Podcasts about Hiroshima

This week, the Krewe is joined by Loretta Scott (aka KemushiChan on YouTube Channel) for a personal, insightful, and often funny look at what it's like raising kids in Japan as an American parent. We dig into birth experiences, cultural differences from the U.S., unexpected parenting moments, and tips for families living in or visiting Japan. Curious about family life abroad or considering a trip to Japan with the munchkins? This episode is packed with helpful insight just for you!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Loretta on InstagramKemushiChan YouTube Channel------ Past Language Learning Episodes ------Inside Japanese Language Schools ft. Langston Hill (S6E3)Japanese Self-Study Strategies ft. Walden Perry (S5E4)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Heisig Method ft. Dr. James Heisig (S4E5)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Language Through Video Games ft. Matt of Game Gengo (S3E4)Pitch Accent (Part 2) ft. Dogen (S2E15)Pitch Accent (Part 1) ft. Dogen (S2E14)Language through Literature ft. Daniel Morales (S2E8)Immersion Learning ft. MattvsJapan (S1E10)Japanese Language Journeys ft. Saeko-Sensei (S1E4)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

The famed oyster industry in Hiroshima Prefecture, western Japan, has been hit by a catastrophic blow from mass deaths at farms.

Danielle describes a two-week trip across Japan where she and her husband explored major cities, cultural landmarks, hot springs, and Hiroshima's Peace Memorial Park. Highlights included Osaka's food tour, Fukuoka's canal illumination, and an exciting finale at Tokyo Disney with memorable rides and a stunning nighttime spectacular.   Post trip begins: 43 minutes   Links: Walt Disney World Crowd Calendar   Leave me a message (including trip report submissions) Please use the SpeakPipe link below to leave us a message with your first name, location, and trip info. Be sure to include your exact trip dates, who is in your party, where you will stay, and anything unique about the trip. You can do that using your computer or phone at https://www.speakpipe.com/WDWPrepToGo   Subscribe to get new episodes There are a few ways to get new episodes of WDW Prep to Go (if you're used to listening on the website, subscribe so you can take new episodes with you on your phone) Subscribe in iTunes  (and please leave a review!) Subscribe to the podcast   Follow on social media Instagram Facebook Pinterest Bluesky YouTube   Ways to support us Become a Patron Get a quote request for a future trip from Small World Vacations Subscribe to the WDW Prep School weekly newsletter Podcast Episode Finder WDW Prep Merch Visit the site Things we recommend   Affiliate Links: Amazon DVC Rentals Quicksilver Tours and Transportation Small World Vacations Designer Park Co - Use code "WDWPrep" to save 10%

Throughout history small close approaching space rocks have been a part of our environment. Now, thanks to improved telescopes and cameras, asteroid hunters are routinely discovering these small asteroids as they pass closer than the Moon is to us. Since these tiny asteroids are only bright enough to detect for a few days out of their long, many month duration paths about the Sun, astronomers have had difficulty in determining how many of these small space rocks may exist in near Earth space. This effort received more emphasis when a house sized space rock exploded over Chelyabinsk, Russia in 2013 releasing about 10 times the energy of the Hiroshima atomic bomb. Although this asteroid was tiny compared to the one that ended the dinosaurs rule of the planet, the air blast the Chelyabinsk bolide produced caused nearly 1,500 human injuries and damaged more than 7,000 buildings. In a 2017 paper in the Astronomical Journal, Dr. David Trilling of Northern Arizona University and his group of researchers present data from the Blanco 4 meter telescope at the Cerro Tololo Inter-American Observatory in Chile which they use to estimate that there are approximately 3.2 million Earth approaching asteroids similar in size to the Chelyabinsk impactor. My team the Catalina Sky Survey uses 4 telescopes, 24 nights per month, in the mountains north of Tucson, Arizona with the goal to provide warnings for people to stay away from doors and windows should a Chelyabinsk sized space rock be on an impact trajectory with planet Earth.

80 ans après lʹexplosion des bombes atomique sur Hiroshima et Nagasaki, a-t-on pris la mesure de cet événement considérable ? Conçue par le photographe et artiste genevois Nicolas Crispini, cette exposition explore sa mémoire immédiate et sa postérité à travers plusieurs types dʹinstallations : témoignages, photos, films, livres, objets, sons ou entretiens. Le parcours est placé sous la thématique de lʹApocalypse nucléaire qui menace dʹextinction toute vie sur la planète. De nombreuses personnalités le rappellent ici tel le célèbre protestant Albert Schweitzer. "Apocalypses - Quʹavez-vous vu à Hiroshima ?", à voir au Musée international de la Réforme GE, jusquʹau 11 janvier 2026. Nicolas Crispini est lʹinvité de Pierre Philippe Cadert.

Los estallidos de Hiroshima y Nagasaki más que por razones militares estratégicas fueron impulsados por los intereses comerciales de las multinacionales del Complejo Militar Industrial norteamericano, en especial las armamentistas, que cuentan con un lobby militar permanente en la Casa Blanca. La carrera armamentista (nuclear, convencional y espacial), cuyo presupuesto hoy supera el billón de dólares, tuvo su punto de partida en Hiroshima y Nagasaki. Cómo se articuló y quienes son los que lucran con el "negocio nuclear". Los estallidos de Hiroshima y Nagasaki así lo demuestran las investigaciones independientes más que por razones militares estratégicas fueron impulsados por los intereses de las corporaciones del Complejo Militar Industrial norteamericano, en especial las armamentistas, que cuentan con un lobby militar permanente en la Casa Blanca. Las bombas de Hiroshima y Nagasaki no fueron arrojadas para "evitar más muertes" ni para precipitar la "rendición" del Japón: fueron lanzadas para iniciar la carrera armamentista (y consecuentemente el incremento sideral de la tasa de ganancias de las corporaciones del Complejo Militar Industrial que financiaron el proyecto de bombardeo), y lanzar un alerta amedrentador a la Unión Soviética, la otra potencia con capacidad nuclear. El genocidio aterrador de Hiroshima y Nagasaki le sirvió a los bancos y corporaciones (amparados por el Estado Nacional norteamericano) para instalar la carrera armamentista y la carrera espacial debajo de los acuerdos de "coexistencia pacífica" que mantenía al poder nuclear como efecto "disuasivo". El marco nuclear de la "coexistencia pacífica" (además de alimentar el negocio de las corporaciones aeroespaciales) sirvió de cáscara para desarrollar la confrontación por "áreas de influencia" entre EEUU y la URSS durante la Guerra Fría, mediante la cual la "industria de la guerra" (convencional y nuclear) facturó ganancias en armamento cuyo presupuesto mundial hoy supera el billón de dólares. En términos prácticos, y en números, la masacre nuclear de Hiroshima y Nagasaki sirvió a las trasnacionales y bancos para instalar la industria y la financiación del armamentismo (nuclear y convencional) tomado como "efecto disuasivo" para "evitar que sucedan" otras tragedias similares. La carrera armamentista (nuclear y convencional) alimenta los contratos y las ganancias de los consorcios agrupados en ese monstruo llamado Complejo Militar Industrial norteamericano. En su último informe Project on Government Oversight (POGO, Proyecto de Supervisión Gubernamental), un grupo con sede en Washington que vigila el gasto militar, señaló que, entre enero de 1997 y mayo de 2004, sólo 20 grandes proveedores recibieron más del 40 por ciento de los 244.000 millones de dólares en contratos del gobierno federal estadounidense. Entre los consorcios que se benefician en primer lugar de esta práctica se cuentan Lockheed Martin, la gigante aeroespacial Boeing, Northrop Grumman, contratista de la Fuerza Aérea, Raytheon, y General Dynamics. Boeing fabricó los bombarderos que transportaron las bombas de Hiroshima y Nagasaki, e integró el "lobby militar" que promovió e impulsó el proyecto compuesto entre otros por, Carnegie, Dupont, Westinghouse, Union Carbide, Tenesee Eastman, Kellogg, y Monsanto.

Dans ce nouvel épisode, Vincent Gabriel et Simon Desplanque reçoivent Julian Alvarez, Professeur des Universités et président de Ludoscience, association dédiée à l'étude du jeu et du serious game. Ensemble, ils explorent les multiples liens entre géopolitique et jeux vidéo.Dans cette première partie, ils posent les bases : singularités du jeu vidéo comme outil d'analyse, géographie du médium et poids économique d'une industrie devenue incontournable. Bonne écoute !Invité : Julian Alvarez. Son article est disponible ici.Le lien pour participer à l'enquête est ici.Avec Vincent Gabriel & Simon DesplanqueSuivez le podcast ! Il est désormais sur X/Twitter : @20MPC_podcast & LinkedIn !   Générique : Léopold Corbion (15 Years of Reflection)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

2025 haben Tommi und Yvonne erneut Japan besucht, um für Microfiber Madness auf Promo-Tour zu gehen. Dabei wurden verschiedene Events durchgeführt, Händler besucht und der lokalen Auto-Tuning Szene auf den Zahn gefühlt. Dazwischen blieb immer auch etwas Zeit für Land & Leute, auch wenn es dadurch viel Schlaf gekostet hat. In dieser Reisebericht-Serie erfahrt Ihr alles von A-Z: Die Reiseplanungen, Hürden und Besonderheiten eines Japan Besuchs, Kultur und Overtourism Probleme und all unsere Erlebnisse vor Ort. Natürlich kommen auch unsere Events nicht zu kurz und wem beim Wort "Daikoku PA" die Augen leuchten, der sollte auf jeden Fall auch in den Episoden gut aufpassen. Ein verrückter Trip der uns von Osaka, über Kyoto, Hiroshima bis nach Tokio / Yokohama brachte. Und das alles mit öffentlichen Verkehrsmitteln - in Deutschland für uns schwer vorstellbar, in Japan ein (positives) Erlebnis! Wie immer handelt sich bei diesem Podcast um einen „Werbepodcast“, da wir mit unserer Firma einen kommerziellen Onlineshop betreiben und - believe it or not - damit Geld verdienen ;-) Für den Podcast selbst werden wir (bedauerlicherweise) bis heute nicht bezahlt… Wie gehabt, würden wir uns über einen wohlwollenden Kommentar auf den jeweiligen Plattformen und natürlich besonders über Eure Bewertungen sehr freuen. Nur so können wir mit dem Podcast weiter wachsen! Wir wünschen Euch gepflegte Unterhaltung und viel Spaß mit dieser Podcast Episode!

In this episode of Restored, Corie Weathers speaks with author and filmmaker Victoria Kelly, and producer/director Beatrice "B" Becette, the creators of the documentary Atomic Echoes: Untold Stories of World War II. Their journey began when Karin Tanabe and Victoria discovered that their families were connected by the atomic bombings of Hiroshima and Nagasaki — one as an American medic sent into the ruins, the other as a Japanese educator helping rebuild after the war. Together with producer Beatrice Becette, they set out to uncover the forgotten voices of the Japanese atomic bomb survivors and the American atomic veterans who lived in the aftermath. Through shared storytelling, their work explores how reconciliation begins — not through politics, but through listening, empathy, and remembering. This conversation reminds us that peace isn't just the absence of war — it's the hard, human work of facing history, honoring grief, and choosing hope.

Air Date 11/7/2025 The most dangerous part of nuclear weapons has always been the people in charge of them. As we potentially enter a new arms race, some of the worst people in the world are in charge of the vast majority of nuclear weapons. Be part of the show! Leave us a message or text at 202-999-3991, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com Full Show Notes Check out our new show, SOLVED! on YouTube! BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! KEY POINTS KP 1: Will Trump Spark a New Nuclear Arms Race - TLDR News Global - Air Date 11-9-25 KP 2: A History of the Doomsday Clock in 4 Minutes - Bulletin of the Atomic Scientists - Air Date 1-30-24 KP 3: The Lie of Nuclear Deterrence - ICAN's Melissa Parke in Hiroshima, Nagasaki, & Korea for Atomic Bomb 80th Commemorations, Hibakusha Part 1 - Nuclear Hotseat - Air Date 8-13-25 KP 4: Voices of Hiroshima - Scene On Radio - Air Date 8-6-25 KP 5: Marshall Islands: Paradise Interrupted Part 1 - At the Brink - Air Date 12-5-23 KP 6: The Lie of Nuclear Deterrence - ICAN's Melissa Parke in Hiroshima, Nagasaki, & Korea for Atomic Bomb 80th Commemorations, Hibakusha Part 2 - Nuclear Hotseat - Air Date 8-13-25 (00:44:32) NOTE FROM THE EDITOR On the morality of facts we don't question DEEPER DIVES (00:56:09) SECTION A: CONSTANT PERIL (01:22:44) SECTION B: THE NEW ARMS RACE, WORSE THAN THE FIRST (02:05:41) SECTION C: THE DETERRENCE MYTH (02:44:12) SECTION D: THE AFTERMATH 80 YEARS LATER SHOW IMAGE CREDITS Description: Image of a president's hand reaching out to press a big red button. Credit: “war-nuclear-war” by geralt, Pixabay | Pixabay license   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Listen Anywhere! Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com

Japan's political scene is changing—from new parties rising in visibility to historic moments in national leadership—so the Krewe is bringing you a timely crash course. Political analyst Tobias Harris (Founder & Principal of Japan Foresight) joins the pod to break down the foundations of Japan's government system, how it compares to the U.S., and why voters view politics the way they do. We explore the major and emerging parties shaping the landscape, the issues driving debate today, and how international pressures and global events influence domestic policy. Tobias also sheds light on the media's role in shaping public perception and political accountability.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Japan ForesightObserving Japan on SubstackThe Iconoclast on AmazonTobias Harris on BlueSky------ Past History/Society Episodes ------The Castles of Japan ft. William de Lange S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

As memórias de quem viveu um centenário e presenciou o bombardeio a Hiroshima ultrapassam fronteiras de tempo, espaço e linguagem, mas ganharam forma sensível e poética no curta-metragem  'Alma Errante - Hibakusha'. O documentário mergulha no imaginário de Takashi Morita, sobrevivente da bomba atômica, ex-soldado da Guarda Imperial japonesa e ativista pela paz, que faleceu no Brasil, em 2024, aos 100 anos. Dirigida pelo cineasta Joel Yamaji, a produção fez sua estreia internacional no 26º Festival de Cinema Asiático de San Diego, na Califórnia, no domingo (9). Cleide Klock, correspondente da RFI em Los Angeles O projeto começou há quase três décadas, quando o cineasta conheceu a família Morita em São Paulo, em 1996. Desde lá, Yamaji acumulou horas de imagens e depoimentos até encontrar a forma que desejava. Mais do que um registro histórico, o filme é um poema visual. “Não queria explorar o sofrimento em forma de espetáculo. Queria um filme sobre a paz, sobre aqueles que passaram pela guerra e continuaram. É sobre a superação", conta o diretor. Yamaji define o curta como uma obra que ultrapassa o documentário tradicional, mistura gerações em uma metáfora de convivência. “Eu sempre acho que a poesia no cinema é necessária, ainda mais num mundo em guerra. O Sr. Takashi sempre professou a paz, então quis fazer um filme que fosse um poema, não uma denúncia", diz Yamaji. A herança da memória e a mensagem de paz A filha do Sr. Takashi, Yasuko Morita, veio a San Diego para a apresentação de 'Alma Errante - Hibakusha'. Ela acompanha a trajetória do filme, do legado e das memórias dos pais que ouvia desde criança, ambos sobreviventes de Hiroshima. “Além deles serem um casal muito unido, eram companheiros da mesma lembrança. Eu e meu irmão crescemos ouvindo essas histórias. Eles eram vítimas de uma mesma tragédia, mas unidos pela esperança. Meu pai nunca falou mal de ninguém. Quando perguntavam se ele tinha raiva dos Estados Unidos, ele dizia: ‘Não. Eu tenho raiva da guerra', contou Yasuko. Ela relembrou ainda que seu pai dedicou a vida a campanhas sobre a paz e à Associação de Sobreviventes da Bomba Atômica no Brasil, criada por ele para garantir assistência médica e promover campanhas de conscientização. “As nossas campanhas pela paz sempre foram voltadas aos jovens, para entenderem que a bomba atômica não pode andar com a humanidade. Meu pai dizia: ‘Hiroshima foi a primeira. Nagasaki tem que ser a última", disse ela. Yasuko reforça o simbolismo de trazer o filme agora aos Estados Unidos, país que lançou a bomba e que há poucos dias o presidente Donald Trump falou em retornar os testes nucleares. Ela relembra a última conversa que teve com o pai. "As últimas falas do meu pai antes de falecer me tocaram bastante. Ele falou assim: 'A gente não fez o suficiente, olhe como está o mundo agora'. Eu disse: 'Mas o senhor fez o que podia. E o resto tem que ficar para outras pessoas continuarem.' Depois de dois meses que ele tinha falecido, uma entidade de sobreviventes lá do Japão, com quem nós tínhamos bastante contato, foi premiada com o Prêmio Nobel da Paz. Eu pensei, papai, o senhor iria ficar tão orgulhoso!", finaliza.

As memórias de quem viveu um centenário e presenciou o bombardeio a Hiroshima ultrapassam fronteiras de tempo, espaço e linguagem, mas ganharam forma sensível e poética no curta-metragem  'Alma Errante - Hibakusha'. O documentário mergulha no imaginário de Takashi Morita, sobrevivente da bomba atômica, ex-soldado da Guarda Imperial japonesa e ativista pela paz, que faleceu no Brasil, em 2024, aos 100 anos. Dirigida pelo cineasta Joel Yamaji, a produção fez sua estreia internacional no 26º Festival de Cinema Asiático de San Diego, na Califórnia, no domingo (9). Cleide Klock, correspondente da RFI em Los Angeles O projeto começou há quase três décadas, quando o cineasta conheceu a família Morita em São Paulo, em 1996. Desde lá, Yamaji acumulou horas de imagens e depoimentos até encontrar a forma que desejava. Mais do que um registro histórico, o filme é um poema visual. “Não queria explorar o sofrimento em forma de espetáculo. Queria um filme sobre a paz, sobre aqueles que passaram pela guerra e continuaram. É sobre a superação", conta o diretor. Yamaji define o curta como uma obra que ultrapassa o documentário tradicional, mistura gerações em uma metáfora de convivência. “Eu sempre acho que a poesia no cinema é necessária, ainda mais num mundo em guerra. O Sr. Takashi sempre professou a paz, então quis fazer um filme que fosse um poema, não uma denúncia", diz Yamaji. A herança da memória e a mensagem de paz A filha do Sr. Takashi, Yasuko Morita, veio a San Diego para a apresentação de 'Alma Errante - Hibakusha'. Ela acompanha a trajetória do filme, do legado e das memórias dos pais que ouvia desde criança, ambos sobreviventes de Hiroshima. “Além deles serem um casal muito unido, eram companheiros da mesma lembrança. Eu e meu irmão crescemos ouvindo essas histórias. Eles eram vítimas de uma mesma tragédia, mas unidos pela esperança. Meu pai nunca falou mal de ninguém. Quando perguntavam se ele tinha raiva dos Estados Unidos, ele dizia: ‘Não. Eu tenho raiva da guerra', contou Yasuko. Ela relembrou ainda que seu pai dedicou a vida a campanhas sobre a paz e à Associação de Sobreviventes da Bomba Atômica no Brasil, criada por ele para garantir assistência médica e promover campanhas de conscientização. “As nossas campanhas pela paz sempre foram voltadas aos jovens, para entenderem que a bomba atômica não pode andar com a humanidade. Meu pai dizia: ‘Hiroshima foi a primeira. Nagasaki tem que ser a última", disse ela. Yasuko reforça o simbolismo de trazer o filme agora aos Estados Unidos, país que lançou a bomba e que há poucos dias o presidente Donald Trump falou em retornar os testes nucleares. Ela relembra a última conversa que teve com o pai. "As últimas falas do meu pai antes de falecer me tocaram bastante. Ele falou assim: 'A gente não fez o suficiente, olhe como está o mundo agora'. Eu disse: 'Mas o senhor fez o que podia. E o resto tem que ficar para outras pessoas continuarem.' Depois de dois meses que ele tinha falecido, uma entidade de sobreviventes lá do Japão, com quem nós tínhamos bastante contato, foi premiada com o Prêmio Nobel da Paz. Eu pensei, papai, o senhor iria ficar tão orgulhoso!", finaliza.

Depuis la fin de la guerre froide, on croyait l'arme nucléaire obsolète, ou à tout le moins cantonnée à certains Etats dits voyous. Aujourd'hui, alors que la guerre fait rage en Ukraine et que la Chine se montre de plus en plus agressive, elle revient au centre des débats, au point que certains observateurs parlent de l'avènement d'un troisième âge nucléaire. Celui-ci se caractériserait par la modernisation des arsenaux américain, russe et chinois, l'érosion des traités de contrôle et, last but not least, l'émergence de nouvelles technologies (missiles hypersoniques, IA etc.). Dans cette nouvelle saga, Héloïse Fayet (IFRI) fait le point sur ces évolutions et nous donne un aperçu du nouvel ordre nucléaire qui pourrait bien caractériser les prochaines décennies.Invitée : Héloïse Fayet (IFRI) - son analyse est disponible iciAvec Simon DesplanqueSuivez le podcast ! Il est désormais sur X/Twitter : @20MPC_podcast & LinkedIn !   Générique : Léopold Corbion (15 Years of Reflection)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ua 80 tausaga talu ona fa'aaogāina se pomu atomika i se osofa'iga ina ua fa'apa'ū e Amerika pomu atomika i taulaga o Hiroshima ma Nagasaki i Iapani ma i'u ai le taua lona 2 o le lalolagi.

durée : 00:58:48 - Le Book Club - par : Marie Richeux - Inspiré de l'expérience de son auteur Keiji Nakazawa, rescapé du bombardement atomique à Hiroshima le 6 août 1945, ce long manga explore avec un réalisme saisissant la violence, la souffrance des civils et l'endoctrinement idéologique imposé par le régime impérial japonais. - réalisation : Vivien Demeyère - invités : Benoît Peeters Écrivain, scénariste de bandes dessinées et éditeur, biographe d'Hergé; Pauline Croquet Journaliste au Monde rubrique Pixels

Dans Musée Duras, Julien Gosselin retraverse l'œuvre protéiforme de Marguerite Duras à travers onze propositions scéniques. Aux côtés de seize interprètes issus de la promotion sortante du Conservatoire national supérieur d'art dramatique, le directeur de l'Odéon nous fait découvrir l'œuvre complète de Marguerite Duras sur une journée, avec les élèves de la promotion 2025 du Conservatoire national supérieur d'art dramatique de Paris. Un spectacle fleuve de dix heures assez hypnotique avec un rythme : celui des mots, celui de la musique, de la techno et des lumières stroboscopiques. Il y a aussi des scènes filmées en vidéo et projetées sur les écrans autour de la scène ; pour chaque texte, le dispositif change. On peut s'immerger dans l'homme Atlantique, la douleur, Hiroshima mon amour ou La Musica deuxième. Ce qui m'intéresse quand je monte un texte, ce n'est pas de rendre hommage à un auteur ou à une autrice, c'est de faire un théâtre d'aujourd'hui : c'est faire un théâtre vivant. Julien Gosselin    Julien Gosselin explore aussi les thèmes de l'amour fou, «aimer à en mourir» un thème très durassien: «Je crois qu'une des choses fondamentales pour le théâtre, c'est qu'au fond, le théâtre n'est pas là pour montrer des sentiments raisonnables. On ne vient pas au théâtre pour voir des choses qui ressemblent de manière identique et molle à la vie. On vient voir des zones d'extrémité dont on pourrait dire qu'elles sont presque interdites». Marguerite Duras, née Marguerite Donnadieu le 4 avril 1914, près de Saigon (Vietnam), est une autrice, dramaturge, scénariste et réalisatrice française. Elle passe son enfance en Indochine française, une expérience qui marquera son œuvre. Après des études de droit, elle s'engage dans la Résistance pendant la Seconde Guerre mondiale et adopte le nom «Duras». Son mari, Robert Antelme, sera arrêté par la Gestapo et conduit vers les camps de Dachau et Buchenwald d'où il ressortira vivant. Elle s'inspirera de ces années pour écrire La douleur. L'œuvre de Marguerite Duras aborde les questions de la passion, de désir, de la solitude.  Elle obtient le prix Goncourt en 1984 pour l'Amant. En 1959, elle écrit le scénario du film Hiroshima, mon amour, qui sera réalisé par Alain Resnais. Elle est également l'autrice de romans tels que Un barrage contre le Pacifique, Moderato cantabile, son style épuré a considérablement renouvelé la littérature française. Elle milita aussi activement contre la guerre en Algérie et s'engage pour les droits des femmes en signant le manifeste des 343, réclamant l'abrogation de la loi de 1920 interdisant l'avortement et toute contraception.   Elle décède à Paris en 1996.  Invité : Julien Gosselin, metteur en scène français né en 1987. En 2009, il fonde le collectif Si vous pouviez lécher mon cœur avec six comédiens de sa promotion. Il se fait connaître avec l'adaptation du roman de Michel Houellebecq Les particules élémentaires présentée au Festival d'Avignon en 2013. En juin 2025, il est nommé directeur du Théâtre National de l'Odéon pour une durée de cinq ans.   Musée Duras à voir à l'espace Berthier jusqu'au 30 novembre 2025. Programmation musicale : L'artiste montréalaise Laura Lefevre avec le titre Un séjour. 

Dans Musée Duras, Julien Gosselin retraverse l'œuvre protéiforme de Marguerite Duras à travers onze propositions scéniques. Aux côtés de seize interprètes issus de la promotion sortante du Conservatoire national supérieur d'art dramatique, le directeur de l'Odéon nous fait découvrir l'œuvre complète de Marguerite Duras sur une journée, avec les élèves de la promotion 2025 du Conservatoire national supérieur d'art dramatique de Paris. Un spectacle fleuve de dix heures assez hypnotique avec un rythme : celui des mots, celui de la musique, de la techno et des lumières stroboscopiques. Il y a aussi des scènes filmées en vidéo et projetées sur les écrans autour de la scène ; pour chaque texte, le dispositif change. On peut s'immerger dans l'homme Atlantique, la douleur, Hiroshima mon amour ou La Musica deuxième. Ce qui m'intéresse quand je monte un texte, ce n'est pas de rendre hommage à un auteur ou à une autrice, c'est de faire un théâtre d'aujourd'hui : c'est faire un théâtre vivant. Julien Gosselin    Julien Gosselin explore aussi les thèmes de l'amour fou, «aimer à en mourir» un thème très durassien: «Je crois qu'une des choses fondamentales pour le théâtre, c'est qu'au fond, le théâtre n'est pas là pour montrer des sentiments raisonnables. On ne vient pas au théâtre pour voir des choses qui ressemblent de manière identique et molle à la vie. On vient voir des zones d'extrémité dont on pourrait dire qu'elles sont presque interdites». Marguerite Duras, née Marguerite Donnadieu le 4 avril 1914, près de Saigon (Vietnam), est une autrice, dramaturge, scénariste et réalisatrice française. Elle passe son enfance en Indochine française, une expérience qui marquera son œuvre. Après des études de droit, elle s'engage dans la Résistance pendant la Seconde Guerre mondiale et adopte le nom «Duras». Son mari, Robert Antelme, sera arrêté par la Gestapo et conduit vers les camps de Dachau et Buchenwald d'où il ressortira vivant. Elle s'inspirera de ces années pour écrire La douleur. L'œuvre de Marguerite Duras aborde les questions de la passion, de désir, de la solitude.  Elle obtient le prix Goncourt en 1984 pour l'Amant. En 1959, elle écrit le scénario du film Hiroshima, mon amour, qui sera réalisé par Alain Resnais. Elle est également l'autrice de romans tels que Un barrage contre le Pacifique, Moderato cantabile, son style épuré a considérablement renouvelé la littérature française. Elle milita aussi activement contre la guerre en Algérie et s'engage pour les droits des femmes en signant le manifeste des 343, réclamant l'abrogation de la loi de 1920 interdisant l'avortement et toute contraception.   Elle décède à Paris en 1996.  Invité : Julien Gosselin, metteur en scène français né en 1987. En 2009, il fonde le collectif Si vous pouviez lécher mon cœur avec six comédiens de sa promotion. Il se fait connaître avec l'adaptation du roman de Michel Houellebecq Les particules élémentaires présentée au Festival d'Avignon en 2013. En juin 2025, il est nommé directeur du Théâtre National de l'Odéon pour une durée de cinq ans.   Musée Duras à voir à l'espace Berthier jusqu'au 30 novembre 2025. Programmation musicale : L'artiste montréalaise Laura Lefevre avec le titre Un séjour. 

Eighty years after the atomic bombings of Hiroshima and Nagasaki, the shadow of nuclear weapons has re-emerged on the world stage. Once thought to be relics of a bygone era, they are again the subject of fierce rhetoric between Washington, Moscow and Beijing.

Hablamos con la gallega Lucía Solla Sobral de su debut en la literatura, Comerás flores (Ed. Libros del Asteroide), novela sobre las muchas formas -a veces camufladas de amor- que puede adoptar el maltrato psicológico dentro de la pareja. Luego Javier Lostalé abre su ventanita poética a Vida ávida, la poesía reunida de Ángel Guinda que publica la editorial Olifante ahora que se cumplen tres años de la muerte del autor aragonés. Por su parte, Ignacio Elguero nos recomienda varias lecturas: la edición bilingüe e ilustrada de Haikus de la bomba atómica (Ed. Hiperión), en los que la japonesa Seiko Ota sintetiza los conocimientos y testimonios de los supervivientes de los bombardeos de Hiroshima y Nagasaki, y la versíón del clásico Hansel y Gretel (Ed. Lumen) que ha hecho Stephen King a partir de los diseños de escenografía y vestuario que el mítico ilustrador estadounidense Maurice Sendak concibió en su momento para una ópera.En Peligro en La estación nuestro colaborador Sergio C. Fanjul nos invita a pensar en las diferencias entre lo que llamamos literatura comercial y "literaria" al hilo de la polémica por el último Premio Planeta.Terminamos el programa en compañía de Mariano Peyrou, que hoy nos sorprende con De las cosas pálidas (Ed. La Bella Varsovia), el nuevo poemario de Alberto Santamaría, en el que el escritor cántabro aborda asuntos de calado como la identidad, la autopercepción y las relaciones con los demás a través de detalles aparentemente banales.Escuchar audio

Filosoferna Torbjörn Tännsjö, Jonna Bornemark och Lyra Ekström Lindbäck svarar på lyssnarnas frågor. Lyssna på alla avsnitt i Sveriges Radio Play. Per-Daniel frågar: Varför ska vi bry oss om kommande generationer? De har ju inte gjort särskilt mycket för oss och vi vet inte ens om de kommer att finnas.Efter en sommar av mer eller mindre intensiv samvaro behöver signaturen ”mamman” filosofernas hjälp. Vad är en familj och var börjar och slutar den, frågar hon. De amerikanska atombomberna som detonerade över Hiroshima och Nagasaki 1945 krävde 100 000-tals japanska dödsoffer, den absoluta majoriteten civila. Anfallet försvarades med att en invasion av Japan hade krävt ännu fler dödsoffer, och att bomberna tvingade fram en kapitulation. Filosofen Elizabeth Anscombe kritiserade detta resonemang och menade att mord på oskyldiga alltid är fel, även om det innebär att färre människor får sätta livet till. Håller ni med Anscombe, undrar Joel.Karin frågar: Hur värderar ni den svenska kulturkanon som nyligen publicerades?  Hur kommer den påverka hur vi svenskar agerar tillsammans?  Medverkande: Torbjörn Tännsjö, Jonna Bornemark och Lyra Ekström LindbäckProgramledare: Cecilia Strömberg WallinProducent: Marie Liljedahl

Step into the world of tokusatsu with Ultraman Max director Takeshi Yagi! The Krewe chats with Yagi-san about the artistry, imagination, and behind-the-scenes magic that bring Ultraman and Japan's iconic heroes & monsters to life. Discover how tokusatsu continues to inspire fans around the world.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Takeshi Yagi ------Takeshi Yagi on InstagramTakeshi Yagi on X/TwitterTakeshi Yagi's WebsiteTakeshi Yagi's Blog (JP)Takeshi Yagi's New Book (Releasing Nov 19, 2025)Wikizilla Page on AKARI------ Past Tokusatsu/Pop Culture Episodes ------Enjoying Shojo Anime & Manga ft. Taryn of Manga Lela (S5E18)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime  (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age  (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Operation Olympic was the first phase of Operation Downfall—the Allied plan to invade Japan and end World War II. Set for November 1, 1945, this massive amphibious assault on Kyushu was canceled after Japan surrendered following the atomic bombings of Hiroshima and Nagasaki and the Soviet Union's declaration of war.In this episode, MacArthur Memorial historians Amanda Williams and Jim Zobel break down the operation's objectives, scale, and historical context. This episode also includes a bonus Q&A of listener questions that were recorded after the initial program. YouTube Initial Program: Operation OlympicYouTube Q&A: Operation Olympic Q&AHave a comment about this episode? Send us a text message! (Note: we can only read the texts, we can't reply) Follow us on:Twitter: @MacArthur1880; @AEWilliamsClarkFacebook: @MacArthurMemorialwww.macarthurmemorial.org

Late last month, President Trump announced that the United States would be restarting nuclear weapons tests after a break of over 30 years. We've since learned that they won't be the explosive kind of tests, but this sent us down a rabbit hole — where we found a story about dinosaurs, Carl Sagan, and nuclear war. Because there was a moment in the not-so-distant past when we learned what drove the dinosaurs extinct... and that discovery, made during the Cold War, may have helped save humans from the same fate. This episode originally published in March 2025.Guests:David Sepkoski, Thomas M. Siebel Chair in History of Science at the University of Illinois and author of Catastrophic Thinking: Extinction and the Value of Diversity. Owen Brian Toon, professor of atmospheric and oceanic sciences at the University of Colorado Boulder.Alec Nevala-Lee, novelist, critic, and biographer and author of the forthcoming book Collisions: A Physicist's Journey from Hiroshima to the Death of the Dinosaurs. Ann Druyan, co-writer and co-creator of the television series Cosmos: A Personal Voyage. Andrew Revkin, science and environmental journalist.To access bonus episodes and listen to Throughline sponsor-free, subscribe to Throughline+ via Apple Podcasts or at plus.npr.org/throughline.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sau 80 năm Hiroshima, những căng thẳng hạt nhân giữa Mỹ, Nga và Trung Quốc lại trỗi dậy. Điều từng được xem là dấu chấm hết của thời kỳ hủy diệt giờ đây lại trở thành tâm điểm trong lời qua tiếng lại giữa Washington, Moscow và Bắc Kinh.

80 Jahre nach den Atombombenabwürfen auf Hiroshima und Nagasaki kehrt das Thema Atomwaffen auf die Weltbühne zurück. Während US-Präsident Donald Trump überraschend eine trilaterale Zusammenarbeit mit Russland und China zur Denuklearisierung andeutet, reagiert Moskau mit der Ankündigung, sich auf neue Atomtests vorzubereiten. China wiederum baut sein Waffenarsenal weiter aus und beobachtet das geopolitische Ringen aufmerksam. Expertinnen warnen vor einer gefährlichen Kettenreaktion.

Federico Rampini"La lezione del Giappone"Il Paese che anticipa le sfide dell'OccidenteMondadori Editorewww.mondadori.itIl mondo sta riscoprendo il Giappone. Un sintomo è il boom di visitatori, che sconvolge un paese poco abituato all'overtourism. È una riscoperta che ha molte facce. La rinascita dell'industria nipponica è quasi invisibile, nascosta in prodotti ad altissima tecnologia di cui nessuno può fare a meno. Più vistoso è invece il «soft power» di Tokyo, che dilaga da decenni nella cultura di massa: dai manga agli anime, dai videogame alla letteratura, dal cinema al J-pop, adolescenti e adulti occidentali assorbono influenze nipponiche talvolta senza neppure saperlo. Il sushi è ormai globale quanto la pizza. Se si elencano tutte le mode nate nel Sol Levante, colpisce un'analogia con quel che fu l'Inghilterra dei Beatles negli anni Sessanta. Persino la sua spiritualità, dallo shintoismo al buddismo zen, ha esercitato una presa potente su noi occidentali, anticipando l'ambientalismo e il culto della natura come «divinità diffusa». Il Giappone è soprattutto un laboratorio d'avanguardia per le massime sfide del nostro tempo: fu il primo a conoscere denatalità, decrescita demografica, aumento della longevità. Dentro le soluzioni che sperimenta per invecchiare bene c'è una lezione per tutti noi. Federico Rampini, che lo frequenta da oltre quarant'anni, ci guida in questo viaggio fra i misteri di una civiltà antichissima e affascinante, un paese che condensa modernità e rispetto della tradizione come nessun altro, e ciononostante deve far fronte a numerosi paradossi: il paradiso delle buone maniere può essere vissuto come una prigione di conformismo, tanto che alcuni decidono di scomparire, evaporando nel nulla. E come conciliare i tassi di criminalità più bassi del mondo con l'esistenza della temuta mafia Yakuza? Anche la sua centralità geopolitica è fondamentale. Ottant'anni di dibattito sull'atomica acquistano una prospettiva nuova, quando li si ricostruisce da Hiroshima. Per non parlare del futuro della Cina e della sfida che essa lancia all'Occidente: nessuno è in grado di decifrarlo meglio dei giapponesi, che hanno millecinquecento anni di esperienza. Il Sol Levante, inoltre, è stato il primo a sperimentare i fulmini del protezionismo americano, fin dagli anni Settanta, ispirando Donald Trump. In un mondo in cui sempre più paesi riscoprono il capitalismo di Stato, le politiche industriali, la geoeconomia, la lezione del Giappone, preziosa quanto silenziosa, è la mappa di un futuro che riguarda tutti noi.Federico Rampini, editorialista del «Corriere della Sera», è stato vicedirettore del «Sole 24 Ore» e corrispondente de «la Repubblica» a Parigi, Bruxelles, San Francisco, Pechino e New York. Ha insegnato alle università di Berkeley, Shanghai e alla Sda Bocconi. È membro del Council on Foreign Relations, think tank americano di relazioni internazionali. Come esperto di geopolitica è public speaker per The European House – Ambrosetti. Ha pubblicato più di venti saggi di successo, molti tradotti in altre lingue, come i bestseller Il secolo cinese (Mondadori 2005) e L'impero di Cindia (Mondadori 2006). Tra i più recenti, Fermare Pechino (Mondadori 2021), Suicidio occidentale (Mondadori 2022), La speranza africana (Mondadori 2023) e Grazie, Occidente!(Mondadori 2024). Con suo figlio Jacopo, attore, è andato in scena a teatro in Trump Blues e A cosa serve l'America, e ha scritto il romanzo Il gioco del potere (Mondadori 2025). Ha realizzato per La7 i programmi televisivi «Inchieste da fermo» e «Inchieste in movimento».Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Au Japon, l'arbre de vie a pris une dimension nouvelle au XXᵉ siècle, lorsque le ginkgo biloba, déjà symbole de longévité dans la culture asiatique, est devenu le témoin d'un événement tragique : la bombe atomique d'Hiroshima. Le 6 août 1945, à 8 h 15, l'explosion pulvérisa presque toute la ville. Les températures atteignirent plus de 4 000 °C, et plus de 100 000 personnes périrent instantanément. Pourtant, parmi les ruines calcinées, quelques arbres résistèrent — et parmi eux, plusieurs ginkgos.Ces arbres, situés à moins d'un kilomètre de l'hypocentre, furent entièrement brûlés à la surface, mais leurs racines restèrent vivantes. À la stupéfaction des survivants, de jeunes pousses vertes apparurent au printemps suivant, dans une ville dévastée. Ce phénomène devint un symbole national : la vie plus forte que la destruction. Ces ginkgos, appelés hibakujumoku (« arbres bombardés »), existent encore aujourd'hui. On en recense une centaine à Hiroshima, soigneusement identifiés, protégés et entretenus. Chacun porte une plaque indiquant sa distance du point d'explosion et sa date de repousse.Mais la sacralité du ginkgo ne naît pas seulement de sa survie physique : elle rejoint une tradition spirituelle japonaise ancienne. Dans le shintoïsme, la nature est habitée par les kami, les esprits divins. Les arbres, par leur longévité et leur verticalité, sont perçus comme des passerelles entre le ciel et la terre. Le ginkgo, avec sa capacité à renaître après la destruction, incarne désormais une forme moderne d'arbre de vie : il relie la souffrance du passé à l'espérance du futur.Les Japonais voient dans ces arbres rescapés une métaphore de la résilience nationale. Après la guerre, ils devinrent lieux de recueillement et d'enseignement moral. Autour de certains d'entre eux, les habitants plantèrent des jardins de paix. Des graines furent envoyées à travers le monde, jusqu'en Europe et aux États-Unis, comme symboles de réconciliation.Aujourd'hui encore, ces ginkgos rappellent la capacité humaine à se relever. Leur silhouette élégante, leurs feuilles en éventail qui jaunissent chaque automne, racontent une histoire plus vaste que celle du Japon : celle de la vie qui persiste malgré la folie des hommes. C'est pourquoi, au Japon, l'arbre de vie n'est pas seulement une métaphore spirituelle : c'est une réalité historique, gravée dans l'écorce brûlée des ginkgos d'Hiroshima, témoins silencieux de la survie du monde. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Después de una semana escuchando a los ciudadanos periodistas, me extraña mucho que el pasado domingo el Estadio Santiago Bernabéu no saltase por los aires o se hundiese en la tierra hasta desaparecer. Jamás, en estadio alguno, se había visto semejante afrenta. Lo curioso es que, según nos han contado los ciudadanos periodistas, pareciera que son ellos los agraviados, los que han sentido los gestos de Vinicius como una puñalada en el corazón. Qué tierno resulta escuchar a un montón de antimadridistas preocuparse tanto. Como dice el refrán, del enemigo, el consejo, supongo que para hacer exactamente lo contrario. Min. 01 Seg. 50 – Intro Min. 07 Seg. 53 – Un comportamiento inaceptable Min. 15 Seg. 20 - Tiene que dimitir por principios Min. 20 Seg. 36 - Solo y a los pies de los caballos Min. 28 Seg. 37 – Ni un minuto más en el Real Madrid Min. 34 Seg. 21 – Hiroshima y Nagasaki Min. 41 Seg. 14 - Un vestuario al borde de la erupción Min. 46 Seg. 01 - El club debe intervenir (en este caso) Min. 51 Seg. 10 - Lo único que les importa es el castigo Min. 55 Seg. 51 - No escuchan, sólo oyen Min. 62 Seg. 42 - Despedida Grateful Dead (Essen 28/03/1981) Mexicali Blues Good Lovin' Sugaree Shakedown Street Ship Of Fools Not Fade Away Michael Jackson - Thriller (Munich 06/07/1997)

In this episode, we share what we did in each port on our Norwegian Spirit Cruise to Japan. From spending our wedding anniversary in Hiroshima to the extreme heat viewing Mt Fuji, we saw and did a LOT on this once in a lifetime cruise to Japan! Download our shore day bag checklist and more cruise packing and planning checklists & videos by joining the CruiseTipsTV Academy at https://academy.cruisetipstv.com

What if prayer could defy physics? In this episode, Fr Columba tells the astonishing true story of eight Jesuit priests who survived the atomic blast at Hiroshima, without injury, in the open, and against every scientific law. Their secret? Living the message of Fatima and praying the Rosary daily. Discover how this miracle reveals the real power of prayer, the protection of Our Lady, and why the Rosary remains one of the Church's greatest weapons of faith, even in the darkest moments of history.

As the top flight enters the final stretch, things tightened at the top in Matchday 35, but two dogfighters saw their fates sealed in a dramatic round of games. Jonny and Ben begin the pod with an ACL review, then cover the games involving the title chasers, including Kashima's stunning late equalizer at Kyoto, Kashiwa's win over Yokohama FC, and Kobe's late collapse at already relegated Niigata (to 28:28). Then in Part 2, Yokohama F.Marinos correspondent Stuart Woodward joins us again after his side's 3-0 home win over Hiroshima took them to the brink of securing safety, while we also discussed Shonan's relegation (to 58:58). And finally, Jonny and Ben round up the other five games, and look ahead to the Levain Cup final on Saturday.

“Anachronistic d’amour” es la última entrega de Jaime Cristobal, J’aime. Este “Amor por el anacronismo” sirve para enfocar la música de este músico pamplonés que bebe de referentes del pasado manejando esas influencias con filtros más actuales. Un gran disco de pop con el que iniciamos un paseo por la huerta ibérica en busca de variopintas novedades.Playlist;J’AIME “Amplified heart”J’AIME “Distant star”J’AIME “Sweethearts and high ends”MUTAGÉNICOS “Rumore”LE GRAND MIERCOLES “Kid Chocolate”THE BUCANNAN “Confital Bay”THE BO-DEREKS “Hiroshima”EH MERTXE! “Reza al pop”JUVENTUDE “Ana mi amor”DEPRESIÓN SONORA “Sin volverme loco”RATA NEGRA “Hawai”UKELELE ZOMBIES “¡Y con mi hacha!” ANA CURRA “Amor, odio”ANA CURRA feat ÁLVARO BIZNAGA “Unidos”BIZNAGA “Máquinas blandas”JOSÉ LANOT “Conjuro” Escuchar audio

Thanks for finding our podcast! We are a family of 5 who does most of our travel using credit card points and miles and we share how we leverage credit card offers to earn a ton of points/miles so we can afford travel as a larger family.Follow us on Instagram @TravelPartyof5These are all the experiences we booked in Japan using Viator:Our Fave Japan ExperiencesIn this episode we are sharing our five days spent in Kyoto with kids. From bullet train tactics and early-bird sightseeing to Osaka, Hiroshima reflection, and the messy truth of Nara's deer, we map what worked and what we'd change.• Buying Shinkansen tickets on Klook and SmartEX options• Luggage, seating, ekiben and Mount Fuji side tips• Hyatt Place Kyoto value, connecting rooms, breakfast strategy• Nishiki Market • Arashiyama Bamboo Grove • Ninja class highlights • Osaka day trip, Dotonbori food, karaoke • Hiroshima day trip, Miyajima torii, Peace Museum• Orizuru Tower • Nara - the deer town Some experience links may be affiliate links which means we make a small commission if you choose to book through those links. Thank you for supporting our free content by using these links

Popeye City Guide in Okinawa: Part 2 Day Trip With Lost Without Japan Season 5 Ep 123 The time stamp for the start of our talk on Okinawa is 5:10 Get CLEAR on Japanese grammar with Maplopo's Verb Pro Masterclass. Stop grumbling, stumbling, and fumbling your way through Japanese... and finally get to sounding confident and intelligent in the language this year. For a limited amount of time, Lost Without Japan listeners save 70% off the full retail price and pay only $60 through December 31st. PLUS get access to Maplopo's private Discord community for support on your verb-related conjugation questions. Head on over to maplopo.com/lost-without-japan and begin your transformation today. Please Consider Kindly Supporting Our Crowd-Funded Show By Supporting Us Through Our Show's Patreon: https://patreon.com/lostwithoutjapanpodcast?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator Google Shared Maps For This Episode: https://maps.app.goo.gl/v89QkFUaS1TSmNvH9  Australian International Driver's License:  https://kart.st/en/drivers-license/australia.html United States International Driver's License:  https://travel.state.gov/content/travel/en/international-travel/before-you-go/driving-and-road-safety.html

durée : 00:54:27 - Le Fil de l'histoire - par : Stéphanie Duncan - - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Driving through Gaza is like "driving through the ruins of Hiroshima, or Stalingrad, or Dresden"Tom Fletcher has been the United Nations humanitarian chief for almost a year and speaks to Nick two weeks into his organisation's efforts to get as much aid as possible into the Gaza Strip.He gives a behind-the-scenes account of how he works with the Trump White House and how the ceasefire deal was struck in Sharm el-Sheikh.Fletcher also shares his lessons learned from his years as foreign adviser to Tony Blair, Gordon Brown and David Cameron.Producer: Daniel Kraemer Research: Chloe Desave Editor: Giles Edwards Sound: Hal Haines and Ged Sudlow

durée : 00:10:34 - Le Fil de l'histoire - par : Stéphanie Duncan - Le 9 août 1945, les Américains font exploser sur Nagasaki une seconde bombe atomique. Le même jour, Staline déclare la guerre au Japon et l'Armée rouge envahit la Mandchourie. Pris en tenailles entre les bombes américaines et l'assaut soviétique, le Japon se voit acculé à déposer les armes. - invités : Olivier WIEVIORKA - Olivier Wieviorka : Historien, professeur à l'École normale supérieure de Cachan - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this week's episode, joined by 2024 New Orleans-Matsue Sister City Exchange Program participants Katherine Heller & Wade Trosclair, the Krewe looks back & celebrates 30 years of friendship between Matsue, Japan & New Orleans, Louisiana... a sister city relationship built on cultural exchange, mutual curiosity, &shared spirit. Together, they reflect on their time in Matsue during the exchange program, their experiences with host families, and the deep connections that form when two communities separated by an ocean come together.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Matsue/Sister City Episodes ------Lafcadio Hearn: 2024 King of Carnival (S5Bonus)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about the Exchange ------2024 Exchange Program Info/PicturesShogun Martial Arts Dojo (Katie's family's dojo)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

durée : 00:10:13 - Le Fil de l'histoire - par : Stéphanie Duncan - Paul Tibbets, le pilote de l'Enola Gay, a eu le temps, juste après avoir largué la bombe, de regarder derrière lui et d'apercevoir le champignon nucléaire au-dessus d'Hiroshima… Mais il ne sait rien de l'apocalypse que sa bombe a provoquée en quelques secondes. - invités : Olivier WIEVIORKA - Olivier Wieviorka : Historien, professeur à l'École normale supérieure de Cachan - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Alice Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Alice Lovejoy is author of the award-winning Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. A former editor at Film Comment, she is Professor of film and media studies at the University of Minnesota. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

durée : 00:09:31 - Le Fil de l'histoire - par : Stéphanie Duncan - 6 août 1945, trois heures du matin. Trois bombardiers américains décollent de la base de Tinian dans les îles Mariannes, un archipel du Pacifique-Est. Deux avions sont là pour prendre des mesures et des photos. Le troisième est celui qui, dans la soute, transporte la bombe A, surnommée "Little Boy". - invités : Olivier WIEVIORKA - Olivier Wieviorka : Historien, professeur à l'École normale supérieure de Cachan - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:47 - Le Fil de l'histoire - par : Stéphanie Duncan - Comment faire céder l'empire du soleil levant ? En juillet 1945, à la conférence de Potsdam qui réunit les dirigeants des 3 pays vainqueurs, le nouveau président américain Harry Truman, en aparté, informe Staline que son pays possède une arme secrète nouvelle d'une puissance inédite... - invités : Olivier WIEVIORKA - Olivier Wieviorka : Historien, professeur à l'École normale supérieure de Cachan - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Short English Summary : In this episode, Noriko talks about negative heritage/negative legacy - sites that preserve tragic history, such as Hiroshima, Nagasaki, and Auschwitz. Why do we keep these painful memories? To forget, or to remember? She shares her own experiences and invites listeners to reflect on the meaning of preserving dark heritage.Takeaways負の遺産は悲しい歴史を伝える場所である。世界遺産には美しい自然や歴史的な文化価値がある場所だけでなく、負の遺産も含まれる。広島の原爆ドームはその一例である。過去の悲劇を忘れないために、歴史的な場所を残す意義がある。教育目的で訪れることが重要である。人間の判断ミスが引き起こした災害について考える必要がある。悲しい歴史を学ぶことは未来にとって重要である。

durée : 00:10:20 - Le Fil de l'histoire - par : Stéphanie Duncan - En 1945 la première bombe atomique était larguée sur Hiroshima. Pour les uns, Hiroshima, symbole poussée à son paroxysme de la barbarie humaine, aurait pu être évité. Pour les autres c'était le seul moyen de faire capituler les Japonais et d'épargner des centaines de milliers de vies... - invités : Olivier WIEVIORKA - Olivier Wieviorka : Historien, professeur à l'École normale supérieure de Cachan - réalisé par : Claire DESTACAMP Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Lawfare Contributor Mykhailo Soldatenko sits down with Serhii Plokhii, Harvard History Professor and a leading authority on the history of the Cold War and Ukraine, to discuss his new book, "The Nuclear Age: An Epic Race for Arms, Power and Survival," that tells a history of nuclear proliferation and international efforts to tame it. They discuss the role of fear and prestige in a country's decision to acquire nukes, nuclear strikes on Hiroshima and Nagasaki, preventive wars against nuclear aspirants, Ukraine's decision to give up nuclear weapons it inherited from the Soviet Union, and more. You may also want to look at the following Lawfare pieces about this topic:"Filling the Security Void of the Budapest Memorandum," by Mykhailo Soldatenko "Ukraine's Nuclear Moment," by Eric CiaramellaTo receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.