra filosofia, politica, arte e vita. Interverranno:Angela Balzano filosofa, attivista femminista e traduttrice. Angela Balzano è specializzata in biopolitica, ecologia politica e femminismo . Ha curato le traduzioni: Il postumano (2014) e Materialismo radicale (2019) di Rosi Braidotti; Biolavoro globale (2015) di Melinda Cooper e Catherine Waldby; Le promesse dei mostri (2019) di Donna Haraway. Con Carlo Flamigni ha scritto Sessualità e riproduzione (2015). Nei suoi studi, lavora con i concetti di Deleuze e Guattari per ripensare il rapporto tra corpi, natura e tecnologia, portando l'attenzione sul desiderio come forza collettiva e sull'immaginazione rizomatica dei movimenti ecofemministi. È coordinatrice e docente del modulo Scienze del Master in Studi e politiche di genere dell'Università degli Studi Roma Tre.Ilenia Caleo, è performer, attivista e ricercatrice. Dal 2000 lavora come attrice, performer e dramaturg nella scena contemporanea, collaborando con diverse compagnie e registe/i. Filosofa di formazione, si occupa di corporeità, epistemologie femministe, sperimentazioni nelle performing arts, nuove istituzioni e forme del lavoro culturale. È assegnista di ricerca all'Università IUAV di Venezia e cofondatrice del Master Studi e Politiche di Genere di Roma Tre. Ha pubblicato Performance, materia, affetti. Una cartografia femminista, Bulzoni 2021 e co-curato In fiamme. La performance nello spazio delle lotte 1967/1979, b-r-u-n-o 2021. Attivista del Teatro Valle Occupato e nei movimenti dei commons e queer-femministi, è cresciuta politicamente e artisticamente nella scena dei centri sociali. Ilenia Caleo si muove attraverso il pensiero di Deleuze e Guattari per esplorare il divenire, la cooperazione e le potenzialità rivoluzionarie dell'arte e della performance.Ospite dell'ultima mezz'ora - condotta da Lou Lepori- sarà Sara Baranzini. Filosofa e studiosa di Deleuze, storica del cinema e del teatro, co-fondatrice della rivista di filosofia “La Deleuziana”, è autrice di saggi in varie lingue, nonché traduttrice di filosofia contemporanea, curatrice indipendente e drammaturga.

durée : 00:58:11 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - L'écrivain et traducteur Claro évoque un livre-événement, écrit comme la suite de Mai 68, dans la même euphorie, avec ses flux et ses coupures, ses images et ses courts-circuits, avec ses corps sans organes et ses machines désirantes : "L'Anti-Œdipe" de Gilles Deleuze et Félix Guattari. - réalisation : Nicolas Berger - invités : Christophe Claro Ecrivain et traducteur

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of the A is for Architecture Podcast, I spoke with Chris L. Smith, Professor of Architectural Theory at the University of Sydney, to discuss his book, Architecture After Deleuze and Guattari (Bloomsbury 2023). We explore how the philosophies of Gilles Deleuze and Félix Guattari have influenced architectural thought and practice, and the possibilities that we're all Deleuzo-Guattarian architects now…Deleuze and Guattari's significance for architectural theory and design practice lies in their radical rethinking of concepts like form, process and relationality, which have profoundly influenced how architects conceptualize and create space in the late 20th and 21st centuries. Their collaborative works offer a philosophical framework that rejects fixed hierarchies, linear causality and static structures, instead emphasizing multiplicity, fluidity, and dynamic systems, shifting architectural discourse away from traditional modernist principles of order and function towards experimental, process-oriented, and politically engaged practices. 

durée : 01:48:45 - Comme un samedi - par : Arnaud Laporte - Huit ans que nous n'avions pas entendu sa voix, mais oui, le revoilà : le musicien Babx, insituable, qui affectionne la lettre X comme symbole de multiplicité, avec un nom de plume ne désignant donc pas un individu mais un groupe. Logique, alors, de lui confier une carte blanche ! - réalisation : Alexandre Fougeron - invités : Babx Auteur, compositeur, interprète; Quatuor Kaija formation musicale composée de Camille Garin, Maëlle Desbrosses, Madeleine Athané Best et Adèle Viret; Fabrice Arfi Journaliste à Mediapart; Nathalie Garraud Metteur en scène

David Lapoujade vous présente l'ouvrage de Gilles Deleuze "Sur Spinoza : cours novembre 1980-mars 1981" aux éditions Minuit. Entretien avec Kim Sang Ong Van Cung.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay.

We discuss John's art, his dissertation, “Communication & Control”, his “Theses on Punk Rock”, and briefly his “Fifteen Suppositions”. We also discuss Alain Badiou, Gilles Deleuze, Theodor Adorno, Michael Pisaro, Jacob Taubes, Simone Weil, Georges Bataille, Sergii Bulgakov, David Bentley Hart, Jordan Daniel Wood, St. Isaac of Nineveh, Jean-Phillipe Rameau, Jean-Jacques Rousseau, and more.

"Il y avait cette idée d'imaginer une émission qui pouvait être un espace de partage, quelque chose de collectif."Clément Baudet, alias Le MuletÉmission consacrée à une autre émission de radio, Infini'tif, produite par Chloé Despax et Clément Baudet, alias La Mèche et Le Mulet, sur Radio Grenouille à Marseille. Avec ce titre, qui évoque les jeux de mots des salons de coiffure, Infini'tif est conçue comme un "abécéd'hair" transgressif des actions vitales qu'on fait tous les jours sans même plus penser qu'on les fait. "Naître", "digérer", "voir", "marcher", "désirer", l'émission reprend toutes ces actions à la racine avec des sons qui défrisent et bien dégagés – ou engagés – derrière les oreilles. C'est aussi un prétexte pour aller à la rencontre des acteurices de la ville de Marseille (habitant·es, militant·es, scientifiques, artistes...) et une façon de renforcer les liens avec d'autres collectifs et créateurices de radio. Extraits de l'émission : "La naissance de Dalva", de Clément Baudet et Alicie Lefilleul "Naym et le couscous à la harissa", de chloé Despax "Dernieres paroles', d'Amélie Perrot du collectif Monobloc Archives de "La Marche de 1983" et interview de Zohra B. militante antiraciste "Oublier Facebook", d'Emmanuel Vigier et Géry Petit Virgule "Trump et la collapsologie" Archive de "Désirer" de Gilles Deleuze feat. "Freed from desire" de Gala Lecture de "Mon corps trans est une maison vide", de Paul B. Preciado, par La Mèche et Le Mulet Toutes les émissions d'Infini'tif sont à écouteur sur le site de Radio Grenouille, sur Mixcloud et sur toutes les plateformes d'écoute. Cette émission a été produite et réalisée par Claire Latxague.

Coop and Taylor discuss Deleuze's The Method of Dramatization from Desert Islands, an anthology of texts and interviews written over 20 years. Book Link: https://mitpress.mit.edu/9781584350187/desert-islands/ Deleuze Playlist: https://soundcloud.com/podcast-co-coopercherry/sets/deleuze?si=3341a6281fc743ffa3cb0241f6dd9cfa&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Support us on Patreon: - www.patreon.com/muhh - Twitter: @unconscioushh

In Our Time – Pollination https://www.bbc.co.uk/sounds/play/m0028jtx (via ChatGPT) a evolução da vida x Deleuze https://chatgpt.com/share/67d821a0-9fe4-8006-8474-6ad6ac41e198 (via ChatGPT) a filosofia de Deleuze e dicas de obras https://chatgpt.com/share/67d82204-ea5c-8006-8e4a-6593a482514f Luiz Fuganti – Escola Nômade https://www.youtube.com/escolanomade Escola Nômade https://escolanomade.org/ Gilles Deleuze https://en.wikipedia.org/wiki/Gilles_Deleuze Diferença e repetição Gilles Deleuze https://a.co/d/c0JdMt4 (via ChatGPT) Suplementos de Proteína https://chatgpt.com/share/67d8230d-3cdc-8006-8d18-b09d07f64144 canal do radinho no whatsapp!https://whatsapp.com/channel/0029VaDRCiu9xVJl8belu51Z ... Read more The post episódio especial: viva a Diferença! appeared first on radinho de pilha.

Gabriele Pedullà"Il trascendente nel cinema"Paul SchraderMarietti1820www.mariettieditore.itLa domanda che sta all'origine di questo libro è molto semplice: in che modo è possibile (ammesso che lo sia) portare sullo schermo il completamente altro, il divino? A distanza di oltre mezzo secolo dalla sua prima pubblicazione, l'acclamato regista e sceneggiatore Paul Schrader rivisita e aggiorna la sua riflessione sul cinema lento degli ultimi cinquant'anni. L'analisi dello stile cinematografico di tre grandi registi – Yasujirō Ozu, Robert Bresson e Carl Dreyer – si arricchisce di un nuovo quadro teorico, offerto dal pensiero di Gilles Deleuze sul cinema e sulla fenomenologia della percezione attraverso il tempo, espandendo la teoria alle opere, tra gli altri, di Andrej Tarkovskij e Béla Tarr. Con una prosa chiara, l'autore insegna a lettori e spettatori a guardare con occhi nuovi alla cinematografia d'autore, in un'opera che - come sostiene Gabriele Pedullà - non è soltanto «un acuto studio critico» dei capolavori del passato, ma un vero e proprio «manifesto per un cinema diverso»: «un grande classico che continua a tracciare strade, aprire porte, scavare gallerie, costruire ponti che aiutano tutti a pensare più liberamente».Prefazione "Il trascendente nel cinema" a cura di Gabriele Pedullà.Paul Schrader (Grand Rapids - Michigan 1946), critico cinematografico, sceneggiatore di capolavori come Taxi Driver, Toro scatenato e L'ultima tentazione di Cristo, ha diretto film indimenticabili come American Gigolò e First Reformed. Ritenuto uno dei protagonisti della New Hollywood, nel 2022 ha ricevuto il Leone d'oro alla carriera. Il 16 gennaio 2025 è uscito nei cinema italiani il film da lui scritto e diretto Oh Canada - I tradimenti, con Uma Thurman e Richard Gere.Gabriele Pedullà (Roma 1972) insegna Letteratura italiana presso l'università di Roma Tre e scrive per «Il Sole 24 Ore». Autore di diversi libri di saggistica, tra cui il recente On Niccolò Machiavelli: The Bonds of Politics (Columbia University Press, 2023, in corso di traduzione per Einaudi), con Sergio Luzzatto ha curato l'Atlante della letteratura italiana (Einaudi 2010-12). Presso Einaudi ha inoltre pubblicato le raccolte di racconti Lo spagnolo senza sforzo (2009, Premio Mondello Opera Prima; Premio Verga; Premio Frontino), Biscotti della fortuna (2020, Premio Super Flaiano) e Certe sere Pablo (2024), e il romanzo Lame (2017, Premio Carlo Levi; Premio Martoglio). Le sue opere sono tradotte, o in corso di traduzione, in otto lingue.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Dimes and Prudentialist continue their "Do You Even Read" series by tackling one of the classics of Always-Referenced-Never-Read: "Anti-Oedipus: Capitalism and Schizophrenia" by Gilles Deleuze and Félix Guattari. Support Dimes Blood $atellite: https://bloodsatellite.ca/ Merch: https://goodsvffer.com/ Substack: https://vanguardistjournal.substack.com/ Support My Work Subscribestar: https://subscribestar.com/the-prudentialist Buy Me a Coffee: https://buymeacoffee.com/prudentialist Substack: https://theprudentialist.substack.com/  Links: https://findmyfrens.net/theprudentialist

Dimes and Prudentialist conclude their coverage of "Anti-Oedipus: Capitalism and Schizophrenia" by Gilles Deleuze and Félix Guattari by addressing the pillars of Oedipus and Schizoanalysis. Support Dimes Blood $atellite: https://bloodsatellite.ca/ Merch: https://goodsvffer.com/ Substack: https://vanguardistjournal.substack.com/ Support My Work Subscribestar: https://subscribestar.com/the-prudentialist Buy Me a Coffee: https://buymeacoffee.com/prudentialist Substack: https://theprudentialist.substack.com/ Links: https://findmyfrens.net/theprudentialist

In this episode Barry and Mike revisit Gilles Deleuze's essay “Postscript on the Society of Control.” They attempt to reframe the central arguments of the essay in terms of our current digital culture.

Seit einigen Jahren erfährt der Stoizismus in anti-feministischen Kreisen eine auffällige Renaissance, die im gleichen Zug einen beinahe totgeglaubten misogynen Binarismus wiederbelebt. In dieser Episode schaue ich mir dieses Phänomen etwas genauer an, was mich über Kalifornien ins alte Griechenland und bis nach Brüssel führt. Schließlich schlage ich mit Gilles Deleuze eine alternative Lesart der Stoa vor, die dann auch zu radikal anderen Ergebnissen führt.

Jim talks with Jordan Hall about the relationship between humanity and advanced AI. They discuss the false dichotomy of state vs market control of AI, the commons & the church as organizing principles, community vs society, why alignment with humanity is by definition impossible, the role of symbols & organizing principles in communities, how Moloch & Mammon shape AI development, hyper-concentration of power, neo-feudalism, the possibility of an AI singleton, entropy in communities, an alternative path centered on intimate AI, individual values, integrity, restoration of the commons, the potential for rapid dissemination, the choice between good & expediency, mutual self-correction, collective action guided by higher values, the need for a properly functioning priestly class, and much more. Jordan's tweet Jim's response JRS EP8 – Jordan “Greenhall” Hall and Game B JRS EP26 – Jordan Hall on the Game B Emergence JRS EP 170 – John Vervaeke and Jordan Hall on The Religion That Is Not a Religion JRS EP 223 – Jordan Hall on Cities, Civiums, and Becoming Christian JRS EP 255 Is God Real? (with Jordan Hall) JRS EP 281 - Jeff Hawkins and Viviane Clay on the Thousand Brains Theory Jordan Hall is the Co-founder and Executive Chairman of the Neurohacker Collective. He is now in his 17th year of building disruptive technology companies. Jordan's interests in comics, science fiction, computers, and way too much TV led to a deep dive into contemporary philosophy (particularly the works of Gilles Deleuze and Manuel DeLanda), artificial intelligence and complex systems science, and then, as the Internet was exploding into the world, a few years at Harvard Law School where he spent time with Larry Lessig, Jonathan Zittrain and Cornel West examining the coevolution of human civilization and technology.

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

David Lynch passed away on January 15th, 2025, leaving behind a body of work that reshaped the landscape of cinema and television. Few artists have delved as deeply into the strange, the beautiful, and the terrifying as Lynch, and few have had as profound an influence on Weird Studies. His films have long been a touchstone for JF and Phil's discussions on art, philosophy, and the nature of the weird. To honor his memory, they decided to devote an episode to Lynch's work as a whole, with special attention paid to Eraserhead—the nightmarish debut that announced his singular vision to the world. A study in dread, desire, and the uncanny, Eraserhead remains one of the most disturbing and mysterious works of American cinema. In this episode, we explore what makes it so powerful and how it connects to Lynch's larger artistic project. To enroll in JF's new Weirdosphere course, It's All Real: An Inquiry Into the Reality of the Supernatural, please visit www.weirdosphere.org. The course starts on Thursday, Feb 6, at 8 pm Eastern. A video for the piece For David Lynch is available on Pierre-Yves Martel's YouTube channel (https://youtu.be/3d73NWXWgyY?si=kHr9yZV2As9wLzSe). REFERENCES David Lynch, Eraserhead (https://www.imdb.com/title/tt0074486/) David Lynch: The Art Life (https://www.imdb.com/title/tt1691152/) Victorian Nelson, The Secret Life of Puppets (https://bookshop.org/a/18799/9780674012448) Norman Mailer, An American Dream (https://bookshop.org/a/18799/9780812986136) Laura Adams, "Existential Aesthetics: An Interview with Norman Mailer” George P. Hansen, The Trickster and the Paranormal (https://bookshop.org/a/18799/9781401000820) Carl Jung, The Red Book (https://bookshop.org/a/18799/9780393065671) Jack Arnold (dir.), The Creature from the Black Lagoon (https://www.imdb.com/title/tt0046876/) Noel Caroll, The Philosophy of Horror (https://bookshop.org/a/18799/9780415902168) Gilles Deleuze, The Logic of Sense (https://bookshop.org/a/18799/9780231059831) Jack Smith, “The Perfect Filmic Appositeness of Maria Montez” (https://www.scribd.com/document/249415272/The-Perfect-Filmic-Appositeness-of-Maria-Montez) David Foster Wallace, “David Lynch Keeps his Head” in A Supposedly Fun Thing I'll Never do Again (https://bookshop.org/a/18799/9780316925280) Arthur Machen, The White People (https://shortstoryproject.com/stories/the-white-people/) William Shakespeare, Macbeth (https://bookshop.org/a/18799/9781451694727)

Join our latest reading groups here: patreon.com/acidhorizonpodcast"Creativity and Intoxication" with Adam C. Jones: https://thenewcentre.org/seminars/creativity-and-intoxication/In this episode, we explore Félix Guattari's essay "Everybody Wants to Be a Fascist", dissecting its critique of micro-fascisms in everyday life. The discussion examines how desire, power, and subjectivity become entangled in oppressive structures beyond traditional authoritarianism. Drawing from Guattari's solo work and his collaboration with Gilles Deleuze, we analyze how resistance must operate at both individual and collective levels to escape fascistic formations in contemporary society.The essay: https://www.revue-chimeres.fr/IMG/pdf/everybody-wants-to-be-a-fascist.pdfSupport the showSupport the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastJoin The Schizoanalysis Project: https://discord.gg/4WtaXG3QxnSubscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

Großer Verlust. HFF-Professorin Michaela Kürtzen über das Werk des US-Regisseurs David Lynch. Mit Christoph Leibold. Assoziatives Gedankengespinst. Über die Malerei von Gilles Deleuze. Von Julie Metzdorf. Genrewechsel. Dream Requiem, das neue Album des US-Songschreibers Rufus Wainwright. Von Christoph Lindemann.

Aguigah, René www.deutschlandfunk.de, Büchermarkt

durée : 00:43:05 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Dans cette conférence "Spinoza et nous" donnée en 1977 et dont le titre, de l'aveu même de Gilles Deleuze, a l'air ambitieux et peut vouloir dire beaucoup de choses, le philosophe y détaille sa méthode pour réfléchir sur Spinoza et explique en quoi on se retrouve "de plus en plus spinoziste". - réalisation : Massimo Bellini - invités : Gilles Deleuze Philosophe français

durée : 02:52:39 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Une création radiophonique autour de "L'anti-Oedipe" pour entendre et comprendre les intentions qui animaient les auteurs Gilles Deleuze et Félix Guattari. À Nanterre, Gilles Deleuze commente ce livre à des étudiants et dialogue avec eux. On y parle de désir, libido, famille, société et capitalisme. - réalisation : Virginie Mourthé - invités : Gilles Deleuze Philosophe français

durée : 01:33:17 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Ce numéro de "Surpris par la nuit" reprend l'enregistrement du cours donné en 1986 par Gilles Deleuze sur le pli, Leibniz et le baroque. Un assemblage qui semble bien hétéroclite mais qui a été un moment essentiel de la pensée deleuzienne, l'un des apports les plus connus à l'histoire de la pensée. - réalisation : Massimo Bellini - invités : Gilles Deleuze Philosophe français; Rodolphe Burger Compositeur, guitariste et chanteur français; Georges Didi-Huberman Historien de l'art et philosophe, maître de conférences à l'EHESS; Gibus de Soultrait Directeur de “Surfer's Journal” France

durée : 00:17:49 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Gilles Deleuze présente la philosophie de David Hume, célèbre penseur écossais du 18e siècle et l'un des fondateurs de l'économie politique. Théorie de l'association des idées, analyse du principe de causalité et conception de la nature humaine sont au menu de ce quart d'heure pédagogique. - réalisation : Massimo Bellini - invités : Gilles Deleuze Philosophe français

durée : 01:19:59 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Dans l'ambiance sonore de l'université de Vincennes, sont réunis l'écrivaine Hélène Cixous et le philosophe Gilles Deleuze pour un cours sur la forme marchande de la littérature. Ce sont les étudiants qui prennent d'emblée la parole et interrogent sur le code et les contre-codes de la littérature. - réalisation : Massimo Bellini - invités : Gilles Deleuze Philosophe français; Hélène Cixous Ecrivaine, dramaturge, théoricienne de la littérature

durée : 00:04:30 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - En hommage au pédagogue assoiffé de partage et de pensée collective qu'est Gilles Deleuze, cette Nuit d'archives fait résonner sa voix à travers des conférences, causeries, séminaires de 1956 à 1986 autour de sujets divers : Hume, Spinoza, Leibniz, la littérature ou encore la psychanalyse. - réalisation : Massimo Bellini - invités : Gilles Deleuze Philosophe français

“I just make the time to read a book and it gives me this burst of fire in the belly to give me another two or three hours of creativity or productivity.” This cry of passion by author Robin Sharma is a call to arms four HEC researchers have heard throughout their respective careers. Gilles Deleuze, Norbert Elias, Sherry Turkle and E.O. Wilson are so many references inspiring our academics in their devotion to further their disciplines. They share their passion for books in this first Breakthroughs podcast of 2025. Find the written highlights in Knowledge@HEC here. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:38:40 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner, Isabelle de Gaulmyn - Souvent décrit comme un penseur de la joie, Spinoza était, selon Gilles Deleuze, “l'un des auteurs les plus gais du monde”. Une gaieté bien nécessaire, dans un monde où les crises laissent libre cours aux passions tristes. Comment Spinoza peut-il être un philosophe pour le XXIe siècle ? - réalisation : Félicie Faugère - invités : Dan Arbib Agrégé et docteur en philosophie.; Catherine Cusset Ecrivain; Olivier Balazuc Comédien, auteur, metteur en scène

In this episode, Justin and Matt speak with Andrew Culp. Andrew Culp (MA 2009, Ph.D. 2013) is a Professor of Media History and Theory and Program Director of the MA Aesthetics and Politics program (starting Spring 2023) in the School of Critical Studies and in the MA Aesthetics and Politics Program, California Institute of the Arts (CalArts). In his first book, Dark Deleuze (University of Minnesota Press, 2016), he proposes a revolutionary new image of Gilles Deleuze's thought suited to our 24/7 always-on media environment, and it has been translated into eight languages. With his second book, A Guerrilla Guide to Refusal (University of Minnesota Press, 2022), he arms the reader with critical theory as part of a journey through anarchist infowar, queer outlaws, and Black insurgency. He is currently working on two projects: a new structuralist theory of the state's arkhḗ, and a critical history of cybernetics from those subverting it from its inside. Culp's writing on these and other topics has appeared in Flügschriften, Radical Philosophy, symplokē, parallax, angelaki, Deleuziana, The Alienocene, and Boundary 2 online. As part of The Destructionist International, he also makes films and other media. His most recent is the experimental documentary Machines in Flames (2022), which explores the legacy of techno-sabotage. Andrew Culp: http://www.andrewculp.org/ Link to PDF of Guerilla Guide to Refusal: https://drive.google.com/file/d/1ml50d6vO80Ev2bF03yZGkP1RjNPGhpo1/view?usp=drive_link Destructionist International: https://destructionist.international/ warmachinepodcast.com Music for this episode: Exhausted Divinity, Niky Nine https://lazerdiscs.bandcamp.com/track/exhausted-divinity-2 Primitivo, Axons https://onsetaudio.bandcamp.com/track/primitivo Bone Orchard, Void Stasis https://cryochamber.bandcamp.com/track/bone-orchard

Dimes and Prudentialist continue their "Do You Even Read" series by tackling one of the classics of Always-Referenced-Never-Read: "Anti-Oedipus: Capitalism and Schizophrenia" by Gilles Deleuze and Félix Guattari. Support Dimes amd Blood $atellite: https://bloodsatellite.ca/ Merch: https://goodsvffer.com/ Substack: vanguardistjournal.substack.com/ Support Prudentialist Subscribestar: www.subscribestar.com/the-prudentialist Buy Me a Coffee: www.buymeacoffee.com/prudentialist Substack: www.theprudentialist.substack.com/ Links: https://findmyfrens.net/theprudentialist

The Magician card likely graces more front covers of books on the tarot than any of the other major arcana. In many ways, it symbolizes the tarot itself, or the individual who has mastered the art of manipulating the cards to divine their meanings. Yet, the Magician is a profoundly ambiguous figure. From one perspective, he is the Magus, piercing through the illusions of ceaseless becoming to glimpse the hidden depths of reality. From another, he is all surface without depth, a carnival huckster ready to empty your coin purse while you're transfixed by his crystal ball. In this episode, JF and Phil continue their on-again, off-again journey through the major trumps with a discussion of the card that—deservedly or not—proudly calls itself Number One. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Our Known Friend, Meditations on the Tarot (https://bookshop.org/a/18799/9781585421619) Weird Studies, Episode 24 on “The Charlatan and the Magus” (https://www.weirdstudies.com/24) Weird Studies, Episode 109 (https://www.weirdstudies.com/109) and Episode 110 (https://www.weirdstudies.com/110) on The Glass Bead Game Weird Studies, Episode 179 with Lionel Snell (https://www.weirdstudies.com/179) Friedrich Nietzsche, On the Geneology of Morals (https://bookshop.org/a/18799/9780141195377) Louis Sass, Modernism and Madness (https://bookshop.org/a/18799/9780198779292) Gilles Deleuze, Pure Immanence (https://bookshop.org/a/18799/9781890951252) Richard Wagner, Parsifal (https://en.wikipedia.org/wiki/Parsifal) William Irwin Thompson, The Time Falling Bodies Take to Light (https://bookshop.org/a/18799/9780312160623) Participation mystique (https://en.wikipedia.org/wiki/Participation_mystique) Aleister Crowley, The Book of Thoth (https://bookshop.org/a/18799/9780877282686) Leigh Mccloskey, Tarot Re-visioned (https://bookshop.org/a/18799/9780877282686)

If you want more videos/podcasts like these, simply subscribe to our Patreon account and support public philosophy: https://www.patreon.com/acidhorizonpodcastBen Decarie is a graduate student from Penn state University who is working on a paper using Deleuze's theory of time to confront the concurrent ecological crises and the question of extinction. Craig and Ben explore Deleuze's theory of time, death, ressentiment, and Deleuze's own twist on Nietzsche's eternal return in paired readings of Difference and Repetition and The Logic of Sense.More Acid Horizon episodes which touch on Deleuze and ressentiment: DELEUZE AND REVENGE: On Nietzsche, Amor Fati, and the Stoicism of Becoming Worthy of the Event: https://youtu.be/U2w4dQzoSHwGilles Deleuze's 'Nietzsche & Philosophy': Chapter 2, "Active and Reactive" and Hierarchy: https://youtu.be/xJxE-rJKo-sSupport the showSupport the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastSubscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on your favorite podcast: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

Jordan Hall tries to convince Jim that the reality of the Christian God is logically necessary. They discuss points of agreement & resonance between their views, relational ontology vs substance ontology, belief as mental operation vs existential commitment, a hierarchical stack of concepts, the complexity lens, the conceptual level on which relationship belongs, relata as contained within relationship, relationship as the most real, the impossibility of imagining being without relationship, oneness & multiplicity & relationality, moving from the philosophical to the theological, hypostasis, the standard model of physics, the coordination of experience with theory, dehumanizing the persons of the Trinity, alternatives to a single universe, unfolding within lawfulness, pure nominalism, the Nicene Creed, whether the Trinity adds information to complexity, whether a cosmic consciousness defies physics, the laws of causation, theology as the discipline of reality, the existential commitment that belief constitutes, fath as livingness, the meaning of a personal God, an ongoing expansion of the relationship with reality, faith vs ideology, 3 forms of belief in Plato, the meaning of pistis, John Vervaeke's religion that is not a religion, refounding life on pistis, whether one can be a Christian without thinking so, Biblical literalism, the prescriptive & annoying stuff, good fiction, great literature as a means of accessing high-dimensional reality, the mediocrity of academic Biblical criticism, and much more. Episode Transcript JRS EP8 - Jordan "Greenhall" Hall and Game B JRS EP26 - Jordan Hall on the Game B Emergence JRS EP 170 - John Vervaeke and Jordan Hall on The Religion That Is Not a Religion JRS EP 223 - Jordan Hall on Cities, Civiums, and Becoming Christian Heidegger, Neoplatonism, and the History of Being: Relation as Ontological Ground, by James Filler JRS Currents 100: Sara Walker and Lee Cronin on Time as an Object JRS EP 240 - Stuart Kauffman on a New Approach to Cosmology Jordan Hall is the Co-founder and Executive Chairman of the Neurohacker Collective. He is now in his 17th year of building disruptive technology companies. Jordan's interests in comics, science fiction, computers, and way too much TV led to a deep dive into contemporary philosophy (particularly the works of Gilles Deleuze and Manuel DeLanda), artificial intelligence and complex systems science, and then, as the Internet was exploding into the world, a few years at Harvard Law School where he spent time with Larry Lessig, Jonathan Zittrain and Cornel West examining the coevolution of human civilization and technology.

What do skydiving, guitar-playing teenagers, and deep-seated psychic states have in common? They're all intense! In episode 110 of Overthink, Ellie and David untangle the role of intensity in shaping our aspirations, cultural tropes, and political goals. They trace the concept's history from its tricky roots in Aristotle's theory of change, passing through medieval science and princely romanticism, to the thrills of skydiving and breathwork today. They turn to Henri Bergson and Gilles Deleuze's accounts of consciousness and emotion to explore how intensity looks beyond the scientistic impulse to categorize and quantify, and question if intensity is of any help in addressing capitalist acceleration today.Check out the episode's extended cut here!Works DiscussedAristotle, CategoriesZygmunt Bauman, Liquid LifeHenri Bergson, Time and Free WillGilles Deleuze, Difference and RepetitionGustav Theodor Fechner, Elements of PsychophysicsTristan Garcia, The Life Intense: A Modern ObsessionMary Beth Mader, “Whence Intensity? Deleuze and the Revival of a Concept”Benjamin Noys, The Persistence of the NegativeNick Srnicek & Alex Williams, “#Accelerate: Manifesto for an Accelerationist Politics”The BacheloretteInside Out 2 (2024)Mentioned Overthink episodes61 - Self Knowledge32 - Paradox107 - OrganismsSupport the Show.Patreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcast

Purchase 'Biopolitics as a System of Thought' from Bloomsbury: https://www.bloomsbury.com/us/biopolitics-as-a-system-of-thought-9781350412095/Our contemporary mode of life is characterised by what Serene Richards in Biopolitics as a System of Thought calls: Smart Being. Smart Being believes in the solutions of techno-capital where living is always at stake and directed to survival. Armed with this concept, this book examines how we arrived at this mode of being and asks how it could be that, while the material conditions of our lives have increasingly worsened, our capacities for effective political action, understood as the capacity for transforming our existing social relations, appear to be diminishing.Drawing from jurists and philosophers such as Pierre Legendre, Yan Thomas, Giorgio Agamben, Michel Foucault and Gilles Deleuze, Richards argues that biopolitics intervenes at the most minute level of our everyday lives. She argues that there are conceptual truths presupposed in the mode of biopolitics' functioning, for instance that life can be assigned a value for the purpose of intervention, abandonment, or death, which have implications for our politics. In exciting engagements with political movements such as the post-May 1968 Mouvement des travailleurs Arabes (MTA), Richards shows how demands to transform our system of social relations are undermined by institutional models that proffer to offer rights protection while simultaneously annihilating the living altogether. Through a reappraisal of law, governance and capital, Richards seeks to reconceptualise our collectivity of thought, arguing for a politics of destitution that could form the basis of a communism to come.Support the Show.Support the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastZer0 Books and Repeater Media Patreon: https://www.patreon.com/zer0repeaterMerch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

Abby and Patrick welcome Loren Dent, a clinical psychologist in the Lacanian tradition. The topic is psychosis, both as understood theoretically by Freud and Lacan, and also as experienced and encountered by real people in New York City, where Loren practices and where he has helped establish an innovative program of treatment and care. Starting by tackling a basic question – what is “psychosis?” – the three chart Freud's struggles to grasp psychotic phenomena, his messy efforts to make the notorious case of Judge Daniel Paul Schreber fit his theories about sex, and his late-career notion of “disavowal” as a mechanism of psychosis distinct from neurotic repression. Loren then describes how Jacques Lacan took this last concept, often translated as “foreclosure,” and integrated it with his own accounts of language, desire, and otherness. When taken together with therapeutic innovations by radical psychoanalytic thinkers like Félix Guattari, François Tosquelles, and Jean Oury, Lacan's insights, as Loren explains, lay the groundwork for a robust and efficacious approach to treating psychotic patients in ways that challenge traditional hierarchies in hospitals, group homes, and beyond. After walking Abby and Patrick through what talk therapy looks like with patients with psychosis, Loren outlines his recommendations for treatment and support in the clinic and beyond. As Loren explains, this approach goes against the grain of how psychotic patients have been processed by institutions under contemporary neoliberalism, and has grown only more urgently necessary in New York City under the mayorship of Eric Adams. It also forces us all to confront and manage our anxieties about “madness,” from which Freud himself was hardly immune, which haunt commonplace assumptions about normative behavior and market rationality, and which manifest in day-to-day acts of avoidance, confinement, neglect, and violence that people with psychosis encounter in urban life.Key texts cited in the episode:Gilles Deleuze and Félix Guattari, Anti-OedipusBret Fimiani, Psychosis and Extreme States: An Ethic for TreatmentFreud, Civilization and its DiscontentsFreud, “Psychoanalytic Notes on An Autobiographical Account of a Case of Paranoia (Dementia Paranoides)”Nev Jones & Robyn Lewis Brown, “The absence of psychiatric C/S/X perspectives in academic discourse: Consequences and Implications.” Disability Studies Quarterly, 33(1).Darian Leader, What is Madness?Camille Robcis, Disalienation: Politics, Philosophy, and Radical Psychiatry in Postwar FranceStijn Vanheule, The Subject of Psychosis: A Lacanian PerspectiveFoundation for Community Psychoanalysis: https://www.communitypsychoanalysis.org/Fountain House: https://www.fountainhouse.org/The Greene Clinic: www.greeneclinic.com A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

While few of us are physically imprisoned or bound by the classic tool of totalitarian oppression, we still feel the incredible power of modern institutions to dictate our behavior. Last Things joins me to discuss French philosopher Gilles Deleuze and his concept of the control society.   Follow on: Apple: https://podcasts.apple.com/us/podcast/the-auron-macintyre-show/id1657770114 Spotify: https://open.spotify.com/show/3S6z4LBs8Fi7COupy7YYuM?si=4d9662cb34d148af Substack: https://auronmacintyre.substack.com/ Twitter: https://twitter.com/AuronMacintyre Gab: https://gab.com/AuronMacIntyre YouTube:https://www.youtube.com/c/AuronMacIntyre Rumble: https://rumble.com/c/c-390155 Odysee: https://odysee.com/@AuronMacIntyre:f Instagram: https://www.instagram.com/auronmacintyre/ Today's sponsors:  Visit https://www.angel.com/AURON to grab your tickets to Sound of Freedom Visit https://isi.org/ to learn more about internships, fellowships, and resources to help conservative students. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I present Gilles Deleuze's writings on Palestine: "Stones," "Spoilers of Peace," "The Indians of Palestine," and the "Grandeur of Yasser Arafat." Please consider donating to one of the following organizations: Palestinian Children's Relief Fund: https://pcrf1.app.neoncrm.com/forms/general United Nations Relief and Works Agency: https://donate.unrwa.org/gaza/~my-donation Middle East Children's Alliance: https://secure.everyaction.com/1_w5egiGB0u0BAfbJMsEfw2 X: @DavidGuignion IG: @theory_and_philosophy TikTok: @theoryphilosophy