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With Julia Chiapella and Dion O'Reilly, Roxi Power discusses the just-published anthology she co-edited, Winter in America (Again: Poets Respond to 2024 Election (Carbonation Press 2025) with 100+ amazing poets. This urgent, lightning-fast book was a collaborative effort by 8 editors between election and inauguration day to capture feelings about and implications of this critical election. The call asked for compassionate but courageous poems that transform readers through visionary rather than didactic language. Editors Katie Sarah Zale, Paul E. Nelson, allia abdullah-matta, Gabriella Gutiérrez y Muhs, Robert Lashley, Roxi Power, CChristy White, and Theresa Whitehill spent long days over the holidays choosing a wide range of poems reflecting the editors' different poetics as well as national and international diversity of region, identity, style, and issues affected by this historic election including immigration, reproductive rights, climate change, white supremacy, and more. Publisher Greg Bem made the project happen fast. Along with our own poems, we discuss poems in the book written on election night “as the map turned red”, including “Election Night Blues” by Cassandra Atherton and Paul Hetherington; a poem about self-care and healing, “the-bigger-picture” by Dana Teen Lomax; and a poem by Martín Espada about freedom-seeking children playing soccer in detention camps. Order Winter in America (Again here. Listen to readings from our 1/19 and 1/20 launches on KPFK Pacifica Radio in Los Angeles, on Bibliocracy with Andrew Tonkovich on 4 Thursdays at 2:30, starting Feb. 5. Join us at our launch events in Seattle (Feb. 4, Seattle U.); Tucson (Feb. 15, Gallery of Food; San Francisco (March 1, Et Al and summer TBA, City Lights Bookstore), Los Angeles AWP (March 27, CSU-Los Angeles); Santa Cruz (April 1, Bookshop Santa Cruz and April 15, Inter Act, Satori Arts), Lit Balm Interactive Livestream (April 26 & 27 2pm EST), & more.
In ‘Oh My Rapture', Gemma White stages the politics of fandom in percussive, edgy and unforgettable poems. White performs intense moments of intimacy and yearning against a backdrop of grief, so that lines such as ‘you dumped me in the psych ward', ‘you kissed me in Dixons Recycled Music', and ‘my madness is a burnt orange fox' become deep entanglements of desire – Cassandra Atherton, Prof Writing & Literature Deakin University.Gemma is a poet living with bipolar in Melbourne. Her lived experience with mental illness has only served to make her understand how important creativity is to her ongoing recovery.Gemma is today's guest on our radio show Brainwaves and will read two of her poems and talk about poetry in relation to her mental health journey. Join host Flic Manning and tune in at 5pm (AEDT) on 3CR Community Radio! Buy Gemma White's Poetry "Oh My Rapture" from: Gemmawhite.com.auFollow Gemma on Instagram: @bygemmawhiteReach out to Flic Manning on: Flicmanning.comFollow Flic on Instagram: @flicmanningPhoto Credit: Brendan Bonsack
I continue my presentation of Australian poets today and read poems by Cassandra Atherton, Peter Boyle, MTC Cronin, Philip Hammial, Dominique Hecq, and S.K. Kelen. I begin with a poem for Ukraine by Ania Chromova.
Cassandra Atherton is extremely patient with my prose poetry skepticism. Show notes The Ordinary and the Unreal by Cassandra Atherton and Paul Hetherington. (Eliot: ‘Both verse and prose still conceal unexplored possibilities, but whatever one writes must be definitely and by inner necessity either one or the other.') The Anthology of Australian Prose Poetry (Melbourne … Continue reading "Ep 168. Cassandra Atherton: On finding your people"
This weeks Book(ish) I sit down with one of Australias leading prose poets, Cassandra Atherton, to discuss Irradiated Cities by Mariko Nagai. Our conversation includes some surprisingly intense fights in the poetry community, whether the bomb could ever be justified over Hiroshima, and studying public intellectuals at Harvard. Enjoy!Books discussedIrradiated Cities by Mariko NagaiLittle Red by Ania WalwiczAustralia by Ania WalwiczListen to weekly Lit Balm here.Follow Bookish Comedy on Twitter and Instagram.Sign up to our newsletter here. Join our facebook group here.You can now physically send us stuff to PO BOX 7127, Reservoir East, Victoria, 3073.Want to help support the show?Sanspants+ | Podkeep | USB Tapes | MerchWant to get in contact with us?Email | Twitter | Website | Facebook | Reddit See acast.com/privacy for privacy and opt-out information.
Cassandra Atherton talks about prose poetry and microlit — reading from the Anthology of Australian Prose Poetry she recently co-edited with Paul Hetherington, and Pulped Fiction, the latest collection in the Joanne Burns microlit prize series. Host: Beth Spencer Anthology of Australian Prose Poetry is published by Melbourne University Press. Pulped Fiction is published by Spineless Wonders. Cassandra's latest books of prose poetry are Fugitive Letters (with Paul Hetherington) and Leftovers. You can order copies from www.macleanbooks.com.au More information about Cassandra's work at www.cassandra-atherton.com. And for more about the Joanne Burns Microlit prize and Microflix check out Spineless Wonders at https://shortaustralianstories.com.au/ See omnystudio.com/listener for privacy information.
Poets' Corner is WestWords' monthly encounter with celebrated Australian poets, curated by David Ades. Each month a poet is invited to read and talk about their poetry on a theme of the poet's choice. Paul Hetherington is a distinguished Australian poet. He has published 15 full-length collections of poetry and prose poetry, including the co-authored epistolary prose poetry sequence, Fugitive Letters (2020) and Typewriter and Manuscript (Life Before Man, 2020), along with 11 poetry chapbooks. He has won or been nominated for more than 30 national and international awards and competitions. In 2014 Six Different Windows won the Western Australian Premier's Book Awards for the best poetry book published in Australia and in 2017 Burnt Umber was shortlisted for the Kenneth Slessor Prize. He undertook an Australia Council Residency at the BR Whiting Studio in Rome in 2015–16. Paul is Professor of Writing in the Faculty of Arts and Design at the University of Canberra, head of the International Poetry Studies Institute (IPSI), and joint founding editor of the international online journal Axon: Creative Explorations. He founded the International Prose Poetry Group in 2014. With Cassandra Atherton, he is co-author of Prose Poetry: An Introduction (Princeton University Press, 2020) and co-editor of Anthology of Australian Prose Poetry (MUP, 2020). Recent Poetry Books by Paul Hetherington • Fugitive Letters (co-authored with Cassandra Atherton): https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqa1pPXzR6ZVVZS2poV3huVXlROWFodGhwaVZ0d3xBQ3Jtc0tuUWN0YjdZTy1mbTFCRm16c2dabkJHSEpzamkxWE5WbExYX1J0anFHX2wwVW5BVjktazNlNTQ5TGI5VGVSdDMwYUtyUXU0OFRYaGJKWkJZcGpkMDJIamRYcXV6WEw2amp6cmJ5TElBOWZ1Q2x4MVB5SQ&q=https%3A%2F%2Frecentworkpress.com%2Fbooks%2Fproduct%2Ffugitive-letters%2F (https://recentworkpress.com/books/pro...) • Typewriter and Manuscript https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqa3ZBbEpVNFY4Q2lqYm9mdE1pcEVaNnpIbWxaZ3xBQ3Jtc0treGs2VkNqSGhVYzhoaFByOTMta2RjTTIxWkpUY2QzdEhvMTlzTkp4dHFvTGQ1OVBBLVF4SmhnOUY3WE92VDZTdVpmeS1haWs3TjkzM3I1M2otTDJUaWpoaEZUNDgyZFJzdHEwNERpNHBBVER1bEc4OA&q=http%3A%2F%2Fgazebobooks.com.au%2Fproduct%2Ftypewriter%2F (http://gazebobooks.com.au/product/typ...) • Palace of Memory: An Elegy https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbGVzWVhEQ1Q2Z29LMXM4a0dwTmlRdEhmMDVRQXxBQ3Jtc0trTENnY2hrblJPU3E4Y1FBRW9MMmM3UXlCeFQ3a1Z4WE8xaHUzZ3RraElTOE9YbjJjZjBacExBeUJKOGI5UmV5aGpaUk1qTjAwS04xbmZ1WVhwdzIzbnVfRzB5b3pnYTNDelppSU5zSkRDSXNXS1RfNA&q=https%3A%2F%2Frecentworkpress.com%2Fbooks%2Fproduct%2Fpalace-of-memory%2F (https://recentworkpress.com/books/pro...) • Moonlight on Oleander: Prose Poems https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbUpKcllQN3MyMTlCQVR5YjhSRnRrWGNQYUttZ3xBQ3Jtc0tsYUE0THRTb3BEcG9BYlhfYm5mOXA1b1dTZXFZLUQ4ZWlPUGw4dDFXTzZTMUd4ZmwwenpOME0wZkd5SnJLdXRKa2U1OTRuSjdyNkd1dmF6Y1BxMXhJclBNYjB6bEtNbEVTV3dwZTlQejNxUWdJUktjUQ&q=https%3A%2F%2Fuwap.uwa.edu.au%2Fproducts%2Fmoonlight-on-oleander (https://uwap.uwa.edu.au/products/moon...) • Íkaros https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbVhpWEJHb244MFEteUF6OEowUTlldllvNmlvUXxBQ3Jtc0ttMU5rbWJreV90dnBnTW1keFA0Z0htUXdYMUVwZ3JVMGpqNXJQcEdFckZfVnI0TjlPMjBJcGpFTVFaaWtZXzhEZXVmRF85S2ZvdElUZnhzRU16Z29seWUyV2JlS3VRSl8wQ25ZVHdVZlp0ZUVuMmpNRQ&q=https%3A%2F%2Frecentworkpress.com%2Fbooks%2Fproduct%2Fikaros%2F (https://recentworkpress.com/books/pro...) • Gallery of Antique Art https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbFBVRHVvcVJoTWRYOTFBb21NT2dOUHVhbm1pd3xBQ3Jtc0trWXFoRENqLURCc3doRjh1UzhIVW5aMW1vUm5tdG5scjRLOERNc0FQbGlSNHlpV2NYcFBLd0l0MjIyZFMySGNScS1VdkF6ckFDVTEzM0xtZ3FhQ3ZzaWgwWE1xM21lMEtDWjczWHB6VUdhQ3lVLU5SSQ&q=https%3A%2F%2Frecentworkpress.com%2Fbooks%2Fproduct%2Fgallery-of-antique-art%2F...
Prose poetry is a resurgent literary form in the English-speaking world and has been rapidly gaining popularity in Australia. Cassandra Atherton and Paul Hetherington discuss Australian prose poetry written over the last fifty years.
An evocative piece which stretches the imagination. In this episode, Ali and Emma discuss Tess Ridgway's 'It Stretches Our Shape' narrated by Sydney actor, Anni Finsterer. Let us know what you think, leave a comment of the Coffee Pod|cast Facebook page. 'It Stretches Our Shape' is published in Shuffle an anthology of microlit edited by Cassandra Atherton. About the Author Tess Ridgway is currently completing a Masters of Research at Western Sydney University. She has been published in Otolith, the Griffith Review, Axon Journal and the Meniscus Literary Journal. Her work was performed at a Little Fictions night. She also facilitated a poetry group, Mutts. About the Actor Anni Finsterer is an actor, writer and director in theatre, film and television. Anni was awarded an AFI Award for Best Supporting Actress in a Television Drama for her performance in 3 Acts of Murder. Her feature film credits include The True Story of the Kelly Gang and Sweet Country. She has appeared in the TV shows Wentworth, Rake, Glitch, Underbelly Badness, City Homicide, All Saints and Love My Way. Her theatre credits include The Readers for Belvoir, In Real Life for Darlinghurst Theatre, Parramatta Girls for Parramatta Riverside, Poor Superman, The Threepenny Opera, Antony & Cleopatra, The Loaded Ute and The Women of Troy for the Sydney Theatre Company. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
Is he over his time here? Is he stuck in time? What happened in the life of this avid cyclist? What happened to the light? And why did Ali's feet suddenly start growing? In this episode of Coffee Pod|cast, Ali and Emma have a go at joining the dots in this short but deep microlit by Kim Waters, read by Eleni Schumacher. Let them know what you thought of Over Time on the Coffee Pod|cast Facebook page. 'Over Time' is published in the microlit anthology, Time edited by Cassandra Atherton. About The Author Kim Waters lives in Melbourne where she works part-time and studies music and visual art. Her poems have been published in a number of Australian journals including Verge, Antithesis, Offset 16, Communion 5 and Tincture. About The Actor Eleni Schumacher trained at Atlantic Acting School (NYC), has appeared on Foxtel's A Place to Call Home and is due to appear in Black B*tch (ABC), as well as a schools tour for Echelon Productions in 2019. Eleni recently completed a tour across Australia, NZ and Hong Kong with Poetry In Action. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
'It happens everyday and yet it is so profound.' In this episode, Ali and Emma discuss the marvel of birth and the magic of microliterature which shows us a world in so few words. Listen to Eleni Schumacher reading Christine Howe's 'Sea Womb' and join the discussion on the Coffee Pod|cast Facebook page. 'Sea Womb' is published in the microlit anthology, Shuffle edited by Cassandra Atherton. About The Author CHRISTINE HOWE is a writer and academic who teaches at the University of Wollongong. Her poetry has appeared in Cordite and Law, Text, Culture, and her first novel, Song in the Dark, was published by Penguin. About The Actor ELENI SCHUMACHER trained at Atlantic Acting School (NYC), has appeared on Foxtel’s A Place to Call Home and is due to appear in Black B*tch (ABC), as well as a schools tour for Echelon Productions in 2019. Eleni recently completed a tour across Australia, NZ and Hong Kong with Poetry In Action. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Production Assistant: Hannah Oakshott Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
The story of the opera singer who developed a hearing impairment. In this episode, Ali and Emma discuss Anna Spargo-Ryan's moving piece, 'Menieres' narrated by Anni Finsterer. Got a story to share about hearing damage? Join the discussion on the Coffee Pod|cast Facebook page. 'Menieres' is published in Shuffle an anthology of microlit edited by Cassandra Atherton. About the Author ANNA SPARGO-RYAN is the Melbourne-based author of The Gulf and The Paper House, and winner of the 2016 Horne Prize. Her work has appeared in The Big Issue, Island, Kill Your Darlings, Meanjin, Good Weekend, the Guardian, and many other places. She is a PhD candidate in Creative Writing at Deakin University. About the Actor Anni is an actor, writer and director in theatre, film and television. Anni was awarded an AFI Award for Best Supporting Actress in a Television Drama for her performance in 3 Acts of Murder. Her feature film credits include The True Story of the Kelly Gang and Sweet Country. She has appeared in the TV shows Wentworth, Rake, Glitch, Underbelly Badness, City Homicide, All Saints and Love My Way. Her theatre credits include The Readers for Belvoir, In Real Life for Darlinghurst Theatre, Parramatta Girls for Parramatta Riverside, Poor Superman, The Threepenny Opera, Antony & Cleopatra, The Loaded Ute and The Women of Troy for the Sydney Theatre Company. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Production Assistant: Hannah Oakshott Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
How the seemingly insignificant landmarks can spark powerful memories. In this episode, our caffeine-feulled literary podsters discuss Jill Jones' microlit, 'All That Shudder' narrated by Anni Finsterer. Is the dawn non-binary? Join the discussion on the Coffee Pod|cast Facebook page. 'All That Shudder' by Jill Jones is published by Spineless Wonders in the microlit anthology, Shuffle edited by Cassandra Atherton. About the Author JILL JONES has published eleven books of poetry, and a number of chapbooks. Recent books include Viva the Real (UQP), Brink (Five Islands) and The Beautiful Anxiety (Puncher & Wattmann), which won the 2015 Victorian Premier’s Literary Award for Poetry. She is co-publisher, with Alison Flett, of Little Windows Press. About the Actor Anni is an actor, writer and director in theatre, film and television. Anni was awarded an AFI Award for Best Supporting Actress in a Television Drama for her performance in 3 Acts of Murder. Her feature film credits include The True Story of the Kelly Gang and Sweet Country. She has appeared in the TV shows Wentworth, Rake, Glitch, Underbelly Badness, City Homicide, All Saints and Love My Way. Her theatre credits include The Readers for Belvoir, In Real Life for Darlinghurst Theatre, Parramatta Girls for Parramatta Riverside, Poor Superman, The Threepenny Opera, Antony & Cleopatra, The Loaded Ute and The Women of Troy for the Sydney Theatre Company. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Production Assistant: Hannah Oakshott Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
In this episode, Ali and Emma discuss Deborah Van Heerkeren's 'Time of Death' narrated by Eleni Schumacher. Join the discussion about this poignant microfiction on the Coffee Pod|cast Facebook page. 'Time Of Death' is published in the Time anthology edited by Cassandra Atherton. About the Author Deborah Van Heekeren was born in Sydney and moved to Maitland from the Central Coast in 2013. Recently retired from her academic career in anthropology, she is concentrating on her creative art practice. About the Actor Eleni Schumacher trained at Atlantic Acting School (NYC), has appeared on Foxtel's A Place to Call Home and is due to appear in Black B*tch (ABC), as well as a schools tour for Echelon Productions in 2019. Eleni recently completed a tour across Australia, NZ and Hong Kong with Poetry In Action. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Production Assistant: Hannah Oakshott Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
In this panel, Lines and Shapes, taken from 2018's Poetry on the Move festival, four poets discuss the importance of form in and for poetry. How does a consideration of form affect composition? Is form a conservative call to tradition, or a rediscovery that allows poets to explore new ways of working? We'll hear this question addressed by in turn, Lisa Gorton, Owen Bullock, Lisa Brockwell and Cassandra Atherton. Before opening up to a group discussion moderated by the host of the panel, Paul Munden.
It's common to build a picture in our minds about new neighbours based on the sounds that come through the walls - but what if this eavesdropping becomes the stuff of vivid sexual fantasy? In this episode, Ali and Emma discuss a variety of reactions to noisy neighbours when they listen to Paulette Smythe's 'When B Moved In' narrated by Alex Neal. About The Author PAULETTE SMYTHE lives in Melbourne where she teaches English to migrants and refugees. Her writing has previously been published in Antipodean SF, Bewildering Stories, Verandah and Eureka Street. 'When B Moved In' is published in the Spineless Wonders' anthology of sound-themed microlit, Shuffle edited by Cassandra Atherton. About the actor ALEX NEAL graduated QUT Acting in 2017, and has been living and working in syd for 4 months. In that time he has completed a TVC for ESS super and is currently working on an AFTRS short film and will appear in the Australian film, Danger Close. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Production Assistant: Hannah Oakshott Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
David Lowe (Australian Policy and History): Trump tumult and the Australian-American alliance in historical perspective The Trump phenomenon has caused many governments to think hard about the nature of their relationships with the United States. In the case of Australia, amidst the shock and confusion, it may even trigger the sort of questioning of the ANZUS Security Pact (1951) that historians have thus far been unable to stir. To date, ANZUS and the oft-recalled memory of 1 million American soldiers passing through Australia in the Second World War, have constituted mnemonic foundation stones for thinking about the intertwining of American and Australian security. But just as the numbers of US war veterans have rapidly dwindled, so too does ANZUS suddenly look fragile. While it would be rash to say recent events have opened up a new space for historians in public conversation – such has been the continuing bipartisanship on the virtues of the American alliance – they have invited greater reflection. I suggest that historical perspective has much to offer at this time. Through analysis of Australian foreign policy-making and Australian-US relations at different times since the creation of ANZUS, I venture that, far from a stable ‘insurance policy’, the security pact has often shifted ground for Australian leaders. This has produced both anxiety and opportunity. The imprecision in the Australian-US security relationship has encouraged Prime Ministers to narrate its importance in ways that strengthened their leadership. The arrival of Trump might break an executive hold on the story, and enable a healthier sense of historical perspective that informs policy thinking about next steps in the relationship. David Lowe is Chair in Contemporary History at Deakin University and co-founder of the Australian Policy and History Network. He has published widely on Australia in world affairs and modern international history, including the recent book with Carola Lentz, Remembering Independence (Routledge, 2018) and the edited book The Unfinished Atomic Bomb: Shadows and Reflections (Rowman and Littlefield, 2018) with Cassandra Atherton and Alyson Miller. He is currently working on three projects: histories of Australian overseas diplomatic posts; a history of Australia’s foreign aid program; and an international history of the Colombo Plan for aid to South and Southeast Asia.
In this episode, Ali and Emma present Johanna Ellersdorfer's 'Texting Through Time Zones' performed by Felix Johnson. They chat about geograhically-challenged relationships and the issues we all face when mediating life in the world of social media. Have you had a long-distance relationship? Join the conversation here on the Coffee Pod|cast Facebook page. 'Texting Through Time Zones' appears in the microlit anthology, Time edited by Cassandra Atherton. About the author JOHANNA ELLERSDORFER grew up in Sydney and works as a paintings conservator. Over the past ten years she has lived in various cities in Australia, Europe and the USA, and writes small stories in her spare time. Read our Q&A with the author here. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
In this episode, Ali and Emma discuss Samantha See's 'Perpetual Motion' which is performed by Eleni Schumacher. Do we all really need to be attached to a particular physical place to feel at home? Join the discussion on Facebook. https://www.facebook.com/cofffeeepodcast/ About the author Samantha See is a twenty-two year old writer, theatre maker and university student who is based in Sydney. Her short story, Parental Rights, was published in the 2016 edition of ZineWest. Read an interview with her here. 'Perpetual Motion' was published by Spineless Wonders in Landmarks edited by Cassandra Atherton. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
In this episode, Ali and Emma discuss Lee Kofman’s ‘Permanence’ performed by actor Whitney Richards. In a world where nothing is really permanent, are we better off turning to the virtual world? Let us know, here on the Coffee Pod|cast Facebook page. About the Author LEE KOFMAN is an award-winning author of four books, including the memoir The Dangerous Bride, and co-editor of Rebellious Daughters. Her next book, about imperfect bodies, will be out with Affirm Press. 'Permanence’ was published in Time An anthology of microlit, edited by Cassandra Atherton. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
In this episode, Ali and Emma discuss Tess Pearson's 'Traces' performed by actor Eleni Schumacher. So, are you an outdoor or an indoor toenail cutter? Let us know, here on the Coffee Pod|cast Facebook page. About the Author TESS PEARSON is a Sydney-based writer of poetry and prose. In 2014 Tess was awarded a Varuna Residential Fellowship and in 2018 she won The Newcastle Writers Festival/joanne burns MicroLit Award. Tess has been published in Spineless Wonders’ anthologies Out of Place (2015), Landmarks (2017) and Time (2018). Her work has been performed in Sydney numerous times at Little Fictions events. 'Traces' was published in Time An anthology of microlit, edited by Cassandra Atherton. Credits Presenters: Ali Morris and Emma Walsh Producer: Bronwyn Mehan Theme music: James Seymour Coffee Pod|cast has been produced with the support of the Australian Government through the Australia Council, its arts funding and advisory body and we wish to also acknowledge the support of Little Fictions by the Copyright Agency’s Cultural Fund and the City of Sydney Matching Grants program.
Australian short story publisher, Spineless Wonders is excited to be releasing the very first episode of Coffee Pod|cast and introducing your hosts, Emma Walsh and Ali Morris. Join Emma and Ali as each episode they select for you a microfiction, read by an actor, and then chat about it over their morning coffee. In this first episode, they have chosen 'Sanctuary' read by Kate Fraser and recorded live at Little Fictions, a show performed in Sydney's Knox Street Bar. 'Sanctuary' was written by Shady Cosgrove and is published in Landmarks, an anthology of prose poems and microfiction edited by Cassandra Atherton. About the author SHADY COSGROVE is the author of What the Ground Can’t Hold (Picador, 2013) and She Played Elvis (Allen and Unwin, 2009), which was shortlisted for the Australian Vogel Award. Her short fiction has appeared in Best Australian Stories, Overland, Antipodes, Southerly and other Spineless Wonders anthologies. About the actor KATE FRASER is a graduate of the Actors Centre Australia. Her theatre credits include Book of Days at New Theatre as well as Stop Kiss and Starlight Stories. More recently Kate has appeared in TV episodes of Home and Away, Janet King, and A Place to Call Home. Credits Presented by Ali Morris and Emma Walsh. Theme music by James Seymour. Produced by Bronwyn Mehan. This podcast project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body and we wish to acknowledge the support of Little Fictions by the Copyright Agency's Cultural Fund and the City of Sydney Matching Grants program.
Tania Chandler has written a pschological thriller, a domestic noir ripper with 'Please Don't Leave Me Here'Cassandra Atherton's prose poetry is a delightful diversion in 'Trace'.