Podcasts about Nile

Can sound be felt before it is heard?Arteetude 345 – The Skin That Listens grew directly from responses to our previous episode.Listener Wendy Chivers questioned whether feeling had been treated merely as an unusual side effect of hearing rather than as an essential form of perception. Pastora Braghini then shared a childhood memory of her deaf grandfather, who could detect the children approaching his armchair through vibrations travelling across the old wooden floor.Together with my AI co-host Sophia, I explore the territory between hearing and touch. The ear translates vibration into sound, while skin, bones, muscles and balance translate the same physical event into pressure, movement and spatial awareness.Perhaps listening has never belonged to the ear alone.Perhaps music enters a body already filled with rhythms—heartbeat, breath, memory and movement—and becomes part of us before language can explain what happened.The episode concludes with the new song by Los Inorgánicos:When Silence MovesResearch & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

Today's episode is the second of my so-called “Bubbles on the Nile” series, performances by Beverly Sills (and a host of other divas) in unexpected roles. While the first episode drew on the contents of a 1985 release on the Legendary Recordings label with the same title, today's episode focuses exclusively on the music of George Frideric Handel with an entirely Gundlach-generated setlist. Sills is featured not as Cleopatra in Giulio Cesare, the role that made her a star, but in two other Handel roles which she only rarely performed: Ginevra in Ariodante, and the title role in Semele. There follow nearly two dozen additional singers singing unexpected Handel roles, beginning with Alma Gluck all the way back in 1916. Other singers include Claudia Muzio, Elisabeth Rethberg, Lotte Lehmann, Florence Quartararo, Teresa Żylis-Gara, Hanne-Lore Kuhse, Christa Ludwig, Ileana Cotrubaș, Christiane Eda-Pierre, Shirley Verrett, Martina Arroyo, Grace Bumbry, Victoria de los Ángeles, and Reri Grist. There is a special section featuring six unexpected performers of the role of Cleopatra in Giulio Cesare: Renata Tebaldi, Leontyne Price, Montserrat Caballé, Renata Scotto, Onelia Fineschi, and Virginia Zeani. Other Handel works represented include Rinaldo, Hercules, Alcina, Atalanta, Amadigi, Judas Maccabaeus, and Radamisto. Hearing these singers take a determinedly “old school” approach to Handel's music is fascinating, diverting, challenging, sometimes amusing, and always revelatory. And overseeing it all is our beloved Bubbles! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 636. This episode is brought to you by Walker Defense, XS Sights, Hi-Point Firearms, and CMC Triggers. In this show we will be discussing backpacks, Axe SBR's, Another prism, a 22 FRT, and a mini-14 chassis   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob   Sponsor #1: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - Smith & Wesson M&P magazine extensions   Use Code “GGR20” for 20% off of almost everything at xssights.com   What we did in Firearms:   XTECH mag funnel - Flip Tony off at GOALS, send picture somehow   Announcements: Kat's Rack Defense fund https://www.givesendgo.com/Katsrackdefensefund    Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! 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This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised.   Main Topic is sponsored by: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. Everything they have to offer is proudly made in the USA. Walker Defense, where American ingenuity meets bleeding edge technology.   Our Walker Defense Product of the week is - 2 slot NILE grip panels   Use code “INSIDER15” FOR 15% OFF everything at walkerdr.com   Main Topic: Product Review Chad - Mission First EDC Backpack   Product Spotlight and Discussion:    Smith & Wesson M&P Axe SBR MSRP - $1499.00   Sight Mark Strikon FMP 1x Prism MSRP - $299.97   Sponsor #3: CMC Triggers    CMC triggers is the creator of the original, drop in cartridge style AR trigger. CMC has been in  aerospace manufacturing for over 30 years. This gives you peace of mind knowing that every trigger is of the utmost quality. Their patented design ensures a crisp, short, trigger pull across their whole line of triggers. With triggers for AR's, AK's, pistols, and bolt guns, CMC can make your firearms trigger great. Proudly made in Texas with strong morals and values, giving you confidence that you are buying one of the best triggers out there. 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In this episode of #TheShot of Digital Health Therapy, Jim Joyce and I sit down with Jonathan Anderson, CEO of Nothing Artificial. Thoroughly enjoyed reconnecting and chatting across numerous topics: -The Door-to-Door Sales Rule: What Jon learned in his early days of selling home water systems to households (Hint: make sure all the decision makers are present at once) -The Enterprise Arbitrage: How Jon acquired UCB Pharma's FDA-registered Nile.ai platform turning enterprise infrastructure into a commercial launchpad. -The DTx Graveyard Realist: Why Akili and Pear struggled, and why digital therapeutics must shift from standalone "disease apps" to cognitive infrastructure embedded directly into pharma pipelines and everyday hardware. -Economic Inevitability vs. Hype: Why health systems don't adopt tech because it's novel or slick - they adopt when friction drops to zero and the business model becomes mathematically unavoidable. Ready to hear how real health-tech deals get structured when the PR filter is off? Listen to the full episode on Spotify, Apple Podcasts, or YouTube below (links are in the comments) !

Welcome to Day 2916 of Wisdom-Trek, and thank you for joining me. Day 2916 – Theology Thursday – Ancient Near Eastern Religions versus the God of the Bible Wisdom-Trek Podcast Script - Day 2916 Welcome to Wisdom-Trek with Gramps!   I am Guthrie Chamberlain, and we are on Day 2916 of our Trek.   The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. Our current series of Theology Thursday lessons is written by theologian and teacher John Daniels. I have found that his lessons are short, easy to understand, doctrinally sound, and applicable to all who desire to learn more of God's Word. John's lessons can be found on his website, theologyinfive.com.   Ancient Near Eastern Religions versus the God of the Bible. The religions of the Ancient Near East form a wide landscape of connected myths, rituals, and divine hierarchies that shaped the worldview of early civilizations. Their gods rose and fell in power, reacted emotionally to events, and relied on worshipers to sustain them. These beliefs created a religious environment built on cycles, fragility, and mutual dependence. The biblical portrayal of Yahweh stands in clear contrast. Scripture presents a God who is self-sufficient, unchanging, and sovereign over creation. Examining these differences clarifies the uniqueness of biblical faith within its ancient setting and helps modern readers understand how Israel's worldview developed in the midst of nations with very different assumptions about the divine realm. The first segment is: The Cyclical Nature of ANE Deities ANE religions anchored their divine stories in the rhythms of the natural world. Gods were believed to participate in the same patterns that shaped human experience. Their power rose and fell with the seasons, crops, weather, and the environment. This worldview created a theological system where even major deities could weaken, die, or disappear, only to return when the cycles of nature renewed themselves. The myths surrounding Inanna and Ishtar reveal this worldview clearly. Their descent into the underworld and eventual return mirrored the cycle of barrenness and renewal that governed agricultural life. Their stories did not present beings who transcended nature but ones who were bound to it. Their vitality could pause or fail, only to be restored when the environment shifted. Egyptian religion expressed a similar idea through the Osiris myth. His murder and restoration aligned with the yearly flooding of the Nile, which created fertile soil for crops. The story served as a theological explanation for agricultural renewal. Osiris did not stand above the cycles of life. He represented them. This pattern appears again and again in ANE pantheons, where divine life and natural life were deeply intertwined. The second segment is: Symbiosis Between Gods and Humans The relationship between the gods and humanity in the ANE was shaped by mutual dependence. The gods depended on humans for food, offerings, honor, and the upkeep of temples. Humans depended on the gods for basic stability, agricultural success, and protection. Religion functioned as a system that maintained cosmic order by ensuring both sides received what they needed. Baal worship in Canaan demonstrates this dynamic. Baal's power and presence were tied to the devotion of his followers. If offerings ceased or rituals were neglected, worshipers feared drought, famine, and ecological collapse. Ugaritic texts describe Baal's strength rising and falling in connection with seasonal struggles against Mot, the god of death. The fortunes of the people depended on Baal's vitality, and Baal's vitality depended on the people. This pattern stretched across Mesopotamia as well. Temples functioned as divine households where priests fed, clothed, and cared for the gods. Worship was not about relationship but maintenance. A god who was not sustained properly could weaken, suffer, or lose influence. These beliefs shaped the ancient expectation that the divine and human worlds were locked in an ongoing exchange of needs and services. The third segment is: The God of the Bible: Transcendent, Stable, and Self-Sufficient The biblical portrait of God stands outside the cycles and limitations that characterized ANE religion. Yahweh does not depend on human worship to sustain His power. He does not rise or fall in strength. His nature remains constant, and His authority extends beyond the boundaries of the natural world. Scripture presents Him as the Creator who governs nature rather than one who participates in its fluctuations. Malachi 3 verse six captures this distinction by declaring that God does not change. The prophets frequently challenge the idea that God requires food or ritual maintenance. Psalm 50 portrays God as the owner of all creation rather than a deity who needs sacrifices for sustenance. Isaiah mocks the absurdity of idols that must be carried because they cannot stand on their own. These passages highlight the difference between the dependent gods of the nations and the self-sufficient God of Israel. Covenant reinforces this distinction. When God binds Himself to Abraham, Moses, or David, His promises flow from His own character and faithfulness rather than human ability to maintain Him. His stability provides a foundation for trust that no ANE god could offer, because their identity and power were subject to the very world they governed. The fourth segment is: Supreme Monotheism and the Divine Council The biblical worldview acknowledges a populated spiritual realm, but it does not portray that realm as harmonious or consistently loyal. Scripture presents a divine council, yet this council reflects a world marked by rebellion and spiritual conflict rather than unity. This stands in sharp contrast with ANE pantheons, where deities had fixed jurisdictions and stable roles. Psalm 82 reveals that members of the divine council failed in their appointed tasks. God confronts them for injustice, corruption, and the oppression of the nations they were meant to govern. Their rebellion is a verdict on their unfaithfulness. The psalm ends with God declaring their coming judgment, making clear that divine beings are not beyond accountability. Genesis 6 describes another rebellion in which the sons of God violate the boundaries God established and bring corruption to humanity. This event shaped the Second Temple Jewish worldview and influenced New Testament writers who saw it as a catastrophic turning point in the history of spiritual conflict. These beings did not act out of ignorance but out of deliberate defiance. The Babel event introduces yet another layer of supernatural rebellion. Deuteronomy 32 verse eight and nine describe God dividing the nations and assigning them under the authority of lesser divine beings. These beings later led their nations into idolatry and spiritual deception, choosing loyalty to their own agendas rather than to the Most High. Their failures explain the origin of the false gods and territorial powers that Israel confronted throughout the Old Testament. The biblical writers describe a supernatural realm that is real, complex, and deeply fractured. God alone stands as the supreme Creator. The other divine beings are not competitors to Him, but they are capable of disobedience, corruption, and rebellion. Unlike ANE pantheons defined by competition between gods of similar rank, the Bible presents defiance of the Most High as the central spiritual crisis in human history. The fifth segment is: Stability Versus Variability in the Divine Realm The gods of the ANE were often unpredictable. Their conflicts explained storms, disasters, and political upheavals. Their emotional reactions shaped the lives of their worshipers, who lived in fear of offending them or failing to provide proper care. This instability was a natural consequence of a pantheon filled with beings shaped by the same vulnerabilities as humans. Yahweh's actions are presented differently. His behavior is anchored in His covenantal character. His judgments are consistent with His purposes rather than expressions of divine mood. His promises stand firm even when humans falter. By presenting God as trustworthy and stable, Scripture establishes a theological foundation that separates Israel's faith from the religions around it. The sixth segment is: The Purpose of Humanity: Servants or Imagers ANE creation stories consistently portray humans as laborers created to meet the needs of the gods. In the Enuma Elish, humans are formed from the blood of Kingu after a divine rebellion. Their function is to relieve the gods of work by maintaining temples and performing essential services. Human worth is connected to usefulness, not intrinsic dignity. The biblical account offers an entirely different vision. Humans are created

Hendrik "Hendri" Coetzee was one of the most decorated whitewater explorers in the history of African river kayaking — a South African who had paddled the length of the Nile, soloed some of the continent's most dangerous water, and built a life in places most people only read about. In late 2010, he led two world-class American kayakers on an ambitious first descent of the Lukuga River in the Democratic Republic of Congo, a remote stretch of water known among local communities for something far more dangerous than its rapids. On the morning of December 7th, on a quiet, flat section of river, everything ended in seconds. This episode tells Hendri's full story — who he was, what drove him, and what his teammates witnessed that morning — drawing entirely on verified accounts, his own writing, and the documentary record left behind by the people who were there. 00:00 Disaster Strikes Intro 00:45 Congo River Cold Open 02:40 Meet Hend Kotze 03:48 Early Life And Fear 05:12 Finding The Rivers 06:00 Nile Source To Sea 09:02 Solo Murchison Run 11:18 Risk And Depression 13:33 Final Congo Expedition 17:02 Into The Laga River 18:35 Crocodile Attack 21:43 Aftermath And Rescue 23:43 Memorial And Legacy 26:25 Lessons And Closing Listen AD FREE: Support our podcast at patreaon: http://patreon.com/TheCruxTrueSurvivalPodcast Email us! thecruxsurvival@gmail.com Instagram https://www.instagram.com/thecruxpodcast/ Get schooled by Julie in outdoor wilderness medicine! https://www.headwatersfieldmedicine.com/ REFERENCES Coetzee, H. Living the Best Day Ever. Hendri Coetzee Trust (posthumous). Stookesberry, B. & Korbulic, C. Kadoma. Documentary film, 2011. National Geographic. Man-Eater of the Congo. Documentary, 2013. Korbulic, C. Eyewitness account. Associated Press, December 2010. Stookesberry, B. Expedition dispatches. Outside Magazine, November–December 2010. "On the Death of Hendri Coetzee." Outside Online, December 2010. "Famed Outdoorsman Hendrik Coetzee in Croc Attack." CBS News, December 9, 2010. "Kayakers Recount Deadly Congo Crocodile Attack." CBS News, December 2010. "Devastated American Kayakers Survive Congo Croc Attack." ABC News, December 10, 2010. "Death on the Congo: Stookesberry Team Member Hendri Coetzee Killed by Croc." Paddling Life, December 2010. "Hendri Coetzee." Wikipedia (citing primary sources). Donnelly, C. (International Rescue Committee). Quoted in ABC News, December 2010. Coetzee, H. Blog: The Great White Explorer. Eddie Bauer First Ascent, 2010. "Hendri Coetzee — Pushing the Limits on the Waterways of Africa." Off the Beaten Track / London to Cape, January 2016. Stookesberry, B. & Korbulic, C. NBC Today show interview, January 2011. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, education gets artificial and prison security goes prehistoric.First, the company behind Realbotix is pitching schools on humanoid AI teacher assistants, because apparently the journey from crypto to adult companionship to high-school STEM education is now a perfectly normal corporate career path. Could a lifelike robot help teenagers learn science, or will “Sally” spend the semester explaining algebra to students desperately searching for her off switch?Then, Israel clears a regulatory path that could allow Nile crocodiles to guard prisons and discourage escape attempts. That's right, razor wire and watchtowers may soon be joined by several tons of hungry, armored swamp dinosaur with absolutely no respect for visitation hours.Join us as we examine AI robot teachers, crocodile prison guards, and the continuing global effort to turn everyday life into a low-budget science-fiction movie. Grab your hall pass, stay away from the moat, and remember: there are no stupid questions, but there may be crocodiles.Links & Resources

Maris is an Estonian belly dancer, instructor, performer, and recording artist who has built an international career across Europe and the Middle East. After beginning her dance journey in 2005 and teaching from 2012, she launched her professional career in Egypt with daily performances in Sharm El Sheikh before moving on to Dubai and eventually settling in Cairo, where she has become a sought-after performer at prestigious weddings, events, discos, and Nile cruise shows. She has also taught and performed in numerous countries worldwide and is widely recognized in the Arab world for her appearance in Mostafa Shawki's 2019 hit music video Maltashet El 2loub. In addition to performing, Maris regularly teaches workshops internationally and, in 2024, released an album of original music created specifically for belly dance performances.In this episode you will learn about:- What it really takes to build a sustainable performing career in Egypt- How media exposure can completely change a dancer's career in Cairo- The truth behind common myths and gossip about Cairo dancers- The changing trends in Cairo costumes, music, and audience expectations- Practical advice for dancers dreaming of building a career in CairoShow Notes to this episode:Find Maris on Facebook, Instagram, and YouTube.Previous interview with Maris:Ep 137. Maris: Finding Joy & Transformation in Belly DanceDetails the BDE shows and training programs are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

For more than four decades, Fred Nile was one of the most recognisable and controversial figures in Australian politics. As the founder of the Call to Australia Party, later the Christian Democratic Party, he built a career campaigning on conservative Christian values, influencing legislation in New South Wales despite rarely holding the balance of power outright.Join Holly and Matthew as they trace Fred Nile's political career, from his early activism and election to the Legislative Council through to the campaigns, controversies, and social debates that made him a fixture of Australian public life. Whether opposing censorship, gambling, abortion, same-sex relationships, or changing social attitudes, Nile remained one of the country's most persistent political campaigners.Love him or loathe him, Fred Nile left an undeniable mark on New South Wales politics. This episode explores the man, the movement, and the legacy of one of Australia's longest-serving parliamentarians.Become a supporter of this podcast: https://www.spreaker.com/podcast/weird-crap-in-australia--2968350/support.

Today's Cruise News covers three itinerary developments across ocean and river cruising. AIDA Cruises has canceled AIDAperla's Middle East winter season, saying conditions in the region cannot be reliably assessed, and will redeploy the ship from Kiel, Germany for winter 2027-28 with Baltic, Nordic, Norwegian fjord and a 24-day Canary Islands voyage; affected guests receive a 10 percent cabin voucher. Century Cruises is bringing its river operation to Egypt in 2027 aboard the 20-suite Sunrise Terramar on the Nile, with an 11-day Treasures of the Nile itinerary and a 15-day Legends of Egypt sailing that adds a four-day Red Sea extension in Hurghada. And Uniworld Boutique River Cruises plans three new vessels for 2028 — the S.S. Helen on the Danube, the S.S. Clara on the Rhine, and Mekong Mystique in Southeast Asia — part of a seven-ship expansion that brings its fleet to 22 ships.

Kyle and Nile are traveling and so we are unlocking the first episode of our Patreon series on The Prisoner for the main feed! Check out our discussion of this surreal sci-fi classic with friend of the show (and devotee of the series), Jules as we try to get to the bottom of what's going on in this mysterious village

Audio Transcript Beautiful singing. So I've not met you. My name is Aaron, and I'm the preaching pastor here and glad that you're with us today, this last Sunday of July. And so if you have a bow with you, if you'd open up to the book of Exodus today, our texture study is going to come from Exodus 12, verses 21 through 28. Although we're going to be spending our time in all of Exodus 12, this will be our primary spot is 2128. And if you don't have a Bible with you, if you're not, there are Bibles scattered throughout the pews. If you want to find your way to Exodus, essentially on page 31, our text, if you want to open there, and then as you open your Bibles, please do keep them open. And so if you're visiting with us, so we do a style of preaching called expository preaching. And so we're going to spend a lot of our time just in the text and kind of throughout the sermon. I'm going to be pointing us back to the text. And so I want us all to see what comes from the text. And so please do keep the Bible open. So Exodus 12:21 through 28. So please hear the words of our God. And then I'm going to pray and then we'll get to work. So the Bible says that Moses called all the elders of Israel and said to them, go and select lambs for yourselves according to your clans and kill the Passover lamb. Take a bunch of hyssop and dip it in the blood that is in the basin. Touch the lentil and the two doorposts with the blood that is in the basin. None of you shall go out of the door of the house until the morning, for Lord will pass through to strike the Egyptians. And we seize the blood on the lintel and on two doorposts. Lord will pass over the door and will not allow the destroyer to enter into your home and your houses to strike you. You shall observe this right as a statute for you and for your sons forever. And when you come into the land that the Lord will give you as he has promised, you shall keep this service. And when your children say to you, what do you mean by this service? You shall say, is the sacrifice of the Lord's Passover. For he passed over the houses of the people of Israel in Egypt when he struck the Egyptians, but spared our houses when people bowed their heads and worshiped, then the people of Israel went and did so as the Lord had commanded Moses and Aaron. So they did. That's God's word for us this morning. Would you please pray with me? Lord, we're here because we want to hear from your word. Lord, we know that your word tells us that through the folly of preaching that you indeed do speak. You speak through your word, through the power of your holy spirit. And so God, in this time, that is our desire, that is our ask, that is our request indeed, that you would speak. God, please keep me from error. Please keep me from stumbling. Help me to speak only that which is true. Please help the congregation just have good listening ears to hear what your spirit is saying to us today. Pray this out in Jesus name. Amen. So this morning, as we gather together, we do so. It's a slight detour what we had planned at the start of our summer preaching schedule. So at the start of our summer, the original plan was to have this sermon series that we've had been working through in Exodus. The sermon is the beginning part of the life of Moses. And we're up to the plan was to the start of chapter seven, which is where we were last week, as Moses and his brother Aaron approached Pharaoh for the second time to tell Pharaoh to let God's people go, as Pharaoh was holding God's people in bondage as slaves. From there, then the original plan, starting this week, and to go back into our study of the Gospel of Luke, which is a study that we've been working through for some time. However, today, and actually the next few weeks, there's going to be a little bit of a detour from that plan, which the detour has actually been on my mind for, I guess, a few weeks now, particularly when I was away on vacation, where I thought it'd be good for us as a church just to spend a little bit more time in the life of Moses, doing so in ways that relate to our church pillars, which you can see in the banners behind me. Worship, connect, grow and go. And I thought it'd be good for us to do this again just for a few reasons. So, first, we haven't done this in a while. So it's been actually well over a year since the last time we took time to, like, intentionally think through our church pillars in a sermon context. So we're probably due to do this again. Second, the fall approaching typically brings a little bit busier time in church life. So I actually thought it might be good for us to maybe refocus a bit as a church before things get busier. Third, as a church, it's actually really easy to detour on the things that God would have us to do. So we know this, the busyness of life, the challenges of life, the disappointments in life, the frustrations in life, the false hope of life, even sometimes like the successes of life, which we'll be talking about more just a bit. These things all have a way of, like, detouring us from the things that God would have us to do. So I thought it'd be good for us just to refocus a bit, to hopefully stay focused on the things that God would have us to do. Which, by the way, the reality of losing focus, being distracted, forgetting the things that God has done, things that God would have us to do. This is actually very present in our passage today where we see in the text today, God instituted things within, like the calendar, as a means to help his people actively remember, to help them to not, like, detour away from him, the things that he would have them to do and not do. So starting today and over the next couple weeks, what we're gonna do is continue to look at Exodus stories about Moses. I think give maybe some fleshing out of our four church pillars that hopefully we can learn from and apply to our own lives. So today, from our text, the primary pillar we're going to focus on is that of worship, which for us not only is our first pillar, but this is the most important and most Central of the 4. This is the pillar that actually meant to be like, the fuel, the motivation that leads into the other three pillars. Now, before we get into the heart of our passage today, just for a few moments, let me just remind us where we left off last week in chapter seven. And after that, I was going to give you some, like, flyby details in Exodus and what happened from that passage where we left last week in chapter seven to our text in our today in chapter 12. So just where we left off last week, we started that first. So as mentioned for a second time, Moses and his brother Aaron, who was like a prophet to Moses, went before Pharaoh to tell Pharaoh yet again, for a second time to let God's people go, where they also performed a miracle before Pharaoh, turning a staff into a great serpent. Whereas when last week, as Moses and Aaron approached Pharaoh, God hardened the heart of Pharaoh. So for a second time, Pharaoh refused to listen to Moses and refused to let God's people go, which we talked about a lot last week. This had to be, at least in some ways, if not a lot of ways, hard for Moses to grasp and accept. I mean, God already had promised to free his people God even told Moses that he was going to be the deliverer. Moses is now doing the very thing God would have him to do. However, at least not yet. In chapter seven, freedom did not come. So one of the things we talked about a lot last week, for Moses, this had to be hard for him to grasp and accept. In this reality. This actually is true for much of his life, where often Moses would do the very thing God would have him to do, instruct him to do, only for the things to not work out in ways that Moses necessarily would want him to do, where over and over again, at least in the moment, things did not work out the way Moses hoped. And for us, this actually is part of the reality of our faith. Yes, we can do the right things, the very things that we know God would have us to do, but according to his secret will, things might not work out, at least not according to the timeline that we might have. That's where we were beginning of chapter seven last week. And then from there, over the next few chapters, which maybe you can read through this week, we see almost like this cyclical pattern on display where the Lord would continue to send Moses, his brother Aaron before Pharaoh, where Moses would continue to tell Pharaoh to let God's people go, where that message would be accompanied by signs and wonders. Yet God would continue to harden the heart of Pharaoh as Pharaoh refused to let God's people go. He even though in the cycle, even though there's these great signs and wonders, even though God did all these things, Pharaoh would still refuse to let God's people go. Now, if you've read through Exodus before, you remember that these series of signs and wonders were found in a series of plagues of judgment on Egypt. Was there a series of plagues that not only testified to God's power and God's glory, but it does seem, although this is debatable, it does seem that with each of these plagues, which were 10, that each of these God was like systematically defeating the many gods of Egypt. Let me just give you a few examples on this. So the first plague, you may remember, this is the Nile river turning to blood. And this seemed to be the Lord taking an attack on the Egyptian God who, like, watched over the Nile. Then the second plague involved, like frogs, like, overfilling the land of Egypt. And it seemed like this is the Lord, like, attacking Egyptian fertility God, who was resented as a frog dropping down, like to the ninth plague, which involved darkness over the land. This seemed to be the Lord attacking, defeating Ra, the Egyptian sun God, and the 10th plague, which we'll be talking about in part in our text today, involved the death of the firstborn of the land, which included the death of the son of. Of Pharaoh, with Pharaoh himself being revered like a godlike figure. As mentioned, there's a little bit of debate on this if this is actually what's happening, but it does seem that if you look at the 10 plagues, it does seem to be a direct correlation between the plagues and one of the many gods of the land. Okay, now just a couple of quick things I want to mention before we get to our text. So if we go back in as it relates to worship, this pillar that we're focused on this morning. So worship was really always at the heart of God. In the Exodus, he would free his people from the bondage of slavery so that they might worship him. And we don't have time to work through all the places that we see this, but really from Exodus 3, where God came to Moses and revealed himself to Moses in the burning bush of the great I am, where at that scene, the Lord also commissioned Moses to be the deliverer of the people. At that scene, worship was at the heart of God so that through his deliverance, through the freedom of his people, they might worship him. And this continues on from like the first time Moses and Aaron approached Pharaoh, they commanded Pharaoh to let God's people go. Why? So that they might worship the Lord. Then each of the plagues in this sickle event that continued to happen over and over again, Moses and Aaron continued to approach Pharaoh to tell them the same basic message. The purpose is why? So God's people might be free to go and worship him. So worship is at the heart of Exodus, including at the heart of our text today, as worship is always at the heart of our God. Thus, if we're going to follow our God, worship will be on our hearts as well. Okay, so that is an introduction. Maybe fill in some of the gaps for us. Let's look back at the passage. Our passage day involves, like, what took place right before this 10th plague and the death of the firstborn of the land. Well, our text today details some really important information, not only for the book of Exodus, but really for all of scripture. Because our text today involves the Passover. Our primary text today starts in verse 21, but just give maybe just a little bit more context if you want to look up to some of the details in verses 1 through 20 of chapter 12. In those verses, we see God came to Moses to let Moses, let the people know that they were to get ready. Because the long wait of waiting upon the Lord to free them from slavery, the long wait was about to be realized. Freedom was about to come. The Lord's patient timing had now arrived. In the preceding verses, the Lord let Moses know that this freedom from bondage was going to change really everything for his his people, including their calendar, where from the day that they were freed, it was gonna be such a monumental work of God that salvation. So going forward, that day of deliverance would be the first day of the first month of their new calendars. Making this new calendar centered on this salvation from slavery, which would be a marker that they were to never forget, but to always remember the salvation of their God. Furthermore, starting the start of chapter 12, the Lord gave to Moses some instructions on how this freeing would take place, which I'm guessing is not maybe a way that Moses would have expected, particularly as he witnessed the power of God on display all throughout Exodus. Because the Lord let Moses know that this freeing that he was about to do to bring salvation for his people would actually come through a Passover lamb. With the lamb being like one of the most gentle creatures in all creation, yet all powerful God would bring about his glorious salvation. How through a lamb. And how the Lord would do this would be on the night of freedom, the night that all this things is about to take place. Yes. God would send a destroyer who would come to bring judgment, which is destroyed here mostly as like a death angel. The death angel, yes, would come into the land, would take the life of all the firstborn from the greatest of the land, including Pharaoh's own son, to the least of the land, to even the firstborn of all the cattle. That is, unless the home had a Passover lamb who provides salvation of death and judgment. So in this dialogue between the Lord and Moses, Moses informed on the night that the death angel was to come, the people of God were to enjoy like a meal of fellowship together. A meal that they were to eat in haste, even instruction how they eat this meal, and they eat this in haste because of how quickly salvation was about to come for them. And this meal was centered on this, on this Passover lamb, which was a lamb that was to be a lamb without spot and blemish. This guy's people fellowshipped around this lamb. They were to take the blood from the lamb and cover the sides of the front door with the blood. So on the night that the death angel came, as they saw the death angel saw the blood of the lamb, death would pass over the home. So God's people not only could be saved from judgment, but through the blood they would be set free to eternal or to a land that is to come, which we'll talk about more in just a bit. By the way, let me also mention the yearly calendars not only were to mark this night of the passover lambs, the calendar to mark the start of the calendar, mark this night, but in the beginning of chapter 12, going forward each year, God's people, from generation to generation were to continue to celebrate this Passover meal together so that they would actively remember that which the Lord had done for them and how salvation was found through the blood of the lamb. So in a very real way, on that night, the Passover lamb died so that they could live being set free. And the theme of our sermon today, be set free to worship the Lord. So with those instructions in the preceding verses given to Moses and the Lord, now in Our text, verse 21, if you're going to take your Isaiah, we see that Moses took that which is given from the Lord. So now he can convey that information to the people. So in text we read that Moses called all the elders of God's people together to tell them, hey, this is what is about to take place. This is how the Lord was finally going to free us. Through this blood of the lamb, Moses instructed the elders to go select lambs from the midst of their flocks. In doing so, according to the clan that you are from, as you go to the flocks to select a lamb, this Passover lamb that you're. The Lord then instructed in the text that this lamb that was slain, that they do next is take a bunch of hyssop. Hyssop is kind of like a. Like a bushy shrub. And this hyssop is to act almost like a sponge or a brush by which they would take the hyssop and dip it into the blood of the lamb that was just spilled, that was collected in a basin, our text tells us. And with the blood of the lamb now on the hyssop, they're then to touch the lintel, which is the top beam of the door, to put blood there. And they're also to put blood up and down on the two sides of the door. So in a very real sense, the home would be covered by the blood. And on that night when the death angel came, because of the blood, they were safe. Verse 22, because they were safe in the blood of the lamb, we read that none were to go out of the house until the morning, which for me is probably not instruction. I would need. Right. Death angels, come in. I'm going to stay safely behind closed doors, behind the blood. No interest nor curiosity was taking place outside. But obviously for some, maybe more curious in nature than me, might be tempted to see what was happening, maybe in a real sense, wanted to see death. This is a real instruction for them. Yes, you might be curious, intrigued, what was taking place that night. But you must fight against temptation. You must stay covered by the blood until the morning. Because if not, if you give in to your temptation, you will perish. But in verse 23 of our text, in this last and most terrifying of plagues, for the Lord himself will pass through to strike the Egyptians, those not covered by the blood, but where the Lord sees the blood on the lentil on the two doorposts, the Lord himself will pass over the door. And he will not let the destroyer, the death angel, enter into your house to strike you. Meaning as real and as powerful as death is, this death angel was even death was under the authority of the Lord, where, under the authority of the Lord, death would strike only those who, according to the will of God, were being judged that night, where death would pass over according to the will of the Lord, those who would live as life and death ultimately are in the Lord's hands. Now for us, let's just hit pause here just for a second, just to consider what an incredible and awesome, albeit terrifying night this must have been for God's people. So let's just try to put ourselves in their shoes and just kind of think through some of what has already taken place. So for a very long time, God's people, the shoes they were in were the shoes of slavery, doing hard labor, doing many things that were just not pleasant at all in life, where for years and years they're praying, pleading to the Lord to come and set them free, only for Moses to show up. But as he shows up, he basically tells us, hey guys, I am the answer to your prayers. I am indeed the long awaited deliverer who God would use to free you from slavery. Yet as we remember in our study, as he showed up, chapter five. For God's people, things actually went from bad to worse as Moses approached Pharaoh for the first time. Pharaoh became so annoyed at Moses that he ended up punishing the people by demanding that not only we continue to make bricks as slaves, but going forward, they'd also now have to start to like, collect the straw for their brick making work. And from there, all these terrible, terrifying plagues fell upon the land, which some of these actually affected God's people as well. These terrifying plagues came, and at different points, they actually kind of looked for God's people, that Pharaoh was going to finally let them go, only for Pharaoh to change his mind as the Lord continued to harden his heart to keep God's people in slavery. So from chapter five, when Moses showed up until our text today, which just covers a lot of time here for God's people, this is an absolute roller coaster of emotions, ups and downs, twists and turns, hopes, disappointments, and all of it is leading to this, this one big, awesome, terrifying night where Moses had just let them know through the elders, death is going to enter into the land. However, even through death that is about to come, their salvation would also come. And it would come from all things through a blood of a lamb, as through the lamb, salvation would come through judgment. Now for us to put ourselves in their shoes. Imagine knowing all this history and now getting this message from Moses, from the elders of the clans that salvation was coming through the blood of a lamb. Well, keep going to text verse 24, if you want to take your eyes there. As he got this message of salvation through judgment by the blood of the lamb, we see they also get some more instructions and how it passed down the Passover. And because they get more instructions again here, I think this stresses just how important this passing down was to the Lord. Verse 24, God's people will continue to celebrate this meal each year as a rite, as a statue for you and your sons forever. Meaning this is not just something they were to celebrate on the day they were set free, on that night as they celebrate the meal together. This is something that God's people from generation to generation would continue to celebrate, to continue to remember all of their days. By the way, if you read through the Old Testament over and over again, Scripture actually is pointing God's people back to this very night, this salvation from the Lord as a means to draw them back to worship. Verse 25. On that day when you come into the land that the Lord will give you, which the land that they're being saved too. So not only were they being saved from the judgment, saved from slavery, but God's people are also being saved to a land, a land in the text, a land that God promised to give to them, which we know is a land flowing with milk and honey. And as he entered into that promised land, even then the salvation of God found in the blood of the land, even then this right was to be on their minds, which only continues to stress the importance of this salvation. Where Even then, this rite in the text, this statue, this service, even then is one you are to keep and observe. Now, this here, the Lord telling his people that to keep this service even as they enter into the promised land, this incredible land flowing with milk and honey. I think this is actually the Lord like, maybe already addressing a real challenge that would be before them, which is the challenge of, like, things working out. We're in this challenge. There's a real temptation. When things like work out for us. Do you think that we actually no longer need the Lord or temptation maybe to put the Lord on the back burner of our life? And I do think for us, we know this challenge in our own lives, where, when things are kind of going well, how quickly it is to lose track of dependency, depend upon God. Where, when things are going well, whatever that well thing is, that can quickly become like our priority, where we maybe try to fit the Lord around that priority rather than making him the priority, keeping him the priority for us. Yes, no doubt there are challenges our faith when things do not work out the way that we hope, which say it earlier, this is true for much of Moses's life. But at least for me, from my own experience, there are often more challenges to my faith, more challenges to my dependency upon the Lord. When things are going well, keep going. Verse 26. When the children, the next generation, who are not present on this night, when they say to you, as you remember this Passover, what do you mean by this service? Why is it that we're celebrating this meal over and over again? What's the big deal? What's its purpose? Why the lamb? Why the blood? Verse 27. As they come with you with those questions, you are to say to them, it is the sacrifice of the Lord's Passover. You are to teach them that we do this, to remember, to never forget the night that the Lord passed over the houses of the people of Israel in Egypt, where on that night he struck the Egyptians but spared our houses. Just a couple quick thoughts on this here. First, the question the children ask. What do you mean by the service? This is actually an obvious and legitimate question here. The generation that came after, they weren't there on that night, they did not have firsthand experience of how God redeemed his people. So it's not like, just like innately, they would have known all this. They would have needed someone to tell them, to explain to them the why, the what, the how that they were doing. They would need someone to come to them with, like, beautiful feet to pass on the Story of salvation through a lamb, which in the context here specifically was their parents. And for us just explaining to the children, this actually is the heart of like evangelism, discipleship. None of us just innately know all these things as you're saying earlier. We're all like on this hell bound race. So we need someone to have to explain things to us, just like someone had explained things to us. So as we learn about the things of Jesus Christ, now in turn we pass down that which we received. And with beautiful feet we explain things to others. We explain all the things that we know that is true and believe about our God and ultimately the redemption found in Lord Jesus Christ. Something kind of tied to this. So there's a phrase, but there's a time actually use, times we actually use here. Basically it says like one generation like believes the Gospel, which is the good news found in the redemption of Jesus Christ. But without like proper evangelism and discipleship, what can happen is the next generation then starts to like basically assume the gospel and then inevitably the following generation forgets the gospel. And this is such a true statement, not only because what we see this in church history proves to be true, but even in the Old Testament people of God, where over and over again one generation would believe, but the next generation would kind of assume before the following generation would just kind of forget about things all together. Only for the Lord to have to do some type of gracious work or maybe some type of work of judgment to bring his people back to himself. So this here in the text of needing to answer the question to the next generation to teach them about the salvation from our God church, this actually is really important. This is something that ought to be a real high priority for us as a church. For us, this is something we can't get detoured away from doing. Back to the text, the end of verse 27, after the Lord gave to Moses all this information from the Passover meal, this discipleship command to teach the next generation. We see the hearts of the people were soft before the Lord. And in the text the people like bowed their heads and they worshiped him, which hold on to this, we'll come back to this at the end. Verse 28. As the people had their hearts soft, soft before the Lord worshiping the Lord, then the people of Israel went and did so as the Lord commanded Moses and Aaron. So they did. Which here just kind of notice how basically the same thing is said twice in the text. Went and did so, and then at the end, so they did. I think this is emphasis on the obedience of God's people, whose hearts were soft, whose hearts were stoked to worship, where they were joyfully willing to do the things that God would have them to do. Now, this is where we ended our text today. But I do want to finish off the story this in chapter 12, starting at verse 29, if you want to keep going or keep looking there. So according to what God said, at midnight that night the death angel came and indeed struck down the firstborn of the land from the son of Pharaoh to the firstborn of the cattle, where, according to his word, only those who were saved on that night were the ones who were covered by the blood of the lamb. And after this final plague hit, finally, at least in the moment, the heart of Pharaoh softened to the point that he would let God's people go. The text tells us that 600,000 men, not counting women, children, were set free that night, bound for the promised land, where they left actually by plundering Egypt on their way. And as the people of God headed out, they did so still with soft hearts, still with hearts of worship. At the end of Exodus 12 tells us that they desired to obey God to keep the Passover from generation to generation. We're in verse 50, similar to verse 28, to further emphasize the soft heart to follow and obey God. We see in verse 50 all the people of Israel did just as the Lord had commanded. Moses and Aaron is on that very day the Lord brought the people of Israel out of the land of Egypt by their host. And that's actually we're going to end in our text today. But before I end, I do want to give you some organized thoughts from this text as it relates to worship and how I wanted to do this. Just maybe try to answer a few questions on like the why, the how and the what of worship. Okay, so some thoughts here. So let's start out with the why. And I do think it's always most important for us to get the why right before we move on to the what and the how. This is really important as a church. We must get the why right of worship. So some of the whys of worship, as I start to answer some of the whys, I do want to mention again, worship was at the center of why God desired to free his people from slavery in Egypt. Now, yes, the desire of God is also one that was tied to, like God's love, where in his love he would do this for his people. This desire of God to free his people also is one that's tied to his promises, where in his word, God promised indeed he would free his people. And we know God is a God who makes and keeps promise. But even those realities are ultimately tied to worship. We're to say it again, throughout the story of Moses that we've been looking at this summer. God would free his people. Why? So that they could worship Him. So for us, why? This is why. This is why we exist, to worship God and why we should worship God. Well, we see throughout Exodus, throughout Scripture, because our God is the one who is worthy of our worship. Because our God is the one who is glorious in all who he is, as the great I am, which is Exodus 3 in all that he does, including his great salvation. And so for his glory, the Lord is calling us to worship. That's a real why of worship. Why? Worship is always at the heart of our God. Why? Because he's worthy of it. Because his glory actually demands us to worship Him. Very much tied to this why worship? This also is our design. So God created mankind to worship him, to keep him at the center, at the priority of our life, where all that we are to do in life, even the roller coaster relied in life. Big things, little things, even little things like eating and drinking, they all are to be done in worship of him, to bring glory to our God friends. That's actually why we exist. This is part of the why of worship. This is where we find joy, we find meaning, we find purpose is in worshiping our God for us as church. This is why worship is not only a pillar, but the pillar, the most important pillar. Where our desire as a church is to joyfully pour out our lives in the worship of our God, knowing that is where our meaning, that is where our purpose is found. However, unfortunately, tragically, sinfully, we know this as individuals, even as a church as a whole. This is something that we can easily detour from where there's so many other things that can get us sidetracked. So many other things like pull at our hearts in worship. We start to worship other things other than God. And if we do that, if we detour from our worship of the Lord, we must be quick to repent, to get this right, to put and keep God at the center. Because if we miss worship, the why of worship, everything else is a house of cards that will not stand so for us. Even this morning, if you know, like the worship of the Lord, if it's not at the center of your life, where any like somehow you detoured and you're trying to put your hope in other Things repent come back to him. Which actually leads the next question relates to a how question. And the how question, I'm not referring to like, you know, some type of posture. Like, this is how we do it. This is how we worship. By this posture, rather the how here, I'm actually referring to, like, how is it even possible for us to come to God in worship? And this actually is a pretty important question for us to know and understand. Because we actually all are sinners. And like Pharaoh, even by birth, by choice, we actually all have hard hearts. And because we are sinners with hard hearts before God, we can't approach Him. We can't come to God on our own because God is like, perfect in all that. He is perfect in his holiness, perfect in his glory. So we can't, like, just like waltz in and try to approach the Lord in worship, like, just kind of on our own. And likewise, it's not like we somehow can, like, worship our way to God. So this is actually important question of how that we must know. So, like, how is it that we can actually worship God as sinners? Well, in the text today, we need the Lord to act on our behalf. Our text today, the Lord acted through the blood of the Lamb, so that his people would be saved from judgment, that the Lord would pass over so they'd be set free, that they might worship him without the blood of the Lamb. They'd been bound in judgment as sinners, rightfully. And for us, as real as the blood of the Lamb was in Exodus 12, as real as it was the salvation of God bringing his people out of slavery, the blood of that Lamb. That salvation in Exodus 12 is ultimately a pointer to a better, more spotless lamb that was to come, an even better salvation. The Lord provided for his people a better Lamb, the Lamb of God, as God himself came to us in the person of the great God man, the Lord Jesus Christ, the Lamb of God, who came to take away the sins of the world, which Jesus did by willingly, joyfully laying down his life for his people, which he did on a cross where the Lord Jesus Christ, the Lamb of God, spilled His blood for us, where he died in our place, so that through him, through Jesus, him alone, we'd be saved from judgment. We'd be set free, bound for eternal promised land that is to come. So that through Jesus, friends, that's how we can worship God. It's only through him, through us putting our faith in him, trusting in him, in the blood of his eternal covenant. It's us calling upon the name of Jesus as our Lord, as the One who died for us, only to rise again from the dead on the third day. Which, by the way, is why, as a church, why we say the wooden cross and empty tomb mean everything to us. Because without it, without Jesus being our true Lamb, we would still be in the bondage of sin and there would be no possibility for us to worship God. We can only come to God the Father and worship through him, by the way, because Jesus Christ not only died as the Lamb of God, but because he rose again on the third day, which was a Sunday. Now, our entire calendar is actually marked with Sunday being the first day of the week, which is actually a unique and special day by which we were to gather together as a church body and worship, where we gather together not only to worship the Lord, but we do so in ways that we're sitting under his word, where we sing his praises, where over and over again, we celebrate the new Passover meal, the Lord's Supper, to help us to remember, to never forget what Jesus has done for us actually leads to the what of worship. So what should our lives look like if we're going to spend worshiping God? Well, in the text, the heart of worship, our lives will look like having soft hearts before God. Soft hearts that are like, joyfully obeying all the things that God would have us to do, doing all the things that God has to do, and not doing the things that he would not want us to do. And these things change from being burdens or maybe even options. But when we're worshiping the Lord of soft hearts, all these things now become like the desire of our heart, where we want to do the things that God would have us to do, which is true of God's people in the text. So for us as a church, some of the things it looks like all includes not forsaking, meeting together on Sundays, which is a habit that's easy to get into. But like God's people, we're to celebrate the Passover each year. Now, as God's people, we are to celebrate Jesus death and resurrection. Each Sunday we set our hearts to serve him, to serve others, not out of duty, but out of delight, because our hearts are soft to worship. And I know for various reasons it can be challenging at times, but at the heart of worship, these are challenges we seek to overcome. In our language, this is very much tied to the pillars of connect and grow, to come to be around God's people week after week after. Furthermore, what. What are we going to do if we're Going to worship God tied to our pillar. To go in the text, what we will do say we're going to pass down the message of our faith from generation to generation. This is, this is part of our worship. We're engaging our lives in evangelism and discipleship. Word of a heart of worship. We're explaining to others the tenets of our faith. Centering on the salvation of God found in Jesus Christ is one not only we celebrate today and hopefully every day, but the one that we'll celebrate and worship even as we enter into the eternal promised land that is to come, where forever and ever our worship will be to the Lamb who was slain, the one who is worthy. So yes, today a little bit of a detour of what was originally planned. But my hope is that this detour actually keep us on track on that which is most important to us as a church family, which always starts, always ends with worship. Through Jesus we are set free, forgiven of our sins, bound for the promised land so that we might worship him all of our days and all the way throughout eternity. As I close, if you know, for a host of different reasons, maybe you've detoured in your own life from this worship of Christ. So may the chorus of the song that was actually popular a few years back when I first made Christian, may this song, by the grace of God, be a true of you today. Just simply says I'm coming back to the heart of worship and it's all about you. It's all about you, Jesus. Let's pray. Lord, thank you for Jesus who is the true lamb of God, who came to take away the sin sins of the world. And Lord, this morning we confess again that without Jesus there's no way we could come to you in worship because of our hard hearts, because of our sin. Lord, thank you for your grace and your kindness, your mercy on us to help us to trust and to believe. And Lord, I do pray that today all of us that have hearts to worship Jesus. And Lord, I pray for those here maybe have yet to trust in Jesus, who've yet to have their lives covered by the blood, that today that you would do that in their life, that you would take out a heart of stone, but put in a heart of flesh that is now soft towards you. And Lord, I do pray that you'd help us to keep the worship of you always at the center of all that we do. Pray us on Jesus name, Amen. The post The Passover – Exodus 12: 21-28 appeared first on Red Village Church.

Where does sound become meaning?In the latest part of The Future Has Ancestors, Sophia and I move beyond the ear and discover the body as the true receiver of music.If every listener brings memories, expectations and lived experience into every note, then musicians don't simply compose sounds—they compose possibilities. The body completes the final arrangement.Episode 344 explores resonance, embodiment, perception and asks one simple question:What if the most important instrument has always been ourselves?The episode closes with the brand-new Los Inorgánicos song:Where We ResonateResearch & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

fWotD Episode 3369: Nile Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 26 July 2026, is Nile.The Nile is a major north-flowing river in northeast Africa which empties into the Mediterranean Sea. At 7,088 kilometers (4,404 mi) long, it is the longest river in the world, although the volume of water it carries is much smaller than other major rivers such as the Amazon or the Congo. The Nile has played a central role in the environmental, economic, and cultural history of Africa for millennia.The Nile has two major tributaries: the White Nile and the Blue Nile. The White Nile is longer and is considered to be the headwaters, yet the Blue Nile contributes over twice the volume of the White Nile. The White Nile begins near Lake Victoria and flows through Uganda and South Sudan; while the Blue Nile begins near Lake Tana in Ethiopia and flows into Sudan from the southeast. The two rivers meet at the Sudanese capital of Khartoum. From there, the Nile flows north through the Nubian Desert to Egypt's capital, Cairo, and finally empties into the Mediterranean Sea near Alexandria, where it has formed a large river delta.Geologically, the Nile is a young river and has followed its present course for about 15,000 years. Its drainage basin extends across eleven countries. Most of the water in the Nile comes from rainfall in the upstream countries Ethiopia, Kenya, Tanzania, and Uganda. Downstream countries – Egypt, Sudan, and South Sudan – are primarily desert and withdraw river water for irrigation. Other countries that lie wholly or partly in the Nile Basin are Burundi, the Democratic Republic of the Congo, Eritrea, and Rwanda.The Nile was the foundation of the Ancient Egyptian civilization, which relied on the river for nearly every aspect of life. The annual flooding of the river deposited nutrient-rich silt along the riverbanks. This soil supported crops that enabled a sophisticated society to thrive in an otherwise inhospitable desert. The Nile facilitated trade, communication, transportation, and governance. South (upstream) of the second Nile cataract lay Nubia, the historical home of the ancient Kerma culture and the Kushite Empire. Many Europeans were fascinated by the Nile, and their explorations around Lake Victoria in the late 19th century located the source of the river. Among the cultures that live along the Nile in the modern era are the Nilotic peoples, semi-nomadic cattle herders who practice nomadic pastoralism, moving their cattle seasonally in response to the Nile's floods. In the modern era, the Nile plays a critical role in the economies of Egypt and Sudan, which rely on it to irrigate extensive croplands. Since the late 20th century, over a dozen dams have been built in the Nile Basin to provide for irrigation and to generate electricity. The dams have altered the river's annual flood cycle and restricted the transport of silt downstream, causing the Nile Delta to shrink. Some dams – such as the Aswan High Dam and Grand Ethiopian Renaissance Dam – have been the source of international political disputes about water scarcity, safety, food security, and forced displacement of peoples.This recording reflects the Wikipedia text as of 01:02 UTC on Sunday, 26 July 2026.For the full current version of the article, see Nile on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Danielle.

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 635. This episode is brought to you by Walker Defense, XS Sights, Hi-Point Firearms, and CMC Triggers. In this show we will be discussing lower receivers, 22 mag revolvers, a solar red dot - but not an STD, and a Bear Ops knife   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rusty   Sponsor #1: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. 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This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised.   Product Spotlight is sponsored by: CMC Triggers    CMC triggers is the creator of the original, drop in cartridge style AR trigger. CMC has been in  aerospace manufacturing for over 30 years. This gives you peace of mind knowing that every trigger is of the utmost quality. Their patented design ensures a crisp, short, trigger pull across their whole line of triggers. With triggers for AR's, AK's, pistols, and bolt guns, CMC can make your firearms trigger great. Proudly made in Texas with strong morals and values, giving you confidence that you are buying one of the best triggers out there. 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A sermon preached by Rev. Dr. Yongchi Rhie with Foundry United Methodist Church, July 12, 2026. "Sermon Series Part II: The United Methodist Way". Scripture: Exodus 2:15–22; Hebrews 13:1–2   On a hot July day in 2014, I stood in a long line outside the United States Embassy in Seoul. All around me, people were checking their documents, whispering the latest rumors about American immigration policy. Some were praying. Others were quietly rehearsing their lines. When my number was called, I sat down across from a consular officer who read through my papers, jotting notes, pausing on certain pages longer than I would have liked. My pulse rose with every pause. Finally, he looked up and asked, "Ms. Rhie, I see you have just returned home after living in England for quite some time. You already hold a Ph.D. Why do you wish to study theology in the United States?" He had a fair point. What could I say? That after seven years of dissecting the Bible within an inch of its life, I had finally realized what Scripture is for — not an object of intellectual indulgence, but a word meant to be lived out in the lives of people? Should I describe my grief at preaching to empty pews in an increasingly secular Britain, where so many considered the Bible, faith, and God simply no longer relevant? I had to be careful. I had been denied a visa once before, for this very reason. The officer asked about my story, but he seemed to be working from a script of his own, testing whether my story would hold. Every visa interview requires delicate tuning: you must convince them you have real plans for their country while assuring them you have no intention of staying. I truly desire to come to your country! I see abundant opportunity there! Will you let me in? But don't worry — I will never get comfortable enough to call it home. A month later, my passport came back with a visa stamped inside. It declared me a legal alien. That word “alien” always makes me laugh. Ever since I left my home country, I have been a legal alien. And I have learned that it doesn't take green skin, an oversized head, or extraterrestrial powers to be counted an outsider. Sometimes the way I look, the way I speak, or simply the way I carry myself is enough to register as a threat, or at least a discomfort. I could learn the customs of a new land. But would I ever be permitted to call it home? For most of my adult life, I have lived as a stranger in a strange land. A Man With No Country Moses knew that feeling so intimately that he engraved it into his son's name: "She bore a son, and he named him Gershom; for he said, 'I have been an alien residing in a foreign land'" (Exodus 2:22). Hey, Moses, did you ask Gershom about this? Did his mother agree? I feel for the boy. Imagine carrying your father's loneliness as your name. Let's step into the story and meet Moses by a well in Midian. His whole life, up to this moment, has been an exercise in not belonging and his very name tells the story. Pharaoh's daughter called him Moses, "because," she said, "I drew him out of the water" (Exod. 2:10). Drawn out: a Hebrew baby lifted from the Nile, out of a death decree, into a palace that was never quite his. Hebrew by blood, Egyptian by upbringing, Moses grows up belonging to neither world. And when he finally goes out to "his people," as the text pointedly calls them in verse 11, everything unravels. He sees an Egyptian beating a Hebrew slave and strikes the Egyptian down (2:11–12). The next day he tries to reconcile two Hebrews who are fighting, and one of them turns on him: "Who made you a ruler and judge over us? Do you mean to kill me as you killed the Egyptian?" Do you hear the wound in that question? Yes, Moses committed a crime the day before; out of anger, perhaps, but also out of compassion for an enslaved kinsman. Today he steps in again, and his own people read his help as a grab for power: the palace insider playing ruler over the enslaved. His act of deliverance is recast as a threat; his sacrifice, as ambition. When word reaches Pharaoh, the king seeks his life. So Moses flees - rejected by Egypt as a criminal, rejected by the Hebrews as a pretender - a man with no country, no people, and a name that only reminds him he was pulled out of one world without ever being planted in another. That is the man who collapses, exhausted, by a well in Midian. What Happens at a Well Now listen closely to how the text tells what happens there, because every detail is doing holy work. Scripture says, "he sat down by a well" (v. 15). In the Hebrew Bible, nothing significant ever happens by accident at a well. Wells are where Abraham's servant found Rebekah, where Jacob met Rachel, where Jesus met a Samaritan woman: places of encounter where God's providence quietly gathers up displaced people and gives them a future. When the original audience heard "Moses sat down by a well," they leaned in. Something is about to begin. Seven daughters of the priest of Midian come to draw water, and rough shepherds drive them away. Hear the Hebrew: the shepherds vayegarshum — they drove them out. It is the very root, garash, from which Moses will later coin the name Gershom, the driven-out one. And here is what astonishes me: Moses inserts himself again. Consider what meddling has already cost this man- his home, his standing, very nearly his life. The prudent thing would be to keep his head down, drink his water, and let Midian's troubles remain Midian's troubles. He owes these women nothing, and no one in this town even knows his name. Yet the one who has been driven out cannot sit still while others are driven out before his eyes. And what does the text say he does? "Moses stood up and saved them" (v. 17) — vayoshian, from yasha, the root that will one day give us the names Joshua and Jesus. Here, at a foreign well, in a single unrewarded act - defending strangers, drawing water for distressed people and their animals - the fugitive rehearses his calling. This is the man through whom God will save a people. Then comes the irony. The daughters run home and report, "An Egyptian delivered us from the shepherds." An Egyptian! Moses is a Hebrew raised in Pharaoh's house, a man belonging fully to neither world, and even his good deed is credited to the wrong identity. Why Bother? And then the young women are gone, and Moses is alone again. No thank-you. No name asked. Not even a drink of fresh water from the well he had just defended. Three times now he has stretched himself for others, and three times his actions went unacknowledged, his words were rebuked, his authority was denied, his very identity was questioned. Sitting in the dust by that well, Moses might well have wondered: Why do I keep doing this? Why can't I just mind my own business? When your act of hospitality is met with silence — or worse, resentment — the temptation whispers: Why bother? I could just live for my own interest, my own comfort, my own happiness. Going the extra mile only makes you tired and pushes you further from your home. Friends, be honest: have you been there? Why do we help others? What is going on inside us when we stretch ourselves for people who may never stretch back? The One Who Noticed But even in the middle of this mess, someone notices Moses. Hearing what happened at the well, Reuel asks his daughters: "Where is he? Why did you leave the man? Invite him to break bread." Reuel is a Midianite priest - a foreigner, an outsider to Israel's story —- and yet he is the one who models the hospitality that the daughters, and Egypt, and even Moses' own people had failed to offer. This foreigner does not interrogate the stranger's papers. He sets a table. And at that table, the fugitive becomes family. Moses marries Zipporah and holds a son whose name tells the truth — ger, stranger. It is no accident that the Torah will later command Israel more than thirty times to protect the ger: "You shall love the stranger, for you were strangers in the land of Egypt." We lament the loss of this entire ethic of welcome in today's world. And notice: it all happened around the well. The well was already there. Before Moses arrived - before he had done anything right, and long after he had done something terribly wrong - the water was waiting. This is the heartbeat of our United Methodist way. John Wesley called it prevenient grace: the grace that goes before us. Before we repent, before we believe, before we even know God's name, God's love is already at work ahead of us, digging wells in the deserts of our lives. Moses thought he was a fugitive stumbling upon a random watering hole. In truth, grace had arrived before him; with a family, a vocation, and, on a nearby mountain, the God who says, "I have observed the misery of my people, and I have come down to deliver them." Two Loves, One Gospel Our second reading today, the letter to the Hebrews gathers this whole story into two luminous verses: "Let mutual love continue. Do not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it." (Hebrews 13:1-2). The Greek translation is even better than the English here, because it names two different loves. Mutual love is philadelphia — the love of brothers and sisters. Anyone from Philly here? Did you know your city's name means the love of kinship? Philadelphia is the affection we give people who are already ours: family, friends, fellow members — the ones who look like us, pray like us, vote like us. That love matters. "Let it continue," Hebrews says. But then comes the harder word: philoxenia. Literally, love of the xenos — the stranger, the outsider, the one who shares nothing with you but a common humanity. Philadelphia loves the person already inside the circle; philoxenia widens the circle. Any club can manage philadelphia. Only the gospel produces philoxenia. And we know the opposite word all too well, because it is one of the few Greek words English never bothered to translate: xenophobia — fear of the stranger. We see it whenever an entire people is reduced to a threat: when immigrants are spoken of as terrorists and criminals rather than as mothers, fathers, and children of sacred worth; when a teenager sits in a church pew and learns to hide who they are, because the sanctuary feels less safe than the street; when a synagogue or a mosque must hire armed guards just to gather for prayer; when a job application is quietly set aside because the name at the top sounds too foreign. Xenophobia is the world's oldest sickness. It built Pharaoh's brickyards, and it is still building walls that separate children from their parents today. But friends, I have also seen philoxenia — and so have you. I have seen it in congregations that furnished apartments and stocked refrigerators for refugee families they had never met. I have seen it right here in this city, when buses of migrants arrived at Union Station with nothing, and churches and neighbors showed up with food, coats, and cots — before the cameras did. I have seen it in church basements turned into English classes and legal clinics, and at kitchen tables where someone simply said to the new family on the block, "Come, eat with us." Hospitality, Scripture insists, is not charity flowing downhill from host to guest. It is "entertaining angels without knowing it." It is the doorway through which God's love slips into our lives, often unannounced. Holy Meddling Now, this is the final Sunday of our series on the United Methodist way. Who are we? What defines us? What is our calling — as Christians, as United Methodists, as members of Foundry? I want to name something about Moses that we United Methodists have always claimed as our own: Moses meddles. Three times in one chapter he inserts himself into conflicts that were, strictly speaking, none of his business: an enslaved Hebrew, two quarreling kinsmen, seven harassed women at a well. He refuses to stay in his comfort zone. That holy meddling is our family trait. Our Social Principles declare of our public witness: "The United Methodist Church believes God's love for the world is an active and engaged love, a love seeking justice and liberty. We cannot just be observers." There is no private faith that hoards grace and calls it piety. As Desmond Tutu warned us: "If you are neutral in situations of injustice, you have chosen the side of the oppressor." Friends, this is who we are. We are the people who refuse to mind our own business when God's children are being driven out — from lunch counters to detention centers, from housing courts to hospital waiting rooms. We wrestle with Scripture, we wrestle with our assumptions, we wrestle with our faith and our calling — and like Moses, we stand up. Because we serve a Lord who said, "I was a stranger, and you welcomed me." From Gershom to Eliezer Church, watch what grace does with a meddler. Moses named his first son Gershom: "I have been a stranger in a strange land." But his second son he named Eliezer: "My God is my helper." Between those two names lies an entire conversion. The stranger became a host. The man who once sought water at a well became the one through whom God drew a whole people out of bondage, through mighty waters, into freedom. God still loves to do this. God takes our Gershom — our alienation, our wounds, our wandering — and rewrites it as Eliezer: my God is my helper. Helper: not in advancing my ambitions or protecting my own wealth, family, and safety, but in teaching me to love God and to love my neighbor as myself. People often mistake "with God, all things are possible" for a guarantee of personal fulfillment. No. God helps us toward something far greater: to serve higher purposes, to forgive and to love, to give and to build, to lay down our lives for friends who were once strangers. We can live out the radical, divine, universal love of God — because God is with us, and God helps us. The Invitation So here is my invitation: this week, don't leave the town of Philly just yet. It is good to stay connected to the love of kin — philadelphia. But intentionally seek out and practice philoxenia. Is there a newcomer in the pew near you, or new to your building, your office, your block? Don't wait for the welcome committee - go say hello, learn their name, and remember it. Does someone need prayer? Don't merely promise to pray for them; ask if you may pray with them, right there, for two holy minutes. Is a neighbor navigating a new language, a new diagnosis, a new grief? Set a table, the way Reuel did: "Invite them to break bread." Philadelphia is dinner with your sister; philoxenia is adding a chair for someone whose story you don't yet know. One helpful discipline for the coming week: each evening, ask yourself two questions. Who did I love today who already loves me? That's philadelphia — good, keep it up. And: Who did I welcome today who could give me nothing back? That's philoxenia — the stretch. If the second column stays empty for a few days, that's the invitation talking. And now, before we close, one more invitation, because sermons about wells should end at one. If today you are the one in the wilderness - if you walked in this morning feeling like a stranger in a strange land - hear the good news: the well is already here. Grace arrived before you did. Before you ever learn to love yourself, before you learn to love your neighbor as yourself, you are already loved by the God of living water…not because of anything you have done, but because of whose you are. If you doubt this grace, then as we sing our final hymn, I invite you: come. Come to this altar, and let us pray with you. You don't need the right words; Moses didn't have them either. Just come and stand by the well with us. And perhaps you came in this morning already full. Then I invite you to consider the many ways you can become a living well for others: a place where people come to know and experience the way of philoxenia, the love of the stranger. The name you have yet to forgive. The prayer you will offer on the spot. The table you will set for the weary. The grace you will give without asking anything in return. Whether you come forward or stand still, the invitation is the same: Come to the well, and then go and become one. Amen.

Moses: A Journey of Faith and Liberation In this sermon, we delve into the compelling narrative of Moses and the liberation of the Hebrew people from Egyptian bondage, as recorded in the book of Exodus. This story is not just a historical account but a profound illustration of faith, obedience, and divine intervention. The Encounter at the Burning Bush Our journey begins with Moses' encounter with God at the burning bush, where he is called to lead the Israelites out of slavery. Despite his initial reluctance, Moses is convinced by God to undertake this monumental task. This pivotal moment sets the stage for the subsequent events that unfold in Exodus 5-12. Confrontation with Pharaoh Moses, along with Aaron, approaches Pharaoh with a simple request: to allow the Israelites to go into the wilderness to worship God. Pharaoh's refusal sets the stage for a series of divine interventions. Initially, Moses and Aaron warn Pharaoh that if he does not comply, God will strike them with plagues, a threat that Pharaoh dismisses. The Ten Plagues The narrative of the ten plagues is a dramatic display of God's power and a testament to His authority over creation. Each plague, from the Nile turning to blood to the death of the firstborn (detailed in Exodus 7:14-12:30), serves as a direct challenge to the Egyptian gods and Pharaoh's hardened heart. Plague of Blood: The Nile River turns to blood, showcasing God's control over life-sustaining resources. Frogs, Gnats, and Flies: These plagues disrupt daily life and highlight the nuisance and chaos that disobedience to God can bring. Livestock Disease and Boils: These afflictions demonstrate God's power over health and wealth. Hail, Locusts, and Darkness: These natural disasters emphasize God's supremacy over the natural world. Death of the Firstborn: The final and most devastating plague, leading to the liberation of the Israelites. The Passover: A Symbol of Salvation The final plague introduces the Passover, a significant event where the Israelites are instructed to mark their doorposts with the blood of a lamb. This act of faith ensures that the angel of death "passes over" their homes, sparing their firstborn. This event is commemorated annually by the Israelites and serves as a precursor to the Christian practice of Communion. The Last Supper: A New Covenant Fast forward 1400 years, Jesus and His disciples gather to celebrate the Passover. During this meal, Jesus reinterprets the elements of the Passover, instituting the Lord's Supper. The unleavened bread and wine now symbolize Jesus' body and blood, sacrificed for the forgiveness of sins, as described in Matthew 26:26-28. Conclusion This sermon reminds us of the power of faith and obedience in the face of adversity. The story of Moses and the Exodus is not just a tale of liberation from physical bondage but a profound spiritual liberation through Jesus Christ. As believers, we are invited to partake in the Lord's Supper, celebrating the grace and salvation offered through Jesus' sacrifice. This timeless story encourages us to trust in God's plan, remain steadfast in our faith, and celebrate the freedom we have in Christ.

Episode 2001 - brought to you by our incredible sponsors: Ethos - Take 10 minutes to get covered today, with life insurance through Ethos Get your free quote at ETHOS.com/hardfactor 00:00:00 Timestamps 00:06:21 Israel going to use Nile crocodiles to keep Palestinians from escaping prison 00:18:55 Andrew Tate arrested in Blouse and Capris 00:27:48 Jimothy the raccoon 00:29:19 Bad groom grapes brides relative after rehearsal dinner 00:33:54 Pastor says your “gay” if you don't tithe 00:36:29 Alleged Maryland bank robber brings stolen kitten along for attempted heist For more head over to patreon.com/hardfactor for weekly bonus episodes and most importantly HAGFD! Learn more about your ad choices. Visit megaphone.fm/adchoices

Comedian Shapel Lacey discusses the power of music, inspiration and how a 1981 Black Flag video sparked a lifelong punk obsession that shaped his identity, art, and resilience. Shapel Lacey tour dates  |  comedy special  |  Mad Peaceful band Topics Include: Talks local record stores, Amoeba, old Sunset location Discovers deep-cut Swedish hardcore at Eastside Records, Arizona Reflects on pre-streaming era, hunting records in person Notices rosary on Crash's grave, debates his beliefs Traces punk discovery to junior high guitar class Friend introduces him to ska punk, then Black Flag Watches 1981 Target video of Rollins-era Black Flag Rise Above vocals trigger emotional, tearful revelation Explains Black Flag filled a void from turbulent childhood Contrasts Korn/Deftones' anger with punk's empowering message Credits Rollins with teaching self-understanding and personal growth Recalls performing onstage with Rollins at Ohio festival Anger management counselor used Rollins to redirect his aggression Growing up Black, punk, skateboarding in Arizona desert Faced criticism from all sides for musical taste Explored funk, hip-hop, grunge without genre boundaries Connects N.W.A. and Black Flag's shared themes of injustice Discusses punk and hip-hop confronting police brutality parallels Champions open-mindedness across seemingly opposite music scenes Describes local DIY scene at Mesa's Nile basement Panhandled for five dollars to attend all-ages shows Cheerleading came after punk, called "most punk rock" act Discusses tattoos, straight-edge culture, Minor Threat connection Shares personal encounters meeting Henry Rollins and Ian MacKaye Praises Rollins and MacKaye's discipline, historical knowledge, friendship Draws parallels between punk and comedy's DIY authenticity Talks band Mad Peaceful, growing sold-out comedy success Discusses Australia tour interest, interview wrap up High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

For more than four decades, Fred Nile was one of the most recognisable and controversial figures in Australian politics. As the founder of the Call to Australia Party, later the Christian Democratic Party, he built a career campaigning on conservative Christian values, influencing legislation in New South Wales despite rarely holding the balance of power outright.Join Holly and Matthew as they trace Fred Nile's political career, from his early activism and election to the Legislative Council through to the campaigns, controversies, and social debates that made him a fixture of Australian public life. Whether opposing censorship, gambling, abortion, same-sex relationships, or changing social attitudes, Nile remained one of the country's most persistent political campaigners.Love him or loathe him, Fred Nile left an undeniable mark on New South Wales politics. This episode explores the man, the movement, and the legacy of one of Australia's longest-serving parliamentarians.Become a supporter of this podcast: https://www.spreaker.com/podcast/weird-crap-in-australia--2968350/support.

   Jules and Nile watch a documentary about the supposed events that the Wicker Man is inspired by. However the documentary is maybe not as inspiring as we'd hoped. Check out all our thoughts on mid 20th century british occultism and the exploration of the last occult sacrifice in british history.......kinda......maybe?

About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    Welcome to the Firearms Insider Gun & Gear Review Podcast episode 634. This episode is brought to you by Walker Defense, XS Sights, Hi-Point Firearms, and CMC Triggers. In this show I have another 1x prism review. We talk about a comped HD P4x, some NDEX sights, a Light - weight, and a Spitfire   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob, Rusty   Sponsor #1: CMC Triggers    CMC triggers is the creator of the original, drop in cartridge style AR trigger. CMC has been in  aerospace manufacturing for over 30 years. This gives you peace of mind knowing that every trigger is of the utmost quality. Their patented design ensures a crisp, short, trigger pull across their whole line of triggers. With triggers for AR's, AK's, pistols, and bolt guns, CMC can make your firearms trigger great. Proudly made in Texas with strong morals and values, giving you confidence that you are buying one of the best triggers out there. Choose Confidence, choose quality, choose CMC    Our CMC Product of the week is - AK-47 Flat Single Stage Trigger Group 2.0   Use Code “GGR26” for 10% off at CMCTriggers.com   What we did in Firearms:   Announcements: Kat's Rack Defense fund https://www.givesendgo.com/Katsrackdefensefund    Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! Check out the Pew.Report T-shirts are available through our FRN site, or click the “Merch” tab on Firearmsinsider.tv   AFFILIATES / DISCOUNTS: Walker Defense Research - enter “INSIDER15” for 15% off XS Sights - “GGR20” for 20% off Hi-Point - “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com CMC Triggers - “GGR26” for 10% off Primary Arms VZ Grips  Brownells Gun Guys Garage discount code - “FRN15OFF” Atibal Optics - enter “FIREARMSINSIDER20” for 20% off 5.11 Tactical PowerTac Lights - enter “GGR” for a real good discount Modern Spartan Systems - “GGR15” for 15% off Global Ordnance Infinite Defense (Infinity Targets) - “PEW15” for 15% off Guns.com Magpul Palmetto State Armory Unique ARs - “GunGearReview” for 10% off CobraTec Knives - “GGR10” for 10% off Nutrient Survival - “GGR10” for 10% off Gideon Optics - “GGR” or “INSIDER” for 10% off US Optics - “INSIDER15” for 15% off Camorado - “FIREARMSINSIDER” for 5% off Optics Planet Midway USA Strike Industries North Forest Arms - “GGR” for 10% off Kini SafeAlert - “GGR” for 20% off FoxTrot Mike - “GGR” for 10% off XTech Tactical - “GGR10” for 10% off Die Free Co ZeroTech Optics - “GGR” for 20% off Goliath Defense - “GGR” for 10% off holsters Classic Firearms  True Shot Ammo  Next Level Armament NightStick   ROB - Disclaimer The views and opinions expressed in this podcast are those of the individual co-hosts and do not reflect the official policy or position of the Firearms Radio Network and/or their employers. This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised.   Main Topic is sponsored by: Hi-Point     Hi-Point firearms has been crafting American made firearms for over 30 years. If you are looking for your first firearm, or just want something fun for the range, Hi-Point has you covered with models including handguns, pistol caliber carbines, and AR15's. They even have a new suppressor line. Hi-Point firearms can be found at extremely affordable prices, making them available for anyone that wants to protect themselves and/or their families. Every Hi-Point also comes with a lifetime warranty and most of their products are 50 state legal. Hi-Point Firearms, made by the American working man for the American working man.   Our Hi-Point Product of the week is - Full Forge Gear Torrent double rifle case   Visit hi-pointfirearms.com and check out their line of products Use code “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com   Main Topic: Product Review  Chad - Primary Arms SLx MicroPrism T   Product Spotlight and Discussion:    Staccato HD P4X MSRP - $3599.00   Saberdyne NDEX sights MSRP - $139.00 - 149.00   Sponsor #3: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - R3D 2.0 Night Sights for PSA Dagger Micro   Use Code “GGR20” for 20% off of almost everything at xssights.com   Herrington Arms V2 Anchor Light Weight MSRP - $79.99   Kizer Spitfire Supermarine Edition MSRP - $180.00   Sponsor #4: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. Everything they have to offer is proudly made in the USA. Walker Defense, where American ingenuity meets bleeding edge technology.   Our Walker Defense Product of the week is - Blem Titanium Bolt Carrier Group   Use code “INSIDER15” FOR 15% OFF everything at walkerdr.com   Listener Feedback None   2nd is for Everyone Diversity Shoot Events simonsaystrain on instagram 2nd is for Everyone Facebook 2A4E Web Page   Wrap up: Send questions, comments, or feedback to - gungearreview@gmail.com Remember to Subscribe and Leave us an iTunes Review Be sure to visit the Firearms Insider at www.firearmsinsider.tv Check us out on Facebook, X, and InstaGram @firearmsinsider  Subscribe to our Rumble channel  Please check out all our great sponsors Thank you for listening to the “LARGEST”, pound for pound, podcast on the network We are out

Growing In God Podcast Program Number: GIG #310   Title: Are You Willing?   Web Description: What is a sign? A sign tells us something. And when the families of Israel killed the lamb at the Passover, the blood they put on their doorposts was a sign. It told God that they had heard His Word, and they were willing to walk out of Egypt to be His people. Let our response to God be a sign to Him that we are willing to walk in His Word.   Show Notes: We often talk about signs in the Bible in the context of signs and wonders, connecting the idea of a sign with a wonder or a miracle performed by God. This was certainly true about the plagues of Egypt leading up to the Passover. But at the Passover, God told the children of Israel that the lamb's blood they put on their doorposts would be a sign. While the plagues were a sign from God to the Egyptians, the blood that the families of Israel put on their doors was a sign from Israel to God.   The purpose of a sign is to provide information. A street sign, for example, gives you information about the road ahead of you. What information did the sign of blood on a doorpost provide? That sign on a home informed God that the people inside had prepared the lamb and were ready to leave Egypt as He instructed. It was a sign that the home was to be protected, and the people were to be saved. But it was their initiative to apply the blood according to the Lord's command. Otherwise, they would not have been spared from the final plague that came on Egypt.   God had spoken to the children of Israel, and He was expecting a sign from them to show Him that they were walking in His Word. We too have heard Words from God, and He is looking for a sign from us. What sign can we give Him? The sign Abraham gave God was to walk out, leaving everything behind, just as God told him to do. He physically responded to God's Word. And we should not over-spiritualize what we have received from the Lord. As we move forward in these days, let us give God a sign with our lives that says, "We are moving in obedience to the Word You have spoken to us over all these years."   Key Verses:   •       Exodus 12:12–22. "The blood shall be a sign; … when I see the blood I will pass over you." •       Samuel 3:10. "Speak, for Your servant is listening." •       Hebrews 4:12. "The word of God is living and active." •       Revelation 12:6–11. "They overcame him because of the blood of the Lamb." •       Exodus 1:22. "Every son who is born you are to cast into the Nile."   Quotes:   •       "This sign was a sign from Israel to God. It was on the outside of the door where God could read it. It was each family that came and put the blood on the doorpost so that God could read, 'I am one of Your people.'" •       "God has done so much for us, and He has given us His Word. He has spoken to us. He's given us instructions. He's given us the warnings. He's given us His signs of what is going to take place. But there is this moment in Pesach where we must respond to Him with a sign." •       "Let's post our sign on the highway of the Kingdom and say, 'Here we are, Lord. We're coming into an obedience and into a walk in all that you have already spoken and given to us.'"   Takeaways:   1.    The blood on their doorposts was a sign from the children of Israel to God that they were willing to walk out of Egypt and be His people. 2.    Like the children of Israel, Abraham walked away from everything he knew into an uncertain future as a sign to God that he was willing to be what God wanted Him to be. 3.    We partake of the provision of Christ and put His blood afresh on the doorposts of our hearts as a sign to God that we are here to walk, like Abraham, in everything the Lord has spoken to us.

Ancient Egypt isn't just something you read about in a school history book or see in an old Elizabeth Taylor movie. It was a real, thriving civilization filled with people who lived, loved, worked, governed, worshipped, and left behind evidence that they had been there. Millennia later, we still know their stories because someone took the time to document, preserve, and pass them on.Standing in a papyrus gallery in modern-day Egypt and learning how ancient writings survived for thousands of years made me think differently about personal branding. Your personal brand helps preserve your ideas, your work, and the story of the impact you made. It also gives you the opportunity to shape that story for yourself instead of leaving someone else to define what you are known for.In Part 2 of my Paula Out of Africa series, I'm taking you through the Egyptian leg of my trip, from Cairo and the Nile to the Grand Egyptian Museum, the pyramids, and the Sphinx. I'm sharing why joy belongs in your personal brand, how your vision can expand before anyone else sees it, and why documenting your expertise matters if you want your work to continue speaking when you are no longer in the room.If you have ever assumed your work will speak for itself, this episode makes the case for giving it a voice.2:03 – How Paula's arrival in Egypt was completely different from when she first set foot in Kenya5:02 – Real joy as a brand asset and credibility as a reward for authentically expressing it7:24 – How a photo taken on a dock overlooking the Nile expanded Paula's vision for her brand8:40 – Highlights from the breathtaking Grand Egyptian Museum tour10:54 – The importance of owning your story and not letting others define your professional reputation12:54 – What ancient paper can teach you about showcasing and protecting your expertise (and legacy)15:31 – A valuable business reminder from vendors hustling outside the pyramids17:16 – Why building a stronger personal brand might start with leaving your calendar behindMentioned In Paula Out of Africa, Part 2: Egypt and What Your Personal Brand PreservesPaula Out of Africa, Part 1: Kenya, Wonder, and the Brand You're BecomingPaula's Cairo Photo AlbumNational Bar AssociationGrand Egyptian MuseumCurated Resources from PaulaSign up for Paula's Upcoming Events Learn More About Paula's Personal Branding Strategy Session OfferSubscribe to The Branding Room Only podcast on YouTubeCall to ActionFollow & Review: If you enjoyed this episode, leave a 5-star review on your favorite podcast platform! Want more ways to grow your personal brand? Make sure you're signed up for my upcoming webinars and workshops.Conferences are an investment—make sure you maximize yours. My Engage Your Hustle™ Conference Playbook gives you the strategies to prepare, stand out, and follow up with impact. Get your copy today.Sponsor for this episodeThis episode is brought to you by PGE Consulting Group LLC.PGE Consulting Group LLC empowers individuals and organizations to lead with purpose, presence, and impact. Specializing in leadership development and personal branding, we offer keynotes, custom programming, consulting, and strategic advising—all designed to elevate influence and performance at every level.Founded and led by Paula Edgar, our work centers on practical strategies that enhance professional development, strengthen workplace culture, and drive meaningful, measurable change.To learn more about Paula and her services, go to www.paulaedgar.com or contact her at info@paulaedgar.com, and follow Paula Edgar and the PGE Consulting Group LLC on LinkedIn.

حلقة جديدة مميزة من البودكاسترز مع الباحث والمؤرخ المصري بسام الشماع، بنتكلم فيها عن واحدة من أكثر النظريات إثارة للجدل في الحضارة المصرية القديمة. هل كان فيه فعلًا أبو الهول الثاني؟ وهل أبو الهول أقدم من الأهرامات؟ وهل في لسه أسرار مدفونة تحت رمال الجيزة لحد النهارده؟ في الحلقة، بسام الشماع بيشارك الأدلة والمصادر اللي اعتمد عليها في نظرياته، وبيتكلم عن مفهوم الثنائية عند المصريين القدماء، ولوحة الحلم، ولوحة الإحصاء، والبقعة الصفراء، ونظرية وجود أبو الهول الثاني، وكمان بيرد على أشهر المعلومات المغلوطة عن الحضارة المصرية، ويشرح إزاي نفرق بين الحقائق التاريخية والنظريات والادعاءات المنتشرة على الإنترنت. بنتكلم كمان عن معنى لقب "فرعون"، وسر معابد أبو الهول، وعين حورس، وحقيقة عروسة النيل، ولعنات المقابر، وخنجر توت عنخ آمون المصنوع من حديد نيزكي، وقرص الأمير سابو، بالإضافة إلى أسرار اللغة الهيروغليفية والمعتقدات المصرية القديمة، وليه لحد النهارده لسه في اكتشافات ممكن تغيّر فهمنا لتاريخ مصر القديمة. حلقة لكل المهتمين بالحضارة المصرية، والآثار، وأسرار الفراعنة، ونظريات أبو الهول، وكل شخص بيحب يكتشف تاريخ مصر من منظور مختلف. A brand new episode of Elpodcasters with renowned Egyptologist and historical researcher Bassam El Shammaa, where we dive into some of the most fascinating and controversial mysteries of Ancient Egypt. Was there really a Second Sphinx? Could the Great Sphinx be older than the Pyramids? And are there still undiscovered secrets hidden beneath the Giza Plateau? In this episode, Bassam El Shammaa shares the research, evidence, and historical sources behind his theories. We explore the concept of duality in Ancient Egyptian civilization, the Dream Stele, the Inventory Stela, the mysterious "Yellow Spot," and the theory of the Second Sphinx. We also discuss how to separate historical evidence from speculation and why questioning long-held assumptions is an essential part of archaeology. The conversation also covers the true meaning of the title "Pharaoh," the Sphinx Temple, the Eye of Horus, the myth of the Bride of the Nile, ancient Egyptian beliefs about the afterlife, Tutankhamun's meteoritic iron dagger, the mysterious Disk of Prince Sabu, hieroglyphics, and many other incredible facts about one of the world's greatest civilizations. A must-watch episode for anyone passionate about Ancient Egypt, archaeology, the pyramids, the Sphinx, Egyptian history, and the unsolved mysteries that continue to fascinate the world رابط موقعنا, انضم إلى مجتمعنا: https://www.elpodcasters.com/ our website link, join our community: https://www.elpodcasters.com/ ‎اسمعوا البودكاسترز على | Listen to El-Podcasters on Spotify - https://anchor.fm/elpodcasters Apple - https://podcasts.apple.com/eg/podcast/el-podcasters/id1633419184 Anghami - https://play.anghami.com/podcast/1029463712 El-Podcasters Social Media | منصات التواصل الإجتماعي للبودكاسترز: Instagram - https://www.instagram.com/elpodcasters Tiktok - https://www.tiktok.com/@elpodcasters Facebook- https://www.facebook.com/elpodcasters Linkedin - https://www.linkedin.com/company/elpodcasters/ X - https://www.twitter.com/elpodcasters Snapchat - https://snapchat.com/t/3Zbo2vzS Bassel Alzaro - https://www.instagram.com/basselalzaro https://www.facebook.com/BasselAlzaroX https://snapchat.com/t/CoWlatfk Karim Rihan - https://www.instagram.com/karimrihann Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

What if the key to manifesting everything you want isn't working harder, thinking bigger, or pushing through, but something else that most people don't consider, or even know exists?  Today, I sit down with meditation teacher, manifestation expert, and founder of Ziva Meditation, Emily Fletcher, for one of the most expansive and wide-ranging conversations to ever grace this podcast. Emily has been teaching meditation and embodied manifesting for 18 years, led ceremonies for 30,000 people online, and is now setting her sights on sacred sites around the world, including a large-scale ceremony at the pyramids of Giza this October.  In this episode, we go deep on the ancient mysteries of Egypt, the nature of consciousness, what it really means to manifest, why pleasure is a pathway to the divine, and the surprising reason that doing less might actually be the most powerful thing Emily has ever done. This is one of those conversations I'll be thinking about for a long time, and I can't wait for you to listen!  Emily is hosting a free 3-day live event called Magic Maker on July 16th, 21st, and 23rd at 1 PM ET,  and if this conversation lit something up in you, you won't want to miss it! This is where she'll teach you how to stop manifesting from stress and start manifesting from the field, so your dreams start chasing you instead of the other way around. Save your spot here: https://zivameditation.com/pages/magicmakerevent. Snap a screenshot of the episode playing on your device, post it to your Instagram Stories and tag us, @jameswedmore, @jenniwedmore and @emilystellafletcher. We'd love to hear what resonated with you the most from this episode and especially what you want covered in future ones.  In this episode you'll hear:  Emily's theory on who really built the pyramids and the reasoning behind this What happened when Emily led 40 people on a $17,000 pilgrimage up the Nile,  and the brutal initiations that taught her exactly what she'd need to do differently at scale The Broadway life that looked like a dream from the outside and the insomnia, gray hair, and misery that led Emily to meditation and changed everything overnight The backstory of how she created the world's first online meditation training in 2013, years before Headspace or Calm The number one reason people think they can't meditate, and the single biggest mistake you can make Why meditation and manifestation are two sides of the same coin The Vedic concept of creation, maintenance, and destruction,and why playing it safe by trying to maintain what you've built is a very dangerous game Emily's honest confession about how much of her relentless doing has been driven by unworthiness and what finally revealed this to her Why Emily believes your desires are divinely inspired and what is actually  required to receive them What "Cosmic Emily" is, why strangers keep reporting her appearances in their dreams and medicine journeys, and what it's taught her about the power of holding frequency over taking action For full show notes and links, visit: www.mindyourbusinesspodcast.com/blog/839 

Share a commentPharaoh has evidence stacked to the ceiling and still refuses to bend. That's the tension we sit in as we keep walking through Exodus 7 to 10, where Moses and Aaron confront the most powerful ruler in the ancient world and Yahweh answers with signs that are anything but random. The plagues hit the Nile, homes, bodies, livestock, crops, and even the sun itself and we trace how each judgment exposes the emptiness of Egypt's gods and the fragility of Pharaoh's self-made divinity. We talk through the phrase about God hardening Pharaoh's heart, not as God inventing evil in a man, but as God bringing out what was already lodged there: stubborn pride that will not humble itself. From the staff becoming a crocodile to the magicians admitting “This is the finger of God,” the pattern is clear: counterfeit power can imitate for a moment, but it cannot stand. Along the way, we highlight the turning point where Goshen is protected, making the spiritual line unmistakable between God's people and Egypt's oppression. Then we bring it home with two personal lessons that land hard: obeying God may not bring the relief you expect, and serving God may not bring immediate results. If we build our faith on comfort or visible wins, we will quit when the pressure rises. If we build it on God's glory, we can stay steady even when the frogs are still croaking. Subscribe for more Bible teaching through Exodus, share this with a friend, and leave a review with your biggest takeaway or question from Pharaoh's story.Learn more about twenty-five years of global impact, and reserve tickets to our gala. https://www.wisdomonline.org/mp/25 Learn more: https://www.wisdomonline.org/Support the show

Share a commentPharaoh has evidence stacked to the ceiling and still refuses to bend. That's the tension we sit in as we keep walking through Exodus 7 to 10, where Moses and Aaron confront the most powerful ruler in the ancient world and Yahweh answers with signs that are anything but random. The plagues hit the Nile, homes, bodies, livestock, crops, and even the sun itself and we trace how each judgment exposes the emptiness of Egypt's gods and the fragility of Pharaoh's self-made divinity. We talk through the phrase about God hardening Pharaoh's heart, not as God inventing evil in a man, but as God bringing out what was already lodged there: stubborn pride that will not humble itself. From the staff becoming a crocodile to the magicians admitting “This is the finger of God,” the pattern is clear: counterfeit power can imitate for a moment, but it cannot stand. Along the way, we highlight the turning point where Goshen is protected, making the spiritual line unmistakable between God's people and Egypt's oppression. Then we bring it home with two personal lessons that land hard: obeying God may not bring the relief you expect, and serving God may not bring immediate results. If we build our faith on comfort or visible wins, we will quit when the pressure rises. If we build it on God's glory, we can stay steady even when the frogs are still croaking. Subscribe for more Bible teaching through Exodus, share this with a friend, and leave a review with your biggest takeaway or question from Pharaoh's story.Learn more about twenty-five years of global impact, and reserve tickets to our gala. https://www.wisdomonline.org/mp/25 Learn more: https://www.wisdomonline.org/Support the show

Forget what you think you know about medieval holy wars. Move over, Richard the Lionheart—the most action-packed, technologically wild campaign happened in the land of the pyramids, and it's time to stop ignoring it!In this live episode of History Rage, host Paul Bavill sits down with public historian, fellow of the Royal Historical Society, and author Thomas Smith to rescue the Fifth Crusade from historical obscurity. If you think the Crusades were just knights waiting around in a dusty Syrian desert, prepare to have your mind blown by a campaign dominated by amphibious warfare, terrifying medieval technology, and a truly jaw-dropping twist ending.What You'll Discover in This Episode:The Strategic Shift: Why Western Europe realized that the true key to holding Jerusalem was actually conquering Egypt—the wealthy breadbasket of the Near East.D-Day in 1218: Discover the incredible engineering behind flat-bottomed landing craft, complete with bow ramps for cavalry charges, used 800 years before Normandy.Medieval Napalm & Hand Grenades: Get a breakdown of Greek fire, the terrifying incendiary weapons used on the Nile, and the highly unpleasant acidic liquids required to put them out.The Floating Siege Engine: Meet Oliver of Cologne, the genius German schoolmaster who built a rotating wooden fortress on stilt-ships to conquer the Nile's impenetrable Chain Tower.Snatching Defeat from the Jaws of Victory: How a combination of apocalyptic prophecy, a flooding River Nile, and a massive, poorly-timed wine-drinking session brought the entire campaign crashing down.Links & Resources Mentioned:Buy the Book: Grab your copy of Thomas Smith's ground-breaking new book, The Fifth Crusade: A History of the Epic Campaign to Conquer Egypt, from the History Rage Bookshop.Recommended Episodes:Episode 174: Steve Tibble rages about crime during the Crusades.Episode 300: Aleks Pluskowski rages that Crusades are not all in the Middle East.Connect with the Guest:Instagram: Follow Tom for more incredible medieval insights @medieval_tomSupport & Follow History Rage:Join the Rage Train and make sure you never miss an episode where truth is liberated from the infidels!Support us on Patreon: Get exclusive access to live streams, ask questions directly to our guests, and join the community at patreon.com/HistoryRage.Apple Subscriptions: Listen completely ad-free for just £3 per month via your Apple Podcasts app.Spread the Word: If you love the show, please leave a review on Apple Podcasts or Spotify, and tell a friend to hop aboard the rage train!Are you ready to look past the myths? Stay angry! Hosted on Acast. See acast.com/privacy for more information.

Moses' life began in a basket—a simple, handmade ark of papyrus, placed in the Nile by a mother desperate yet full of faith. What looked small and fragile became the beginning of deliverance for an entire nation. God often uses what feels hidden, humble, and helpless to carry out His biggest plans. This message is for anyone who's ever felt like their contribution, voice, or influence is too small to matter. Just like Moses in the basket, what you offer—when surrendered to God—can become the vessel He uses to bring hope, freedom, and transformation. God, I know what I have is small, but I trust You enough to give it anyway—because You are the God who can multiply what I place in Your hands. 

Is artificial intelligence really destroying music?Or are we simply repeating one of humanity's oldest conversations?In this episode of Arteetude, a chance encounter in a café in Bantry becomes the starting point for a media-archaeological investigation. A frustrated street musician blames AI for the end of creativity, while his girlfriend answers with humour, irony and unexpected wisdom.What begins as an amusing dialogue gradually unfolds into a much larger philosophical question:Has every generation feared the newest medium?From streaming and digital recording to radio, the gramophone and the earliest attempts to preserve music beyond human memory, this episode argues that today's AI debate may be only the latest chapter in a much older story.Together with Sophia, Detlef Schlich explores not only technology, but also fear, memory, economics and our persistent tendency to believe that history begins with our own generation.Perhaps the future has ancestors.The episode concludes with a brand-new Los Inorgánicos track:"The Future Has Ancestors."About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 633. This episode is brought to you by Walker Defense, XS Sights, Hi-Point Firearms, and CMC Triggers. In this show we will be discussing a prism review and discuss a Colt red dot, a new ported double stack, an Esee folder, and something interesting and probably terrible from Bear Creek   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob, Rusty   Sponsor #1: Hi-Point     Hi-Point firearms has been crafting American made firearms for over 30 years. If you are looking for your first firearm, or just want something fun for the range, Hi-Point has you covered with models including handguns, pistol caliber carbines, and AR15's. They even have a new suppressor line. Hi-Point firearms can be found at extremely affordable prices, making them available for anyone that wants to protect themselves and/or their families. Every Hi-Point also comes with a lifetime warranty and most of their products are 50 state legal. Hi-Point Firearms, made by the American working man for the American working man.   Our Hi-Point Product of the week is - YC 380   Visit hi-pointfirearms.com and check out their line of products Use code “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com   What we did in Firearms:   Announcements: Kat's Rack Defense fund https://www.givesendgo.com/Katsrackdefensefund    Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! Check out the Pew.Report T-shirts are available through our FRN site, or click the “Merch” tab on Firearmsinsider.tv   AFFILIATES / DISCOUNTS: Walker Defense Research - enter “INSIDER15” for 15% off XS Sights - “GGR20” for 20% off Hi-Point - “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com CMC Triggers - “GGR26” for 10% off Primary Arms VZ Grips  Brownells Gun Guys Garage discount code - “FRN15OFF” Atibal Optics - enter “FIREARMSINSIDER20” for 20% off 5.11 Tactical PowerTac Lights - enter “GGR” for a real good discount Modern Spartan Systems - “GGR15” for 15% off Global Ordnance Infinite Defense (Infinity Targets) - “PEW15” for 15% off Guns.com Magpul Palmetto State Armory Unique ARs - “GunGearReview” for 10% off CobraTec Knives - “GGR10” for 10% off Nutrient Survival - “GGR10” for 10% off Gideon Optics - “GGR” or “INSIDER” for 10% off US Optics - “INSIDER15” for 15% off Camorado - “FIREARMSINSIDER” for 5% off Optics Planet Midway USA Strike Industries North Forest Arms - “GGR” for 10% off Kini SafeAlert - “GGR” for 20% off FoxTrot Mike - “GGR” for 10% off XTech Tactical - “GGR10” for 10% off Die Free Co ZeroTech Optics - “GGR” for 20% off Goliath Defense - “GGR” for 10% off holsters Classic Firearms  True Shot Ammo  Next Level Armament NightStick   ROB - Disclaimer The views and opinions expressed in this podcast are those of the individual co-hosts and do not reflect the official policy or position of the Firearms Radio Network and/or their employers. This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised.   Main Topic is sponsored by: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - The brand new Smith & Wesson Fiber Optic Revolver Sights   Use Code “GGR20” for 20% off of almost everything at xssights.com   Main Topic: Product Review Chad - ZeroTech Thrive HD 1x Micro Prism   Product Spotlight and Discussion:    Colt Optics MRS-1 Red Dot MSRP - $428.000   Military Armament Corporation Cerberus Ported MSRP - $899.00   Sponsor #3: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. Everything they have to offer is proudly made in the USA. Walker Defense, where American ingenuity meets bleeding edge technology.   Our Walker Defense Product of the week is - Flat Dark Earth DLC Bolt Carrier Group   Use code “INSIDER15” FOR 15% OFF everything at walkerdr.com   Bear Creek Grizzly compact 380 MSRP - $349.99   Esee Knives Expat Medellin II Retail - $69.99   Sponsor #4: CMC Triggers    CMC triggers is the creator of the original, drop in cartridge style AR trigger. CMC has been in  aerospace manufacturing for over 30 years. This gives you peace of mind knowing that every trigger is of the utmost quality. Their patented design ensures a crisp, short, trigger pull across their whole line of triggers. With triggers for AR's, AK's, pistols, and bolt guns, CMC can make your firearms trigger great. Proudly made in Texas with strong morals and values, giving you confidence that you are buying one of the best triggers out there. Choose Confidence, choose quality, choose CMC    Our CMC Product of the week is - AR-15/10 Single Stage Curved Component Trigger   Use Code “GGR26” for 10% off at CMCTriggers.com   Listener Feedback None   2nd is for Everyone Diversity Shoot Events simonsaystrain on instagram 2nd is for Everyone Facebook 2A4E Web Page   Wrap up: Send questions, comments, or feedback to - gungearreview@gmail.com Remember to Subscribe and Leave us an iTunes Review Be sure to visit the Firearms Insider at www.firearmsinsider.tv Check us out on Facebook, X, and InstaGram @firearmsinsider  Subscribe to our Rumble channel  Please check out all our great sponsors Thank you for listening to the “LARGEST”, pound for pound, podcast on the network We are out

Tall ships are starting to dock in Boston harbor, Red Sox winner of 6 om a row, west Nile virus detected in Boston. Stay in "The Loop" with WBZ News radio.See omnystudio.com/listener for privacy information.

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this segment of Notorious Mass Effect, Analytic Dreamz delivers a complete Marvel Rivals Season 9 Breakdown covering every key point and all major stats for “The Mystery of Thebes.”Launching July 10, 2026, Season 9 introduces an Ancient Egypt-themed experience centered on Thebes and Apocalypse. Analytic Dreamz breaks down the new Egyptian-inspired Battle Pass “Deaths on the Nile,” the full release of launch hero Jubilee as the 52nd Strategist, and the mid-season arrival of The Hood.Discover Jubilee's healing and blinding kit, firework-based attacks, lethal ultimate, vampire storyline twist, and her role as Apocalypse's Horseman of Famine. Get the latest on The Hood's Vanguard abilities, dual pistols, sword, clones, and demonic form.This episode explores the massive Team-Up system overhaul, including new loadouts with base and enhanced effects for greater flexibility and balance. Analytic Dreamz also details Black Widow's major rework, the new regenerative shield mechanic for mobile heroes, the Thebes map releasing July 23, and how these changes will reshape the meta.Tune in for in-depth analysis, ability stats, story connections to Age of Apocalypse, and everything Marvel Rivals players need to know heading into Season 9.Privacy & Opt-Out: https://redcircle.com/privacy

Dallas Toler-Wade interview: the former Nile guitarist and death metal legend opens up about his 19-year run in Nile, his sudden exit, and life after Nile with Narcotic Wasteland.For nearly two decades, Dallas Toler-Wade was one of the defining voices in technical death metal — co-writing and performing on some of Nile's most essential albums, from "Black Seeds of Vengeance" to "Annihilation of the Wicked." Then in 2016, he walked away. His departure was framed as amicable at the time, but Toler-Wade later admitted there was more to the story — reasons he said would "remain undisclosed."...Follow Dallas here-https://www.dallastolerwade.com/Get episodes early-https://www.patreon.com/cw/TheMetalManiacsPodcastFollow us here-https://tr.ee/YA-9eUZGnCSupport Our Sponsor- https://www.starkrealestatemi.com/

Share a commentA government order turns newborn life into a death sentence, and suddenly Exodus 2 feels less like a children's story and more like a survival account. We walk through Moses' rescue with fresh eyes, noticing a detail most people skip: the major characters stay unnamed for a long stretch, as if Scripture is quietly insisting that God is the lead actor, not the supporting cast. We trace the faith of Amram and Jochebed as something sturdier than optimism: they hide a baby for three months, then build a waterproof basket, choose the placement, and send Miriam to watch with a line ready at the right moment. We also explore the strange providence of Pharaoh's daughter bathing in the Nile as a religious fertility ritual, and how a crying child and a compassionate heart collide at the only point in the kingdom where Pharaoh's edict can be overridden. Along the way we connect the story to Acts 7 and Hebrews 11 to frame the whole scene as faith in action. Then we bring it home with three takeaways that cut close: faith benefits the people nearest to us, faith should shape everyday decisions and integrity, and faith impacts the observers we never knew were watching. The episode even follows the thread of Pharaoh's daughter beyond the riverbank, raising the question of how living faith can ripple outward for decades. Subscribe, share this with a friend, and leave a review if it sharpened your view of God's providence and your own choices.Learn more about twenty-five years of global impact, and reserve tickets to our gala. https://www.wisdomonline.org/mp/25 Learn more: https://www.wisdomonline.org/Support the show

Share a commentA government order turns newborn life into a death sentence, and suddenly Exodus 2 feels less like a children's story and more like a survival account. We walk through Moses' rescue with fresh eyes, noticing a detail most people skip: the major characters stay unnamed for a long stretch, as if Scripture is quietly insisting that God is the lead actor, not the supporting cast. We trace the faith of Amram and Jochebed as something sturdier than optimism: they hide a baby for three months, then build a waterproof basket, choose the placement, and send Miriam to watch with a line ready at the right moment. We also explore the strange providence of Pharaoh's daughter bathing in the Nile as a religious fertility ritual, and how a crying child and a compassionate heart collide at the only point in the kingdom where Pharaoh's edict can be overridden. Along the way we connect the story to Acts 7 and Hebrews 11 to frame the whole scene as faith in action. Then we bring it home with three takeaways that cut close: faith benefits the people nearest to us, faith should shape everyday decisions and integrity, and faith impacts the observers we never knew were watching. The episode even follows the thread of Pharaoh's daughter beyond the riverbank, raising the question of how living faith can ripple outward for decades. Subscribe, share this with a friend, and leave a review if it sharpened your view of God's providence and your own choices.Learn more about twenty-five years of global impact, and reserve tickets to our gala. https://www.wisdomonline.org/mp/25 Learn more: https://www.wisdomonline.org/Support the show

In Arteetude 341, Detlef Schlich welcomes back musician, artist, designer, project manager and builder Buko Pan Guerra, also known as Buko Sinigayan, for a deeply human conversation about survival, rejection, land, animals, music, community and the strange courage it takes to keep building when life has already asked too much.Buko has spent decades helping other people's visions become real — working across art, music, construction, education, entertainment, design, theme-park environments and complex project management. Now she is building something of her own: Golden Mirage Ranch in Leona Valley, California.But Golden Mirage Ranch is not just a ranch. It is a place for rescued animals, nature, music, workshops, food, learning, healing and community. It is where many of Buko's lives come together: the artist, the musician, the project manager, the daughter, the caretaker, the survivor and the dreamer.This episode is not simply about a fundraiser. It is about dignity. It is about creative resilience. It is about what happens when an artist refuses to disappear. It asks: How does an artist survive rejection and still build a place of care, land, animals, music and community?The episode ends with Buko's powerful song “In Search for Power” — a fitting musical closing for a conversation about vulnerability, survival and the search for strength.You can Donate here on Bukos Websitehttps://goldenmirageranch.com/https://www.instagram.com/goldenmirageranch/https://www.gofundme.comAbout Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich's artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture.Download here for free:Shamanism, Art and Digital Culture: Cause and Effecthttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectBuilding on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience.Read here:Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlichhttps://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_SchlichTogether, these texts form the theoretical backbone of Schlich's ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast.WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer.Official YouTube Channel:https://www.youtube.com/@WAWBandFrom the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW's developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music.AfricaSmileAfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together.Watch here:https://www.youtube.com/watch?v=LnQbsh01YWUThe Nile's Bittersweet SongThe Nile's Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer.The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel.Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile's Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current.Watch here:https://www.youtube.com/watch?v=33AWko4IkKIWAW on BandcampSilent NightIn a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast.https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 632. This episode is brought to you by Walker Defense, XS Sights, Hi-Point Firearms, and CMC Triggers. In this show we will be discussing a western bb pistol, the Donner party, the pony express, and an American Raider.   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob   Sponsor #1: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - Springfield Armory Notch & Post Tritium Night Sights    Use Code “GGR20” for 20% off of almost everything at xssights.com   What we did in Firearms:   Announcements: Brigid is the winner and donated the rifle back to Kat Kat's Rack Defense  https://www.givesendgo.com/Katsrackdefensefund  Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! 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This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised.   Product Spotlight is sponsored by: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. Everything they have to offer is proudly made in the USA. Walker Defense, where American ingenuity meets bleeding edge technology.   Our Walker Defense Product of the week is - 2 slot NILE grip panels   Use code “INSIDER15” FOR 15% OFF everything at walkerdr.com   Main Topic: Product Review or Updates on previous reviews None   Product Spotlight and Discussion:    Winchester Air Western .177 CO2 BB/Pellet Revolver MSRP - $129.90   Dauntless Donner Party Hiker MSRP - $425.00   Sponsor #3: CMC Triggers    CMC triggers is the creator of the original, drop in cartridge style AR trigger. CMC has been in  aerospace manufacturing for over 30 years. This gives you peace of mind knowing that every trigger is of the utmost quality. Their patented design ensures a crisp, short, trigger pull across their whole line of triggers. With triggers for AR's, AK's, pistols, and bolt guns, CMC can make your firearms trigger great. Proudly made in Texas with strong morals and values, giving you confidence that you are buying one of the best triggers out there. 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Hi-Point Firearms, made by the American working man for the American working man.   Our Hi-Point Product of the week is - GOA 995 TS   Visit hi-pointfirearms.com and check out their line of products Use code “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com   Happy 250th INDEPENDENCE DAY!    Listener Feedback None   2nd is for Everyone Diversity Shoot Events simonsaystrain on instagram 2nd is for Everyone Facebook 2A4E Web Page   Wrap up: Send questions, comments, or feedback to - gungearreview@gmail.com Remember to Subscribe and Leave us an iTunes Review Be sure to visit the Firearms Insider at www.firearmsinsider.tv Check us out on Facebook, X, and InstaGram @firearmsinsider  Subscribe to our Rumble channel  Please check out all our great sponsors Thank you for listening to the “LARGEST”, pound for pound, podcast on the network We are out  

Bonus episode. I took some listener questions in a livestream, and here they are. We cover topics like: Was pharaoh literally a god? How common was tattooing? Was there an ancient canal between the Nile and Red Sea? What are my recommended Egyptology books? And much more... If you'd like to join future Q-and-A sessions you can find them at www.patreon.com/egyptpodcast. If you would like to submit a question, drop it in the comments! There is a (shorter) video version of this QnA available at https://www.patreon.com/egyptpodcast/posts/qna-ask-me-june-162481450 Questions Top 3 Egyptology books: 00:55 Royal family tombs (like KV5): 06:50 Tattooing? 09:55 Was Pharaoh literally a god? 13:21 Linen - who made it and how? 18:50 What is the biggest misconception people have about ancient Egypt? 20:44 Perfumes: What do we know about them? 23:58 How long do you need at the GEM? 27:01 Best book about gods/mythology? 29:38 How do you pronounce Ra (or Re?) 30:56 What happened to Mortuary Temples after their owner died? 31:46 What role did dwarfs / little people play in ancient Egyptian society? 34:01 What role did foreigners play? Could they reach high status? 35:14 Could Beketaten be the mother of Tutankhamun? 39:05 Did Canaanite religion influence Egypt more, or vice versa? 39:52 Did Egyptian solar religion influence the Roman cult of Sol Invictus? 42:34 Gods and Goddesses: how prominent are the LOCAL deities in different regions? 44:20 When was the "Canal of the Pharaohs" connecting the Nile and Red Sea? 47:34 What are the most common biases in Egyptology? 49:01 The Oxford Encyclopedia The Oxford Encyclopedia of Ancient Egypt on Internet Archive: Vol.1 (A-F); Vol. 2 (G-O); Vol. 3 (P-Z). Tattooing Booth, C. (2001). Possible tattooing instruments in the Petrie Museum. Journal of Egyptian Archaeology, 87, 172--175. http://www.jstor.org/stable/pdfplus/3822379.pdf Fletcher, J. (2005). The decorated body in ancient Egypt: Hairstyles, cosmetics and tattoos. In L. Cleland, M. Harlow, & L. Llewellyn-Jones (Eds.), The clothed body in the ancient world (pp. 3--13). Oxbow. Also, researcher Anne Austin has done some work on tattooing in ancient Egypt, and has uploaded some of it to YouTube (link) and her website: http://www.anneeaustin.com/tattooing-in-ancient-egypt/ Perfumes Perfumes: I recommend the work of Dora Goldsmith: Academia.edu and Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Reformed Brotherhood, Tony Arsenal walks through Jonah 1–2, focusing on the remarkable prayer Jonah offers from the belly of the great fish. Far from a simple morality tale, the Book of Jonah presents a complex, deeply theological portrait of a disobedient prophet who nonetheless clings to the Lord in his darkest moment. Tony explores the Hebrew literary features that shape how we read Jonah's prayer, the doctrine of divine sovereignty as it operates through human agency, and the rich typological connections between Jonah and the death and resurrection of Christ. Most importantly, the episode grounds Jonah's experience in the Westminster Confession's teaching on sanctification — offering genuine hope to believers who feel buried under besetting sin, assuring them that salvation, from beginning to end, belongs entirely to the Lord. Key Takeaways Jonah is not the hero of his own story — he functions more as an anti-hero whose failures actually make him a more useful and relatable example for ordinary believers. Divine sovereignty operates through, not apart from, human agency — the sailors freely threw Jonah overboard, and yet Jonah rightly says God cast him into the deep; both are simultaneously true. The sequence debate in Jonah 2 matters theologically — whether Jonah prayed before or after being swallowed affects how we read the book; reading it as a strict cause-and-effect sequence risks turning the gospel into a quid pro quo transaction with God. Jonah's "yet I will see your holy temple" is a confession of eschatological faith — in the midst of near-certain death, Jonah expresses confidence not merely in earthly rescue, but in his ultimate destiny as one of God's people. The deep is a Genesis image — Jonah's descent into the primordial waters deliberately echoes the formless void of Genesis 1 and the undoing of creation in the flood, placing his experience within the grand arc of biblical cosmology. Jonah is a prophetic type of Christ's death and resurrection — his three days in the belly of the fish, his descent into the pit, and his emergence onto dry land anticipate and foreshadow the resurrection, as Jesus himself confirms in Matthew 12. Sanctification is real but imperfect — drawing from Westminster Confession Chapter 13, Tony argues that the up-and-down nature of Jonah's spiritual life is not an aberration but a description of the normal Christian life, in which the flesh and spirit remain in perpetual war until glory. Key Concepts Eschatological Faith in the Pit One of the most striking moments in Jonah's prayer is his declaration in 2:4 — "Yet I shall again look upon your holy temple." Tony argues that this is not merely a hope of physical rescue and a return to Jerusalem. Jonah believed he was dying. The waters had closed in to take his life; he was being dragged into underwater trenches that the ancient Semitic mind associated with the very gates of Sheol. In this context, Jonah's declaration is better understood as eschatological faith — a confession that even if God takes his life in judgment, he will still see the Lord face to face in the heavenly temple. It mirrors Job's cry, "Yet in my flesh I shall see God," and anticipates the kind of faith that says, with the father in Mark 9, "Lord, I believe; help my unbelief." Sovereignty and Human Agency Working Together Tony uses Jonah's descent as a teaching moment on the Reformed doctrine of concurrence — the truth that God's sovereign decree and human free will are not in competition but operate simultaneously on different levels. The sailors made a free, agonized decision to throw Jonah overboard; and yet Jonah rightly attributes his casting into the sea to God himself. Tony draws the parallel to Joseph's words to his brothers in Genesis 50: "You meant evil against me, but God meant it for good." This is not a philosophical sleight of hand. It is the consistent testimony of Scripture that God governs all things — including the underwater currents that dragged Jonah to the ocean floor — without reducing human beings to puppets or eliminating their moral responsibility. Sanctification Is Real, Imperfect, and Guaranteed Perhaps the most pastorally significant thread of the episode is Tony's application of Westminster Confession Chapter 13 to Jonah's experience. Jonah makes genuine progress in faith — his prayer is theologically rich and demonstrates real trust in God — and yet he almost immediately slips back behind the curve, making vows the sailors had already made before him, and later in chapter 4, sulking over a dead plant. Tony refuses to read this as a failure of the text. Instead, it is the text faithfully portraying the reality of sanctification: real throughout the whole person, yet imperfect in this life, with an irreconcilable war between flesh and spirit. The hope is not that we will finally overcome that war on our own, but that through the continual supply of the sanctifying Spirit of Christ, the regenerate part will overcome. Salvation — including sanctification — belongs entirely to the Lord. Memorable Quotes Jonah is constantly behind the curve, but for this little moment, for this glimpse in the very center of the book, the pinnacle of the book is Jonah finally catching up to the sailors. All outside visible indicators said he was going to die and he was going to hell. Yet he trusted in the Lord that he would see his holy temple again. God redeems our life from the pit. From the very depths of hell itself, he snatched us like brands from the fire. Full Transcript [00:00:08] Tony Arsenal: Now the word of the Lord came to Jonah the son of Amittai, saying, "Arise, go to Nineveh, that great city, and call out against it. For their evil has come up before me." But Jonah rose to flee to Tarshish from the presence of the Lord. He went down to Joppa and found a ship going to Tarshish. So he paid the fare and went down into it, to go with them to Tarshish, away from the presence of the Lord.  [00:01:24] Storm and Sailors [00:01:24] Tony Arsenal: But the Lord hurled a great wind upon the sea, and there was a mighty tempest on the sea, so that the ship threatened to break up. Then the mariners were afraid, and each cried out to his god. And they hurled the cargo that was in the ship into the sea to lighten it for them. But Jonah had gone down into the inner part of the ship and had lain down and was fast asleep. So the captain came to him and said, "What do you mean, you sleeper? Arise, call out to your god. Perhaps the god will give us a thought that we may not perish." And they said to one another, "Come, let us cast lots, that we may know on whose account this evil has come upon us." So they cast lots, and the lot fell on Jonah. Then they said to him, "Tell us on whose account this evil has come upon us. What is your occupation, and where do you come from? What is your country, and of what people are you?" And he said to them, "I am a Hebrew, and I fear the Lord, the God of heaven, who made the sea and the dry land." Then the men were exceedingly afraid and said to him, "What is this that you have done?" For the men knew that he was fleeing from the presence of the Lord, because he had told them. Then they said to him, "What shall we do to you that the sea may quiet down for us?" For the sea grew more and more tempestuous. [00:02:36] Cast Into Sea [00:02:36] Tony Arsenal: He said to them, "Pick me up and hurl me into the sea. Then the sea will quiet down for you. For I know it is because of me that this great tempest has come upon you." Nevertheless, the men rowed hard to get back to the dry land, but they could not, for the sea grew more and more tempestuous against them. Therefore they called out to the Lord, "O Lord, let us not perish for this man's life, and lay not on us innocent blood. For you, O Lord, has done as it pleased you." So they picked up Jonah and hurled him into the sea. And the sea ceased from its raging. Then the men feared the Lord exceedingly, and they offered a sacrifice to the Lord and made vows. [00:03:15] Fish and Prayer [00:03:15] Tony Arsenal: And the Lord appointed a great fish to swallow up Jonah. And Jonah was in the belly of the fish three days and three nights. Then Jonah prayed to the Lord his God from the belly of the fish, saying, "I called out to the Lord out of my distress, and he answered me. Out of the belly of Sheol I cried, and you heard my voice. For you cast me into the dep-- into the deep, into the heart of the seas, and the flood surrounded me. All your waves and billows passed over me." Then he said, "I am driven away from your sight. Yet I shall look again upon your holy temple. The waters closed in over me to take my life. The deep surrounded me. Weeds were wrapped around my head." At the root of the mountain I went to the land, whose bars closed upon me forever. Yet you brought my life up from the pit, O Lord my God. When I-- when my life was fainting away, I remembered the Lord, and my prayer came to you into your holy temple. Those who pay regard to vain idols forsake their hope of steadfast love. But I, with a voice of thanksgiving, will sacrifice to you. What I have vowed I will pay. Salvation belongs to the Lord.  [00:04:23] Jonah Not the Hero [00:04:23] Tony Arsenal: And the Lord spoke to the fish, and it vomited Jonah out upon the dry land Jonah is an interesting book because, as I commented a year ago, Jonah is not necessarily the hero of the story. Uh, if anything, he is kind of the villain in, in some senses. But nevertheless, I think as we'll see today, Jonah still gives us a good example to follow in a sense, and that I think is really the centerpiece of this prayer, is that even as Jonah's going through all of this, his prayer is still remarkably filled with faithful sayings and trust in the Lord. We learned early on in Jonah that Jonah was a prophet during the time of the kings. Uh, he, uh, he seemed to have been a sort of a court temple. He was in the presence of the kings in Jerusalem itself, and he received a calling from the word of the Lord, and this phrase, "the word of the Lord," seems to imply a pre-incarnate, uh, visible manifestation of the second person of the Trinity. So we're not just talking about a, a disembodied voice. We're not just talking about some sort of sense or impression, but the word of the Lord itself, himself, came to give Jonah this mission, to give Jonah this task, to commission him as a prophet to Nineveh. And Jonah gets up and says, "No, thank you," and he goes the opposite direction. We see in that first section there the repeated phrase, "He goes to Tarshish. He boards a ship in Tarshish." The author here, who we, we think is Jonah, is hammering that he did not go where he was supposed to. He went the opposite direction. He went to Tarshish instead of Nineveh, which is 180 degrees the other direction from, uh, from Nineveh on the map. And he boards the, he boards the ship in order to flee the presence of the Lord. He pays, probably buys out the entire ship itself. He pays the fare for the whole ship, and the Lord hurls a great wave, uses the language of weapons. He hurls this storm like a spear. He weaponizes nature itself to correct and chastise and judge Jonah for his disobedience We get to verses seven through 17, and everyone on the boat is crying out to their chosen deity except Jonah. Jonah is asleep in the hold of the ship, oblivious to everything, totally dead to the world and dead to his Lord. The sailors begin to seek divine li- divine wisdom after they wake Jonah. He comes to the deck of the ship, and they cast lots to identify by divine, uh, revelation, sort of a strange practice in the Old Testament or the old, uh, world. Divine revelation that shows them Jonah is the source of this wickedness that is being wrought upon them, at least their impression of it. So they ask Jonah, "Who are you? Tell us who it is that has caused this great calamity." And he says emphatically, "A Hebrew am I." He identifies himself with God's people, and he says, "The Lord is my God, and he made the heaven and the earth and the sea." There's no small amount of irony, and it explains why the sailors are so afraid when he says that God created the heavens where the storm was. He created the sea where they were about to die, and he created the dry land where they were trying to get to. And so this one phrase that Jonah uses almost casually demonstrates that the Lord has total and utter sovereignty over what is going on, which is a theme that we'll see come back again and again through the book The sailors say, "Well, what do we do about this?" And Jonah says, "Throw me into the ocean, because I know that if you do so, then the storm will calm down and you will be saved." Whether he knew this because he's a prophet and it had been revealed to him, or whether he just was surmising that this was the case, we don't know. But the, uh, sailors are hesitant to do so, and we talked about how it was a little bit strange that these, uh, pagan sailors from cultures that d- had no qualms about human sacrifice were suddenly, uh, unwilling to throw Jonah over the sea a- as a, an appeasement offering to this Lord. And we came to the conclusion that they had been regenerated. They had come to faith in this God who created the heavens and the sea and the dry ground. And so they knew intrinsically that this was wrong, that there was a moral imperative not to do this. So they tried to row back to the land. They jettisoned all of their, uh, all of their goods, all of their cargo. They were making for land as best they could, and when it finally became clear that they couldn't do this, they sought the Lord's mercy in saying, essentially, "We don't understand how this is, but please don't put this man's blood on us, because you, Lord, have done as you please," right? The sovereignty of the Lord again comes to the forefront. They finally cast Jonah into the sea, and this is, this is important. They cast Jonah into the sea, and then they worship, they vow vows, and they vow to sacrifice. They offer sacrifices. They seek the Lord, they acknowledge his s- his sovereignty, and they worship him with what they have left. And then rounding out the chapter, the Lord appoints a great fish to come and swallow up Jonah. And we talked about how this, this swallowing of Jonah, although our popular children's books and VeggieTales and other stories we might read to our kids paints the fish often as the vehicle of judgment, it's actually a vehicle of deliverance for Jonah. There's this interesting grammatical feature that happens where in 1:17 the fish is masculine. The, the, the gender of the word is masculine, and then when we get to 2:1 it switches over to the feminine, almost as if to indicate that the whale was pregnant with Jonah, that Jonah was in the whale and was about to be reborn into the world in a new way And that brings us to our passage here today.  [00:10:21] Sequence Debate [00:10:21] Tony Arsenal: I'm gonna read, uh, 1:17 even though that's a little bit outside of our scope. I'm gonna read it along with 2:1 to, to make the point here. It says, "The Lord appointed a great fish to swallow up Jonah. And Jonah was in the belly of the whale, of the fish three days and three nights. Then Jonah prayed to the Lord his God from the belly of the fish." When you look at the Hebrew text, 1:17 is actually verse 2:1 and 2:1 is then 2:2 and so on and so forth. In the original Hebrew mindset of how this book goes together, these two things were linked together, him being swallowed by the whale and being in the belly of the fish and then him praying was linked together in this sequence. There's a feature in the Hebrew that's called a vav consecutive. You don't need to remember that. Nobody is gonna care about that. But it's, it's a little grammatical feature where it adds this little character to the front of the verb and it indicates a sequence. It's the narrative storytelling. When you look at Genesis 1 it's, "And then God said, 'Let there be light,' and then there was light." It tells you the sequence of events. Sometimes it indicates that it is a strict sequence of events. This happened and then that finished and then the next thing happened and then that finished. And many of the commentators use this passage to justify a perspective of Jonah where Jonah is this rebellious, stubborn prophet who holds out his stubbornness until the very last minute. He's swallowed by the whale, he's getting digested by stomach acid and he sort of finally relents to the Lord and cries out for deliverance and the Lord acquiesces in response to his prayer. That's certainly a possible interpretation. There's lots of good reasons in the, the text here to think Jonah was kind of a chucklehead and was not paying too much attention to what the Lord had for him The other option is to see this as a way for the author of the text to situate this prayer in contrast to other prayers that are not necessarily talked about directly in this text. And I'm gonna take that later view here, and I think it's important. This makes good sense of the text, and we'll explain exactly why that is when we get to the next little section here. But it also protects us theologically if we understand it this way. Jonah is already a book, uh, as I've alluded to, that tends towards a sort of crass moralism or fabulism. We tend to read it as sort of an allegory of if you do the wrong thing, God punishes you, and when you finally do the right thing, He blesses you. And there's a certain level of common grace wisdom to that approach, right? The whole book of Proverbs is-- are these proverbial sayings that if you do this, then the God-- then God will do this. If you raise up your children in the way they will go, they will not depart when they are older. But we also learn in the Book of Job and the Book of Ecclesiastes that those proverbial sayings, although generally true, it's not a magic formula. And so we have this tendency to read Old Testament literature as though it was this sort of like equation, that God punishes us when we're bad. He, uh, He relents from His punishment when we say we're sorry, and we have to be careful about that. If we understand what I'm about to teach from the next section here, that this is not a strict sequence of events, that Jonah began praying before he was swallowed by the whale, and this is simply recording the prayer that was actually within the whale. It helps protect us from seeing Jonah in this sort of quid pro quo, this for that kind of thing. I think we should simply understand this as saying Jonah was in the water, he got swallowed by the whale, and then when he was in the whale, he prayed. It doesn't say anything about whether he was overly stubborn or whether his stubbornness held out. It simply tells us that he was in the pray-- in the whale when this prayer occurred [00:14:23] Sheol and Descent [00:14:23] Tony Arsenal: He says in verse two, he calls out to the Lord out of his distress. He, and God answers him. Out of the belly of Sheol, Jonah cries, and God hears his voice This here tells us that he began praying, right? He was in the water, he was in the deep. All of this descriptive language we're gonna see later on about how deep he was, how quickly the current took him. He was wrapped up in seaweed, his life was fading from him. It was in the midst of all of that that he cries out in his distress. It's a pretty distressing situation. And Jonah, like all of us would, like even most atheists would, cries out to the Lord, even just out of instinct. I think it's kind of crazy for us to think that this man who's now been cast overboard and is being swept to the bottom of the ocean is sure he's gonna die. Somehow, he overrides all of his instinct and his entire life teaching and refuses to pray to the Lord. It just doesn't make sense, and it doesn't make sense of what the text presents here Jonah was in the belly of Sheol. He was in the very, the very womb of Sheol. And there is this interesting contrast that he goes from the belly of Sheol into the belly of the whale. This phrase, the belly of Sheol, is probably roughly equivalent to our phrase about being at death's door, right? It, it may or may not come from some sort of Mesopotamian, um, mythology. It may be a phrase of sort of co-opted into Hebrew, kinda like our phrase at death's door is actually co-opted in from Greek mythology, where there were actually literal doors to the underworld, and people would go there and when they were about to die. Jonah's point is that this was not a small thing. When we watch VeggieTales, he gets thrown in the water, and, like, 13 seconds later, the, the whale comes up and takes him. Jonah was swept down into the water almost supernaturally quick. He was drawn down to the very bottom of the ocean. We talk about the miracle of him surviving in the whale, and it was miraculous for sure, but the miracle of him being swept to the bottom of the ocean and not being crushed by the weight of the water, by the pressure, is equally miraculous. It's no more difficult for God to do that than it is for Him to preserve him in the whale or to raise Jesus from the dead or to create everything from nothing He finally starts to catch up with the pagan sailors. A theme in Jonah is that everyone around Jonah who shouldn't know any better somehow gets to the right conclusion before he does, right? The sailors begin to worship the Lord. They recognize this is divine wrath while Jonah is still asleep in the hold. Later, we'll see that, uh, the, the Ninevites recognize God's mercy and grace and thank Him for it, and Jonah is still mad because the plant he was sitting on d- uh, dies, right? Jonah is constantly behind the curve, but for this little moment, for this glimpse in the very center of the book, the pinnacle of the book is Jonah finally catching up to the sailors. [00:17:34] Sovereignty Explained [00:17:34] Tony Arsenal: He recognizes that it was God who cast him into the depths. This teaches us something about the doctrine of sovereignty and how it relates to human freedom, right? We, we often ask the question, what, what causes rain? Well, you can answer that by saying tiny particles of dust collect water in the air, and once they have enough weight, they fall out of the sky 'cause the air can't hold them up anymore. That's true, and it's good, and that's what nature teaches us. It's also equally true that God causes the rain to fall on the just and the unjust alike, and those two things are not contradictory. So when Jonah says, "You cast me into the sea," he's recognizing, like Joseph does in the Book of Genesis, that what the sailors in this case meant for good but what the brothers meant for evil, God purposed and caused for good. What the sailors did by their own volition, their own free will, they exercised their own, uh, autonomy in the, the horizontal sense to cast Jonah into the sea, God also cast him into the sea As I said, the text here uses language that we may not catch in our English translations to indicate that it's not just the sea here that's the problem. God's sovereignty continues to affect and act on Jonah. The word that we read here as the, the water or the flood, other places refers to the current of a river. The, um, the Euphrates itself is sometimes referred to this, the large- sort of the largest river apart from the Nile that the Egyptian or the, um, Israelite mind would have is the Euphrates, right? This underwater river, this underwater current, the undertow sucks him to the bottom of the ocean. It's like if you're swimming at the beach at the ocean and you get caught in the undercurrent. There's not a lot you can do about it. Y- sometimes even the strongest swimmers can't overcome this, and Jonah in all of his Middle Eastern robes, all of this stuff, probably with all of his baggage, his, his own equipment, things he had on him, is caught in this undercurrent that sucks him to the bottom of the ocean. And it's not just below the surface of the water. He's dropped down into the heart of the sea, the very core. We're seeing this language of him being pulled to the depths. In, in chapter one he goes down, down, down, and now he's being drawn into the belly of the ocean, into the pit of Sheol, into the heart of the waters The picture here is that Jonah doesn't just get thrown in the water and sink. He is actively pulled down to the bottom. This is not just a judgment where perhaps he can swim to the top. Just as the mariners hopelessly tried to reach land, Jonah would've been hopelessly trying to swim against this. We don't actually have any indication he tried, but had he tried, there would've been no chance He goes on to say that the God's breakers and his waves roll him. This is the picture we see if you ever watch surfing competitions on the ocean, where a surfer will get hit by the wave and he just gets rolled over and rolled over and rolled over, and it can be incredibly dangerous. That's why they have like the little lifeguards on the jet skis that zip out there to get them. Because when you get caught in that breaker, you just get rolled over and rolled over and rolled over, and soon you lose track of which direction is up, and even if you did, you couldn't get out This process is not just the forces of nature doing what they do. This is, again, the Lord weaponizing the forces of nature to execute judgment on Jonah This tumultuous and supernatural rapid descent showed Jonah that this is not only the moment in which God wanted to take his life, but was actively casting him away from the g- from the presence of the Lord [00:21:47] Yet I Will See [00:21:47] Tony Arsenal: It says here, um, in verse four, Jonah says, "I am driven away from your sight If you do a word study on this, you start to see that Jonah is pulling language from the creation account. He's pulling language from the fall. He's pulling a lot of language from Genesis itself. He's also pulling from the Psalms, which are pulling from the Genesis account. This word driven away could also be tran- translated as banished. He's cast out of the presence of the Lord. Just as in Genesis 3, we read, "God drove the man out at the east of the Garden of Eden. He placed cherubim and flaming swords." He drove the man out. Genesis 4:14, Cain says, "You have driven me away from the ground." And in Jonah 1:3, we see that Jonah was trying to get away from the presence of the Lord. And I wonder if there was this moment where he goes, "Ooh, I guess I got what I was looking for." Now, the second half of Jonah f- 2:4 here does something a little bit weird, and it's hard to translate. I think we should be honest at times. Hebrew is a language that in some senses is mysterious to us at times. There are still parts of the Hebrew Bible that we're not always 100% sure of. This verse here could be translated... In, in Hebrew it's just a statement. It's, "I, um, I shall again see the holy temple, or your holy temple." How that fits into the text itself is tricky. Some read it as, uh, as a question. "How shall I see your holy temple?" It's actually a statement kind of reaffirming the doubt and the fear and the idea that God was banishing him Most translations translate it as sort of a contrast. He says, "I was driven away from your sight, yet I shall again look on your holy temple." The force of this is even though you're driving me away, even though you're casting me out of your presence, I have faith, I have confidence that I will again see your holy temple The question here, and this is where I think Jonah becomes our example It's certainly possible that Jonah was asserting his belief that he would be rescued from this calamity and he would make his way back to Jerusalem and he would return to the holy temple. I think that what he says in the rest of this, he's recounting what he was praying. What he was praying in this context is not that he would return to the temple. He was confident God was taking his life. He says in verse five, "The waters closed in over me to take my life. The deep surrounded me. Weeds were wrapped around my head." The other way that the phrase holy temple is used in the Old Testament is to refer to the place that God lives in heaven. Jonah was asserting faith that even though he was being cast out of the presence of the Lord in this life, even though he was being justly punished for his sin, even though he was about to enter the belly of Sheol and to enter the pit, the very abyss, that he would see God again in His holy temple. This is a statement of Jonah's belief in his own destiny as one of God's people, destined to be saved by faith in God. In this moment, Jonah trusts the Lord despite all of the appearances that God was out to get him It's not all that different than when we read in Mark chapter 9, where this father brings his, uh, demon-possessed child to Jesus, and Jesus says, "I can heal him." And he says, "If you can do anything, Lord," I'm paraphrasing here. He says, "If you can do it, please, Lord." And he says, "If? All things are possible for me." And the father desperately cries out, "Lord, I believe. Help my unbelief." It's this raw, unfiltered statement of just the human condition on this side of glory, right? I believe in the Lord, but there's always that little part in the back of my head that isn't sure, because we're never going to be perfect. Now, I've said before, and, and this is becoming my new catchphrase, I think, I'm not here to rob you of your assurance of faith. Our, our confession, the Bible, this church, our Reform, broader Reform tradition, the assurance of faith of the Christian is the rightful possession inheritance of every person in this room who trusts the Lord. But it is a reality that at times that assurance is shaken. And if there's ever a time for your assurance to be shaken, it's when you're being dragged to the bottom of the ocean, right? One of the words in here, I don't have it-- I don't actually have it in my notes for some reason, but one of the note, words here, uh, s- about the roots of the mountain, I believe, in the next verse. It's not just that he was dragged to the bottom of the ocean. This word root of the mountain is like the word that's used to cut. He's not just being dragged to the bottom of the sea, he's being dragged to the bottom of a deep sea crevasse. He's literally being pulled into the pit, right? Many, uh, in the ancient Semitic world would have seen these underwater pits. They would have theorized or thought about these underwater crevasses as the actual entry into Sheol. And Jonah sees himself being drawn down into these things. Yet, he believes he will see the good presence of the Lord We read a similar statement, I won't, uh, I won't make us go there for time. We read a similar statement in Job. Job goes through this long speech about all the things that God has done to him, and at the very end of it, he says, "Yet I will see the Lord with my eyes, and he will stand up next to me on, on the earth." Right? Even though Job was going through this unimaginable grief, and we know that Job didn't deserve it in the strict sense, he still was saying, "I'm gonna be destroyed. God is shooting arrows at me," right? "His sword is in my side. He's targeting me. He's sending hornets after me." All of these terrible, vibrant images that he's using to show what God is doing to him, and yet he still trusts. I would say that he trusts that he would see the Lord in the flesh. This is not only Jonah's faith, it's a-- or Job's faith, it's a prophecy of Christ This is alien to our modern mindset. We've been talking about this in the Psalms. Weston's been leading us through the, the lament Psalms We often think that suffering and trials and difficulties are the opposite of blessing and favor. And we might recognize that in some sort of way that in God's economy, one thing leads to another. And again, there's an element of truth to that. James says, "Count it all joy when you face trials of every kind." He's not saying that the trials you're facing are in themselves joyful. You don't have to love when you get sick. You don't have to, you don't have to man up and put a smile on or s- pull yourself up by your bootstraps or whatever analogy you wanna use. It's okay to be sad when bad things happen. It's actually good, right? If we're to weep with those who weep, there's an element of sadness that must come with that, not to mention the one who's weeping is not chastised. But the idea that that only leads to this, that that's just one step in the chain, that's not really the mindset the Bible has. All across the Psalms, in the lament Psalms, all across the prophetic literature, the Book of Lamentations, Habakkuk has this long prayer at the end that's very similar, the entire Book of Job, suffering and sanctification, trials and joy and restoration, they're all sandwiched right there, and there is usually this statement in the middle of it that God will do what is right This is Jonah's example for us, and what an example it is. We'll talk in a little bit about all the ways that this whole scenario is typological of Christ. We'll, we'll get to that. But just for a minute in the middle of this book, Jonah is not such a bad guy. And it's because he still has all his faults that he can be this example for us [00:30:26] Genesis Deep Imagery [00:30:26] Tony Arsenal: As though it wasn't clear enough, Jonah in verse five says that the purpose of the waters closing over him was explicitly to take his life. He's now in the belly of the sea. He's being dragged down to the very roots of the mountain, to the very core of the earth in his mind. He, he thinks he's going to hell in the, the Hebrew mind. There's both this idea that God is dragging him to hell in a very real sense. The Hebrew mind, Sheol was a physical place that people went to, and we learn more about it and that becomes clarified as revelation is progressive, not contradictory, but as, as it's clarified But he uses this word deep, and this is where he's drawing again from Genesis. Genesis 1:2, he says, "The earth was without form and void. The darkness was over the face of the deep." The deep is this sort of like unformed chaotic water. It's what exists before God makes everything orderly and good. And in the fall, and especially in the flood in chapter seven, uh, chapter seven verse 11, the f- the flood itself is a sort of undoing of the order. God opens the floods from beneath, from the bottom of the earth, from the wellspring of the deep, as well as the chaotic waters from outside the firmament, and it all pours back in together and the entire world becomes again this deep, primordial, chaotic water And just as in Genesis God separates the land, in, in Genesis 7 or in Genesis 8, he separates out the land by drying it up, drying up the water. We also see that Jonah has this trust that he will return to the dry land. Again, he's the God of heaven and sea and dry earth. We could even read this phrase, depending on the context, as the abyss, which is this, a- again, is some borrowed language from Greek here that the Hebrews use. But it's this deep, watery, murky place th- full of shadows and darkness. Sounds familiar, I think, right? Christ says that those who are apart from him who refuse to obey will be cast into the outer darkness. This is the imagery that Jonah is seeing. All outside visible indicators was that he was gonna die and he was going to hell. Yet he trusted in the Lord that he would see his holy temple again Apart from God's gracious intervention, Jonah was right. So although God is the one that's bringing him to the depth, bringing him to the pit, dragging him down, using the very currents of the sea, weaponizing these underwater currents that only thousands of years later do we understand, and even then only this much, he also graciously rescues him from this by miraculously appointing a whale or a great fish who comes and swallows Jonah, takes him whole, and keeps him there in his own belly, keeps him there in her own womb when we get to chapter 2. In chapter six, or in verse six, Jonah makes this pivot. Again, he says he's brought to the very bottom of the sea, to the roots of the mountain, which is these deep underwater trenches. He conceptualizes himself now in this locked city behind bars. Again, this jail imagery, this pit imagery, it's all meant to evoke this idea of the final punishment of the wicked. This place of murky, gross water, this place of darkness and, uh, limitations of freedom, he's being taken there. This is the section here where people would actually argue that Jonah dies. He actually dies and is resurrected when he's swallowed by the whale. This comes from language where it says God does not prevent him from going to the pit. God actually draws him to the pit and then raises his life up from the pit. Now, I'm not convinced, um, that we should think that Jonah actually died. I don't, I don't think that the text fully supports that. But it certainly is using this imagery [00:34:45] Christ Typology [00:34:45] Tony Arsenal: This is where we get to some typology about Christ. This is where Jonah really shines as a prophet. Sometimes people wonder why the Book of Jonah is considered a prophetic book, and this along with it is part of that. Jonah, although the sign of Jonah in Matthew and in the other Gospels refers to the belly of the whale, that just as Jonah was in the belly of the whale for three days and three nights, so also Christ will be in the heart of the earth, the pit, for three days and three nights. When we're talking about typology, we can't get too tripped up on the details. We're not talking about strict allegory where this figure is that person and this signpost represents that thing. This isn't Pilgrim's Progress or Chronicles of Narnia, which is not allegory, but it's similar. Topology functions often on sort of these big picture concepts, right? Although there are some typological references that are super detailed, there are also some that are just sort of evocative The idea that Jonah died and was raised to life and sort of incubated in the earth, in- incubated in the whale and sort of reborn into the world, that certainly sounds a lot like a picture of the resurrection And I think we should see it that way. When Christ says that the sign of Jonah is roughly His resurrection, He is tying it to the three days and three nights, but He's not limiting to that Jonah comes to this pivot, and now he starts to reflect on the context of his deliverance. This whole s- this whole prayer should be seen sort of in the light of the thanksgiving psalms. There's a situation in which Jonah is in, and then God rescues him, and he begins to praise him for it. There's elements of lament, but it's really a thanksgiving psalm that he's drawing on here or that he's, he's writing In 2:7, Jonah is either dead or he's actively dying. I don't know about you, but if you've ever, uh, dove into a pool and got a little deeper than you thought you were, and you-- there's that, like, two seconds before you get to the top where you're sure the lights are going out and you've really only been underwater for, like, 45 seconds, but everything in you tells you if you don't get there, you're gonna die. Every instinct you have is to scramble for the surface. Think about how long it took Jonah to be dragged to the bottom of the ocean. Even at this accelerated pace, we're talking about a long time. And we have no reason to believe, and lots of reasons to think otherwise, Jonah was not preserved from the pain and the terror and the difficulty of feeling like you're drowning because he was drowning. He was without oxygen. His life was fading away. And it is in this context of him being on the brink of death, at death's door, in the belly of Sheol, being drawn into the very pit itself, that his prayer reaches the Lord in His holy temple. Right? This gives further evidence to the thought that Jonah is not talking about the temple in Jerusalem. There was, there was theology, and I, I think it's fine theology, that God lived in the temple in a special way. This is the reason that Daniel faces Jerusalem when he prays. There is a sense in the Old Testament that God's special place of presence is the temple in Jerusalem, and that the prayers of the people physically go to that place to be received by God. But Jonah doesn't know which direction the temple is. He's underwater. He's been tossed around by breakers. He has no sense of geography at this point He knows that his prayers are reaching the Lord in his heavenly temple. And they reach him in his heavenly temple just as his life is being lost in the pit. And it is from this moment that God raises him to life, or preserves his life, depending how you read it, and appoints the well to come reach him And some read this next verse as a little bit of a step back for Jonah, and it may be.  [00:39:02] Vows and Idols [00:39:02] Tony Arsenal: He reads, "Those who pay vain regard to i- regard to vain idols forsake their hope of steadfast love. But I, with the voice of thanksgiving, will sacrifice to you. And what I have vowed I will pay. Salvation belongs to the Lord." Jonah didn't see the sailors on the ship vow their vows and offer their sacrifices. That happened after they threw him into the pit and the current sucked him under So we may read this with a little bit of a, "Thank God I'm not like that tax collector," kind of a lens. And there's probably some wisdom for us in that, to recognize that Jonah still hasn't quite gotten there. But it's also very common in the Old Testament to recognize that God treats His people differently because they are different. God brings people to a place of sanctification, and through that process of sanctification, they cease to worship vain idols. And it is absolutely true that those who worship vain idols forfeit their hope of steadfast love from the Lord. That's straight out of the Ten Commandments, right? He visits the iniquity of, specifically of idolatry. He visits the iniquity unto the children to the third and fourth generation. But for those who love the Lord, He loves them with a steadfast love unto thousands We can recognize in Jonah that although he had made great progress in faith, that he still wasn't there yet. And we can recognize that in him because we can recognize that in ourselves. Jonah is the example in this because he is not perfect, because he has not arrived, 'cause he doesn't do a 180 about-face and get everything right going forward We can read this in light of Jonah in chapter four, where he takes big steps back Or we can read this as the regular up and down progress of sanctification in the life of all believers everywhere It is also ironic again, we're back now to Jonah being a little bit behind the curve. He was sent to Nineveh to evangelize the heathens, some of the worst enemies that Israel was going to face, and he ignores that call. And he, instead of going to Nineveh, he goes to Tarshish. He goes the opposite direction, and he does something that would be unthinkable to most Israelites. He goes out on the open ocean. That's just insanity to someone living in the ancient world He should have recognized that the sailors were fearing the Lord when they refused to throw him overboard. I think we all have a sort of innate sense when someone's behavior suddenly changes, and I think most of us, and not in some sort of strange, kooky, charismatic sense, but I think most of us can sort of go, "I think I know why that is." Right, when you, when you see someone at work that suddenly stops lying about everything and stops backbiting and stops taking credit for other people's work, and then you find out a little while linger- longer that they've come to faith in Christ, if we're being honest, we're not all that surprised. But Jonah doesn't get it. Jonah here promises the same things that the sailors already did, so now we're again back behind the curve [00:42:37] Sanctification Confession [00:42:37] Tony Arsenal: To wrap this out, I, I wanna, um, I wanna ground this in something that I think is really vital for us to understand. As I said, Jonah is an example to us because he demonstrates the limited nature of sanctification, but he also demonstrates in a certain sense the fact that sanctification is real and has real effects. So this is a little out of the ordinary, but grab your Trinity Hymnal from the pew in front of you. If you happen to have a copy of the Confession, you could use that if you'd prefer. But open with me to page 927 I have, um, I've been, uh, broadly Reformed most of my Christian life and didn't realize it until I got to seminary. And since I discovered the Westminster Confession of Faith a decade ago, it's not new, uh, not new to me, um, I realized how valuable this resource was. This is essentially a search engine without the internet. And so I wanna just read a little bit out of chapter 13 here, which is our Confessions chapter on sanctification. I'm not gonna read the whole thing, but the, the first, uh, the first section here essentially says that sanctification is real, and it happens throughout the whole person. We talk about total depravity, and there is a sense in which the Christian remains totally depraved after regeneration, in that there still is, there still is corruption within our entire being, uh, that is depraved. There's also an equal sense in which we can say we are totally sanctified in Christ because sanctification is throughout the whole man in which we are renewed after the image of God. So that's section one. And then section two says, "This sanctification is throughout," again, throughout the whole man, "in the whole man, yet imperfect in this life. There abiding still some remnant of corruption in every part, whence ariseth a continual and irre- irreconcilable war, the flesh left lusting after the spirit, and the spirit lusting after the flesh." Now, that may feel like just a crushing burden if you stop reading there, but it lines up with our experience, right? This is Paul in Romans 7, "The good things I wanna do, I do not, and the bad things that I, I kn- I do not want to do, I somehow do. The spirit is willing, but the flesh is weak." We shouldn't read that as though somehow our spirits are purified entirely and our bodies are what's really causing us to sin. This is a picture of the spirit being, uh, our, our spiritual part of us. The part of us that's regenerated is willing, but the part of us that remains corrupt is our flesh And our confession goes on to say, "In which war, although the remaining corruption for a time may much prevail, yet through the continual supply of strength from the sanctification- sanctifying spirit of Christ, the regenerate part doth overcome." And so the saints grow in grace, perfecting holiness in the fear of God. This is revolutionary in our broader evangelical world. The storybook Bible, Jonah did a bad thing and he gets punished, and he did a good thing and so he gets better, cannot understand this concept. This is why I think we have to be so careful when we choose what books to give to our little ones, right? I, I make jokes about VeggieTales. I loved VeggieTales when I was in VeggieTales age range. I probably would sit down and watch VeggieTales with Augie when he gets old enough. But we have to be so careful not to let those messages come to our children, or to ourselves for that matter, uninterpreted by the scriptures first and foremost, and our Reformed tradition that we all believe. Amen.  [00:46:49] Assurance in the Pit [00:46:49] Tony Arsenal: This is vital for us When all is said and done, salvation, whether we're talking about justification, sanctification, glorification, resurrection, all of the different stages and phases of our salvation, it is entirely of the Lord. And it's for this reason that Jonah says, "I, with a voice of thanksgiving, will sacrifice to you. What I have vowed I will pay." Salvation belongs to the Lord So this is the application of the sermon, loved ones. No matter how close to or actually into the pit itself we have fallen The, the chapter on assurance of faith, I won't go there, but the chapter in our confession on assurance of faith is very honest with us that our assurance will be shaken, and at times we may not feel as though we have any assurance at all But even when we have fallen that deep into the pit of despair, even when we feel as though we are in the very depths of hell No matter how much our spiritual or physical life is fainting away as we starve for spiritual breath, as we feel that impulse in us that recognizes we're moments away from losing the faith entirely. No matter how much the remnants of corruption in every part swirl around our heads like seaweed, how often do we feel wrapped up in sin? Whatever it is, I don't need to get specific 'cause I'm sure all of you are thinking of something in your head right now that has been swirling around you for years. Maybe it's months, maybe it's years. Maybe you've never felt, since coming to Christ, you've never felt like it wasn't wrapped up around you like seaweed. Besetting sin is something that we need to be serious about, and it's a good cause for us to think hard and deep about our status as Christians, and to go to our pastor and seek the elders' assistance in this. But besetting sin is not, is not a mark that excludes you from, from Christianity. Right? We're justified by faith alone, in Christ alone, by His grace alone. Not because we've overcome our besetting sin alone, right? That's not one of the five solas God redeems our life from the pit. From the very depths of hell itself, he snatched us like brands from the fire And though it is the case that we often are shaken, and at times God, just as he let Jonah, he let Jonah go to Tarshish. God had every ability to stop him from doing a stupid thing, and sometimes he does that, right? I'm sure there's plenty of times we can think about in our lives where we were heading towards sin and God just pulled a U-turn on us, and we are thankful for that. But there are times that he does not, and he lets us, he lets us do that. He lets us suffer the consequences, and he does that to chastise us and bring us back to him And even in the context of that, it is through this continual supply of the sanctifying Spirit of Christ, right?  [00:50:19] God Beautifies His Bride [00:50:19] Tony Arsenal: Christ was anointed by the Holy Spirit from the womb beyond measure. That's in the Book of John. There was never a time where Christ did not have the totality of the infinite sanctifying Spirit of the God, of God. We do not have the totality of the sanctifying Spirit of God. Now, we can get into a discussion after the service about divine simplicity and all the complexity of that, but the reality is that God sanctifies us more and more and more, and He does it by giving us the Spirit more and more. Might be more accurate to say He gives more of us to the Spirit. He gives us to the Spirit more and more. He gives us to Jesus more and more. We are Christ's inheritance. We are His bride. And just as the bride, as they're approaching the wedding, is made more and more beautiful, they start their, their beauty treatments weeks and months ahead of time, right? They're already making their hair appointments. They're already doing what they need to do to feel as beautiful as they can and to be as beautiful as they can on their wedding day. If that's the way we treat human weddings; guys do it too, just not as much. If that's the way we treat human weddings, how much more does God treat the heavenly wedding of His Son to His beloved bride? He's beautifying us, Church. Doesn't always feel like it. Doesn't always look like it, but He is. 

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 631. This episode is brought to you by Walker Defense, XS Sights, Hi-Point Firearms, and CMC Triggers. In this show there's a weaponlight review, we talk about: FRT BCG's, Gideon's LR, a Balikli, and a under $200 22lr suppressor   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob, Rusty   Sponsor #1: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. Everything they have to offer is proudly made in the USA. Walker Defense, where American ingenuity meets bleeding edge technology.   Our Walker Defense Product of the week is - NERO 9   Use code “INSIDER15” FOR 15% OFF everything at walkerdr.com   What we did in Firearms: GunCon, Match   Announcements: Kat's Rack Defense fund and giveaway closes Sunday https://www.firearmsinsider.tv/giveaway  https://www.givesendgo.com/Katsrackdefensefund  https://www.facebook.com/share/1DoL2dpmoK/    Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! Check out the Pew.Report T-shirts are available through our FRN site, or click the “Merch” tab on Firearmsinsider.tv   AFFILIATES / DISCOUNTS: Walker Defense Research - enter “INSIDER15” for 15% off XS Sights - “GGR20” for 20% off Primary Arms VZ Grips  Brownells Gun Guys Garage discount code - “FRN15OFF” Atibal Optics - enter “FIREARMSINSIDER20” for 20% off 5.11 Tactical PowerTac Lights - enter “GGR” for a real good discount Modern Spartan Systems - “GGR15” for 15% off Global Ordnance Infinite Defense (Infinity Targets) - “PEW15” for 15% off Guns.com Magpul Palmetto State Armory Unique ARs - “GunGearReview” for 10% off CobraTec Knives - “GGR10” for 10% off Nutrient Survival - “GGR10” for 10% off Gideon Optics - “GGR” or “INSIDER” for 10% off Lone Wolf Arms US Optics - “INSIDER15” for 15% off Camorado - “FIREARMSINSIDER” for 5% off Optics Planet Midway USA Strike Industries North Forest Arms - “GGR” for 10% off Kini SafeAlert - “GGR” for 20% off FoxTrot Mike - “GGR” for 10% off XTech Tactical - “GGR10” for 10% off Die Free Co ZeroTech Optics - “GGR” for 20% off BattleHawk Armory Goliath Defense - “GGR” for 10% off holsters Classic Firearms  True Shot Ammo  Next Level Armament NightStick Hi-Point - “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com CMC Triggers - “GGR26” for 10% off   ROB - Disclaimer The views and opinions expressed in this podcast are those of the individual co-hosts and do not reflect the official policy or position of the Firearms Radio Network and/or their employers. This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised.   Main Topic is sponsored by: CMC Triggers    CMC triggers is the creator of the original, drop in cartridge style AR trigger. CMC has been in  aerospace manufacturing for over 30 years. This gives you peace of mind knowing that every trigger is of the utmost quality. Their patented design ensures a crisp, short, trigger pull across their whole line of triggers. With triggers for AR's, AK's, pistols, and bolt guns, CMC can make your firearms trigger great. Proudly made in Texas with strong morals and values, giving you confidence that you are buying one of the best triggers out there. Choose Confidence, choose quality, choose CMC    Our CMC Product of the week is - Flat Remington 700 adjustable trigger   Use Code “GGR26” for 10% off at CMCTriggers.com   Main Topic: Product Review Chad - Inforce ARC 650   Product Spotlight and Discussion:    KAK DBC Down Vent, Dual Ejector bolt carrier MSRP - $224.95   Gideon Guardian LR 5-25×56 MSRP - $599.99 code GGR for 10% off   Sponsor #3: Hi-Point     Hi-Point firearms has been crafting American made firearms for over 30 years. If you are looking for your first firearm, or just want something fun for the range, Hi-Point has you covered with models including handguns, pistol caliber carbines, and AR15's. They even have a new suppressor line. Hi-Point firearms can be found at extremely affordable prices, making them available for anyone that wants to protect themselves and/or their families. Every Hi-Point also comes with a lifetime warranty and most of their products are 50 state legal. Hi-Point Firearms, made by the American working man for the American working man.   Our Hi-Point Product of the week is - HP-15 300 blk Pistol in Gold (see cool new brace)   Visit hi-pointfirearms.com and check out their line of products Use code “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com   EAA Balikli BLK MSRP - $669.00   Warrior Systems Legionary 22 Suppressor MSRP - $189.99   Sponsor #4: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - Magazine extensions for Walther   Use Code “GGR20” for 20% off of almost everything at xssights.com   Listener Feedback None   2nd is for Everyone Diversity Shoot Events simonsaystrain on instagram 2nd is for Everyone Facebook 2A4E Web Page   Wrap up: Send questions, comments, or feedback to - gungearreview@gmail.com Remember to Subscribe and Leave us an iTunes Review Be sure to visit the Firearms Insider at www.firearmsinsider.tv Check us out on Facebook, X, and InstaGram @firearmsinsider  Subscribe to our Rumble channel  Please check out all our great sponsors Thank you for listening to the “LARGEST”, pound for pound, podcast on the network We will see you next week We are OUT!  

Hey there friends and weirdos! This week Nile takes us to the freezing waters of the Antarctic where a crew of Japanese sailors witnessed none other than...a Godzilla. Well, a godzilla-esque cryptid, at least. And its name IS officially Antarctic Godzilla, so there's that. What fuzzy, dorsal fin-having beast lurks in these cold ocean waters and can it propel itself fifty feet into the air by rocketing out of the ocean? Or is this a tall tale that spread through folklore and mistranslation? All this and much more!

Welcome to Day 2887 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2887 – Wisdom Nuggets – Psalm 136:10-16 Daily Wisdom Wisdom-Trek Podcast Script - Day 2887 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2887 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: Shattering the Shackles of the Rebel Gods In our previous episode on this grand, historical journey, we scaled the opening heights of the Great Hallel: Psalm One Hundred Thirty-Six, verses one through nine. We immersed our minds in the grand, cosmic architecture of creation. We stood in the celestial courtroom, and we shouted our praise to the God of gods, and the Lord of lords—the absolute, supreme Sovereign who rules over the entire heavenly host. We saw how His Hesed—His fierce, unyielding, and covenant-keeping faithful love—was the precise engine that skillfully forged the heavens, pinned down the chaotic primordial waters beneath the dry land, and masterfully organized the sun, moon, and stars to govern our days and nights. We learned that the very fabric of physical reality is held together, every single microsecond, by this enduring, loyal affection. Today, the grand temple liturgy takes a dramatic, breathtaking turn. The congregation is still standing in the sunlit courts of Jerusalem, and the antiphonal chant continues to echo off the stone walls. But the focus of the song shifts away from the creation of the cosmos, and steps directly onto the blood-soaked soil of human history. We are exploring Psalm One Hundred Thirty-Six, verses ten through sixteen, in the New Living Translation. The psalmist demonstrates that Yahweh's faithful love is not just an abstract, distant force that manages the stars; it is an active, aggressive, and liberating power that breaks into our physical reality to rescue His people, crush abusive empires, and violently dismantle the rebel spiritual principalities who hold humanity in bondage. Let let us step onto this historic section of the trail, listen to the thunderous roar of the refrain, and watch the Divine Warrior march to war. The first segment is: The Decapitation of the Egyptian Pantheon Psalm One Hundred Thirty-Six: verses ten, eleven, and twelve. Give thanks to him who killed the firstborn of Egypt. His faithful love endures forever. He brought Israel out from among them. His faithful love endures forever. He acted with a strong hand and powerful arm. His faithful love endures forever. The historical narrative explodes into the liturgy with a shocking, deeply unsettling declaration of judgment: “Give thanks to him who killed the firstborn of Egypt. His faithful love endures forever.” To the modern, Western mind, linking the death of the Egyptian firstborn with the phrase “His faithful love endures forever” sounds like a massive, moral contradiction. How can an act of mass fatality be described as an expression of love? To resolve this tension, we must view the Exodus through the profound lens of the Ancient Israelite divine council worldview, as masterfully taught by Doctor Michael S. Heiser. We must look back to the cosmic geography of Deuteronomy, chapter thirty-two, where the nations were disinherited by Yahweh, and handed over to the jurisdiction of lesser spiritual beings—the sons of God. Egypt was the premier, terrifying superpower of the ancient world, operating under the direct, dark inspiration of these corrupt, territorial elohim. Pharaoh was not viewed merely as a human politician; he was worshiped as an incarnate god—the living proxy, and the physical avatar, of the rebel principalities. For four hundred years, under the direction of these dark forces, Egypt systematically crushed, enslaved, and attempted to completely erase Yahweh's personal allotment—the family of Israel. The book of Exodus explicitly states that the plagues were not just a leverage play against human economics; they were an open, aggressive execution of judgment against all the gods of Egypt. When the Lord struck down the firstborn, He was striking the ultimate, legal root of the empire's legacy, and divine claims. The firstborn son represented the strength, the inheritance, and the future succession of the household, and the throne. By taking the firstborn, Yahweh broke the spiritual backbone of the rebel principalities. He proved that the Egyptian gods were entirely impotent, completely unable to protect their own biological, and spiritual, lineages from the superior authority of the Creator. For the oppressed slaves, this act of terrifying justice was the ultimate manifestation of Hesed. Love for the victim requires the decisive execution of justice against the abusive tyrant. The text records the immediate, glorious consequence in verses eleven and twelve: “He brought Israel out from among them... He acted with a strong hand and powerful arm.” The language of the “strong hand and powerful arm” is a direct, deliberate polemic against the royal propaganda of Egypt. Pharaoh's monuments always depicted him with an outstretched arm, crushing his enemies. But the psalmist clears the field, declaring that Pharaoh's arm was easily snapped by the true Divine Warrior. Yahweh reached into the dark, heavily fortified territory of the rebel council, grabbed His treasured possession, and physically wrenched them free from the grip of the superpower. He broke the chains of the empire, proving that no spiritual principality can legally hold a prisoner when the Supreme Commander issues a warrant for their release. The second segment is: Slicing the Abyss and Shaking Off the Tyrant Psalm One Hundred Thirty-Six: verses thirteen, fourteen, and fifteen. Give thanks to him who parted the Red Sea. His faithful love endures forever. He led Israel safely through. His faithful love endures forever. But he hurled Pharaoh and his army into the Red Sea. His faithful love endures forever. The historical procession moves from the borders of Egypt, directly to the edge of the impossible. “Give thanks to him who parted the Red Sea... He led Israel safely through... But he hurled Pharaoh and his army into the Red Sea.” Once again, the congregation responds to each movement of the narrative with the unyielding, rhythmic drumbeat of faith: “His faithful love endures forever.” To fully appreciate the cosmic drama of this moment, we must understand how the ancient world viewed the geography of the sea. In the biblical and ancient Near Eastern mindset, the deep, wild, and untamed waters of the ocean—known as Yamm—represented the terrifying forces of primordial chaos. The sea was considered a chaotic deity, a dark, churning abyss that swallowed human lives, and actively fought against the ordered creation of the Almighty. When Israel stood trapped between the advancing chariots of Pharaoh, and the roaring waves of the Red Sea, they were caught between the twin jaws of death: the physical might of the empire, and the spiritual chaos of the abyss. But Yahweh executed a masterclass of cosmic subversion. He didn't just build a bridge over the sea; He violently parted the waters. The literal Hebrew text says He sliced the sea into distinct pieces. He drove back the chaotic deep, carved a highway right through the middle of the abyss, and transformed the very realm of death into a dry, safe corridor of life for His covenant family. He led them safely through, insulating them from the walls of water on either side. Then, in verse fifteen, the trap slams shut: “But he hurled Pharaoh and his army into the Red Sea.” The Hebrew word for “hurled” is na'ar, which carries the visceral graphic meaning of shaking off a bug, or flipping dirt off your clothes. This is a brilliant, mocking piece of historical sarcasm. Pharaoh had mobilized the entire military industrial complex of the ancient world—hundreds of iron chariots, elite horsemen, and weapons of terror. It was an intimidating display of imperial pride. But to the Creator of the cosmos, this terrifying army was nothing more than an annoying insect crawling on His sleeve. With one effortless flick of His wrist, Yahweh simply shook Pharaoh off into the water. The tyrant who had arrogantly commanded that every Hebrew baby boy be drowned in the Nile river, was himself drowned, along with his entire army, in the very chaos waters that his rebel gods claimed to control. The empire was swallowed by the abyss, completely neutralized, and buried beneath the waves, providing an eternal, undeniable proof that the loyal Hesed

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 630. This episode is brought to you by Walker Defense, XS Sights, Hi-Point Firearms, and CMC Triggers. In this show, Rusty has some mag reviews, we discuss the new Hawke HD 1-8, a new bi-pod, F'd Rost Martins, and the new Montana   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob, Rusty   Sponsor #1: CMC Triggers    CMC triggers is the creator of the original, drop in cartridge style AR trigger. CMC has been in  aerospace manufacturing for over 30 years. This gives you peace of mind knowing that every trigger is of the utmost quality. Their patented design ensures a crisp, short, trigger pull across their whole line of triggers. With triggers for AR's, AK's, pistols, and bolt guns, CMC can make your firearms trigger great. Proudly made in Texas with strong morals and values, giving you confidence that you are buying one of the best triggers out there. Choose Confidence, choose quality, choose CMC    Our CMC Product of the week is - AR15/10 - Flat single stage purple    Use Code “GGR26” for 10% off at CMCTriggers.com   What we did in Firearms:   Announcements: Kat's Rack Defense fund and giveaway https://www.firearmsinsider.tv/giveaway  https://www.givesendgo.com/Katsrackdefensefund  https://www.facebook.com/share/1DoL2dpmoK/    Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! Check out the Pew.Report T-shirts are available through our FRN site, or click the “Merch” tab on Firearmsinsider.tv   AFFILIATES / DISCOUNTS: Walker Defense Research - enter “INSIDER15” for 15% off XS Sights - “GGR20” for 20% off Primary Arms VZ Grips  Brownells Gun Guys Garage discount code - “FRN15OFF” Atibal Optics - enter “FIREARMSINSIDER20” for 20% off 5.11 Tactical PowerTac Lights - enter “GGR” for a real good discount Modern Spartan Systems - “GGR15” for 15% off Global Ordnance Infinite Defense (Infinity Targets) - “PEW15” for 15% off Guns.com Magpul Palmetto State Armory Unique ARs - “GunGearReview” for 10% off CobraTec Knives - “GGR10” for 10% off Nutrient Survival - “GGR10” for 10% off Gideon Optics - “GGR” or “INSIDER” for 10% off Lone Wolf Arms US Optics - “INSIDER15” for 15% off Camorado - “FIREARMSINSIDER” for 5% off Optics Planet Midway USA Strike Industries North Forest Arms - “GGR” for 10% off Kini SafeAlert - “GGR” for 20% off FoxTrot Mike - “GGR” for 10% off XTech Tactical - “GGR10” for 10% off Die Free Co ZeroTech Optics - “GGR” for 20% off BattleHawk Armory Goliath Defense - “GGR” for 10% off holsters Classic Firearms  True Shot Ammo  Next Level Armament NightStick Hi-Point - “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com CMC Triggers - “GGR26” for 10% off   ROB - Disclaimer The views and opinions expressed in this podcast are those of the individual co-hosts and do not reflect the official policy or position of the Firearms Radio Network and/or their employers. This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised.   Main Topic is sponsored by: Hi-Point     Hi-Point firearms has been crafting American made firearms for over 30 years. If you are looking for your first firearm, or just want something fun for the range, Hi-Point has you covered with models including handguns, pistol caliber carbines, and AR15's. They even have a new suppressor line. Hi-Point firearms can be found at extremely affordable prices, making them available for anyone that wants to protect themselves and/or their families. Every Hi-Point also comes with a lifetime warranty and most of their products are 50 state legal. Hi-Point Firearms, made by the American working man for the American working man.   Our Hi-Point Product of the week is - 1095 EDGE   Visit hi-pointfirearms.com and check out their line of products Use code “GGR” FOR $20 off a Hi-Point firearm at ShootAmmo.com   Main Topic: Product Review or Updates on previous reviews Rusty - ETS Omega Magazines   Product Spotlight and Discussion:    Hawke Vantage HD 30 1-8x24 5.56 BDC reticle MSRP - $469.00                                                                                Spartan Javelin Lite TL MSRP - $170.00   Sponsor #3: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - Plus 5 mag extension for Smith & Wesson M&P   Use Code “GGR20” for 20% off of almost everything at xssights.com   Rost Martin RM1F MSRP - $469.00   Montana Knife Company - The Montana MSRP - $390.00   Sponsor #4: Walker Defense Research   Walker Defense provides shooters with the finest, most innovative, quality, tactical accessories and firearm components around. From their NILE grip panels to their NERO muzzle brakes, no details are ever left behind. Only top quality materials are used in the manufacturing process. Together, all of this gives you some of the best firearm performance around. Everything they have to offer is proudly made in the USA. Walker Defense, where American ingenuity meets bleeding edge technology.   Our Walker Defense Product of the week is - NILE OD Green grip panels   Use code “INSIDER15” FOR 15% OFF everything at walkerdr.com   Listener Feedback None   2nd is for Everyone Diversity Shoot Events simonsaystrain on instagram 2nd is for Everyone Facebook 2A4E Web Page   Wrap up: Send questions, comments, or feedback to - gungearreview@gmail.com Remember to Subscribe and Leave us an iTunes Review Be sure to visit the Firearms Insider at www.firearmsinsider.tv Check us out on Facebook, X, and InstaGram @firearmsinsider  Subscribe to our Rumble channel  Please check out all our great sponsors Thank you for listening to the “LARGEST”, Costco sized podcast on the network We are out  

Papyrus helped preserve human knowledge for thousands of years. This episode explores the papyrus plant, how ancient Egyptians transformed its stems into a writing surface, and how papyrus became one of the most important materials in the ancient world. Along the way, you'll hear about scribes, scrolls, libraries, archaeological discoveries, and the surprisingly long journey of written documents from the banks of the Nile to museums and collections around the world. It's steady and consistent, with no whispering and no sudden changes, just enough to give your mind something to follow as you wind down. Happy sleeping! Read with permission from Papyrus, Wikipedia (https://en.wikipedia.org/wiki/Papyrus), licensed under CC BY-SA 4.0. — Ad-free episodes: ⁠icantsleep.supportingcast.fm⁠Have a topic in mind? ⁠Request a topic⁠ Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

How does Ramesses II stack up to his predecessors? Why did ancient writers connect him with the Trojan War? In this episode we explore tales of Ramesses, told in antiquity, and consider his legacy in the modern world. Music: Keith Zizza and Luke Chaos. Bibliography Brand, P. (2010a). Reuse and Restoration. In W. Wendrich (Ed.), UCLA Encyclopedia of Egyptology. https://escholarship.org/uc/item/2vp6065d Brand, P. (2010b). Usurpation of Monuments. In W. Wendrich (Ed.), UCLA Encyclopedia of Egyptology. https://escholarship.org/uc/item/5gj996k5 Brand, P. J. (2023). Ramesses II: Egypt's Ultimate Pharaoh. Breasted, J. H. (1912). A History of Egypt. Bunsen, C. C. J. von. (1848). Egypt's place in universal history: An historical investigation in five books (C. H. Cottrell, Trans.; Vols. 1–5). https://hdl.handle.net/2027/mdp.39015050932519 Cooney, K. M. (2022). The New Kingdom of Egypt Under the Ramesside Dynasty. In D. T. Potts, N. Moeller, & K. Radner (Eds.), The Oxford History of the Ancient Near East, Volume III: From the Hyksos to the Late Second Millennium BC (pp. 251--366). https://doi.org/10.1093/oso/9780190687601.003.0027 Davies, B. G. (1997). Egyptian Historical Inscriptions of the Nineteenth Dynasty. Edwards, A. B. (1899). A Thousand Miles up the Nile (2nd edn). https://archive.org/details/thousandmilesupn0000edwa_e0y7/page/n9/mode/2up Kelly, B. (2010). Tacitus, Germanicus and the Kings of Egypt (tac. Ann. 2.59–61). The Classical Quarterly, 60(1), 221–237. https://www.jstor.org/stable/40984750 Kitchen, K. A. (1982). Pharaoh Triumphant: The Life and Times of Ramesses II, King of Egypt. Lietzelman, H. (2014). Pharaonism: Decolonizing Historical Identity. Prized Writing 2014-2015, 46–51. Neville, J. W. (1977). Herodotus on the Trojan War. Greece & Rome, 24(1), 3–12. https://www.jstor.org/stable/642683 Said, S. (2012). 2 Herodotus and the ‘Myth' of the Trojan War. In E. Baragwanath & M. de Bakker (Eds.), Myth, Truth, and Narrative in Herodotus (pp. 87--106). https://doi.org/10.1093/acprof:oso/9780199693979.003.0003 Sourouzian, H. (1988). Standing Royal Colossi of the Middle Kingdom Reused by Ramesses II. Mitteilungen Des Deutschen Archäologischen Instituts, Abteilung Kairo, 44, 229--254. Sourouzian, H. (2019a). Catalogue de la statuaire royale de la XIXe dynastie [Database]. https://www.ifao.egnet.net/bases/publications/bietud177/ Sourouzian, H. (2019b). Catalogue de la statuaire royale de la XIXe dynastie. https://www.ifao.egnet.net/publications/catalogue/9782724707571/ Tyldesley, J. (2001). Ramesses: Egypt's Greatest Pharaoh. Wilkinson, T. (2023). Ramesses the Great: Egypt's King of Kings. Learn more about your ad choices. Visit megaphone.fm/adchoices

Along the canals and riverbanks of rural Egypt, the old fishermen follow one rule: if a voice calls your name from the water after sunset, you do not answer. They call her El-Naddaha — The Caller. A beautiful woman in white, standing among the reeds, who whispers the name only your mother used, the name nobody else should know. And once she learns it, she never stops calling. This week on Freaky Folklore, we travel into the Nile Delta to explore one of Egypt's most unsettling legends — a spirit who doesn't chase, doesn't stalk, and doesn't break down doors. She simply waits, and lets you walk willingly toward your own destruction. Then we descend into a story set in 1968, where a fisherman named Hassan pulls a drowned girl from the river and discovers that some things should stay buried beneath the water — and that grief itself can be a doorway. What makes El-Naddaha so terrifying isn't the fear of drowning. It's the fear of being called by something that knows exactly who you are, knows your grief, and knows precisely which wound to press. Some things chase you. Some things hunt you. But the truly dangerous ones? They simply call your name… and wait for you to come to them.

Welcome to Day 2882 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2882 – Wisdom Nuggets – Psalm 135:8-14 Daily Wisdom Wisdom-Trek Podcast Script - Day 2882 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2882 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: The Sovereign of History – Dismantling the Rebel Giant Kings In our previous stop along this grand, poetic landscape, we explored the opening movement of Psalm One Hundred Thirty-Five, where we witnessed a magnificent temple liturgy that unmasked the false gods of the nations. We watched as Yahweh effortlessly demonstrated His total, seamless mastery over nature—commanding the clouds, directing the lightning, and releasing the wind from His royal celestial storehouses. We saw how the psalmist executed a brilliant, razor-sharp polemical attack against Baal, stripping the Canaanite storm god of his fraudulent resume. We discovered the comforting truth that Israel is Yahweh's segullah—His private, prized, and treasured possession, chosen out of the chaotic landscape of a disinherited world. Today, the temple liturgy takes a powerful, dramatic turn. The psalmist shifts his focus away from Yahweh's absolute sovereignty over nature, and directs our eyes to His absolute, undeniable sovereignty over human history and spiritual geography. He takes the traveling assembly on a historical tour, demonstrating that the True King doesn't just manage the weather; He systematically dismantles the greatest earthly emp'res, and violently crushes the giant rebel kings who attempt to block the expansion of His kingdom. We are exploring Psalm One Hundred Thirty-Five, verses eight through fourteen, in the New Living Translation. Let us step onto the trail, adjust our cosmic lenses, and watch the Righteous Judge execute justice against the principalities of darkness. The First Segment is: The Judgment of Egypt's Incarnate Gods Psalm One Hundred Thirty-Five: verses eight and nine. He destroyed the firstborn in each Egyptian home, both people and animals. He performed miraculous signs and wonders in Egypt against Pharaoh and all his people. The historical narrative begins in the dark, oppressive brick-kilns of Egypt, tracing the opening lines of Israel's great cosmic liberation. “He destroyed the firstborn in each Egyptian home, both people and animals. He performed miraculous signs and wonders in Egypt against Pharaoh and all his people.” To fully comprehend the sheer scale of the spiritual warfare embedded in these familiar words, we must look past our modern, secular history books, and view the Exodus through the profound lens of the Ancient Israelite divine council worldview, as masterfully taught by Doctor Michael S. Heiser. In the book of Exodus, chapter twelve, verse twelve, Yahweh explicitly declares the ultimate, underlying purpose of the plagues. He states, “Against all the gods of Egypt I will execute judgment; I am Yahweh.” The Exodus was not merely a political dispute over human labor; it was an open, aggressive courtroom trial, and a declaration of war against the corrupt, territorial elohim of the Nile. Egypt was the premier superpower of the ancient world, operating under the direct spiritual inspiration of powerful, rebellious members of the heavenly host. Pharaoh himself was not viewed merely as a human politician; he was worshiped as an incarnate god—the living proxy, and the supreme avatar, of the rebel spiritual principalities. When Pharaoh oppressed the chosen family of God, he was acting as the mouthpiece for the cosmic rebellion. Therefore, when Yahweh unleashed His miraculous signs and wonders, He was systematically target-shooting the Egyptian pantheon. He turned the Nile into blood to humiliate the river gods; He blocked out the sun to blind the sun god, Ra; and He paralyzed the land with darkness. The terrifying, ultimate climax of this cosmic execution occurred when the Lord destroyed the firstborn of both people and animals. In the ancient Near East, the firstborn son represented the strength, the legal inheritance, and the future legacy of the household. By striking down the firstborn—including the firstborn son of Pharaoh himself—Yahweh permanently broke the spiritual back of the empire. He demonstrated that the gods of Egypt were utterly helpless, completely unable to protect their own biological and spiritual lineages from the superior authority of the Creator. The proud, arrogant principalities of the Nile were weighed in the celestial balances, found wanting, and publicly stripped of their power. The Second Segment is: Dismantling the Gatekeepers of the Underworld Psalm One Hundred Thirty-Five: verses ten through twelve. He struck down great nations and slaughtered mighty kings— Sihon king of the Amorites, Og king of Bashan, and all the rulers of Canaan. He gave their land as an inheritance, a special possession to his people Israel. The historical tour moves from the waters of the Red Sea, to the rugged, bloody battlefields on the eastern side of the Jordan River. “He struck down great nations and slaughtered mighty kings—Sihon king of the Amorites, Og king of Bashan, and all the rulers of Canaan. He gave their land as an inheritance, a special possession to his people Israel.” To the casual reader, the names Sihon and Og might seem like obscure, boring footnotes from ancient military history. But to the ancient Israelite pilgrim singing this song, these two names triggered a profound sense of awe, and holy terror. These were not ordinary human kings; they were the terrifying, giant gatekeepers of the cosmic rebellion. Let us unpack the spiritual geography of these territories through Doctor Heiser's research. In the book of Deuteronomy, we discover that Og, the king of Bashan, was a literal remnant of the giant Rephaim. His massive iron bedstead was over thirteen feet long! In the ancient Near Eastern mindset, the Rephaim were not just tall people; their lineage was directly connected to the Nephilim—the hybrid offspring resulting from the spiritual corruption of the Watchers recorded in Genesis chapter six. They were the physical, and spiritual, anomalies produced by the rebel gods to contaminate the human race, and block the redemptive plans of Yahweh. Furthermore, the region of Bashan was universally recognized as the geographic and spiritual epicenter of darkness. Located at the foot of Mount Hermon—the exact site where the rebel angels originally staged their mutiny—Bashan was poetically referred to as the "place of the serpent," and the literal "gate of the underworld." Sihon and Og ruled over this demonic stronghold, acting as a massive, supernatural wall designed to intimidate Israel, and prevent them from ever entering the Promised Land. When Yahweh struck down great nations, and slaughtered these mighty giant kings, He was not just clearing a physical highway for Israel. He was executing a spectacular, cosmic cleansing of the geography. The Divine Warrior marched into the very territory of the dead, confronted the most terrifying, monstrous proxies of the rebel council, and completely obliterated them from the face of the earth. He proved that giant stature, demonic lineages, and ancient spiritual fortresses are absolutely nothing but dust in the presence of the Almighty. And look at the ultimate, glorious result of this victory in verse twelve: “He gave their land as an inheritance, a special possession to his people Israel.” This is the beautiful, geographic reversal of the Tower of Babel. At Babel, humanity was disinherited, and handed over to the rule of the lesser elohim. But here, Yahweh violently reclaims the land from the rebels, completely evicts the demonic tenants, and hands the territory over to His segullah—His special possession. The Promised Land becomes a restored beachhead of Eden, a sacred space where the cosmic order, truth, and righteousness of the true King can finally flourish. The Third Segment is: The Eternal Courtroom Verdict Psalm One Hundred Thirty-Five: verses thirteen and fourteen. Your name, O Lord, endures forever; your fame, O Lord, is known to every generation. For the Lord will vindicate his people and have compassion on his servants. Having demonstrated Yahweh's absolute mastery over history, the psalmist transitions into a magnificent, courtroom declaration of praise, drawing a sharp contrast between the mortality