Podcasts about cross record

Episode 738: March 27, 2025 playlist: Cross Record, "Charred Grass" (Crush Me) 2025 Ba Da Bing! Diamanda Galas, "De-formation 4" (De-formation: Piano Variations) 2019 intravenal Sound Operations Angel Bat Dawid and Naima Nefertari, "Procession of the Equinox" (Journey to Nabta Playa) 2025 Spiritmuse Demdike Stare and Kristen Pilon, "A Greater Name Is You" (To Cut and Shoot) 2025 [self-released] The Primitives, "Sweet Sister Sorrow" (Let's Go Round Again • Second Wave Singles and Rarities 2011-2025) 2025 Elefant Galactic Embrace, "Pink Snow" (Happy Collapse) 2025 Ministry of Spoons Blenk, "Outline" (Breaking The Loop) 2025 Enemy Parade Ground, "The Net" (The Hidden Side) 1984 Mask Music / 2025 Dark Entries JJULIUS, "doedsdisco feat. clara flygare" (JJULIUS-VOL.3) 2025 Mammas Mysteriska Jukebox Guided By Voices, "The Great Man" (Universe Room) 2025 GBV Inc Drick, "Sinjake Panambola ("Dance of the rich")" (Tsapiky! Modern Music From Southwest Madagascar) 2025 Sublime Frequencies Cosey Fanni Tutti, "Stound" (2t2) 2025 Conspiracy International Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Starting on the East coast, bringing a dog on tour, and a healthy mix of ballads and upbeat songs. Molly Burch Molly Burch's “Daydreamer”- https://www.omnianmusicgroup.com/products/daydreamer "Molly Burch was exposed to the arts at an early age. Growing up in Los Angeles with a writer/producer father and a casting director mother, Burch's childhood was filled with old Hollywood musicals and the sounds of Patsy Cline, Billie Holiday and Nina Simone. After finding her voice in adolescence, Burch packed up for the University of North Carolina in Asheville to study Jazz Vocal Performance. “I was always really interested in singing before songwriting. I didn't have the confidence to write,” Molly says, “Initially it was more about finding the right songs to complement my voice.” And that voice is the first thing you'll notice on Burch's debut album, Please Be Mine. It's smoky, with an incredible range, effortlessly evocative of her early influences. It was in Asheville where Burch would meet guitarist Dailey Toliver, who plays on her debut, and who inspired much of its music. Searching for a bigger pond, Burch moved to Austin, Texas in an effort to stand on her own two feet. There, Burch began to write her own music in earnest, with the lovelorn Everly Brothers and Sam Cooke as her songwriting guides. Joined by Toliver in Austin a year later, the two connected with Dan Duszynski of Cross Record, and they recorded all the songs on Please Be Mine at his idyllic studio in Dripping Springs, Texas. Motivated by the hourly rate, Burch and her band recorded all the basic tracks and vocals live in one room and in one day, with minimal overdubs for keys and back-up vocals happening a day later. A difficult task for any talented musician, it becomes more mind-blowing when you hear her belt it on tracks like “Downhearted” and “I Love You Still.” We're all lucky Molly started writing music simply to complement her voice, as we've discovered a great new American songwriter in the process. Captured Tracks is proud to present this debut album of ten beautiful, wistful love songs of loss, loneliness and reconnecting." Excerpt from http://www.mollyburchmusic.com/bio Molly Burch: Bandcamp: https://mollyburch.bandcamp.com Instagram: @mollyjburch Website: http://www.mollyburchmusic.com Merch: https://www.hellomerch.com/collections/molly-burch The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Spotify: https://open.spotify.com/show/5Ndle3K... Apple Podcasts: https://podcasts.apple.com/us/podcast...

On this week's Talkhouse Podcast we've paired up a couple of old friends and onetime tourmates, Sharon Van Etten and Jonathan Meiburg. This pairing was especially fun for me, since I had the pleasure of putting these two together in a different context many years ago, when I was editor of The A.V. Club: Sharon and Jonathan performed an amazing version of the Tom Petty/Stevie Nicks duet “Stop Draggin' My Heart Around” for the site's A.V. Undercover series. Seeing their faces together brought back that fun memory, and it was great seeing them reconnect. Van Etten is a singer and songwriter who's been making records for the past decade plus, growing and changing and taking chances in exactly the way you hope truly talented people will. Her amazing early records were quietly intense, very confessional affairs, but she burst from the seams with subsequent releases. In 2019, she released Remind Me Tomorrow, which brought in bigger sounds and colors and an entirely different kind of confidence to her songwriting and performance. She gives partial credit in this chat to producer John Congleton, who was recommended to Van Etten by none other than Jonathan Meiburg. Earlier this year, Van Etten released another incredible album called We've Been Going About This All Wrong, which puts into intense songs some of the feelings we've all been feeling the past couple of years. You know what I'm talking about. Check out “Mistakes” from that new album, and check out Van Etten on the Wild Hearts tour over the next few months, with Angel Olsen and Julien Baker.  Today's other guest, Jonathan Meiburg, is best known in the music world as the driving force behind the band Shearwater, which he started way back in the late ‘90s as an offshoot of his previous band, Okkervil River. But under this name, Meiburg has created a vast and varied catalog that combines his writerly mind with sometimes-moody, sometimes-joyous music. Shearwater just released their first album in six years: It's called The Great Awakening, and it's what a lazy podcast host might refer to as a return to form—or at least more austere earlier vibes. Don't let that six-year gap fool you, though: Meiburg has been plenty busy. He's got another band called Loma with the members of Cross Record, and they've got a third album on the way. Oh, and Meiburg wrote and released an incredible book called A Most Remarkable Creature: The Hidden Life and Epic Journey of the World's Smartest Birds of Prey, which rolls up history, science, and travel into one really beautifully written piece. (Around Talkhouse HQ, we like to brag that Meiburg has written a bunch of pieces for us over the years.) As you'll hear in this conversation, he's already started working on another book. Check out “Empty Orchestra” from The Great Awakening. As you'll hear, Van Etten and Meiburg are old friends who toured together long ago, but hadn't seen each other in person until very recently, when Van Etten's tour took her to Hamburg, where Meiburg is currently living. They talk about writing songs—and specifically about how gibberish can become lyrics, which I always find interesting. Meiburg remarks on Van Etten's transformation as a stage performer over the years, and they even chat about Sharon's son—specifically his relationship to the movie Cool Runnings. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Sharon Van Etten and Jonathan Meiburg for chatting. If you liked what you heard, please do follow Talkhouse on your favorite podcasting platform. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time.

This Must Be the Gig is joined by Emily Cross of Cross Record. The experimental project focuses on a powerful fusion of visceral muscle and ephemeral glow—most recently culminating in an incredible self-titled record in 2019. In addition, Emily is one third of the band Loma, alongside Dan Duszynski, and Jonathan Meiburg, and Loma is set to release a new record of their own via Sub Pop. And as if that weren't enough, Emily is also a death doula, someone who assists in the understanding and processing of death, aiming to help individuals and families cope with mortality as a natural part of life. Needless to say, her work in that field under the organization name Steady Waves End of Life Services is particularly pressing and meaningful in the midst of a global pandemic. Lior spoke with Emily about organizing "living funerals" for individuals struggling with the concept of mortality while also touring as a musician, how moving to England may change her work, and bringing essential oils into green rooms. Head here for more info on Cross Record. Head here for more info on Steady Waves End-of-Life Services. Head here for more information on this week's featured organization, Leaders Igniting Transformation. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Emily Cross fronts the the bands Loma and Cross Record. She joins CWMD for a very engaging conversation about her abstract podcast "What I'm Looking At", Loma's new album and her work as a death doula. Ms. Cross is very a very engaging and unique artist. CWMD is proud to have her as a guest.Opening Track: "Ocotillo." Performed by Loma from the album, Don't Shy Way.Don't Shy Away will be released on Sub Pop Records October 23rd. 2020.Loma Instagram: @lomathebandCross Record: @crossrecordBy the album: https://megamart.subpop.com/releases/loma/dont_shy_awayhttps://lomatheband.com/Emily's great podcast: https://podcasts.apple.com/us/podcast/what-im-looking-at/id1212991318CWMD is produced, hosted and edited by Matt DwyerConsulting Producer: Dustin MarshallSpecial thanks to Subpop Records and Bekah Zietz Flynn See acast.com/privacy for privacy and opt-out information.

Emily Cross hosts living funerals ceremonies. Her music band is Cross Record. She is the owner of Steady Waves EOL and is hanging out with Nathalie in this episode. Steady Waves EOL is Emily’s end of life doula business. Her band is going on tour and Emily is taking her living funeral ceremonies with her. Emily explains the role of a death doulas . Emily says that she provides support and advocacy for the dying and their families. It can involve creating calm space for the person and completing documents on their behalf. Death meditations can help you feel even more alive, as both Emily and Nathalie have experienced. Emily shares an overview of what her touring meditation will look like. Emily gives recommendations for people who are interested in this type of work and where to study.  We then learn more about Cross Record’s tour. The Living ceremony tour may be in a city near by you this Fall 2019 - tune in to the show and find out.   Check out our 21 days yoga challenge and create a home practice with a short thirty minutes intelligent flow yoga sequence + lot's of yoga tips in this online course. Are you someone on the go? Life Get's busy. Traveling a lot? This course might be perfect for you. try our simple and effective sequence with three variatios. Plus a short meditation for daily practice. 21 Days Yoga Challenge - Home Practice     Nathalie’s website: https://www.nathaliecroix.com/   Steady Waves EOL: https://steadywaveseol.com/ Steady Waves EOL on Instagram: https://www.instagram.com/steady_waves_eol/ Cross Record: http://www.crossrecord.com/ Cross Record on Instagram: https://www.instagram.com/crossrecord/   End of Life Doula at the University of Vermont: https://learn.uvm.edu/program/end-of-life-doula-certificate/

Austin's Emily Cross shares her third (and self-titled) album today!

Episode 418: June 2, 2019 (Guest: Jacob Long of Earthen Sea) playlist: Earthen Sea, "Living Space" (Grass And Trees) 2019 Kranky Christopher Willits, "Coast" (Sunset) 2019 Ghostly Uzeda, "Deep Blue Sea" (Quocumque jeceris stabit) 2019 Temporary Residence Felicia Atkinson, "Shirley to Shirley" (The Flower And The Vessel) 2019 Shelter Press Cross Record, "PYSOL My Castle" (Cross Record) 2019 Grapefruit Earthen Sea, "Stateless" (Ink) 2015 Lovers Rock Earthen Sea, "Also An Act Of Love" (An Act of Love) 2017 Kranky Earthen Sea, "Shallow, Shadowless" (Grass And Trees) 2019 Kranky Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

I look at the Cross Record test pressing I just received in the mail. See acast.com/privacy for privacy and opt-out information.

In one of the first episodes recorded (before I learned the importance of a windscreen for recording outside), I met up with Emily Cross and Sarah Gautier in a lovely Austin park where I probed them for stories of awful shows. Tales of sexism, rudeness, and inept soundguys are among the highlights.

In one of the first episodes recorded (before I learned the importance of a windscreen for recording outside), I met up with Emily Cross and Sarah Gautier in a lovely Austin park where I probed them for stories of awful shows. Tales of sexism, rudeness, and inept soundguys are among the highlights.

This week were talking about Shearwater and Cross Record side project Loma. But be careful! Liking its eerie incantations may land you on Cambridge Analytica's “Least Extroverted” list. (They no what you like and they are using it against you) which is why my favorite band is the Counting Crows. Adam Duritz 2020! Next, on The Radio Cure! Link to the songs and reviews:  https://www.theradiocurepod.com/blog/2018/3/27/loma-loma-ep-60

Season Two comes full circle with our final guest, Brooklyn's own Faith Harding aka Novelty Daughter, whose song "U Want What I Want" was featured on this season's debut episode. Faith introduces the off-kilter pop stylings of Ryan Powers, as well as Suzi Analogue, an ambitious electronic producer and DJ with a wholly unique sound landing in the lineage of footwork djs & experiemental instrumental hip-hop. We discuss Loma—a newly-formed power trio from artists behind Shearwater and Cross Record—and their enchanting three-part harmonies on the single "Black Willow." Fresh-faced London four-piece Sorry offers a raw nod to grunge in their contagious track "Lies." And Portland duo Nurses delivers a warped psych balad with "In The Mirror."  We also play the title track from Faith's alluring & wonderfully daring 2017 record Inertia.  01 "Whoever You Love, I'm Cool" by Jeffe  02 "Give It A Rest" by Ryan Power  03 "Unbothered" by Omar Apollo 04 "Black Willow" by Loma 05 "Lies" by Sorry  06 "NRGNRG" by Suzi Analogue  07 "In The Mirror" by Nurses 08 "Race to the Bottom" by Ha Ha Tonka   Playlist available: https://soundcloud.com/not97/sets/not97-season-two-episode-ten Art by Michael Brennan © NOT 97. All music ℗ & © their rights holders, used by NOT 97 with explicit permission.

And we're back! Our first new mix of the new year includes gritty guitar rock from the band Bethlehem Steel, a sweetly seductive, pop earworm from singer Anna Burch, and an epic breakup song from Lucy Dacus.We've also got a stunning new cut from the sprawling rock group Typhoon (you can read about and listen to their new album here). "Empiricist," from the band's upcoming album Offerings, is one in a series of meditations on how memories shape who we are — and what happens when you start to lose those memories.Plus, singer Jonathan Meiburg of the band Shearwater and the duo known as Cross Record join together for a new project they're calling Loma. The group's upcoming, self-titled debut is full of mystery and wonder.

We're joined in this episode by Emily and Dan from Cross Record, who share insights on their songwriting and recording process, what it's like to perform as a duo, and the future of their band. If you haven't, be sure to check out their new album, Wabi Sabi: https://open.spotify.com/album/4NtiklQ1pE4FHngLr5pKw8 http://www.crossrecord.com/

Jonathan Meiburg explains how Vic Chesnutt's "Big Huge Valley" helped him realize there was a whole world of music bubbling beneath the mainstream. Plus, he makes the case that Nina Simone is the "best popular musician of the 20th century, and maybe the 21st century too." Then Emily Cross of Cross Record describes the effect Imogen Heap's "Hide and Seek" had on her while her partner Dan Duszynski explains how King Tubby expanded his ideas of what music could be.

Jonathan Meiburg explains how Vic Chesnutt's "Big Huge Valley" helped him realize there was a whole world of music bubbling beneath the mainstream. Plus, he makes the case that Nina Simone is the "best popular musician of the 20th century, and maybe the 21st century too." Then Emily Cross of Cross Record describes the effect Imogen Heap's "Hide and Seek" had on her while her partner Dan Duszynski explains how King Tubby expanded his ideas of what music could be.

Tons of new music on this episode starting with Australian rockers The Wheelers of Oz. Downtempo electronic artist Emancipator and his new album, and the up and coming single from Texas folk rockers Cross Record.

Live at the Hungry Brain with Samantha Irby, Jeff Steinbrunner and Cross Record Samantha Irby recommends making money for doing certain acts. Jeff Steinbrunner is part of Your Funniest Friends. They're trying to do something that is difficult.