Podcasts about afro cuban

Rebe Huntman joins Let's Talk Memoir for a conversation about who are we as women and what holds us together as a culture, following questions to their conclusions and changing in the process, running away from grief,  magical thinking, reinventing ourselves, Afro-Cuban traditions and relationships to the dead, hungering for answers, permission to be more than one thing, losing mothers and finding them again through memoir, spiritual mothers and keeping the dead close, and her new memoir My Mother in Havana: A Memoir of Magic & Miracle. Also in this episode: -getting a do over -trusting the writing process -including the beautiful and the terrible Books mentioned in this episode: When Women Were Dragons by Kelly Barnhill The Night Circus by Erin Morgenstern Poetry by Richard Blanco Poetry by Aracelis Girmay REBE HUNTMAN is the author of My Mother in Havana: A Memoir of Magic & Miracle (February 2025, Monkfish Books), a memoir that traces her search to connect with her mother—thirty years after her death—among the gods and saints of Cuba. A former professional Latin and Afro-Cuban dancer and choreographer, for over a decade Rebe directed Chicago's award-winning Danza Viva Center for World Dance, Art & Music and its resident dance company, One World Dance Theater. She collaborates with native artists in Cuba and South America, and has been featured in LATINA Magazine, Chicago Magazine, and the Chicago Tribune, and on Fox and ABC. Rebe's essays, stories, and poems appear or are forthcoming in such places as The Southern Review, The Missouri Review, Parabola, Ninth Letter, The Cincinnati Review, and the PINCH, and have earned her an Ohio Individual Excellence Award as well as fellowships from the Macondo Writers' Conference, Virginia Center for Creative Arts, Ragdale Foundation, PLAYA Residency, Hambidge Center, and Brush Creek Foundation. She holds an MFA in creative nonfiction from The Ohio State University and lives in San Miguel de Allende, Mexico, and Delaware, Ohio. Both e's in her name are long. Find her at www. rebehuntman.com and on Instagram at @rebehuntman. Connect with Rebe: Website: www.rebehuntman.com Instagram: https://www.instagram.com/rebehuntman Facebook: https://www.facebook.com/rebehuntmanauthor Links to purchase the book at www.rebehuntman.com/mymotherinhavana   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

The Indian-born tabla player and composer, teacher, and advocate Zakir Hussain, son of Ustad Alla Rahka, who passed away in late 2024, wasn't just a virtuoso improviser - he was one of the world's exceptional percussionists, working in many genres, and was the world's preeminent tabla master. He was a great communicator in many musical languages, including jazz, Afro-Cuban rhythms, Nigerian talking drums, or Indonesian gamelan; he was also a great listener and a bringer of joy (editor can't help herself.) One of the most exciting ways that Zakir Hussain shared tabla specifically, and percussion more broadly was by way of the Masters of Percussion Tour – which was exactly as stunning and marvelous as a music fan (especially a drum nerd) might ever imagine. Zakir turned the tabla into a global instrument by way of his incredible collaborations, playing with everyone from George Harrison to Mickey Hart of the Grateful Dead, from John McLaughlin's Shakti and Yo Yo Ma's Silk Road Project; he's laid down beats for Scottish fiddlers Charlie McKerron (Capercaillie) and Patsy Reid (formerly of Breabach); played concertos with western orchestras, with and without banjo player Bela Fleck and bassist Edgar Meyer, and performed and recorded with scores of Indian classical musicians. Zakir Hussain enjoyed the different challenges that each new collaborator “will throw at him”. For this edition of the Soundcheck Podcast, Ustad Zakir Hussain joined Pandit Rahul Sharma, the son of illustrious santoor master Pandit Shivkumar Sharma, who established the pedigree of the santoor within Indian Classical Music. Pt. Rahul Sharma has since built on his father's style, “taking the santoor to new corners of the world”, (Darbar.org). Rahul Sharma has also collaborated widely across genres, having released some 60 albums, split between classical Indian music and more experimental recordings. Rahul Sharma and Zakir Hussain played in-studio in Oct of 2024, just about six weeks before Hussain passed away. - Caryn Havlik Set list: 1. Dhun: Misra Pahadi 2. Dhun Keharwa Sharma explains the roots of the santoor, and gives a quick demonstration of its 94 strings which require precise tuning:  Zakir Hussain also gave an intimidatingly fast explainer of some of the syllables of tabla, what the left and right hand might do, with unbelievable and impressive speed: See their performances:    

Website - https://zoeantona.comBioBased in Atlanta, GA, Zoe Antona is an interdisciplinary artist whose work explores thenostalgic interplay between her heritage and connection to others through AbstractExpressionism. Inspired by her upbringing, the work delves into family lineage and youthfulmemories with intricate, sculptural 2D forms. Antona's pieces capture intimate momentswith a vivid focus on color, rekindling memories of life's simple pleasures. By blendingunconventional materials and 90% reclaimed materials, she acknowledges gaps in her storythrough 'voids' or 'lacunas,' challenging traditional norms from sculpture to painting.Underscoring her commitment to sustainability and innovative problem-solving.BioNoah Garret is a highly acclaimed and accomplished figure in the film industry, boasting an impressive resume as a 6x world champion Martial Artist with almost three decades of practice, turned versatile professional. With over a decade of experience in the film industry, Noah has excelled in various roles including Stunt Coordination, Fight Coordination, Stunt performing and Filmmaking. His portfolio includes more than 85 film credits with major studios, working with A-list actors such as Kevin Hart, John Cena, Samuel L. Jackson, Timothée Chalamet, Pedro Pascal, Ryan Reynolds, Will Ferrell, Dwayne Johnson, Adam Driver, Tom Hanks, Robert Deniro and many others. Noah takes pride in working closely with renowned directors like Jeff Wadlow, Craig Brewer, Berry Levinson, Russo Brothers, Francis Ford Coppola, James Gunn, Zack Snyder, Duffer Brothers, Mike Flanagan and Shawn Levy, and helping bring their visions to life with precision and creativity.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Yo! Yo! Yo! Yo! Yoooooo! LOL-eros, grab your maracas and get ready for this high-energy episode of #LatinosOutLoud! This episode is dedicated to the amazing production of Buena Vista Social Club on Broadway. Join #RachelLaLoca on the red carpet for opening night of the Broadway musical that touches the soul and pulls at both the heart AND guitar strings! She was joined by Latino theatre expert, Paola "Pie" Soto who covered interviews with band members such as Renestio Avich aka the Jimmy Hendrix of Cuba and trombonist, Eddie Venegas. Rachel got to chat with the celebs that came out to support this tribute to the pursuit of a dream during tumultuous political times. She linked up with icons and former guests of #LOL, like Producers of the show, John Leguizamo, Lin-Manuel Miranda, his father, Luis A. Miranda, Jr, and actress Daphne Rubin-Vega. Other stars captured during this amazing evening include Luna Lauren Velez and Rubén Blades. Also, enjoy a recap of both the musical and red carpet coverage by Rachel and Pie, shot at the Recirculation Bookshop in Washington Heights. ABOUT THE SHOW Inspired by true events, the new Broadway musical BUENA VISTA SOCIAL CLUB™ brings to life the GRAMMY®-winning album and tells the story of the legendary musicians who lived it. A world-class Afro-Cuban band joins a sensational cast in this unforgettable story of survival, second chances, and the extraordinary power of music. With a book by Marco Ramírez (Drama Desk Award, The Royale), direction by Saheem Ali (Tony Award nominee for Fat Ham), and a visionary creative team, BUENA VISTA SOCIAL CLUB™ showcases the golden age of Cuban music. The production features choreography by Patricia Delgado and Tony Award winner Justin Peck (Illinoise, Steven Spielberg's West Side Story). Follow Rachel Follow Buena Vista Social Club Follow Recirculation https://www.wordupbooks.com/recirculation And while you're at it, follow the yellow brick road! #LatinosOutLoud #Broadway #BuenaVistaSocialClub #RachelLaLoca #LinManuelMiranda #LuisMiranda #RubenBlades #DaphneRubinVega #LunaLaurenVelez #RubenBlades

Matt Crawford speaks with author Rebe Huntman about her book, My Mother in Havana: A Memoir of Magic and Miracle. Writing with a physicality of language that moves like the body in dance, Rebe Huntman, a poet, choreographer, and dancer, embarks on a pilgrimage into the mysteries of the gods and saints of Cuba and their larger spiritual view of the Mother. Huntman offers a window into the extraordinary world of Afro-Cuban gods and ghosts and the dances and rituals that call them forth. As she explores the memory of her own mother, interlacing it with her search for the sacred feminine, Huntman leads us into a world of séance and sacrifice, pilgrimage and sacred dance, which resurrect her mother and bring Huntman face to face with a larger version of herself.

In this week's episode, we chat with Elizabeth Rodriguez of OKAN. Elizabeth reflects on the profound impact of her African ancestry on their music and takes us through her journey from classical music to rediscovering her roots in Cuban music and improvisation. She talks about the role of music in driving social change and how her personal experiences inspire her songwriting. Elizabeth also opens up about the challenges of parenting while pursuing a career in the music industry, highlighting the importance of belief, adaptability, and having a solid support system to navigate the ups and downs.Find OKAN online:Website & Upcoming ShowsInstagramTikTokFacebookBandcampAbout OKANCharged with the profound power of their African ancestry. OKAN takes their name from the word for heart in the Afro-Cuban religion of Santeria. Fusing these Cuban roots with jazz, folk and global rhythms, OKAN delivers songs about immigration, resistance and joy in Spanish, Yoruba and Spanglish. Hot off their Tiny Desk NPR Alt Latino debut and a tour supporting Grammy-winners Rodrigo y Gabriela, OKAN's recent release Okantomi was awarded the 2024 Juno Award and included in NPR Alt Latino, Le Monde, and CBC Music's “Best of 2023” lists. OKAN is co-led by Cuban-born Grammy & Latin-Grammy nominees: violinist and vocalist Elizabeth Rodriguez and her wife, percussionist & vocalist Magdelys Savigne. ______________If you're interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

Aquesta setmana comencem amb el nou disc de la banda parisenca Arat Kilo amb les veus de Mamani Keita i Mike Ladd i el seu EthioJazz, descobrim el proper debut de KinGongolo Kiniata que porten l'energia dels carrers de Kinshasa al Congo, recomanem concerts a Perpinyà amb Keziah Jones i a Tolouse amb Arat Kilo i també a Terrassa i Barcelona amb Dayramir Gonzalez i el seu Afrocuban jazz, i acabem amb un record pels 80 anys d'Eric Clapton.

My guest Omar Mesa is...formerly the original lead guitarist of the great Afro-Cuban band...MANDRILL. They had such recording hit as FENCEWALK, HANG LOOSE and my favorite  POLK STREET CARNIVAL. https://images.app.goo.gl/KQ2oBbrzS74qfqpJ9He has out a recent single I LOVE THE WAY YOU READ MY MIND. Take a listen below: (I LOVE THE WAY YOU READ MY MIND - 44K 16 Bit by OMAR MESA on #SoundCloudhttps://soundcloud.com/user-148566702/i-love-the-way-you-read-my-mind-44k-16-bit?ref=clipboard&p=a&c=0&si=a9a6ddce3083415cbf79c6816ce0c172&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing).and be ready for a funny yet informative conversation.

In my African Latin Music mix, I will lean heavily on an outstanding musician from this music genre, Pape Fall. He blew my ears apart when I first heard his music and his name resonates deeply within the world of African and Latin music. Pape Fall is a Senegalese musician, singer, and saxophonist, Fall has spent decades crafting a unique blend of Afro-Cuban rhythms with traditional Senegalese melodies with Latin influences. As the founder of the renowned band African Salsa, he has left an indelible mark on the global music scene, carrying the rich musical traditions of his homeland onto international stages. As the founder of African Salsa, he has brought his vibrant sound to audiences worldwide, blending the rich musical traditions of Senegal with Latin influences. A Journey Through Music Born in Dakar in 1947, Fall began his musical career in 1966 with Dakar Rhythm before joining the legendary Star Band in the 1970s. In 1976, he formed African Salsa, a group that quickly gained popularity for its infectious energy and innovative fusion of styles. Their first major international release, Artisanat, showcased Fall's exceptional talent on the saxophone and vocals, earning him recognition as a pioneer of African salsa. Beyond African Salsa, Fall played a key role in other influential groups, including Nder de Dakar and Kassé Star. His career has spanned over 20 albums and extensive tours across Africa, Europe, and the U.S., spreading the rhythms of African salsa to global audiences. The Sound of African Salsa Fall's music is a masterful blend of Senegalese mbalax and Cuban salsa, featuring intricate percussion, dynamic brass sections, and rhythmic complexity. His lyrics, sung in Wolof and French, explore themes of love, culture, and social issues, resonating with fans across generations. A Lasting Legacy With a career spanning nearly six decades, Pape Fall remains a celebrated figure in African music. His contributions continue to inspire musicians and preserve the legacy of African salsa, ensuring its influence endures for years to come.  Info Website - www.jazzmattersuk.com Supporting Blog - https://www.jazzmattersuk.com/blogs/jazz-matters-digs-african-latin For all social media links and more visit my Linkhub. https://www.jazzmattersuk.com/linkhub Jazz Matters Info - https://www.jazzmattersuk.com/about Email - jazzmattersuk@mail.com Info about me - https://www.jazzmattersuk.com/introducing-jazz-matters/introducing-ray #OnDemand #FreeToStream https://pod.co/nudirections  Stream in and enjoy the Music I love. Playlist Pape Fall - African Salsa Super Cayor de Dakar - Xamsa Bopp Africando - Yaye Boy (remix) Pape Fall & L'African Salsa - Dakar - Bamako Super Cayor de Dakar - Sopente Pape Fall - Teungeth Pape Fall & L'African Salsa - Boul Topato Super Cayor et Salsa Mbalax - Capitale Mapenda Seck - Binette Pape Fall & L'African Salsa - Soldar-Yi Super Cayor de Dakar - Dego Pape Fall & L'African SalsaDoumou Ndeye Pape Fall - Ke Jaraxam

Rebe Huntman is a memoirist, essayist, dancer, teacher and poet who writes at the intersections of feminism, world religion and spirituality. For over a decade she directed Chicago's award-winning Danza Viva Center for World Dance, Art & Music and its dance company, One World Dance Theater. Huntman collaborates with native artists in Cuba and South America, has been featured in Latina Magazine, Chicago Magazine and the Chicago Tribune, and has appeared on Fox and ABC. A Macondo fellow and recipient of an Ohio Individual Excellence award, Rebe has received support for her debut memoir, My Mother in Havana: A Memoir of Magic & Miracle  (Monkfish Book Publishing Company, February 18, 2025), from The Ohio State University, Virginia Center for Creative Arts, Ragdale Foundation, PLAYA Residency, Hambidge Center and Brush Creek Foundation. "Writing with a physicality of language that moves like the body in dance, Rebe Huntman, a poet, choreographer, and dancer, embarks on a pilgrimage into the mysteries of the gods and saints of Cuba and their larger spiritual view of 'the Mother.' Huntman offers a window into the extraordinary yet seldom-seen world of Afro-Cuban gods and ghosts and the dances and rhythms that call them forth. As she explores the memory of her own mother, interlacing it with her search for the sacred feminine, Huntman leads us into a world of séance and sacrifice, pilgrimage and sacred dance, which resurrect her mother and bring Huntman face to face with a larger version of herself." Rebe also helps other writers. With over thirty years of experience as a writer and a coach, she shows writers the ropes, helps them build a powerful, personalized writing practice, and teaches writers step by step strategies to find their voices, become the best writers they can be, and deliver their work to the world. Rebe's essays, poems and short stories appear in The Missouri Review, The Southern Review, Parabola, CRAFT LIterary, The Cincinnati Review, Ninth Letter, South Loop Review, Sonora Review, Tampa Review, The Pinch & elsewhere. She lives in Delaware, Ohio and San Miguel de Allende, Mexico. Learn more: www.rebehuntman.com https://www.instagram.com/rebehuntman/ https://www.facebook.com/rebehuntmanauthor/

Cimafunk, a 35-year-old musician dubbed a "global ambassador" for Cuban music, has earned Grammy nominations three years in a row. Blending genres from Latin rock to Afro-Cuban funk, he creates his own unique sound. Senior arts correspondent Jeffrey Brown and senior arts producer Anne Azzi Davenport report the final piece in their series from Havana for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Cimafunk, a 35-year-old musician dubbed a "global ambassador" for Cuban music, has earned Grammy nominations three years in a row. Blending genres from Latin rock to Afro-Cuban funk, he creates his own unique sound. Senior arts correspondent Jeffrey Brown and senior arts producer Anne Azzi Davenport report the final piece in their series from Havana for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Send us a textIn this episode of Soul of Travel, Season 6: Women's Wisdom + Mindful Travel, presented by @journeywoman_original, Christine hosts a soulful conversation with Rebe Huntman.Rebe is a memoirist, essayist and poet who writes at the intersections of feminism, world religion and spirituality. Rebe holds an MFA in creative nonfiction from The Ohio State University and lives in Delaware, Ohio and San Miguel de Allende, Mexico.  She is also the author of “My Mother in Havana: A Memoir of Magic and Miricle” released February 18, 2025. In her book she offers a window into the extraordinary world of Afro-Cuban gods and ghosts and the dances and rituals that call them forth. As she explores the memory of her own mother, interlacing it with her search for the sacred feminine, Reebe leads us into a world of séance and sacrifice, pilgrimage and sacred dance, which resurrect her mother and bring her face to face with a larger version of herself. Christine and Rebe discuss:· The draw of the pilgrimage quest and why that pull is so strong· Connection and disconnection when we travel and what it's like when you leave your camera behind · Growing awareness of colonization and the deep complexities we witness when we travel · Rebe's new book, My Mother in Havana: A Memoir of Magic and Miracle

Greetings Glocal Citizens! This week's episode has been in the making since Episode 122 (https://glocalcitizens.fireside.fm/122) guest, Natasha Moore (https://glocalcitizens.fireside.fm/guests/natasha-d-moore). I'm joined by interdisciplinary artist, choreographer, scholar and educator, specializing in dance forms of the African Diaspora, Winston Benons, Jr. He has extensive training in Afro-Cuban, Haitian, Afro-Brazilian, and Bomba dance, complemented by studies in Horton and Dunham modern dance techniques. He has curated and led intensive programs in culture and dance techniques in both New York City and Cuba. He is the Founder and Director of tRúe Culture & Arts, an organization dedicated to facilitating cultural exchanges, workshops, and academic residencies. His works and studies have explored the intersections between Theater and Performance Studies, Curation and Visual Culture culminating in his graduate thesis entitled Marked: The Racialization Of African Phenotypes And Creation Of An Embodied Archive. Also an educator, he served as a lecturer at Pace University and an adjunct faculty member at the Mason Gross School of the Arts at Rutgers University. He has also held guest faculty positions at Ballet Hispánico, Peridance, Djoniba Dance & Drum, and Cumbe. He is currently the US/MS IB Dance educator at Brooklyn Friends School (https://brooklynfriends.org). Recent choreography and direction credits include Amahl and the NIght Visitors (https://en.wikipedia.org/wiki/Amahl_and_the_Night_Visitors) and What Lies Beneath (https://en.wikipedia.org/wiki/What_Lies_Beneath) with On Site Opera (https://osopera.org/), where he also served as the cultural advocate. Most recently, he developed and performed part 1 of a series entitled Conversations with Rothko at the SMART Museum (https://smartmuseum.uchicago.edu/) in Chicago. Where to find Winston? the-culturalist.com (https://www.the-culturalist.com/) On LinkedIn (https://www.linkedin.com/in/winston-benons-jr-b131074/) On Instagram (https://www.instagram.com/wbenonsjr/) On Facebook (https://www.facebook.com/tRueCultureArts/?view_public_for=142096181671) What's Winson watching? Barry Jenkins, Moonlight (https://a24films.com/films/moonlight) and other works Dianne Reeves (https://diannereeves.com) Other topics of interest: From British Guiana to Guyana (https://en.wikipedia.org/wiki/Guyanese_people) The Country of Five People (https://en.wikipedia.org/wiki/Guyanese_people) Madeira Islands (https://en.wikipedia.org/wiki/Madeira) What's The Highline (https://www.thehighline.org)? How Chemical Bank became Chase Bank (https://en.wikipedia.org/wiki/Chemical_Bank#:~:text=In%201996%2C%20Chemical%20acquired%20Chase,be%20better%20known%2C%20particularly%20internationally.) ASWAD - Assocation for the Study of the Worldwide African Diaspora (https://www.aswadiaspora.org/) Wideman Davis Dance (http://widemandavisdance.org/) Special Guest: Winston Benons, Jr..

Part 2 - Nicole Parson speaks with Neville James as acclaimed Afro-Cuban jazz pianist Elio Villafranca is set to take the stage Saturday, February 15, 2025, at the Prior-Jollek Hall on the Antilles School Campus. Presented by The Forum.  

In this episode, we sit down with Matt Crouse, the host of the acclaimed The Working Drummer podcast, to unpack the secrets behind his show's incredible 500-episode milestone. Matt shares insights on building meaningful relationships in the music industry, the art of networking, and the importance of specializing as a musician. He also discusses the evolving landscape of home recording, session work, and the vibrant drumming community in Nashville. Whether you're a drummer, a podcaster, or an aspiring creative, this conversation is packed with invaluable lessons on building a sustainable career. Tune in to discover the strategies that have made The Working Drummer podcast a resounding success.   Some Things Things That Came Up:  -1:00 Gifts! -3:30 500 Episodes of The Working Drummer Podcast -7:00 Being Thoughtful and hand written thank you notes -8:45 It doesn't take much to stand out these days  -10:30 Moving AWAY from home made all the difference! -11:45 Working at Jim Rupp's Columbus Pro Percussion -13:00 Covering all the styles in Columbus, Ohio  -13:20 Going to school with Jay DeMarcus  -16:00 Working at Fork's Drum Closet. Retail or Play?  -19:30 Matt works out!!! -22:30 A Big Fish in a Little Big Town  -26:00 Standing on the shoulder of giants  -30:40 Drummers are in a PRACTICE, like a doctor or a lawyer -34:00 Working with the Frontmen of Country Music  -37:00 “The Road” vs. “In Town” -41:50 Click vs. No Click  -46:00 Creating musical moments under pressure  -47:00 Lower Broadway is a source of experience -54:00 When you move to Nashville, you are STARTING a business  -56:30 Start a Podcast!!! Keeps your name front of mind with people -57:30 Savannah Jack -1:02 Home Studio Pricing and Psychology  -1:05:40 Relationships! -1:11:20 Looking back on the humble beginnings of Matt's podcast  -1:12:50 Co-Host Zach Albetta! -1:15:00 The skill of hosting  -1:26:00 Advertisers and dynamic ads on podcasts -1:28:00 The Music City Drum Show  -1:29:50 The Fave 5 -1:30:00 Bassist Luis Espaillat crashes the podcast!  1:32:40 THE Tribute band  FOLLOW: www.mattcrouse.net www.workingdrummer.net    Born and raised in Columbus Ohio, Matt caught the music bug early. When he was 7 years old, a friend's father was in the entertainment business. Hanging out at rehearsals and on the tour buses sold Matt on the idea of being a musician, or at the very least, a drummer. All this lead to spending his high school years at Fort Hayes vocational school for music and Capital University Conservatory of Music for college studying under drum instructor Bob Breithaupt. The musical diversity in Columbus gave Matt the chance to play with many great players and learning many different styles – from Big Band (Vaughn Weister's Famous Jazz Orchestra) and Brazilian to Afro-Cuban and Fusion. All the while, he was doing his share of gigs with original rock bands and top 40 bands. Matt moved to Nashville in the summer of 1999. Working as a freelance drummer based in Nashville has taken him to all 50 states in the U.S. and most of Canada, as well as overseas to Europe, Asia, The Middle East and The Caribbean. As well as the Grand Ole Opry in Nashville, Matt has performed in great local venues like the Ryman Auditorium, Mercy Lounge, 3rd and Lindsley, The 5 Spot, The Sutler, The Basement, The Wildhorse Saloon, and many clubs on lower Broadway.  Matt has toured both regionally and nationally, with the Adam and Shannon Wright, Mark Selby, Eddy Raven, Billy Dean, Stephen Simmons, Three Lane, Whiskey Cash & Roses, Michelle Wright - (throughout Canada), Julie Roberts, and The Frontmen of Country which is Larry Stewart of Restless Heart, Richie McDonald of Lonestar, Tim Rushlow of Little Texas. From 2009 to 2017 Matt was the full time drummer for the band Savannah Jack. He played percussion on their first studio record in 2010 opposite Steve Ferrone on drums. For their second studio record in 2015, Matt was the drumset and percussion player in the studio. In the studio, Matt has had the pleasure of working with talented producers including Eric Fritsch, Teddy Morgan, Jim Reilley and Brent Maher. Artist he's recorded with in the studio have included Sheryl Crow, legendary songwriter Buzz Cason and actor Kevin Costner. In 2015, Matt started a podcast for drummers called "Working Drummer", an interview based podcast that maintains a focus on the drummer that makes a living at his or her craft. Along with the help of co-host Zack Albetta, the podcast has a growing audience throughout the world with more listeners every week. www.workingdrummer.net   *******SUBSCRIBE/RATE/REVIEW!!! www.richredmond.com/listen     The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com     Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com www.itsyourshow.co

Miss Aida is a hoodoo practitioner, and for many years contributed regularly to the Lucky Mojo forums. She wrote over 16,000 posts in response to a variety of Hoodoo related questions on various topics. She comes from a family and tradition of Afro-Cuban witchcraft. Her specialties are spiritual eradication; spiritual cleanings; establishing spiritual protection, crossing, cursing, and break-up work. She also helps clients with success spells, road opening, animal and pet health matters, bindin [...]

Enjoy this week's episode with Cuban duo Dj ́s & producers Iván Lejardi and David Casas with their aural universes, a collaboration that blends powerful electronics with the wealth of traditional and Afro-Cuban music. Fresh from the producers labs, Da Le (Havana) rhythmic experiment has been put to the test at Havana ́s most in-demand venues, such as Fabrica De Arte Cubano (FAC), Havana World Music Fest, and Eyeife Fest among others. Here, their sound recipe hints at an evolution in the Cuban electronic music scene, traversing local frontiers and sending up an identity amongst the international circuit. Both artists are finding in the past and present of their Cuban roots the very substance of what has made the island a true cultural hub for years. “Da Le (Havana)” is borne to the world by the strength of Cuban musical traditons and the producer ́s will to uphold this heritage from their unique experience within electronic music. Dean Mickoski, Da Le (Havana) - Kumbelo feat. Muvhungu [REDOLENT] The Neighbors, Spirit-T - Go Ahead (Dokotombi Day Mix) [Safe Music] Novak, Chitralekha Sen - Sitta (Extended Mix) [Novak] Daniel Rateuke - Shivaya (Extended Mix) [REDOLENT] Aaron Sevilla, Carlos Tadros - El Youm El Helw Dah (Original Mix) [Sunset Gathering] Nomvula SA, Oktave, Chopstar - Under The Sun [Palosanto] Kanu, Phina Asa - A.I.E. (A Mwana Instrumental Mix) [Ethnika Records] Space Motion, Bukeka - We Are One (Original Mix) [Space Motion Records] Voodoochild, Chris Arna, Kasango - Like That (Extented Mix) [Make The Girls Dance Records] MORY KANTE, MAZ (BR) - YEKE AMANA (TAMER ELDERINI EDIT) [Rare Music Store] Da Le (Havana) - Caurí vs Sweet Disposition (Original Mix) [REDOLENT] Trees Of Tampa - Bass on My Waist (Da Le (Havana) Remix) [Acid Canyon] Da Le (Havana), Afrosideral - Mi Ritmo (Original Mix) [Pattaki] Paulette Meier - Come Join The Circle (NeverSeen Mix) [REDOLENT] Morane, Mosoo, Ajna (BE), Samm (BE) - If I Have To (Original Mix) [Magnifik Music] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Today, we've got another segment of the podcast called Big Fat Five. This is where I invite my favorite drummers on the show to break down the five records that helped shape their approach to the instrument. This format also inspired my book, Drummers on Drumming, which is available now as a paperback or ebook on Amazon. Today's guest is Jared Shavelson. I met Jared through a mutual buddy and Big Fat Five alum, Mike Robinson. Jared is the real deal. He studied jazz in college but left early to kickstart his career—and it's safe to say that decision paid off. Over the years, he's played with Seal, The Bronx, Mariachi El Bronx, Joyce Manor, The Hope Conspiracy, Paint It Black, The Aquabats, and so many others. I just saw him perform with Mariachi El Bronx on New Year's Eve, opening for Morrissey at The Palladium. He was playing a cocktail kit, and the Afro-Cuban rhythms he was laying down were absolutely insane—I was completely blown away. Now, we were supposed to record this a few days ago, but life in LA had other plans. Between the fires and travel chaos, it was hard to pin down a time. Jared ended up flying out of Los Angeles Thursday night, only to get stuck in Atlanta during a snowstorm when his flight was canceled. After being stranded at the airport for 18 hours, he decided to help pass the time by hopping on the mic with me. That's why the audio in this episode might be a little rough—picture Jared huddled in the corner of a busy terminal while we recorded. --- Get Your Copy of the Drummers on Drumming Book Today!

Show Notes In this episode of Backstage Bay Area, host Steven Roby sits down with Grammy-winning bassist and global music ambassador Richard Bona. Known for his dynamic blend of jazz, Afropop, and the vibrant traditions of his Cameroonian heritage, Bona shares insights on his creative process, the challenges and triumphs of being an independent artist, and his latest projects. Listeners will hear about his upcoming single, Piel Canela, a soulful collaboration with Alfredo Rodríguez, and his January concerts with the Asante Trio at Yoshi's Oakland. From reimagining timeless classics to championing young musicians, Bona's stories provide an intimate look into his life as an artist. The episode also teases his European tour, which features performances with the Metropole and Brussels Jazz Orchestras. Whether you're a longtime fan or new to Bona's music, this conversation is a must-listen for anyone passionate about global sounds and the evolving music industry. Guest Information Guest: Richard BonaBio: Grammy-winning bassist, composer, and multi-instrumentalist. Known as “The African Sting,” Bona blends jazz, Afropop, and Cameroonian traditions into a unique sound that has captivated global audiences.Website: www.richard-bona.comInstagram: @richardbonaofficialX (Twitter): @bonarichardFacebook: @TheRealRichardBona Call-To-Action Don't miss Richard Bona live at Yoshi's in Oakland on January 14 and 15! Tickets are available now at Yoshi's Official Website.Subscribe to Backstage Bay Area for more exclusive artist interviews on YouTube and Apple Podcasts. Podcast Playlist Afreekha Piel Canela (featuring Alfredo Rodríguez) Toda Fé (featuring Gilmar Gomes and Angelique Kidjo) Essential Episode Takeaways New Music: Richard Bona's latest single, Piel Canela, drops January 7. The track reimagines a Nat King Cole classic with an Afro-Latin twist. Creative Freedom: Bona emphasizes the importance of artistic independence and offers advice to young musicians on building sustainable careers. Upcoming Performances: Bona previews his European tour and highlights the unique Afro-Cuban fusion of his Asante Trio, performing at Yoshi's Oakland. Behind the Scenes: Get a glimpse of Bona's creative process, from recording song ideas mid-flight to crafting arrangements with world-class orchestras. Hashtags #RichardBona #AfroCubanJazz #BackstageBayArea #IndependentArtists #PielCanela #GrammyWinner #YoshisOakland #GlobalMusic #MusicPodcast

fWotD Episode 2793: Palo (religion) Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 27 December 2024 is Palo (religion).Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It draws heavily upon the traditional Kongo religion of Central Africa, with additional influences taken from Catholicism and from Spiritism. An initiatory religion practised by paleros (male) and paleras (female), Palo is organised through small autonomous groups called munanso congo, each led by a tata (father) or yayi (mother).Although teaching the existence of a creator divinity, commonly called Nsambi, Palo regards this entity as being uninvolved in human affairs and instead focuses its attention on the spirits of the dead. Central to Palo is the nganga, a vessel usually made from an iron cauldron. Many nganga are regarded as material manifestations of ancestral or nature deities known as mpungu. The nganga will typically contain a wide range of objects, among the most important being sticks and human remains, the latter called nfumbe. In Palo, the presence of the nfumbe means that the spirit of that dead person inhabits the nganga and serves the palero or palera who possesses it. The Palo practitioner commands the nganga to do their bidding, typically to heal but also to cause harm. Those nganga primarily designed for benevolent acts are baptised; those largely designed for malevolent acts are left unbaptised. The nganga is "fed" with the blood of sacrificed animals and other offerings, while its will and advice is interpreted through divination. Group rituals often involve singing, drumming, and dancing to facilitate possession by spirits of the dead.Palo developed among Afro-Cuban communities following the Atlantic slave trade of the 16th to 19th centuries. It emerged largely from the traditional religions brought to Cuba by enslaved Bakongo people from Central Africa, but also incorporated ideas from Roman Catholicism, the only religion legally permitted on the island by the Spanish colonial government. The minkisi, spirit-vessels that were key to various Bakongo healing societies, provided the basis for the nganga of Palo. The religion took its distinct form around the late 19th or early 20th century, about the same time that Yoruba religious traditions merged with Roman Catholic and Spiritist ideas in Cuba to produce Santería. After the Cuban War of Independence resulted in an independent republic in 1898, the country's new constitution enshrined freedom of religion. Palo nevertheless remained marginalized by Cuba's Roman Catholic, Euro-Cuban establishment, which typically viewed it as brujería (witchcraft), an identity that many Palo practitioners have since embraced. In the 1960s, growing emigration following the Cuban Revolution spread Palo abroad.Palo is divided into multiple traditions or ramas, including Mayombe, Monte, Briyumba, and Kimbisa, each with their own approaches to the religion. Many practitioners also identify as Roman Catholics and practice additional Afro-Cuban traditions such as Santería or Abakuá. Palo is most heavily practiced in eastern Cuba although it is found throughout the island and abroad, including in other parts of the Americas such as Venezuela, Mexico, and the United States. In many of these countries, Palo practitioners have faced problems with law enforcement for engaging in grave robbery to procure human bones for their nganga.This recording reflects the Wikipedia text as of 01:01 UTC on Friday, 27 December 2024.For the full current version of the article, see Palo (religion) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Matthew.

I miss Amoeba Records in Hollywood. When I was working a few blocks north of there, I'd visit a few times a week during my lunch break. They had a warehouse full of oddities of all mediums and genres, books, films and memorabilia. It was on one of these mid day excursions that I came across an album entitled: “The Rough Guide to Psychedelic Africa”. This was earmarked and marketed for people just like me. The music contained therein varied quite a bit from my idea of psych, but I love discovering new stuff so I couldn't pass it by.“Guitar Boy” was one of the tracks on this collection, by Nigerian national hero - the musician, writer, sculptor, and musical instrument inventor Sir Victor Uwaifo (1941-2021), who achieved the very first gold record there with “Jeromi” in 1965. The genre is called High Life, developed in Ghana, a former British Colony on the west coast of Africa. It's style is immediately recognizable as Afro-Cuban, with it's fusion of Afro beats with western melodies played by guitars plucked in staccato arpeggios. Guitar Boy was banned for awhile because of it's connection to a failed coup in April '67, which was led by a Lt. Samuel Arthur (later executed), who marched prematurely into Broadcasting House Accra, announced the coup, and ordered the record to be played. Wow! You can't make this shit up.

Fifty years ago, the president of Senegal's nephew was putting together a band for his new, upscale Dakar nightclub, and he recruited a handful of musicians who are still together today. Bringing together elements from their homes across West Africa to the Afro-Cuban style of the time, the Orchestra Baobab became one of Dakar's top bands. From the rough recordings made in Club Baobab, to their 21st century revival, their music ranges from slow folk ballads to wah-pedal heavy psychedelia. We'll talk to members Rudy Gomis, Barthelemy Attisso, Theirno Kouyate, Balla Sidibe and more, and hear selections from a truly one-of-a-kind group, the specialists in all styles, half-a-century old and still evolving: the mighty Orchestra Baobab. APWW #822

Welcome to tonight's Rhumba journey on the Tembo Sounds - The Culture Show, where we're celebrating the heart and soul of African and Afro-Cuban rhythms. Dive into the timeless sounds of Papa Wemba's "Analengo," Tabu Ley Rochereau's classic "Mr. Malonga," and Franco's smooth "Café." From the legendary Koffi Olomidé to the iconic Afro Cuban All Stars, this show is packed with rich melodies and soulful beats to keep you swaying all night. Let's celebrate the magic of Rhumba together! Here is the complete list of songs featured https://serato.com/playlists/Tembo_Sounds/tembosounds-555-rhumba-nights-11

Trumpet/Flugelhorn player Stan Kessler is a world-class musician. His areas of expertise are in Jazz, R&B, Funk, Brazilian and Afro-Cuban styles. He teaches group psychology dynamics, music improvisation and theory. Stan writes and arranges for small groups. He also understands the music business and well versed in CD production. Learn more about Stan Kessler's musical history and expertise at:   stantonkessler.com

Gaea Star Crystal Radio Hour #595 is an hour of visionary acoustic improvised music played by The Gaea Star Band with Mariam Massaro on vocals, Native flute, acoustic guitar, mandolin, ukulele and Celtic harp, Bob Sherwood on piano and vocals and Craig Harris on Native drum and congas. Recorded live at Singing Brook Studio in Worthington, Massachusetts in October 2024, today's show begins with the beautiful, meditative “Continue On”, a raga-like piece with delicate congas from Craig and gossamer, sweeping piano from Bob framing Mariam's powerful, soaring vocal. Reaching a tempestuous crescendo, the song is followed by Mariam's ocean prayer “Yemanja”, written for the “Gaea Star Goddesses” LP. Growing like an incoming tide, “Yemanja” features a show, powerful build, inspired, interweaving vocals from Mariam and Bob and a powerful, fundamental groove. “Celebrate Life” is a beautiful, spacious folk song led by Mariam's steady, chiming mandolin and revealing a powerful, universal message and “Let's Slip Away” is a kinetic, sunny piece of modern gospel/classical music with a stately, shifting piano theme supporting an inspired vocal from Mariam. “Bless Our Lives” is a lovely, deeply affecting minimalist groove with shifting meters from congas and piano and a lush, sweeping melody that mutates and evolves through jazz and Afro Cuban grooves and “Mighty Is The Force Of Nature” is a powerful slow anthem led by a powerful duet between Mariam's prayerful vocals and widescreen Native flute passages. We complete today's hour with the powerful, shifting journey of “Let's Dream A New Story”, an imaginative trip through styles bound together by Mariam's powerful lyric. Learn more about Mariam here: http://www.mariammassaro.com

A fixture in the local music scene since 1974, Gene Perry was born in Santurce, Puerto Rico, and was one of the earliest pioneers of Afro-Cuban and Afro-Caribbean music in San Diego. His ensemble, Rumba Ketumba, is composed of a mixture of San Diego natives and musicians from around the world. Rumba Ketumba plays a high-energy mixture of Afro-Latin, Caribbean, Spanish Rumba, and other dance rhythms. Curator Yael Strom, whose Yiddish klezmer group has previously collaborated with Rumba Ketumba, will host and conduct a Q&A with the group after their performance. “Gene Perry and Rumba Ketumba's extraordinary musical talent and personalities are hard for audiences to resist,” says Strom. “They have virtuosic ability with calypso, reggae, salsa, samba, Afro-Cuban, and African Diaspora music, and I have been fortunate enough to tour and collaborate with them on a number of groundbreaking cross-genre projects.” Series: "Arts Channel " [Arts and Music] [Show ID: 39527]

A fixture in the local music scene since 1974, Gene Perry was born in Santurce, Puerto Rico, and was one of the earliest pioneers of Afro-Cuban and Afro-Caribbean music in San Diego. His ensemble, Rumba Ketumba, is composed of a mixture of San Diego natives and musicians from around the world. Rumba Ketumba plays a high-energy mixture of Afro-Latin, Caribbean, Spanish Rumba, and other dance rhythms. Curator Yael Strom, whose Yiddish klezmer group has previously collaborated with Rumba Ketumba, will host and conduct a Q&A with the group after their performance. “Gene Perry and Rumba Ketumba's extraordinary musical talent and personalities are hard for audiences to resist,” says Strom. “They have virtuosic ability with calypso, reggae, salsa, samba, Afro-Cuban, and African Diaspora music, and I have been fortunate enough to tour and collaborate with them on a number of groundbreaking cross-genre projects.” Series: "Arts Channel " [Arts and Music] [Show ID: 39527]

A fixture in the local music scene since 1974, Gene Perry was born in Santurce, Puerto Rico, and was one of the earliest pioneers of Afro-Cuban and Afro-Caribbean music in San Diego. His ensemble, Rumba Ketumba, is composed of a mixture of San Diego natives and musicians from around the world. Rumba Ketumba plays a high-energy mixture of Afro-Latin, Caribbean, Spanish Rumba, and other dance rhythms. Curator Yael Strom, whose Yiddish klezmer group has previously collaborated with Rumba Ketumba, will host and conduct a Q&A with the group after their performance. “Gene Perry and Rumba Ketumba's extraordinary musical talent and personalities are hard for audiences to resist,” says Strom. “They have virtuosic ability with calypso, reggae, salsa, samba, Afro-Cuban, and African Diaspora music, and I have been fortunate enough to tour and collaborate with them on a number of groundbreaking cross-genre projects.” Series: "Arts Channel " [Arts and Music] [Show ID: 39527]

All music used with permission by Ben Tweedt Trio. East of the Sun and West of the Moon - Standard Flow Out - Tweedt Back to School - Tweedt Otherscape - Tweedt Iowa - Tweedt Chasing Ghosts - Tweedt Vera Cruz - Nascimento Elegy - Tweedt Apex - Tweedt Fatima - Pascoal Cincinnati based pianist Ben Tweedt is a pianist, composer, and arranger known for his lush harmonies, intricate compositions, and lyrical improvisation and his compositions and repertoire reflect his wide range of musical interests, including jazz, gospel, European classical music, Afro-Cuban music, and Brazilian music as you'll hear here.   From a July 30th, 2023 performance and featuring Justin Dawson on Bass, Tom Buckley on Drums and Ben Tweedt on Piano, it's the Ben Tweedt Trio – Live at the Bop Stop.   Live at the Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction, music therapy, and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn, create, inspire, and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio, and the studios of WBWC FM on the campus of Baldwin-Wallace University in Berea, Ohio. Additional production at the Bop Stop is provided by Graham Rosen. Technical editing for the program is provided by Dr. Pete Naegele, Shawn Gilbert, and Darren Thompson through Gilazar Media.   The executive producer and writer is Daniel Peck, with additional consulting production on behalf of The Music Settlement by Bryan Kennard.   For extended versions of all of our shows, our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   To reach out directly, email liveatthebopstop@gmail.com. I'm Daniel Peck. Join me again next time... Live at the Bop Stop. Want to Support The Bop Stop?  Donate here!   Contact us here

A fixture in the local music scene since 1974, Gene Perry was born in Santurce, Puerto Rico, and was one of the earliest pioneers of Afro-Cuban and Afro-Caribbean music in San Diego. His ensemble, Rumba Ketumba, is composed of a mixture of San Diego natives and musicians from around the world. Rumba Ketumba plays a high-energy mixture of Afro-Latin, Caribbean, Spanish Rumba, and other dance rhythms. Curator Yael Strom, whose Yiddish klezmer group has previously collaborated with Rumba Ketumba, will host and conduct a Q&A with the group after their performance. “Gene Perry and Rumba Ketumba's extraordinary musical talent and personalities are hard for audiences to resist,” says Strom. “They have virtuosic ability with calypso, reggae, salsa, samba, Afro-Cuban, and African Diaspora music, and I have been fortunate enough to tour and collaborate with them on a number of groundbreaking cross-genre projects.” Series: "Arts Channel " [Arts and Music] [Show ID: 40145]

Afro-Cuban and Afro-Brazilian musical giants have long enjoyed the spotlight, yet throughout Latin America there are other black enclaves producing some of the New World's most vibrant music. Their stories have gone untold for far too long. In this episode, Afropop explores these lost sounds, starting in an Ecuadorian desert valley where African and Andean traditions have mixed seamlessly into fiery dance music. Then we're off to mangrove-studded Esmeraldas to search out the last marimba legends living on the jungle waterways. We continue to Bolivia, where a tiny black minority uses their music to fight for recognition by the indigenous government and last, we'll listen to the driving carnival music of Uruguay, candombe. Tune in for exclusive interviews and recordings by everyone from marimba master Papa Roncon to Candombe-jazz legend Hugo Fattoruso. Produced by Marlon Bishop. Originally aired 2009.

Italy born producer and modular synthesist David Castellani is an aficionado in all things modular with a focus on driving, contemporary techno. His sound, fuelled by an array of analog hardware, showcases the intricate aspects of modern music production, while staying true to the fundamentals. Having formerly cut his teeth in a DJ/Producer duo, David has already built a category of healthy releases, collaborations and remixes, while sharing the decks with industry heavies including Nastia, Mark Broom, Dense & Pika & Vril, to name a few. Now based in LA by way of Chicago, Castellani launched his record label Noetic in 2021, cultivating smart & dynamic techno with a focus on synthesizers and analog hardware. The label has curated eleven releases from Castellani so far, featuring remixes from Redshape, Matrixxman, Voiski & Etapp Kyle. Castellani's journey in music has been marked by two guiding principles – passion and learning, including exploration of world cultures. He uses the didgeridoo, part of ancient First Nation Australian culture which he respectfully acknowledges, in his live sets. He was taught drums by respected Afro Cuban percussionist Juma Santos, who featured on the legendary Miles Davis album ‘Bitches Brew'. The experience of working with Santos has stayed with him till this day. “It was one of the most vivid memories of my youth. We just spent hours playing drums together and then we'd indulge in some cannabis while Juma would share stories about hanging out with Miles Davis in the 70's. I was about 17 and remember travelling home, thinking how excited I was to start this new journey in music. And most of all, this helped me understand the value of education via a proper teacher within music.” Castellani would go on to be an educator himself, thriving as a teacher at Chicago's respected Columbia College, where he'd teach for almost a decade. His passion for educating is something that stays with him till this day, involved in running modular synth workshops in LA in collaboration with the RE/FORM crew, with whom he holds a residency. He also volunteers with the Jazz Angels, an outreach program that sees him go into schools and help children record and learn about music. His passion and curiosity for all things learning, creativity and technological development has seen him create his own sequencer module, the Precision Disrupter. His background in graphic design also sees a collaboration with clothing brand After Infinite, responsible for designing all their rave wear garments. A magnetic live performer, recent highlights include a special 360-degree audio-visual performance in LA alongside Colin Benders and ONYVAA; a coveted spot playing Chicago's Arc Festival and the release of his collaborative project ‘Hysteria Dichotic' with AnnMarie Arcuri, which combined techno, contemporary dance, modular synthesis and film. Castellani wishes to acknowledge that First Nations Australians are the traditional owners of the didgeridoo, a wind instrument he uses in his live sets. He pays his respects to all First Nations people. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Hello and welcome to Episode 158 with Lisette Alvarez, who joined me for an in-person interview at Podcast Movement to discuss Cuba. Lisette is a Cuban-American who has visited the country and shares about Cuban culture and how to travel there. We discuss Lisette's background as a military kid, her cultural identity, and the historical context surrounding her travel to Cuba. Lisette shares her first impressions of Havana, the emotional significance of her trip, and the cultural exchanges she experienced. She explains the importance of local tours and interacting with local people, which she loves, and shares them with anyone visiting the country. The conversation also covers practical aspects of travelling in Cuba, including budgeting and navigating money. Lisette has propelled Cuba to the top of my list after this conversation.Lisette Alvarez is a storyteller and communicator with experience in international affairs, creative multimedia production, and interdisciplinary web strategy. Her production company, Stormfire Productions, produces storytelling podcasts, and Lisette has an incredible passion for podcasting. Please check out her stuff below!TakeawaysTravelling has been a lifelong passion for Lisette.Cultural identity is fluid + shaped by experiences.The embargo has historically limited travel to Cuba.Cuba feels frozen in time due to political circumstances.Experiencing local culture is essential when travelling.Budgeting for travel in Cuba requires careful planning.Connecting with locals enhances the travel experience.Cuba's rich Afro-Cuban culture is a significant aspect of its identity.Travelling opens up opportunities to hear diverse stories.Lisette Alvarez/Stormfire ProductionsStormfire ProductionsLisette AlvarezWinging It Travel PodcastWebsiteCreditsHost/Producer/Creator/Writer/Composer/Editor - James HammondPodcast Art Design - Swamp Soup Company - Harry UttonSupport Winging ItBuy Me A Coffee - HereMerch Store - Here Buy My Digital Travel Planner - HereFinal Press Coffee + Tea MakerCode for 10% off - Winging Ithttps://www.finalpressco.com/wingingitAffiliate Links If you book anything using my resources link below, I get a tiny commission, which helps the podcast.https://www.wingingittravelpodcast.com/resourcesThanks!Hosted by Ausha. See ausha.co/privacy-policy for more information.

Three years ago, Cynthia discovered her deep passion for storytelling in the form of screenwriting, and ever since, her stories have focused on empowering and celebrating the human experience and spirit. Cynthia weaves magic into her stories and characters by using her rich, familial heritage, ancestral faith, and generational resilience.In 2021, Cynthia made her directorial debut with the award-winning film, "Dukkha," a film based on her journey to sobriety that she created as a mentee in the Women of Color Filmmakers Director's Lab. Six months later, Cynthia wrote and directed another award-winning film, "Bilongo," an Afro-Cuban folk story that pays homage to her ancestral roots. Throughout 2022, Cynthia worked on over a dozen sets. She also wrote and directed, "The Bible Thumper and The Bruja," a comedy that ignites the imagination and revels in the power and the vulnerabilities of humankind. Her latest film, "Legend of El Cucuy," was developed as part of the LALIFF Inclusion Fellowship. Cynthia was also chosen as a mentee with both Unlock Her Potential and #Startwith8 . She is in preproduction to co-direct her first feature film, a comedy, "We're Not Married," set to begin filming in October.

Gaea Star Crystal Radio Hour #588 is an hour of dynamic, visionary acoustic improvised music played by the Gaea Star Band with Mariam Massaro on vocals, Native flute, 4- and 8-string ukulele, shruti box, mandolin and dulcimer, Bob Sherwood on piano and Craig Harris on Native drum and congas and featuring today's special guest, Turkish singer and folk musician Ludimirra Ozdemir on vocals and playing his richly resonant Saz, a stringed instrument similar to a guitar.  Recorded live at Singing Brook Studio in Worthington, Massachusetts in late August of 2024, today's show begins with the varied, imaginative “Raise My Voice In Praise”, a rich, evocative song featuring fine instrumental contributions from the whole combo supporting a beautiful, sweeping vocal from Mariam.  “Transform” is a steady, powerful gospel-like song built on a two-chord motif from the piano and “Star Ray” begins as a delicate, tonally floating whisper and builds gracefully into a beautiful cathedral of sound with a lush, emotional ballet between Mariam's vocal and her Native flute.  “Make New Friends” appropriates a children's song to spin a musically rich, mysterious tale about rescuing a stuck deer in the deep winter before spinning into a powerful, gospel-pitched coda of rich vocal and stately piano.  The band slips seamlessly into a mysterious, swirling minor and a mirror-image of the previous piece emerges, a night to the day that has passed, lit with moonlight, plaintive and formal.  “Let's Realign” is an energetic, powerful folk reel led by Mariam's chiming mandolin that grows in power until settling into a beautiful piano coda supporting a hushed, whispered vocal from Mariam.  Ludimirra's arresting, powerful song “My Soul's Deepest Longing” rises unhurried from a beautiful mesh of Saz and Native flute, his powerful vocal performance arriving as if from a great distance.  This piece travels from the Turkish steppes to the frozen north as Bob's Prokofiev-sourced piano parts push and pull at the eastern modes.  Mariam floats in to close today's show with the solemn, powerful “Honor Your Spirit”, a concluding prayer that stretches and pulls the music in intriguing Afro-Cuban directions.  Learn more about Mariam here: http://www.mariammassaro.com

It was only a few years ago that Erik Rodriguez was attending medical school in his native Cuba, following his family of careerists' footsteps. But then, when he heard James Brown's "I feel good," he realized that he was meant for a different path. In this segment of “How I Made It,” Erik takes us through his transformation into Afro-Cuban artist Cimafunk—a Billboard's “Top 10 Latin Artists to Watch”—and explains how someone who had never studied music before found the confidence to listen to himself and be listened to by others.This episode originally aired in 2020.Subscribe to our newsletter by going to the top of our homepage. Follow us on TikTok and YouTube. 

Eva Silot Bravo joins Rebecca again to talk about her recently published book, Cuban Fusion: The Transnational Cuban Alternative Music Scene, which focuses on Cuban musicians who have migrated to New York, Madrid, and other major cities since the 1990s and created fascination fusions of jazz, Afro-Cuban folkloric music, nueva trova and other genres.Songs played Send us a Text Message.Support the Show.If you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Send us a Text Message.Join host and hypnotist Nicole Hernandez and Beatrice Feliu-Espada (now Beatrice Dixon), CEO of The Honey Pot Company, for this special series, High-Frequency Success, which explores redefining success for ambitious and spiritual people. In this episode, Bea shares her extraordinary dream guided by her ancestor, which led her to discover a remedy for bacterial vaginosis. She also recounts her spiritual practices, being initiated into an Afro-Cuban religion, and the personal sacrifices she made along the way. Bea's entrepreneurial spirit shines through as she describes founding The Honey Pot and the path to creating clean, functional, and reliable feminine hygiene products. In early 2024, The Honey Pot was acquired in a $380 million deal. The episode offers tangible business takeaways, including:Testing and Customer InsightsHandling SetbacksCustomer EngagementFor those interested in learning more about The Honey Pot, visit https://thehoneypot.co. If you're ready to explore High-Frequency Success Coaching with Nicole, visit https://www.thetravelinghypnotist.com/business-coaching.Subscribe to The Traveling Hypnotist Podcast to stay in the loop and discover more about the TTH Method, private sessions, and upcoming events at thetravelinghypnotist.com or Instagram @thetravelinghypnotist. Disclaimer: This podcast is for educational and inspirational purposes only. It is not a substitute for professional mental health care. If you are experiencing any psychological or medical conditions, please seek help from a qualified healthcare professional.

Send us a Text Message.Our Way Black History Fact celebrates the life of Afro-Cuban singer Celia Cruz as she is now on the quarter and her coin is being distributed by the U.S. Mint.Support the Show.www.civiccipher.comFollow us: @CivicCipher @iamqward @ramsesjaConsideration for today's show was provided by: Major Threads menswear www.MajorThreads.com Hip Hop Weekly Magazine www.hiphopweekly.com The Black Information Network Daily Podcast www.binnews.com

Daymé Arocena is a Cuban singer, songwriter and composer who left the island looking for artistic freedom. Arocena has been described as one of the most explosive and dynamic voices today. In her latest album "Alkemi" she bridges her knowledge of jazz, Afro-Cuban percussion, and even a little 90s R&B. These last few years have been a time of intense transformation for Arocena, so on this episode of Latino USA, the 32-year-old tells us how her upbringing has helped her create music that doesn't fit easily into a box.Read more about the episode here.

Sing a song to the Dublin girl on the Irish & Celtic Music Podcast # 670. Subscribe now! Celtic On the Inside is now on sale in our store. Support the podcast by buying one of these limited-edition CDs and Album Pins. Shop now! Dublin Gulch, Wylde Nept, Enda Reilly, The Crowfoot Rakes, The Ciderhouse Rebellion, Molly Donnery, Natalie Padilla, Kevin Meehan, Fig for a Kiss, Blackthorn, Derek Warfield & The Young Wolfe Tones, The Drowsy Lads, Charlene Adrima, Bealtaine, Drumspyder, Ironwood, Hayley Griffiths GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2024 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2024 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2 - 3 weeks. It also makes it easier for you to add these artists to your own playlists. You can also check out our Irish & Celtic Music Videos. THIS WEEK IN CELTIC MUSIC 0:02 - Intro: High Octane 0:11 - Dublin Gulch "Rick O'Shay Reel" from Tap 'Er Light 3:10 - WELCOME 5:14 - Wylde Nept "The Butterfly" from All's Fair 7:12 - Enda Reilly "My Dublin Girl" from Hy - Brasil 9:31 - The Crowfoot Rakes "The Marion Jig (Live)" from Off She Goes 11:27 - The Ciderhouse Rebellion with Molly Donnery "Jimmy Murphy" from A Little Bit Slanted 14:41 - FEEDBACK 18:46 - Natalie Padilla "Sailor's Love" from Paths and Places 22:24 - Kevin Meehan "The Living Bridge" from Spanish Point 25:45 - Fig for a Kiss "Johnny Be Fine" from Wherever You Go 27:35 - Blackthorn "Almost Every Circumstance/Galloping Ass" from Here's To You 31:22 - Derek Warfield & The Young Wolfe Tones "The Lough Sheelin Eviction" from Let the Free Birds Fly 37:51 - THANKS 41:19 - The Drowsy Lads "Memories and Moments" from Everyone In 44:50 - Charlene Adzima "The Old Flail/Pauline Conneely's/Sizzling Bacon" from The Initiation 49:21 - Bealtaine "Star of the County Down" from The Founders' Room Vol 2 52:14 - Drumspyder "The Templehouse" from Green Mantle 56:15 - Ironwood "The White Gypsy" from Gretna Green 60:23 - CLOSING 1:01:14 - Hayley Griffiths "Black Is the Colour" from Far from Here 1:05:10 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and podcaster. This podcast is for fans of Celtic music. It's here to connect you with some of the amazing musicians who are performing Celtic music around the world. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to keep making music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their communities on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Do you make Celtic art? We're looking for a design to incorporate into our shirts, album pin and CD in 2025. We'd love your contribution. Email some design ideas with or without our podcast name. Speaking of CDs and Album Pins, Celtic on the Inside is the name of the latest compilation CD and album pin by the Irish & Celtic Music Podcast. The album is now officially on sale. Only 100 copies of the CD and 100 copies of the Album Pin are available. This is a great way for you to preserve your memories of the Best Irish and Celtic music of 2023. Plus, it's a great way to financially support the podcast so we can keep bringing you great Celtic music each and every week. Preserve your memories at magerecords.com where you can get the CD and album pin. Oh! And do you know what an album pin is? An album pin is an enamel pin themed to a particular album. You get a digital download of the album. And you can then wear your album on your sleeve… or attach it to another piece of clothing. It's a visual way to tell others that you are Celtic on the Inside. If you are a Celtic musician or in a Celtic band, then please submit your band to be played on the podcast. You don't have to send in music or an EPK. You will get a free eBook called Celtic Musicians Guide to Digital Music and learn how to follow the podcast. It's 100% free. Just email Email follow@bestcelticmusic and of course, listeners can learn how to subscribe to the podcast and get a free music - only episode. Plastic Free July. Plastic Free July® is a global movement that helps millions of people be part of the solution to plastic pollution – so we can have cleaner streets, oceans, and beautiful communities. Will you be part of Plastic Free July by choosing to refuse single - use plastics? THANK YOU PATRONS OF THE PODCAST! You are amazing. It is because of your generosity that you get to hear so much great Celtic music each and every week. Your kindness pays for our engineer, graphic designer, Celtic Music Magazine editor, promotion of the podcast, and allows me to buy the music I play here. It also pays for my time creating the show each and every week. As a patron, you get ad - free and music - only episodes before regular listeners, vote in the Celtic Top 20, stand - alone stories, you get a private feed to listen to the show or you can listen through the Patreon app.  All that for as little as $1 per episode. DONATE: Make donation to the podcast. A special thanks to our new and continued Patrons of the Podcast: Frank D, Sean C, Michael H, Tim S, Miranda Nelson Designs HERE IS YOUR THREE STEP PLAN TO SUPPORT THE PODCAST Go to our Patreon page. Decide how much you want to pledge every week, $1, $5, $25. Make sure to cap how much you want to spend per month. Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music. You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. The Celtic Invasion of Scotland's Whisky Distilleries is now booked. The next Celtic Invasion will go to Galicia in Spain IF I can get enough people to explore that region with me. I need a minimum of 6 to make it happen. It's not yet open, but if you'd like to join, sign up to our mailing list. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? Please email me. I'd love to see a  picture of what you're doing while listening or of a band that you saw recently. How are you listening to this podcast? I'd love to know that as well. The show is available on a bunch of podcast apps like Apple Podcast, Amazon Music, Podcast Addict, iHeartRadio, Player.FM, Pocket Casts, Cast Box, Pandora, Podbean, and my favorite Overcast Email me at follow@bestcelticmusic. Cheryl Arvio emailed: “Hi Marc, My boyfriend went to an Irish set dance yesterday. Since it was Pride Day in Chicago, he wore your Pride Month with the Irish & Celtic Music Podcast T - shirt to the gathering, prompting several of his fellow dancers to tell him that they, too, are listeners of the podcast! Just thought you'd like to know you've got fans here in Chicago  ☘️☘️

Aida is a Catholic Spiritualist, a natural born medium, and a Hoodoo practitioner with deep roots in the Afro-Cuban traditions. She specializes in cursing, break up spells, spiritual eradications and establishing magical protection. Who better to teach this class?

Much has been made of Mexico's rich Spanish and indigenous heritage, but until recently there's been little talk of Mexico's so-called "Third Root": Africa. Africans came to Mexico with the Spanish as soldiers and slaves -- so many that by 1810, the black population of Mexico was equal to that of the United States. Today, African heritage persists throughout Mexico, yet for a variety of reasons, black history has long been silenced. In this Hip Deep episode, we use music to explore that history as we take a road trip across the country in search of sonic traces of Afro-Mexico. We visit the state of Veracruz to learn the history of the Afro-Mexican son jarocho sound, made famous by Ritchie Valens' 1958 hit cover of "La Bamba," a traditional jarocho tune. Then, we visit the Costa Chica of Guerrero, where Afro-Mexican communities are fighting for government recognition to help preserve faltering musical traditions. And we'll stop by the golden-age halls of Mexico City, where the Afro-Cuban danzón thrives far from its ancestral home in Havana. Along the way, we hear from top scholars in the field such as Ben Vinson III and Alejandro Madrid, as well as Afro-Mexican music stars past and present, from Los Cojolites to Las Cafeteras. ¡Que padre! APWW #658

Almost immediately, he found himself as sideman for notable locals such as Kermit Ruffins, Michael Ward and The Reward, and Sun Ra trumpeter, Michael Ray.  In 1992 he co-founded the New Orleans Klezmer All-Stars(NOKAS), a pioneering klezmer ensemble that infused that music with the vibrancy and energy of the funk, jazz and brass music of New Orleans. To date he has had opportunity to play with most of New Orleans' greatest musicians from across all genres.  NOKAS was playing some of his compositions, but by 1993 he found himself seeking outlets for his compositions in other styles and forms.  After playing with a plethora of combos and experimenting with many great local musicians he formed Naked On The Floor and eventually The Naked Orchestra. Naked on the Floor (quintet) and the Naked Orchestra (18-24 piece creative orchestra) play Freilich's original compositions exclusively and still play regularly in New Orleans. He has appeared at the New Orleans Jazz and Heritage Festival 24 times as well as headlining the Berlin Jazz Festival with NOKAS. He has appeared at numerous other festivals inside and outside the country including Bonnaroo, the Ann Arbor Jazz Festival, The American Folklife festival at the Washington Monument, collaborations with poet, Andrei Codrescu at the Holocaust museum in NYC and many others. Other notable work includes appearances with Sam Rivers, Burton Greene, Marshall Allen, The Wild Magnolias and backing songwriters such as Robbie Robertson. He has done arrangements for a wide range of recordings from, Peter Stampfel to Hal Willner's presentation of U@ doing music of T-Rex. He is featured on over 21 recordings ranging from Klezmer to Afro-Cuban and avant-garde orchestra music. Recently he put out two CD's of a large orchestra playing his original compositions, a small group, and played on Marianne Faithfull's latest release.  Many of these recordings are either Big Easy or Offbeat entertainment award winners across a number of categories.  He also has music featured in films and TV shows (Andy Richter conquers the Universe, The Dukes of Hazzard(Warner Home Video) as well as commercials for companies such as Southwest Airlines and Mercedes.    n 2016 he produced and arranged an album, NOLA? for legendary Basque artist, Fermin Muguruza. Rearrangements of Muguruza's classic work utilizing the great players and sounds of New Orleans. That led to a very successful European run for the Basque New Orleans Orchestra. Other arranging credits include Hal Wilner and U2 tribute to T. Rex and Grammy Award winner, Peter Stampfel's 100 songs of the 20th century project.      His work includes 4 completed and performed operatic works: a comic-satirical opera, Bang the Law, about a couple of New Orleans lawyers and their movements through New Orleans class detritus after Hurricane Katrina, a two movement orchestral fantasy about Elias Cannetti at carnival, formation of a new quintet to play new original compositions, an octet reduction of Peter and the Wolf for a New Orleans Contemporary Art Center/Guggenheim foundation presentation; a second opera, ee me & cummings thee which premiered in New Orleans in Nov. 2011.   2019 saw the completion of two operas. One a hyper-collaborative project with writer, Bernard Pearce, The Coronation, on the selecting of queen bees. In June 2019 he wrote an operetta on the Dirty Letters of James Joyce to Nora Barnacle, titled Darling, Please do not be offended at what I wrote.  He is the subject of the one hour radio documentary Jonathan Freilich's Freedom Double-O Naked Klezmer Jazz Latin Boogaloo: The Radio Documentary by award winning documentarian, David Kunian and was the 2008 Louisiana Governors' Music Fellowship Award recipient.  This year he figured as a Rising Star guitarist in Downbeat's Critics Poll.  Freilich was born Oct.13, 1968 in Philadelphia, Pa.  He spent most of his early years, up until a late teenager in London, England before moving to Los Angeles in 1985.  Thereafter, he moved to Santa Cruz, Ca in 1987 before the 1989 move to New Orleans.  Currently, he is residing in Los Angeles after completing further studies in composition at California Institute of the Arts. Aside from music, Freilich is also a certified Iyengar yoga instructor and co-owner of a studio in New Orleans for many years.

Legendary Afro-Cuban hip hop group Krudxs Cubensi (Odaymar Cuesta and Oli Prendes) join Rebecca to speak about their career and the particular challenges they've faced as artists who are Afro-Cuban, queer, non-binary, and immigrants. Their latest album, They/Them Les Elles, features collaborations with Greg Landau and many other Bay Area-based musicians.Songs played:Mi cuerpo es míoYou are not better than meThey/them les ellesJusticia y libertadSend us a Text Message.Support the Show.If you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

From the 1970s to the present—hip-hop and Afrobeats notwithstanding—the most beloved and popular music in Senegal has been and remains mbalax. Mbalax grew out of a scene where urban bands Dakar bands like the Star Band and Orchestra Baobab were experimenting with Afro-Cuban music, funk and other foreign styles, blending and mixing them with local traditions. Perhaps inevitably, Wolof sabar drumming entered the mix in a big way, and mbalax was born. Sabar drums, played with one stick and one hand, deliver complex, cracking rhythms that are the backbone of this dynamic genre. This Hip Deep program traces the emergence and development of mbalax with insights from ethnomusicologist Patricia Tang, author of Masters of the Sabar. Produced by Simon Rentner.

Percussionist and educator David Peñalosa, author of the book The Clave Matrix, joins Rebecca for an in-depth discussion on the concept of clave, delving into its origins, variations and the way it works in various Afro-Cuban genres. If you've ever wondered what 3-2 or 2-3 clave means or what the difference is between "son clave," "rumba clave" and 6/8 clave, this episode is for you!Songs played:Eco (bembé-abakuá), Julito Collazo and Mongo SantamariaLos beodos, Los Muñequitos de MatanzasEra una gran señora, Alberto ZayasWanileilo (makuta), Cabildo Kunalungo de Sagua La GrandeAndule andule (makuta), Cabildo De Congos RealesChinatown (Philadelphia Mambo), Tito PuenteSend us a Text Message.Support the Show.If you like this podcast, please subscribe and give us a 5-star rating on Apple PodcastsFollow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicleshttps://theclavechronicles.buzzsprout.comIntro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Welcome to a musical episode of Tamarindo where we speak to two Latinas making waves in the  music scene: Daymé Arocena and Girl Ultra. We also speak about how we can practice self-care as we continue to grapple with the atrocities in Gaza. Listen with care.  Afro-Cuban soul star Dayme Arocena joins Tamarindo to talk about her first album in 5 years, Alkemi, produced by Eduardo Cabra of Calle 13. Blending neo-soul singing, Afro-Caribbean beats and modern pop, Daymé Arocena's music is a spiritually charged exploration of Afro-Latin grooves that seamlessly fuses tradition and innovation. Catch her on July 20th For FREE here in Los Angeles at Grand Performances. RSVP: https://www.grandperformances.org/events/dayme-arocena Next, we sit down with Singer/Songwriter Mariana "Nan" de Miguel, aka Girl Ultra, a Mexican singer-songwriter and a rising star in the Latin music scene. She is known for her smooth blend of R&B, rock, and eclectic urban influences. We discuss the inspiration behind her new EP 'blush,' and delve into the themes of youth and self-discovery. We talk about her experience performing at Coachella and how her diverse musical influences have shaped her unique sound.  Speaking of music, here are TWO free opportunities to hang with Tamarindo and some of our favorite musicians: June 20th at 7pm: Join us for a free LIVE taping of Tamarindo with Las Cafeteras at the Pop-Hop in Lincoln Heights: https://www.tamarindopodcast.com/live June 23 at 6pm: Tamarindo will emcee the Little Green Show with singer songwriter Irene Diaz in partnership with sustainable and mindful businesses. This will be at the Happier Camper Tadaa Coffee: 2960 Marsh St, Los Angeles, CA 90039. Free with RSVP: tamarindopodcast.com/events Tamarindo is a lighthearted show hosted by Brenda Gonzalez and Delsy Sandoval talking about politics, culture, and self-development. We're here to uplift our community through powerful conversations with changemakers, creatives, and healers. Join us as we delve into discussions on race, gender, representation, and life! You can get in touch with us at www.tamarindopodcast.com Brenda Gonzalez and Delsy Sandoval are executive producers of Tamarindo podcast with production support by Karina Riveroll of Sonoro Media. Jeff Ricards produced our theme song. If you want to support our work, please rate and review our show here.  SUPPORT OUR SHOW Contribute to the show: https://www.paypal.com/paypalme/tamarindopodcast1 Follow Tamarindo on instagram @tamarindopodcast and on twitter at @tamarindocast  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we bring you an intimate talk with rising Cuban roots-pop singer-songwriter Daymé Arocena. Known for her honey-voiced records that honor Cuba's joyous folk and jazz traditions, her newest Alkemi' takes a sonic leap into the powerful pop and suave R&B music that she admired as a girl - Sade, Whitney Houston and even Beyoncé - while also paying homage to her grandmother's lifelong practice of Santeria.  Born to a musical family in Havana where she shared a two bedroom house with twenty-one extended family members (her mother and grandmother sang locally and dad owned a night club), she was accepted into a prestigious music conservatory at age ten and has been off to the races since, co-founding and the all-female Cuban-Canadian jazz collective Maqueque in 2014, which toured internationally and earned a GRAMMY nomination and releasing four solo albums. Cubaphonia from 2017 is a favorite of this listener.  Like many artists caught in Cuba's long history of repression and poverty - she was forced to leave the island to protect the safety of her husband, a photojournalist whose coworkers had been imprisoned. Canada was their only option at the time due to travel restrictions, but after three years living there, the pandemic pushed her to look for a new home again.  She was advised to contact Grammy-winning producer Eduardo Cabra, better known as Visitante Calle 13, he invited her to come to Puerto Rico to spend a few days in his house - and a new album and a new home base was found. Sometimes you just need that island energy to make you feel whole again. Listen to the deeply spiritual (yet still catchy as hell) “American Boy” - about her finding her happiness and power even without the love of her life being by her side. For someone who grew up as a dark-skinned girl feeling invisible, what's clear is Daymé wants to be seen and understood more than ever before.