Podcasts about Belvoir

Genevieve Hegney is an actor, writer and performer. She has performed extensively in theatre, film and television. You probably recognise her from her role as Chiara in the groundbreaking and award-winning comedy ‘Colin From Accounts'. Her other television credits include All Her Fault (Peacock), Sunny Nights (Stan), In Our Blood (ABC), Pieces of Her (Netflix), Young Rock (CBS) Diary of an Uber Driver (ABC), Tim Minchin's Upright (Foxtel) Kinne Tonight (Ten), The Commons (STAN), Doctor Doctor (Series 2-3), Janet King (Series 2), The Kettering Incident, Here Come the Habibs! (Series 1-2), The Moodys (ABC), Camp (NBC), Bedhead, Devil's Dust, Rake, Spirited, All Saints, Home and Away, The Alice, and Out There (Series 1 & 2). Her film roles include Rip Tide, The Little Death, Burning Man, Preservation, and Happy Feet. Short films include Red Ink, Outbreak Generation, and Desirable for which she won Best Actress at the Kaleidoscope Film Festival. Genevieve's theatre credits include credits include; Tot Mum (dir by Steven Soderbergh) and Influence, Parramatta Girls for Belvoir, Twelfth Night, Antony & Cleopatra, Julius Caesar and Much Ado About Nothing for the Bell Shakespeare Company, Some Explicit Polaroids for Darlinghurst Theatre and Love for Downstairs Belvoir, both nominated for ‘Best Independent Production' at the Sydney Theatre Awards. She is currently in the Troy Kinne show, ‘Full House', which is available on Youtube. As a writer Genevieve and co-writer Catherine Moore wrote the plays, Unqualified and Still Unqualified for the Ensemble Theatre. They have recently received funding from Screen West and Screen Australia to adapt Unqualified for television. Genevieve also co-wrote, produced and acted in the short film The Amber Amulet. This adaptation of the Craig Silvey novella won numerous awards worldwide, including the 2013 Crystal Bear Award at the Berlin International Film Festival & won her an AWGIE for ‘Best Screenplay in a Short Film'. We chat about Colin from Accounts, the industry (tell all), her brand-new show (tickets in episode notes), being still, her latest comedy nomination, Unqualified, drama vs comedies, getting into NIDA and competitiveness, accidentally manifesting, pilot season + so much more! Gen also has some shows coming out in October called ‘Fly Girl' (tickets below). Check Genevieve out on: Instagram: https://www.instagram.com/thegenevievehegney/ Fly Girl (tickets):  https://www.ensemble.com.au/shows/fly-girl/?utm_source=NEWSLETTER&utm_campaign=f235295500-email_2025+single+tickets+gp_COPY_01&utm_medium=email&utm_term=0_58621e4cf6-f235295500-50023043&mc_cid=f235295500&mc_eid=bbc5f0e1b2 ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Join Suz and Rob this week with the first in a multi-part episode where we talk about the weird world of plague treatments! Much like the Witches of Belvoir, we delve into some seriously depraved stuff, all in the hopes of finding a cure! Let us know what you think!All our links here - https://www.linktr.ee/spookyafMusic: Dank Halloween by Shane Ivers - https://www.silvermansound.com Hosted on Acast. See acast.com/privacy for more information.

Tom Wright joins Regina Botros to talk about his adaptation of Picnic at Hanging Rock at Sydney Theatre Company. Wright's adaptation of Picnic at Hanging Rock for the Sydney Theatre Company has received rave reviews. It's  an eerie, beautiful, and visionary take on Joan Lindsay's gothic tale. The production, directed by Ian Michael, features a talented cast and combines modern elements with the haunting mystery of the original story.   Tom Wright started as a member of Barrie Kosky's Gilgul Theatre in the early 1990s, then with Michael Kantor's Mene Mene in the late 1990s. He has worked as an actor and director at the Melbourne Theatre Company, STCSA, Sydney Theatre Company, Playbox, La Mama, Company B, Anthill, Gilgul, Mene Mene, Bell Shakespeare Company, Chunky Move, Black Swan Theatre, Chamber Made Opera and the Adelaide, Sydney, Edinburgh, Vienna, Perth and Melbourne Festivals. He was Artistic Associate at Sydney Theatre Company 2004–2008 and Associate Director of STC 2008–2012. He joined Belvoir as an Artistic Associate in 2016.  More about Tom here. 

Today we are joined by actor, writer and producer (check) Chika Ikogwe. You might recognise Chika’s face from Netflix’s Heartbreak high where for two seasons (going into a third) she plays Series Regular, Josephine ‘Jojo’ Obah – the lead teacher for SLTs (pron. Sluts). Chika has been in whole bunch of projects including ABC’s Mikki vs. The World, feature film Godzilla x Kong: The New Empire and recently Land of Bad alongside Russel Crowe and Liam Hemsworth. On stage, Chika has starred in a number of productions including Malthouse’s seven methods of killing kylie jenner and Queensland Theatre’s Fangirls, which later moved to Belvoir. As a writer, Chika has written for the series Bump on Stan in addition to developing her own show, Just Chidi Things (executive produced by Rose Byrne). China’s latest show, Never Have I Ever premieres on February 15th at the MTC — more details here https://www.mtc.com.au/plays-and-tickets/whats-on/season-2025/never-have-i-ever/See omnystudio.com/listener for privacy information.

  Brad Blair of the Upper Peninsula Paranormal Research Society and Jesse Leimkuehler from Belvoir Winery and Inn, join together to create the Missouri Paracon, which will take place at Ameristar Kansas City from February 28th to March 1st 2025. Patrick gets the scoop on what's in store for those attending. Plus conversation on topics such as psychics, apparitions, people who flee haunted locations, drones and alien invasions, and changes in the paranormal space since the boom that started with Syfy's Ghost Hunters. Visit BigSeance.com/256 for more info. Other Listening Options Direct Download Link   In this episode: Intro :00 Brad Blair is co-founder of the Michigan Paranormal Convention, co-founder of the Upper Peninsula Paranormal Research Society, and he's also the co-host of Creaking Door Paranormal Radio. Jesse Leimkuehler is a previous guest of the Big Seance. He's the owner of the haunted Belvoir Winery and Inn in Liberty Missouri. Together, Brad and Jesse have put together an exciting NEW event — the Missouri Paracon. It's held from Feb. 28th to March 1st, 2025 at Ameristar Casino Kansas City. :45 Welcome to the parlor! 2:10 Getting to know Brad Blair. 3:45 How has paranormal investigation changed, good or bad, since the first season of Syfy's Ghost Hunters and the rise of paranormal TV shows? 7:42 Jesse Leimkuehler announced that My Haunted Hometowns, another paranormal TV production, just wrapped filming at Belvoir Winery and Inn. 15:51 When people flee the Inn. 18:31 Before taking ownership of Belvoir, Jesse wasn't really a believer in ghosts. And now? “I've only seen about five apparitions.” 21:10 Planning and organizing Missouri Paracon 2025. 24:00 The benefits of a winter paranormal event. 26:17 Getting tickets! Plus more of what to expect and some of the celebrities that will be there! 28:00 Patrick will be there with his vendor table, and will also be leading investigations again at an add-on event at Belvoir. 31:10 Brad on concerts, psychics, and the gallery readings offered at Missouri Paracon 2025. 33:00 Is Ameristar Kansas City haunted? 35:50 Mysterious drones and an alien invasion? 39:05 The things you can learn at the casino bar after midnight. 40:49 Getting a room for the event. 42:31 Outro 46:00   Resources: missouriparacon.com missouriparacon@gmail.com belvoirwinery.com Creaking Door Paranormal Radio yoopernaturalhaunts.com     The Big Seance Podcast can be found right here, on Apple Podcasts, Pandora, Spotify, TuneIn Radio, Amazon Music, Audible, iHeart Radio, and YouTube. Please subscribe and share with a fellow paranerd! Do you have any comments or feedback? Please contact me at Patrick@BigSeance.com. Consider recording your voice feedback directly from your device on my SpeakPipe page! I would love to include your voice feedback in a future show. The candles are already lit, so come on in and join the seance!    

Our Agent Rainmaker growth strategies, led by Sally Lawson, have revolutionised the way letting agents run their businesses - resulting in £78,000,000 additional revenue added collectively since 2016. Sally recently hosted a session for Belvoir, where she shared the key challenges letting agents face right now, and the practical steps that can be taken to step back from the day-to-day operation and focus on growing the business. Listen along to learn how you too, as a business owner, can step back from the daily running of business and free up your time. Key Moments of this episode: 01:07 - Identifying the key challenges that stop letting agents from prioritising growing their business. 07:27 - Simple ways to delegate tasks, offloading workload without the need for a huge team. 09:46 - Ways you can recognise your top priority and goal in your letting agency. 12:26 - How ot be the business owner that your agency needs you to be. 16:02 - Tips for holding yourself accountable. Learn how to shift your mindset to that of a business owner. 20:19 - Ways you can build a reliable team and business structure. 30:50 - Invest in yourself - why personal development is as crucial as business growth. We hope you enjoy this episode. If you feel your business needs some optimisation, click this link to schedule a call in our diary: https://www.lettingagency.training/sales-page-336836601695207822274 Download our free Ultimate Letting Agency Growth Guide: https://www.lettingagency.training/54-ways-website1623165073122 Join our free Facebook Group for Letting Agents: https://www.facebook.com/groups/agentrainmaker/

The culture wars are seeping out of the real world and infiltrating our pages and stages.  Art has always traversed unfamiliar and even dangerous territory. But with recent calls to boycott cultural institutions, donors pulling funding, and the cancellation of works and talent, are some discussions too fraught to engage with? Louise Adler is the Director of Adelaide Writers' Week. She has spent over 30 years in the culture business and continues to be committed to the dissemination of dangerous ideas. Brook Garru Andrew is an artist, curator and writer who is driven by the collisions of intertwined narratives emerging from the mess of the “Colonial Wuba (hole)”. His practice is grounded in his perspective as a Wiradjuri and Celtic person from Australia. Violette Ayad was born on Whadjuk Noongar Boodja to Palestinian and Lebanese parents. She is now based on Gadigal land where she works as an actor, writer, director, and voice artist.  Gil Beckwith has a significant career in the Arts and Not For Profit industry in senior finance and administration management roles. Her working career spans over 40 years and includes working for Sydney Theatre Company, Melbourne Festival, the Victorian AIDS Council, and most recently CEO of Sydney Gay and Lesbian Mardi Gras. Declan Greene is a playwright, director, and dramaturg. As a director he has worked for many of Australia's major theatre companies, including Sydney Theatre Company, Melbourne Theatre Company, Malthouse, Belvoir, and Griffin Theatre Company.  Emile Sherman is an Academy Award and Emmy Award-winning film and television producer who co-founded See-Saw Films in 2008. Based in Sydney and London, See-Saw Films has worked with many of the world's leading filmmakers and actors.  Chaired by philosopher and Executive Director of The Ethics Centre, Simon Longstaff.

durée : 00:05:00 - L'éco d'ici en Franche-Comté - A l'occasion des journées du patrimoine en Franche-Comté, nous souhaitons vous faire vivre le quotidien de la vie de château ! Départ pour le château de Belvoir, près de Sancey dans le Doubs.

In this episode of the Investors Champion Podcast, hosts Lee and Chris provide a comprehensive analysis of the UK share market, specifically focusing on small cap and AIM-listed companies. They discuss the implications of potential capital gains tax changes, the impact of Philip Meeson's share sale from Jet2, and Nvidia CEO's stock sell-off amidst antitrust investigations. The episode features deep dives into three promising small caps: Gamma Communications, hVIVO, and Keystone Law. The hosts also cover challenges faced by other companies like Next 15, Inspecs Group, and Frontier Developments, along with their views on SigmaRoc's acquisitions and the Property Franchise Group's merger with Belvoir. They conclude with thoughts on Fevertree's mixed growth results. Listeners can expect valuable insights on investment strategies, market trends, and potential tax implications. Timestamps: 00:28 Focus on AIM and Small Caps 00:57 Capital Gains Tax and Market Reactions 01:29 Philip Meeson's Share Sale 02:39 Nvidia CEO's Share Sales and Market Impact 05:26 Spotlight on Small Cap Stocks 08:24 Inheritance Tax Planning Concerns 12:37 Next 15's Profit Warning and Communication Issues 16:16 Handling Market Uncertainty 16:48 The Struggles of Inspects 19:56 Frontier Developments: A Cautious Approach 22:31 SigmaRoc's Acquisition Challenges 25:48 Property Franchise Group Merger 27:32 Fevertree's Global Growth Strategy If you like this episode, please let us know by subscribing for future company reviews and insightful conversations about the markets, portfolio management and stock analysis. Links & Resources: Watch Chris's Small-Cap webinar here: https://fundamentalasset.com/educational-webinars/ Visit Investor's Champion website here: https://www.investorschampion.com/ Follow Investor's Champion on X here: https://twitter.com/investchampion Disclaimer: This presentation is for educational purposes only. All opinions and information are for demonstrational purposes and do not constitute investment advice. Trading and investing carries a high level of risk and are not right for everyone. If you need financial advice, consult with a regulated financial adviser in your country before making any decisions.

How does a new Australian play end up on the main stage? One way is by being commissioned by a theatre company. In today's episode, Dom Mercer, Head of New Work at Belvoir, talks us through this process. We discuss how new plays go from an idea to a story outline, and then through three drafts before they are considered for programming in a main stage season. Dom takes you step by step through the development process within the commissioning model, and shares his provocations for playwrights going through their own drafting process. As a dramaturg of new writing, Dom has so many wonderful insights that are unique to each specific draft and his provocations for playwrights are some of my favourites.About Dom Mercer: Dom Mercer is a dramaturg, director and producer based in Sydney. He is currently Head of New Work at Belvoir. At Belvoir his role has a focus on new writing and artist development, including leading the commissions and supporting the creative development pipeline for Belvoir's main stage productions in the upstairs theatre. He also founded and runs 25A; a curated season of independent works made in Belvoir's Downstairs theatre.We recorded today's conversation at Belvoir on Gadigal land. I acknowledge and pay my respects to the Gadigal people of the Eora nation who are the traditional custodians of the land on which Belvoir St Theatre is built.

In Episode 3 of the FAR & Beyond, the hosts interview Mr. Adam Caudle, Attorney Advisor with the Fort Belvoir Division, Army Materiel Command Legal Center – Aberdeen Proving Ground. Mr. Adam Caudle is an acquisitions attorney providing contract and fiscal law support to Program Executive Officer Soldier, Program Manager Expeditionary Energy and Sustainment Systems, and Program Manager Terrestrial Sensors. He also provides administrative, ethics and labor legal support to various client activities. During the interview, Mr. Caudle discusses temporary acquisition flexibilities relating to Ukraine, Taiwan, and Israel. These temporary flexibilities allow the DOD to significantly accelerate the award of certain types of contracts to meet mission requirements. Connect with The Judge Advocate General's Legal Center and School by visiting our website at https://tjaglcs.army.mil/ or on Facebook (tjaglcs), Instagram (tjaglcs), or LinkedIn (school/tjaglcs).

In this episode Elaine chats with actor, Virginia Gay. We talk about Virginia's Fringe First award winning show Cyrano. We talk talking old stories and bringing them to new audiences without repeating the same story but bringing a fresh perspective to it and how vital that is for us all. We talk about the wonderful tool that is comedy that let's us reach our audience in an authentic and truly moving way. We chat the joy of theatre, words, life, queer love and so, so much more. Cyrano - Traverse Theatre Dates: 1st-25th August @ Various Times Tickets available here: https://www.traverse.co.uk/whats-on/event/cyrano-festival-24 Park Theatre London 11th December 2024 -11th January 2025 - Tickets: https://parktheatre.co.uk/event/cyrano/ CYRANO Virginia Gay's joyous, gender-flipped retelling of Cyrano de Bergerac, packed with music, wit and aching romance, is a love letter to hope; to language and desire; to the irrepressible magic of theatre. A big-hearted, irreverent rom-com, perfect for a feel good Christmas treat. Cyrano is the most interesting person in any room – a wordsmith, a charmer. She works twice as hard and runs twice as fast as the pretty boys, because she's deeply ashamed of something about herself. Enter Roxanne: brilliant and beautiful, with a penchant for poetry and a way with words, just like Cyrano. But Roxanne only has eyes for Yan: hot, manly Yan; all brawn-and-no-brains Yan; who is dumbstruck around Roxanne. Probably shy, right? Until suddenly he starts saying the most amazing things. But it's not Yan writing these perfect love scenes, it's Cyrano … Virginia Gay “Virginia Gay graduated WAAPA, then spent four years pretending to be a nurse on All Saints, six months pretending to be cop on Savage River (ABC), and then five years on Winners & Losers, where she pretended to know a lot about high finance. That last one, particularly, was a stretch. She won a Sydney Theatre Award for Best Actress for Calamity Jane, starred in the film Judy & Punch which premiered at Sundance, and wrote and directed her first short film Paper Cut, which made Tropfest finals. In 2020 she wrote two new plays: an adaptation of Cyrano for MTC and The Boomkak Panto for Belvoir, which premiered December 2021. She starred in both and also co-directed The Boomkak Panto.” HIPA GUIDES: HIPA GUIDES OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE

Bunny chats to Her Grace, The Duchess of Rutland, Emma, in her gardens at Belvoir Castle.  Emma talks about her life and gardens, including how she won a scholarship to the Guildhall School of Music to study opera singing, before changing direction and training as a land agent.   Emma has completed many ambitious projects at Belvoir, including recreating the Capability Brown scheme for Belvoir Castle which was Brown's final scheme, plus creating The Engine Yard, a retail village next to the castle, complete with a small hotel. Emma also explains how she has managed to bounce  back from her breakdown, which was triggered by the break-up of her marriage. Emma also talks about the hugely successful podcast ‘The Duchess', that she started, where she would chat to other chatelaines of English country houses. #theduchess #bunnyguinnesspodcast 

“Counting & Cracking” is a play that spans four generations of a Tamil family across Sri Lanka and Australia from 1956 to 2004. It was first produced by Belvoir and Co-Curious at the Sydney Town Hall in January 2019 for the Sydney Festival. With a cast of 19, the play runs for three and a half hours. - இலங்கைப் பின்னணி கொண்ட ஆஸ்திரேலிய குடும்பம் ஒன்றின் நான்கு சந்ததியினரின் கதைகளை – கொழும்பு நகரிலிருந்து பெண்டில்ஹில் வரை – எடுத்து வரும் ஒரு அரங்கக் காவியம் “எண்ணிக்கை, இல்லையேல் கையோங்கு (Counting and Cracking).”

Jordan See is Head of Government Relations at Qualtrics.  He is responsible for directing all government activities for Qualtrics' North American business operations. Jordan has over 14 years of experience working with the United States Congress, state legislatures, executive agencies, healthcare, and technology industries. Prior to joining Qualtrics, Jordan served as the Director of State and Federal Government Relations with Teladoc Health, where he managed a portfolio of issues ranging from telehealth, health technology, state Medicaid, and federal Medicare and Veteran Health issues. Jordan also served as Director of Government Affairs with Leidos, where he was responsible for directing government activities for Leidos' $4.0 billion health technology business. Prior to joining Leidos, See served as the Legislative Director for U.S. Rep. Earl L. “Buddy” Carter (GA-01), where he managed the Congressman's legislative staff and congressional activities on the House Committee on Energy and Commerce.  From 2010-2016, See served in roles of increasing responsibility for U.S Rep. Gregg Harper (MS-03), ultimately serving as Senior Legislative Assistant and Communications Director, where he served as the primary advisor to the Congressman on Healthcare issues related to the House Committee on Energy and Commerce, as well as Social Security, Financial Services, Small Business, Housing, Technology, and Veterans Health and Benefits issues. See serves as a commissioned Military Intelligence Officer (Major) in the United States Army Reserve, and is currently assigned as an Inspector General with the Military Intelligence Readiness Command at Ft. Belvoir, VA. From 2010-2019, See previously served as and enlisted Infantryman and a Military Intelligence Officer with the Mississippi Army National Guard. See holds a J.D. from Mississippi College School of Law, and a B.A. from the University of Florida in Anthropology/Geography. Go Gators!

One of Australia's most respected actors, Nadine Garner's career has spanned film, television and theatre for more than 30 years. Nadine recently performed on stage in the Melbourne Theatre Company's The Almighty Sometimes and Belvoir's production of Tell Me I'm Here to rave reviews. Her recent screen credits include the ABC crime drama series Savage River and Scott Major's debut feature film Darklands which premiered on Stan. Nadine's other television credits include the Network 10/Channel 5 (UK) series Lie With Me, the Stan original series Bloom, My Life Is Murder and Mr Black for Network 10, The Blake Mysteries: Ghost Stories Telemovie for the Seven Network, ABC's The Doctor Blake Mysteries, the Seven Network drama City Homicide, ABC comedy It's A Date, Blue Water High, The Henderson Kids, G.P, The Flying Doctors, Boys From The Bush, and RAW FM for which she was nominated for an AFI Award for Best Actress in a Television Drama. Nadine's feature film credits include Ben Hackworth's debut feature Celeste which premiered at the 2018 Melbourne International Film Festival, Ana Kokkinos' The Book Of Revelation, Darren Ashton's Razzle Dazzle and Amanda Jane's The Wedding Party, which earned her a New York City International Film Festival Award for Best Supporting Actress. In 1988, Nadine received an AFI Award for Best Actress for her role in Mull and in 1995, she received a Film Critics Circle of Australia Award for Best Supporting Actress and an AFI Award nomination for Best Actress for her role in Metal Skin. Nadine has worked for many of Australia's theatre companies performing both contemporary and classical pieces including The Lifespan of a Fact which earned her a Green Room Award Nomination for Outstanding Performance , Emerald City (co-production with QT), Photograph 51, Di and Viv and Rose, The Distance, The Weir, Private Lives, The Three Sisters and The Cherry Orchard for MTC; A Little Night Music for Watch This National Theatre; Zebra! and Life After George for STC; Miss Julie for Perth Theatre Company; Romeo & Juliet and Taming of the Shrew for The Australian Shakespeare Company. She starred in Sam Mendes' production of Cabaret and received a Helpmann Award and Green Room Award for her performance as Fraulein Kost. In 2011, Nadine wrote and directed the short film Afterglow which was nominated for an AACTA Award for Best Screenplay. Nadine returns to the Musical stage in July for William Finn's Elegies, being presented at 45 Downstairs in Melbourne. In August she is in Sydney making her Opera House debut in a unique presentation of Jane Austen's Pride and Prejudice. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Episode 88 features Sophie Strand, Director of Business Development at Belvoir Edinburgh. Sophie shares insights from her career in high-profile property companies and her current role at Belvoir. She discusses the core values that guide Belvoir Edinburgh and the advantages of their franchise model. Sophie explains the benefits of using a letting agent, the essential steps to ensure a property is compliant and habitable, and how agents keep up with legal changes. This episode also covers Edinburgh's current rental market and the effects of political and economic factors on the property sector.

Neil Armfield AO is a leading Australian director of theatre, opera and film. Alongside Rachel Healy, Neil was Artistic Director of Adelaide Festival between 2017 and 2022. Prior to that, Neil was the inaugural Artistic Director of Belvoir St Theatre, which he also co-founded, for 17 years.   As Artistic Director of Belvoir, and for other companies, Neil has directed well over 100 productions, with a focus on new and Indigenous writing, Shakespeare, David Hare and Patrick White.  Some highlights include; The Tempest, Hamlet, Up the Road, Summer of the Seventeenth Doll, Keating!, Toy Symphony, Dallas Winmar's Aliwa, Angels in America, A Cheery Soul, Signal Driver, The Blind Giant is Dancing and Things I KnowTo Be True. Neil's production of Arthur Miller's Death of a Salesman opened in late 2023 to glowing reviews. Produced by GWB Entertainment and Red Line Productions at Her Majesty's Theatre in Melbourne, it starred Anthony LaPaglia and Alison Whyte. After the success of the Melbourne season, the play will be presented at the Theatre Royal Sydney in May/June 2024.   In 2022, Neil directed the world premiere of the oratorio Watershed: The Death of Dr Duncan by Joseph Twist at the Adelaide Festival, and Glyndebourne Festival's production of Brett Dean's Hamlet at the Metropolitan Opera in New York. Neil directed the same production of Hamlet at Munich's Bayerische Staatsoper in July 2023. For the 2021 Adelaide Festival, Neil directed the Australian premiere of A German Life by Christopher Hampton, starring Robyn Nevin, as well as Britten's A Midsummer Night's Dream in the Festival Theatre. Later that year he directed an acclaimed production of Rameau's comic masterpiece Platée for Pinchgut Opera. In addition to his extensive work in Australia, many of Neil's productions have played internationally. These include Cloudstreet (toured to London, Dublin, Zurich, New York), The Diary of a Madman (with Geoffrey Rush, toured to Moscow, St Petersburg, New York), Exit The King (Broadway), The Book of Everything (toured to New York), The Judas Kiss (toured Australia with Bille Brown, London, New York and Toronto with Rupert Everett), The Secret River (adapted by Andrew Bovell, toured to Edinburgh Festival and London) and the world premiere of David Hare's I'm Not Running for National Theatre in London. Neil frequently collaborates with major opera companies, having directed productions at The Metropolitan Opera, English National Opera, Royal Opera House Covent Garden, Chicago Lyric Opera, Zurich Opera, Bregenz Festival, Washington National Opera, Opera Australia, Pinchgut, Canadian Opera, Welsh National Opera, and Houston Grand Opera. In addition to classics by Mozart, Britten and Wagner, Neil directed the premieres of Frankie and The Eighth Wonder by Alan John, Whitsunday by Brian Howard, Love Burns by Graeme Koehne and Bliss and Hamlet by Brett Dean. For screen, Neil directed and co-wrote the feature film Candy, starring Heath Ledger and Abbie Cornish, which screened at over twenty international films festivals including In Competition at the Berlinale. Neil was awarded Best Adapted Screenplay at the AFI Awards and an AWGIE for Best Screenplay. Neil's second feature film Holding the Man premiered at Sydney Film Festival in 2015. For television, Neil directed miniseries Edens Lost for ABC (AFI Award Best Director and Best Mini-Series), The Fisherman's Wake (by Andrew Bovell), which won an ATOM Award for Best Original TV Production, and Coral Island (by Nick Enright). Over his distinguished career, Neil has received 2 AFI Awards, 12 Helpmann Awards and several Sydney Theatre, Victorian Green Room and Sydney Theatre Critics Circle Awards. He holds Honorary Doctorates from Adelaide, Sydney and NSW Universities, and in 2007 was appointed Officer of the Order of Australia. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts.

CELEBRATING DANE CRAWFORDIn these special episodes, we celebrate the life of a person who has died via someone who loved them deeply - keeping the memory of them alive through shared recollections, joy and grief.These conversations can be intensely raw, and many tears are shed. Please move gently as you listen.TW: Grief, suicidal ideation.Dane Crawford was a sparkly-eyed, sweet natured man who loved his work in construction. He died suddenly in 2018 at 37 years of age. Celebrating Dane is his former partner Tommy Murphy - a celebrated playwright and screenwriter based in Sydney, where his recent stage adaptation of Nevil Shute's On The Beach premiered at Sydney Theatre Company. His earlier adaptation of Tim Conigrave's memoir Holding The Man plays regularly around the world, including a recent revival at Belvoir. Tommy won the National Theatre Award from the Australia Council in 2020 following his play Packer & Sons. Other theatre credits include Mark Colvin's Kidney, and Gwen in Purgatory (Belvoir St Theatre), Troy's House (SUDS, ATYP), Strangers in Between (Griffin Theatre Company, Trafalgar Studios West End), Blood Wedding (Royal and Derngate Northampton Theatre, UK), and Saturn's Return (Sydney Theatre Company). He created and was the Head Writer and Script Producer for the ABC original television series Significant Others (Fremantle, nominated for the 2023 Logie for Outstanding Drama). Tommy has also written episodes on The Twelve, Bloom, Fighting Season, The Devil's Playground and Offspring. Tommy wrote and was Associate Producer on the feature film Holding The Man (Goalpost Pictures) directed by Neil Armfield. He won the AWGIE Award for Best Writing in a Feature Film and Critics Circle Award for Best Screenplay. Tommy was the recipient of the Patrick White Playwrights Fellowship (2016), and The Writers' Guild and Screen Australia Creators Program in Hollywood (2023). His other notable awards include winner of the 2022 AWGIE Award for Audio Fiction for his radio play Call You Back and winner of the N.S.W. Premier's Literary Awards for Best Play for both Holding The Man and Strangers In Between and the W.A. Premier's Prize for Gwen in Purgatory. He is currently developing a feature film. Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Support the show via www.patreon.com/mariekehardy and drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some  wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★

As one of our finest actors, Keith Robinson carved a career on stages around the country. As a  wit and treasured talisman, he kept us informed and in stitches with his regular postings on social media.Keith's repertoire of characters included the great clowns of Shakespeare. He was admired for his tremendous physicality in realising these endearing fools and jesters …. and for his dependability in affecting an audience.As a member of the ensemble at Belvoir Theatre, he contributed to the success of milestone productions such as Hamlet, The Tempest, The Alchemist, Night On Bald Mountain and Picasso at the Lapin Agile. Keith's extensive theatre credits also included the Dickensian epic Nicholas Nickleby with the Sydney Theatre Company ……  and ventures into musical theatre with the premiere Australian production of Les Miserables. As performer and playwright -  Keith co-authored (with Tony Taylor) the silly, comic romp The Popular Mechanicals - a fond valentine to the determined amateur acting troupe of Shakespeare's A Midsummer Night's Dream. In 2006 his life upon the boards looked like being snatched away when he was diagnosed with a neurological condition, called Guillain-Barre syndrome. His personal expression as an actor became compromised with limited mobility and the necessity of a wheelchair. But Keith was a determined thespian …. and in 2016 he returned to the Belvoir stage as a wise and moving Feste …. in a production of Twelfth Night. As well as a phenomenal talent, Keith was immensely entertaining and terrific company. Passionate, funny and tremendously informed, Keith traversed an eventful life on and off the stage. His legacy of compelling screen performances are fortunately preserved in television productions such as the anthology series Summer Love, season 2 of The Twelve and in a much discussed TVC for Australia post, where we may still be able to find him at various point of sale.This conversation, recorded for the STAGES podcast, took place in May 2021 when Keith was preparing to play Leonid Gayev in The Cherry Orchard at the Belvoir street theatre. It was to be the final time we would see Keith light up a stage. I hope this return episode brings you some comfort - and joy - relishing in Keith's wonderful anecdote, insightful wisdom - and that enormous laugh that instantly embraced it's listener.Vale Keith Robinson - you will be greatly missed. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Iain Sinclair is one of Australia's finest, award winning theatre directors specialising in new writing and contemporary international work. Iain established the critically acclaimed theatre company Elbow Theatre in Canberra, where he received four Critics Circle Awards. He received a Sydney Theatre Award for his production of The Seed by Kate Mulvaney and is also an AWGIE Award nominated director. He has directed a number of highly praised main stage productions in Sydney including Our Town  by Thornton Wilder for The Sydney Theatre Company, which was described as “a triumph”. His production of Arthur Miller's, All my Sons was described as “A rock solid production of a play that makes you shake your head in wonderment”.  Iain has also directed for The Melbourne Theatre Company, The Ensemble, The Queensland Theatre Company, Belvoir and Sport for Jove with celebrated productions of Who's Afraid of Virginia Woolf? By Edward Albee, The Caretaker by Harold Pinter, A View From The Bridge by Arthur Miller, Mojo by Jez Butterworth, Blood Wedding by Federico Garcia Lorca (translation by Sinclair), The Beast by Eddie Perfect, A Midsummer Night's Dream by William Shakespeare and Berlin by Joanna Murray Smith. Iain graduated with distinction from the RADA Masters Program and Kings College, London. He is the associate artist and resident dramaturge for Playwriting Australia and has been assistant director to Cate Blanchett and Max Stafford Clark. Iain was invited by Max Stafford Clark to tour the UK as a member of his company “Out of Joint” teaching principles of new play making and Max Stafford Clark's legendary process based on actioning. Iain continues his work as a dramaturge and has worked with the following companies; ASK Los Angeles, New Dramatists New York, The Traverse Scotland, The Royal Shakespeare Company, The Royal Court and The National Theatre England.Iain Sinclair is presently the Head of Acting at 16th Street Actors Studio in Melbourne, where he nurtures a new generation of actors and continues to practice and refine his magnificent craft.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Tim Draxl is an actor and singer with a career spanning more than two decades.Most recently he was seen in the SBS anthology television series Erotic Stories, for which he has received an AACTA Nomination for Best Supporting Actor in a Drama series, and the lead role in ABC's four-part musical drama In Our Blood, for which he has received both an AACTA Nomination for Best Lead Actor in a Drama Series and TV WEEK Logie Award Nomination for Most Outstanding Actor in a Drama Series.On stage, Tim was most recently seen in Belvoir's Into The Woods as ‘Cinderella's Prince/ Wolf' and in the role of ‘Steve Healy' for the first overseas tour of Alanis Morissette's Jagged Little Pill produced by GWB. Other theatre credits include critically acclaimed Only Heaven Knows, Catch Me If You Can and Evie May (all for Hayes Theatre), Torch Song Trilogy (Darlinghurst Theatre Company), Lip Service, Mothers and Sons (Ensemble Theatre), Freeway – The Chet Baker Journey (Sydney Opera House, Melbourne Festival, Brisbane Festival), Nailed (Griffin Theatre Company), A Midsummer Night's Dream (Belvoir), The Sound Of Music (GFO) and She Loves Me (The Production Company).Other television credits include anthology series Summer Love and critically acclaimed The Newsreader both for the ABC, hit series A Place to Call Home as series regular Henry Fox (FOXTEL), the Molly Meldrum telemovie Molly, the critically acclaimed series Serangoon Road, Reef Break, Mrs Biggs, Home & Away, Miss Fisher's Murder Mysteries, Crownies, Day One, Tangle, Headland, Supernova, Dynasty: The Making of a Guilty Pleasure and The Shark Net.Tim's film work includes action film Blacklight alongside Liam Neeson, Guardians of the Tomb, directed by Kimble Rendall, A Few Best Men, Undocumented, Ivory, In My Sleep, Red Canyon, Right Here Right Now, Travelling Light, Swimming Upstream, and Dirty Deeds.He received his first TV WEEK Logie Award Nomination for Most Outstanding Actor in a Drama Series in 2005 for The Shark Net and an ASTRA Award Nomination (later renamed The AACTA Awards) for Most Outstanding Performance by an Actor in a Comedy for Supernova (2006). His one man show Tim Draxl in Concert was nominated for a Helpmann Award for Best Live Music Presentation in 2002 and has received several Sydney Theatre Award nominations for his cabaret and theatre shows winning the award for best cabaret production with Back For Seconds in 2006.He has released four solo albums. ‘Ordinary Miracles' and ‘Insongniac' for Sony Music Australia under the Columbia label, the independently released ‘Tim Draxl Live at the Supper Club' and ‘My Funny Valentine' released through Ambition Entertainment/EMI which reached number 1 on the iTunes jazz charts.Tim can currently be seen on Australian stages playing the role of Jodie Gillis opposite Sarah Brightman's Norma Desmond in Andrew Lloyd Webber's Sunset Boulevard. This will be the musical theatre event of the year. Don't miss this strictly limited season at Melbourne's Princess Theatre from May, and at the Sydney Opera House from August, 2024.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

நாயிகா – ஒரு நாட்டியப் பெண் என்ற மேடை நிகழ்வு சிட்னியின் Belvoir அரங்கில் நடைபெறுகிறது. இது குறித்து அந்த நிகழ்வின் இயக்குனர் நித்தியா நாகராஜன் அவர்களுடன் உரையாடுகிறார் குலசேகரம் சஞ்சயன்.

Damien Ryan is managing director and artistic director of Sport for Jove Theatre Company, now in its twelfth year, where he has directed more than 30 productions, written and developed three new works and adapted over a dozen plays.  The company has a comprehensive education program developed by Damien, and works with tens of thousands of Australian students annually at secondary and tertiary levels. Damien has worked extensively with Shakespeare, performing in or directing over 70 productions in Australia and overseas, and has worked as actor, director and writer across Australia's major companies including STC, MTC, Bell Shakespeare, Belvoir, Sydney Festival, Canberra Theatre Centre, Brisbane Festival and Queensland Theatre, and in the independent sector in Sydney.  Recent directing credits include, Venus & Adonis (a feature film), Romeo & Juliet, The Crucible, The Father, Hamlet, Henry V, Henry IV Parts 1&2, Romeo & Juliet, Rose Riot, Merchant of Venice, Antigone, Antony and Cleopatra, The River at the End of the Road, Cyrano de Bergerac, No End of Blame, Othello, The Tempest, Romeo & Juliet, Away, The Taming of the Shrew, Macbeth, Loves Labour's Lost, The Importance of Being Earnest, The Crucible, A Midsummer Night's Dream, All's Well That Ends Well, Twelfth Night, The Libertine, Look Back in Anger. Acting credits include Venus & Adonis, Othello, Romeo & Juliet, Life of Galileo, Twelfth Night, Nora; As You Like It, Antony and Cleopatra, Richard 3, Comedy of Errors, Hamlet; Crime and Punishment, Under Milk Wood; Mother Courage, Isolde and Tristan, Hamlet and King Lear.  Damien has two award-winning play adaptations (Antigone and Cyrano de Bergerac) published with Currency Press. From May 1st to June 1st, Sport for Jove's production of ISOLDE and TRISTAN plays the Old Fitz theatre in Sydney - and it is directed by today's featured guest - Damien Ryan. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

On the day of the announcement mining giant BHP offered a whopping £31bn for Anglo American, Mark Robinson runs us through the thinking behind the deal, the impact South Africa's upcoming election may have on Anglo's assets, and whether this is just the beginning of negotiations.Jemma Slingo takes the hot seat to discuss this week's cover feature, hopefully, a comfort for many listeners: investors' biggest mistakes. Jemma shares a few examples from fund managers interviewed, what they have learnt from their mistakes, the behavioural science behind them and more. Last but not least, Julian Hofmann discusses the biggest estate agent Property Franchise Group (TPFG) which recently completed a takeover of smaller realtor Belvoir. It's now the biggest real estate agent in the country in terms of its multitude of locations thanks to its franchise model, but is it a quality business in the cyclical sector?Timestamps1:08 BHP's big for Anglo American13:56 Investors' biggest mistakes25:01 Property Franchise GroupClaim your first 12 weeks of Investors' Chronicle Print + Digital for just £12. You will get instant access to our website and app, plus the magazine delivered to your door every week. To start your trial, visit investorschronicle.co.uk/podcasttrial*After your 12-week trial you will pay just £56.25 every 13 weeks by direct debit. If you're not entirely satisfied, you can cancel up to 5 business days before your renewal date and only pay the £12 already debited. This offer is for UK subscribers only. Hosted on Acast. See acast.com/privacy for more information.

  Psychic Medium Dana Stricker tells Patrick of the fascinating, yet strange experiences of her childhood that helped to shape her work, which began at the age of 15 when she gave tarot readings. Other topics include her "Battle Axe" of a spirit guide, a shared experience that left a handprint burned into Dana's leg, and what it really means to be a Witch! Plus, what's life like on the Other Side? Visit BigSeance.com/249 for more info. Other Listening Options Direct Download Link   In this episode: Intro :00 Dana Stricker's Bio :46 Patrick and Dana met each other at Amy Bruni's Strange Escapes event at Belvoir Winery in 2022. 2:26 After leaving the dirty, creepy bunker of the orphanage where Patrick led Dana and a small group in a paranormal investigation at Belvoir, she went home with a child's handprint burned into her thigh. For more on the investigations from the bunker at that event, check out episode 215. 5:39 Dana is the Social Media Meme Queen! “I just have a very good sense of humor, and I think humor is very important right now in the world, and so I just keep doing it.” 10:48 Dana is a member of the Soulstice Sisters, along with Khristina Bowen and Kathy Feketik. 13:29 Ghostly physical contact in a jail cell at Ohio State Reformatory. 16:10  “I think a place, once a lot of people have gone through it, it seems like it loses something or it gains things that wouldn't have been there initially.” 19:57 Some of the childhood experiences that shaped Dana's psychic abilities and mediumship, in which utilized the tarot for many years. 21:55 The “Battle Axe” that is Dana's spirit guide. 28:30 “I could hear a big band playing in our living room.” Other strange paranormal experiences from Dana's childhood. 31:25 Help from a theatre class. 34:35 What's life like on the Other Side? 36:31 “I do practice Witchcraft, but it's my Witchcraft.” What it means to be a Witch. 42:53 Dana's advice for young people who may be growing up with similar abilities and experiences, which includes reading Chip Coffey's Growing Up Psychic. Hear more about this book in Patrick's interview with Chip in episode 85. 49:32 Dana's final thoughts. 53:43 Outro 57:55 A special THANK YOU to Patreon supporters at the Super Paranerd and Parlor Guest level! 59:13   For more on Dana Stricker PsychicMediumDana.com SoulsticeSisters.com Dana on Facebook Dana on Instagram     The Big Seance Podcast can be found right here, on Apple Podcasts, Pandora, Spotify, TuneIn Radio, Amazon Music, Audible, iHeart Radio, and YouTube. Please subscribe and share with a fellow paranerd! Do you have any comments or feedback? Please contact me at Patrick@BigSeance.com. Consider recording your voice feedback directly from your device on my SpeakPipe page! You can also call the show and leave feedback at (775) 583-5563 (or 7755-TELL-ME). I would love to include your voice feedback in a future show. The candles are already lit, so come on in and join the seance!      

Kim Carpenter AM is an Australian visual artist, theatre director, designer and devisor. For thirty years he was artistic director of his company, Kim Carpenter's Theatre of Image. During the 1970s, Carpenter designed for the Melbourne Theatre Company and Sydney's Nimrod Theatre Company. He was, for a short period, co-Artistic Director of Nimrod in the early 1980s. In 1988, Kim established Theatre of Image as Sydney's first visual theatre company. Theatre of Image developed into a leading Australian theatre company for children and families, with its productions having a distinctive visual style. In September 2019 he announced the closure of the company. His work includes The Book of Everything which he created with Neil Armfield for Theatre of Image and Belvoir. The production toured Australia and played a season in New York at the New Victory Theatre. In 2019 he adapted and designed The Happy Prince as a ballet for The Australian Ballet. It premiered at the Queensland Performing Arts Centre. Kim Carpenter was made a Member of the Order of Australia in 2013 for significant service to the performing arts. He has devised, directed or designed over 100 productions for theatre, opera, dance, physical theatre, ballet and puppetry. A prolific visual artist also, Kim Carpenter has been represented in Australian and International exhibitions. His next exhibition is a series inspired by William Shakespeare's A Midsummer Night's Dream. This show of works will be exhibited at Maunsell Wickes Gallery Paddington, from April 6th to 21st. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Dive into the latest episode, as Andrea Motley Crabtree shares her groundbreaking journey from joining the Army in 1977 to becoming the first Black female deep-sea diver across all U.S. military branches and the U.S. Army's first female deep-sea diver.  Conquering intense training, her story of perseverance and the power of support will inspire you.  This is truly a story of courage and determination.    Audio mixing by Concentus Media, Inc., Temple, Texas.    Show Notes:  Bio:  Andrea Motley Crabtree, Ret. U.S. Army Master Sergeant enlisted in May 1977 and served through April 1998.  Her MOS were 35E series, Signal Corps/Ordnance and 00B Deep Sea Diver, Second Class, Engineer.  She entered the Delayed Entry Program (DEP) in February 1977 to May 1977 (PV1).  Then was shipped from Detroit MEPS to Basic Training at Ft McClellan, Alabama in May of 1977, and then graduated in July 1977 E 1st Battalion 1st Brigade (PV2).  Attended Advance Individual Training (AIT) Ft. Belvoir, Virginia 35E20 and 35E30 Senior Special Electrical and Electronic Device Repairman August 1977 to January 1978 (PFC).  Then participated in Hometown Recruiting Program USADRC January to February 1978.  Duty stations: 513th Maintenance Battalion 3rd ACR Ft Bliss, Texas February 1978 to May 1979 (SP4), 614th Maintenance Battalion Attachment 71st Maintenance Battalion Nuremberg, Germany July 1979 to May 1980 (SP5).  Reenlisted for Ft Ord California to get SCUBA certified.  Then stationed with Co A 707th Maintenance Battalion 7th Infantry Division Ft Ord California June 1980 to September 1981.  Fourth permanent duty station. 86th Diving Detachment 30th Engineer Battalion Ft Belvoir Virginia Oct 81 to Jan 83. Petroleum Distribution Systems Pohang Korea January 1983 to January 1984 (SSG).  511th Diving Detachment 30th Engineer Battalion Ft Belvoir, Virginia January 1984 to 1985 reclassified.  HHC USAG, 313 SIG CO, then to HHC USAG, G1, Ft Hood Texas 1985 to 1986.  DA selected for recruiting duty.  TDY To Ft. Benjamin Harris for recruiting school and graduated May 1987.  Recruiting duty. Newburgh Recruiting Battalion, Newburgh New York June 1987 to July 1988.  Ft. Gordon, GA for ANOC August 1988 to December 1988.  HQ&A 360th Signal Battalion, 15th Signal Brigade, Ft. Gordon GA. Assigned as instructor November 1988 to March 1990. Drill Sergeant School, Ft. Jackson, SC. January 1990 to March 1990.  Assigned as Drill Sergeant C Co. 360th Signal Battalion, 15th Signal Brigade, Ft. Gordon, GA March 1990 to March 1992.  HHC 17th Signal BN. APO, AE 09225 April 1992 to December 1993.  HHC USAG Ft. Carson, Colorado January 1994 to October 1995. Headquarters & Headquarters, 307th Signal BN. Camp Carroll Korea, APO Area Pacific 96260 February 1996 to September 1996. HHC DISCOM, 101st Airborne Division (AASLT), Ft. Campbell, Kentucky 42223, FORSCOM September 1996 to April 1998.  Certified by the Professional Association of Diving Instructors (PADI) and the National Association of SCUBA Diving schools (NASDS).  But then turned down promotion to Staff Sergeant to be eligible for dive school.  Enroute to Ft Rucker Alabama, assigned there for UCMJ while TDY to United States Navy Diving & Salvage Training Center Panama City Beach, Florida. In October 1981 arrived at dive school, failed swim test.  She was given one week to practice, and retake swim test, but failed second swim test. She disenrolled herself and this allowed for the opportunity to come back to school later, as flunking out would not allow a return to the course. In October 1981 assigned to HHC 30th Engineer Battalion Ft. Belvoir Virginia home of the 511th Diving Detachment, and 86th Diving Detachment. She went swimming every day to improve her time.  In November 1981 TDY Ft Eustis, Virginia to attend two-week diver pre-screen course.  January 1982 went back to dive school and in April 1982 graduated. She has also participated and medaled in the National Senior Games in shot put, discus, javelin, and table tennis.  She loves Pickleball and tries to play five days a week. Her picture hangs at the U. S. Army Women's Museum at Fort Gregg Adam's, the painting of her by Henry Taylor hangs at the Metropolitan Museum of Art in the Before We Could Fly: An Afrofuturist Period Room, Tavares Strachan did a piece titled: In Plain Sight, Distant Relatives a piece at displayed at the Marian Goodman Gallery. She was a consultant for the book Manhattan Beach by Jennifer Egan. She is included in the book The Only Woman by Immy Humes, (A book that spotlights 100 historical photographs of lone woman hidden among groups of men). Who's Who of American Women, Who's Who of Emerging Leaders in America. Member of Phi Theta Kappa International Honor Society, and her Website: www.reddiverdown.com. She owned and operated Crabtree & Sons Lawn Maintenance, Inc., substitute taught for two years, and studied computer science at Aiken Technical College.  She has three sons and a grandchild on the way.  Andrea is also a two-time cancer survivor.      

Rebecca Massey and Shannen Alyce Quan are both actors soon to appear in Belvoir's Holding the Man.This new production comes nearly 20 years after the plays premiere in 2006. Written by Tommy Murphy, the play brings to life the heartfelt and heartbreaking memoir by Timothy Conigrave, about his fifteen year relationship with John. From falling in love at high school in the late 70s, to its devastating conclusion in the early nineties. Get your tickets to Holding the Man here:https://belvoir.com.au/productions/holding-the-man-2024/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Tommy joined the cast of Towie in 2014 in series 13 and was the only new character to join that season. His relationship with Georgia Kousoulou launched him well and truly into the public's consciousness with most of his storylines revolving around their ever-blossoming romance. He has launched a business empire - not only has he collaborated with the brand Belvoir &Co to create a line of glasses and sunglasses, he also has his own shoe company.

We're joined for this special Christmas episode by The Duchess of Rutland, Emma Manners, who explains the experience of running an estate at Christmas time. Belvoir Castle has teamed with Charlotte Lloyd-Webber to bring the theme of the '12 Days of Christmas' for visitors to enjoy.

Britain's landscape is dotted with quite incredible castles, from towering and imposing masterpieces to crumbling, romantic ruins. In this week's podcast, we speak to Country Life magazine's Architectural Editor, John Goodall — the man who didn't so much write the book on castles as write a whole bookshelf's worth — to find out which five are his favourites.John picks out five wonderful examples which show the full range of Britain's architectural legacy: Headingham, Knaresborough, Lancaster, Belvoir (pronounced 'Beaver') and Castle Drogo. And then he throws in a very special extra bonus castle at the end — arguably the greatest castle on the face of the planet, whose fate has been intertwined with that of the Royal Family for 1,000 years.Episode creditsHost: James FisherProducer and Editor: Toby KeelGuest: John GoodallMusic: 'Summertime' by JuliusHSpecial thanks: Adam WilbournFind out more about the podcast and see the episode notes at countrylife.co.uk/podcastFollow Country Life on Instagram @countrylifemagazineOn Facebook @countrylifemagazineAnd on Twitter @countrylifemag Hosted on Acast. See acast.com/privacy for more information.

Join us this week as we explore the weird and wonderful world of the Witches of Belvoir. Not only will Suz teach us how to catch a witch, but also how to combat their magic!All our links here - linktr.ee/spookyaf Music: Dank Halloween by Shane Ivers - https://www.silvermansound.com Hosted on Acast. See acast.com/privacy for more information.

In our second Listener Episode, we read seven stories and a poem sent in by members of the Three Ravens community.The stories include methods of protection from "The Evil Eye" and the doings of a mysterious 1,500 year-old midwife from Robert, tales of Irish werewolves from Sabrina, an account from Sam of her family's visit to the Rollright Stones, Kathryn's story of "The Nutshell Cat" from Bury St Edmunds, some Ouija and Tarot discussion care of Andrew, two fantastic tales from Sophie, including "Twice Buried Margorie McCall" and "The Headless Ghost of Henry Cuppage," and word from Andy about "The Belvoir Witches" as well as a poem about Leicestershire legend Black Annis.To send us your own folktales to be read on future listener episodes, please email us at threeravenspodcast@gmail.com, and we'll be back next week for the launch of Series 3!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...With Bonus Episodes released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus a range of exclusive content on Patreon, audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

For the second week in a row, this episode's guests are cast members from the final production of the year for one of the country's major theatre companies. This time it's Belvoir's turn. The Master and Margarita opened just the other night to five star reviews across the board. The wild Bulgakov novel has been adapted and directed by Belvoir's artistic director Eamon Flack and stars an ensemble of some of the most creative actors in the country including this episode's guests Anna Samson and Gareth Davies.Get your tickets to The Master and Margarita here:https://belvoir.com.au/productions/master-margarita/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

William and guests discuss the allocation of housing for vulnerable communities in NI.

London-born Tony Llewellyn-Jones graduated from the National Institute of Dramatic Art in 1971 and was invited to join the Melbourne Theatre Company. Over the next two years Tony appeared in productions including Tonight at 8.30, Mother Courage, The Cherry Orchard, How Does Your Garden Grow?, The Time is Not Yet Ripe, Danton's Death, Paying the Piper, An Ideal Husband, You Want It Don't You Billy?, Macquarie, The Plough and The Stars, Forget-Me-Not-Lane, The Tavern, Sticks and Bones and Batman's Beachhead. Tony has returned to Melbourne Theatre Company for The Visit, Life x 3, Realism and North By Northwest. He also has appeared for the Old Tote Theatre Company, Marian Street, Nimrod Theatre, Griffin, Belvoir and Bell Shakespeare. For the Sydney Theatre Company his credits include The Crucible, Saint Joan, Life After George, Corporate Vibes, Amigos, Metamorphosis, The Tempest, Hay Fever and King Lear.  He served on the panel that engaged Richard Wherret as the inaugural Artistic Director of the Sydney Theatre Company. He received an AFI Best Supporting Actor nomination for his role in the celebrated cinema capture of Picnic at Hanging Rock. In 2012 Tony performed in the Australian tour of Yes, Prime Minister for Guild, Woods & Bryce Productions. And in 2016 he was cast in the 60th anniversary production of My Fair Lady, as Colonel Hugh Pickering - a role it seems he was destined to play. Tony has appeared in numerous television series, including Rake, I Spry, The Prime Minister Is Missing, Underbelly, G.P., All Saints, Hell Has Harbour Views, BackBerner, Grass Roots, 13 Gantry Row, The Paper Boy, One Day Miller and Who Do You Think You Are?. His film appearances include Illuminations, Inside Looking Out, Picnic at Hanging Rock, The Girl who Met Simone de Beauvoir in Paris, Fatty Finn, Seeing Red, Man of Flowers, Cosi and Human Touch. Tony also has worked as a producer on Paul Cox feature films, including Man of Flowers, My First Wife, Cactus, Vincent: The Life and Death of Vincent van Gogh, Human Touch, Salvation and Force of Destiny. Tony Llewellyn Jones is a true gentleman of the theatre - abundant with anecdote, considered opinion and tremendous passion for a career that has rewarded him many times over. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

London born Tony Llewellyn-Jones graduated from the National Institute of Dramatic Art in 1971 and was invited to join the Melbourne Theatre Company. Over the next two years Tony appeared in productions including Tonight at 8.30, Mother Courage, The Cherry Orchard, How Does Your Garden Grow?, The Time is Not Yet Ripe, Danton's Death, Paying the Piper, An Ideal Husband, You Want It Don't You Billy?, Macquarie, The Plough and The Stars, Forget-Me-Not-Lane, The Tavern, Sticks and Bones and Batman's Beachhead. Tony has returned to Melbourne Theatre Company for The Visit, Life x 3, Realism and North By Northwest. He also has appeared for the Old Tote Theatre Company, Marian Street, Nimrod Theatre, Griffin, Belvoir and Bell Shakespeare. For the Sydney Theatre Company his credits include The Crucible, Saint Joan, Life After George, Corporate Vibes, Amigos, Metamorphosis, The Tempest, Hay Fever and King Lear.  He served on the panel that engaged Richard Wherret as the inaugural Artistic Director of the Sydney Theatre Company. He received an AFI Best Supporting Actor nomination for his role in the celebrated cinema capture of Picnic at Hanging Rock. In 2012 Tony performed in the Australian tour of Yes, Prime Minister for Guild, Woods & Bryce Productions. And in 2016 he was cast in the 60th anniversary production of My Fair Lady, as Colonel Hugh Pickering - a role it seems he was destined to play. Tony has appeared in numerous television series, including Rake, I Spry, The Prime Minister Is Missing, Underbelly, G.P., All Saints, Hell Has Harbour Views, BackBerner, Grass Roots, 13 Gantry Row, The Paper Boy, One Day Miller and Who Do You Think You Are?. His film appearances include Illuminations, Inside Looking Out, Picnic at Hanging Rock, The Girl who Met Simone de Beauvoir in Paris, Fatty Finn, Seeing Red, Man of Flowers, Cosi and Human Touch. Tony also has worked as a producer on Paul Cox feature films, including Man of Flowers, My First Wife, Cactus, Vincent: The Life and Death of Vincent van Gogh, Human Touch, Salvation and Force of Destiny. Tony Llewellyn Jones is a true gentleman of the theatre - abundant with anecdote, considered opinion and tremendous passion for a career that has rewarded him many times over. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Richard Roberts is an award-winning designer and educator. His body of work spans theatre, ballet, opera, musical theatre, and film, across Australia and internationally. Richard is currently Head of Design and Production at the Victorian College of the Arts.  He has held positions as Head of Design at The Western Australian Academy of Performing Arts, Head of Production at The Victorian College of the Arts and Head of Design at The Hong Kong Academy of Performing Arts. Richard's designs for opera include: for Opera Australia, Rigoletto, Don Pasquale, The Magic Flute and Die Fledermaus (with West Australian Opera); for Victorian Opera, Parsifal, Cunning Little Vixen; Nixon In China, The Magic Flute, Baroque Triple Bill, The Marriage Of Figaro; The Corronation Of Poppea and Don Giovanni; for Opera Queensland, Ruddigore; and for New Zealand Opera, Seattle Opera, and Philadelphia Opera Rigoletto. For dance, Richard's designs include: for Australian Ballet, Don Quixote, Requiem, Molto Vivace and Raymonda; La Sylphide and La Fille Mal Gardee for West Australian Ballet and Queensland Ballet. For theatre, Richard's designs include: for Queensland Theatre, Othello, The Sunshine Club, Death Of A Salesman, Noises Off (with MTC), Much Ado About Nothing, Tartuffe and Managing Carmen (with Black Swan); for Ensemble Theatre, Black Cockatoo; for TML, Fiddler On The Roof; for Melbourne and Sydney Festivals, The Season national tour; for Melbourne Theatre Company, Last Man Standing, Solomon And Marion, Next To Normal, The Gift and Frost/Nixon, Macbeth, Dreams in an Empty City, As You Like It, Hedda Gabler, The Sapphires, All My Sons; for Sydney Theatre Company, Australia Day(with MTC), True West, Riflemind; for Black Swan, The Caucasian Chalk Circle and Glengarry Glen Ross; for Belvoir, The Sapphires (with Black Swan). For screen, Richard's work includes production design for George Ogilvie's The Battlers for the Seven Network, the 12-part series Five Times Dizzy for SBS and I Own The Racecourse for Barron Films. Richard has designed the Operatic adaptation of Jane Harrison's The Visitors for Victorian Opera, currently playing The Arts Centre in Melbourne. For Opera Australia's Summer season he is Design Consultant for the Mozart Opera's Idomeneo and The Magic Flute. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Justin Smith is presently filling the shoes of Australia's 21st Prime Minister, Edward Gough Whitlam, in Squabbalogic's world premiere production of 'The Dismissal'. He will appear in three upcoming series' premiering in 2023: The Messenger for the ABC based on Marcus Zusak's bestselling novel, and Last Days of the Space Age and The Artful Dodger, both for Disney+. He most recently featured in the smash hit Netflix reboot of Heartbreak High. Elsewhere on the small screen he appeared in the latest season of Foxtel's hit drama Wentworth and in the hit Channel Seven series RFDS. Prior to that he starred in both seasons of major Foxtel's series Secret City alongside Anna Torv and Jacki Weaver. He also returned in the second season of the award-winning ABC comedy The Letdown. Both seasons have aired on Netflix around the world. Previously, Justin played Glen McNamara in the Seven Network drama Blue Murder: Killer Cop opposite Richard Roxburgh. Other notable television credits include playing Damon in the first season of Stan's brilliant comedy The Other Guy, the role of Lester Lawrence alongside Sam Worthington and Hugh Dancy in Foxtel's Deadline Gallipoli, Underbelly: Badness, The Straits and Bastard Boys, for which he was nominated for an AFI Award for Best Supporting Actor.Justin's feature film credits include the forthcoming Sony feature Carmen starring Paul Mescal, the award winning Australian film Babyteeth, Disney's hit film Pirates of The Caribbean: Dead Man Tell No Tales starring Johnny Depp. Fred Schepisi's The Eye of the Storm, Around the Block, Sleeping Beauty, Burning Man, Being Venice and Angst. Justin has starred in numerous stage productions. Most recently Into The Woods at Belvoir, Dubbo Championship Wrestling at Hayes Theatre Co, and Wudjang Not The Past for Bangarra. Other theatre credits include as Billy's Dad, Jackie Elliot, in Billy Elliot The Musical, Small Mouth Sounds for Darlinghurst Theatre Company, Jesus Wants Me For A Sunbeam at the National Theatre of Parramatta, The Long Forgotten Dream, directed by Neil Armfield for Sydney Theatre Company, A Strategic Plan for Griffin Theatre Company, and A Flea in Her Ear and Arcadia for the Sydney Theatre Company. Justin has appeared in many notable productions for Belvoir, Bell Shakespeare, Griffin and the STC.Justin made his professional debut in the 1992 Australian production of Jesus Christ Superstar alongside John Farnham and Kate Ceberano. In 1998 he played the role of Mark in the original Australian cast of Rent the Musical. He was later to play the role of Tony Elliot in the original Australian production of Billy Elliot.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

John Gaden on turning his back on law and landing on the stage

Chatting With Sherri welcomes actor, singer, director, writer and artistic director of the State Theatre Company of South Australia; Mitchell Butel! Mitchell holds four Helpmann Awards, four Sydney Theatre Awards and two Victorian Green Room Awards for his work as a director, actor and writer in Australian theatre over three decades. He has also worked in New York, London, Hong Kong and New Zealand. He has worked extensively for Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, State Theatre Company South Australia, Belvoir, Bell Shakespeare, Griffin, Malthouse, Opera Australia, Sydney Chamber Opera, Pinchgut Opera,  Most recently, Mitchell directed Giovanni Busenello's The Loves of Apollo and Dafne for Pinchgut Opera and the sold-out season of Dennis Kelly's Girls & Boys for State Theatre Company South Australia during the Adelaide Festival (and its tour to Sydney Festival and Theatre Royal, Hobart). For the Company, Mitchell has also directed Edward Albee's The Goat or, Who is Sylvia?, David Lindsay-Abaire's Ripcord,  His performing highlights in theatre, music theatre and opera include A Gentleman's Guide to Love and Murder, The Resistible Rise of Arturo Ui, The Merchant of Venice (as Shylock for which he won the Sydney Theatre Award for Best Actor), Mr Burns (Helpmann Award Best Supporting Actor), South Pacific,Angels in America. His film and TV highlights include A Sunburnt Christmas, Stateless, Dance Academy, Holding the Man, Gettin' Square (AFI nomination), The Bank, Strange Fits of Passion (AFI nomination),

We hope you enjoy this lecture given by Christian Keller at the CWI's 2023 Summer Conference, June 9, 2023. You can hear an interview with Christian about this topic on our Patreon channel. Just go to www.patreon.com/addressinggettysburg Since 2011, Dr. Christian B. Keller has been Professor of History in the Department of National Security and Strategy at the United States Army War College, Carlisle, PA, where he teaches courses for senior leaders on the theory of war and strategy, national security policy and strategy, and the American Civil War. In 2017 he was named the General Dwight D. Eisenhower Chair of National Security and in 2019 became the Director of the Military History Program for the school. Previously, he served as Professor of Military History for five and a half years at the Army Command and General Staff College, Ft. Belvoir, VA, and has also taught at numerous civilian institutions, including Shippensburg University, Gettysburg College, Dickinson College, and Washington and Lee University. In 2001-2002, after completing his Ph.D, Dr. Keller was a Fulbright Professor of American History at the University of Jena, Germany. Along with many scholarly articles focusing on strategic, operational, and ethnic topics in the Civil War, he is author of The Great Partnership: Robert E. Lee, Stonewall Jackson, and the Fate of the Confederacy (Pegasus, 2019); author of  Chancellorsville and the Germans: Nativism, Ethnicity, and Civil War Memory (Fordham, 2007); co-author of Damn Dutch: Pennsylvania Germans at Gettysburg (Stackpole/Rowman-Littlefield, 2004); co-author of The Civil War: A Visual History (Dorling-Kindersley/Smithsonian Institution, 2011); and co-author of Pennsylvania: A Military History (Westholme, 2016). His newest book, Southern Strategies: Why the Confederacy Failed was published by the University Press of Kansas in June 2021. Dr. Keller's next project, a new narrative of the Army of Northern Virginia based on dozens of previously unpublished wartime letters written by generals and staff officers, is currently in the final research phases with a prospective publication date in early 2024. A native of Carlisle, Dr. Keller lives with his wife, Kelley, in an antebellum house that witnessed the occupation of Carlisle Barracks by Confederate troops at the end of June 1863.

Peter Carroll's distinguished career has spanned over 100 productions and 50 years. He continues to work in musical theatre, new Australian texts, and global classics. He has worked with the major theatre companies and commercial managements in Australia including, MTC, QTC, STC, STCSA, Belvoir, Bell Shakespeare, and Opera Australia.  Peter began his career as a teacher (English, History and Drama) while gaining experiences in theatre work. In 1968 he went to London to study at the Central School of Speech and Drama where he topped the course. He returned to Sydney in 1970 and for three years headed the Voice and Speech department at the National Institute of Dramatic Art. During this time, he produced many plays for the students and kept up his acting work with guest appearances. At the end of 1973 Peter decided to attempt a full-time acting career and his work since then has more than vindicated his choice. He was a founding member in the 1970's of the Nimrod Theatre Company, performing up to seven or eight major roles a year, ranging from Shakespeare and Restoration comedy to contemporary Australian drama. He has acted for the Sydney Theatre Company from its beginnings at the Sydney Opera House. Some of his early performances were as Benedick in John Bell's hilarious production of Much Ado About Nothing, the dual roles of Hotspur and Pistol in Richard Wherrett's production of Henry IV, Jesus in a Perth Festival production of The Mystery Plays of Wakefield and Thomas à Becket in a Perth Festival production of Murder in the Cathedral. As one of Australia's most admired and popular stage actors, he is particularly well remembered for his beautifully studied role of the Catholic priest in Ron Blair's one-character play, The Christian Brothers, which was performed to acclaim from leading critics and audiences in all Australian capitals, numerous country centres, NZ and Riverside studios in London. In a vast career some standout performances include, Money and Friends, The Cherry Orchard, The Blind Giant is Dancing, A Hard God, Happy Days and Night on Bald Mountain. His repertoire is extensive. His casting in the role of Juan Peron, in the musical Evita marked a return to the earliest days of his career when he sang Gilbert and Sullivan productions at Sydney University. A resume of iconic musical theatre roles have peppered his career - Sweeney Todd, Thenadier in Les Miserables, Gus the theatre cat in CATS, Bella Zangler in Crazy for You, Pilate in Jesus Christ Superstar and The Narrator in Into the Woods.His film and television career has been extensive here in Australia and internationally. TV credits include titles such as Aftertaste, The Letdown, Bloom, and Rake. Film credits include The Power of the Dog, Sleeping Beauty, The Chant of Jimmy Blacksmith, and Crazy Rich Asians.Peter has won many awards including Green Room Awards, a Helpmann Award, a Sydney Theatre Critics' Circle Award and an Honorary Doctorate of Creative Arts. He is the inaugural recipient of the Media Arts & Entertainment Alliance's Lifetime Achievement Award; and he continues to be a proud supporter of the union and was awarded an AM for services to the theatre in 2021. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Peter Carroll's distinguished career has spanned over 100 productions and 50 years. He continues to work in musical theatre, new Australian texts, and global classics. He has worked with the major theatre companies and commercial managements in Australia including, MTC, QTC, STC, STCSA, Belvoir, Bell Shakespeare, and Opera Australia.  Peter began his career as a teacher (English, History and Drama) while gaining experiences in theatre work. In 1968 he went to London to study at the Central School of Speech and Drama where he topped the course. He returned to Sydney in 1970 and for three years headed the Voice and Speech department at the National Institute of Dramatic Art. During this time, he produced many plays for the students and kept up his acting work with guest appearances. At the end of 1973 Peter decided to attempt a full-time acting career and his work since then has more than vindicated his choice. He was a founding member in the 1970's of the Nimrod Theatre Company, performing up to seven or eight major roles a year, ranging from Shakespeare and Restoration comedy to contemporary Australian drama. He has acted for the Sydney Theatre Company from its beginnings at the Sydney Opera House. Some of his early performances were as Benedick in John Bell's hilarious production of Much Ado About Nothing, the dual roles of Hotspur and Pistol in Richard Wherrett's production of Henry IV, Jesus in a Perth Festival production of The Mystery Plays of Wakefield and Thomas à Becket in a Perth Festival production of Murder in the Cathedral. As one of Australia's most admired and popular stage actors, he is particularly well remembered for his beautifully studied role of the Catholic priest in Ron Blair's one-character play, The Christian Brothers, which was performed to acclaim from leading critics and audiences in all Australian capitals, numerous country centres, NZ and Riverside studios in London. In a vast career some standout performances include, Money and Friends, The Cherry Orchard, The Blind Giant is Dancing, A Hard God, Happy Days and Night on Bald Mountain. His repertoire is extensive. His casting in the role of Juan Peron, in the musical Evita marked a return to the earliest days of his career when he sang Gilbert and Sullivan productions at Sydney University. A resume of iconic musical theatre roles have peppered his career - Sweeney Todd, Thenadier in Les Miserables, Gus the theatre cat in CATS, Bella Zangler in Crazy for You, Pilate in Jesus Christ Superstar and The Narrator in Into the Woods. His film and television career has been extensive here in Australia and internationally. TV credits include titles such as Aftertaste, The Letdown, Bloom, and Rake. Film credits include The Power of the Dog, Sleeping Beauty, The Chant of Jimmy Blacksmith, and Crazy Rich Asians.Peter has won many awards including Green Room Awards, a Helpmann Award, a Sydney Theatre Critics' Circle Award and an Honorary Doctorate of Creative Arts. He is the inaugural recipient of the Media Arts & Entertainment Alliance's Lifetime Achievement Award; and he continues to be a proud supporter of the union and was awarded an AM for services to the theatre in 2021. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Hello Cuties! The podcast is back with short snappy episodes with queer artists in celebration of Sydney World Pride!! First episode of season five is with Laneikka Denne and Ziggy Resnick where we chatted all things Feminazi, why queer stories are important, experiences being a queer creative and some fun rapid fire questions! So, grab a coffee and enjoy!! BIOS: Laneikka is a queer writer and actor from Western Sydney. At seventeen, Laneikka wrote DEAD SKIN which premiered at KXT to a sold-out season, published by Australian Plays and the winner of SA State Theatre Company's Young Playwrights Award. Laneikka's second play FEMINAZI premieres as part of Belvoir Theatre's Sydney World Pride Programming in 2023. Laneikka was the recipient of the Diversity Entertainment Creative Mentorship 2022, her play DEAD SKIN was performed in LA, to be developed into a feature film adaption of the play. Laneikka's short screenplay Oi was awarded Open Screenplay's Best Short Drama Award and is in pre-production in Sydney. Laneikka acted in the national tour of FOLLOW ME HOME with ATYP and is currently Sally in Netflix's ‘Wellmania'. Laneikka created THE MONOLOGUE COLLECTIVE where teenagers write monologues for teenagers to perform for the HSC to sold-out seasons and was nominated for Best Production for Young People at the Sydney Theatre Awards 2023. Young, queer humans are at the heart of all of Laneikka's work.A queer, Jewish, Greek, first generation “Australian” clown, Ziggy graduated from NIDA with a BFA (Acting) in 2020. During this time she worked with Leticia Caceres on SIX, Priscilla Jackman on Ibsen's Ghosts and Jim Sharman on Twelfth Night, and debuted the role of Amélie in the first Australian stage adaptation of the film Amélie (dir. Miranda Middleton). After graduating from NIDA, Ziggy debuted the role of Shoshana in A is for Apple by Jessica Bellamy at Griffin Theatre Company, worked as a clown on Opera Australia's Ernani, starred in a new Australian show Trash Pop Butterflies Dance Dance Paradise as part of Midsumma Festival and directed Much Stuff at Kings Cross Theatre. She will perform her new play Pear-Shaped in 2023 at TheatreWorks Melbourne. Ziggy is proud to be a member of the 2022/23 SheWrites Collective at TheatreWorks and the RIPE Development Program at Fruit Box Theatre.

Happy February! Love is in the air, so today we learn about St. Valentine and how coincidence, Geoffrey Chaucer, and some birds shaped the medieval and modern traditions of Valentine's Day. Then, we remain in England to discuss the Witches of Belvoir, a mother and her two daughters accused of performing witchcraft on their employers' children. Also, we learn that King James was actually a 90's Disney villain. A blessed Imbolc and happy St. Brigid's Day to all who celebrate! English Broadside Ballad Archive recording of the ballad “Damnable Practises / Of three Lincolne-shire Witches…”: https://ebba.english.ucsb.edu/ballad/20058/recording Enjoying the podcast? Please take a moment to rate/review/subscribe! We'd love to hear from you. Here's how to get in touch with us: Email: saintsandwitchespodcast@gmail.com Instagram: @saintsandwitchespodcast Twitter: @saintsnwitches --- Support this podcast: https://anchor.fm/saints-and-witches/support

The episode where we return to one of our most loved locations: Belvoir Winery and Inn, in Liberty, MO. Make sure to tune in to episode 21 to hear about our first experience (together) there and to get all the history of this place. This was the location where we heard our first disembodied voice, so we had high hopes again…and it did not disappoint. Doors slamming in our faces? EVPs? Belvoir, you are amazing, and we love you. www.thetipsyghost.com Find us on Facebook, Instagram, Twitter, and TikTok @thetipsyghost Email us your stories at thetipsyghost@gmail.com Show your support when you subscribe, leave a great review, & give us a 5 star rating— it really helps!

Today, my guest is Army retired LTC Rob Smith. Rob grew up in Philadelphia and graduated from Overbook High School in 1983. He joined the Army right after graduation and swore in at the Philly MEPS at just 17 years old. He went to Basic and AIT at Ft. Jackson, SC as a 71L Administrative Specialist. His first assignment was to Engineer School BDE in Ft. Belvoir, VA. That was followed by an assignment to Korea, and then back to Arlington Hall Station, VA. It was there that he was accepted into the Green to Gold program and attended Shippensberg University in Pennsylvania. Upon graduation, he was commissioned a 2LT in Armor. He attended Officer Basic Course at Ft. Knox, KY. Then he was assigned to the 4th Infantry Division at Ft. Carson, CO. After four years in Armor, he was branch detailed to Military Intelligence. He went to Officer Advanced Course at Ft. Huachuca, AZ where he was promoted to Captain. He later served as a Basic Training Company Commander, transferred to Acquisitions branch, deployed to Afghanistan in 2016, and retired as a Lieutenant Colonel in 2017.

  Patrick recently had the amazing opportunity to be a speaker and “paranormal celebrity” for Amy Bruni's Strange Escapes event at Belvoir Winery/Odd Fellows Home with Adam Berry, Chip Coffey, John Tenney, Aaron Sagers, and Greg Lawson! He also had several fascinating experiences leading 200 attendees in groups through 8 hours of paranormal investigations of the bunker at Belvoir over two days. Visit BigSeance.com/215 for more info. Other Listening Options Direct Download Link   In this episode: Episode Teaser :00 Intro :39 Patrick is feeling much better now! Thank you for the thoughts and prayers! 1:20 A couple of weeks ago, Patrick had the amazing opportunity to be a speaker and “paranormal celebrity” for Amy Bruni's recent Strange Escapes event at Belvoir Winery/Odd Fellows Home with Adam Berry, Chip Coffey, John Tenney, Aaron Sagers, and Greg Lawson! 2:27 Patrick's Saturday morning talk on “Being a Paranerd!” 3:58 One of Patrick's responsibilities was to lead 200 attendees in groups through 8 hours of paranormal investigations of the bunker at Belvoir over the two days. 8:07 Important notes about the audio from the investigations in this episode. 9:18 Patrick's recent experience of being touched in the bunker, plus the story of how the spirits of children from the orphanage are said to hide out there. 10:15 Feeling the space. 15:30 Reaching out and communicating with the spirits. 16:20 Getting “vibed out” and having to leave. 23:25 Flashlight communication! 26:30 Movement in the corner. 30:20 Singing “Row Row Row Your Boat” with the spirits! 32:18 The flashlight joins in the singing of a round! 35:19 Hiding from teachers! 38:10 The adult male authority figure or “shadow man” joins the group and the children leave. 38:56 The energy picks up again! 42:00 Inviting a friendly touch. 44:00 This episode of the Big Seance is brought to you by Jim Harold's Campfire! Tune in for true and fascinating stories as told by ordinary people who've had extraordinary experiences. Find it on Apple Podcasts, Spotify or wherever you listen to The Big Seance. 46:45 Communication through the spirit box! 49:02 Is Smith here? 50:40 “My pleasure.” 52:42 Hearing “Patrick” through the spirit box! 57:50 Getting a good laugh from the spirit box. 1:00:50 More “Patrick” coming through the spirit box. 1:02:53 “Aubrey” 1:04:05 Personal Experiences 1:05:04 A special THANK YOU to Patreon supporters at the Super Paranerd and Parlor Guest level! 1:11:59 Outro 1:14:12   For more on Amy Bruni's Strange Escapes and Belvoir Winery The Haunted Orphanage at Belvoir Winery - Big Seance Podcast #116  Amy Bruni and Adam Berry: America's Favorite TV Ghost Hunters Talk About Kindred Spirits – The Big Seance Podcast #76 Strange Escapes Belvoir Winery     The Big Seance Podcast can be found right here, on Apple Podcasts, Google Podcasts, Pandora, Spotify, TuneIn Radio, Stitcher, Amazon Music, and iHeart Radio. Please subscribe and share with a fellow paranerd! Do you have any comments or feedback? Please contact me at Patrick@BigSeance.com. Consider recording your voice feedback directly from your device on my SpeakPipe page! You can also call the show and leave feedback at (775) 583-5563 (or 7755-TELL-ME). I would love to include your voice feedback in a future show. The candles are already lit, so come on in and join the séance!