Podcasts about abaku

fWotD Episode 2793: Palo (religion) Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 27 December 2024 is Palo (religion).Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It draws heavily upon the traditional Kongo religion of Central Africa, with additional influences taken from Catholicism and from Spiritism. An initiatory religion practised by paleros (male) and paleras (female), Palo is organised through small autonomous groups called munanso congo, each led by a tata (father) or yayi (mother).Although teaching the existence of a creator divinity, commonly called Nsambi, Palo regards this entity as being uninvolved in human affairs and instead focuses its attention on the spirits of the dead. Central to Palo is the nganga, a vessel usually made from an iron cauldron. Many nganga are regarded as material manifestations of ancestral or nature deities known as mpungu. The nganga will typically contain a wide range of objects, among the most important being sticks and human remains, the latter called nfumbe. In Palo, the presence of the nfumbe means that the spirit of that dead person inhabits the nganga and serves the palero or palera who possesses it. The Palo practitioner commands the nganga to do their bidding, typically to heal but also to cause harm. Those nganga primarily designed for benevolent acts are baptised; those largely designed for malevolent acts are left unbaptised. The nganga is "fed" with the blood of sacrificed animals and other offerings, while its will and advice is interpreted through divination. Group rituals often involve singing, drumming, and dancing to facilitate possession by spirits of the dead.Palo developed among Afro-Cuban communities following the Atlantic slave trade of the 16th to 19th centuries. It emerged largely from the traditional religions brought to Cuba by enslaved Bakongo people from Central Africa, but also incorporated ideas from Roman Catholicism, the only religion legally permitted on the island by the Spanish colonial government. The minkisi, spirit-vessels that were key to various Bakongo healing societies, provided the basis for the nganga of Palo. The religion took its distinct form around the late 19th or early 20th century, about the same time that Yoruba religious traditions merged with Roman Catholic and Spiritist ideas in Cuba to produce Santería. After the Cuban War of Independence resulted in an independent republic in 1898, the country's new constitution enshrined freedom of religion. Palo nevertheless remained marginalized by Cuba's Roman Catholic, Euro-Cuban establishment, which typically viewed it as brujería (witchcraft), an identity that many Palo practitioners have since embraced. In the 1960s, growing emigration following the Cuban Revolution spread Palo abroad.Palo is divided into multiple traditions or ramas, including Mayombe, Monte, Briyumba, and Kimbisa, each with their own approaches to the religion. Many practitioners also identify as Roman Catholics and practice additional Afro-Cuban traditions such as Santería or Abakuá. Palo is most heavily practiced in eastern Cuba although it is found throughout the island and abroad, including in other parts of the Americas such as Venezuela, Mexico, and the United States. In many of these countries, Palo practitioners have faced problems with law enforcement for engaging in grave robbery to procure human bones for their nganga.This recording reflects the Wikipedia text as of 01:01 UTC on Friday, 27 December 2024.For the full current version of the article, see Palo (religion) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Matthew.

Abaku. To je originální česká hra a metoda určená na podporu aritmetiky. Naučí vás obratně a zábavně počítat z hlavy a motivuje i ty, kteří zrovna matematiku nemají jako hobby.

Abaku. To je originální česká hra a metoda určená na podporu aritmetiky. Naučí vás obratně a zábavně počítat z hlavy a motivuje i ty, kteří zrovna matematiku nemají jako hobby.Všechny díly podcastu Odpolední interview můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

¡Suscríbete y comparte este podcast! Archipiélago Histórico es un podcast sobre historia del Caribe y latinoamérica creado y dirigido por el historiador puertorriqueño Ramón A. González-Arango López. Acompáñame a desmitificar el Caribe y las Américas. En el siguiente enlace encontrarás en dónde seguir el podcast y como apoyarme: archipielagohistorico.com Enlace al portal del Dr. Miller: http://www.crossriverheritageafricandiaspora.com Fotografía ''Diablito'' , de Pierre Verger. ♪ ''Lo que nos une'' (pieza musical en el intro y outro) utilizada con el consentimiento expreso de su compositor e intérprete, José Gabriel Muñoz. El arte de logotipo de Archipiélago Histórico fue hecho por Roberto Pérez Reyes: ⁠https://linktr.ee/robertocamuy --- Support this podcast: https://podcasters.spotify.com/pod/show/archipielagohistorico/support

The Abakuá society of Cuba conserves with remarkable orthodoxy language and rituals from the Ekpe society of West Africa. For The Cameroon-Cuba Connection, Dr. Ivor Miller shares with Georges Collinet and Ned Sublette his decades of research into the roots of Cuban Abakuá in Cameroon. Featuring ceremonial and pop music of southern and southwestern Cameroon, as well as Abakuá-themed music from Cuba.

Afrocuba de Matanzas is widely considered one of the best preservers of Afro-Cuban folkloric music and dance on the island, but the group also created one of the funkiest and most exciting musical innovations in 1973 when they blended rumba percussion and batá drumming to create batarumba. As the years went on, batarumba became even more complex and versatile, as Afrocuba musicians added in instruments and rhythms from son, Abakuá, Iyesá and adapted the songs of Celia Cruz to a batarumba format.Songs played:Tambor, Afrocuba de MatanzasBaila Mi Guaguancó, Afrocuba de MatanzasCaridad, Afrocuba de MatanzasRinkinkalla, Celia Cruz & Sonora MatanceraRinkinkaya, Ritmo y CantoLearn more about batarumba in Rebecca's book: Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba Support the showIf you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

La Sociedad Secreta Abakuá es una hermandad de origen africano que surgió en Cuba durante la época colonial. Se caracteriza por el uso de máscaras, tambores y danzas, y se enfoca en la protección de sus miembros y la preservación de su cultura. Ha sido objeto de controversia debido a su hermetismo y prácticas secretas, pero ha logrado mantenerse vigente y preservar sus tradiciones hasta la actualidad. Aquí medio les platico lo que le entendí.

In this episode, the community engages with me on the VP's opening of a shop that was burnt down during Operation Restore Legacy.

Damon gets to talk to Eliel about Cuba, Denmark, The development of Songo, Abakuá and much more. There are other segments like: Happy Birthday, Gig Alerts, Educational Spotlights, Music News and others.

Era abakuá, santero, palero, espiritista, terciario de la muy católica orden de San Francisco, y masón. Caminaba las calles de La Habana calzado con sandalias, vestido de levita negra y portando un bastón. Le conocían como Andrés Kimbisa pero también como El Caballero de Color. Él personificaría como nadie el sincretismo religioso y cultural de la nación cubana. Tras introducir el crucifijo en la nganga, dio lugar a una nueva regla, la kimbisa del Santo Cristo del Buen Viaje. Esta es la historia de Andrés Petit, conocido como Andrés Kimbisa, famoso isué de Bakokó Efor. --- Support this podcast: https://anchor.fm/ramn-fernndez-larrea/support

Jindra a Radim pokračují v povídání si o testování. Je na frontendu potřeba testovat všechno? Jak pracujeme v Qestu s rozložením testů na projektu Abaku? A které metriky sledujeme? 

E' arrivato il momento di dedicare una Puntata alla Band Cubana di Jazz per Eccellenza, quella che ha Rivoluzionato, Cambiato, Integrato e Arricchito il Jazz con la Cultura Yoruba, i ritmi cubani e i suoi strumenti come clavi, tamburi Batà, strumenti Abakuà, tamburi Ararà, gli Chekere, Erikundi, Maracas e tamburi Bongo, Signori e Signori ecco a Voi IRAKERE!!!

Salsa Brava Radio El Podcast! En este episodio traemos Musica de a Millon! Orquesta Combinacion 77, Puertorico All Stars, Luigi Texidor, Oscar D'Leon de Venezuela, Joe Arrollo de Colooombia, Abraham Rodriguez Jr. De Cuba,Ray Santiago y Su Orquesta y Mas! Salsa Brava Radio el Podcast!

Dr. Miller discusses Afro-Cuban culture, Abakuá, Èkpé and the environmental impact on the forests of Cross River Cultures in Nigeria and Cameroon. Features Music by Victor Herrera, Arsenio Rodriguez, Enyenison Enkama, Celia Cruz and  music from the archives of  distinguished folklorist  and author Lydia Cabrera.

Thanks to all those folks who have been tuning in to the blog and our podcasts. I am now compiling transcripts of these transmissions for those who are interested please email me at ndiboyevengo@gmail.com. In this weeks podcast Ene Ita and Chief Dr. Ivor Miller talk about the shared traditions of Cuba and Calabar through Ékpé and Abakuá culture. Cubas Abakuá music has maintained the Ékpé tradition of the  epic poem, a tradition that has enabled Cuban Abakuá to maintain the memory of their ancestors alive in song. They also used it to survive  the repression of a colonial government looking to strip them of their cultural identity, recording history in the hearts and minds of Abakuá members for generations to come and for our enjoyment in the 21st century nearly 200 years since the first consecration took place in Regla;Havana, Cuba.

Chief Dr. Ivor Miller is a Fulbright scholar in Calabar, researching Ekpé culture and exploring the links between Ekpé and Abakuá culture from Cuba.

Music from Abakua traditions and examples of Abakuá culture in Cuban popular/contemporary music. Ekpe traditions expressed in the music of Calabar, Nigeria and Cameroon.